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If I had a nickel for every time Carlos tried to get Charles to strip on camera... Well, I'd have two nickels, but it's weird that it happened twice. (x) (x)
the fact that lestat is so much colder and crueler in claudia’s recollections than in louis’….the fact that she can hear louis’ thoughts but not lestat’s so they will always have that distance between them…louis being her dad but lestat being her uncle….the fact that her and lestat are so much alike in so many ways and she doesn’t even know the extent to which they’re the same….the fact that they both experienced abuse at the hands of their guardians….the fact that they both didn’t/couldn’t choose the vampiric lifestyle…the fact that they both experienced trauma surrounding their human lover….the fact that they relish the power of vampirism and killing in part as a means to cope with that trauma…..if only they could talk about it…..if only things were different……….
Jacob Anderson should get an emmy for this single acting choice of going tongue first alone. Will expect this level of commitment from every actor from now on
Peter Anderson: Hi, my name is Peter Anderson. I'm from Peter Anderson Studio. And we created the title sequence to Good Omens Season Two. So, we begin our journey with our angel and our demon starting again, climbing back from this enormous ending from Season One. We experiment and we don't stop experimenting.
So, you know, we built fire out of paper as a stop free emotion.
You know, our clouds are cotton wool. It's not just clever, big CGI.
It's experimenting with other ways in which we can make the world of Good Omens feel fresh and original.
And lots of the procession are the actual costumes that were in the drama.
A lot of them worn by me and other members of the Peter Anderson studio on a travelator in a green screen. Where we could almost all of the faces of our characters, even though they're dressed in costume, and build up the different roles played within the drama, their faces are built from our angel or our demon.
The crossover happens straight away with the live action. We've got live action figures that straightaway have got two-dimensional heads. But we mess with them. We give them mohicans, we cut up their faces to make them look like our various characters.
And like season one, we're building a world. We're building the universe. We playfully add storytelling elements that really are reflective of Neil's storytelling. We do our best to push and play with what animation can be...
To add 3D elements, 2D elements,
to live action elements, to really low-fly animation elements. You know, we're not just hinting and teasing at things with these tiles. We're obsessing over every part of the storytelling.