#people shouldn't ask me about my faves

[ladyeowyn]

Is The Ninth any good?

I hope you mean the Locked Tomb series by Tamsyn Muir..? 😅 if so, this is a tough question to answer objectively, because I love those books more than words can tell. it's without a doubt one of my all-time favourite series.

however, it's definitely not for everyone - the dark topic of the story aside, the worldbuilding is very elaborate to the point where it requires a great deal of attention (otherwise it gets more than confusing). the plot itself also demands the reader to concentrate due to its intricacy. many readers often complain about the pacing as well. it was not a big deal for me personally, but I'll admit that some parts can drag a bit (especially in the second book).

there is also a big cast of characters and therefore a lot of names to keep track of. this is why I always recommend the audiobook over the classic format. Moira Quirk, the audiobook narrator, is superb - she has different voices for everyone and she gives the books a lot of personality. her narration is without a doubt one of the reasons why I love the books so much.

the characters are in general really well-written, quirky and easy to fall in love with. my personal favourite is definitely Tamsyn Muir's sense of humor which is omnipresent and it lightens some of the darker things in the story. this mini-animated clip illustrates the narration and humor and overall insanity of the books nicely. note, it is from the second book but it is not really spoilery as it's impossible to really understand what's happening without the context of the book. (but it is hilarious nonetheless and it gives you an idea of what the books are like)

Tamsyn Muir keeps you guessing all the time because you never know which plot twist will come next. she is, in my personal opinion, a genius. I had never come across anything that would be written so cleverly and in such a unique way. the books are epic, devastating, unhinged, amusing, baffling and very difficult to put into words.

so, all in all, yes, the series is worth it but it is not an easy read

[boiohboii]

The people's sweethearts

Ch II

(Verstappen!reader x tom holland x zendaya)

Soulmate au

YN Verstappen had been through hell, by her own father, for something she didn't even ask for. She grew up learning that she should hate what was given to her, after all it was the reason her father was always angry with her. So what should she do when the one thing she learned to hate is the one thing that brings her love, safe and comfort that not even her older brother can compare.

WARNING: not proof read, Jos Verstappen (worsned like 10 times for this fic) poly relationship, derogatory terms by father, abusive father. If I missed anything else please let me know

Masterlist

ch.I

Faceclaim: kiki hertz

Tom prided himself in never exposing his soulmark, he let a lot of things out that shouldn't be and his soulmark not being one of those is such an achievement. Mostly because from a very young age, when he started acting, his mother would make sure he covered it up with makeup so that no one, not even those behind the scenes would see it.

"So, you're invited to watch cars drive in circles?"

Meeting Zendaya had been a dream, they both felt the need to be closer to each other whenever possible even before they discovered their identical soulmarks. Both of them working and hanging around each other made it so much difficult to conceal their newfound relationship and eventually the whole world knew that both of them were soulmates, and not just that, everyone was now aware that Tom Holland and Zendaya Coleman were fated to have a third lover, a third soul with them to keep them sane from all the chaos their lives bring in the form of fans and crazy paparazzi.

"How can you say that?" Tom looked back at his girlfriend as he poured himself some tea "you literally met Lewis Hamilton not that long ago!"

Tom was painfully aware of the fact that Zendaya isn't that interested in either of the sports he enjoys: formula 1 and golf.

"Oh yeah, at a fashion show," Zendaya recalls as she moves over to hug tom from behind, resting her chin on his head. "He was nice."

"Do you think we'll meet our darling soon?" Zendaya asked, making Tom leave his drink to hold her hand in reassurance.

"I think so," turning around he let go of one of zendaya's hands to let his palm rest on her cheek "I know that I met you when I kept thinking about my soulmate, so I have a feeling that we'll meet darling soon."

The couple had taken to calling their third soulmate Darling, a nickname that they both agreed to reserve for their missing soul.

"Yeah, I feel so too."

Liked by maxverstappen1, F1wags&faves, verstappentruther and 683,519 others

Kellypiquet: a weekend with her was truly missed.

maxverstappen1: ♥️♥️

username: God, yn verstappen is so pretty

username: I wanna be her soulmate so bad

username: LOOK AT HER CHEEKS! I WANNA BITE THEM!

With his work schedule Tom wasn't able to attend much f1 races, but when he could he did, and most of them were the infamous English track, Silverstone.

But here in Monaco, the races were something else, Tom can feel how the people in this country were raised watching these cars from their homes, cheering for their favorite driver and the preparations for the race throughout the entire country are just mind blowing (he promised himself that he would bring Zendaya here for a vacation, this place is amazing).

"Is something wrong?" The voice of Christian Horner stopped Tom dead in his tracks, the team principle of the red bull formula 1 team making him feel like a little child caught with his hand in a cookie jar.

"Oh, um, yeah, yes-" clearing his throat Tom couldn't help still looking around, wanting to see the reason of the all too familiar tugging his heart "just looking around, the race is very different from Silverstone, the atmosphere is just so..."

And there it was, the reason his heart is pulling, the person he hoped he would meet as soon as he felt their presence in this specific garage, his darling; their darling.

"Well, Monaco is the heart of motorsport, especially formula 1, you can't live here without being a fan really."

Christian wasn't an idiot, he had eyes and his observational skills were too good. It wouldn't be the first time he witnessed a celebrity looking at yn verstappen, the girl hooking everyone in with her innocent face and charming smile. It would, however, be the first time he saw someone loose their breath over her and he knew what that meant, he knew that expression; he had went through it when he met his wife, he saw it on Max when he met Kelly and now he is going to see it on yn.

He thought he met an angel when he saw Zendaya, he thought that the feeling he would get when meeting their darling wouldn't be as strong, as intense, but seeing her there, standing next to Adrian Newey with a notebook and a pen in her hands, discussing something that seemed so important, made him unaware of anything else. She was all he could see, hear and feel. She was who they had been missing, and god did she make him want to scream at the top of his lungs.

He felt his chest swell up with emotions as he quickly reached for his phone, calling the one person he knew would calm him down.

"Hey baby, how's the race going?"

"Z, she's here," Tom rushed out as he maneuvered between the never ending sea of people to a quite place- well as quite as it can get in Monaco during a formula 1 race.

"What? Who's here?"

"Darling! She's here!"

"Darling is a she?"

Gathering her thoughts Zendaya left the lounge area of her hotel suite, dismissing the makeup artists and stylists with a smile and wave of her hand before entering the bedroom within the suite.

"Okay, okay, calm down baby," Zendaya spoke as she ran her hand through her hair "how about you go talk to her, yeah?"

"I can't, oh my god, what if she doesn't even feel the same pull- it's a stupid way to describe it but you know that's how I felt when I met you and it's the same but so much worse cause you're not here with me and I can't do this-"

"Honey, calm down, it's okay, let's take it step by step, did you check her wrist?" Being met with silence worried the tall girl, she knew how it might come off to him when she was basically asking him to check actual evidence and not take his feelings too seriously "I know your feelings, I get that, I felt the same with you, but it's better to be safe than sorry."

"Yeah, yeah," shuffling was heard before Tom apologies for, what zendaya assumed, pumping into someone "no, yeah, you're right, stay with me on the line, I'm going to try and see. She's wearing a sleeveless dress so that will make it easier."

Even though she didn't want to spoil it for herself, she wanted to get 100% of the awe and the fondness for herself, Zendaya couldn't help but ask "what does she look like?"

"So beautiful, Z" the way Tom spoke, the breathlessness and amazement in his voice made her want to cry, she wanted to be there, she wanted to be with him when they first saw her, that's how they always envisioned it.

"Okay, so I checked, and oh my god it's there, it's the same Z, what am I supposed to do, oh my god"

"Here's what you're going to do, you're going to tell her right now!"

"There are like 100 people around, how am I supposed to do that!"

"I don't know tom, tell her you wanna speak to her or something, make it up!"

"I can't do this, I can't, I am freaking out!"

"Oh my god, you're an actor, pretend it's a scene"

"Will you be able to pretend?"

"Well no, but I'm not the one that can see her, am I!"

"Okay, okay, deep breaths, I am going to tell her with you on the phone, alright?" Tom said as he started moving towards the blonde, his confidence building up with his taller soulmate cheering him on through the phone

"Holy shit" and there goes the little confidence he had

"What? Tom! Answer me! Is she dating someone, I swear to god if she is-"

"No, no, she's not," looking back at his soulmate "at least I don't think she is. God, there's no way I am telling her shit now."

"Why not?"

"Her brother can literally run me over with his small rocketship of a car! I am not doing anything when he is literally two centimetres away from her!"

What Tom failed to realise was how Christian Horner had joined the pair of siblings, telling Max and Yn of his earlier observations, which made all three of them look at the young brit in sync.

"Um, Z, I think we won't have to worry about me telling her."

CH.III

{taglist: @celesteblack08 @minkyungseokie @woozarts @keii134 @celesteblack08 @sainzluvrr @fangirl125reader}

[vagabond-umlaut]

gojo satoru x reader fic recs (I)

‣ now that i've got loads of free time, thought why shouldn't i use it well by showing (few of) my fave authors their much well-deserved love, respect and attention? ^_^

‣ this is merely a list of works i've enjoyed reading. kindly heed the tags and warnings in each of them and consume content responsibly, at your own discretion. that being said, i own neither these fics nor the characters nor the above gif. enjoy reading! 🥰

⌀ all that is solid [series] by GrilledTandooriSmoke on ao3

one of the best series there is. period. the fluff, the angst, the drama, the humor, the romance, the friendship, the plot, the dialogues - everything is top-notch in this series, i'm telling you. bonus points for being narrated in both reader's and gojo's pov.

⌀ The King is But a Man [series] by Petrichorium on ao3 (@petrichorium on tumblr)

royal!gojo who's terribly in love with the reader x reader who's equally (but way more discreetly) in love with gojo. add to that, the trope of childhood sweethearts reunited as adults, excellent communication between the couple and a wonderfully-crafted world and dialogues - what more could you ask from a series?

⌀ Ten to None (Soulmate AU) (oneshot) by Oreosmama on ao3

a fic which i adore with every fibre of my being. i will not say anything more about this, except to request you to go read this. you'll love it. (especially the fantabulous ending. btw, did i already say how much i'm in love with how well-written this fic is?)

⌀ Scarred [oneshot] by cainis on ao3

one of the best angst-with-a-happy-ending fic there is. i wish i could give thousands of kudos for the heart-wrenchingly amazing way the author has portrayed gojo's character here.

⌀ Mother of otherness, Eat me [oneshot] by itsbaby on ao3

one of the most beautiful works i've read so far. told from yuuji's pov, it explores gojo and reader's relationship and its nuances in a way seldom done before. however, what stole the show for me, was the soft and sweet mother-son duo the reader and yuuji grow to be in this fic. i really love this one-of-a-kind masterpiece.

⌀ something sweet [oneshot] by heresan on ao3 (@pretty-toru on tumblr)

i love love love this fic. it's so fluffy, so funny, so cute, so heart-warming... just read this fic, people. you won't ever be disappointed by the dynamics reader and gojo have in this one. one of my all-time faves, tbh.

⌀ teen dad Gojo [series] by pantao on ao3 (@seravphs on tumblr)

a sweet and realistic depiction of reader and gojo being teenaged parents to young megumi, all the while they try to figure out their feelings for each other. a perfect mixture of fluff, angst, drama, slice-of-life and romance, imo. (also, the author's notes are pure gold. whatever you do, please don't miss reading them! :D)

⌀ To see those eyes I prize above mine own (twoshot) by koyama on ao3

if you wish to watch godlike!gojo willing to let go of his powers, out of guilt and immense, immense, protective love for the reader, this is the ideal fic for you. i'm in awe of the way the writer wrote gojo's complex persona and the way the sorcerer realized his feelings for the reader. (the second chapter's the cherry on the cake. it's so good!!!!)

⌀ keeping up with the fushigojos (series) by @augustinewrites on tumblr

fluff? A+; angst? A+; drama? A+; characterization & dialogues? A+; humour? A+++++. a sureshot way to end a long hectic tiring day on a happy note is to read this series. (my go-to comfort series, ngl. :])

⌀ CAT & DOG (oneshot) by @mimiriko on tumblr

an adorable fic of gojo being in love with the reader, who knows, yet doesn't really know, much about it. plus, the feline-like features of gojo are sooo cute... and this fic is sooo sweet... the story left me smiling when i finished reading it.

⌀ surely summer wasn't over yet [3 chapters] by 3rdgymbros on ao3

an amazing fic set against the backdrop of the hidden inventory arc. the portrayal of the characters and their dynamics is simply impeccable. despite my kind-of-dislike towards this particular arc of the manga, i really enjoyed reading this one.

[clanwarrior-tumbly]

Cant help but notice krubus stardew in the requests,,, so if i may,,,

How about a oneshot/headcanons, whichever ya think works better, for a farmer Reader who's roommates with Krobus, and Shane ends up visiting the farm, and accidentally finds Krobus and the reader is trying their best to calm the situation down or smthn? :]

Ofc you dont have to do this!!

Salt anon (have a good day also!!! always lovely to see ya on my dash :] )

YES MY TWO FAVES <3333

Got carried away but I had so many ideas for this one

.......

'I should check the coop. The void chicken could be hungry, and [y/n] may appreciate me stepping up. But...what if a human saw me? Oh Yoba...I hope there's no surprise visitors today..'

As Krobus paced around your cabin, he kept looking outside the window at the snowfall, the coop just within his sights. It was the second day of winter, and all of the animals you've been raising were huddled inside for the season, the hay keeping their bellies full.

But something told him that the void chicken you recently introduced to the farm felt lonely, a misfit among the "normal" chickens. She wasn't too sociable around them, and that worried Krobus.

Of course he, of all people, could understand why.

To this very day, the shadow monster couldn't fathom why you'd take him into your home..when his existence alone scared humanity and could damage your reputation with the town.

What would the villagers think if they learned you're housing a beast who once dwelled in the mines?

Many weren't anywhere near as brave as you were when it comes to venturing deep into shadow monster territory....and the few who had the guts to made it their personal mission to slay as many of his people as possible.

Or at least..what remained of them after the elemental wars.

Surprisingly enough, some of the brutes began visiting your farmland at night, and Krobus would see them hiding in the foliage, behind trees..or even rummaging through your crops, yet never taking anything for themselves.

He wishes he could greet them normally, ask what drew them to the surface, or try to reason that you're a good human who shouldn't be attacked.

Yet in the back of his mind...he feared being branded a traitor for siding with the species that hurt so many of his own people.

What would they do if they noticed his pendant and realized a human gifted it to him?

Surely they would freak out, coerce him into coming back to the mines where it was "safe"...or worse, they'd kill you and make him watch. He couldn't let his presence be known, lest they discovered you were housing him and destroyed the life you built here.

You would think he betrayed you and brought a siege upon your land--after all you've done to shelter him from the cruelty of the world.

Not even Yoba would forgive such a sin.

Even though he felt his connection with his people drifting with each passing week, he was content with his choice to live with you. He wouldn't trade your kindness and generosity for the world.

Plus, you've told him over and over that you knew what you were signing up for. You knew it when you first bought a void egg from him. You knew it when you and the wizard broke up his fight with Dwarf. You knew it when you created a space in your home that suited his environmental needs.

All he could offer you was a stardrop in return, but it was more than enough for you.

Krobus vowed to contribute to the farm's many tasks how ever he could..when it safe for him to step outside of course.

On this cold winter's day, he figured checking out the coop would be a great first step.

He peeked into your bedroom, discovering you to be sound asleep and looking rather peaceful.

Indeed, it was a stark contrast to how battered and bruised you were last night, having returned from the Skull Caverns at midnight. None of his people ventured there, considering the desert climate would be unbearable for them to live in, but while sharing meals he'd listen to your tales of serpents, mummies, and even dinosaurs living down below.

By comparison..the monsters in the mines seemed tamer and were somewhat civilized, and at his request you managed to avoid fighting them if you could.

The beasts you encountered in the Skull Caverns were brutal and unforgiving, and you had no choice but to defend yourself.

This trip in particular took quite a toll on your body, as you had to use a warp totem to get home...and even then, you were limping from sheer exhaustion. So much so Krobus had to assist you up the stairs and into your bed. He ran the the risk of being seen, yet his concern over your health took priority.

Sleep didn't easily come for him, but it only did after he prayed and thanked Yoba for bringing you home.

He didn't like the idea of you pushing yourself to work so early in the morning, so he decided he'll help lighten that load.

Starting with the coop.

Opening the door, he breathed in the crisp winter air, relieved to not see any humans in sight. There was your pet, who was initially frightened by his sudden arrival, but now warmly greeted him as they climbed the steps.

Krobus laughed softly, crouching down to pet them. "Good morning, little one." He whispered. "Enjoying the snow? I like it very much..but I can't say our chicken friends will agree."

He stood and continued on his way to the small building, eager to check up on your animals and see to it that they're fed.

But unbeknownst to him, a human arrived onto your farmland at that same moment, only seeing a dark figure creeping into the coop.

And he just so-happened to be the man who cared for chickens more than life itself.

......

Shane arrived at your farm, holding a small envelope with a letter inside. It contained a recipe for some dessert--not one that he made or discovered, of course, but rather one he tore out of a magazine.

His first thought was of you, knowing you liked gathering fresh produce and made your own meals..compared to him, a lazy bum who microwaves processed garbage in a plastic dish and called it "dinner."

It wasn't much, but it was the least he could do for a friend who pulled him out of such a dark place..

You were taking a shortcut to the sewer when you found him near the cliffs...where he was truly at his lowest. He doesn't remember much of what he said, but you told him that he considered ending his own life, yet changed his mind after you told him some comforting words.

All the strength you've gained down in the mines allowed you to drag him to the hospital, where you stayed by his side the entire night. Even when Harvey assured you he'll be okay, you refused to abandon him.

Shane never thought anybody in this town would care if he just up and disappeared, yet despite his rudeness towards you...you managed to break down his walls and show him that you cared.

And all it took were some peppers, pizza, eggs, and stupid amounts of persistence.

It really hit him that he almost did something he couldn't reverse..and he never wanted you, Jas, or Marnie to see him get that bad again.

So he promised to make some serious changes, see that counselor Harvey recommended to him, and cut back on the hours he spends at the saloon after work.

The last time you both talked, you mentioned Robin upgrading your coop's space, and Shane was thrilled. So he figured he'd come visit and see how the animals were doing in this cold weather.

He was also curious about that "void egg" you got from a merchant...and he wondered who it was if not Marnie.

Obviously he'd feel like a jerk if he came emptyhanded, or awkward if you weren't actually home right now, thus he decided to bring the letter and recipe just in case. A small surprise "gift" for you to come back to later.

As he approached your mailbox, however, he noticed a dark figure opening the door to your coop. He couldn't tell who it was as they quickly went inside, as though afraid of being seen.

Maybe it was the lack of sleep making him see things, but-

"Huh? What kinda tracks are these..?" He looked down, finding footprints in the snow that didn't belong to any human's.

In fact, they seemed to have clawed toes..

Just like a monster's.

At the saloon, you recounted tales of how you've encountered slimes, plant monsters, bats, and even shadow creatures on your farmland at night--as well as your adventures down in the mines with skeletons, ghosts, and more.

Most of the regulars were 99% certain you were drunk, but others believed your stories and were fascinated by them, as you'd show them gems as proof of your excursions. Sebastian in particular was intrigued by the frozen tear you discovered, flattered that you allowed him to keep it.

Shane, on the other hand, merely dismissed your tales with a "buh" and an eyeroll before sipping away at his beer. He was never a strong believer in the supernatural..convinced that only slimes, rock crabs, flies, and bats dwelled in the mines and nothing else.

Living Skeletons? Metal Heads?? Shadow Shamans???

You HAD to be either drunk, on drugs, or both at the same time.

Although he's become more open-minded to your stories since befriending you, he was still skeptical...yet the footprints he was seeing in the snow didn't match up to any animal he knew in the valley.

Whatever it was, it must've figured out that your coop was an all-you-can-eat-buffet.

That thought alone made him break out into a cold sweat, picking up a stone before rushing towards the building. He didn't hear any noise inside, and that made him all the more concerned.

You helped him when he needed it most, and now he'll repay you by defending your chickens...even though he knew nothing about fighting monsters.

Upon opening the door, he was stunned to find a shadowy humanoid creature holding your void chicken in its arms. It had a goopy smile on its face, looking down at the bird-

Before there was a furious shout.

"HEY! Put that chicken down!"

.........

"HEY! Put that chicken down!"

Just as you were tuning into the Oracle's channel on TV, you were startled by the sound of Shane yelling at someone-

Wait..

'What's Shane doing on my farm? And at this hour, too?? I thought he sleeps in all the time..' Your eyebrows furrowed as you looked around the house.

"Krobus? You in here? I may have a visitor."

No response.

You checked the monster's room, and sure enough didn't find him in there.

Normally he'd freak out and hide beneath your bed if he even caught a glimpse of a human outside. You'd always tell him ahead of time if a friend was coming to visit just so he knew when and how long to stay hidden.

Of course, you never liked having to keep Krobus a secret, yet you understood why he believed that was for the best. He was so, so afraid to go with you even after gifting him the void ghost pendant--a precious amulet from his culture, symbolizing unity and devotion to another.

His worst fear was you being shunned and getting hurt because of him. But you promised to make things work, and so far you've had no problems.

The only other place he'd go besides your cabin was the coop, having grown fond of the animals there and the void chicken you were raising. The winter allowed him to bond with them.

But if he's there right now..and you just heard Shane yell, then-

'Oh fuck.'

Throwing on your boots and jacket, you rushed out the door, damn near slipping on the pathway to the coop.

You opened the door, finding Shane staring down your terrified roommate with anger, ready to throw a stone at who he believed was a monster trying to eat your livestock.

But as he reeled his arm back, he was confused by your hand grabbing his wrist. "Huh?! Hey! Let go!" He grunted.

"Shane, what the hell are you doing?!"

For a moment, he blinked and stared at you as though you had several heads. "What does it look like? I'm....that thing was trying to eat your chickens!" He pointed to Krobus, who was now curled up in the corner, having let go of the void chicken long ago.

"That's one of the monsters you were talking about, right? Don't you have a sword or something that could-?"

"He's not a threat."

Shane froze. "..huh?"

"His name is Krobus. He's a shadow person I met in the sewers." Letting him go, you opted to stand between the two. Krobus immediately got up and latched onto your shirt, hiding behind you for protection.

"The sewers? Jas and Vincent said they saw a monster through the grates, but I thought it was some imaginary friend."

"Well news flash, he's real. And right now he's more scared of you." You huffed. "Now please..put the rock down."

After some hesitance, he complied and dropped the stone. "Fine..sorry. I thought it--he was trying to-"

"I would never harm one of Yoba's precious creatures!" Krobus snapped, despite his voice trembling. "Especially not one that [y/n] so lovingly raised."

"You...understand what I'm saying?" Shane looked astonished.

"Of course.." The shadow monster calmed down a little, but redirected his anger to you. "You..we had an agreement. You promised to tell me if someone was coming."

"I didn't know he was here at all." You frowned. "You could've told me you were checking out the coop."

"But you were so weary from last night, and I thought you'd appreciate sleeping in-!"

"Look..if it helps, I can just leave and pretend none of this ever happened."

Both of you looked at Shane, who was slowly making his way to the door, only for him to stop as you sighed.

There's no way you could hide this now..

"Stay. This isn't something you can "pretend" never happened. Let's all head back to my house and I'll explain everything. Maybe we can come to an understanding without any violence. Whatdya say, boys?"

Shane and Krobus briefly glanced at each other, before silently nodding.

.........

"So basically...you got chased out of your home by Dwarves, had some great war with them, got cozy in the sewers...and [y/n] just...stumbled upon you?"

"Erm..slight correction, the local librarian had a key to the sewers, which [y/n] obtained. And only then they stumbled upon me-"

"After I donated like 60 artifacts to the museum, of course." You added on as you stood by the oven, watching the timer.

For a brief moment, you looked back at the two people sitting awkwardly at the table:

Shane, who was still wondering if the shadow monster sitting across from him was really a monster, a hallucination from his withdrawals, or just..someone in a SUPER convincing costume.

And Krobus, who stared at this scruffy, tired man who desperately needed a shave and a new jacket--the only other human he's spoken to aside from you and Rasmodius.

"Wow..I'd say I need a drink, but um..I'm in recovery right now. So I gotta cut back on those." Shane admitted, scratching awkwardly at his hair. "Do you like living on this farm with [y/n], Krobus?"

"It was...a difficult transition. Something I never expected to happen." He fidgeted with the pendant around his neck. "Our existence..terrifies humans. They attacked us when we came to the surface to make peace, so we stopped and hid back underground. We learned the world wasn't kind to those who were different. But [y/n] showed me that not all of them are like that...and I'm grateful for all they've done for me. I don't regret my choice.."

Then he looked to you, suddenly bashful. "A-As long as they don't regret it, of course..sometimes I feel like all of this is a dream. Or some foolish prank.."

"It's no dream or prank, Krob. I have no regrets becoming your friend." You smiled and patted the monster's head reassuringly, before glancing at Shane. "Just like I don't regret befriending this guy."

"Yeah..I was uh..in a pretty bad place myself." He mumbled, suddenly finding the weather outside more interesting.

"You said your name was "Shane", right?"

He blinked, looking back to Krobus. "Uh yeah?"

"Did you know that means "gift from Yoba"?" His eyes lit up, smiling from ear-to-ear as he clasped his hands together. "You should be proud of it! You are a blessed child of.....um...what's with that look?"

Shane's expression abruptly shifted to one of discomfort, and he couldn't help but shrink back. "Did..I say something wrong? W-Was I out of line?"

"No, no. I probably should've mentioned this sooner, but I'm actually atheist."

"....as in...you don't believe in Yoba?"

Reluctantly, Shane nodded and averted his gaze once more, expecting some kind of lecture or change in his friendly tone that would make this his first and last conversation with him.

Nobody liked it when he mentioned how he stopped believing in Yoba long ago, especially after what happened with Jas' parents and how his life just plummeted into a downward spiral since then. He feels like his name was cruel joke, and he had a pit in his stomach whenever he was reminded of it.

So now he was fully expecting this devout monster to spew something vile and call him a "horrible nonbeliever"-

"Why the guilty face?"

"..wha?" He did a double-take, seeing Krobus' smile return.

"I've observed humans long enough to understand their religious preferences, or lack thereof. We have our beliefs, and you have yours..and that is okay." He reassured. "No need to feel ashamed, Shane."

It took the man a few moments to process his words..before a small smile appeared on his face as well, shoulders less tense than before. "Whew..thanks. Seriously..you're somehow more understanding than all the people in my life." He chuckled dryly.

Krobus was about to respond, when the ding from your kitchen timer made the two pause their conversation, seeing you take something out of the oven.

It was a dessert that had a shimmering purple hue.

"Oh hey..you actually made it?" Shane blinked. "The infamous "Strange Bun"?"

"Yep! It actually looks pretty.." You smiled, setting it on the stove so it could cool down. "I almost don't wanna eat it...but I'm sure we can split it three ways."

"I recognize that dessert." Krobus gasped. "It's considered a delicacy among my people! How I've longed to taste it again....but how did you come to possess its recipe?" He looked to Shane, who simply dug out a crumpled magazine page from his pocket.

"Right here. It looked good, and [y/n] likes cooking stuff and finding the ingredients themselves..so I figured it's something new they could try."

"And it came out fantastic." You chuckled, bringing over plates of the strange bun and sitting down at the table, passing them to your friends. "Dig in, boys."

While Krobus was actively drooling and devouring it with his bare hands, you took a few bites and instantly felt rejuvenated....whereas Shane kept awkwardly poking at it with a fork, eyebrows furrowed.

"You sure this is safe to eat? Like..I'm not gonna keel over, am I?"

"...you're acting like Jas when she doesn't wanna eat her vegetables."

".....shut it." With a grumble, he rolled his eyes before finally taking a couple bites. You and Krobus watched him in anticipation, studying his reaction.

Only to be met with disappointment.

"Eh..I think I'll stick to frozen pizzas, but thanks. Here. It's all yours." He pushed the half-eaten bun towards Krobus, who gleefully finished it up.

"Thank you..this was delightful." The shadow monster swallowed, looking up at you both, frowning slightly. "But I do fear..now that one more person knows of my existence, word may spread to the town and-"

"I won't tell anyone."

"....really?" He looked at Shane, surprised.

"I used to not believe in "shadow people"..I actually thought you guys were just stuff of fiction. But no, you're actually pretty cool. And...I get that feeling of being stuck in a dark place, thinking you're a pest and a burden who has no future to look forward to. It sucks, but [y/n] here..." He paused and gestured to you with a smile. "They pulled me out of that funk, and it seems they'd pulled you out of one, too."

"They have..I-I find this hard to believe, but it seems we have more in common than I first thought." Krobus chuckled softly. "I'm glad we could come to an understanding, and that you embrace my existence, Shane."

"Yeah, uh...glad you can..embrace mine as well." He mumbled, already kicking himself mentally for how weird that sounded. "But tell me..you like caring for chickens, too? I saw that one with the black feathers and red eyes."

"Indeed, that is a void chicken! I've carried their eggs for ages, but the mines weren't suitable enough to raise chicks in. Then [y/n] showed me the coop, and now I know they're in good hands."

"Ah...did you wanna meet Charlie sometime? Or one of my blue chickens?"

"......chickens can be blue?" Krobus had such a starry-eyed look, as though he had just been told the secrets of the universe.

Meanwhile, you were just cleaning the dishes, listening to their conversation delve into chicken care, eggs, and more. And you could only smile, glad to see that your monster roommate was finally warming up to humans.

Only a select few will get to see him, as you didn't wanna compromise his safety...

But for now, Shane is the only one you could trust.

[soshadysoquiet]

An attempt to salvage S4, for your delectation. S4E4

EPISODE 4

Flashback to Klaus: Chasing down his siblings right back at the beginning and nearly hit by a car he only dodges last moment, laughs it off but then we see a little collection of him unable to get back close to his siblings but Does find old haunt of Mothers of Agony. We see him oscillate between drugs and siblings in turn, some rehab and relapses and increasing near death experiences. Ben at height of his squid-covered brand in crypto currency pays for a fancy rehab for Klaus at siblings' pleas, though won't pay off his debt. Klaus exits it to try living with Luther but it's filthy compared to the safety and cleanliness of the rehab he'd finally felt secure in. Allison is the face of a cleaning company though - he goes to her. We see him both gain more of his control back, and become more controlling of his surroundings and person with precautions. He coops up and covers up and controls and it becomes gloves and layers and face masks where it used to be drugs.

Present time: Klaus has same chained-up then forced ghost prostitution run in that we see in the show, has his money taken from him. The ghosts in the room are judging him, he accuses them of their voyerism and that they could pay too for watching the show, tries to banish them but can’t. Frustrated and has an emotional outburst.

*Klaus' scene above is cut into with Ben and Jennifer arriving at the umbrella academy ruins, Falling into bed much more willingly than Klaus and his seance woman. Waking up close and calm and sharing some affectionate words.

Allison and Luther arrive to find Claire shaken up at home and chat to her, she thinks she knows where Klaus is. They go off and Claire chats to Luther about how Space Boy was her fave, but he's not an astronaut now is he, what changed? Luther starts to say he's a stripper but tones it down at a cough from Allison. Luther tries to say some stuff about his life but it's a bit sad to hear. Claire is shooting her mother awkward looks, Allison asks 'but are you happy?' Luther thinks about it, there's bits he likes, he likes being good at the job, now, he takes pride from his work, but it wasn't the life he had thought he was going to have. Allison asks if he's really sure she's not here, Luther can't bring himself to respond.

Klaus hasn't taken the drugs yet, he's looking at them, debating them, scratching over his skin when he brushes the dog tags he lifted from Abigail's box. He remembers Dave. Murmurs how it shouldn't work, the timelines are different and anyway he hated me in the 60's, it's a bad idea. One of the ghosts croaks out 'worse than this' and Klaus succeeds in banishing them. He focuses, trying to move past the sound of war and screaming and in his head his little pre-recorded mantra plays for himself of how he's strong etc. He opens his mouth and calls for Dave. Before Klaus he appears, we see their eyes widening in joy

Five Diego and Lila arrive at Reggie's mansion finding Reggie, Abigail and Viktor outside cursing at the van being gone, Reggie is berating Viktor, Abigail begins snapping at Reggie and the three arrivals are confused. Lila says that's so and so from the Keepers meetings, Diego says I've found her picture taped up in the houses of people who get the inside-out umbrella packages, and Five is about ready to fight demanding who she is

Reggie steps in front of her and says 'that's my wife' which shuts them all up.

Klaus and Dave have a reunion, it's heartfelt. the mothers of agony dude busts into the room, says what the hell is this on seeing Dave and Klaus says, 'help me out for a second babe' and has Dave beat the guy into a bloody pulp. A few ghosts from the corridor cheer and Dave says 'wow, we've got some catching up to do' or something, Klaus is over the moon, takes the money he earned but leaves the drugs. They walk out together, Dave corporeal.

Allison and Luther pull up outside and start to talk strategy which largely consists of Allison 'They've pissed me off who needs strategy' and Luther trying to calm her down and both trying to stop Claire from following them. 

Klaus comes out and they and Dave have an awkward intro but sort-of reunion. Klaus says I guess I was my own saviour this time, Allison says I guess you were, I'm proud of you. Klaus brushes it off goofily but Luther agrees so proud and yanks all of them and Claire into a group hug, apologises as Klaus wriggles out saying he'll get there, but baby steps. Looks to Dave and Dave smiles as he vanishes from being corporeal, the others looking to see where he's gone, but Klaus and him are still smiling at each other.

You have a wife? (they've moved inside) Reggie explains that their world was destroyed and he preserved her on the moon, tries to move it back to their childish selfish problems letting things go to pot again, Viktor accuses him of 'oh but it's alright if it's your selfish desires?' And Diego chimes in with 'yeah you know if you think about it, all the apocalypses were kinda your fault Dad.' Viktor and Diego go at him for a while and Five has found something to drink, Lila and Abigail are watching the various issues until Five Snaps that they need to talk about Ben, where are the others?

Allison, Luther and Klaus turn up to the rest of them squabbling, Diego is saying 'it's just that, I don't know!' Viktor is arguing 'How can you not know?!' they come in saying 'what's going on?' and Five asks them to tell him how Ben died, the three of them repeat 'tragic accident, failed as a team, no one and everyone's fault, Ben was the best of us' and give each other a heebie-jeebies look when they can't remember anything else.

'Can't, or won't' says Reggie, unhelpfully. They all discuss needing to get to the bottom of this, that Ben's death has turned up in Keepers files related to The Cleanse, but the details are redacted and there are too many different dates that it happens. They're based on either memory bleed through or articles and artefacts passed through the timeline.

They debate how they're going to remember, if they even can. Lila pipes up with that she knows a thing or two about altered memories around Trauma (Handler being the one turning up just as her parents are shot etc) the commission's Infinite Switchboard was able to show her. Reggie debates that there might be a way to harness their powers to bring back the memories, after Abigail baits him into it and he's scowled a lot.

They set up in a quiet room, Reggie hooks them up to each other and monitors, explains that their powers should 'rhyme' at the right frequencies. They go through a lot of repetitions of trying to 'engage' their powers at the same level. Lila and Five are trying to direct them when it's not working, Reggie says they need to be in the loop too, it's all the marigolds harmonising that will put them in a meditative state, and he can guide from there. Five and Lila don't want to have their brains meddled with, but Abigail is giving Viktor a look, takes the time to talk to all of them about something that she's heard about them from Reggie that encourages them somewhat, and specifically to Viktor that it will take all of them to save the world. Five and Lila begrudgingly give in when Viktor reasons with them.

Five and Lila find it easiest to sync up powers (the machine gives a green light for each of them at the right sync), Five maintains whilst Lila keeps her frequency but morphs to Diego's power, he can feel the trajectories she's mimicking and copies that, Viktor tunes in to the pitch of Five's powers on his own and Allison changes her voice sill she's hitting the green with a hum. Klaus is feeling the energy in the room and links up, able to get a sense of the others' souls and syncs in and Luther is getting assisted along by Lila - matching the pressure from holding her hand till they all go green and the chime through the room sends them all slack and drifting. Reggie's voice guides them back through time. 

[kebriones]

Commentary on every painting of Alcibiades' death I could find on google

what is up with these painters and giving people only helmets and no other armor. Yes in the story he was naked. I doubt he'd prop his helmet up on his head before running out of a burning house. Storytelling aside, Kinda like how timandra's (?) clothes are having a dramatic moment, like the assassins'. And I like her hairstyle. I do also genunely like that the artist chose to show his sword being about to slip from his hand. What I don't like is the choice of penis covering. The red cloth was right there, just use that oh my god.

ah. David, I was expecting something bettter from you. Why did timandra lose her nipple privileges. I like the dead dudes on the floor though and the insane floor choice.

I really like the muscle rendering here and that the artist went for the less famous version where alcibiades has a male companion with him. and ugh.... idk I don't like his face. moving on

I've said before that I like how he's gripping the stone in this one. and I do like his face. I once again have to ask old artists to cut it out with the helmets, thank you. That's an enormous arrow going through my poor boy . I like that we have a bunch of blood here. and well this is maybe a step up in terms of penis covering. better that the flowers at least. I like his huge ear that's probably supporting the entire weight of the helmet.

They shouldn't have mopped the marble floors, my man SLIPPED. I actually think this is one of my faves, though the fact that the guy is about to stab him with the arrow instead of using the bow he's holding is kinda stupid. Timandra is at least trying a little here. I do like this alcibiades face

this one I haven't seen before, but I like that he's got proper long hair. That arrow going through his thigh looks like it's pierced just under the skin. also he's in the woods?

omg timandra do something, he's literally dying ahsdvhgah I love this it's so silly. He's appropriately dramatic. To be fair that probably hurts a lot. But hey, he's dressed here for some reason. Lost his boob out privilege.

this is a HUGE ARROW WTF also look here he's wearing proper armor and a double-crested helmet :D is he holding a stress ball in his left hand? That's understandable, I would also need some stress relief if people came to kill me in the middle of the night. Anyways slippery floors seem to be his largest enemy, he constatly looks like he slipped in these drawings.

he's 100% drunk out of his mind in this one, I can tell.

[thegreenthepeacetheorange]

Everlark (Mockingjay, Ch. 23-24)

the fact that she automatically goes to unlock peeta's handcuffs when she sees his wrists are bloody even though he is still dangerous to her

i can't remember who did the analysis of katniss with gale's injury vs peeta's in this chapter but if you know of it please reply to this with the link to it!

but anyways, it's gritting her teeth, jagged stitches and smearing on cream for gale vs attending to peeta, gently rinsing, bandaging

with each page, it becomes clearer that peeta is returning to himself, for him to be able to remember the blood poisoning comment and the way she risked her life to get his medicine in the first games

"i think.. you still have no idea. the effect you can have" SCREAM. this is one of my fave things peeta ever says to katniss and he remembers it!! still!

"i don't know why his voice reaches me when no one else's can." thats LOVE baby. literally none of the others are able to get through to her, but him. not even gale. she values peeta's opinion so much. it matters in a whole other way

"but if he's right and i think he is" girl, the others said the exact same thing and you didn't wanna listen lol

cute that this reassurance and belief from peeta is what gives her "new resolve"

shoutout to gale for highlighting the QQ kiss, as he should

the doubt in peeta's voice when he says it was just for the show. because he remember it, remembers the feelings that were mutual, the desire spilling from katniss in that moment that was undeniable

gale thinking he's still part of the equation of katniss's love life at this point is so funny it's almost sad. that he thinks it's still a choice

gale's assessment of how katniss will pick really rubs me the wrong way. he doesn't know her at all.

katniss being rightfully mad at his incorrect assessment. and her contemplating his words here highlight how much passion, love, desire and compatibility are actually important to her. for him to reduce her down to survival instincts is terrible actually. because those other things actually drive her far more.

her being angry at peeta for not refuting it. girl, a few pages ago he was asking you if people can grow wings. let's give him a break, hothead

"as if in the end, it will be the question of whether a baker or hunter will extend my longevity" what's funny to me about this is that "baker" shouldn't even be part of this equation. a baker for survival for extending longevity would be out of place any other time. but actually the baker here is so important to her and her life that it works. in the end it is a baker and a hunter, but katniss doesn't pick on survival. she picks on what means the most, where her love grows and thrives the most.

katniss feeling peeta's eyes follow her and gale out of the room. she's so hyperaware of peeta at all times. has been from book 1 chapter 2

katniss giving peeta permission to take the pill be closing his fingers over the pill. like he'd been waiting on the permission for her by keeping the pill in his open hand.

peeta charming tigris and katniss picking up on it. we're so back

katniss's desperation like she's back in the QQ

peeta embraces her back

"not as steady as they once were, but still warm and strong. a thousand moments surge through me. all the times these arms were my only refuge from the world. perhaps not fully appreciated then, but so sweet in my memory, and now gone forever"

this passage highlights the significance of when they grow back together and his arms being there to comfort her. she thinks it's gone forever so how much more meaningful when it comes back to her

"thousands of moments" that many moments. moments we haven't been privy to because they were so often and so habitual that katniss didn't always need to spell it out

katniss walking and still looking back to see if she can see peeta

and when everything is going down, she holds onto the idea that he may have gone back when he felt the attack coming. even though she must know he never would have. this is an arena after all and he knows his job is to protect her

katniss clearly loves gale as a friend and she doesn't ever want to see him hurt/tortured/killed but he ultimately takes a second seat to her love for peeta. always an afterthought, never the bride

contrasting the moment that gale is captured by the peacekeepers with the moment that cato has peeta trapped. even though her and gale had talked about what to do, in that moment she's confused, doesn't know what to do, her instincts don't kick in. but with cato, she automatically understood, within milliseconds, that peeta wanted her to shoot cato's hand when he marked the x there. thinking thinking

RIP prim. honeslty still a very chilling moment all these years later

[sageistri]

I'm glad that jm is doing what he wants to do and not following trends. He's not letting people, including pjms, put him in a box of what yall think he should be doing. MUSE is not going to be FACE 2.0 bc jm has moved past that, and it would be boring if he kept releasing the same thing over and over. FACE is about jm's depression during covid, and MUSE is about love post covid. The media has already reported that are connected with the theme of love so if you hate love than this album is for you apparently. Just bc they are love songs it doesn't mean that they are fan songs bc they very well could be or are for someone jm maybe in love with.

Y'all talk to people like Jimin or BTS are the only artists they listen to.

"if you don't like x song you hate happiness" like these songs are the first time anyone's listened to "happy songs".

Jimin being experimental and unpredictable is the best thing about him, and yes he can never be placed in a box which is another reason why anyone of you shouldn't be trying to explain or justify his music to anyone. If you do something unexpected as a musician it is expected that some people won't like it so it's not your place to try and tell anyone that they're this or that because they don't like a song. Its not only insulting to us but also to him because it sounds like you're making excuses for him and his artistry.

And I refuse to accept that we've gotten to a point where we would use "if you don't like x you hate fun" unironically to"defend" his music.

It's really not a good look and I hate that this is the narrative y'all are going with. And I'm not even seeing hate tweets like he got during set me free pt2's release so it's baffling that this is the one release y'all are doing this over.

Although I think the lack of discourse from kpop stans has to do with the fact that most of them don't even see this like an actual comeback song, from the promo, to the announcement, to everything else.

Some people don't like the song and it isn't even in the "ok I don't know how I feel about this but I'm hyped up anyways" way. One of the major problem as someone who's a Stan is how unmemorable everything about this whole pre-release has been. I also had my opinion on smf pt2 but with sgmb it feels different, I feel dismissive of it. Right now I'm doing as much as I can to support but I've not felt any need to constantly check how well it's doing and unsurprisingly, so far I also haven't gotten a single ask worrying about how it's charting.

To some of us this song is basically another CTT in every sense. It was received the way it was presented.

I don't like the song but I'm actually relaxed waiting for the album, because I know I will love it. And I'm not feeling too bad because i got the feeling right from when the schedule dropped and the lack of teasers that it's going to be something like this. It was a thought that was stuck at the back of my mind, now I realized it was for a reason.

The only people who care this much about this whole thing are the pjms who act like the world is ending whenever they don't vibe with something he does and have no problem disrespecting him in frustration and people like you who think we all have to like everything he puts out or we're bad stans. Smpt2 was not my favorite Jimin song and I didn't like some things about it even if I did like it overall, but the album dropped and I loved it.

I could name 10 albums from my fave artists right now where I hated or didn't love the first single or singles but I loved the album. Or even albums that I ended up hating but was initially Looking forward to because I loved the single so I've come to understand that my feelings about singles do not determine how I end up feeling about the overall album.

You either like something or you don't, all of y'all are doing too much.

[bunni-v1]

Oh, I would LOVE to hear more about your college au!!

I feel like a lot of folks just age them up and call it a day, but I love when I run into people really detail their own au out. One thing I loved that I ran into once was the idea that each dorm was divided into majors - and that's part of your sorting. Pomefiore being Theater Arts (Epel, farm boy going to college to improve and modernize his town agriculture, is just extra horrified lol) though I figure they could probably pick their own minor.

Anyway, I adore hearing details!

TWST College AU (First Years!!!)

🍓Hiiiiii! Thank you for asking! I figured I'd just answer this informally since it shouldn't take too long! (And, to be honest, I don't feel like writing a bunch of headcannons for the entire cast :/)

I really like the idea of the dorms being sorted by major, but uhm... I see Ace as a Film major and Riddle as a Med School student so... that wouldn't really work for me?

The basic idea IS to age them up because I am a college student and I want to write about college students -- plus, the twst campus is set up A LOT like a college already, so I always felt weird that it was a high school? Even when I was still a high schooler playing the game, it never felt like a high school, so obviously I decided to just... change it because that's what fanfic is for.

I also didn't want to just... make them all 18. Like... consistency is important people! Leona is 24 now, sorry girlies <3

So I've talked about the age differences and explained Ortho and all that in my rules (read them please :3). I also mentioned that they act differently! The first years won't change too much, because they are still NEW college students, but they respond to things with more maturity than they would if they were just 15/16 year olds. Because... of course, they would. (I would hope 18-year-olds would be a little more mature.)

But I didn't talk about the structures that I changed, mostly based on my own schedule. I'm only gonna use the first years as examples so please forgive me for ignoring your faves <3

So, the first thing I changed is there is no homeroom teacher because we don't have homeroom teachers in college! So, students have multiple different classes throughout the day.

Let's take our little film major Ace, shall we? Ace's first class of the day is a 'core' class, which is the class he has with Yuu and Deuce. It's a basic magic history course that's required for everyone to take, and it's mostly filled with other first-years. Jack, Epel, and Sebek are all in the class too! This class happens three times a week, MWF. He has three other classes, two of which are major-related and one of which is another core magic class.

Each student has their own specific schedule, and they sometimes overlap with each other. This includes first, second, and third years. To give you a little example: Epel and Ruggie take a course on magic plants together!

Many of the courses at NRC have magic at their core -- because it's a magic school -- but their students are free to study whatever they please! That's why Ace is a film major because he wants to be. He cannot, however, pick what kind of magic he gets to study.

Because, of course, the kind of magic you study is based on the dorm you are sorted into. Students have to take at least four classes to do with their dorm's magic type to graduate. It's harder for some students and easier for others.

Epel, of course, hates Pomefiore because he HATES potion-making. He is also surrounded by many theatre majors because... well... just because your dorm doesn't decide your major doesn't stop the same types of people from gathering in one place.

Each dorm has a stereotypical major type associated with it. Many students in Octinivelle are business majors, Pomefiore is performing arts, Savanahclaw is the fitness kids, etc.

So, with all that out of the way, I want to go through the core cast of first years. Namely, their majors and the way I've tweaked their personalities.

Ace: As I mentioned, he's a film major! He loves movies, and he's such a geek about them, so he thought 'Why not!' To be specific, he wants to go into film writing, but he's not dedicated himself to it yet. He's still got four years ahead of him, so he doesn't have to worry about it too hard. Ace is a LOT more chill as a college student. He still teases his friends and he's STILL a huge dickhead, but he knows when he fucked up and needs to apologize. He's more willing to just back off when he needs to and accept his faults as his own, unlike highschool Ace in game. He's still got a firey personality and will stand up to authority, so at his core, he's still the same Ace, just a bit more chilled out.

Deuce: Is a first-generation college student, so he feels like he's got a lot riding on his back. He went into business, mostly because he felt like he HAD to if he wanted a good life for himself. However, he dabbles in a lot of stuff. He constantly does a ton of extracurriculars and is curious about all the courses at NRC. This Deuce is more self-assured than he usually is. He's confident in what he feels he wants/needs, even if it ISN'T what he wants/needs. He, however, still is not great at managing his anger. He still has really big outbursts when he's been upset by something, but he tries his best to keep a cool head and ALWAYS apologizes afterward to his friends.

Jack: You guys are just gonna have to trust me on this one. Jack is majoring in kinesiology with a minor in physical education. He wants to be a personal trainer/occupational therapist! In my opinion, Jack stays the MOST consistent among the first years. He's still pretty strong in his sense of justice, and he's reliable and generally pretty nice. The only thing I could really see changing is that he's a bit more approachable and he's more willing to talk to his fellow students.

Epel: POOR EPEL LMAO. He's an agricultural major, specifically in Agribusiness so he can help his family farm grow more, because he loves his granny so much. He also minors in Agricultural magic -- so, learning about how magic can be used to cultivate plants and the like. Imagine his surprise when he's shoved into the "performing arts" dorm. Epel has more come into his own as a college student. He'd be less pissy about his more feminine looks, though he still tries his best to appear more masculine. He's more willing to bite back at Vil than normal as well because he's an adult now and he doesn't wanna be pushed around.

Ortho: Kid genius! He's a robot, so of course he's a kid genius. Ortho is the only member of the cast who is still under 18 (he's 16 years old and in college!) He majors in computer science, specifically robotics -- he likes to understand how he works lol. BUT, he's an anthropology minor! He likes learning about humans too! He's still very much adoring of his brother, but he has a personality outside of that lol. He's sassy and witty, and really sociable! I'd go so far as to say he's popular around campus, especially since he involves himself in a bunch of different activities.

Sebek: Sebek majors in Magical Studies! It's a general major that can be filtered down into multiple different specific majors, but as for now, he's just Magic Studies generally. Sebek is... an oddball... even still in college. His love for Malleus has never gone away, nor has his dedication. He's like the kid you meet who never really grew up past their freshman year -- mostly because they were never really exposed to ideas outside of what they know. College would have him on edge because A LOT of it is just questioning what he knows, and he's not handling it well. I would say he's probably more awkward than anything. Not as in him making others uncomfortable with his weird behaviors, but him making HIMSELF uncomfortable because of it lol. (He still needs to grow a lot!)

That's all I can think of though! Thank you for asking, I loveeeeeeee questions!!

[theerurishipper]

https://www.tumblr.com/jacquesthepigeon/731353272698486784/you-know-it-must-be-said-as-someone-whos-only?source=share

Of course this is said from someone who has never seen the show. God forbid folks favorite character, is THE SECOND MAIN CHARACTER AND IN THE TITLE OF THE SHOW.

God forbid abuse survivors find Adrichat’s story relatable and react negatively to people who salt on him for, checks notes, being a rich white boy? Because being rich and white protects you from abuse lol okay

Someone go tell Kesha that the horrific abuse she endured for years doesn’t count because she’s rich and white.

Someone go tell Britney Spears and Amanda Bynes that they deserve their conservatorships because they’re too volitile and emotional and need someone else to control their entire lives. Also they’re rich and white so they should be thankful for their privilege.

Also as a fandom veteran, I’m also baffled that this anon says they’ve never seen fandom go this feral over a white boy so I guess the whole Superwholock thing doesn’t exist in this person’s universe. I’m getting war flashbacks…

I really hope this doesn't come off as rude, but I just have a small request for any anons in the future: if y'all want me to comment on someone else's post, please send it in a separate ask. I just don't want to post someone else's post and start an argument or something.

That being said, I do agree. My detailed thoughts under the cut.

"Adrien stans are white people who get unhinged over a white boy," say the Marinette stans and Marinette stan observers, not realizing that they espouse disgusting abuse apologism on a daily basis and victim blame a character who is a victim of abuse for being traumatized all because he made a few decisions that weren't about Marinette and her well-being alone.

This is ridiculous on so many levels. First the assumption that all Adrien stans are white people. Second, the assumption that we must be Adrien stans because he's a white boy and we don't care about POC characters as much as we do the white ones. Which is actually quite insulting to me.

Maybe these people should actually read what Adrien stans have to say. Maybe they should actually understand why we love Adrien so much. Maybe they should understand why we get so heated over him.

Know what? I'll tell you why. It's because Adrien is despite the writers' best efforts to undermine him an interesting and likeable character. He is a canonical abuse victim, and he struggles with his self-worth and his identity, which is a relatable story to many people. He's an entertaining and interesting character. He's the deuteragonist of the damn show. People are bound to love him. There's more to him than being a white boy and it's very insulting to imply that people obsess over him because he's white or because his fans are white.

And about how Adrien stans get "unhinged" about Adrien and not about other characters... we're literally Adrien stans. Which means Adrien is our favorite character. Naturally, we're going to talk more about him. This is basic common sense. I don't understand the problem here with liking Adrien more than other characters. Are we not allowed to have faves anymore?

And you know why Adrien stans get "unhinged" over him? Because the show treats him badly! Why shouldn't we get mad that a character whom we love is being treated poorly by the writers? Why can't we get heated about that? Marinette stans get heated about their fave being victimized by the narrative all the time, so why is it a crime if Adrien stans get upset if Adrien gets the same treatment? Adrien's story in the show ended with him being reduced to an object and a prop for his girlfriend so that she could side with his abuser and start controlling him instead. Why can't we get angry at that?

Marinette stans will talk about how both Adrien and Marinette are written badly but only Marinette gets criticized and how that's racist and shit, and will ignore the fact that our criticism has nothing to do with race and everything to do with Marinette siding with Gabriel to lie to an abuse victim, and how the show frames this as correct. We criticize Marinette because she's making an awful mistake and doing bad things! This is like, the worst strawman I have ever seen. At some point, it really feels like they are being willfully ignorant.

And about how Adrien stans treat other characters, riddle me this. Who has a proper tag dedicated to bashing them on AO3? Who was the character who was salted on so much when Syren aired? Who was the character being raked over the coals when Chameleon aired? Who was the character who was salted on in Season 4 for breaking a damn fucking chimney? Who was the character whose struggles in Season 4 were overlooked by Marinette stans who criticized him for "being entitled to Ladybug?" Who was the character who was relentlessly salted on whenever he did anything that didn't completely attend to Marinette's needs? Who is the character who was labelled a "sexual harasser?" Who is the character on whom these "fans" rain down their victim blaming and abuse apologia? Who is the character who has the longest history of being salted and bashed by the Marinette stans?

And I will laugh at the audacity of Marinette stans to argue in favor of POC characters and blame Adrien stans for "obsessing over a white boy while not giving the same treatment to characters of color" while their legacy includes salting Alya for not being Marinette's perfect emotional support BFF. Who has their own salt tag apart from Adrien on AO3? Alya does. It's laughable to me that Marinette stans harp on about how Adrien stans prefer the white boy over the POC characters when they spent the better part of the last few years bashing Alya and even devolved into outright racism against her. To say nothing of how they treated Kagami after Frozer dropped.

And these people accuse Adrien stans of showing preferential treatment to white characters? Marinette stans have no leg to stand on when it comes to calling out other people's treatment of POC characters. And I'm not saying that the anon or OP of the post are racist or that they personally contributed to this. But if they are going to make sweeping statements about Adrien stans accusing all of us of going unhinged over a white boy and treating POC characters unfairly, they should maybe take a look inwards at their own community.

Marinette stans have spent years bashing every other character for the smallest perceived slight. Marinette stans created a whole new genre of Miraculous fanfiction dedicated to propping up Marinette like their personal goddess and punishing other characters for not being her devoted slaves. Marinette stans have contributed greatly to the racism in this fandom. Look at all this and tell me: who really seems unhinged here?

So yeah. Ice cold take imo. Also, obligatory disclaimer: Not all Marinette stans are like this! Most of them are nice and sweet, but there are also plenty of bad apples who have been responsible for a lot of toxicity in this fandom.

Thank you for your ask!

[writergracethepanda]

🔥 choose violence ask game 🔥 Secret Shanghai Edition

the character everyone gets wrong

Marshall. He is canonically an excellent cook, s why are we convinced he'd set something on fire if left alone in the kitchen?

a compelling argument for why your fave would never top or bottom

no comment

screenshot or description of the worst take you've seen on tumblr

EVERY SINGLE DAMN TIME I have seen Alisa and Phoebe shipped (let aroace people live and bisexuals are still bisexual even in a seemingly hetero relationship) or those takes I've seen on TikTok of people shipping Rosalind and Benedikt and Celia and Marshall if I weren't on my computer I would put sooooo many barf emojis here

what was the last straw that made you finally block that annoying person?

luckily nothing yet I believe

worst discord server and why

mine with my friends its sooo annoying how we have incredibly amazing and intelligent and sometimes incoherent conversations like guys we're the worst (sarcasm)

which ship fans are the most annoying?

like I said, anyone who ships the above things needs to stay 10 feet away from me at all times and undergo intense media literacy training

what character did you begin to hate not because of canon but because how how the fandom acts about them?

I think everyone's answer for this is Oliver. I'm so sorry we (especially me tbh) did you so dirty pre fhh I promise we've learnt our lesson!

common fandom opinion that everyone is wrong about

Oliver loves cats. incorrect. Cats are his entire life. there is a difference, and we need to recognize it.

worst part of canon

roma and Alisa's dad just disappeared before I could beat him up

worst part of fanon

we're too funny my stomach literally hurts from laughing too hard sometimes. Seriously though, the above ship takes that make my blood boil, as well as some complaints about how a lot of us talk about how we think certain characters are neurodivergent/disabled. While I think some of those are actually considered canon, I don't understand why people are so made that we (a relatively neurospicy bunch) are identifying the parts of characters we relate to and labeling them. We're doing you no harm and not interfering with your ability to enjoy the characters. Shouldn't it be a good thing that we're able to identify with the characters? Just mind your business. (also anyone who erases Rosalind's and Alisa's aroaceness that is indeed canon and I hope both sides of your pillow are too warm)

number of fandom-related words you've filtered

I don't think any

the unpopular character that you actually like and why more people should like them

I don't think anyone hates these guys, but why don't we ever talk about the couple from LVC? They were so sweet, and I'm kind of sad we didn't get any mention of them in FHH.

worst blorboficiation

I feel like a bad Tumblr user, but I don't know what this means. is this like uwu-ification?

that one thing you see in fics all the time

@typingwithmyhandstied 's GENIUS

that one thing you see in fanart all the time

Juliette always has the appropriate amount of knives thank you very much for that guys :)

you can't understand why so many people like this thing (characterization, trope, headcanon, etc)

I personally don't get into the Rosalind is a vampire thing, but I'm cheering you guys on from afar (im just not into vampires lol)

there should be more of this type of fic/art

idk I should probably work on my university au

it's absolutely criminal that the fandom has been sleeping on...

the fact that not only did she feel comfortable falling asleep around Orion (see one of @no-1-rosalind-lang-apologist 's recent posts) but Rosalind was also muttering in French in that scene. Her dominant language. She was both out of it enough/comfortable enough with him that she dropped the I was raised in American fake accent and just started speaking normally in this essay I will- basically we need to talk more about the use of multilingualism in the ss books

you're mad/ashamed/horrified you actually kind of like...

past me would be horrified to know that I like Oliver now

part of canon you found tedious or boring

I think TVD can be a bit boring sometimes, but that makes sense, since it was Chloe's debut, and she's grown immensely since then

part of canon you think is overhyped

the seagreen trio is overrated (they are literally my favorite characters)

your favorite part of canon that everyone else ignores

THE MULTILIGUALISM

ship you've unwillingly come around to

Olivercelia. Like I said, I was his strongest hater pre fhh. Now I see what she clearly sees in him.

topic that brings up the most rancid discourse

discourse on ss Tumblr is mostly joking. my personal favorite is when @marsneedstherapy and I pretend to yell at each other in different languages

common fandom complaint that you're sick of hearing

"no one appreciates x enough" I do. I love them.

[joealwyndefenseattorney]

Allow me to enter the "adult conversation". I want to answer to that anon aswell.

why didn't he show up for taylor when she needed support?

what do you even mean? As in public or private? Cause privately you don't know anything and if she stayed with him for years clearly he was doing something right. If you mean in public, first of all how do you know Taylor needed support and how do you know when she needed it? Did you expect him to drop everything and go to every single event of hers? Which is kind of hard given that she's constantly doing things and he has a job unlike what you all think. And he did supported her by the way they way

Why was he resentful of her success?

who told you he was resentful of anything? The voices in your head?

Why didn't he go with her to several awards shows? Including the Grammys!

which awards shows exactly are you referring to? Because the usual examples swifties give were on dates he was working. Funny you should mention the Grammys cause he was in the backstage of the 2022 Grammys, when even the relationship was mostly likely dead. If you mean the 2021 Grammys, he was filming. There was a pandemic and travel restrictions. Even if he could have gone, he would have to stay in quarantine before and after obviously messing up the filming schedule

Why did he party in her house whilst ignoring her all the time?

I'm sick of this party story you all got from out of nowhere. And apparently somehow even for the scope he ignored her at said party. First of all, they were living together on that house, as much as you think otherwise it wasn't her house. It was their house, as partners of years who already lived together anyway. He was not a high school kid having to ask for permission from his parents to throw a party. So if he did use the house to throw a party, it's not this outrageous thing you make it out to be. Let me remind you Taylor met and was friend with his co-stars aswell.

Why did he want her to not be as famous as she is now while Travis is very open to it?

Again, who told you he didn't want her to be famous? And I'm guessing you must be a teenager because asking why one person is ok with something someone else isn't is screaming I don't have life experiences. Think about it, if you like tomatoes does that mean everyone likes tomatoes? Ofc not, because we all have different tastes. So why does Travis loves fame and Joe doesn't? Obviously because they are two different people. And quite clearly not only Travis is ok with Taylor's fame, he also loves it and wants to be famous too.

Taylor wanted to be loved out loud but joe always seemed embarrassed by her.

if Taylor wants to be loved out loud good for her, but not everyone does and not everyone has the same love language. If she wanted that, that bad then she should have left Joe earlier cause he shouldn't change who he is to please her. They were together for years, she had plenty of time to realize he couldn't give what she wanted.

And if you mean he was embarassed as in I'm trying to do my job and promote it and people want to know about my personal life instead... that's just you thinking he should have given you content

Why didn't he answer what his fave taylor song was?

Again, because the interviews were about his job not personal life. Because he didn't want to, which is more than enough reason. Because you are not entitled to know about it anyway lol also that question was made back in 2018 when they were very much still very closed off. Maybe after folkore they would have had more luck. The only person entitled to know was Taylor and I'm sure she did so

Why did it always seem like he hated us, the fans?

As he should???? You are all fucking annoying and vile. And if he didn't hate you before, after how you all treated him over the last year he has more than reasons to. If you want the serious answer, he wasn't obliged to love any of you. He wasn't in a relationship with any of you. Get that in your skull. The person he loved was Taylor and that was the person he was in a relationship with. The reason you like Travis is because he's bootlicking you, but I assure you that's not the normal thing. Anyone normal doesn't care to appease and try her gf's fans to like you. The most he should do is respect you and not treat you badly and Joe always followed that. But ofc he didn't care beyond that. Why should he?

Why did he interact with several of his female co stars but locked her away in the basement of his heart?

not the basement. Like stop with this quoting her lyrics as a form of criticism. It's cringe as hell. Also he interacted with his co-stars (regardless of gender) yeah. Did you want him to just ignore them??? In which planet do you live?

Or literally not see she was depressed as he left her behind at home (caging her) while he went to the bar?

Not caging her. Stop you're ridiculous. Taylor wasn't chained at home. If she wanted to go out no one would stop her. Stop being ridiculous ffs. What bar are you even talking about? Is this about the black dog song which not only is post breakup but not even about him? And guess what, by Taylor's own words he was also depressed. So you can also ask yourself, why should he have empathy for her depression when he was depressed and she talks about it like a burden?

[megabuild]

im not asking everyone ever to condemn their favourite villain characters actions at every step or whatever but sometimes when i see people pointing to their faves crimes and being like Ohh they were just feeling a little silly ^_^ and having nothing else to say on it my blood boils. not even in a "you shouldn't glorify that" way i don't give a shit about that i mean in a "your reading comprehension and analysis skills are so bad you cannot even comprehend how the most basic, universally agreed upon of 'bad' actions would impact characters outside of the single one you care about". hell you don't even care about how it impacts them because the only thoughts your blorbo can have are HAHA IM THE KILLER I LOVE EVIL and Ohhh im so sad im the killer no one likes me 😭😭😭

[freyrmichokolatte]

Timmy forgor arc because I'm a fucked up little shit and I want my fave to suffer because that's how I am smh

Timmy canonically puts notes on everything that's important to him because he might throw everything related to Cosmo and Wanda so it shouldn't be any different that he'll put notes on everything related to the rest of the Nicktoons

But what if he also writes everything that happened in a diary and kept it hidden in a box filled with things related to his Godfamily and the Nicktoons?

Timmy already turned 18 and the next day after his birthday, the first thing he saw when he woke up is an empty fish tank still filled with water. Timmy got super confused because why is there a fish tank here? Why does it have water when there's literally no fish inside? Then he saw the sticky note and went oh ok I guest I shouldn't throw it out then.

Throughout the day, he keeps seeing sticky notes with his hand writing on it saying "Don't throw it out me! -Timmy Turner". Timmy doesn't know the purpose of all the things because he only does this when it's actually important so he doesn't understand why there's a sticky note with the same message pinned on his old hat.

When he, Chester, and AJ hangout, they'd sometimes ask him about the things he forgotten and Timmy is just confused. His reaction are just "What?" "Since when did that happen?" "Talking to objects? Did you hit your head or something cause wtf" Chester and AJ had to suffer but didn't dive too deep into it.

That until Chester mentioned Jimmy

Timmy isn't the type to forget people that he's close and actually liked him. So when Timmy said he doesn't know who Jimmy is it caused a havoc. Chester made cards filled with things related to their childhood while AJ interogated the poor brunet's head off just to get answers so he could somehow cure his bestfriend's amnesia.

This went for Gods' know how long it just keeps going.

But hey the Nicktoons fianlly visited hoorayyyy

They didn't encounter Timmy first though, they encountered Chester and AJ. They both felt like their dreaming but soon dragged them into their shared appartment with Timmy because wtf their bestfriend's bestfriends who doesn't even know they're his bestfriends from different universes are here and oh are they glad.

Before the Nicktoons could even say something, AJ and Chester already bombered them with concerns relating to Timmy while the three are all just there sitting on a small couch and saying literally the same things as if they were one person.

Where's Timmy? What happened to his Fairy programs? What do you mean he has amnesia? He doesn't remember us? What the fuck does this mean? Is this related to the Fairy World's rules?

They were all distraught. Spongebob who's no longer in disguise is sobbing. Danny is in denial. He sees him as his kid brother and said kid brother sees him as his big brother there's no way he could've forgotten him right? He denise it, there's no way.

And Jimmy is fucking depressed. After a long time of trying to find a way to go to Timmy's universe, the first thing that was said to him was that Timmy forgot about them.

Jimmy was mad. He wasn't mad at Timmy for getting his memories erased, he was mad that he didn't do anything to prevent it. He was mad at himself. But he knew damn well that there's no way of stopping Da Rules and the rest of the Laws of the Fairy World.

Meanwhile with Timmy, he sneezed as he's currently going back to his old house to get the rest of his old stuff. Then he went to the attic and saw some weird big old box with his name written on it. The box was filled with notebooks, diaries and pictures.

Timmy was utterly bamboozled

He skimmed through some of the pages. Fairies? Ghost brother figure? A talking sponge? And he's hooked? Timmy doesn't even know anymore. Then he took the photos inside the box.

What the fuck.

Why is there a sponge? It's alive? Why is there a floating guy behind him? Who's he brunet with a weird hair style?

And why do these strangers feel so familiar?

The more he dives deep into it, the more his head hurts. Timmy decided to brush it off temporarily and took the box with him. He'll get his stuff next time.

ANYWAY the rest is up to you guys on how you want it to end I'm out of energy to write the rest ksksakjssfhasksf

[haveyoureadthiscomic-poll]

Okay it is Infinity Inc. propaganda time it is time to show off the niche kiddos

Infinity Inc. propoganda under the cut

The day is Christmas Eve, 1983, and the JSA are having their annual Christmas Eve meeting, and Hawkman (blissfully unaware that his family is about to come to him) suggests adjourning the meeting so that all of them can get back to their families, and Green Lantern (blissfully unaware that fate is about to kick him in the balls... TWICE.) retorts that he doesn't have a family, this is kind of dickish of Alan but like... it's ALAN lol. Suddenly, the old men are being tormented by waves of stupid children, all demanding to be allowed to join the team... and also one of their villains children doesn't actually ask to join the team but he does... for some reason go "when I am asking for help from my father's enemies, the thing to do is to illusion myself to look like my father, and then tear a hole in their wall, wait, why are they trying to arrest me?! RUDE!!! I am sulking now!"

Thank you for your input Henry.

Anyway, since the old men respond... somewhat reasonably to whatever the fuck that was, their kids decide to band together and make their own superhero team, where they get PAID! (less than minimum wage).

Infinity Inc. is an interesting team series that I mostly enjoy because of the characters, a lot of the time in team books the characters all feel the same, and are all at each other's throats constantly, Infinity Inc. presents the reader with characters who all have very defined personalities, even if most of them do share the character trait of "stupid", and by the end of the series you feel like you genuinely love all of the characters and want to spend more time with them.

DC notably decided that all Infinity Inc. characters should spend the next decade dying or going evil btw.

BUT THEN THEY GET BETTER. The Infinitors are kind of notable in that there are entire arcs of JSA 1999 where the old men try to rescue their kids, and all of them end up being considered JSA kids, including Hank who is being chased around the planet by Jay Garrick holding adoption papers (uncertain if this is continuing now that Jay has Judy tbh I do not trust Geoff Johns)

(context, Wildcat hits Hank with the 'kid of a supervillain' stuff well after he thought the JSA was fine with his general existance, my favorite scene because all of the Infinitors are instantly protective, and all of them give vibes of being really close, even if DC refuses to allow a full team reunion)

Honestly in my years of getting people to read Infinity Inc. it's notable that every single time someone has come out with a different fave, and I think it's a testament to the characters being really good, ESPECIALLY HECTOR AND LYTA who are JSA characters and NOT Vertigo characters and Vertigo shouldn't be allowed to stop them appearing in JSA comics.

Also the boys do this in hallways for unknown reasons

What was meant by this?:

Read Infinity Inc. today so you too can be convinced that Hank King should be the next character DC makes gay, unless they decide to do Norda first...

Tbh if I'm being honest they should probably just pull a Young Avengers and make every Infinitor gay.

[seyaryminamoto]

hello! I really like your meta about Zuko, and I'm so glad that I finally found a person who also thinks that Zuko in book 3 is a much worse person than he was in the book 1. I always thought that something was wrong with me, since literally no one sees this obvious fact for me! But I would like to ask you: What do you think about Katara in book 3? the fact is that she was my favorite character in books 1 and 2, and the way she was written in book 3 upset me a lot. it seems to me that they spoiled her character, but I can't explain why. Please share your thoughts!

Glad you've enjoyed my extensive meta on the fandom's fave, haha. I did write a lot about him, always nice to know my thoughts on the subject are still deemed relevant.

As for Katara... well, I have thoughts on her, too. My experience with her character is quite similar to yours, I'd say, because I too felt a lot better about her character in the first two seasons of the show compared with the third. I don't usually give this a ton of thought, but after your ask, I figured I'd try and figure out what exactly went down with her that made people like us feel so uncomfortable with Katara's portrayal at multiple points of Book 3...

For starters, I'll say I vibed with Katara a lot when I started the show for reasons beyond her being a great character or being written wonderfully: she could very well have been written mediocrely and I would have loved her anyway simply because I ran away from anime to ATLA in an era where anime kept shoehorning incest undertones into every sibling relationship, even in shows that didn't have that as a core subject. It happened at least twice that I can remember, I kept seeing people raving about shows where it WAS the core of it (I still do not understand the Oreimo deal, like, the minute I read that show's title I puked in my mouth and knew I'd never watch it), and I just needed... safety from that concept, I guess?

So when I went into ATLA, and the first sibling relationship you're exposed to is Sokka and Katara, two siblings who very much act like siblings? I was thriving. It was thrilling. I felt so refreshed that I think I didn't care much about the flaws of Book 1, despite my inability to sense direction for most of it, because thank the universe, it was a sibling relationship that made sense to me!

With that as an opening, I'd say that, initially, I thought Katara was fine for most of Book 1. In Book 2? She fell off the radar for me a bit simply because other characters are introduced that just appeal to me so much more than she does. I vibe better with characters like Azula, who tend to be the type of female character I just LOVE, and with characters like Toph, she's a tomboy, I was a tomboy (... was? x'D maybe I shouldn't use past tense...), so I gravitated much more towards those two by no real fault of Katara's core personality traits. Back in Book 1, there aren't as many main characters, so you don't have a lot of variety to choose faves from. It's not that strange, I think, that once the cast broadens, people's interest in certain characters can scatter too.

But then Book 3 happened, and I just couldn't enjoy Katara outside of episodes where she wasn't that important. The Katara-centric episode of Book 3 stand among my least favorite episodes of ATLA altogether, and among the least likely episodes I'd ever want to rewatch. I literally skipped over The Painted Lady in my first rewatches of the show, every bit as much as I skipped The Great Divide or Avatar Day, both of which annoy me a lot in the first two seasons. The Puppetmaster? Not even close to being an episode I could enjoy. Even the Runaway, that's supposed to be Toph-centric, ends up making me count down the minutes for it to end and I'm not even going to get started on The Southern Raiders and the absolute can of worms that episode is...

So, with all this being said, if we peel this particular cabbage open little by little...

After mulling it over, I've grown to suspect that Katara has major inconsistency issues since day one that most people don't particularly like to acknowledge, and that flew over most of our heads from the beginning of the show. She's pretty much portrayed to us as an empath, someone who has so much heart that she can't help but feel everyone's pain and suffer with them all the time. The fandom 100% acts like that's who she is (while also obsessively adultifying her unnecessarily, and forcing her into the mom!friend role, which... we'll talk about that later)

But this is also the same character who, when her brother banished Aang from the Southern Water Tribe as early as in episode 2, protested in a very particular way once Aang was gone. Which one of these statements sound more accurate to Katara's character, and a suitable protest for her to proclaim upon witnessing this injustice against Aang?

"Aang is alone! How could you send him away on his own? He could be in danger, Sokka! He's just a kid!"

"The Air Nomads are gone, Sokka! Where do you think he'll go? He doesn't have a home to go back to and you just sent him away!"

"You happy now? There goes my one chance at becoming a waterbender!"

If you ask the fandom? They'll most likely think that her reaction was either #1 or #2.

Surprise surprise: it was actually #3

I'm not saying she didn't show empathy towards Aang while Sokka was ranting at him, because she did. I'm not saying she wasn't willing to be banished along with Aang until Sokka asks if she'd choose pretty much a total stranger over their family and tribe, because she was. She absolutely did all those things.

... So why would she focus only on how he represented her one chance at becoming a waterbender once Aang is gone?

This feels off to me. I've never particularly liked that line. And you could absolutely say that Katara has every right to be mad at losing her chance to reclaim an aspect of her culture that she cannot connect to, but the way it was framed here? It absolutely makes Katara look more selfish than she actually was. The wording is not good. The show doesn't emphasize, at this point, that bending is such a core and crucial part of their culture and that Katara feels a major responsibility in being the ONLY person in the South Pole that can keep it alive. So it just comes off as a child's tantrum. Sokka's concerns were 100% valid too, even if he went about them while being a jerk (he is, indeed, an older brother...). He wasn't even wrong in the end about how dangerous Aang was to their tribe, since Aang's mishap with Katara on the ship gives away his position to Zuko, and it results in Zuko ramming a huge ship into their home and nearly killing people in the process. But you DON'T see the show fully framing it as though Katara and Aang did something wrong -- it was an honest mistake. We know it was. Sokka is framed as unreasonable for being so paranoid even though later events in the very episode prove he wasn't.

And that's... the crux of the issue with Katara's writing. If you ask me.

There are far too many instances where Katara makes mistakes that she's not held accountable for, that she doesn't apologize for, that run against the core logic and principles of her character and they either get shrugged off or overlooked. There are far too many situations where she acts out, and is a jerk at her jerk of a brother, even unprompted on occasion, and it's supposed to just be funny. One particularly stood out to me when I revisited it a few years ago, I can't really remember what for (maybe when I was writing Jeong Jeong's arc in Gladiator and I had a look at the fishing village...?), but it's the famous flashback episode in Book 1: The Storm.

The scene in question is... humorous. Supposedly. Katara is trying to buy fruit in the market but then realizes they have no money to pay for it. Not only does Katara piss off the vendor, but the vendor actually takes her rage out on Sokka once she realizes these kids won't give her any business: he gets kicked in the rear, as the transcript's description says. No one protests the woman's violent reaction, not even Sokka. Katara most certainly doesn't do it. But that's not all there is to it: Sokka doesn't hold what happened with the fruit vendor against Katara, they have a conversation on how they have no money and no food... and Katara offers him the golden ticket solution to their problems:

"You could get a job, smart guy."

Am I too feminist for thinking it's insane that Katara expects her brother alone to get the job? That she's not saying the THREE of them should get jobs? She and Aang are BENDERS! That's an asset most people aren't likely to find in any would-be employees in the central Earth Kingdom! So... wouldn't it be logical for all of them to do it? But no, instead, Sokka alone has to get the job?

And yes, I know, Sokka is the provider, Sokka is the protector, Sokka would do ANYTHING for his sister and the people he loves: you ask the fandom, though, and that's Katara instead of him. Moments like these simply do not exist in the fandom's eyes and, if they do, they're just excusable because Sokka is boring/weird/annoying/insert-demeaning-nonsense-here and Katara is a queen who can do whatever she wants.

Then, the consequences arrive once Sokka gets a dangerous job on a fishing boat and nearly gets killed in a storm. Aang is the one who shows concern about the potential storm when the fisherman's wife brings it up: from all I can see in the transcript, there's nothing from Katara. Sokka says they told him to get a job, so that's what he's doing, and there's no manifestation of concern from either of them about maybe joining him on this fishing trip to ensure he's safe. Instead, Aang is haunted by his past and Katara goes with him when he leaves, which, yes, is very important for context on the Air Nomads and Aang's life... and yet we don't really NEED for this scene to be Katara and Aang only. It could've included Sokka too. The plot of the second half of the episode would change? Likely. They could've come up with another idea, and not shown us a Katara who doesn't show concern for her brother's safety or any remorse when her unfair demands or expectations from him could result in catastrophic outcomes :') yes, she worries about Sokka's safety once the storm hits, but there's no sign of her feeling responsible for Sokka being out in the storm at all. No apology. Which is ironic, because Zuko apologizes to Iroh in that very same episode, hence, an apology from Katara to her brother could have mirrored that side of the story well, and they REALLY loved doing Zuko-Gaang parallel scenes like that, so it would have fit perfectly! Didn't happen, though.

Point being... Katara's compassion and empathy are not absolute. It's important to keep in mind is that they don't need to be! But precisely because she falters with them in moments where she REALLY shouldn't, with people as important to her as her own brother? It becomes very difficult to believe that she's the empath the fandom is convinced she is, and that the show's narrative tries to push her as.

The real reason why her failure to show compassion to Sokka in "humorous" situations feels so unnerving isn't because she's a typical little sister who takes her brother for granted (which is a perfectly logical/believable behavior!): it's because there are no consequences for it. Maybe at some point or another there were? But I for one can't remember many instances where Katara failed Sokka and it was framed as her fault and her responsibility. Let's look at other Book 1 instances that exemplify what I mean:

She freezes him to the deck of Zuko's ship, which puts Sokka in MAJOR danger, and she just tells him to hurry up as if it weren't her fault that he's frozen in the first place. We don't even see her making efforts to thaw him out of there when she IS the waterbender so it seems logical that she should be able to help with that (and if she's too inexperienced to do it? The least she can do to help her brother out of a dangerous situation is to TRY???). But apparently it's funny that she doesn't help him when it's her fault! So this is fine!

She endangers the entire group over the waterbending scroll, which, of course, the pirates had no right to have anyway and it's reasonable that she'd want it for herself... but she antagonized a group of fully adult, dangerous, potential murderous pirates, against Sokka's constant warnings that they shouldn't pick that particular fight. As far as I can remember? Her apologies on that episode are exclusively about how she hurt Aang's feelings by being jealous over his greater talents as a bender. Basically, nothing for Sokka, no apology for not listening to him about danger, making it worse when the very final moment features Katara proudly telling her brother that she won't steal things... unless it's from pirates. So lesson not learned because it's funny, again, to never acknowledge that Sokka has a point.

She actually cares about Sokka's fate in Jet! But the thing is... the narrative doesn't frame that as Katara's fault. Because it's not. Jet made his choices and he did awful things and he captured Sokka, lied and gaslit everyone, because he had a goal to fulfill and he used Katara to make that happen. As angry and upset as Katara is, it's not exactly shown that Katara is sorry for having trusted Jet when Sokka could have ended up paying a deadly price for it. She's angry at the betrayal, even in Book 2 it's constantly framed as though Katara is upset at him as an ex-girlfriend would be upset at her ex-boyfriend for lying to her rather than, you know, being pissed at him for nearly killing her brother + an entire village. My point is, the narrative framing never holds her responsible for Jet's choices. Which, again, she's not. But she IS responsible for her own choices... and one of those choices was disregarding Sokka's warnings about Jet. THAT was her fault, and her responsibility. She jumped to conclusions and assumed that Sokka was bitter and jealous that Jet was the charming cool leader Sokka could never be. There were no apologies to Sokka over that, either.

I could go on, and on, and on. The truth is, I bring all this up to show with solid evidence that Katara's writing was always a little... unstable. Weird. Disconnected from logic in many regards, I'd say. It's not logical/compatible to tell us that this character has the BIGGEST heart of the entire cast when she fails to show that heart to none other than her own brother, who is inarguably the person who she knows best and with whom she should share the closest relationship, even as her friendship with Aang grows and thrives. That makes no sense, thematically speaking.

Is it meant to be comedic? Yes, every bit as much as Iroh sexually harassing June was done for comedy's sake. That's not an excuse for characters behaving in ways that are thematically contrary to what they're supposed to be portraying... and along with that? No excuse for them facing zero consequences for that behavior. Which is, in fact, my main issue with these flaws from Katara: I have no issue with the writing choices in the scenes I listed just now! I take issue, however, with the lack of follow-up and consequences that you can BET, 100%, would have befallen Sokka if it had been him instead of Katara acting that way. He faced consequences even for things he didn't do, for comedy's sake: he wouldn't have gotten away with disregarding Katara's safety as often as Katara did with him, no chance at all.

Ultimately, these scenes in Book 1 are kind of ignorable in the larger scheme of things (or at least, that's how the fandom has always acted). Not a lot of people take any of this as major proof of characterization for Katara. You won't see a lot of fic writers showing her acting like this. Canon, though, often would go down this route for funsies, and the comics certainly did it plenty too, that I can remember. Part of the issue here is that, as funny as it is, it also makes Katara feel stale as a character, as does the Sokka-Katara dynamic, at large, because there's no progression for it. That's probably my greatest gripe with the Great Divide, believe it or not: it fakes being an episode where Sokka and Katara are going to be confronted over their conflictive tendencies, and the ONLY potential development in that basically-filler episode SHOULD HAVE BEEN Sokka and Katara learning to be a bit more harmonious and respectful of each other? ... And that's just not what happened at all. The status quo remains exactly the same after that episode, and it continues to be like that until the end of the show.

The real reason why Sokka and Katara are deemed the healthy siblings is because, of course, compared with the other main set of siblings in the show, these two appear to get along wonderfully. But the truth is, their relationship is not as dynamic as it deserved to be. And that's part of why Book 3 ends up failing in ways Book 1 might not have, while having similar flaws: Book 1 is when you're still getting to know these kids, and that's why I find its flaws far more forgivable than anything that comes later. When there's basically no development for that connection at all, Book 3 winds up falling flat with characters like Sokka and Katara and the bond between them.

All this being said... I'm not saying that Katara is terrible in Book 1. I still stand by the fact that I really enjoyed her character in many instances of this season, there absolutely are situations where she sasses Sokka that still make me crack a smile, and genuinely humorous situations that don't paint her in a questionable light over her lack of concern for her brother's safety. Her fight to earn the right to be trained as a waterbender is deeeeeply flawed but it's not her fault, it's more the misogyny of the writers/creators that decided that a betrothal necklace from his past would make Pakku unlearn all his sexism and get over his bullshit right after beating up a girl who was fighting tooth and nail to make him acknowledge her. That he only acknowledges her because he wanted to marry her grandmother is... uh... fuckboi behavior even when he's well over 70 years of age? XD

So, yeah, Book 1 still has my favorite Katara of the entire show even though I REALLY wish she wouldn't get away with things that other characters wouldn't get a pass for (... well... other than Zuko...). I can't enjoy her as much as I enjoy other characters because I really don't like it when characters aren't held accountable for serious mistakes they made.

Moving on to Book 2, though, and leaving behind my greatest gripe with Katara's Book 1 writing (lack of direct consequences/self-reflection on her part), Book 2's biggest sin when it comes to Katara is the beginning of the "mothering" trope. I honestly did not feel motherly vibes from Katara towards anyone in Book 1. Sokka is very often the one playing the responsible role, while Aang and Katara are seeing the world, practicing their bending, doing reckless and fun things. The entire thing about Katara being the mom friend started in Book 2 when she suddenly becomes the epitome of responsibility (well... kinda) when Toph joins the group. She still does sketchy stuff with zero consequences (I'll forever complain about how ice is not cold in this show, the kids she froze to the wall may have been dicks, but freezing someone alive that way should have resulted in serious health repercussions, just as ANY case of freezing someone alive should have, ffs, be it Zuko in Book 1's finale or Azula + Katara in Book 3's...), but once Toph is part of the group, she becomes the cool girl who's "one of the boys", and now Katara is "the mom". This dynamic gets forced into the story pretty much right after Toph joins the group. And after that? It doesn't really change for the better often. There are only a handful of instances where Katara wasn't acting wholesome and comforting and kind and compassionate in Book 2 (... particularly with Sokka, ofc), but the point where her dynamics, even with Aang, start to feel motherly is definitely Book 2.

And this adds to the issue, in the end: Katara's appeal as the main girl in the show is suddenly gone because Toph is here, and she's a way more unique character that the writers definitely were having fun working with, probably more fun than they had with Katara. So they had to find a new niche for her, I'd dare guess. Thus, instead of actually building up an awesome and solid friendship between Katara and Toph, they mostly just clash and collide. Toph is basically the ONLY character who gives Katara grief and isn't framed as in the wrong for it, which is its own set of issues (namely, Toph not being challenged enough by the narrative, which stunts her character growth), but among many things, we suddenly get shown that Katara is a girly girl who likes makeup and she ropes Toph into this when nothing we've seen so far suggests that Toph would be comfortable with that. Katara pushes her into doing things because they're the "girls of the group"... and it doesn't often look like Toph's feelings on anything are important when Katara is pushing her around for whatever purpose. I'm not saying Toph hated the spa day, she certainly had fun eventually, but even when the comics made a "Katara and Toph's day out" story, where Toph got to choose what to do for once, the story devolved into Katara's show anyway, and things concluded with Toph deciding they're better off doing girly things together when they want to hang out because Katara is just too intense for the things Toph would like to do.

This isn't even in the show, but it's basically a response to Tales of Ba Sing Se to try and even out Katara and Toph's one-sided dynamic, where Katara calls the shots of their entertainment... and even then, Toph doesn't really get what she's looking for. But Katara does get that out of Toph because all she wants is a girl to do girly things with and Toph provides that in the end, no matter how much of a tomboy she may be. Toph might just want a friend who loves the things she loves, and who knows, Katara could be that person! But the story never leads her in that direction so we never see that happen. And that's why that particular friendship never really... clicked for me. Their dynamics don't really feel enjoyable to me as they were written in the show, even though they very much could have been.

That's one thing I'll always give ATLA: the character potential and synergy they captured with that cast could be absolutely incredible. Team Avatar is so iconic because they really could work well off each other. A lot of teams in other media just aren't this good (... one of my main reasons to not enjoy Voltron and drop it in season 1 was my absolute failure to find any synergy between those characters, it felt like they all hated each other and I honestly did not enjoy their dynamics in the least), but Aang, Katara and Sokka have great synergy due to their different personalities in Book 1. Same when Toph joins them in Book 2. Zuko ABSOLUTELY could have been better in the group than he was if Book 3 hadn't devolved into the Zuko Woobifying Show by the second half, where the only writing priority was making him friends with everyone, and making them all feel sorry for him and have compassion towards him. But, broken down to his core traits, Zuko's personality would have resulted in solid chemistry with everyone else's if they'd gotten off that agenda anyway! So ultimately, ATLA has a big win in this respect that a lot of TV shows would LOVE to recreate but they simply haven't struck the right kind of balance in character traits.

Hence why the way they wrote Toph and Katara's dynamics kind of feels like a betrayal to me. Those two could have been a lot of fun, they have EVERYTHING it takes to be entertaining characters with not a ton of things in common and yet building a solid friendship that hinges on their differences. I've seen a fair few examples of that kind of dynamic in other media, and it absolutely would be possible with Toph and Katara. It's really unfair that they couldn't capture their dynamics in such a way that both characters would SHINE, rather than constantly resorting to conflicts between them that never seemed to truly be resolved.

So: Toph should not be a problem for Katara. She should enhance her character and doesn't because of writing failures. One of the core failures is "mom friend Katara", of course: there's nothing inherently wrong with Katara stepping up and taking care of people she loves, but there's something very wrong with it when she's suddenly portrayed as this motherly figure when she's doing things that Sokka had been doing just fine in Book 1. Main reason why this is the case? Sokka got dumbed down to full-time class clown for whatever reason in Book 2. While he has good moments, a lot of times they went WAY overboard with making him a source of comedy this season and that, too, contributes to mom friend Katara. Since Sokka is being so meh? We even feel relieved that Katara is there to keep things together because nobody can expect the other three to do it, right? But... Sokka was doing it in Book 1. And there's no real development to explain him NOT doing it anymore once Toph joins in besides "Katara is now the mom friend and Sokka is just here to be funny". It's not organic development: it's forcing tropes that just don't fit. And while Katara's mothering doesn't feel as unpleasant as it could here, it ultimately forces a new interpretation and portrayal of her character that honestly isn't all that interesting, most of all when the other characters are constantly portrayed as "more fun" while she's just here to keep them in line.

It just isn't the same Katara we met in Book 1, and it shows in spades. Book 1 Katara would have been hyped to join Aang and Toph in chaos while Sokka screams at them to behave themselves. Book 2 Katara is the one trying to keep the other three in line, and there's genuinely zero development that led things to that stage. It's not organic storytelling. There's no growth that leads to that, and so, it feels off.

But the core problem of all these flaws in Book 1 and Book 2 is that they roll together and snowball into something far greater that then proceeds to just... disrupt everything we thought we knew or understood about Katara. We've been told she's a kind person above all else, someone who cares about people close to her, someone who embodies hope and strength and love...!

... And then Book 3 starts, and we're actually facing a Katara who shifts into a wholly different person with the speed of a whiplash that we're left not knowing who tf this is anymore.

"Mom friend Katara" absolutely comes back in Book 3, why lie? She takes care of people, she tries to provide, she tries to be nice and sweet and then also enforces discipline on Toph (particularly) when she's being irresponsible!

But the reason why The Runaway is such an unpleasant episode is because Katara's behavior is dialed up to a thousand, and the conflict between her and Toph feels WAY too similar to what it was when they were barely getting to know each other in The Chase. Why are they STILL clashing over such things? There are occasional glimpses of friendliness there in The Runaway, sure! But they're not so strong that you actually feel like that friendship supersedes their conflicts and their propensity to bicker and argue and hurt each other. Toph blatantly calls her out on her mothering and fully canonically confirms that Katara is The Mom Friend™. Where Toph is annoyed but eventually complies with doing what Katara wants to do in Tales of Ba Sing Se, this time Katara makes a huuuuuge fuss over Toph's misbehavior and her scamming Fire Nation people. And you could argue that Toph has every right to do it, or that Katara is right to be worried, just like Sokka used to worry about such things in Book 1...

But what we get is a stale dynamic that repeats the same problems we saw in Book 2, as well as Katara coming off as rather hypocritical because she, too, did dangerous shit and picked dangerous fights where she shouldn't have, and ignored everyone who told her not to do it: she gave Toph that kind of grief over things Katara was willing to do back when Toph wasn't in the group (see the pirates thing), and she will try to stop Toph from having fun on her own terms when nobody has ever tried to stop Katara from doing that in hers. Of course, any Katara advocate would read this and go "you're missing the point: Katara was sad and upset that she was being LEFT OUT! That's why she was so mad about this!" Then the irony of the matter is that this argument STILL reflects poorly on Katara. She gave her friend a tough time, called her a wild child and a crazy person, went through her personal belongings because "she could tell Toph was hiding something from her", so she fully disregarded Toph's privacy... all because she couldn't say "Wait, you guys went scamming Fire Nation people? Damn, why didn't you wait for me! I would've gone too!", and there you go, problem solved! Katara's not left out anymore!

Yes, of course, that's not how it WORKS, people can struggle to identify what they feel...!

... And now it's my turn to say that that's not the point.

The point is that Katara said and did hurtful things to her friend. Things she eventually regrets, yes, but that she didn't have to do at all. This is the same person who fed Appa a bunch of food that made it look like he was sick, all be it to keep the group from leaving the Jang Hui river village so she could go out of her way to heal the injured and sick without telling anyone what she was doing. That, too, was a choice she made with no concern regarding how the rest of her team might feel about it: was she doing something nice? Sure! But it's not fundamentally different from Toph doing whatever she wants with zero regard as to Katara's feelings on the matter. Katara KNEW she was stalling their journey and that Sokka wanted them to move on: she didn't care about his feelings or priorities, and the story eventually frames Katara as being in the right for feeling that way. Here, she's in the inverse scenario, only it's with Toph rather than Sokka, and instead of realizing that she, too, has made choices that were irresponsible/dangerous/risky and STILL went all out with them, down to fighting whoever opposed her choices? Katara just doubles down until she, again, breaches boundaries and overhears Toph and Sokka's conversation, WHICH IS ANOTHER CAN OF WORMS DUE TO THE SOUTHERN RAIDERS FOLLOW-UP...

The thing is, Katara as a mom friend is not even a good thing. It's not conducive to fun or interesting storytelling, not in Book 2, not now. It doesn't make Katara a more interesting and dynamic character. The way she's portrayed isn't so she looks tragic for taking this role, it's all about forcing these kids into tropes that don't necessarily add up to who they have been so far. Katara's mom friend status is NOT treated with any compassion. It's not handled as a sore, difficult subject outside of the ONE conversation Sokka has with Toph that Katara overhears. And it's not centered on Katara's tragedy, on how she overcompensates for her mother's absence, it's centered on Sokka accepting her as a motherly person and encouraging Toph to do the same thing. The people who saw further depth in it probably haven't looked at the script itself in a long time: you CAN see more to it, but that's not the point of the scene. That's not where it's going. And the fact that such a tragic situation is what conduces Katara to take up the mom friend role actively makes it look like... she shouldn't have it. Why would she be the mom friend if she's just overcompensating for Kya's death? If she's taking up responsibility by thinking that no one else will (a blatant lie because, again, in Book 1 there's NO SIGN of this behavior and it's Sokka who's in a role of responsibility compared to her), it suggests that EVERYONE ELSE ought to step up and stop "relying" (and Sokka very much uses that word) on Katara being the mom friend. It's not a healthy thing. It's a coping mechanism that seems to be actively damaging Katara: and the story doesn't acknowledge it that way.

So... "mom friend Katara", dialed up to a thousand in Book 3, absolutely has a connection with why her character loses its sheen by this point in the story. There's no attempt to deconstruct this coping mechanism by Katara. No indication from the rest of the team that maybe Katara should get to be a kid just like them and stop being so uptight (even though VERY often she's not that uptight but the show very much tries to pretend she is). It's Katara's initiative to do a scam, it's not Toph or Sokka or Aang who think she needs to join in on the fun, she basically inserts herself in it. So basically, those three take the route of saying "that's what she's like, we just gotta bear with it", instead of actually helping her. If we'd seen that? Mom friend Katara would actually be a fun element to witness deconstructed by the story. And I'm not blaming either Katara or the other three for this:

This is EMINENTLY a writing problem.

Mom friend Katara is not a good trope. It could be if the point was to help her break free from it. It's not. It's simply weak writing that can't handle two girls with proactive, aggressive personalities and a ton of agency, a lack of creativity in realizing how much potential there could be in making Toph and Katara the absolute best of friends. It's seriously a disservice to the two of them that this trope literally blooms over Toph joining the show and then NEVER gets resolved or chased away. And when you have characters like Sokka or Aang kind of joining the bandwagon of "yeah, Katara's a mom!" when the two of them traveled with her in Book 1 and she WASN'T that at all? It makes matters infinitely worse.

So, if you ask me? This is the first thing that makes Katara feel more unpleasant than ever before in Book 3.

The second thing is even worse.

We return to accountability, as well as to illogical flow of thought when it comes to the writing of Katara: in Book 1, we see a hopeful girl who never speaks ill of her father or betrays any manner of displeasure or distrust towards him. No sign of her being conflicted by what Hakoda is doing: the focus is entirely on Sokka's feelings on the matter once it finally comes up in Bato of the Water Tribe, and Katara is a secondary matter, if even that.

This would be fine if Hakoda hadn't come up at all as a subject throughout Books 1 and 2. If Katara had never had the potential opportunity to see her father in any of these instances and had backed out from them for bigger reasons than... plot reasons.

For reference: she's excited, just as Sokka is, when Bato says he can bring the kids to meet their dad again. They're HYPED. We see no sign of Katara being upset at Hakoda for leaving at this point. The only portrayed reason why she and Sokka decide not to go see Hakoda is because they think Aang needs them more and they decide to forgive him for hiding the map. Katara, from the get-go, is not as angry at Aang for hiding the map as Sokka is. Clearly, Sokka wants to see Hakoda far more intensely than Katara does: even so, there's no sign anywhere here that implies that Katara harbors resentment or dissatisfaction towards Hakoda.

Book 2 gives us a similar situation: Katara declines going to see Hakoda and offers to be the one who stays in Ba Sing Se so Sokka can go see Hakoda himself. Sokka is soooo thrilled and thanks her and calls her the best sister ever and Katara very much says she is, indeed, the best. Which she's allowed to, worth noting, I'm not saying her reaction to Sokka's praises was bad, it's actually funny: but what I AM saying is that she knows how much this matters to Sokka and that's why she makes the offer she does. It's also VERY convenient! Because logic dictates that, if Sokka stays behind, he realizes the Kyoshi Warriors aren't themselves far faster than Katara does (even though, to be fair, Katara didn't really have much time to realize it at all), and we wouldn't have Aang suffering over Katara's imprisonment because the one in chains would be Sokka and then Aang might just go "oh okay it's just Sokka, I can go cosmic if it's not Katara"

... yeah I'm being sarcastic I actually don't think Aang wouldn't have saved Sokka, but they very clearly had Katara stay behind first and foremost for this specific purpose...

But Katara's acknowledgement that this is a good thing for her brother makes you REALLY wonder how much of a secret grudge she was supposed to feel towards her father at this stage of the story. The truth, in my opinion? She wasn't actually supposed to resent Hakoda as she did, let alone quite so harshly.

My sister personally told me that she thought Katara's anger at Hakoda was a fine storytelling choice when I told her I didn't like it. She told me Katara herself most likely didn't realize how hurt she had been by her father's leaving, that it wasn't until she was around Hakoda again that she understood she resented him at all, and that she had a lot more pent-up rage and frustrations than she had EVER acknowledged, and they burst out frequently in Book 3. Which, you know, is one possible explanation that tries to make this whole thing more palatable. From a human standpoint? This is valid.

... From a writing point? Not so much.

A Katara who struggles to understand her heart (which... is odd, tbh. As far as they portray her, Katara tends to know exactly what she's feeling, why she's feeling it, and she acts on her emotions rather than brains more often than not) would be portrayed as confused over her own rage at Hakoda. She would not have been written as a snappy teenager who hates her dad. She would have snapped at him and then apologized by reflex, unsure of what's come over her. We would see Sokka trying to mediate between them too, probably asking Katara what's her deal, and she would have no idea how to explain it. Katara would be avoiding Hakoda, knowing she loves him, not knowing why she seems to hate him now, afraid of saying things she shouldn't. Every time she snaps at him, she should worry about what she did, she should fear for Hakoda's feelings, she should reflect on what's going on inside her heart...!

... But that doesn't happen. And that knocks SO HARD on the concept of empath/compassionate Katara that it basically turns her into a whole different person.

As I've said countless times so far: it's not about Katara being perfect. I don't WANT her to be perfect. But I DO want the show to acknowledge that she's not. I want the flaws to REALLY read as flaws. I want other characters to react to those mishaps on Katara's part, and I want HER to reflect on what she's doing and realize she's messing up, just as she does when she hurts Aang's feelings in the Waterbending Scroll, which is most likely the best situation where Katara actually owns up to the exact mistake she made and feels genuine, palpable, obvious remorse for it. But when you feature Katara lashing out at Hakoda, and everyone just staying quiet because "uuuuh, awkwaaaard...", it feels off. Aang asks Katara, outright, what's her problem with her dad! And Katara goes "What? What problem?" She's acting like she's not even aware of the fact that her behavior is out of place, basically gaslighting Aang into pretending that she didn't do anything rude or mean to Hakoda. Aang literally saw it with his own eyes and is the ONLY person to bring it up.

To make matters worse? Katara has been with Hakoda for WEEKS. It's not like they just crossed paths two seconds before Aang opened his eyes. The implication is that she's been behaving like this, or her behavior has been deteriorating towards Hakoda with no one worrying about it or trying to make her reason with it. for that long. Sokka didn't do anything. Hakoda just took the teenage rants and left her alone because that's what she wants. And when the one person brings up that she's not acting like herself? Katara pretends nothing's wrong and acts like everything's fine and she's not acting any differently from herself. Whether she actually is just lying to Aang or ALSO lying to herself is a matter of debate... but what it suggests is she's unwilling to confront the gravity of her choices and how she can be hurting her father with them.

This is NOT to say that Katara has no right to be angry about Hakoda abandoning her in the Tribe. She has every right to be upset and feel forsaken. Their mother died, and Hakoda left with all the men of the tribe, and Sokka was left behind, tasked to protect everyone, and Katara apparently felt responsible for the whole village too: as valid as Hakoda's quest to fight in the war might be, it's not out of this world for Katara to harbor frustrations and resentment over what happened.

What IS out of this world, and particularly, not appropriate to her character, is that her way to convey those feelings was something she gave herself to, completely, only to reason with it once Aang was missing so that the episode would conflagrate her problems with Aang and Hakoda into the same thing.

This is basically a dark expansion of what we've seen in Katara's treatment of Sokka since Book 1: where it was typically "humorous" when she was a jerk to him and paid no price for it, this time it's not humorous. This time, you're supposed to see her being a jerk and then go "aaaaw, poor dear," even if you're not supposed to get mad at Hakoda because he is very much a decent dad. The show was trying to have its cake and eat it too with this situation, because Katara DOESN'T apologize to Hakoda for being unfair to him: HAKODA APOLOGIZES TO HER. Hakoda acknowledges the pain he caused Katara and the damage his leaving has wrought upon his children by apologizing and explaining how much he missed them... but Katara does not acknowledge the pain she inflicted on her father by acting out when he wasn't doing anything wrong. Is this teenager behavior? You could chalk it down to that, but that's precisely why teenagers can be a pain in the ass! And that's very much how Katara is being portrayed if she's unwilling to acknowledge she acted out and hurt someone she loves!

Her problems and resentment towards Hakoda magically go away after that single conversation. After this? She loves him. No hard feelings left. If her problems with Hakoda were this deep and difficult to navigate and work through, either she bottled them up in the rest of the show and stopped them from affecting her father... or she just got over it that quickly. Which would be very unrealistic because Hakoda apologizing for leaving doesn't change the damage Katara suffered through because he was gone. A single apology doesn't fix everything that people read into Katara's deep anguish in this scene and episode. And yet that's very much how the show portrays it: Katara is 100% fine in every single other interaction with Hakoda she gets past the first episode of Book 3. Does that make sense? Is that good writing? No, actually: it's literally digging up a problem, making it up last minute with zero lead-up to it, where the ONLY way to read "lead-up" is to pretend that Katara always had ulterior motives to avoid going to see Hakoda, even though we NEVER were shown that she was hiding anything, something that could be VERY easily shown in the story if they'd always had this in mind. The truth is that they didn't. They made it up for this episode, forced it in there, didn't even write it right because nobody reacts to Katara's behavior reasonably except Aang, and she gets away with it without even having to apologize. That's... not good form for any character, let alone Miss Responsibility and Empathy, is it?

This is why it's such a problem that Katara acted as she did towards her father. It's not because this is an unthinkable flaw: it's because there's very much no lead-up to it, kind of like there's none with Korrasami's big reveal in LOK's finale. It's because there's no follow-up to it either. It's because we don't see Katara living up to her supposed core character traits, where she should have a realization that her choices and actions and behavior have hurt someone else, someone she cares about. None of that happens.

And I will say: it's different when it comes to her clashes with Zuko and her reactions to him in the second half of Book 3. This is basically the MAIN thing the fandom gives her grief for and I hate them for it: she has every right and reason and justification to show no empathy or compassion towards a person who, as far as she could tell, took advantage of her compassion in Ba Sing Se, of Aang's compassion frequently across Book 1, and paid them back for all of it by joining forces with Azula and showing no concern to help Aang when Azula almost killed him. I am no fan of Iroh's... but Iroh jumped in to help Katara and Aang escape, at risk of being captured. Zuko stood beside Azula and did NOTHING to help those two leave. He showed zero concern for Aang's survival. He saw his sister potentially murder someone and had ZERO REACTION. So, no offense but full offense: Katara's unwillingness to trust Zuko is JUSTIFIED. Not only is it justified? It's CORRECT. It's the only writing choice that makes sense. Sokka getting over it relatively quickly feels off to me, no matter if the Boiling Rock adventure isn't as bad as others might be. Aang not holding a grudge for too long kind of fits because it is Aang... but Katara being that mad at Zuko? That's 100% fine. It fits. It works. And anyone pretending that what I said about Hakoda applies to how she treated Zuko is just completely biased in Zuko's favor.

Katara and Zuko do not have a secret magical powerful soulmates bond in canon. Their one instance of bonding comes after multiple instances of the exact opposite thing. Katara and Sokka were 100% down for leaving Zuko to freeze to death in the North Pole, and the ONLY reason why Zuko survives is because Aang can't let that happen to him. It's AANG'S compassion that saved Zuko. Katara felt none, AND SHE DIDN'T HAVE TO FEEL ANY. Let's not forget that!

Moving on to Book 2, Katara actually makes her first offer of kindness to Zuko and Iroh in the Chase when she offers to heal Iroh after Azula's attack. Zuko's reaction is to lash out violently and yell at her to leave: who, exactly, would feel inclined to think this poor beautiful sad boy just needs love when you OFFER HIM kindness and his reaction is, in a manner of speaking "go fuck yourself I'll handle this on my own"? And it's worth bringing it up because it feels like the fandom is hilariously misled into thinking the Gaang magically knows what Zuko is up to and how he's growing and evolving, as if they were part of the audience: they're not. The last time Katara saw Zuko before Ba Sing Se is literally when Zuko refuses her help. We're also talking about Fire Nation people: Katara has every right and every reason to believe that Zuko is refusing her help, not out of personal, internal strife he's dealing with and has no idea how to handle... she very much can read this as "inferior Water Tribe peasant, you will not heal my uncle with your wretched waterbending!" Because... let's be real, that's what Zuko looked like to Katara across Book 1. She has no real reason to think he's any better or different from that until their catacombs scene...

... And he stabs her in the back and joins Azula there. Right after "bonding" with her.

So let's be VERY clear on that respect: Katara has no real reason to forgive Zuko. She has no real reason to feel empathy outside of the show constantly trying to push that she's kind and compassionate with no boundaries, even if she forsakes that kindness and compassion at random whenever the plot requires it. But her death threats to Zuko? They're completely fine by me. I'd be pissed if she had acted any differently, and if anything I hate how easy Zuko had it to befriend everyone but Katara.

... Not to say I'm happy with how he befriended Katara either, but anyway...

As this isn't Zuko meta, we're not going to get into the true core glaring issues in The Southern Raiders, because ultimately, that episode paints Zuko in a disgusting light that his fans are constantly gaslighting themselves about. He was not beinga heroic good dude helping someone he connected profoundly with. His behavior leaves so much to be desired and proves he hasn't unlearned a lot of toxic things he had internalized. He didn't unlearn them in this episode, either. But the GREATEST sin Zuko commits in this episode, without a doubt, is bringing Katara on a journey that ultimately did NOTHING for her. The only person benefitting from it was Zuko himself. I've seen people pretend that Katara finally found closure: she did not do such thing. She learned what kind of scum killed her mother, but she did not forgive him nor did she kill him. Closure would mean peace. Katara did not find peace with the situation. She's shown troubled, sitting at that pier, miserable, when Aang talks with her, she's STILL angry. That's not closure. It never was.

What it was, however, was the journey where Katara thanked Zuko and forgave him because..! Uh... because...

... Why, exactly, did Katara forgive Zuko here?

He brought her to her mother's killer: she found no closure from it. In fact, she learned the VERY disturbing truth that she hadn't realized so far: HER MOTHER DIED SPECIFICALLY TO SAVE HER. Her mother sacrificed herself for Katara's sake. She CANNOT find peace with this reality in a single afternoon because holy shit, who would? Katara KNEW her mother had died. It's not until Yon Rha tells her what happened that she understands what happened in the igloo. Katara herself, her waterbending skills, and the target she painted on her own back because of something 100% out of her control, something that is NOT evil and that the Fire Nation was hellbent on destroying, are the reasons why Kya was murdered. This is DISTURBING SHIT to deal with. And the show completely sidelines this revelation and the dark impact it could have on Katara, which, seriously, is HUGE, way worse than what happened with Hakoda, because it very much could have triggered a profound self-hatred by Katara towards her own skills because how tf could her bending cause her mother's death?! Not to mention the obvious: who was that source? Who told the Southern Raiders that there was a waterbender? Who the hell is responsible, beyond the Fire Nation, for her mother's death?

There's A LOT to unpack here.

And none of it matters because Katara is just supposed to forgive Zuko for exacerbating and worsening her trauma regarding her mother's death :') funny how that works.

This IS the point where Katara should make a display of darker sides of herself that she didn't know or understand. THIS is where Katara turning dark like Aang did after Appa vanished would make PERFECT sense. With this revelation about Kya that's beyond disturbing: not with Hakoda... and certainly not with Sokka.

The cusp of Katara's worst is, by far, her behavior with her brother in the Southern Raiders. I know a million excuses have been made for this moment: my problem is NOT the fact that she lashed out at him as she did and said something DEEPLY hurtful. It's the fact that KNOWING, SEEING HE'S IN PAIN...

... does not matter to her one bit.

Instead of a trite scene with Zuko spouting shit he does NOT mean (aka "violence wasn't the answer... but lol go kill my father okay??"), we deserved a scene with Katara and Sokka talking this out. People pretend it's fine as it is: it's not. Katara has spent the ENTIRE show disregarding her brother's feelings in a myriad of ways: this time, it was way more painful and way more hurtful and SHE KNOWS IT. It's not funny. She's not amused. She's not being a shithead little sister. She's ANGRY. She's UPSET. She has every right to be! What she DOESN'T have a right to do is hurt her brother DELIBERATELY and then escape every consequence from doing that.

There's very much no way to spin that moment into making Katara a decent sister. There's no way she remains true to her core values of being empathetic, kind and wholesome when she will insidiously, vindictively hurt her brother this way. And what I said earlier about her overhearing Toph and Sokka in the Runaway? It actually gets a follow-up in this scene: Katara telling Sokka that he didn't love Kya as she did is basically her WEAPONIZING the information that was NOT meant for her as her alleged evidence that Sokka didn't care about Kya as much as she did. As if his inability to retrieve Kya's memory was NOT a manifestation of trauma, as if it were something he's FINE with! He's not! How guilty must he feel for that? Does that matter to Katara at all? Why... nope. Because all that matters at that point is her own rage, her own feelings, her own fury. Which is, then, entirely against the character we've been told she is.

The lack of apology or follow-up to this horrible moment will never stop being one of the absolute biggest misfires in one of the WORST written episodes of this show. Yes, I said it. The more I ponder The Southern Raiders, the more I realize it's an immensely flawed speedrun to establish a friendship that simply doesn't add up. Katara and Zuko becoming friends after this journey requires some wild, absurd leaps of imagination that, boiled down to basics, don't make any sense. There's no reason for Katara to decide she'll forgive Zuko after she regains enough clarity. Why does she forgive him? Because he proved he'd rather make her happy than defend his nation anymore? Ironically, at no point does Katara show any appreciation of the fact that Zuko is setting aside his firebending supremacist attitude completely for her sake. So maybe that's not it.

Ah... is it because of how he, and he alone, was ready to help her go on this journey of revenge...?! Why, ironically, the only reason why ONLY Zuko goes on this journey is incredibly artificial and fake: this IS intended as Katara's "field trip" with Zuko. None of the field trips make sense, from a logical standpoint, as duo journeys. I've mentioned it to a few people: Sokka and Zuko could have brought Toph with them to the Boiling Rock, a metal location where her abilities would be VERY useful, used her as a false prisoner and turned her in as a captured ally of the Avatar's, who 100% will bait him into coming here to rescue her so that the Fire Nation can get him next! A cover as strong as that one might actually get them further along on that rescue attempt than what they did in canon. But this CANNOT BE... because it was Sokka's field trip with Zuko so nobody else is invited, even if they're very much not doing anything else (as is the case with Toph). Aang? Why didn't everyone join the firebending discovery with Zuko and Aang? They weren't doing ANYTHING in the Western Air Temple at the time. They very much could have gone with them too. But they don't. And that's exactly why Katara's trip works exactly as it does: it's the solo journey with Katara and Zuko, and the ONLY way to make it work is to show Sokka and Aang completely opposed to the concept of finding Yon Rha. I'm not saying I think Sokka and Aang would have been on board if they're allowed to remain IC... but they could have wanted to go on this trip with Katara regardless of not agreeing with what she wanted to do. Hell, as is OBVIOUS: Kya is Sokka's mom too. His opinions, his feelings on this subject, should matter just as much as Katara's do, and fuck anyone who pretends otherwise. These two are NOT supposed to be the well-known unhealthy siblings Zuko and Azula, who each got one parent in their corner and therefore the other parent treated them like they were worthless or a monster. Hakoda and Kya were parents to BOTH their children, and any narrative or interpretation that attempts to say that ONLY Katara's opinion on Kya matters is immediately ruled out, for me, as absolute bullshit spouted by someone not worth listening to. Point blank.

Also, the fact that Zuko USES Sokka to gain this information about the southern raiders, and then doesn't even extend the chance to Sokka to join them? When Sokka is basically his new best buddy? That... does not make sense. It basically portrays Zuko as a disloyal asshole who takes advantage of his friends for his purposes and tosses them aside, disregarding their feelings whenever it suits him.

So Sokka's treatment at the hands of this episode is just deplorable. Both Zuko and Katara are HORRIBLE to him... but Katara is our focus here, she's actively hurts Sokka and then proceeds to not care. Because that's how she has operated so far, and that's how she always will.

Hence: we have a long, long tradition of Katara not treating Sokka fairly all across the show. The reasons why it's not a fair or balanced relationship at all is because Sokka typically pays the price for being a dick to Katara: either she inflicts the punishment herself, such as when he's disrespectful in the Drill and she smacks him with the slurry, or the narrative inflicts some magical punishment instead that CONSTANTLY proves that Sokka is not allowed to be a dick without facing consequences for it. Does he ALWAYS learn the lesson? Sure he doesn't! But the consequences for it NEVER stop. He doesn't get away with being a jerk to his sister. That's forbidden. But Katara? She's allowed to get away with it every single time! And the reason why it gets worse and worse is because we went from relatively silly/comedic things, in which Katara did not apologize because "it's funny that she didn't apologize", to NOT funny things at all, such as this scene in Southern Raiders. Even just a troubled glance at Sokka, or a slight hesitation after seeing how hurt he is, would be enough for me: there's NOTHING. She doubles down and keeps charging ahead. Zero thoughts or concerns given to her brother.

If this isn't why you have issues with Katara, well, I don't know why it might be the case in your case x'D But I absolutely attest that the combination of "mom friend", "selective compassion particularly when it comes to her brother" and "absolute imperviousness to consequences for her mistakes" are the things that fully caused my initial appreciation of her character to shift into ambivalence and then into full blown dislike once I reached Book 3.

Worth noting: THIS IS A COMPLAINT ABOUT THE SHOW'S WRITING. Boiled down to basics, written by any more competent hands, I don't think Katara would have acted the way she did often, ESPECIALLY in episodes like The Awakening or The Southern Raiders. I categorically refuse to write Katara in my stories as someone who gets free passes for EVERYTHING she does. I also refuse to portray her as the mom friend, particularly in Gladiator. There's a lot of depth you can give this character! So much you can do, so much worth exploring... and canon just settled for stunting her and then only bringing her out to play in ways that make her unpleasant, not particularly bright and extremely resistant to character development even after allegedly learning lessons (see how her initial behavior around Hama, who shows red flags often, isn't all that different from how it was with Jet? There's only a handful of moments where it looks like Katara MIGHT be wary, and yet they're quickly overcome by her excitement, which Hama manipulates in her favor until she does the bloodbending reveal). So I'm NOT saying Katara had no potential... but I am saying the show itself failed her, big time, because of how she was written. A quick glance through the transcript of the Puppetmaster to confirm my memories that Katara shows no sign of concern over Hama when Sokka finds her suspicious reveals that, after Hama shows them her comb and that she's from the Southern Water Tribe, Sokka, and Sokka alone, apologizes for suspecting her of being sketchy. Nothing from Aang, even though he was part of it too. Nothing from Toph, either. And certainly nothing from Katara. Only Sokka apologizes. As usual.

So... what does this tell you? What does this tell any of us? That Katara's development is... erratic, at best. That it's not linear isn't a bad thing, but that it contradicts itself non-stop, that her core traits come and go willy-nilly as the plot demands it, that her motivations to do things (like forgiving Zuko) don't add up to her experiences or to any lead-up we've witnessed, is most certainly not good.

If I were to rewrite ATLA, the main characters I'd want to rewrite into making a lot more sense than they do, and making their arcs actually logical, are Zuko and Katara. I'd definitely add a few rewrites for Iroh, particularly to make him WAY more accountable for shit than he ever was, and to show he's not universally loved and shouldn't be, since people would have very reasonable grievances with him. I'd also rewrite a handful of things with Aang, too. Toph, full-stop, deserves a growth arc of her own beyond getting stronger and getting used to having friends. Girl has the range. They just never let her explore it. And of course, I'd change a fair few elements of Azula's writing as well. But I feel like no characters would warrant a deeper intervention than Zuko and Katara, precisely because they constantly fail to live up to all the stuff people keep pretending they're flawless exhibits of.

And this is one more issue we've got going on with Katara:

The fandom ABSOLUTELY has been unfair to Katara. A lot of people hate her for no reason. A lot of people who potentially have unexamined racism making their hearts' choices for them and they despise her just because she dared not have fully-white skin. A lot of people pick completely ridiculous things to get angry at her, such as people who HATE HER because she's "rude to Zuko". Just, fuck off. That's about the stupidest reason to hate this character and stupid reasons for that have been heard plenty.

But Katara's fans have become... reactionary. They appear think that any criticism to her character NEEDS to be fought off with "she was right tho" or "she has every reason to act this way" or "she's HUMAN she's allowed to make mistakes you heathen!! That's what a flawed character is like!"

Here's the kicker, though: if you have justifications and excuses for every little unpleasant thing Katara EVER does? You're basically taking a dump on her character yourself and saying she IS flawless.

Flaws in characters are bad things that cannot be justified. They can be funny! They can be annoying. They can be infuriating. But they're things that inconvenience other characters, that hurt them, that show they're not above or beyond doing harmful things! All of what I listed in this crazy long post are Katara's flaws. The reason why I don't like the way these flaws were handled are all the things I already have talked about: no accountability for flaws is basically saying that these flaws don't matter. No follow-up, no lead-up, means Katara is allowed to be as much of an ass as she wants to be and nobody cares: THIS IS NOT FAIR. This is not how ANY character should be written. This is the core reason why I've spent years feuding with Zuko and Iroh: they get away with shit they should NOT get away with, EVER. They're not held accountable for so much they should be. This happens to Katara too. particularly in her dynamcis with her brother. And when people see those flaws and just start listing reasons why it's actually okay? All you're doing is dehumanizing these characters to pretend everything they EVER do is fine.

Also worth noting... character flaws are the way characters grow. If a character is DEEPLY flawed, you know what kind of work you have cut out for you as a writer. If you're writing a story heavily steeped on character development? Then those flaws are VITAL to the work you have to do in order to develop these characters!

But when Zuko is unnecessarily violent and you're told "it's because his culture and family are!", you rightfully assume that as he drifts away from Fire Nation ideology, Zuko WILL grow less violent. Then, you watch how he picks an unnecessary fight with Aang in the finale because everyone's being lazy, an EXTREMELY violent fight at that, and you contrast his earlier behavior with it and... where's the difference, exactly? How did he grow or learn better if violence is STILL his immediate reaction to anything he doesn't like?

Thus, when Katara's flaws get overlooked, ignored, disregarded? What kind of development does Katara get, if none of her flaws are addressed in a way that makes it look like she's genuinely learned any lessons? At least, none of the worst, biggest, glaring flaws were addressed. None of the things that she SHOULD be troubled by and that she shouldn't be happy with herself over, especially after seeing how she hurts people with her actions. This isn't cool. This isn't a fun way to write a character. And it's so glaringly unpleasant when you can so very easily contrast this with the well-known terrible flaw Sokka displays early on: sexism! And then he gets his ass kicked by Suki and he learns to respect the Kyoshi Warriors... and we never see him displaying that particular flaw again. THAT is what growth looks like! What can we point to with Katara that remotely compares to this? That she accepted Zuko? Yeah, no, that sincerely could not count any less. Her personal arc CANNOT be about Zuko. That she got over her mom's death? She didn't. So that's not it either. That she helped Aang save the world? So her personal arc was about Aang and not herself? Was her whole role in the story to play Aang's cheerleader, then? Because if that's it... she was doing that just fine at it since day one. She's the only person who faithfully believed the Avatar would return well before Aang turned up in her life, if the first episode's introduction is to be believed.

So... what, exactly, was Katara's arc? If it's just her waterbending skills, then she's as stunted as Toph, unexplored and underdeveloped and left to just strengthen her fighting skills while Aang and Zuko and Sokka are getting full character arcs, even if very lowkey but very much effective in Sokka's case, where they develop and grow (or they should) into the men they're supposed to be to end the war! Why don't Katara and Toph get similar arcs? Why aren't they challenged on a level that actually provides them with lasting, solid, provable growth, where you can look at them where they started out and see how they ended up and conclude their journey was beautiful?

I insist... writing. Weak writing. Failures to understand/develop characters properly. And of course, lack of accountability in storytelling. I wrote that one focusing mostly on Zuko... but it's very much applicable to every character who fails to own up to the things they should and deserve to face consequences for.

Anyway... this is what I'd say about Katara atm. I'm not 100% sure this is everything because I might have overlooked some stuff that also made Katara's character kind of backfire (while I'm no Kataang hater, I 100% agree that the ship should have been written better too, and after writing them whenever I have, it's honestly kind of ridiculous how such an easy ship could get fucked over so badly by weird writing choices...). Whether you agree with these assessments or not, ultimately, there are valid reasons to feel offput by Katara and don't let anyone tell you otherwise. Most of all when you DID appreciate and cherish the character once before, but her fans just jump to the conclusion that you must be a mindless hater to think she's anything but flawless (this, while claiming they love that she's flawed, then they proceed to reveal they have no idea what a flaw is...).

(final note: SORRY IT TOOK ME FOREVER TO ANSWER! Super lengthy answer to make up for it, I hope :((( sorry)