#or it has a symbolic character

[fentanyl-rabbits]

Little present for my grandmother

[sualne]

a comic that came to me in a vision

[ruporas]

invisible scars (referenced previous talk here)

[ID: A colourless, digital Trigun comic of Vash and Wolfwood talking about Wolfwood's scars. They're both laying in bed and topless. Vash lays on top of Wolfwood, playing with the rosary around his neck. Then, Vash kisses a spot on Wolfwood's chest. Wolfwood asks, "What are you doing?" Vash smiles sadly, "You got shot here. In the last town we visited. You didn't even bother moving."

Vash props himself up over Wolfwood, who frowns slightly. Wolfwood is quiet for a moment before he says, "You remember that, huh?" Vash grabs Wolfwood's left wrist and brings it to his face. "And here." He kisses another spot there. "When you helped free the hostages from that robber..." Wolfwood dismissively says, looking away, "Was a lucky shot." Vash huffs, “Don’t brag. Jeez.”

Half of Wolfwood's expression is shown, eyes returning to Vash who is now sitting up, continuing to say, "And..." Vash goes on and kiss Wolfwood's right palm. "You got cut here, even though that girl was aiming at me." A moment from the past flashes, of Wolfwood grabbing a knife aimed at Vash, his hand bleeding.

At present, Vash moves down and puts another kiss on Wolfwood's right shoulder. "And here, from watching my back." Another memory flashes of Wolfwood and Vash back to back. Vash looks back as Wolfwood grins while holding Punisher, bleeding from multiple gunshots in his shoulder.

"And," Vash combs up Wolfwood's hair to reveal his forehead, "Here." A final memory shows Wolfwood with a regeneration vial in his mouth while getting shot on his temple. The next panel is framed in blood with Vash at the center, eyes wide and stunned in horror. The next panel is a closed up shot of Wolfwood's eye, locked on Vash's face.

Back to present, Vash’s head is bowed down as Wolfwood raises a hand to his nape and says, “Spikey.”

Wolfwood looks serious and frowns as he says, "We talked about this. Those were my decisions. They're not there anymore. Forget about them." Vash looks very sad before he smiles ruefully and says, "I still see them. All the time." He leans down so they touch foreheads. Wolfwood’s sorrowful expression can be seen as Vash says, "You protect so much. I could never forget what you've done to me. And many others..."

In the last image, they're drawn more cartoonishly. Wolfwood sweats and asks, "You don't actually remember every wound, right?" Vash points at a spot on his chest. "Kuroneko left a scratch here 7 times." Wolfwood, startled, says, "Why the hell are you keeping count—" End ID]

Credits for ID here and here

[harbingersecho]

READY AIM FIRE

[ipostmysimpingstuffanonymously]

This is my official petition for Suguru to have red and Shoko to have lavender eyes, spread the word!

[yvtro]

not enough appreciation for countdown #15 wherein jason meets alternative universe bruce who killed the joker (not stopping at this, he went on to eradicate most of gotham rogues gallery in a murder spree similar to that of red hood) and the utter disappointment that jay has in the person that this version of his father has become as bruce discourages him from helping donna in crisis. "we're both dead, batman." – what a raw piece of dialogue.

"go on, then, "jason." you're dead anyway. may as well make it official." "we're both dead, batman. any fool could see you've been dead inside for years."

[rookflower]

been going insane lately over remembering about leafpool hiding hollyleaf's fur lately

leafpool covered up for hollyleaf's murder, hollyleaf's own codebreaking, with horror but with barely a moment of hesitation or regret. she later confronts hollyleaf about it calmly, with an open mind and the assurance of secrecy, just desperate to understand why. so that being paralleled against HOLLYLEAF'S reaction to finding out about LEAFPOOL'S crimes is just...... uuuaghhhhhh god it's so tragic. she sacrificed everything for those kids and won back nothing for it

[dustykneed]

Picture this; Bones holding Joanna, rocking her to sleep and the part in Beautiful Boy where it’s like “The monster's gone, He's on the run, And your daddy's here” is playing. :,)

Fatherhood gives you certain... skills. Coincidentally, this is also how Jim finds out that Bones sings.

:'))

[bloomfish]

It's so weird that in angel s5e2 they do a little flashback to Spike's blaze of glory moment in the last episode of Buffy... but they leave out Buffy saying "I love you". It's such a blatant omission, the ONLY omission from that scene, that it feels totally deliberate and kind of dishonest. Considering a lot of the Spike and Angel moments in S5 revolve around their jealousy and rivalry towards each other, and a LOT of that is to do with Buffy like... Why would you leave it out? It's a pretty big moment for Spike's character in general.

As far as I recall they don't even mention it, they just mention the fact that Spike and Buffy have had a lot of sex compared to bangel's ONE disastrous time (that they remember) but it does kind of cheapen it for Spike. A big motivation for him not leaving LA could have been him not wanting to hold Buffy to her words, since he clearly doesn't believe that she loves him (even though she does, as per Whedon). He presumably thinks she only said that to make him feel better in his final moments, because she wouldn't have to actually follow through on her words. Which is sad. But it makes much more sense as a motivation than the weird 'it cheapens my moment of glory' excuse like since when does spike give a shit about that

[stargirl230]

Nimona!!!

I need to go reread the book and then rewatch the movie and then-

(no reposts; reblogs appreciated)

[markanddebbie-protectionprogram]

There's always something so symbolic about framed pictures when they're broken.

The fact that Eve didn't fix the cracks says so much - look at how there's a portion that only includes the heads of the mom and dad.

Now look at the bottom half, how she's excluded from the both of them on both sides.

The cracks are likely to represent the rift in their relationship, Eve already knows this but when she didn't fix it it solidified that she accepts this and knows that the rift will stay for a long time.

When she changed the photo to what she envisioned her family would look like, there were no more cracks.

Found family always hits right but found family you barely knew about but STILL consider your family even when they're gone has now kicked me in angst-ville. Excuse me while I go cry a river.

[crumbsispoggers]

oooooooooooohhhhhhhhhhh secret kingdom under the whirlpool!

[transrevolutions]

yeah. enjolras and grantaire are foils (belief vs. cynicism). but so are enjolras and combeferre (logic vs. philosophy) and enjolras and valjean (justice vs. mercy) and enjolras and javert (revolution vs. rule of law) and enjolras and eponine (privilege vs. poverty) and enjolras and montparnasse (altruistic beauty vs. selfish beauty) and-

[shiraishi--kanade]

Listen. Listen. I know Kashika is first and foremost an Akito song. I know. I respect that.

However not for a moment since the second the 2dmv came out I could stop thinking about the fact that An is the only VBS member to not cover her face and instead place her hands on her neck.

[doodleodds]

Happy Valentines, Akira. Happy Valentines, Asshole.

If you can’t read what Akechi’s secondary inner-dialogue says cause I obscured it too much behind his regular dialogue, here’s a transcription in panel order: Hello, you fucking- Ah- Hello, Akira! Fuck off, why should I tell you- Just a soda- there’s a new flavor.

I don’t want your shitty gift. Oh- haha! You’re so sweet.

I hope I choke. They’re lovely, thank you.

Like hell. Likewise. There’s no way it’s just a coincidence. Still though, it’s a funny coincidence.

[catsharkzzz]

ah hell nah who gave the furniture a conscience