#or all the moms in your life

[sunkly]

[christadeguchi]

you think YOU had a bad day at work?

bonus: sid shrieking "no!!!! NO!!!!!" loud enough to be heard in the stands and on camera

[hychlorions]

a what-if i've been thinking about for forever... trucy knowing the truth before anyone could tell her

[buggachat]

(random s5 finale musings) tbh I don't think Marinette chose to keep The Secrets™ from Adrien because Gabriel asked her to. I feel like Marinette keeping secrets like that is so consistent with her character; she hates giving people bad news, she hates rocking the boat, she hates upsetting people, she always chooses to keep any 'controversial' information to herself for as long as she can get away with (examples: bubbler scarf, telling Queen Bee she was benched, confessing to Adrien, warning Chat Noir about Scarabella or Rena Furtive, never told Chat Noir about Chat Blanc, etc) that I just totally believe she would've done it either way. She was even already having nightmares about Adrien hating her for finding out she defeated his father, so I feel like Gabriel's request was moreso giving her a go-ahead than it was a primary deciding factor, yknow?

[skunkes]

[reineydraws]

so there's this post that talks about how people call jason's curved knife a kris but it's not a kris 'cuz why would he have a southeast asian knife? and op's tags say if you're gonna give him an 'exotic' weapon at least make him malay or something. a later reblog adds a filipino kris as an example, and then i was like, 'omg, jason in a barong tho.' SO i tried designing a bat-barong inspired by his hood logo, for a filipino jason haha. and now here we are! 😊✨️🇵🇭

[azuneekun]

Hello azu, I have a question about the cover of your fancomic "Godfather"!

I like your comic, but I don't understand the symbolism of the mourning frame next to Shane, could you explain it to me?

I just think that the grief of losing his loved ones killed him too, if that makes sense.

Godfather comic

[zeldasadork]

to me mounders are found family but not in a standard siblings-esque dynamic or anything. particularly early on it’s like they have the unshakable camaraderie of like, college dormmates bonded through their mutual befuddlement of what shared teachers they have, or acquaintances stuck in a elevator together, or shipwreck survivors caught in the same stretch of land.

and it’s happenstantial up until they’re maybe a little too loyal a little too giving for what should ultimately amount to amicable neighbors. it’s happenstantial until they start to notice that they choose eachother over and over again, in their own ways. it’s that they care for eachother and they fight for eachother and they mourn for eachother as a whole and individually. and it’s fascinating.

[opens-up-4-nobody]

Suspirium - Thom York

[ratqu33n]

oh my god so many thoughts about the new episode

The contrast between Fabian and Riz really fucking kills me. Like Riz's mom is working herself to the bone trying to find a way to help him pay for college and has to have this hard conversation with Riz before school starts because it's just that important that he starts thinking about scholarships and jobs and stuff. In stark contrast with Fabian's mom who not only got married while he was away (presumably without telling him), but also left immediately all whilst giving him exponentially more things to deal with in her absence. Like I know it's funny that Fabian apparently doesn't even know where glasses are in his own home but it's kind of really sad to me. This guy is eighteen years old and doesn't know how to do anything for himself. He has to start applying for colleges soon and has to learn how to feed himself and be a person and all these basic things all at the same time. The whole theme of the season seems to be just exhaustion so far but Fabian's whole family life just makes me really tired for him.

[possamble]

What are your headcanons about Marcille's mom if you have any? It's interesting that what drew Donato to her was cause she lived the history he studied, or that was said somewhere at least. She must've had an interesting life.

so this was going to be just a normal answer but then I realized I have a Lot of Things To Say. so here goes, a compilation of what we know for a fact from the canon, what I've extrapolated from the visual cues and details, and my theories based on all of that.

Things we know for a fact about Marcille's mother because they were explicitly stated in the manga and supplemental materials:

She was a court mage for a Tall-man kingdom at the southern part of the Northern Continent

Donato, a court historian, fell in love with her because she had lived through the history he was studying, and he courted her for 17 years (age 15 to 32) before getting married

She was a cheerful person who rarely showed extreme emotion and took things as they came

She always cooked a huge meal for Marcille on her birthdays

She remarried a gnome after Donato's death and a short distance away from Marcille's childhood home

Pipi, Marcille's pet bird, was actually older than Marcille and originally belonged to her mother (bird died at 62)

She was extremely heartbroken when Donato died and ultimately ended up instilling a deep fear of mortality in Marcille with her words

the only time she showed extreme emotion in front of her family was when Donato could no longer eat his favourite dish near the end of his life.

She scolded Marcille for being cruel to ants (implying she can have a stern side when needed)

Things that are explicitly shown but mostly through visual cues

She has a very distinctive style of dress always involving a ribbon choker (mirroring Marcille's habit of always wearing a matching choker with any of her outfits that don't cover her neck)

She was almost stereotypically good at housekeeping and traditionally "wifely" things (very frequently depicted wearing an apron or doing some domestic chore when not at work, seems to have been an avid cook).

She knits? (also, note the affectionate smile as she's looking at Donato and Marcille reading a book together in the full panel)

She was as excited for Marcille's milestones as Donato was.

She didn't tell Marcille much about elven food

(there are a couple things that this panel in particular implies:

She lived a good deal of her life (if not being born and raised) in a mainly elven country in the West, implied by her knowing enough of an elven region's cuisine to prefer Tall-man food over it

seems to have a pretty carefree and casual demeanour overall, if this is how she replied to Marcille asking her about it (sounds like she never gave her culinary preferences that much thought to begin with)

slightly related to number 2, it seems like she and Marcille had a fairly casual parent-child dynamic (especially in comparison to the Toudens' memory of their father)

(local elf tastes Italian food once and never goes back))

However, she seems a lot more... serious in most of the other times we see her? Almost like the very stereotypical archetype of a graceful elf.

Subsequent conclusions about her personality:

Usually pretty carefree and cheerful at home, has been a loving and attentive parent throughout Marcille's childhood (while not being so doting that she didn't discipline Marcille).

Slightly more conjectural theories on her personality:

Had a much more graceful and professional personality at work, which would explain the more serious portraits we see of her.

Given that both she and Donato had positions at the royal court, it seems a little odd that she'd go out of her way to do all the housework herself, so maybe she just enjoyed doing it?

Now taping all the evidence together and toeing the line between analysis and fanfiction:

It's clear that she loved Donato very much and was utterly devastated by losing him. But there's one thing that really stuck out to me in what little we see of her:

Doesn't she seem... angry? The way she's gritting her teeth, clutching the tablecloth, and how this is the first and only time we see her eyes opened that wide. In the following panel, you see her being quiet and dejected after her initial outburst. She's still crying very intensely, but her brows are furrowed, and she's not really responding to Donato's affection in her body language.

We're not told the details of how she felt about losing Donato other than that it upset her. But this, to me, implies that she was angry and resented that he was aging, that the end of his life was approaching. An "it's not fair" type of preemptive grief. And if this was the first and last time she cried like this in front of her family, she was either very good at coping in private... or very bad at letting herself feel unpleasant emotions until they become unavoidable and end up overwhelming her.

It's not too remarkable a detail on the surface. It's even reminiscent of what the audience has seen of Marcille. But... when it comes to the big picture, you'd think an elf who voluntarily chose to marry a tall-man and have a half-elf child would have been better prepared for this.

It kind of recontextualizes her cheerfulness to me.

"I'm sure everything's gonna be okay!" (or some variation thereof, depending on what translation you have).

And this is stated to contrast her extreme grief when finally confronting Donato's failing body and eventual death. But I'm wondering if... maybe this optimism was why she was so upset. What if she went into all of it thinking "everything's gonna be okay"? What if she was a little young by elven standards, and just followed her heart thinking that her own resilience would get her through anything?

Of course, only to get completely overwhelmed when she actually loses Donato. She turns into a completely different person. And that's heartbreaking on its own-- but what the audience sees is the effect it had on Marcille. Can you imagine being her, watching your invincible and upbeat mother suddenly lose all the light in her eyes in one go?

I've already made a huge post about how I think Marcille models her "work persona" off her mother, but another thing that stuck with me as I was looking for more details in the manga was this:

copy pasting from the other post i made about it lmao it's like... the second she resigns herself to lifelong pain and terror, there's another portrait of her mother facing her like this. with their heads bowed, in mirrored body language of resignation and despair and sorrow. Except it's posed like Marcille is still looking at her mother but her mother is looking away.

It took me a second to realize, but I think that it's a visual metaphor for the fact that Marcille's mother was the only long-lived role model she had-- and she failed to model healthy grief for her daughter. I don't say this as an accusation or to disparage her as a character, but just as a matter of fact. In her, Marcille was seeing herself older and losing a short-lived spouse or loved one of her own, and all she saw was hopelessness.

But her mother didn't mean to instill hopelessness and terror in her. She wasn't really thinking of how it would truly affect Marcille at all (at least, that's how I'm interpreting her looking down and away from Marcille in the metaphor), she was just sad. And she, in her own way, was trying to protect her daughter and help her prepare for future losses.

What she meant was "loss is inevitable, and you have to learn how to be in pain but live on anyway." What Marcille heard was "loss is inevitable, and you will be scared and hurt for the rest of your life."

Again. Marcille's mother doesn't feature explicitly in the story the way her father does -- but in so many ways, her shadow, her silhouette, her reflection is always hanging over Marcille.

All that to say... headcanon-wise (everything from here on is 100% without evidence lmao), I'd like to think that she matured and realized that she failed Marcille. I imagine her being regretful about it, wanting a chance to fix it but never finding a way to insert herself back into Marcille's life when Marcille is so so so busy becoming the most accomplished mage possible. I imagine her being herself again, now, so many years after her loss and after remarrying -- but with her cheerfulness tempered with a lot more wisdom and the pain of having gone through loss like that. I think the second Marcille actually tells her what happened in the dungeon, she'd want to go running to her daughter again -- if Marcille tells her the full truth instead of just being embarrassed she let things get that far. (oh, the tragedy of her wanting to be more like her mother and an accomplished adult who doesn't need to be babied... being embarrassed to actually tell her mother how much she fucked up...)

There's also the tension of her having remarried -- I know that there's at least a little bit of resentment that Marcille harbours about that, because she's childish like that at heart even if she makes an effort not to externalize it. I think that her mother would be aware of that, potentially adding to her sense of guilt and apprehension at trying to reappear/intrude on Marcille's life. I honestly don't think Marcille has met her stepfather -- or even considers him a stepfather rather than "mama's new husband" and kind of a total stranger. I think she and her mother actively don't talk about it in their correspondence, like an elephant in the room.

but, ultimately, I think her mother is on her side no matter what. Ancient magic? Dark necromancy? Sure, she'll feel guilty and like she was partially responsible for setting Marcille down such a painful path, but she wouldn't care. that's her daughter!! she would've moved back west and been petitioning for her at the court, buying a house right next to the Canaries barracks and visiting her every day that she wasn't on a mission. And if her husband had opinions on Marcille becoming a "dark arts user," he either gets over it or it's divorce with him. Yes, she might have had her optimism completely humbled by losing Donato like that -- but she's still headstrong and self-assured and she doesn't care what people think of her. It's her way or the highway and she's always going to be in Marcille's corner.

(She also needs a name lol. I went with Juno, just to be cute about "Marcille"s closest real life equivalent being Marcella, which is the female version of Marcellus, which in turn is a diminutive of Marcus, which was derived from Mars. Absolutely in love with Marcille potentially being named after Ares/Mars the fucking god of war btw)

[cloudabserk]

lestat and armand are fucking crazy 😭 you’ve known each other like 3 days

[coolerhope]

I headcanon that Wyll and Gale take turns when it comes to cooking for the party, with the other being the "sous-chef". (Gale having more experience cooking overall but Wyll having more experience cooking outdoors). They learn a lot from each other.

However, Wyll quickly learns (like Gale's old teachers at Blackstaff) to give Gale little tasks while he cooks otherwise Gale's gonna be an annoying little backseater while Wyll is trying to cook.

[hammity-hammer]

steve harrington realizing that he’s got no purpose if he’s not protecting the people he loves from outer-dimensional beings, and has a minor (read: major) spiral about it post-vecna & the party fixing everything. he’s just a regular ole 20 something with no purpose— his friends are all in school, except eddie, who managed to pick up an apprenticeship as an electrician; putting all of that wire knowledge to use (just not in cars, he hasn’t hotwired one since 1986 and he’d like to keep it that way si vous plais) and making the rich houses have even cooler guts than they deserve.

the kids end up graduating (their first tries) and heading as one little pack to the same school (don’t ask me which, i’m a college drop out) and steve, eddie, and rob end up staying just outside of indy. rob finished school early, because of course she did, and she found that she may have a knack for hanging around high schoolers, so why not teach them how to become polyglots like she is?

steve still doesn’t know what the fuck he’s doing— he bartends at a little club in the gayborhood, because they went there so often that the bartenders just kind of pushed him into it, and don’t get him wrong— mixing drinks and flirting all night is super fun, but it also… is kind of depressing? even if he gets to be around people like him and see them happy— he knows that a lot of alcohol and drugs causes that happiness and he wants so badly for his people to be out and proud and not murdered for it. but he can’t do that,, so he does the next best thing.

he talks with one of the regulars, andy, who owns a little tattoo shop on the corner, and andy invites him to come check it out. so he does the next day he’s free, and holy fucking christ. tattoos aren’t his thing— at least not on himself, but on other people they’re gorgeous. and they’re painful, but you’re turning the pain into art and you get to live with it in your skin and look at it and think about the fact that you’re here and you made it and you fucking survived. and people purposefully put scars into their bodies? and not in the i-battled-literal-other-dimensional-beings-and-won kind of way, or the i-battled-my-personal-demons-and-won kind of way, which both are things he’s dealt with so fucking intimately— but in the i-will-decorate-this-flesh-prison-and-make-it-a-castle kind of way, and that’s fucking beautiful. queer people taking their bodies and making them into art with ink and hot metal and needles and the love that they have for each other and the passion and the fucking spite at the world that keeps them going and making their presences KNOWN.

and maybe he gets some piercings while he’s there— it’s fascinating and feels so weird and freeing when the needle punctures his flesh and the jewelry goes in— and now he’s got a shiny little ring hanging through his earlobe; his nostril; his lip.

he learns that piercings take time and effort and care and that he has to treat himself with love to be able to heal— and that he is deserving of that love and care and dedication, especially from himself.

he keeps going back, maybe not always to get stabbed, but to watch others have it done. to see how different people’s anatomy takes different piercings, how he can’t have a piercing through his cheeks because he bites them too much when he’s anxious, but the girl that just left got both of hers done and they looked good. they fit her face, like little shiny dimples.

eventually, the piercer, killie, asks steve when he’s going to help them with their needles and their piercings— and he doesn’t know how to react because he hadn’t even thought about it and yet… maybe he could help other people fall in love with themselves and their bodies and help turn them into art one day

maybe he could be a pretty boy with his scars and his metal and his missing chunks and his polos and his jeans and his sneakers.

[miusato]

Yes I love me some Siblings dynamics ✨️✨️✨️

I like to think that Aki's (adoptive) parents bought a better headstone for Miki ;w;

[sergle]

has the huggable twee irritation always been a Thing or did it evolve in response to like, "you're not ugly. i'd fuck you" type comments? like in your personal experience

god, I'm not well spoken enough to describe it exactly the way it Registers In My Brain... but like. It's not the "you're not ugly, I'd fuck you" genre, and that type of comment is so easy to immediately dismiss because it always comes from a certain type of man, and it's like yeah yeah, I could throw a sandwich and you'd fuck it before it hit the floor. But also, that one's so specific, it's a bottom-of-the-barrel "compliment" that dudes will give when a woman has actively said something about feeling like she's unattractive.

The HUGGABLE THING. The oooh squishy marshmallow somft huggable mom shaped 🥺🥰 She looks like she gives GREAT HUGS. Those comments are UNPROMPTED. I'm immediately like. Every keyword you say, I kill another hostage. I will blow up this whole building and everyone in it. Because it is SO FUCKING WEIRD. And I have heard it one million times. And I see it on every drawing of a character who's even remotely plus sized. These comments would not fly for a thinner person, they'd be rightfully received as weird. People aren't gonna comment on a picture of Ariana Grande going omg she's sooo huggable mom friend shaped. WHAT. Simultaneously are desexualized and sanitized to a weird degree in that uwu language way, WHILE also being creepy. Like, why are you describing what you think I'd feel like if you hugged me? Like the only positive thing you can think of to say is that I look like I have some give. As strangers. I'm not going to hug you, I think you're a creep and I think you're giving yourself a big pat on the back for complimenting a fat person. What are we doing I'm arguing at the air. Where am I And you're just supposed to go oh thank you that's so nice, because as a fat person, you gotta take whatever compliment you get, even if it is actually not a compliment. And that's the thing, there are SO MANY ACTUAL COMPLIMENTS TO PICK FROM. But people settle on huggable and somft. Was this person pretty? Were they hot? You could say gorgeous? Handsome, beautiful? Elegant? Stunning? Sharp? Sexy? Stylish? Are you trying to say that you're attracted to this person's body? Are we being horny? Do you think they just look nice in general? Can't we think of anything else to say? Or are we just gonna sit here and say they fuckin look like Santa Claus. Huggable like a pillow. Girl what the fuck