#people as possible. while it’s such an important part of culture too

[tragedykery]

getting sad thinking about the dialects I would have known/spoken had it not been for the devaluation of “non-standard” variations of a language

[sansaorgana]

— FORBIDDEN FRUIT

PAIRING — Na-Baron Feyd-Rautha Harkonnen x fem!Reader // Baron Vladimir Harkonnen x fem!Reader

SUMMARY — After your planet was conquered by The Harkonnens, you are sent to Giedi Prime as a war prize to marry one of The Baron's nephews. However, Baron Vladimir changes his plans at the sight of you and decides to take you as his wife. Feyd-Rautha does not give up easily, though.

REQUEST — (1) // (2)

AUTHOR’S NOTE — It's finally here! I got carried away, not gonna lie... Look at the word count! 🙈 I might have forgotten about some warnings, just keep in mind the fic is dark and twisted 😝 By creating the Reader's homeworld and its customs I was loosely inspired by the mediterranean and islamic cultures but of course her physical appearance is not being described. 🤍

WARNINGS — arranged/forced marriage, blood, death, Baron Harkonnen being an absolute and non-consensual creep, Feyd-Rautha being non-consensual as well in the beginning, SMUT, fingering, oral, breeding (artificial and natural), incest undertones (they're not related but he calls her Aunt and she calls him nephew) + Feyd's traumatic past briefly mentioned, Reader is a few years older than Feyd but he is aged up to 20

WORD COUNT — 13,560 (🤡)

🔞 THIS FIC IS 18+ 🔞

ENGLISH IS MY SECOND LANGUAGE.

FORBIDDEN FRUIT

Your homeworld used to be a Paradise. The sky was always blue, the weather warm but not too hot due to the light breeze coming from the Ocean. Cypress trees, pistachio nuts, olive branches and fish were what Pairi Daêza was famous for in the past centuries. It was a small planet that remained unnoticed and neutral in most of the conflicts. The Imperial Family loved to spend their holidays on Pairi Daêza and import their goods in a form of a tribute.

That was history. And although you were born on this beautiful planet, in your teenage years the whole world crumbled down and you were exposed to the true reality of the war. When one of the Imperial geologists had found a huge spice deposit under your planet’s Ocean, the destructive war began.

Your parents tried their best to avoid the conflict. They offered the Emperor to dry a huge part of the Ocean to harvest spice from there. In fact, your father the Sultan saw an opportunity of getting wealth and influence in this situation. And that probably was his downfall. The Emperor wanted all the spice for himself.

But The Emperor was not the one to get his hands dirty. No, he hired the most fearsome warriors and assassins to teach your planet a lesson. The Harkonnens.

While the battles were taking place on the ground, their special machinery was drying out the Ocean and harvesting the spice hidden underneath the water surface. The whole planet began to die off due to the lack of water. The crops were evaporating in the heat, people were starving and their homes destroyed. The Harkonnens were kidnapping your citizens to be their slaves and your father and his army were too weak to protect them. The subjects of the Sultan started a rebellion with the help of The Harkonnens and after long years of the ongoing and destructive war, it was the final blow for your father’s weak reign.

You were an adult woman now, standing proudly with a veil covering nearly your whole face with only eyes being on display like all unmarried women of Pairi Daêza traditionally wore. Surrounded from all sides by The Harkonnen army in your father’s throne room, holding your mother’s hand. The dignified and beautiful Sultana with the last piece of jewellery she had refused to give away – a majestic headpiece made of gold and sparkling gemstones of all the possible colours. They reflected the dim light creeping inside through the windows of the ruined Pairi Daêza Palace where you had been born and resided for your whole life. And where you would die with only a few the most loyal guards protecting you.

The front doors opened loudly and a huge, beastly looking Harkonnen man stormed inside with a few of his identical soldiers. You had heard of him, he was the terror of Pairi Daêza in the past few years. The Beast Rabban himself. He dealt with your guards completely on his own, feasting on their deaths with a psychotic smirk. You swallowed thickly at the size of his hands; so big and strong they could break you in half. You hoped for a swift and quick death – as a Shehzadi of Pairi Daêza you had your privileges and you counted that the mercy of Beast Rabban would be one of them.

He started to approach you confidently, his black armour stained with the blood of your guards, contrasting with his sickly pale skin. Your father stepped out to cover you and your mother with his own body as if it would stop the Beast. Rabban froze at the sight and let out a contemptuous laughter that echoed through the throne room.

“Your reign is over, Sultan (Y/L/N),” he announced. “Pairi Daêza and its spice is under The Harkonnen rule.”

“Pairi Daêza no longer exists. You have destroyed my world and you want to rule over the ruins,” your father drawled through the gritted teeth.

“We do not care about your world. We care about the spice. But you… You will be remembered as the Sultan whose reign was the last. The death of your world will forever be attached to your name,” Rabban pointed out and reached for his blade. “Come to me and fight like a man, I shall give you the privilege of defending yourself. Do not cling to the skirts of your wife and daughter. By doing so, you put them in the path of my blade.”

“Don’t hurt them,” your father approached him, despite your hands trying to stop him. “The planet and the spice are yours. You can kill me but spare my family,” he pleaded.

“Your wife will be given to the new Governor of Pairi Daêza and he will do as he pleases with her. Your daughter is our prize I will take with me to Giedi Prime,” Rabban laid his terrifying eyes on you and you froze out of fear. You’d rather die than be taken away to The Harkonnens. He could only see your eyes but it was enough for him to smirk and lick his lips in a disgusting manner.

This scenario was worse than the death you had been expecting.

“You will die,” he told your father and pointed at one of the deceased guards for your father to take his sword and be able to defend himself in a fair fight.

But you knew already it would be a slaughter you did not wish to see.

“Don’t kill him! Don’t kill my father!” You screamed and took a step ahead. Your mother sobbed behind your back.

“(Y/N), don’t…” your father shook his head.

“I will offer myself to you willingly if you spare his life and let him govern this planet in The Harkonnen name. He will obey your orders and so will I,” you promised.

It was common for parents to sacrifice themselves for their children. No one would ever question such an act. Why couldn’t it go both ways? You loved your parents just as much as they loved you. Especially in the last years of the war, you had grown very close having basically no one else by your side.

If you were all to die together, it was not a bad ending. But if they tried to kill your father, send you away and give your mother away to a stranger… you could not let that happen.

“What makes you think we care about women giving themselves to us willingly, Shehzadi?” Rabban snorted at you but he approached you slowly with his blade held up. “You’re confident to offer so little for wanting so much in return,” the tip of his blade lifting up the hem of your face veil as you trembled out of fear.

“There is no need for bloodshed. My father will bend his knee and I will go with you, my Lord,” you choked out, trying to hide your obvious fear.

Rabban tilted his head and laughed at you. Then, in one swift move he cut the veil open and you gasped as the fabric fell down on the floor, leaving you exposed in front of him and his Harkonnen soldiers. It was one of the greatest humiliations for the Pairi Daêza woman for her to reveal her face in front of a man outside her close family before her wedding. It was her husband who was supposed to lift the veil off of her face on their wedding day and see her first before every other man would. To take the veil off of an unmarried woman in an aggressive manner like this was the greatest disrespect that back in the day men had been punished for by the law.

Embarrassed and humbled down, you stood still, trying to stare back at the Beast Rabban with your shoulders straight and your lips pursed out of anger and determination.

“You are not mine for the taking. I am to take you to Giedi Prime and my uncle shall decide what to do with you. Most likely he will want you to be my younger brother’s bride because it is him who will inherit the title one day,” he told you and you felt a knot forming in your stomach.

You hated Rabban but he was the devil you knew from the stories and now personally as well. His brother was a new character in the story that you feared. What was he like? 

“Why is that not you?” You asked him. “You have just conquered a planet for your uncle, have you not, my Lord?”

“It is not I who argues with my uncle’s decisions,” Rabban snapped at you but you saw in his cruel eyes that you had touched a sensitive subject with your question. “Will you bend your knee, Sultan (Y/L/N)?” He asked your father.

He was staring at you with a terrified expression on his face. He couldn’t believe what you had just done. But you knew he wouldn’t throw a fist now. He would bend his knee because your father was a weak man.

Deep down, despite your love for him, you hated him for his weakness. Most of your problems, most of the failures in this war were caused by this trait of his. You couldn’t blame him, though. The Sultans of Pairi Daêza had never been trained to fight or lead military campaigns. There had been no need for that in the past.

“I, Sultan (Y/F/N) of The House (Y/L/N), pledge my allegiance to The House Harkonnen,” your father kneeled and bowed his head down.

You watched Rabban closely. He could accept this offer but he could also simply behead your father.

“In the name of Baron Vladimir Harkonnen, may your service be accepted, Sultan (Y/L/N),” he nodded his head. “We didn’t know who to make the Governor of this wasteland anyway,” he snorted. “I guess this is solved. However, you will be watched carefully,” he squinted his eyes at your father. “I will leave my guards here and you will be spied on every second of your pathetic life, Sultan.”

“Yes, my Lord,” your father nodded. “What about the rebellion you helped to start? The citizens of Pairi Daêza do not wish me to stay in this Palace anymore.”

“You have my army to command now. You can slay them,” Rabban shrugged his arms and your father stood up clumsily.

“You helped them to start the rebellion against me and now you’re giving me your army to slay the rebels?” He asked to make sure.

“All we care about is your spice,” Rabban’s voice sounded casual and then he turned around to look at you again. “And your daughter,” he added with a smirk before approaching you and grabbing you by your arm roughly. You squealed as he started to walk you out of the room.

“Let me go!” You protested.

“You’re already breaking our arrangement, woman. You promised to be obedient,” he barked at you.

“I want to say goodbye to my parents,” you told him.

“It’s not the last time you’re seeing them. That is, if they play nice and don’t start anything,” he threatened as he looked at your scared parents.

Your mother risked it, though, and she ran up to you. Her shaking hands grabbed yours as she sobbed. She couldn’t say much because of her state but she didn’t have to.

“I will be fine, mama. I will survive and you have to as well, do you hear me? Otherwise my sacrifice won’t matter,” you told her and she nodded her head, silently choking on her sobs.

“That’s enough,” Rabban threw you over his shoulder swiftly like you were a sack of potatoes and he took you out of the Palace – straight to the huge Harkonnen ship that was destined to go back on Giedi Prime.

You were a war prize.

You didn’t know much about Giedi Prime except for scary legends and myths. The heavy industrial landscape was something you had not been used to nor was their black sun that was making everything on the planet black-and-white when you were spending time outside. Not that you had spent lots of time there. You were transported from the ship to the huge black fortress and into the chambers with a few female servants waiting for you. They bathed you carefully and put you in long black robes with a veil mimicking the ones that were traditional for the Pairi Daêza unmarried women. Only your eyes were visible when you looked at yourself in the mirror, but barely – the veil was decorated with dangling silver chains. They were making you look even more mysterious and kind of dangerous but the whole outfit felt like a mockery of the traditional robes of your people.

The unmarried women of Pairi Daêza were hiding their faces but their dresses were often made of a few layers of sheer and colourful materials. Just because they were under a cover, didn’t mean they were not cheerful and full of life. The dresses would be often decorated with lace, flowers or embroidery. They were flowy and ethereal when the women walked down the streets and all the married women who no longer had to hide their faces were envious as they remembered their younger days. On Giedi Prime you looked as if you were in a deep state of mourning. But perhaps you were. Your planet was destroyed, your family humiliated. And no one knew what would happen to you.

You were taken by the guards and followed by the servants to a huge throne room of The Baron Harkonnen. You had heard of him from your father so you expected the worst but his unnaturally huge and floating form still made the blood in your veins run cold. He was enormous and repulsing; sickly. Kept alive by the machinery behind him and the undying will to rule forever.

He was accompanied by Rabban who smirked at you when you walked inside. There was another man standing there, too. He was young; strong and muscular but also slim. Tall and proud in the way he stood. His face was full of cruelty and mockery but you had to admit he was rather attractive… at least for a Harkonnen male. His lips were full, his eyes reminded you of a snake but they were decorated with a long set of eyelashes. You hoped he was the younger brother that Beast Rabban had mentioned before.

You stood in front of the stairs leading to The Baron’s throne and you bowed down, waiting for his reaction.

“Shehzadi (Y/L/N),” he greeted you in a harsh, deep voice that sent shivers down your spine. “Finally I get to see you… Or not,” he added and you raised your head to lay your eyes on him. He was observing you carefully and so was the young man. “Take her veil off, Rabban, show me what you’ve brought here,” he snapped at his nephew and the Beast approached you. “She better be pretty enough for Feyd-Rautha if you decided to spare her father’s life for her,” The Baron teased him. 

“Who would have thought that women were your weakness,” the man named Feyd hissed at his brother and you got startled by the sound of his voice. It was identical to The Baron’s in a twisted and uncomfortable way that formed a knot in your stomach.

You felt oddly bad for the Beast Rabban. He was the one to conquer your planet and he was the one to take you. Yet, you were a prize that he had won not for himself but for his spoiled younger brother. You couldn’t quite understand the dynamic of this family yet.

He stood next to you and grabbed the fabric of your veil in his fist in his usual brutal manner. By the pace of his breath, you could hear that he was as nervous as you were. If The Baron would not like you, he would be punished for going soft on your father.

Rabban’s hand hesitated before tearing the veil off of your face. It caught his younger brother’s attention. He hissed and walked up to you with a short knife in his hands that he had been playing with as if out of boredom. He smirked at you and revealed black teeth that made you flinch at the sight. Your reaction only excited him.

“How long do I have to wait, brother?” He asked as he cut the veil open, impatiently. Rabban took a step back and allowed his brother to take a better look at you. The Baron tried to peek in but Feyd was standing right in front of you and covering your face completely from his uncle’s sight.

The young man hummed to himself and tilted his head both sides. He raised his hand up and grabbed your chin to squeeze it gently.

“How old is she?” He asked his brother as if you could not speak.

“Shehzadi (Y/N) is twenty years old like you are,” Rabban tried to recommend your virtues the best he could, like he was a slave seller.

“Five and twenty,” you corrected him confidently, not feeling any shame about your age. Rabban took a sharp breath in as Feyd gave him a scolding look.

“A bit old, isn’t it?” The Baron’s voice interrupted them.

Feyd looked you up and down with so much fire in his eyes that you started to feel your cheeks heating up. You had never been looked at this way not only because of the custom of covering your face but also because it was not a way that men on Pairi Daêza would court women in.

“I’ll take her,” Feyd shrugged his arms as he announced to his uncle. He turned around to look at him and you sighed out of relief. So did Rabban.

“Move aside, Feyd,” The Baron barked at his nephew, impatiently. “It is I who decide,” he added and Feyd took a step to the left, revealing your form to his uncle. You had both of the brothers standing on both sides and their hideous uncle looming over a few steps ahead of you.

In complete silence he was watching you for a long while, puffing on his pipe. Finally, he beckoned you over to come closer. You gathered the fabric of your skirt in your hands and took a few steps ahead with your heart pounding in your chest.

“I shall take her,” he stated as the whole room went dead silent.

“What are you talking about?!” Feyd protested and you chewed on the insides of your cheeks, trying not to burst into tears. “She is mine for the taking!”

The Baron was a disgusting creature but you were aware that being his wife would give you more power and influence than marrying any of his nephews. It would protect your family better, too.

And every power came with a sacrifice.

Still, your dignity wanted to join Feyd-Rautha’s tantrum. You had been expecting to be given in marriage to a young and healthy warrior. Not an old and sickly piece of greasy meat in front of you.

“Shut up, boy!” The Baron yelled at Feyd and you flinched. “Don’t startle, my Shehzadi,” he cooed to you in a malicious whisper. “As you can see, none of my nephews are worthy of you nor my throne one day. You shall give me an heir,” he told you and you nodded, obediently. Fighting him had no purpose.

Feyd was furious. You heard him walking out of the room angrily and slamming the door behind him.

“You have just made an enemy, my Shehzadi,” The Baron reached his swollen pale hand with the green and blue veins popping out. You gently took it and nearly gagged at the feeling of it.

“Me, my Lord?” You tried to bat your eyelashes at him. Your voice shivered out of fear and he smirked at you.

“Feyd-Rautha will no longer be the Na-Baron when our son is born. He will do everything to get rid of you and the child. You shall be careful, sweet Shehzadi,” he warned you. “I have my ways of keeping him obedient. When he’s not showing you proper respect, you will tell me, yes?”

“Y-yes, my Lord,” you nodded.

“Good,” he squeezed our hand gently and you felt your stomach turning. “Go, prepare for the wedding,” he let go of you and raised his finger to touch your cheek. It was getting difficult to hide your repulsion but on the other hand it was oddly satisfying to know that you were chosen by The Baron himself.

You bowed down and walked out of the room with the guards and servants. They all were staring at you with widened eyes, as shocked with the outcome of this day as you were.

You hadn’t seen The Baron for the past few weeks of the preparations for the wedding. In fact, you hadn't seen anyone. You had been kept a prisoner in one part of the fortress but you did not mind that at all because you had lots of servants and your chambers did not lack any luxury. The only thing you missed was nature – the greenery, the sound of birds, the feeling of the sun on your skin, the light breeze of the Ocean. But there was no way of coming back to it. Pairi Daêza had none of it anymore.

Spoiled as a child, you were harshened in your teenage years by the war taking place in your homeland. Despite your father’s weakness flowing in your blood, you had learnt how to adapt and survive. You would survive just well on Giedi Prime, you decided.

The only thing you dreaded about your marriage was the physical aspect of the union. However, you had been informed by the medic visiting you every morning about the nature of your future duties.

“These injections are supposed to prepare your body for carrying a son,” he told you after sticking a syringe with an odd liquid into your vein. “After the wedding you will be bred to carry The Baron’s heir, my Lady.”

“Bred?” You swallowed thickly.

“I will insert the seed during a swift and painless procedure, my Lady,” he assured you.

“So… I will not be…” You didn’t know how to say it without offending The Baron.

The medic knew, though. He looked up into your eyes as your face was covered with the black veil. The Baron had liked your homeworld’s tradition and allowed you to cover your face until the wedding.

“The Baron’s health does not allow such activities,” he informed you and you sighed out of relief. “Which does not mean he will not demand some… other duties.”

You nodded your head at him. Some other duties, whatever they meant, you could survive. It was the haunting image of him hovering over you or taking you from behind that was keeping you sleepless recently. You had come to Giedi Prime completely innocent in that subject but you made your Harkonnen servants tell you all about it. They were experienced, especially the ones who had been called late at night to Feyd-Rautha’s chambers. The young na-baron apparently liked sex a lot. The more you were finding out about him and his nature, the more glad you were that it was his uncle you were marrying. At least he was not so young; not so full of adrenaline and testosterone as his nephew.

Giedi Prime had not had a Baroness in a long time. The ceremony was about to be the grandest you had ever experienced. The leaders of the great houses had been invited – your parents amongst them. Even The Emperor himself had sent an envoy to take part in the event in his name. You had never expected to hold such importance in the Galaxy. After all, you were only a Shehzadi of a small and unimportant Pairi Daêza. The spice deposit had truly changed everything.

Your servant women worked on your huge wedding dress. It was black, too, of course. Everything was black. But there was some meaning behind it, in fact, since the wedding was an occasion to mourn your maidenhood and your previous life. The veil covering your face was decorated and attached to the upper part of your bodice, so when your face would be revealed and the veil taken off, your dress would stop being so modest and show off your breasts squeezed by a corset. You didn’t feel comfortable with that idea. Women on Pairi Daêza were not known for revealing their physical virtues in such a way. But Harkonnen women were their husbands’ prizes and trophies. You wanted to make The Baron proud because it would keep him happy. And keeping him happy meant the safety of you and your family. You didn’t want to play many games. You just wanted to survive.

You actually wanted to give him a son. Because giving him a son would seal your fate as The Baroness. Your position would be untouchable and that awful Feyd-Rautha could throw tantrums about it but it would be your son who would inherit the title of The Baron.

You were allowed to see your parents before the ceremony because they were supposed to leave early in the morning on the next day and in the evening there would be no occasion to be left alone with them like you were now. Alone in a room with your mother and father whose faces looked worried and exhausted. Their clothes were different than you remembered. Less colourful as if they were grieving, too.

“Are you alright?” Your mother asked you. She approached you and tried to lift the veil off but it refused to move.

“It is attached to the dress. I am fine,” you assured her. “Do not worry, my face is not bruised. You will see when he takes it off,” you nodded.

“It is an honour for you to marry The Baron himself,” your father smiled at you gently. “A great honour that he has liked you.”

“Don’t be ridiculous,” your mother scolded him. “It is awful, awful news. You know what he’s like. He’s destroyed our planet!”

“She can handle that for all the power she’s going to have now,” he shrugged his arms.

“How easy it is to say for a man,” your mother sighed. “You owe her your life.”

“I do and I am grateful,” your father nodded his head at you.

“And yet you demand more,” you whispered to him. He froze. “You demand of me to keep The Baron happy so he doesn’t get rid of you. But that is your part of the deal. You shall obey him and play nice as you promised. As long as you do that, there is no threat and my protection is not required.”

“If you think this way, why are you here, all dressed up to get married?” He raised his eyebrow.

“For mother,” you held her hands gently, “because you will not be able to protect her like me,” you added sternly.

Your father looked away, frustrated. He wanted to snap at you but he could not. Not when you were The Baron’s bride. You were no longer his daughter but almost another man’s wife. And the man was too powerful to disrespect.

The ownership of women. Once your father’s, then your husband’s. Freedom would come only in the case of a man’s death. And yet, men wondered why so many women were so angry and bloodthirsty.

“Time’s up,” one of the guards entered the room harshly. “Shehzadi (Y/N) is asked to attend the ceremony,” he announced and nodded at you. You nodded back and squeezed your mother’s hands for the last time before following the guard into the dark and cold corridor of the fortress, trying to keep your veiled head high.

Out of the people gathered for the ceremony, one pair of eyes was locked on you the most intensely. The dark eyes of Feyd-Rautha Harkonnen were observing your every move, every gesture, every breath and every word. You felt suffocated by his gaze. It was full of fire like the first time he had seen you but also full of hatred and contempt. You couldn’t tell if he wanted to claim you or kill you. Perhaps both answers were true. You wouldn’t be surprised after hearing all the stories about him.

You feared him the most out of all The Harkonnens. Beast Rabban was the devil you knew and you were his weakness because you were the prize he had conquered himself. The Baron was terrifying and dangerous but he was rather calm and he treated you like a pet so as long as you were quiet and obedient, he did not take pleasure in tormenting you. Feyd-Rautha was different. He was psychotic and your wedding to his uncle was making him lose the greatest deal – his inheritance.

The worst part of the wedding ceremony was the kiss. Not that The Baron had been particularly passionate about it but something about his lips touching yours – even though briefly – was making your insides twist. Perhaps being married to him wouldn’t be as easy to survive as you had been hoping.

When The Wedding Games had begun, Feyd-Rautha joined them eagerly with all the fierceness a warrior could possess. It was an old and dreadful tradition full of blood and violence, a display of power and murderous Harkonnen nature. The men, usually gladiators, were fighting for life and death. Only one could remain and become the winner who would be forever remembered. When his nephew joined the fight, your new husband didn’t look very pleased and he followed every movement of his boy carefully, keeping his eye on the guard, too. He was scared of losing his heir after all.

You watched Feyd-Rautha fight as well. His moves were swift and confident. It was bringing him joy to both hurt and be hurt. He was playful in combat – smirking, winking, occasionally looking back to make sure you were watching. And whenever he was the one to take the blow, he would let out a laugh and hiss in pleasure. He was an odd, scary creature because he had no fear of any sort of pain. Not even death most likely.

Eventually, he killed the last opponent right in front of your eyes, wanting for you to flinch, you suspected. You did not give him such satisfaction. All the years of the war on your planet had made you immune to the sight of such violence and death.

He let out a triumphant yell and raised the bloody knife before bowing down and reaching his hands out with the blade towards you. You stood up and accepted his offering as you had been taught by your servants the past few weeks during your preparations.

“Thy display of power and bravery has been noticed, Feyd-Rautha Harkonnen,” you told him the words you had learnt by heart.

“For my Baroness I will shed the blood of my enemies,” he looked up intensely at you and you swallowed thickly. You hated when he was staring like this. You only nodded and turned around to hand the bloody blade to one of the guards who would secure it. The blade would later be on display in the Memory Room.

You sat back down and forced a small meal upon yourself. In the meantime, your husband had already left the party. Not that you minded.

Feyd and Rabban were sitting nearby. Both were staring at you but the older one actually looked as if he was sorry for you. He hadn’t spoken a word to you ever since his uncle had decided to be the one to marry you. It was nearly funny how back on Pairi Daêza everyone feared the Beast Rabban but here on Giedi Prime he was the least important pawn of the game.

Around midnight, one of The Baron’s servants leaned in to whisper into your ear to inform you that your husband had been waiting for you in his chambers. You swallowed thickly and nodded your head before standing up and leaving the dining room as fast as possible.

In the dark corridor you slowed down, though, not wanting to walk too fast and approach the dreaded room too soon. The guards were not following you but you knew the way, you had been taught it by your servants even though your chambers were in a different part of the fortress. Now, as The Baroness, you would get the new ones – even more splendid and luxurious. But you had been told you would not share them with your husband which was a great comfort.

Halfway there you heard footsteps behind you and you angered. Whatever humiliation was there to come, you did not want any witnesses. The corridor was dark and empty and yet some guard decided to follow you. You turned around furiously, ready to scold him. But it was no guard. It was Feyd-Rautha.

He leaned on the wall with a smirk and squinted his eyes at you.

“What do you want?” You asked him and clenched your jaw.

“Like a sheep for slaughter,” he snorted at you.

“That is none of your business, I believe,” you straightened yourself and raised your chin up.

He didn’t like your remark as he moved away from the wall and approached you quickly. In no time you felt his face looming over yours, mere inches away.

“I know what he’s going to do to you,” he whispered as you tried to remain cool but his words made you terrified. There was an odd sparkle in his eye, like he was enjoying your torment. He probably was.

“Fuck me?” You tried to pretend it didn’t bother you.

“Well, well, well, look at how dirty your mouth can be, Shehzadi,” Feyd-Rautha grabbed your cheeks to squeeze them and your eyes widened at his insolence.

“To you, I’m The Baroness,” you mumbled out.

“Sure you are, little snake. How else should I call you? An aunt?” He teased. “I shall,” he added. “No, he’s not going to fuck you. But he’s going to touch you and this reeking, slimy feeling won’t ever leave your skin. You will feel him always,” he moved even closer to you. You wondered how he could know such things. Then you felt how hard he was underneath his leather pants. You were scared he would hurt you now, which would make your husband furious and toss you aside, surely. 

“Sounds like you’d like to watch,” you drawled, regretting it instantly. He took a sharp breath in and pushed you against the wall, still holding your cheeks but now you were trapped between his body and the cold marble.

“Don’t be disgusting,” he warned you. It was surprising there were things he was finding gross. He didn’t look like the type. “You’ve no idea what’s waiting for you, aunt,” he hissed.

“Aw, you’re worried?” You cooed and he let go of your cheeks angrily. He remained close to you, though. You felt his hot breath on your face. He smelled like blood and leather.

Feyd’s hands dropped to your waist. Before you could stop him, he was pulling up all the layers of your dress, desperately trying to get the access between your legs. You grabbed his wrists, trying to stop him quietly.

“No, no, no, please, no,” you whispered in a panic. “Please, don’t hurt me.”

“I’m not going to hurt you, aunt. He’s going to do it,” Feyd snorted at your words and froze when all the layers of your dress that had been on the way were finally moved aside. A cold shiver went down your legs at the feeling of your exposed thighs. Feyd cupped your womanhood covered with black silky underwear. You gasped at the feeling as your eyes widened when you looked at his face. His lips curled into a smirk as you shook your head.

“Relax, Baroness, I’ll ease you for him,” he told you as his fingers hooked on the edge of your underwear. You felt his cold fingertips brushing your pussy softly and a set of shivers went down your spine at that sensation.

You didn’t know how to feel about it. Your heart was pounding in your chest and you were getting dizzy. Your mind wanted him to stop but your body did not. Despite the lack of experience, you knew that The Baron would not make you feel the same way as his young nephew would.

“I won’t fuck you,” he let out a raspy whisper, “he would kill us both for that.”

“He wouldn’t know,” you told him and Feyd tilted his head at you. “I’ve been examined by the medic this morning to prove my innocence. I doubt he will examine me now again.”

“Believe me, he would know,” Feyd let out a laugh as he moved your underwear aside and exposed your womanhood. It was too dark for you to feel ashamed of it but it still felt incredibly wrong. Yet, you didn’t ask him to stop. Not that it would change anything.

He raised his hand up to his full lips and licked them while staring deep into your widened eyes. Then he put his hand between your legs again and began to touch you in your most intimate place. You sighed at the feeling of his wet and cold fingers trying to get between your folds.

“Open your legs further,” he ordered and your body obeyed by moving the legs more apart before your mind could take over and make a responsible decision to run away. Not that you could run away because with his free hand he grabbed one of your wrists and pinned it to the wall above your head.

Once he got a better access to your pussy, Feyd focused on massaging your sweet spot that made your eyes roll to the back of your head, occasionally dipping his finger carefully inside of you to gather some of your wetness. You moaned softly and dug your fingernails into his bicep, feeling a close release. He was smirking at how fast he could make you reach your high but you didn’t care. You hated him but his fingers were skilled, making you stand on your toes as the muscles of your abdomen tensed, desperately wanting more friction.

“I’m gonna…” You gasped and that was when he took his hand away, fixed your underwear and took a step back, letting the folds of your dress fall down to their place. It took you a moment to collect yourself and realise that he had left you without a release but with a deep and urgent need. “What was that?” You asked.

“Now it won’t hurt when my uncle does the same to you, aunt. Maybe you’ll even cum with his fingers inside you as you remember my fingers on your cunt,” Feyd chuckled contemptuously and licked his fingers clean as you watched with terror in your eyes. “Sweet. Like I’ve imagined a cunt from Paradise to be,” he commented and turned around to walk back to the party, leaving you breathless and dizzy with an ache between your legs.

For a while you forgot where to go. You kept taking wrong turns before finally approaching the doors leading to The Baron’s chambers. At your state you weren’t even scared anymore. Feyd-Rautha had eased your mind indeed and reduced your body functions to one primal need.

You pushed the door open softly and entered your husband’s chambers. They were nearly empty and very cold. In the middle of it, there was a big bathtub full of a black substance. He was bathing in it and puffing on his pipe as he squinted his eyes at you.

“What took you so long, Baroness?” He asked and you cleared your throat, trying not to sound too shook up. The sight of him in that bathtub made your desire much lesser, though. Even the memory of Feyd-Rautha’s cold fingertips brushing your clit lightly and teasing you with pleasure could not make you feel the same excitement again.

“I’m sorry. I got lost,” you answered, which had been only half a lie.

“Don’t worry, Baroness, you will soon remember the way,” he wasn’t angry and he beckoned you over with a move of his wrist.

You approached him obediently although your limbs were getting numb. You were left completely alone with him and you had no idea what he would want now from you. As your husband he could demand anything and you’d have to follow.

“Undress yourself,” his voice was softer than when he would address his nephews but it was still an order as he watched carefully with squinted eyes.

You nodded shyly at his words and began to clumsily take your gown off. It was a complicated piece of fashion and you did not have any servants to assist you. However, your husband was not rushing you, he simply watched and he was visibly content.

When you were naked, you covered yourself with your hands as you stood in front of him. He looked up from his bathtub and puffed on his pipe with a smirk.

“No, no, don’t hide,” he shook his head. “Come, join me,” he invited you in and you swallowed thickly at the black slime he had been bathing in. You doubted it was harmful but you didn’t want to sit in the same substance as him. “Join me,” he repeated, more sternly this time and you bit on your lower lip as you nodded and entered the bathtub.

Your body was shaking but the odd liquid was nicely warm and relaxing. The feeling of it helped you ease a bit. You sat as far away as possible from him.

“Come closer, Baroness. You see, I’m old now and not of the best health. I sadly cannot perform my marital duties and satisfy you like a husband would,” he pretended to feel sorry for you. “But I want to play with you a little and admire my new wife,” he reached out his hand and you took a deep breath in before holding it and letting him pull you closer. “Do you know why I took you for myself?” He whispered and you shook your head. “Because he wanted you so much.”

When you left The Baron’s chambers, there were two scared female servants waiting already behind the doors. At the sight of you leaving in a hurry, they entered – most likely to finish what you had started. You hurried to the rooms that were supposed to be yours now. They were empty since your own servants would come in the morning.

You had been barely dressed because you wanted to leave his room as fast as possible. This time taking your dress off took you a few seconds and you jumped into the bathtub in the bathroom and filled it with warm water. With a sponge laying on the counter you started to scrub your body harshly, causing the skin to bleed in a few places. You wanted to get the black slime off of you and – most importantly – your husband’s touch.

Feyd had been right. What his uncle had done to you was not the worst – he had been touching and teasing, sniffing your scent and caressing your skin as he had whispered about the beauty of youth and innocence. But the fact that it had been him doing so, it made it the most disgusting thing you had ever experienced. You gagged at the very memory of it and now, after your wedding night, you no longer felt comfortable with the idea of being bred with his son even if it would be an artificial conception.

You started to sob uncontrollably. You hated The Harkonnens. They had destroyed your planet and your childhood. Now they destroyed your innocence and womanhood. You would never get free of them.

But death was not an option. It would be an easy way out. You had to be strong.

The medic’s procedure had truly been quick and painless but you felt disgusting leaving the medical wing of the fortress knowing that The Baron’s seed might be already growing in you. To make it worse, on your way back to your chambers, you spotted Feyd-Rautha coming back from the training yards. He smirked at the sight of you as you froze, still remembering the last night’s blasphemous act of intimacy that he had performed.

“Aunt,” he greeted you with a nod of his head.

“Nephew,” you answered in a similar manner as you looked him up and down.

Sweaty from the combat and still wielding a blade, he looked incredibly magnetic at that moment. His youthful and fearless energy was unfortunately drawing you in. The way he was staring at you made you remember how good his fingers had felt on your pussy and it brought the heat up to your cheeks. You wished he would stay away from you because his very presence was a torment.

“How was it?” He leaned in when he spoke to you, his eyes carefully watching your figure. You did not give him an answer. “Did you cum?”

“You’re an insolent brat, Feyd-Rautha,” you told him sternly and he straightened himself. You spoiled his fun by not being scared nor disgusted. “I want you to stay away from me since I might already be carrying your uncle’s true heir,” you added.

The playfulness of his eyes turned into anger very quickly. He pointed at your abdomen with his blade and you flinched. The guards standing a few steps behind you, hurried to your side immediately.

“You will soon realise, aunt,” Feyd drawled, “that he is your enemy – not me. He will destroy you like he destroys everything he ever lays his hands on.”

“Like he destroyed you?” You raised your eyebrow curiously and he lowered the blade. His jaw clenched but there was a shadow of hurt in his eyes at that moment, which surprised you. You didn’t expect a man like him to ever feel hurt.

Feyd-Rautha did not reply to that. He walked away without a word, followed by your guards’ eyes.

“Are you alright, my Lady?” One of them asked you and you nodded. “Shall we tell The Baron about the incident?”

“Yes,” you nodded. “His nephew’s antics must be tempered.”

Six months had passed since your wedding day and you still were not carrying The Baron’s heir. Your husband was growing impatient and the only thing stopping him from getting angry at you was the medic’s declaration that it had not been your fault but the seed’s quality was weak due to your husband’s age and condition. Even enhanced artificially with the Harkonnen science, it could not settle well in your womb. At this point you were so drugged with their injections to the point that you wouldn’t be surprised if a simple touch of any other man than your husband would put a son in you. How ironic.

You had no idea what The Baron had done to Feyd-Rautha but after the corridor’s incident the young man had been avoiding you. He had been watching you carefully from afar with eyes full of hatred like an ominous shadow following you behind wherever you would go. But he would not approach you nor talk to you unless he had to in an official situation. He would always address you with respect as The Baroness or Aunt. You had noticed that it brought him a twisted pleasure to call you by that name.

Your husband hadn’t been spending much more time with you either. He would be next to you during the official events and he would ask you to join him in his chambers about once or twice a week but other than that you had been spending your days alone with nobody but your female servants and male guards, occasionally with the medic. It was a lonely life but at least you weren’t exposed too much to the dreadful Harkonnens… except for the nights you were expected to perform some sort of marital duties.

No amount of time had made you used to The Baron’s touch. You would flinch every time he caressed your body or admired it while whispering the filthiest things. But after the first month your body had developed a defence mechanism of dissociation during those acts.

Technically speaking, though, after six months of being The Baroness Harkonnen, you remained a virgin. The marriage had not been consummated properly so The Baron could divorce you without consequences any day. Giving him a son was the only thing that would legitimise your union. And as much as you dreaded his spawn growing inside of you, you wanted to secure your position. The frustration of not getting pregnant had brought you to tears many times before.

It did now as well. An hour after finding out that the last week’s procedure had failed and the seed had not settled in your womb. The medic had been both sorry for you and himself because he had known that The Baron’s rage would mostly be aimed at him for not doing enough. Soon, though, you were sure, it would reach you as well.

Your chambers were being cleaned at the moment and you wanted to be alone so you wandered to a different part of the fortress and hid in one of the empty study rooms. You kicked your shoes off and sat on a black leather armchair by the wall as you sobbed into your hands, curling up with your feet up on the seat. You felt so small and unimportant at that moment; you missed home and you missed your mother’s embrace. You missed any sort of affection.

Focused on self-pity you did not hear the doors opening. You only startled at the sound of them closing loudly and you froze at the sight of Feyd-Rautha who had just entered the study room. At first, he stiffened seeing you as well.

“What are you doing here, aunt?” He asked, carefully.

“It is none of your business, go away,” you ordered, trying for your voice not to break and reveal your crying state.

“You cannot command that,” he snorted at you.

“I am your Baroness. I can and I will,” you sniffled your tears back and you hugged yourself tighter as if you wanted to protect yourself from him.

Feyd ignored your words, though. He approached you confidently and smirked after realising what you had been doing.

“Yes, feast on the sight of me crying,” you snapped. “What a pleasure it must be for you. Let me please you further, dear nephew. I am still not expecting an heir that would take your place. Happy now?” Your voice trembled.

“Look at you, you’re glowing,” he crouched down to be on your level as he whispered in an oddly seductive way. You furrowed your brows at his words and he reached his hand out to brush your cheek stained with tears. “They’ve injected so many hormones into you, Baroness, you’re practically begging to be fucked. You’ve no idea what the smell of you does to men around you…” He brought his finger to his mouth and licked the tip softly. “The taste… Even your tears are an aphrodisiac,” he looked up at you and you swallowed thickly. It was making you uncomfortable but for the first time in a long time you felt seen. “What a torment it must be. Do you touch yourself, aunt?” He asked and the insolent question snapped you back to reality.

“I’ve no idea how he punishes you but you’re asking to be punished again,” you warned him.

“I can show you how he punishes me,” Feyd did not wait for your answer as he took his black shirt off, revealing his pale and strong chest. His hard muscles were simply beautiful, you had to admit it. But when he turned around to show you his back, he revealed dozens of thin scars scattered all over. Some were white and bumpy, visibly old. But some were more fresh and still reddened. You hissed at the sight and he turned his head around to look at your face.

“I’m sorry, I did not know…” You admitted and reached your hand out to touch some of them gently. You let your finger follow the lines and he smirked.

“Don’t be sorry, aunt. I enjoy the whipping,” he grabbed your wrist and turned his body in your direction again.

“It is hard to believe, Feyd-Rautha,” you admitted. “I thought his punishment was based on threats.”

“His methods are more sophisticated,” Feyd sneered. “Now, I’ve revealed myself to you, Baroness. Will you reveal yourself to me?” He asked and you furrowed your brow. “Do you touch yourself?” He repeated the question that caused your cheeks to heat up.

“Sometimes,” you answered. “I start but I never finish because somewhere in the middle I get haunted by the visions of his hands touching me and they make me sick,” you whispered your secret.

“Poor aunt, you must be so tense,” Feyd cooed to you and let go of your wrist. “So ready and eager to welcome a child in her womb and yet so unsatisfied.”

You hated to admit that he was right. The amount of hormones that had been injected made your breasts and womanhood sensitive, a single brush of your servant’s hand during the bathtime was enough to fill you with desire. Most of the time you were walking around with an itch deep between your legs, a heavy burden that could not be removed by any means.

Now, Feyd-Rautha being so close to you and talking to you in such a manner was not helping. In fact, it was making your condition worse.

“What do you care?” You asked. “I thought you don’t want me to carry him a son. If he tossed me aside or even killed me, it would be your victory,” you pointed out.

“My greatest victory would be humiliating him by putting my son in your womb,” Feyd watched your reaction carefully but you didn’t even flinch at the sound of that.

He was young and so full of life. You were sure he’d succeed during the first try. It would secure your position and keep The Baron Happy.

“What if he finds out? He’d kill us both,” you bit on your lower lip.

“And you think I would allow that?” He snorted at you, revealing his black teeth. You were so shook up that in this state you even found them attractive. The fact they were so black, so different, so extraordinary, symbolising his brutality. You wanted to kiss him. You wanted his toxic saliva to poison your innocence. You wanted to be trapped under him as he ravages you.

He had to notice the shift of your gaze, the way you face changed its expression. He smirked triumphantly, already knowing that you craved him.

“The medic… He will see I was deflowered,” your last hesitation made you speak up your concerns.

“The medic?” Feyd-Rautha chuckled contemptuously. “The same one who is working for me? The same one who is making sure that my uncle’s seed is not succeeding?”

“Wh-what?” You choked out but he only smirked as he shushed you.

“Don’t forget you were supposed to be mine, little snake. I do not give up easily,” he admitted and with one rapid movement of his strong hands he pushed your legs apart as your thin silky dress pulled up, revealing you to him. “Let’s give you a quick release before I properly breed you. You must be in such pain and torment,” he cooed.

Your eyes widened at his actions but you did not protest. Your limbs were getting numb out of the overwhelming desire and feeling his breath on your pussy was nearly enough to make you cum on spot.

Feyd dropped to his knees and leaned in even closer, biting the soft flesh of your thighs gently with his black teeth and leaving trails of saliva. You felt your womanhood pulsating, begging for his attention. He had to notice the twitching muscles underneath your underwear as well as he chuckled and took it off of you greedily. He froze for a moment with his eyes fixed on his prize and he slowly licked his lips.

“So swollen and eager. The smell is enough to put only one thought in my head,” he admitted. “Make you swell with my seed. Come here,” he crooned in his coarse voice that sent shivers down your spine as he grabbed your ankles and pulled you closer to the edge of the armchair’s seat. He threw your feet over his muscular shoulders and opened his mouth to stick out his long and slim tongue to show it off for you as you took a deep and shaky breath in.

Feyd leaned in and buried his face between your wet folds that had been anticipating any sort of release for weeks now. You gasped loudly at the sensation of the tip of his tongue tickling your sensitive sweet spot. His mouth was so skilled that he did not require the assistance of his hands as he placed them flat on your thighs to keep steady. He would gather your wetness with his tongue and then dip it all inside of you, making your back arch and hips rise slightly for more friction. There were times when his whole face was buried deep into you but he did not even flinch from the lack of air as he was devouring you, licking you completely clean like a starving dog and then focusing again on your swollen clit. Whenever he teased it, you were sure you’d cum now but then he would move his tongue away over and over, keeping you on the edge.

Your gasps and soft moans filled the room. You were trying to hold yourself back a little, ashamed of being so displayed for him but on the other hand it was him kneeling down to lick your pussy like a servant. It was you who was in control and the thought of that alone was enough to turn you on even more.

Your hands had been squeezing the armchair’s leather fabric but you dared to place them on the back of Feyd’s bald head and he did not protest. In fact, he moaned at the feeling as a pleasurable vibration went down your body. Your toes curled when you pushed his face even deeper and you felt the pressure of his nose on your clit when he was fucking you with his long tongue.

The overwhelming desire stripped you out of shame as you began to move his head up and down, rubbing your pussy all over his face while your moans grew higher and louder. Fuck it, you thought, you deserved it. After months of such a sad and awful marriage, being The Baron’s trophy wife, unsatisfied and yet violated by his repulsing touch, you deserved to cum on his handsome nephew’s face. It was the least Feyd-Rautha could do to make it up for you.

With a loud moan, shaky breath and trembling legs you finally reached your peak. Although the movements of your hips came to a halt and your hands stopped pushing his face, he was relentlessly sucking on your clit throughout your high, until you begged him to stop and he hesitantly let go of your glistening pussy with your sticky juices vulgarly dripping down his chin as you looked down at him with hazy eyes.

“I could feast on you for days, Baroness, you’re as sweet as a ripe fruit from your homeworld,” Feyd did not bother with wiping his face. He took your limp feet and calves from his shoulders and threw them back on the floor before placing one last kiss upon your wet mound as your pussy twitched uncontrollably in an aftershock.

You didn’t know what to say. You could see the hunger in him, he expected more and you wanted it, too. You wanted to feel his cock inside of you, you wanted him to fuck you like The Baron could never do.

“Claim me, Feyd-Rautha,” you ordered in a weak voice. “I want to remember with satisfaction each time he asks for me that it is you who have claimed me and fucked me. Put your son in me and smile every time you see me walking swollen with your seed as you know that it is yours and not his. If you’re a good boy now, I might reward you and let you feast on my fruit every night in my chambers,” you promised, like it would bring him more pleasure than you, which was not true at all. You craved it as much as him, if not more.

Your words elicited even greater hunger inside of him as he grabbed you by your ankles and pulled you down on the cold marble floor. The coolness of the stone brought some relief to your feverish body, your dress was still pulled up and you watched Feyd positioning himself above you as you bit on your lower lip and realised he would truly claim you now, on the floor of an empty room in secret. There was something barbaric about it and the fact you were an innocent lady from a planet known as Paradise who would be taken by such a brute warrior was making you go dizzy. You didn’t even fear the pain that would come with it because you wanted it – you wanted him to stretch you out and fill you.

When such thoughts were invading your mind and exciting you all over again, Feyd got his cock out of his leather pants and stroked it at the sight of you waiting for him with your legs open. With his free hand he gathered the wetness of your pussy and coated his length with it before hovering over you with his face inches away from yours.

“It’s going to hurt, my Lady,” he warned you with a smirk, there was absolutely no worry in his voice.

“I want you to hurt me,” you nodded and grabbed his biceps, ready to dig your nails in them as he’d slide inside.

Your spent and overstimulated pussy was relaxed enough to welcome him but the burning sensation made your back arch and your eyes roll, you were sure your fingernails made his shoulders bleed but you did not care. The pain was overwhelming and mixed with pleasure, you felt as full as you could and yet he still had more and more to give you, sliding it inside slowly, inch by inch, with a raspy moan and his forehead pressed to yours.

“You’re so tight,” Feyd breathed out, “open your eyes,” he commanded and your eyes fluttered open to stare into his cold and intense gaze. “I want you to look at me when I fill you up with my son,” he added and you nodded, still too overwhelmed to speak but already getting used to his size as if your pussy was made for his cock.

Once you nodded, he started rutting into you with all his force without any warning. You dug your fingernails even deeper into his flesh and moaned out of pleasure as the spasms of pain travelled through your body. His moves were fast and rough, relentless; nearly automatic like he was a machine and not a human. With each stroke he was hitting a spot inside of you that was making you gasp and writhe underneath him, leaving you a drooling and whimpering mess. Feyd used one of his hands to grab your cheeks and squeeze them gently to shut you up before joining his lips with yours in a sloppy and possessive kiss. You could taste yourself on him and you moaned at the taste – it was sweet indeed from all the hormones you had been injected with. It was no wonder he got addicted already, you would get, too. In fact, you explored his mouth with the tip of your tongue in order to clean it off of your juices completely, greedily licking them away from him as you were letting out muffled moans into his mouth.

His hips were brutal and his mouth was aggressive but you wanted nothing else but this. Hearing the stories about his sexual appetite you had been scared but now you wanted to laugh at your old self. It was nothing to fear, it was something to anticipate.

The fact that the act was forbidden, that he was your husband’s young nephew and a rival of some sort, was making it even better. You were welcoming each of his rough thrusts with eagerness, hoping it would fill your already swollen womb. Your whole body was ready to take the seed and as much as you dreaded the idea of carrying your husband’s son under your heart, you found the idea of carrying Feyd-Rautha’s heir much more appealing. If he would be like his biological father, he’d be handsome and fearsome, psychotic and depraved. You’d see your lover in him – not your husband – and it was giving you satisfaction.

Feyd’s hands dropped to your breasts as he tore the fabric of your dress open to expose them for himself to squeeze and pull on your hard nipples. You broke the kiss and cupped his face to push it down to your neck where you needed his open-mouthed sloppy kisses and soft bites of his black teeth. He obeyed and then he moved his head even lower to give the same treatment to your breasts, occasionally accompanying your moans with his low grunts.

You could feel that your second peak was coming close and you wanted to make him finish, too, so you spoke up in a shaky, hazy voice.

“Fill me up, give me a son,” you pleaded in a raspy whisper. “I want it so bad, I want to swell with your baby.”

Feyd moved his head up once again and joined your lips in another kiss – this time it was messy with teeth clashing and uncontrollable moans as the movement of his hips became less steady. In a few short spasmodic thrusts he spilled his thick black cum inside of your pussy. The feeling of his hard cock filling you deep inside straight into your womb was enough to bring you to your second peak as well.

Once he was definitely finished, he broke the kiss between you two and moved up to slide out of you and hide his cock back into his pants. You whined at the empty feeling and watched him put his shirt back on while breathing heavily, still laying on the floor, exposed with your dress torn up and your hair a mess. Feeling like a whore and absolutely loving it.

“You will go to the medic tomorrow and tell him that he had to be mistaken and the seed had made its way inside of you,” he informed you oh-so-formally.

“You’re so sure of your success?” You asked.

“I am,” he leaned in to look at you. “Don’t worry, I shall still visit you at night whenever you invite me. I’m a dog at your command now,” he admitted shamelessly and you sat up, resting on your elbows to take a better look at him.

That fearsome warrior was completely under your spell and all you had to do was to let him taste your pussy. You laughed at him. He had so many other women, yet it was you who made him this way. You knew why. It was because you were a war prize, because you were from Paradise and because you were an off-world Shehzadi. But most importantly he wanted you because you were his uncle’s Baroness. He craved you to spite him.

“And if I command you to never touch me nor speak to me again? I have already used you for my own gain,” you teased and raised one of your feet to caress his thigh with it.

Feyd angrily grabbed your ankle and looked into your eyes intensely.

“Don’t think I will allow my child to be called his heir and watch myself being tossed aside as my son is remembered as Vladimir Harkonnen’s spawn,” he threatened.

You didn’t answer that, unsure about the meaning of his words. He gave you one last angry gaze and pushed your foot away before walking out of the room as if nothing had just happened.

Of course the medic did not believe your words but he pretended that he had. He couldn’t know that Feyd had told you about the fact that he was working for him so he just played along and informed the Baron that he had been mistaken and you were, in fact, finally pregnant with his son.

You had been hoping that once you’d be pregnant, your husband would leave you alone. But no, how wrong you had been. He was now keeping you around him nearly all the time as if you were a precious cargo. He invited many great leaders for official banquets and showed you off. He would sit you on his lap and keep his huge hand on your swollen abdomen proudly.

But you did not even mind that much – not when you knew that the child was not his. You would often catch Feyd-Rautha’s gaze somewhere in the room and give him a mysterious smile as he would give you a smirk. It was your secret, your revenge on The Baron Harkonnen.

And late at night he would creep inside your room and please you however you wanted him to, only to disappear before the first rays of the black sun would hit you, as if he was only a dream or a ghost. You would recognise his smell now everywhere, though. The feeling of his touch differed so much from others. There was nothing but pure and raw desire bonding you two together and yet, when you watched him in the gladiator arena next to your husband, you feared for his life and you would startle at the sight of his opponents attacking him.

You knew that if something or someone threatened your life, Feyd-Rautha would protect you and he was more physically capable of it than his uncle. You needed him alive to keep you and your son safe.

You admired his body and his strength, the amount of his devotion to you and his little revenge plan. He was magnetic and you almost felt lucky to be chosen by him even though it was you having the upper hand in this relationship.

Some nights he was not coming to you, too busy with other things or perhaps too exhausted after the training. You didn’t mind since your body needed a rest as well, especially now when you were six months pregnant already. That night was one of those lonely nights and you had problems with falling asleep, so when you were woken up abruptly in the early morning by your servants, you didn’t hide your annoyance.

“What is it?” You snapped and rubbed your eyes.

“It’s… It’s The Baron, my Lady,” the girl’s black Harkonnen eyes were widened out of fear.

“What about him?” You yawned and sat up, squinting your eyes at the sun creeping inside through the windows. Another servant was already opening the curtains.

“He… He drowned last night, my Lady,” the girl informed you and you froze.

“What?” You asked, blinking slowly, not sure if it wasn’t a dream. “What are you talking about? What do you mean drowned? My husband is dead?”

“Yes, Baroness… He drowned in his bathtub. My condolences,” she bowed down. “You are awaited by the lords for the council,” she informed you.

You were speechless as you allowed them to dress you up in a humble black dress of mourning. They did your hair up and put a light make up on your face to hide the dark bags underneath your eyes. Your mind was spinning with an endless train of thoughts.

One thing was certain – it had been no accident. It had to be Feyd-Rautha’s doing.

And as much as you were relieved to hear about The Baron’s death since he would never touch nor hurt you ever again… you were scared of what would happen now. There was no way the lords would allow you to rule as the widow. You were an off-world woman who had been married to their Baron as a war prize. You were a pet, nothing more. You only hoped to convince them to let your son be an heir as they call someone else a regent in his name. You couldn’t hope even for the regent title.

You were escorted to the council room by the guards and when you entered it, every man inside went silent. They bowed down and gave you their condolences but their eyes held no sympathy. Feyd-Rautha was not amongst them.

“Thank you, my lords,” you took a seat at the end of the long, black table. “It is a great tragedy but thankfully before his death, my husband has managed to produce an heir,” you brought up the topic immediately as the men looked at each other. “What is it?” You asked.

“The boy is not even born yet, my Lady,” one of the lords spoke up and pointed at Rabban. “If we announce Count Rabban the next Baron… or Feyd-Rautha as the late Baron wanted… Well, then they might produce their own heirs in the future. They are both young and capable.”

You got dizzy at those words and the reactions of other men. They seemed to hum in approval.

“So, I am to be tossed aside?” You asked, angrily. “I am carrying your late Baron’s son and you’re tossing me aside? The child inside me is a rightful heir,” you protested.

“And what would you want?” A different lord asked without even addressing you properly. You realised you had already lost. “Perhaps you want to be The Baroness Regent? Over my dead body I will let a woman – let alone from Pairi Daêza – to command me.”

“Enough!” The doors opened and Feyd-Rautha walked inside with his head held high and a playful smirk on his face. The way he confidently walked and scanned the room with his eyes was enough proof for you to know that it was him who had killed your husband. “The child is not yet born, that is a fair point,” he looked at the lord who had addressed the matter, “therefore at the time of my uncle’s death I was still the Na-Baron,” he added and you gasped softly. You couldn’t believe that he betrayed you. You chewed on the inside of your cheek at the realisation how stupid you had been to think you were playing on the same side.

You had never discussed any details of his plan with him. But you were carrying his son and you hoped he would protect you and the child. Apparently, he only tormented you for his own fun. You wanted to cry. You had lost everything.

Then he looked at you and his face softened a little at the sight of your trembling lip and sad eyes.

“I will wed my uncle’s widow to be my Baroness as the old levirate law says,” he announced and you froze out of shock. Levirate was a law about brothers but you guessed an uncle with such an important title counted as that, too.

“Respecting that law is not expected from you, my Lord Baron,” one of the lords informed him. “You can choose any other bride.”

“I can,” Feyd nodded and stood behind your chair as he rested his hand on your shoulder, “but I will not. I’m choosing Baroness (Y/N) Harkonnen to be my bride,” he announced as the lords looked at each other, as surprised as you were. Out of relief you reached your hand up to hold his and squeeze it in a grateful manner. “I also want to make it known,” Feyd raised his voice and everyone went silent as they looked at him, “that the child she is carrying is mine and not my late uncle’s, therefore her son is my heir.”

Your heart started to pound in your chest. The eyes of the lords were staring at you with such intensity that you were afraid they would make a hole inside of you. You swallowed thickly, knowing perfectly well that you just had to admit to your sins now.

“I confirm,” you nodded and they began to whisper between each other. Feyd’s hand squeezed yours.

“If you do not believe me nor The Baroness, the medic might make a public announcement of the paternity test but I do hope you will not humiliate your Baroness like that,” Feyd told them and they all went silent again.

“N-no, my lord Baron,” one of the lords stood up and bowed down in your direction. “We accept the child as yours and we will let others know.”

“I do not want this matter to be discussed nor questioned,” Feyd stated harshly.

“With all respect, brother,” Rabban spoke up suddenly and you laid your eyes on him, curious about what he was going to say, “the matter that has been discussed and questioned so far was our uncle’s fatherhood. The only thing we have found out today was the identity of the man our Baroness has laid with.”

“Rabban,” Feyd barked at him.

“It is quite alright,” you said. “I am rather relieved that I do not have to lie about it anymore as I am proud to carry Feyd-Rautha’s son under my heart,” you smiled at the lords. Some of them rolled their eyes but they still nodded their heads at you.

“Then it’s settled,” Feyd announced. “Go back to your chambers as we settle the details about my uncle’s funeral and the rest of the upcoming ceremonies, my Lady,” he looked down at you and you nodded. He helped you to stand up and placed a kiss upon the palm of your hand before taking your seat by the table.

You were taken back to your chambers accompanied by the guard as you caressed your womb gently, very content with the outcome of that council.

The excitement made you less tired so you just ordered breakfast. Once you were finishing it, the doors to your bedroom opened and Feyd-Rautha entered your chamber. For the first time by daylight, without making it a secret. You stood up from the table and approached him with a smile before you threw your hands around his neck.

“My darling,” you greeted him. “I have doubted you for a short while this morning, you know that?”

“Have I not told you that I would not allow my son to be remembered as his heir?” Feyd smiled at you and pulled you closer by your hips – as close as he could with your swollen womb between you two.

“But the lords were right. You do not have to marry me. I can give you a son, he can be your heir. There is no need to wed me,” you pointed out.

“Don’t you want it?” Feyd tilted his head.

“I’m asking do you want it,” you pointed out.

“I wanted to marry you a year ago when you came here, after I lifted up that veil. Why would I change my mind?” He put his hand on your abdomen and caressed it possessively. “You were supposed to be mine. You would have been mine if he hadn’t wanted to spite me.”

“Why do you want me?” You asked. “As a Baron you could have anyone. One of the Imperial Princesses even.”

“You’ve got what it takes, my Lady. You’re stubborn and strong. I’ve claimed you, you are mine,” he insisted.

You cupped his face and caressed his cheeks with your fingertips. It was hard to believe that he was yours now. Your husband. You would no longer dread these words.

“I will be a good wife to you, Feyd-Rautha,” you promised, genuinely. You did not want any games nor conflict. “I want only one thing from you.”

“And what is it?” He squinted his eyes at you, curiously.

“Safety,” you pleaded. “Of me and my family.”

“Your family is now my family,” he nodded and you sighed with relief. “I want a few things from you, too,” he added and you bit on your lower lip.

“What is it?” You asked.

“You will share your chambers with me,” he started and you nodded, “you will give me more heirs,” he added and you smiled at that, “and you will never mention him again,” he finished sternly.

“Never mention who?” You asked softly and leaned in to place a gentle kiss upon his lips. “There is only you and I.”

MASTERLIST

[drchucktingle]

Hello Dr Tingle! I wanted to ask you about that re: your post about how all your books are serious literature (hell yeah Love is real). How do you personally deal with the whole traditional publishing institution? It attracts a whole different level of coverage and it seems that they're very quick to try and box you and like turn you into a brand. Is it stiffling? Is it freeing? Does the attention help more people understand your trot? I don't know I've never been published but since you have experience in both traditional and self publishing I'm interested in knowing how that's feeling for you

well this is a pretty complex question with lots of different trots but i will try my best to answer. lets start with WHO I AM as buckaroo name of chuck

what i create has a very strong voice and my way is pretty recognizable. while buckaroos do not know what most authors look like, i REALLY stand out in a dang crowd with a big pink bag on my head. if you see 50 random author photos and mine is mixed in and then you ask 'which photo do you remember the most?' it is probably gonna be chuck. i also have a VERY UNIQUE STORY with what i create and my artistic sensibilities, not a lot of buds are out there making trans mothman erotica along with their big five traditional publishing bestsellers (SIDENOTE preorder BURY YOUR GAYS)

now if you were going to take 'CHUCK TINGLE' to a marketing department they would FALL OVER BACKWARDS IN THEIR DANG CHAIR with excitement. it is hard to think of an author with a stronger BRAND than i already have in the sense of 'instantly recognizable trot and specific unique style'. even in answering this you can tell that i dont even TALK like other dang authors.

what i am getting at is this: i am VERY VERY LUCKY because my existence just so happens to equate to what a company would see as GOOD BRANDING. it is not intentional on my part, it is just the hand of fate i guess. im out here expressing myself in a FULL ON WAY that is PRETTY DANG STRANGE TO SOME and it just so happens to work as mainstream branding too

on paper you might think 'what the heck no way chuck tingle will fly as a mainstream trot' but honestly the main thread of this timeline can be surprising sometimes. ive been saying the key ingredient for years and i will say it again: LOVE AND SINCERITY RESONATE. when you make art with this fuel, the timeline will feel it. when you stand up tall and shout with your whole chest THIS IS MY WAY AND I LOVE MYSELF. I AM THE WORLDS GREATEST AUTHOR TAKE IT OR LEAVE IT, the timeline will listen

so all that said, i do not mind the idea of myself as 'brand' because i am not CHANGING myself to create this effect. what some might see as 'brand' i just see as another part of my art. i have always believed that art is THE WHOLE EXPERIENCE not just the painting but what is outside of the frame. WHO I AM is just as important as the books i write, and interacting with my way is a whole MULTIMEDIA experience that INCLUDES YOU TOO. it is the feeling when your friend shows you your first tingler cover, or the feeling when you realize that i am not playing a character. this is ALL a part of the tingleverse and it is all a part of my honest raw expression as a queer and neurodivergent buckaroo.

YOU ARE PART OF THIS ART TOO

it is my nature of have a PUNK ROCK trot. always has been. but to me that does not mean just angrily going against everything for the sake of going against everything. for me, this punk rock trot means fighting to EXPRESS MYSELF IN THE MOST HONEST AND PURE FORM POSSIBLE and to create the art that i want to make without any boundaries

somehow i have threaded the needle in this really interesting once-in-a-dang-lifetime kind of way. my pure punk rock self as an OUTERSIDER ARTIST just so happens to resonate with this larger system of brand and traditional publishing and popular culture. i COULD reject this, but rejecting it would be LESS HONEST.

this is just who i am. i LIKE pop culture. i LIKE joy. i LIKE dressing in all pink and wearing my custom suits. I LIKE PROVING LOVE IS REAL WHAT THE HECK ELSE EVEN IS THERE? i love being a queer outsider artist and using my small voice to shout at the big bad devils and i like that every time i shout a few more of you buckaroos join the chorus and together we are just getting louder and louder and louder and WHO KNOWS what comes next for us all trotting together.

when i post something like 'WHAT A GREAT DAY TO PROVE LOVE' it is not me sitting here in a bad mood thinkin 'well i gotta make todays post to keep up with my brand'. i am ACTUALLY FEELING THAT FEELING and i actually believe it with every fiber of my being. honestly, half the time i post about the beauty of this timeline i am probably over here literally crying tears of joy (chuck is an emotional bud i get riled over the joy of existence A LOT)

and heres the best part of this trot: because i really have this punk rock way it makes me very powerful. others can pretend not to care about success and brand and all that but I REALLY DO NO CARE. i would write tinglers whether buds were reading them or not, this is just my natural state, and that makes me incredibly strong. if some big corporation says 'YOU MUST DO THIS' and i dont want to do it i just say 'no thanks'. it is not some big debate about my career or anything like that because I REALLY DO NOT CARE IN THE SLIGHTEST. i care about the art

because of this, my relationship with my GIANT TRADITIONAL PUBLISHING MACHINE is great. we trot like equals and we get along really well. i tell them exactly what i want to do and they let me do it. i really do not have to answer to anyone and they deserve a huge amount of credit for respecting me in this way.

and heres the thing, THEY ALSO HAVE SOME GREAT IDEAS

SPECIFICALLY my imprint of NIGHTFIRE is very dang cool. yes, they are the head of a giant hydra of a BIG FIVE PUBLISHER, but nightfire is SO DANG ART-FOCUSED

there is no right or wrong way to be an artist, and my path is not the only one, but i can tell you what WORKS FOR ME. this is the advice i would give myself, and buckaroos can take it or leave it

here it is: never beg the big book publisher, or record label, or movie studio to pay attention to you

do not let it become a lotto ticket in your brain. do not think that you are some weak little creature and maybe if you trot just right they will scoop you up and take care of you. do not go to their door begging to be let in

LET THEM COME TO YOUR DOOR

create something so incredible and beautiful and honest and powerful and unique and important that they would be foolish to miss out. create a community or a system or a timeline or a world of imagination that thrives on its own and THEY SHOULD BE SO LUCKY TO BE A PART OF IT

then when you sit down at that board meeting it is not 'please brand me, ill do whatever you want'. instead, it is 'lets make a deal and see how much love we can prove together.'

now lets trot buckaroos

[tea-earl-grey]

i do think it's really interesting to compare the ways Star Trek and Doctor Who succeed and fail as pieces of progressive media because they almost have the opposite problem.

both of the shows are progressive, let's make that clear. while there are exceptions, both shows and worlds consistently critique capitalism, value compassion, solve problems without violence, and at least try to be diverse. there will always be individual episodes (and even eras/arcs) that contradict those values but in general, they are progressive compared to your average procedural or whatnot. but they, by the very nature of their premise, often fail to live up to fully realizing those progressive values. and yes, individual instances of racism or misogyny or any type of bigotry is a product of the bigotry of the writers/creators, but Star Trek and Doctor Who ultimately fail and will always fail to fully embody progressivism.

Star Trek is trapped in its own system of the Federation & Starfleet. for any of the shows to work, we the audience have to believe that the Federation is almost always a good & benevolent force and while criticisms of it are made, those criticisms are the exception and not the rule. the Federation/Starfleet can be criticized but at the end of the story, we must reaffirm that our characters are still good people and it's individual corruption that's the problem. the system can be portrayed as flawed but it must always be better than the alternative. if there is a Star Trek show that would truly dig far enough into how the Federation is a product of imperialism and how the nature of exploring & going where no one has gone before is inherently rooted in racism & orientalism then the franchise would collapse because nearly everything to this point relies on the belief in that a fundamentally good utopian system is possible.

now there's Doctor Who. Doctor Who has a quite different premise in that it is never rooted to one place or time the way Star Trek is attached to Starfleet/the Federation. (there could be an argument that Doctor Who is ultimately rooted in Britain but despite the 2005 series and the UNIT era in classic who, there are large swathes of classic who and the EU that never visit Britain. it's been made an important part of the show (as the show is an important part of British culture) but it's not inherent to the basic premise.) however, because Doctor Who is focused on traveling and seeing the wonders of the universe, its premise essentially becomes "some people turn up to fix a problem and then disappear". again, there are exceptions to this (especially in early classic who), but the formula of the show is almost trapped in the belief of individual action and power to solve systemic problems which... is not how most problems or solutions behave in reality. and just as Star Trek can criticize the Federation but must ultimately forgive it, Doctor Who can criticize the Doctor and portray them as flawed but must still reaffirm their status as a hero.

so we have Star Trek too caught up in its own systems to be able to critique them and Doctor Who too focused on running to portray how complex, long term solutions are needed to solve deeply entrenched problems.

and honestly... i don't think either of these are bad. they're simply the limitations of the shows as they exist and it would be far more worthwhile to develop new premises & find other media that incorporate those types of leftist political values from the start than to try to graft them onto 60 year old media franchises and pretend like they've always been there.

and they do serve a purpose! Star Trek might not be able to adequately portray the flaws of a system but it does give you hope for a better utopian future where people are taken care of and allowed to live however they choose, where there's infinite diversity in infinite combinations. Doctor Who might not be able to portray the complicated solutions to complicated problems that we face today but it tells you that every life matters, that kindness is the most important quality, and that everyone can make a difference in some way.

[yandere-sins]

the whole feral scary naga thing is good👀 but do you know of a legend when a white snake was about to be killed but someone saved them, in return they became the snake’s bride? the delusional naga not only making things worst for the reader by forcing them to be their mate, but now the village has no choice but to sacrifice y/n if they dont want to starve to death (nagas in some cultures are higly respected and are important for livelihood and crops)

Oh my gosh... This is perfect... (I have heard of the legend but haven't researched it but even so it's perfect >:3)

You pet dogs and pspsps at cats when you see them, smile at the cows, and oink alongside pigs. All that and more, but you're not necessarily involved with animals as much as other people in your village. You like animals, and you tolerate them around you, but the thing that actually gets you excited is plants. No wonder you became the town's doctor as one of the few people who can differentiate between poisonous berries and digestible flowers. You are an integral part of the community. Nothing could threaten your position as a respected member and being needed by everyone.

Nothing but the damn naga you stumbled upon one day.

There were stories of these creatures, as with every belief, there are countless creatures to know of in your culture. You heard them, acknowledged them, but didn't actually believe in them. Most stories are scars for children anyway, and half-human, half-snake? Sounds impossible for you as a doctor.

For years you roamed the forests for plants for your medicine and studies. Years of never meeting anything scarier than a wild cat or a completely normal but still somewhat scary big snake. Years of walking in and out of the forest unscathed and unharmed. But you are immediately alerted when a human voice calls out to you from a pitfall. You don't recognize the voice from your village, but as a doctor, it's your duty to help.

You do everything you can, from telling them that you're there for them and will get them out of the trap and patch them up once they're out, to cutting vines to make a rope and throw it down into the dark. The possibilities of what could be down there don't unsettle you. All you see is your mission to help. When you tell them to try climbing your makeshift rope, you still expect a human to appear from the very deep, very large pitfall. Oh, how wrong you are.

Because while at first, you see the right things like hands, shoulders, a head, and hair, nothing from the waist down is normal about the suspected human clawing its way out of the trap. But it's too late now to cut the vines as its tail slowly drags itself out of the hole, the proportions becoming uncanny on a body much too big for a human and the tail much too white and standing out to be of a snake.

The real horror, though, is when you meet the creature's eyes, slits for pupils that fixate on you, dilating and narrowing as it musters its savior, its nose sniffing the air while you feel like you're going to throw up as you notice the claws, scales, fangs. The unnaturalness of this monster in front of you.

You made a mistake. A big one. The pitfall was not a dangerous creation for a human by a human. It was a last effort to save humans and keep a monster locked away in a prison it couldn't escape. You released it—enthusiastically even. The desperation you feel, knowing you might have doomed your village, is immeasurable. You can already hear their screams echoing in your ears as they are torn limb from limb by this monster, all while you'll probably die first, unable to help them as they call for you to heal them.

Both of you are staring at each other for what feels like a breathless eternity until the creature slithers—slithers!—towards you, its claws reaching out while you close your eyes, unable to watch it go for the kill. Its arms wrap around your body, and you gasp as it buries its face in the space between your neck and shoulder, your heartbeat racing as you listen to it sniff loudly, deeply inhaling and exhaling through its mouth. A mix of a purr and growl reaches your ears, vibrating in its chest and making you shiver in its grasp as the creature declares you as "Mate" before picking you up, feet dangling so far from the ground you might break a leg if you fall.

Luckily, that's not the creature's intention, and it seems delighted by you clawing at its shoulders, trying to hold on to it out of fear as it begins to carry you away. It's then that you realize that no way can you let it take you somewhere deeper into the forest. You are needed in your village! You are important! Too good to be eaten somewhere even your bones cannot be found anymore! It's a little scary, but as the creature has to lower itself to slip under tree branches and the like, you take the risk, kicking its stomach when it least expects it to create enough distance between arm and body to slip out.

You never ran as fast and breathless in your life as you did with the naga right behind you, crashing into tree trunks and hissing and growling, its claws always dangerously close to your body. You knew the forest well, but the only thing this monster seemed to care about was getting to you. It was foolish to lead it back to your village, but maybe... maybe! The warriors were skilled! The elders might know where to hit its weak spots! There was at least some hope that you could escape it!

The naga only caught up to you when you stumbled into the open clearing where your village was settled. Gasps and screams echoed around you while your face slammed into the ground involuntarily as you two collided, your body collapsing from the run. You heard the calls for the warriors, the terrified screams of the women and children, but all of a sudden, everything becomes very nauseatingly quiet.

Even with the hand of the naga pressing you down into the ground, keeping you from running from it anymore, you somehow manage to look up. What you see is almost more terrifying than all the possible scenarios you could have imagined. Everyone—the warriors, women, children, elders—knelt on the ground before you, bowing their heads, foreheads touching the dirty ground while you heard the unsettling sounds of the creature behind you, hissing and thumping its tail.

"My mate!" it declares loudly, possessively, and the people shudder in reverent fear. Finally, the oldest member of the tribe lifts their head, nodding before answering, "All yours. We will not interfere."

Their eyes fall on you, their lips silently mouthing, "I'm sorry."

You are once again picked up, settled tightly against the naga's chest, enveloped like an inconsolable child in its arms before it turns. You have to watch the villagers slowly rise to their feet as the creature spares their life with your sacrifice. The eldest shakes their head, turning to a warrior before asking how the naga could possibly escape. "I don't know," sighs the warrior. "But that's one more doctor lost to these creatures. And we tried so hard to keep this one."

"Better them than us," the eldest comforts him, patting the warrior's shoulder. "We knew the trap wouldn't be able to keep the naga from what they want forever."

Tears brimming your eyes, you meet the disappointed gazes of the village you thought you were so important to. People who gave you away in a heartbeat to appease some monster, and the bitterness overwhelms you as you realize they knew it was coming. Coming for you of all people, never telling you to leave the village and run for your life. Instead, they used you for as long as they could.

Until you rescued your own death sentence.

[mswyrr]

in the ep where Lucy retains her decency while embracing her grit ("Golden Rule, motherfucker"), Cooper is reminded with deep shame of the moment he lost his - filming the scene of shooting a man who was down and begging. like he was (well, down but not begging lol) when Lucy showed him mercy.

and that scene--the betrayal of everything cooper felt was sincere in the pop culture art he made--was Hank's favorite... he's an empty man, a soulless creature of the corporation, and knows no shame for hurting people who can't fight back

the whole show is imo about what it MEANS to be a knight or a cowboy - what does it mean to hold power and believe it's for good reasons, but at the end of the day it's still *power*

that's why it's important to me that "Golden Rule, motherfucker" is not "i'm too Soft and Gentle to hurt anyone uwu!" it's "when I have the power, I use it according to MY ETHICS, bitch!" it's a complete victory rather than the "victory" of surrendering to the logic and behavior Cooper kept trying to push her into. it's about the nature of power and what is possible with it.

which brings me to Max. he, like Lucy, wants power and to do good things with it. but what does that mean? power is fun (his joy at escaping Titus and the imo very real threat of torture and death - his joy at the power armor), but, though he started to enjoy bullying the guy who had bullied him - then the guy showed throat and Max realized how not fun it is to have absolute control over someone like that, sadism isn't actually his bag like it was for Titus. and he's very unenthused about his rise in rank at the end... the Brotherhood chapter you meet in Fallout 3 are led by okay people - it's not impossible for that to happen. but will Max be able to manage it w/ people like the head scribe leaning on him? will Dane help or hinder Max in trying to have both power & decency?

what will it mean--given they've symbolically EXCHANGED FINGERS & become part of each other--for Lucy to relate to her shadow & Cooper to remember his decency? them on the road and Max & Dane trying to make things work with the Brotherhood is gonna be FASCINATING

all three leads are each struggling with the same thematic questions about power and whether you can be a "good guy" with it - an honorable cowboy, a noble knight, or if the world (& organizations you're part of) must strip that away from you - and i LOVE it

[matan4il]

a cultural question for you because I’m curious: here in the US, people dress up for funerals, usually in formal black for mourning. of course a lot of that is a holdover thing shared with England, and most Americans’ concept of a funeral would be people in somber, modest but nice attire in pews in a church. it’s true at Jewish funerals too, though. I noticed the funerals in Israel are much more informal, is there a reason for that? or is is just the norm? asking this totally respectfully, there’s nothing wrong with it at all!, but it interested me.

I’m sorry it’s a question brought up because of such unbearable heartbreak.

Hi Nonnie!

You know, I never realized this, but then I've only seen American funerals in movies and TV shows, so I couldn't know how much it reflects reality, or the fact that American characters even wake up in the morning, after a night of casual sex, with perfect hair and make up...

I would think the tendency to wear informal clothes comes from certain Jewish traditions, like how our dead must be buried as quickly as possible, so see sometimes get the news about a funeral being held on the day it's about to take place, which means not a lot of time for dressing up. Another thing is that our funerals are not held in our houses of worship. The living must be separated from the dead in Judaism, so our cemeteries are usually outside our cities and towns, while our synagogues are built within them. Another thing is that a rabbi doesn't have to be there for a funeral. A representative of chevra kadisha is enough. That means that while a funeral is important, it is not exactly a sacred thing. Judaism sanctifies life, not death, so even though death is treated with respect, it's not treated as holy, if that makes sense? It's a very fine difference, but it's there. Also, our shiva is different from a wake, in the sense that people come to comfort the grieving family all week long, so dressing up for it when you come by after work is not required. On American shows and movies, wakes are presented as an event, it's hosted, and the host must provide food to the guests and the right kind of space to gather in, while a shiva is a part of the Jewish muorning customs, where we grieve together, but it's the community that supports the grieving family, bringing them food, checking in on them if they need anything else, and the location is the home of the deceased, so there's something a lot more casual about it. All these things should affect Jewish funerals in the US as well. If it didn't, that might be an influence of non-Jewish customs, I'm not sure. I never attended a Jewish American funeral either.

Then again, the answer might also be way simpler than all of this: Isreal is a very hot country, and funerals are held in cemeteries, not in air conditioned houses of worship. It's hot, which makes formal dress a nightmare, especially for a funeral held in the noon and afternoon hours, as many Jewish funerals are. It's just practical to not come in formal clothes.

As you can see, these are my educated guesses based on what I'm familiar with. Thank you for giving me a moment to reflect on this, it was interesting to consider... I hope my answer sort of helps. If anyone feels like they can shed more light on this, please do! Have a good day. xoxox

[fairuzfan]

I don’t ask this expecting you have THE answer or that there is one, but I follow a non Palestinian white man on insta (in addition to many Palestinian folks in diaspora and in Palestine) who mostly shares things from Palestinian ppl/sources.

He has several times criticized / shared criticism of charity dinners, music festivals etc raising funds for Gaza with the perspective of, it’s not appropriate to have a dance party or dinner while people are undergoing genocide, but also that in this moment, art isn’t resistance because there needs to be physical resistance, blockades of weapons, etc.

I’ve seen this echoed from some others especially critiquing white folks trying to claim “joy is resistance” right now, which makes sense to me, but i also wonder if it’s reductive to say art or music is not resistance because I feel like it can have a lot of power especially alongside social movements… was wondering if you had thoughts on this or perhaps knew where I could look to learn more.

Please ignore if this is too much, and thank you

I think things like writing and illustration and music feeds into the spirit of revolution and is necessary in that way. You have to energize the masses somehow, and to ensure that your message spreads as far as possible. A good way is to make art, or to sing a song, or write a story.

That's why Wisam Rafeedi wrote his book and different resistance factions make posters and videos — to spread their ideas and garner support among the masses.

It's not as important as putting yourself in immediate physical danger to incapacitate the colonial entity — but I think for Palestinians and other colonized peoples, they do need to make art to really process their thoughts. Of course there's a difference when a Palestinian in Palestine, a Palestinian in the diaspora, a nonPalestinian ally of color, and a NonPalestinian white ally do this. I won't deny that there's a nuance when it comes to this.

But writers who write about Palestinian Liberation historically have been assassinated because of how they participate in liberation actions and also spread ideas of liberation themselves. I don't know which white guy you're talking about but I feel like this is mostly a conversation that should be led by Palestinians if we're talking about Palestine because they understand the nuance of saying statements like "the only resistance is physical." I understand what he's saying to an extent but that does erase a lot of Palestinian resistance the past few decades by making sweeping statements like "art is not resistance" and kind of simplifies the issue at hand.

Charity dinners and galas and that stuff... I don't know what I think about them, I think that people are going to do it either way so my opinion doesn't really matter. Hey, if you're going to raise thousands of dollars for Palestine, I'm not going to stop you at all. I personally think you should try to avoid posting pictures and stuff like that from the gala itself if you're going to host one just out of courtesy.

I guess overall what I'm trying to say, art resistance becomes physical a lot of the time. I think its really reductive to say "art isn't resistance" and also personally insulting considering I have family members and friends who were journalists, creative writers, and artists and killed/targeted for their work.

Here's this article by Fargo Tbahkhi about the role of writing during a genocide that might be a good read. They also mention how Israeli propaganda (calling Palestinians "human animals"/"Amalek" as an example) is specifically a use of culture and writing to energize people to commit genocide. An especially poignant part that I completely agree with, and am trying to get at:

Palestine requires that we abandon this catharsis. Nobody should get out of our work feeling purged, clean. Nobody should live happily during the war. Our readers can feel that way when liberation is the precondition for our work, and not the dream. When it is the place we stand, and not the place we shake ourselves towards. In this way, what the long middle of revolution requires, what Palestine requires, is an approach to writing whose primary purpose is to gather others up with us, to generate within them an energy which their bodies cannot translate into anything but revolutionary movement. This is what Boal modeled for us in his theatrical experiments, which were dedicated to empowering audiences to act, to participate in a creative struggle to envision and embody alternatives. For Boal, theater was not revolution, but it was a rehearsal for the revolution, meant to gather communities together in that rehearsal. Creative work readies us for material work, by offering a space to try out strategies, think through contradictions, remind us of our own agency.  

[metabolizemotions]

They only fetishize queer people. Especially our pain. We are not real, entire human beings to them. The celebrate the straight couples - their relationship, intimacy n all; fetishize the bodies of queer men; n fetishize the idea of queer women.

The extent to which they tolerate our sexuality is the short snippets in promo clips. They only want to exploit our online engagement. Ironically our viewership might be bringing in the ad buyers who r trying to erase us.

They try to erase the specificity of the "queer" part, but only use the pain, the convenient stereotypes, the virtue-signaling part to gain brownie points n for good drama. They joke about cultural appropriation n did exactly that during the pride episode with the straight couple's proposal. Same-sex marriage. What are you talking about? It's about queer hate n straight allyship.

They capitalize on the "women" part, to further fetishize our biology. So if it's 2 women in a relationship - it's double the drama about making babies, bad genes, n jokes about hormones n our body parts. But it's 2 women, how can they possibly manage w/o "big, strong, sensitive", straight men with good genes to contribute n overflowing empathy to deal with them being emotional n hormonal?

It's 5b, it's pride, it's the burning man all over again. First they elevate Jack, now Beckett. Pride was about cheating queer men n high queer woman. An intimate scene of Marina must be minimized n hidden among the others' or edited to death in a montage. It's as scary as a man burning to death.

The fact that they haven't even shared a proper kiss this season through any joyful or emotional moment... They just come up with more ways to obscure the kiss, if any. Bad lighting, bad angles n bad editing are prerequisites. They r also written into the script.

Of course they make an important life decision in the NICU, n it's completely inappropriate for a married w|w to share a quick kiss - which we saw via the back of their heads. Unlike a gay man having sex with an ex at the funeral of the ex's dad - while cheating on his partner - twice. Perfectly lit with no obstructions of course.

Even in their ugly kitchen they're assigned, with a perfectly good scene setup, nope. Too brightly lit for queer woman - save it for a long morning kiss b/w gay men in their nice kitchen.

Emotional scene about Carina's fertility issues and reciprocal IVF - okay a kiss allowed grudgingly - but just 0.5 sec. Their lips touched. You get the idea. Why are you fans so demanding? Time is reserved for the 101th proposal of the straight couple n their extended kisses. A proper Marina love scene? You perverts. More explicit sex scenes b/w straight couples are needed.

I don't want to rehash about Jack. I've said plenty about Beckett. Just that men's mistakes are dismissed and minimized. It is not enough to show every painful step of Maya apologizing and making amends. Maya and Carina must also be used to make the audience sympathize with Jack and Beckett. It is a deliberate yet thoughtless choice to use Carina's SA trauma to sympathize with Jack. Just as it is to use Maya's family trauma to sympathize with Beckett. Esp the context of the shot. It is esp violating. They might as well just get Jack to show up for this. They never really got it, did they?

However one chooses to justify these choices, it's not only unnec but wrong to include the men. Esp not Beckett - the man who bullied her for months till her breakdown. Even if he never apologized and they insist on using Maya's pain to make him look good in his redemption arc, idc at this point, but this is just not the time.

If it must be a man, get Travis. Make it a conversation b/w queer people, about queer hate, about their families. Travis sympathizing with Maya, about a journey he wouldn't know about. Way better than jokes on hormones with the guys. A cheap way to get a laugh at an arduous process. I thought we left 5b n mocking queer women behind.

It could have been one beautiful scene with Andy and Vic. They haven't had a proper one since s1 & 2. They would have understood about Mason, if not for their long friendship, there's 703. It could have been about the pain women go thru - Andy and Vic about their abortions or Maya about experiencing what Carina underwent... The show really isn't big on female camaraderie.

But it should really be Carina. Among all the scenes of Carina in the station bathroom - which have been a lot - this is probably the most appropriate if they must set it there. Definitely more so that her own insemination, which was ridiculous.

These are moments that they should only share with each other, privately n intimately. These precious moments that are dwindling - few n short to begin with. It's not irl, it's one scene in an ensemble show. They sure could have romanticized this. It doesn't even have to be half as dramatic as a regular scene of their golden couple. D & S will create magic.

Esp in this episode, there's so much to unpack. With everything they've been thru on their own, the ending could have been about them at home, checking in n sharing their day. Talking about the lawsuit, the hate on queers, their brothers, the boundaries they had to set with their families... Doing the trigger shot together - esp after their emotional scene in 705 n to cap off the morning scene. A perfect setup for their emotional n physical intimacy.

But of course it didn't happen. Other important moments in their lives about their new home n new baby were also short parts of wordless montages. They are even less important than scenes of the others having drinks n sex.

Queer women just don't matter.

[incorrect-jojolands-quotes]

Hot take but I think what we saw in chapter 13 was necessary.

I don't think a lot of people realize how important it is for Araki to portray what he did, even if it extremely difficult to take in. Let me explain.

Araki has discussed about topics like racial and class disparity through both Steel Ball Run and Jojolion, but JOJOLands is different because the discussions are now very direct. We had Chapter 1 open up with police brutality and Chapter 13 open with intense bullying; both acts were committed by people of higher social standing/power and seemingly White (or white passing) and both are harming a dark-skinned queer individual. Not only that, remember that Hawai'i is an island stolen and colonized by the US and many indigenous individuals who were supposed to live and maintain kapu are being forced to endure housing problems, loss of culture, etc. due to gentrification and exploitation of its lands. 2020 was when we saw global protest towards the deaths of George Floyd and Breonna Taylor due to police brutality, which has spread as far as Japan in terms of demonstrations and rallies. Araki has made it clear that he tries to take real world experience into his writing, and this is no different. He is also no stranger to portraying law enforcement throughout his parts without glorifying or downplaying their behavior.

As a mutual of mine (who themselves identify as a black GNC individual based in US) has put it, those who identify or even appear as Black while identifying as trans-femme or women are subjected to some of the worse kinds of oppression possible in America. Queer women of Color are one of the most susceptible to sexual violence-- especially when they are young, and the darkness of their skin really plays into it. This is transmisogynoir; it is a hard pill to swallow and acknowledge, even if it feels excessive, and its a multilayer of oppression that connects a person's racial identity, gender, and sexuality as targets of discrimination. It's the fact that one is POC, a woman, AND queer that makes one a target--- not just one or the other. You can’t turn a blind eye to this because it happen constantly throughout America's history and American society even today, but you can't simply water it down or downplay it. In fact, many victims of transmisogynoir have no choice but to downplay their experiences because of their Black identities or because they appear too dark to be taken seriously; when they, especially if they are Black, try to hold people in power accountable, these individuals are suddenly labeled aggressive, indignant, etc. and they are further discriminated for attempting to speak up. Dragona downplaying the bullying isn't them just trying to avoid further conflict but a reflection of how many who were in similar situations like Dragona are forced to simply forgive and forget the trauma they have to endure. To downplay it ourselves is reinforcing the narrative that individuals like Dragona in real life should remain silent and endure their harassment rather than rightfully protect themselves and others from it.

Another thing to add is that the way Japan portrays and treats the LGBTQ community, particularly the trans community. In Japan, the process to legally change your gender is complicated and requires a lot of steps that include, but not limited to, being diagnosed with gender identity disorder, proving you have no kids/guardianships, and sterilization. This causes a lot of individuals to be forced to quickly transition as a means of getting their gender recognized, which takes away the time to let them explore at their own pace, and this is due to how the process can lead to hindering career and life opportunities that wouldn't be hindered had they already transitioned or stayed closeted. Many Japanese trans individuals unable to go through the process quickly either remain closeted or move away from Japan to transition at their own pace. So, as a result, the trans community and its struggles is not as noticed compared to outside of Japan. Another thing to add is that the trans community in Japanese media is often portrayed as comedic relief or a gag. Oftentimes, the trans character or character who diverts from gender conformity (i.e cross-dressing, acting more flamboyant) is the butt of the jokes. Some thing to note is that, when Dragona was first introduced, a lot of people thought that Araki put Dragona in simply for comedic purposes. I had people joke about how Dragona is just there because they believed Araki is trolling. Not only that, the racial issues that Japan has often results in jokes towards non-Japanese individuals in media, especially if they are of darker skin color.

So, Araki putting Dragona in these difficult situations is also meant to subvert expectations that his Japanese, and possibly Western, audience may be expecting. The expectation was to laugh and toss Dragona aside as a single-dimensional character, but Araki instead forced us to face the trauma through Dragona's experience head-on. We are made aware of Dragona's situation, how real and difficult the struggle is, and we end up emphasizing with it rather than laughing at it. Through this, we get a glimpse into real life experiences of trans POCs without it being downplayed and have it show how Dragona is a fleshed-out character with importance to the series. As some have put it, this chapter proved that Dragona isn't just a side character but arguably a complex individual on the same level of importance as Jodio. I don't think it would have been easy to have the same impact if another approach was taken.

While talking to others who identify as trans and/or GNC about their thoughts on the chapter, I was told by many of them that, while Dragona's experience hits close to home and was hard to digest, they appreciate seeing it being expressed and hope it will help other people understand their struggles. One noted how the introduction of Smooth Operators with the backstory as empowering, seeing the Stand as a symbol of surviving the trauma that comes with trans discrimination. I do find this a bit telling with how many people online who are against Araki's portrayal barely mention what trans/GNC people have said about it.

My main concern, as well as what I see people have rightfully critiqued, is the excessive trauma reinforcing the fetishization and violent voyeurism towards trans individuals; it also reinforces the problematic narrative that dysmorphia can only happen as a result of trauma and the trans experience can only be full of pain. There's also the issue that Dragona's experience also happened while they were under age and their harassment is similar to that of Lucy. It's a common trope in Western media to put marginalized people into these situations while upping the ante simply for clicks and pleasure, and even worse when the character portrayed is a minor. As I reiterate, it is a very uncomfortable chapter to read and I don't find it enjoyable at the slightest. Just because I understand why it is necessary doesn't mean I condone the approach done. I also understand Araki as a Japanese man can only relate and portray a queer American's experience to an extent. But, at the same time, the exposure was necessary because it gives us the awareness and a voice to trans people that is lacking within media even today. We need to be aware and acknowledge what our BIPOC trans community goes through as a means of being better humans--- and especially our younger community members. We need to make our society safer for them so they can thrive and have the respect they deserve. Oftentimes, that starts with how they are portrayed and how their experiences are portrayed. While it is still a journey and not every representation will be perfect, we can't simply toss it aside and bash those who try to show something realistic just because it is uncomfortable.

I only hope that Araki wrote Dragona and these scenes as a result of doing extensive research and reaching out to actual POC queer individuals, particularly transfemmes/women, to understand their experiences and have their blessings to use their words to shape Dragona. I feel like that would show that Araki was serious about discussing these issues through his characters rather than simply using Dragona's traumatic experience it for entertainment. I have higher expectations for Araki now, knowing that it may not be the last time he shows a character experience harassment and possibly have Dragona be harassed again, so I will keep my eyes open for this.

[mylovelies-docx]

Sorry, I Love You - Part 6

It's my birthday, so here is my gift to all you lovely people :)

Plot: You and Bucky have a good thing going - best of friends that also have more than a little chemistry between the sheets. Everything is fine until you develop feelings for the man who doesn't want a relationship. What will happen when Bucky finds out?

C/W: brief mentions of HYDRA approved "science", insecurities

Word Count: idk ill look later

Tag List: NOW CLOSED! If you'd like to keep up with this story, please follow my blog and turn on notifications! ❤️ you :)

[Prologue][Part 1][Part 2][Part 3][Part 4][Part 5]

Meeting with the contact goes down without a hitch. You’re surrounded by scraggly trees and evergreens, snow heavy on bare branches and pine needles alike. You’re briefed on all the important information: who’s who, ongoing projects, expectations for your work. You nod along as you write down shorthand notes – really only intelligible to you, but you’ll burn them once you memorize the information regardless.

The rendezvous is short, but you’ll be seeing them again soon at your new ‘job’. You flip your notebook closed and dip your head briefly to acknowledge the end of the meeting. Olaf (not his real name) returns the gesture and stalks off, presumably heading back to the HYDRA facility.

You take your time getting back to the house – you want to give Bucky his privacy and time by himself to prepare for the workday ahead. You envy the monotony of working on vehicles all day: scouring the engine, finding the necessary parts, sliding under the metal frame and lying on your back for hours… 

Come to think of it, maybe you shouldn’t imagine lying on your back for hours in the same thought process that involves Bucky. Too many memories and too much pain.

Regardless, anything is better than working for HYDRA, even if you are actively working to sabotage them while you’re there. Yeah, Bucky is here to keep an eye on you and provide backup and know-how, but you’re the one that is pivotal to this mission. The one that needs to get in, get out, and get gone before HYDRA realizes how big of a mess they’re in.

You begin fine-tuning the personality and mannerisms that will serve you best here. Olaf had explained the specific work culture of the HYDRA facility during the meeting, so you’re now better able to imagine your life for the foreseeable future: work, work, work, kidnapping, torture, experiments, exhaustion. 

And going home to Bucky every night, your brain supplies. You mentally swat the words away. Of course you’re going ‘home’ to Bucky. He’s your immediate backup in case something goes wrong – he has to be close. Even if it’s not the intimate kind of close. Not the kind of close you used to be when this mission was first given to you last year. Not the close that originally had you posing as husband and wife, but the kind that now has Bucky as your brother.

A shiver courses through you at the thought, and you wrap your arms tighter around your snuggly bundled self. Bucky as your brother is the worst scenario you could possibly imagine, but everyone agreed that with the new tension between you and Bucky, romance wouldn’t be the wisest play up here.

A soft groan leaves your lips and you dip your head quickly in disappointment before popping back up and looking ahead. There’s no point in yearning for something that will never happen again. You need to actually move on, not just lie about it and pretend like you did. Bucky deserves that much. You deserve that much.

Taking a deep breath, you shift your focus back to the mission. It’s time to embrace the role, leaving behind the echoes of a love that was now confined to memories. You couldn't afford distractions or longing. HYDRA's demise depended on your unwavering commitment, even if it meant burying your heart's desires in the depths of your being.

***

You arrive home a short while later, the creaks and groans of the old house underlying the silence of the empty rooms. It seems that Bucky had left for work while you were out. Glancing over to the clock atop the fireplace mantel, you're taken aback to see how much time has passed. You must have been lost in your thoughts far longer than you had initially realized. 

You close the door softly behind you and shuffle out of your coat. You hang it on a peg beside the door where your and Bucky’s other coats reside, noticing how well the colors reflect both of your personalities. You can’t help but laugh at the blacks, grays, and dark blues of Bucky’s jackets that contrast sharply with the whites, pinks, and pastels of your own. The smile lingers until you kick off your boots and walk further into the quiet house.

The echoing silence pulses in your ears and makes you uncomfortable. You hadn’t been alone like this in a very long time – there was always at least one person in the next room or house or building that you could reach out to. But with Bucky at his ‘new job’ and no neighbors knocking on the door to welcome you to the neighborhood, you feel totally isolated.

With nothing else to do besides wallow in loneliness, you decide to throw on some music and dive into all the information the team has gathered on this HYDRA location. You’d skimmed the files on the way here yesterday, but now you had the time to really peruse. You run upstairs to change into comfortable clothes and throw your hair up and away from your face. You return downstairs and pull out your laptop, setting up camp at the kitchen table. You open your favorite music streaming app and hit play, starting up your ‘get shit done’ playlist. You bop your head to the beat and dig in.

***

Hours later, you hear the door creak open and Bucky steps inside, his face smudged with grease and a tired smile on his lips. You rise from your hunched position and stretch your aching muscles. The pain in your upper back and neck eases slightly as you greet him, "Hey, Bucky. Welcome back. How was your day at the garage?"

Bucky wipes his hands on a rag, glancing at you with a mix of exhaustion and genuine warmth. "Oh, you know, the usual. Fixing engines, tinkering with parts. It's a nice change of pace from our usual gigs."

You nod, attempting to keep the conversation light. "Well, at least you get to put your mechanical skills to good use. It must feel good to work with your hands again."

A brief moment of silence hangs between you as you both glance down to Bucky’s hands. His metal arm is covered by Stark tech that makes it appear as if he’d never lost it in the first place. You can tell how uncomfortable he is with the sight after working so hard and so long on learning to accept himself the way he is now. He picks at the fake skin, pulling it slightly away and letting it snap back into place. Bucky clears his throat, his voice a touch hesitant, "It doesn’t quite feel right, ya know?"

You shift in your chair, tucking your leg up under you. "No, I get it, Bucky," you say. “Doesn’t feel like you, does it?” You give him a smile and a small shrug of your shoulders, as if what you’re saying is common knowledge and an opinion that everyone shares, “If you ask me, I prefer the metal.”

Bucky's eyes soften and he stops fidgeting with the skin, letting his arms drop down to his sides. “Yeah,” he agrees, “me too.”

You nod, trying to hide the warmth swelling in your chest. "Anyway," you begin. “I’ve been going over the data that you guys have gathered in the last few months. There’s a lot here, huh?”

“Yeah.” Bucky sighs and walks over to you, taking the chair opposite and stretching out his legs underneath the table. His feet encroach on your space and nearly rest underneath your chair, the table not really accommodating for his size. You pick up the one leg you still have dangling off the chair and tuck it under you with the other one. Bucky places his hands behind his head and leans back. “All of my memories of this place are hazy, but this place was a real piece of work.” A grimace mars his face and his eyes start to cloud over.

Wanting to shift the conversation away from the discomfort he may be remembering, you change the subject, "So, did anything noteworthy happen at the garage today? Any signs of HYDRA activity in the town?"

Bucky's eyes shift with a sense of purpose, grateful for the chance to discuss something less complicated. "Actually, there was something unusual. I overheard a couple of guys mentioning some military-grade vehicles arriving tomorrow for inspection. Might be worth investigating to see if they’re HYDRA."

As you delve into mission-related details, a sense of normalcy descends upon the conversation. The awkwardness and unspoken emotions linger in the background of your mind, but for now, the focus is on the task at hand. You understand that the mission takes precedence over personal matters, and you commit again to putting aside your feelings for the sake of success and Bucky’s peace of mind.

With a renewed determination, you delve into strategizing and planning, resolute in your shared mission to dismantle HYDRA's operations. 

Part 7

@jackiehollanderr @rabbitrabbit12321 @12345sebby @blackwood-bodecker-housewife @lauraashley93 @themorningsunshine @happinessinthebeing @nash-dara @calwitch @stany0url0calwh0res111 @pono-pura-vida @learisa @introverbatim @kentokaze @marvelogic @kaz11283

[coffeenonsense]

I usually try to stay in my lane most of the time (mostly bc I am far too old for fandom drama) but what the hell, it's friday, let's put that lit degree to use:

the way people are playing morality politics with fiction is really starting to genuinely irk me and I think some of the responses to ascended astarion are a perfect example of why this type of thinking is actually hugely detrimental to one's ability to meaningfully engage with fiction and also to the future of art.

astarion is one of the most well-written complex characters I've seen in recent years bar none (and I'm clearly not alone given the explosion of his personal fandom lol) and he has a truly compelling, emotionally resonant character arc whether you ascend him or not

If you keep him a spawn, you get a deeply touching, realistic character's journey to healing and personal growth where he learns who he is after the experience of his trauma and depending on the player's choice, explores his relationship to sex, romance and intimacy

If you ascend astarion, you get an equally emotional and well-rounded character arc where he chooses the power that allows him to have the desperate freedom and safety he's wanted, but in the process eschews any hope of real healing or personal development, and again, depending on the player's choices, restarts the cycle of abuse by taking cazador's place.

These options offer vastly different paths for the character and experiences for the player, but while yes, ascended astarion is the evil ending, and yes, ascending astarion is a tragedy, and a fucking incredible one (not only do you have astarion reigniting a circle of abuse but you have the narrative weight of KNOWING he could have actually overcome his trauma...hats off to the bg3 team tbh) but that does not mean ascending astarion MAKES YOU AS THE PLAYER EVIL

Ascend astarion because you love tragic story arcs, ascend him because you want to indulge in a master/slave vampire fantasy, don't ascend him because you want a healing character journey, don't ascend him because you want a sweet romance; all of these choices carry the same moral weight for the player, which is to say, none, because they are an exploration of fiction.

I know I'm saying this to the villain fucker website but it bears repeating; just because someone wants to engage with evil, fucked up characters or content does not mean they support evil acts in their real life, and furthermore, exploring dark, taboo or tragic concepts safely is part of what fiction is for. It enables us to look at those things from a distance, work through difficult feelings and develop greater understanding of what makes our fellow humans tick — and before you get it twisted there's also no moral issue with exploring fucked up media bc you're horny or just, because. You can take it as seriously (or as sexily) as you want.

It's starting to really concern me how many people not only do not get, but are violently opposed to this concept, because equating what someone likes in fiction with their real life moral code and actions is an incredibly dangerous and let's be honest, immature way of thinking that not only stunts your ability to engage with fiction but ironically, hampers your ability to deal with complicated issues and emotions in real life.

I don't know what's driving this trend (though purity culture is certainly playing a role) but it's definitely something that's not just impacting individuals but contributing to the commercialization of art, where we get games and stories and tv shows and books that regurgitate the same safe, mass marketable plotlines and character archetypes over and over and over again so corporations can squeeze out as much profit as possible.

Anyway, remember kids: There's no such thing as thought crime, reaching for morally pure unproblematic media is directly contributing to the death of art, and this is why funding the humanities is important.

[drchucktingle]

Good day Dr. Tingle. I haven't read your stories, but I've known about you from afar in this website for a while. Your recent post about separating Ideas and Message is very similar to how I teach a class. I wanted to ask you, if you could share some of your Messages, in whichever structure/length/complexity you think about them before writing, to have some real world examples to show in class.

Personally I tend to simplify and shorten my messages as much as possible, like "everyone deserves forgiveness" for example, so that I can permeate it throughout the story, and so that anyone experiencing the story can come to a similarish conclusion.

I'm curious as to how your Messages look like inside your head, during the creative process. Not the refined versions used for marketing and sales and stuff.

Thank you!

sure buckaroo.

high concept idea of the book STRAIGHT was this: zombie apocalypse story but the rage only effects straight cis people (there is also a second high concept idea in there which is: what if zombie plague only happened one day a year? how would culture handle this politically and otherwise?)

so i had this idea that i thought was good, but before i can write it i think 'well what do i want to SAY about this? what am i FEELING?'

and i realized that i was a little torn about how to write this story because of the one day a year thing. when is it okay to fight back? can you hurt a zombie if it turns back into a person the next day? is that right or wrong? and WHEN is it right or wrong? what situations?

then i realized that with the metaphor of this story what i was really asking was something bigger: why is it up to the victims (in this case queer buckaroos) to be forced to make these decisions? marginalized groups have TWO kinds of violations done to them, the first is the obvious act of violation, but the second is that they are forced to use their time and mental space and emotional tolerance to learn how to HANDLE the first violation in an 'acceptable way'

so THAT became my message. if you want to know how i feel about these questions you can read STRAIGHT and find out.

CAMP DAMASCUS high concept idea was (SPOILERS IF YOU HAVE NOT READ CAMP DAMASCUS STOP READING HERE) what if the church really DID decide the ends justify the means and instead of stopping demonic possession they were inflicting demonic possession to counter sinful acts.

but that is not the message of the book. that is just the idea. if i just had that idea i would not write it, but as things evolved i realized WHAT i wanted to say with this story

in this situation WHO is the force of 'evil'? would it be the demons? would it be the possessed? or would it be the SYSTEM AND MENTALITY that was creating this situation in the first place? so the book sets out the answer this question and express the conclusion that ive made for myself

i also noticed that many churches who are anti gay have a sort of infantilizing trot with how they handle their young buckaroos. this idea that gay feelings will just go away if they are ignored and that they can almost keep young queer buckaroos from ever aging into fully realized adults. obviously i think this is WRONG and so fighting back against this mentality became part of the message as well, and that informed most of the metaphor and symbolism in the book.

it is important to keep in mind that sometimes the message can change. as the book trots along i am LEARNING myself, working out these thoughts on the page and coming to a conclusion of my own. this is actually VERY true of BURY YOUR GAYS, which is probably most autobiographical thing i have written. i will save talking about that MESSAGE and HIGH CONCEPT for after book is out though

EDIT FOR CLARITY OF MY WAY:

when i say i write MESSAGE FIRST that does not mean i think of the message first in TIME (although that does happen sometimes) it means the message is the most important thing over plot or characters or anything like that (although those are important too). it means that i write with message as my north star, which is rare, but it is how i make art

[room-surprise]

do you think the lamb stew kabru mentioned could be some variation of rogan josh?

omg anon I'm so sorry, you sent this message just when my life was going completely insane (tree fell on house, living in a hotel, etc), and I wanted to answer you but I just didn't have time... So I forgot.

And then another anon (or maybe it's still you!) sent me another, similar ask!

Which reminded me that I needed to answer you-- and now them, too!!

Food is not an area of expertise for me, so I had to look up all of these dishes. I'd heard the term "gorkhali" before, and heard of rogan josh, but that's as far as my knowledge went.

Let's talk about what we know about where Kabru comes from and what foods he likes, the food culture of South Asia in the real world, and then we can discuss if any of these dishes might be Kabru's childhood lamb stew!

I've written about the real world cultural references Kui has made with Kabru's character before. Evidence that Kabru is from a fantasy version of South Asia (India/Nepal), and Where exactly in fantasy South Asia is Kabru possibly from?

Two additional data points that suggest Kabru could be from a fantasy version of South Asia are his love of tomatoes, and mutton stew being an important dish from his childhood. What does that mean?

THE CULTURAL OVERLAP BETWEEN INDIA, NEPAL AND TIBET

An important thing to note while discussing the cultures of this region is that all three modern countries have a lot of cultural overlap. So many of the foods eaten in one country are also eaten in the other two, with minor variations.

I'm attempting to generalize and speak broadly as best I can, but I am not an expert, so I apologize for any errors on my part. Sometimes finding English-language information on these topics is challenging.

The cuisine of Nepal is a mix of Nepal's own unique culture, plus the influence of its neighbors, India and Tibet.

The Nepali diet primarily consists of rice, wheat, corn, lentils coupled with fresh vegetables and meats. A typical Nepali every-day meal can be characterized by Dal (lentil soups), Bhat (steamed rice) and Tarkari (vegetables), also known as "The Trinity", supplemented by some meat.

STEW OR CURRY?

Though many people think of them as two distinct things, curries are a type of stew, so I think it's valid to look at both stews and curries when trying to identify Kabru's childhood stew.

TOMATOES IN THE CUISINE OF THE INDIAN SUBCONTINENT

Tomatoes turn up in dishes all over the Indian subcontinent, but they are not a traditional ingredient in the local cuisine. Europeans introduced New World foods like chilies, potato and tomato to the region in the 16th century, at which point they were added to the food culture, and in many cases the modern version of these recipes has completely eclipsed the traditional one, both on the Indian subcontinent and abroad.

But while potatoes and chilies were adopted almost immediately, the tomato did not catch on until centuries later, in the 1860s, and they did not become a widespread part of the local culture until the 1960s.

Because of this, the popular global idea of food from the Indian subcontinent often has tomatoes in it, while traditional recipes do not... And this is interesting because Kui tells us Kabru's favorite food is tomatoes! I'm guessing she chose tomatoes because of how common they are in modern Indian food.

Did Kui not know that tomatoes aren't a native part of the cuisine of the Indian subcontinent? It's possible her research didn't go that deep and she just assumed the modern food isn't that different from ancient food.

It's also possible that Kui knew that tomatoes aren't native to the Indian subcontinent, but that Dungeon Meshi has already experienced their version of the Colombian Exchange, because the east and west have had extensive contact with each other for (probably) thousands of years, so then the use of tomatoes in the West (where Kabru is from) would make sense, and doesn't need any further explanation.

MUTTON IN THE INDIAN SUBCONTINENT

Mutton (the term for goat, sheep or lamb meat) is the most consumed red meat in the Indian subcontinent. Goat is the most popular, most likely because it is the cheapest out of the three.

MUTTON IN NEPAL

Like in the rest of the subcontinent, mutton is very popular in Nepal. It is considered a major delicacy, and goat stew/curry is often eaten by Nepali families during important holidays, and for many Nepalis, goat stew/curry is associated with big family gatherings, similar to how Americans think of eating turkey for Thanksgiving, or ham for Easter.

Let's talk about some of the dishes anon(s) asked me about!

ROGAN JOSH

Rogan josh is an aromatic curried meat dish originating from Kashmir. It is made with red meat—traditionally mutton—and colored and flavored primarily by alkanet flower (or root) and Kashmiri chilies. It is one of the signature recipes of Kashmiri cuisine.

A number of origins/meanings of the name have been suggested, such as "stewed in ghee" or "red meat/red juice."

Its characteristic deep red color traditionally comes from dried flowers or root of Alkanna tinctoria (ratan jot) and from liberal amounts of dried, deseeded Kashmiri chilies (lal mirch).

Many modern interpretations of this dish add tomatoes to the sauce. This is especially common with ready-made pour-over cooking sauces to the point that Rogan josh is often described in the modern day as a tomato-based dish.

GORKHALI LAMB

The word Gorkhali (गोर्खाली) is historically synonymous with "Nepali," so Gorkhali lamb could also be called Nepali lamb. The name change, from Gorkhali to Nepali, occurred in the 1930s.

(In the modern day, Gorkha is usually used to refer specifically to military units in the British or Indian army that were made up of men from the North Indian/Nepal region. Starting in 1816 the British East India Company frequently recruited these men as mercenaries, and over time the Gorkhas became very distinguished as exceptional soldiers.)

I couldn't find much about Gorkhali lamb aside from recipes, most of which just echoed the same information, and many of them didn't seem to come from very authentic sources.

From what I've been able to piece together, you make Gorkhali lamb by marinating lamb meat (usually meat on the bone) and cooking it over a charcoal grill. Once it's done, you coat the grilled lamb with a sauce made with chilies and tomatoes, and serve with rice or roti.

I'm not an expert, but it seems like Gorkhali lamb isn't a stew or a curry, it's a sort of marinated, grilled lamb with a sauce. If someone knows more about Gorkhali lamb, please let me know!

Like the Rogan Josh, the addition of tomatoes is a modern invention.

THUKPA

Thukpa is the Tibetan word for any soup or stew with noodles. Thukpa can be prepared in both vegetarian and non-vegetarian variations; the most popular non-vegetarian variation includes chicken, but it is sometimes made with mutton as well.

The Nepalese version of Thukpa is predominant vegetarian, and has a spicier flavor. The protein ingredients are replaced with vegetarian alternatives such as various types of bean.

However, non-vegetarian thukpa is also enjoyed in Nepal, and egg thukpa is probably the second most popular type.

Thukpa is made like most other noodle soups. Some modern recipes include tomatoes in the soup paste, most likely a modern addition.

INDIAN MUTTON CURRIES

There's many different variations of mutton curry (Kosha mangsho, Mansa kasa, Tapelu, Rezala etc.) throughout the entire Indian subcontinent. Some recipes include tomato, some don't, and as with everything else in this post, the tomatos are a modern addition.

NEPALI MUTTON CURRY

As I said before, mutton is incredibly popular in Nepal. It's reserved for special occasions and celebrations, like Dashain, Nepal's biggest festival. There are many different types of stew and curry in Nepal that feature mutton, and mutton is a popular meat to use in momos or fried rice as well.

SO WHAT IS KABRU'S GOAT STEW?

Unfortunately we still don't have enough information to give a definitive answer.

However, I would say that thukpa and Gorkhali lamb can both be ruled out, since noodles are the core of thukpa and Kabru doesn't mention that his stew is missing noodles. Meanwhile Gorkhali lamb doesn't seem to be a proper stew.

So then what we have left is Rogan josh, and Indian or Nepali mutton curries. Based on all the little tidbits we know, I'd be inclined to assume Kabru's stew is one of these Nepali curries, since they are so iconic of Nepali cuisine and are a big part of the local culture, and that seems to match what Kui tells us in the manga - that this food is a cherished childhood memory.

I've sprinkled some links throughout this post, but you can read more about Nepali mutton curry, and other Nepali food at all of these sites:

https://nepalicooking.tripod.com/lamb.htm

https://www.buzzfeed.com/anupkaphle/here-we-goat-again

https://www.buzzfeed.com/anupkaphle/keep-calm-and-curry-on

https://www.foodpleasureandhealth.com/nepali-style-goat-pakku/

MUSHROOM POSTSCRIPT: I have seen some people get confused by the goat stew page in the manga. They think that when Kabru says "my mother used to make this stew for me" he is talking about Milsiril, the elven woman who took care of him after his birth mother was killed.

Though we do not know 100% for certain, I think this is an objectively incorrect reading of the text. I may make a more comprehensive post about this another time, but:

Kabru says he ate this stew as a child, that he hasn't had it in a long time, and that he's looking forward to having it again. He says he is relying on childhood memories in order to make the stew.

If this stew is something Milsiril made for him, why did she stop making it? Why hasn't Kabru had it in a long time? Was there a goat blight for the last 10 years? Did she stop making it to punish Kabru for wanting to leave her? This seems like important information Kui would have told us.

The much more logical assumption is that Kabru's birth mother, who died when he was 7, is the one that made lamb stew, and that's why Kabru hasn't had it in a long time, struggles to remember how to make it, and also why he's so excited to eat it.

This is in direct contrast with the elf fruit cake that Milsiril forced Kabru to eat as a child. Kabru's birth mother made him something he loves, that he is eager to eat again, while Milsiril forced him to eat elf cake so often that it has become his most disliked food.

Kabru and Ryoko Kui never refer to Milsiril as Kabru's mother, the phrase “foster parent” (養母 or 育ての親が, lit. meaning “parent who raised me” in contrast with a birth/blood parent) is used instead in both the manga itself and in the World Guide.

There are several other things like this (how Kabru talks about Milsiril) which I think makes it clear that Kabru probably doesn't call Milsiril mother willingly, and that he goes out of his way to put distance between her and himself. He doesn't hate her, but he doesn't want her to be a part of his life.

Milsiril is a wealthy noble in a society where women are equal to men. It's unlikely that she personally does much cooking, and even if she does cook as a hobby, it's unlikely that Kabru watched her butcher a goat - servants or the butcher would prepare the meat for her.

Milsiril is a fussy eater, and hates most foods. Goat tends to have a strong flavor and is sometimes gamey. I don't think she'd eat goat... Meanwhile, as I stated previously, goat is a delicacy in Nepal, so it would make perfect sense for goat to be a special treat Kabru grew up eating.

Yes, Milsiril sometimes does things she doesn't want to do because Kabru asks... But both examples we have of this, she tries to turn it into a punishment. She explicitly says she's training Kabru so that he'll give up, not because she wants him to get strong and succeed. She wants him to fail. She takes him to her family reunion to prove to Kabru that it's unpleasant, so he won't want to go again. Both times this tactic doesn't work, but she clearly states that this is her intent.

I could go on about this for hours, but this post is really about goat stew!!! But just wanted to throw that in there in case anybody is confused about who exactly cooked goat stew for Kabru.

As I said, there's always the possibility that I'm wrong, but I think the evidence is pretty overwhelming that when Kabru says "my mother cooked this for me" he isn't talking about Milsiril.

[writingquestionsanswered]

So I'm writing historical fiction, set in Medieval Eastern Rome. My problem is that most characters share the same few names. Even family names and titles lack diversity. I can't really change them, since they are historical, so it gets very confusing when you have 5 characters named Alexios, 2 of which share a family name and title. How do I deal with this?

Characters with Same Name in Historical Fiction

So, here's where a few things are going to come in handy...

1 - The "Fiction" part of "historical fiction." - Since you're not writing non-fiction, you have the abilities to take liberties for the sake of the story you're trying to tell, which includes the purpose of clarity.

2 - Understanding naming conventions - Every language and culture have their own conventions surrounding given names, nicknames, clan names, diminutives, and patronymics... so it's important to understand how these worked in the time and setting of your historical fiction. Because even if we know a historical person as Phineas Smythe, that doesn't mean he was known that way back in the day. He might instead have been known as Phineas Smythson.

3 - Understanding Anglicization - This is another one that can play a big role, because (for example) Phineas is the Anglicized version of Phinehas, so maybe back in the day, he was known not as Phineas Smythe as we know him, but as Phinehas Smythson.

All of this is important to know because it can help you come up with ways of differentiating same-named characters without completely renaming them. So, let's say for example your story spans a century, and you have two Phineas Smythes... a grandfather and his grandson. If you dig into the naming conventions and find that the older Phineas Smythe actually went by Phinehas Smythson, that immediately differentiates the two characters. Alternatively, you might learn that a common diminutive in the older Phineas's time and place was to add the affix "-ian" to a male name. So he could have gone by Phinian Smythe while his grandson just goes by Phineas Smythe.

Nicknames in general can be a handy way of differentiating two same-named historical characters, even if you have to take liberties to get there. Maybe the older Phineas Smythe went by Finny. Or maybe he was called "Bear" because of his bear-like size. Or, maybe he didn't but you say he was for the sake of clarity.

When you're not dealing with different generations, another option is to combine people. For example, maybe you have two Phineas Smythes who are minor courtiers of the king, but one Phineas has a bigger role in the story. Can you just combine them into one person instead of having two? Again, because this is historical fiction, it doesn't have to be 100% accurate... it's not non-fiction. You want to be as accurate as possible, and make sure your changes don't change things too much or completely garble someone's understanding of an historical event. But, ultimately, you're writing fiction based on history so you need to prioritize clarity over fact.

I hope something here will help you clarify between these same named characters. ♥

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I’ve been writing seriously for over 30 years and love to share what I’ve learned. Have a writing question? My inbox is always open!

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[sixth-light]

(tws ahead: discussion of food, diets and diet culture, eating disorders, calorie counts, and fatphobia in the context of pregnancy)

Truly one of the most bizarre things about being pregnant has been the official advice around food. Food and eating is difficult enough already when you're pregnant - there's excellent scientific evidence that it's advisable to moderate your caffeine intake and avoid alcohol, and an entire laundry list of stuff you're supposed to avoid for food safety/food poisoning risk reasons. (I am a nerd and I read the last scientific review of the linked advice from the NZ Ministry of Health, so I can say with confidence it's also pretty well supported.) Personally, I am largely indifferent to going without alcohol, but after half a year or so my brie cravings are getting pretty intense. That's going to be even tougher for people with food restriction issues. And then there's the potential nutrient deficiencies that come when a baby is sucking up all your available iron, calcium, etcetera.

But on top of all this...a couple of things are also true:

later pregnancy and breastfeeding require a higher calorie intake because you're, uh, feeding an entire baby with your body and those calories have to come from somewhere

healthy pregnancy also requires weight gain because of the aforementioned 'growing an entire person' thing

Western Anglophone society absolutely loses its goddamn mind at the thought of telling women (and other pregnant people, but they are clearly not thinking that far) that it's okay for them to eat more than normal, let alone gain weight

So there's reams and reams of official advice which has like one line saying "maybe don't diet when you're pregnant" quickly followed by "but it's OK! you can diet afterwards! you'll lose lots of weight when you breastfeed!" and then like. eight paragraphs on how while technically, they suppose you need some extra calories during some of your pregnancy, it is DEEPLY IMPORTANT that those calories only come from the most healthy and boring possible foods, because otherwise you might gain too much weight which is the worst possible thing that could happen. Try carrot sticks! Fat-free yoghurt! Dry toast! I have literally seen advice suggesting the extra calories you need can be gained from a "small snack". Maybe an apple. (Most of the estimates I've seen about extra calorie needs in later pregnancy are in the range of 3-400 extra calories a day. That apple would have to be the size of your head.) This is all followed up with dire warnings about gestational diabetes, which is lurking in the wings waiting for any pregnant person who dares use it as justification for eating that extra biscuit. There is clearly a really deep-seated belief at play that if you give them - us - an excuse to eat more we will gorge ourselves on, IDK, chips and ice cream, because the only thing holding us back from obesity is the constant reminder that gaining weight is BAD and that eating too much food is BAD (even though the reality is that weight gain and higher caloric needs are part of a healthy pregnancy). This reality has to be held at arms' length and hemmed in with restrictions and cautions lest all hell break loose. You are very literally advised to calculate your BMI, weigh yourself regularly, and have a target weight gain - i.e. implicitly to restrict your food intake if your weight gain is higher - which I'm sure is just chill and fabulous for people with a history or present of eating disorders.

(The cherry on top of this is that it's normal for pregnant people to have suppressed appetites in late pregnancy despite needing more food because, again, there is an entire baby in there squashing their organs. Add in all those foods that you can't eat, and it can actually be somewhat challenging to eat enough.)

The bit that haunts me is that we know that caloric restriction during pregnancy makes children more likely to have higher weights later on, and you know who is most targeted with this diet-but-don't-diet-but-actually-kinda-do rhetoric? Fat people, who are advised to gain at absolute most about the weight of a healthy full-term baby + amniotic fluid/placenta/etc - and that it's fine if they gain much less weight than that, barely more than the weight of a healthy baby, which would actually equate to total weight loss. During pregnancy. It feels like there could be a lot of self-fulfilling prophecy going on here vis a vis fat parents having fat kids. which is now sometimes characterised as a form of child abuse. FUN.

Anyway, I am sure I'm not the only person to have made these observations (and if you know good writing on this topic I'd love to be linked to it, because I'm way too chicken to try Googling) but man. As I said at the start: the level at which fatphobia and diet culture are institutionalised during pregnancy, to the detriment of actual health, is wild.

(For my money, sane advice would be 'healthy eating advice is the same during pregnancy as it is other times except for the specific foods you should avoid because of increased food poisoning risk, and you need to eat a bit more in later pregnancy. The end.')