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essaychoices · 2 years
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mertinawriting · 5 years
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thefanficmonster · 3 years
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Interesting Encounters
Corpse Husband *& Reader (Female)
Warnings: Swearing, Mentions of Paranoia and Fear of Invasion of Privacy
Genre: FLUFF, Humor, RPF (Real Person Fic)
Summary: Corpse has an interesting run-in with his regular delivery girl, having the chance to talk to her for the first time despite her having been delivering to his door for months. It’s a big step in overcoming his anxiety and paranoia when talking to strangers.
Requested by Anon. Hi darling! Thank you so much for your wonderful request! Hope you come across the final product of your request and give it a read and if so I hope you like it! Sorry for the wait, I hope it was worth it though! Love, Vy ❤
It’s a regular Monday morning, close to 10AM and Corpse’s face is practically glued to the sound editing app he’s downloaded, playing around with some cool effects to add to his voice in the background of the new song he’s been working on. He hasn’t been able to sleep a wink thanks to the immense excitement, not that he would’ve been able to regardless, but the tune and the lines have been stuck in his head all throughout the weekend and he knows they’ll be bothering him until he turns them into something other people will be able to listen and give an opinion on as well. So far he’s done plenty of work but there’s plenty more to go until it’s done. He’s at that point he usually needs feedback and wants to ask for it but would rather not to avoid either too harsh judgement or fake praise.
He slides the headset off, deciding to take a break for the sake of his sanity before he drives himself to insanity with the intensity of his focus on this new piece. His brain just so conveniently sends him a reminder that his groceries are probably waiting for him outside the door. He has, as of the last half a year or so, had someone deliver his groceries to him to avoid trips to the grocery store with both the whole pandemic situation and the growth of following which translates to growth of the risk of him getting recognized. That’s the main reason - and maybe the only one - as to why he doesn’t interact with the people who deliver to him either. He always gives his delivery person the instruction to leave whatever he’s ordered at the doorstep and if it’s not takeout to not even ring the doorbell. 
That being said, the deliverer of his groceries doesn’t ring the doorbell to give him the kind reminder to be responsible, but luckily he hasn’t forgotten to collect them yet in the six months he’s been practicing this delivery technique.
Going to the front door and looking out of the peephole, he confirms there are several full plastic bags waiting to be picked up on the mat. With the person who brought them not in sight, Corpse unlocks the door and steps out to bring in the groceries for the week. Taking them to the kitchen, he unpacks the goods in the three bags. At first glance he would’ve been fooled, seeing as how it seems that all he has ordered is there. But, each Monday, he receives exactly four bags of groceries. One is missing. He rolls his eyes thinking he didn’t see it outside and left it there while he was hurriedly collecting the rest so he gets up to go grab it real quick.
While in the meantime...
Y/N looks through the remainder of bags in her minivan, making a route in her head for what roads and shortcuts she can take to deliver the last of the groceries to the respective homes they need to be taken to. Upon looking through them, however, she sees a bag labeled ‘MM’ that she uses short for ‘Mystery Man’, aka the guy who never opens the door to greet her whenever she delivers him anything. She works for several delivery services such as takeout, groceries, clothes even and has delivered to that apartment hundreds of times but has never met the resident, giving her the right to call him Mystery Man, aka ‘MM’.
“Ah, shit.“ She mumbles under her breath, realizing she failed to grab the fourth bag when on her way up to MM’s apartment.
Coming to terms with the fact that she’ll have to lose another five minutes going back up to his floor, she grabs the bag and takes off running back inside the building and up the stairs, deciding it would be quicker than taking the elevator.
Just as she arrives to the floor, heading straight for the door, it opens, freezing her in her tracks as her eyebrows shoot up.  At the doorstep stands a guy with an eye patch who looks more surprised and maybe even a little terrified than her. Taking in that Mystery Man is not such a mystery anymore, she returns to her professionalism, remaining at a distance and outstretching the hand holding the bag towards him.
“Sorry, forgot to drop this one off as well, I’m a bit all over the place today.“ She says in her most professional voice.
Corpse too regains his composure and takes the handed bag from Y/N gloved hand. Before he can think twice about it he says, “Thanks, uh...”
“Y/N.“ She says, “I’ve delivered to you countless times, it’s funny you don’t know my name but it’s to be expected since I’ve never seen you. This would be a good time to tell me your name so I don’t have to call you Mystery Man anymore.“ She laughs, cutting her own laughter off barely a second later when she realizes what she’s said, “Oh, fucking shit...”
Corpse chuckles, clear amusement in the sound, “Mystery Man? Interesting, interesting. If I ever become a superhero I’ll make sure to pick that name.” He fails to even pay mind to the fact that he’s spoken a lot more than he’d usually feel comfortable with.
Y/N laughs a little awkwardly, rubbing the back of her neck, “Yeah, sorry about that. I promise to come up with a better one if you’re not willing to tell me your real one. Like....Pirate, for example?” she suggests, raising her shoulders.
He can’t help but let out a laugh, “You’d be surprised, but my name is not so far from your mark. It’s, um....” He’s not looking forward to the judgmental look or the questions he might receive in response to his statement but he succumbs to the expected disappointment, “My name’s Corpse.”
Surprisingly, she just smiles - a smile he cannot see due to the surgical mask she’s wearing but the crinkle at the corners of her eyes gives it away. “Cool! Well, I better get going then.”
Just as she turns to head for the elevator this time, seeing as she’s still out of breath from the run up the stairs, Corpse gets an idea he’d probably not be too fond of if he gave himself time to think it over. Which is exactly why he didn’t.
“Hey!“ He calls after her, gaining her attention immediately, causing her to turn around, “You got a minute? I need a little help with something...“
Y/N’s eyebrows raise a little, a moment before she shrugs her shoulders, “Meh, I’m already behind schedule, what’s an extra minute gonna do?” And just like that, they strut their way back towards his apartment.
He can’t help but chuckle, taking the opportunity to crack a joke, “This is how people often get killed. You don’t just walk into a stranger’s apartment like that.”
She scoffs as she passes the threshold, “Believe it or not, you can learn a lot about a person based on the groceries they buy. And trust me buddy, you’re not a murderer.” Earning herself a laugh and a nod with that remark, she continues, “You do appear to be an artist with all the cheap food you’re buying though.”
Corpse laughs yet again, a hint of nervousness is sensed in his laugh this time around though, “Yeah, well, I don’t know if you’re still gonna call me an artist when you hear this song I’ve been working on. Not even out of the box yet.”
Y/N stops in her tracks, “Well, well, well, aren’t I honored to be one of the lucky people hearing this before its release.”
“The first hearing it before its release.“ He corrects her with a pointed look, not missing the excitement that arose in her eyes.
“Let’s hear it then!“
Of all the friendship stories that exist, no one can say this ain’t a unique one.
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vintagegeekculture · 2 years
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I discovered that my local library's ebook selection only had "First Lensman" out of the whole series, shrugged and checked it out anyway, and - well - long story short, my cosplayer's heart went all a-flutter over Jill's "violent shade of 'radio-active' green" dress from the Ambassadors' Ball.
I'm leaning kind of "Iris van Herpen but 1950s spacefuture" as I try to design something based on the description given (the nature of the bodice in particular made me think of her designs), but then I realized you'd probably know if there was an illustrated edition out there to use as further reference. So - is there? Or am I flying blind beyond the implicit influence of eveningwear styles in the year the book was published?
(Either way, I finally have an excuse to dip my toes into constructing an evening gown! Thank you for selling me on this series!)
I am delighted to hear I inspired you. My statement there was not entirely serious and I never expected anyone would do it. I'd like to see what you come up with. You should consider looking into the works of my personal favorite fashion designer, Charles James, active from the 40s-60s. One of the most striking things about his outfits are the simplicity. This, for instance, is all one piece of cloth, the emphasis is not on frills or ornamentation but streamlining, calling attention to the silhouette.
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There are a couple moments in the Lensman books you should probably take a look at, if you're interested in costume ideas for women that are evening gowns. The first is the Grand Ball for the Grand Fleet in Chapter 2 of Gray Lensman. I always liked that one because it was a rare glimpse of what everyday life in the Lensman Galaxy looked like. We spent too much time with Lensman and in the criminal underworld and with battle fleets.
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The city's largest ball-room was a blaze of light and color. A thousand polychromatic lamps flooded their radiance downward through draped bunting upon an even more colorful throng. Two thousand items of feminine loveliness were there, in raiment whose fabrics were the boasts of hundreds of planets, whose hues and shades put the spectrum itself to shame. There were over two thousand men, clad in plain or beribboned or bemedaled full civilian dress, or in the variously panoplied dress uniforms of the many Services.
"You're dancing with Miss Forrester first, Kinnison," the surgeon introduced them informally, and the Lensman found himself gliding away with a stunning blonde, ravishingly and revealingly dressed in a dazzlingly blue wisp of Manarkan glamorette--fashion's dernier cri.
To the uninformed, Kinnison's garb of plain gray leather might have seemed incongruous indeed in that brilliantly and fastidiously dressed assemblage. But to those people, as to us of today, the drab, starkly utilitarian uniform of the Unattached Lensman transcended far any other, however resplendent, worn by man: and literally hundreds of eyes followed the strikingly handsome couple as they slid rhythmically out upon the polished floor. But a measure of the tall beauty's customary poise had deserted her. She was slimly taut in the circle of the Lensman's arm, her eyes were downcast, and suddenly she missed a step.
I don't recommend dressing up as a Lyranian at all, unless you wish to be very very popular. Although there is one notable and terrible female villain, in a series for which that is a rarity: one of the Black Lensmen, the evil counterparts created to counter the Lensmen, is a psionically gifted female Lyranian.
Another outfit that probably suggests itself is in Second Stage Lensmen, when Clarissa becomes the Red Lensman, the first female Lensman in history. Clarissa MacDougal was prone to Midwestern modesty to the point it was hysterical:
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It was, and very shortly Sector Chief Nurse Clarrissa MacDougall appeared in her wonted immaculately-white, stiffly-starched uniform. She would not wear the Grays to which she was entitled; nor would she--except when defying Kinnison--claim as her right any one of the perquisites or privileges which were so indubitably hers. She was not, never had been, and never would or could be a real Lensman, she insisted. At best, she was only a synthetic--or an imitation--or a sort of amateur--or maybe a "Red" Lensman--handy to have around, perhaps, for certain kinds of jobs, but absolutely and definitely not a regular Lensman. And it was this attitude which was to make the Red Lensman not merely tolerated, but loved as she was loved by Lensmen, Patrolmen, and civilians alike throughout the length, breadth, and thickness of Civilization's bounds.
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juregim · 2 years
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News from Kazakhstan as of 08.01.2022
read this post for context and earlier coverage
Tokayev has proclaimed 10th of January as the day of national mourning.
Tokayev said that 20.000 criminals were involved in the events (interestingly, tweets of this statement were deleted since then) and had a concrete attack plan. He gave orders to shoot to kill without warning.
Those who attacked the detainment centre in Taldykorgan were reported to have been wearing military camouflage.
It is reported that some of the attackers were communicating in languages not spoken in Kazakhstan.
Anti-monopoly services have reported that they opened an investigation against 180 entrepreneurs who are in the business of liquefied petroleum gas (the ever-growing price of which was what sparked the protests in the first place).
Combat still going on in Almaty and in nearby districts, shots and explosions heard. People are urged to stay inside and not go into the city unless they have an emergency, due to the danger.
The Ministry of Internal Affairs reports 4404 detained in Kazakhstan. 26 - wounded, 26 - dead. No official statement regarding the number of civilian deaths has been made yet.
EDIT: Most recent number of arrested is 5135 people.
(Without getting into too much detail because I couldn’t take it) 2 child deaths have been confirmed, as well as 3 hospitalisations. All separate incidents in Almaty.
Curfew from 23:00 to 06:00 (20:00 to 07:00 for the Almaty region) is still in effect and roadblocks are in place. There are sirens and loudspeakers in major cities reminding of it. All offenders are arrested.
Almaty Airport is only accepting military transport airplanes for an indefinite time. Additional trains were scheduled from Almaty to Aktau and Nur-Sultan, where international airports are working again, albeit in limited capacity.
Foreign “peacekeeping” forces continue to arrive in Kazakhstan. (Though unconfirmed reports suggest that most of them are in Nur-Sultan despite the far more dire situation in Almaty.) More than 20 military transport planes are planned, with soldiers undertaking objectives as soon as they land.
Ex-advisor to Nursultan Nazarbayed has accused the special forces of treason.
Photos of special equipment (police cars, fire trucks, etc) being targeted and destroyed are shared online.
The rumour of water in Almaty being poisoned was circulating (most likely fabricated to spread panic) has been confirmed untrue by the government.
Call-centre 1414 has been created to find missing and/or injured persons. Additionally, by calling this hotline, affected people can get access to free professional psychological help.
People were seen queueing up to ATMs, attempting to get cash as stores and shops are not accepting card payments at this time. (I’ve been told that in some places, people came to an agreement to not take above a certain amount to make sure as many people can get cash as possible) Most ATMs right now are empty, with banks promising to take care of it.
The Internet was turned on for a little more than 7 hours in selected regions. Nothing in Almaty however.
Several small peaceful rallies in support of Kazakhstan took place around the world, including Los Angeles, Houston, New York, Berlin, Warsaw, and others. People were holding signs with sayings like “Kazakhstan shouldn’t die for your clan wars!”, “No CSTO army in Kazakhstan”/”Keep foreign troops out”, “Who are you fighting for, Mr. Tokayev?”.
Groups online were formed to help those stuck outside the country. People are sharing current information on the situation in certain neighbourhoods that they heard directly from people there, helping others contact their loved ones and overall, supporting each other. If you need help in contacting someone in Kazakhstan, please message me and I will try to help.
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cheapestessay02 · 4 years
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akookminsupporter · 2 years
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Sorry but I really love these "JM loves JK more than JK loves JM" and "JM's love for JK isn't reciprocated" kind of statements. They are hilarious.
Well, people show affection differently, as previous anon said. It's not hard to google "The five love languages". Seems like JK's most notorious love languages are acts of service, quality time and maybe gift-giving.
So, about whom he takes care of the most although due to the age hierarchy he shouldn't - it's considered weird that younger one acts like a hyung? With whom he spends most of his time BOTH at work and outside of it? Who is the only bangtan member he gives gifts to? Not to mention the scale of these gifts.
It's not about who loves whom more. It's about different displays of affection. Some people just feel more comfortable with showing their affection in the form of making their bae's life easier and merrier by literally serving them or making edits (despite sleep deprivation) of them being their happy self with sappy af romantic songs as BGM etc. That's it. That's all.
In the end it is about how you like to love and how the person you love likes to be loved. In the end it is about what the people in the relationship want for themselves and not what third parties think they need.
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sherbet-shark · 2 years
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Sherbet, so I’ve read what you wrote about love. Now you must know that while I may be a romantic, I’m not naïve about love. Calling love fanservice sounds like a cruel joke to me. I’m hyper aware of how I word my requests. I understand that love can do many things within realism, but think of it this way: What if the Overblot boys have a loving and understanding s/o who doesn’t rush and gives them time to heal while slowly giving them little acts of kindness and support?
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Edit: I did not post this on the same day (4/15) to see how the fic in question would do in the span of a day. And as it were, you are the only one that seems to have a problem, and if my sources are correct, you should be grateful that I even took the time to write this request, this copy and pasted ask that’s been going around. You should be thankful to me that I was as thorough as I was anon. Instead, going off in my inbox to argue against my opinion. If you have ever seen or read my works that you claim to have done. Then, you should know how I write realistically enough that the characters don’t go occ with their partner. Reading this post once more, I see you did not once argue about the post's contents but argued over my author’s note. You didn’t come in here saying, “I wrote that fan fiction was terrible, or it was inconsiderate.” But over-romanticizing mental breakdowns on the terms of “saving someone,” it’s insulting me and downgrading the characters as some tragic person that needs saving. It’s insulting. You’re insulting.
Excuse me? You act as if I know who you are behind this anonymous mask. Rereading this previous post, I do recognize that how I worded my note was taken the wrong way and, as such, will be edited to convey what I mean appropriately. Fortunately for you, I foresaw something like this might have occurred once I posted the fan fiction. You say you don't want me to get the wrong idea, yet you word your asks in an inappropriate way that makes it seem you want a fight. You're rushed second and third ask you sent to me proves as much. Saying that you don't want me to “take the wrong way.” You then hurriedly cover your tracks with last minute praise, excuse me? You don’t even have the gall to come to me off anonymous and speak to me personally? It’s just sad to me.
There is a difference between canon fan service and out-of-character fanservice. I do not want to write out of character fanservice. The game, both the English version and the original Japanese version, both have splendid shows showing their soft sides in a way that feels natural. I wish to convey in my writings the boys will demonstrate their canon actions and their thought within my power. I will never write out of character snippets because I feel it does these characters a disservice and I like making them feel real.
You say, and to an extent, I agree with you, that “Love can be a powerful force if both parties are willing to work toward it.” But in that same statement, you contradict yourself by saying if they are willing. These boys are skeptical down to their cores, and with Leona’s case and characters like him cannot be so easily swayed. He lived 20 years without an S/O, without proper shows of family love. While romantic love is important, the significant other can’t become a filler for this category. The lack of genuine connection, love, and trust in specific cast members’ parents has seriously affected how the boys are and act now. As seen with Jamil’s overblot episode and arc. His parents never gave their son the recognition of his skills and, in fact, shunned it to make sure Kalim won’t feel bad. Jamil’s parents hammered into his young mind that he must hide everything and be below Kalim Al-Asim. This is blatantly seen multiple times in his stories, where this concealing leads to a toxic mindset that his lover can never fix, nor is it their job.
And as a further note, None of the Twisted wonderland boys would be used to this kind and would believe that their understanding was some ploy. We have seen on multiple levels in canon of these boys (save Kalim) will not openly and naively accept this. They always expect something must be returned to the requester. Azul’s P.E uniform story says as much, Vil’s Ceremony story and many more stories. One of the themes of the game is not everything is black and white. Thus going along with this canon piece of information I will write follow my fanfics keeping in mind this vital fact. Now, I will give you some leeway as to the question you may ask, “But we’ve never seen them in a romantic relationship, so it’s all up to interpretation.” That is true, yet I will follow my own personal thoughts about how the cast will act and behave in a relationship.
Anon. No matter how much this significant other tries to be understanding and kind to their lover, you must understand that dumping trauma onto a lover is terrible enough. This cast needs professional help from a therapist. The S/O shouldn’t be treated as some mental health center.
The cast members know and revel in the fact they’re not heroes and that they’re ‘villains,’ they know that most of the things the main story has laid out for us, i.e., enslavement, blackmail, potential murder, arson, servitude, poison, tyranny, minor endangerment, aren’t what the average person would do, so to have this “angel of a s/o” would make it feel insulting to them. Because they know their not necessarily good people and to cement this even further, some are just that prideful to believe they have no flaws and do not want to fix them.
As we’ve seen in game NRC the twst boys do not have that, so what you’re suggesting to me is that the Significant other is used as a constant tool of kindness both in thoughts and inactions? Isn’t that also demeaning the significant other, too? Due to how your ‘intellectually worded your asks,’ you’re putting the s/o in an inescapable box that doesn’t allow the s/o to be human. When I write, I try to make all of the involved characters as realistic as possible. So what you’re suggesting isn’t helping your case.
However, you want to mask your desires to romanticize their pain and suffering still? I will not continue this nor will I answer any of the following you will inevitably send into my askbox. If you don’t like my response. Leave.
Edit: added a small tidbit that I forgot to paste originally.
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20dollarlolita · 2 years
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You're going to hurt your neck getting your head that twisted up.
Context: my store is inside another store and has no walls or doors. Customers and team members from the containing store can see and hear what I do
A Green Store employee comes up to me. Them: "You shouldn't talk to that guy in the dress like that. You should have more respect."
"Guy in the dress" is our service tech, who is an late 50's guy who wears kilts or skirts sometimes. He's a contractor, not an employee. I'm pretty casual with him and we socialize outside of work. He's the guy who fixed my $15 toy machine.
Me: "Oh, you're right, that can look pretty bad if you think he's a customer. He's here every Monday and fixes the machines. We're friends."
Employee: "You told him some things a person in your position shouldn't."
My brain: *Replays the part of the conversation where I discussed that Walmart had a "no blow jobs in the store" rule.
Me: "I mean, I kind of--"
Employee: "A woman like you shouldn't just tell a man that he's wrong."
Me:"Wait, what excuse me?"
Employee: "You said, 'you're wrong and you need to shut up about this because I won't ever agree with you.' you shouldn't be telling an older man that.
Me: "Oh wow yeah, thanks for the tip, see you later."
Not that it matters, but the context for my statement was him saying my coworker/his friend should just "get over and let go" about something. That something was that she watched some of her family members get murdered in her house when she was a child and now as an adult she has to give a statement every 7 years at the killer's parole hearing to ask that he remain in jail.
She does not need to get over that, and I will support her not being over that, and I offer that support unconditionally
(edit: I think what our tech was trying to say was "I also watched people die when I was a child and I've burried that and don't think about it and I feel better, so I genuinely believe that burying it will make her feel better" which is misguided but at lease not heartless)
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chezzywezzy · 2 years
Text
Yandere Chic (3/5)
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Word count ; 3.9k
*Edited.
I’d been kept in the loop by Betty over text recently, and she understood why I was being aloof and distant. I simply didn’t want to be around Chic. He often spammed me with messages, and sometimes when I was home, he even came knocking on my door. I learned that Chic wasn’t a product of Alice and Hal and other minor details. But I tried my best to focus on my new, lovely boyfriend, Sweet Pea, instead of having my entire life revolve around a family I wasn’t even a part of. I was still doing well in school despite the personal problems, and I’d been participating in a lot of community service. So, in reality, I wasn’t doing too bad.
I was doing some homework on the front porch when I noticed that a large group of Serpents, including my Sweets, was breaking into the Cooper household. I gasped and curiously watched as they piled into the household. I had a feeling that whatever was going on had to do with Chic, so I made my way over. When I forced my way in, two sleazy people shoved their way past. I warily glanced at the, managing to sneak into the house.
“Thank you, Jughead. Thank your friends for me.”
“We’re Serpents. It’s what we do.”
Serpents began filtering out of the house, but Sweet Pea noticed me and stood next to me. He affectionately wrapped his arms around my shoulders as I advanced into the living room.
“Is everything okay?” I asked.
“We… we’re alright,” Alice spoke reluctantly. “Betty, you’ve been telling me something I didn’t want to hear, and I’m sorry. Chic… you’ve put us in danger twice. I think that you should do what you said, and leave.”
Sweets whispered in my ear,” Thank god, that creep’s finally hitting the road.” I couldn’t help but press myself securely against his back.
“I will. I’ll find a place,” Chic promised.
“Do it quickly, because you’re not going to spend another night here.” Alice was clearly on the verge of tears, so Betty went to comfort her. Chic rose to his feet and made sure to shove into my boyfriend as he passed.
It went without saying, I Madde sure to keep Alice company that evening.
~~~
The house hadn’t been any less chaotic, even with Chic’s flight. The Black Hood was back. And I thought that when Betty urgently called me and told me to go to her house one afternoon, it would be about that. Not Chic.
I met up with Betty and Jughead as they rushed into the house. I almost keeled over from a heart attack when I saw Chic leaning against the kitchen counter, but the other two charged ahead. “We should’ve gone to the Sisters weeks ago and found this out,” Betty exclaimed passionately.
“Found out what?” Chic asked casually.
“Mom! What is he doing here?”
“I took Chic to give this statement and invited him for dinner.”
“Great!” Betty shouted sarcastically, shoving a blue folder onto the island. “Except he’s not Chic!”
“Enough of the melodrama,” Alice groaned.
I was standing back, fiddling with my fingers. So Chic wasn’t who he said he said he was? Should’ve seen that coming. A creep and a liar.
“Jughead and I paid a visit to the Sisters of Quiet Mercy.” She shoved a photo into Alice’s face. “That is your real son, Mom. Not this con artist.”
Alice looked heartbroken. “I don’t - I don’t understand.”
Chic intervened desperately. “I do. Betty’s been out to get me. She never wanted a brother, and she hated when I became involved with Y/n —“
“You’re not my brother! And she’s not interested, pervert!”
Chic suddenly snatched up a knife, waving it wildly. Alice was struck, and the house erupted in shrieks. Luckily, though, Alice was able to hit Chic with a pan and knocked hi out while he was waving the knife at Jughead. I was in total awe, but I assisted the family in doing something rather shady: carrying Chic down to the basement and tying him up to a chair. After that, the Coopers and Jughead asked me to go home. I’m not sure what ever happened to Chic, but I never saw or talked to him again. He completely disappeared.
It was nice, though. Life returned almost to normal. Sweet Pea and I had a healthy and serious relationship, so much so that during December, I moved in with him. We lived peacefully in the trailer park. For a while, we fell into a pattern. Sweets drove me to college, I studied and worked, he drove me home, and most nights we either went on a date at Pop’s or were invited to Alice’s for dinner. Life was normal and happy. No Chic, no Cooper household drama, and no father-daughter drama. I had cut out a majority of what was toxic and chaotic out of my life. I was thriving.
One day, though, my homeostasis was disrupted. Sweet Pea and I had just finished doing some… couple activities when Betty called me up. It was already nine p.m., so I knew it had to be serious. “Betty, what’s wrong?” I inquired eagerly, struggling to pull up my jeans with one hand.
“You know talking out loud helps clear my thoughts, I hope you don’t mind. The weirdest murder happened, you won’t believe it,” she started. “Dilton Doiley and his friend, Ben, were found dead in the woods. Maybe it was suicide, maybe murder, but they were doing some crazy ritual. They had these… weird carvings in their backs and were found with blue lips. Ben barely made it, but Dilton died to poison. The circumstances are completely unknown, it’s crazy. Jug and I are leaving in a few minutes to investigate Dilton’s secret bunker.”
“Sweets and I are going on our late-night walk in a few minutes, too. I’ll call you if I see anything suspicious, okay? Stay safe, Betty,” I warned.
“Same goes for you. You’re one of my best friends,” she replied.
Sweet Pea wrapped his arms around my waist, peppering some kisses against the nape of my neck. He stole the phone from my in the process. He sent me a smirk and interrupted,” Bye, Betty, I’m stealing my girlfriend from you now.” And with that he hung up.
“You’re lucky we were about to hang up,” I pouted.
“What mystery was she telling you about this time?” Sweets inquired as we exited the trailer and started walking into the woods, hand in hand.
“Do you know who Dilton Doiley and Ben something was?” I began.
“… I don’t like the use of ‘was,’” he noticed suspiciously.
“Yeah, ‘was.’ Betty said that when Jug was in the forest on a walk last night, he found their dead bodies. They were doing some crazy ritual and had all sorts of markings etched in their backs. They apparently drank poison. Ben barely survived. Obviously, Betty and Jug are on the case now.”
“That’s fuckin’ terrifying. Goddammit, why can’t Riverdale ever just be normal?” he groaned.
I sighed in agreement. “Yeah, first thing I’m gonna do when I graduate is get the fuck outta this town. It’s gotta be cursed or something —“
We both froze when we heard a twig snap to our left. We turned, confused, as there was nothing there but shrubbery. “Maybe it’s an animal,” I muttered, turning on my phone’s flashlight. However, what we came face to face with was no animal.
Towering at at least seven feet tall was a figure made hip of twigs and branches. But what was most unsettling, was that it had a wooden mask stained with red. My eyes trailed up and down the… monster, taking in various details, before I finally glanced at Sweets again.
“You see that?”
“Yeah.”
“I think we need to fucking run now.”
The monster took a taunting step towards us, and we took off from the direction we came. Even when we made it back to our trailer, Sweet Pea reminded me that we had found the creature not too far from us, and that we should go somewhere else. Of course, the first place that came to mind was Pop’s Diner.
By the time we stumbled through the front door, I had calmed down enough to try and register what the hell we’d seen. Luckily, Betty and Jughead were there too. They seemed just as out-of-breath. In front of them, they’d drawn a picture of the monster of scratch paper.
“Guys!” I called, plopping next to Betty. “You saw it too?”
“Yeah,” Jug said. “It was the Gargoyle King, if I had to assume. Luckily for us, he doesn’t run very fast.”
“What did you guys see?” Betty inquired.
“Taller than anybody I’ve ever seen around town. They probably use stilts, right?” I began.
“Yeah. Plus, they weren’t too far from the trailer park. It’s why we had to come here. Maybe it’s a Ghoulie exacting revenge?” Sweet Pea added.
“What’s this Gargoyle King you mentioned?” I asked curiously.
“Long story short, Dilton and Ben Buttons got involved with a cultish game. Last time I saw Dilton, he told me that the Gargoyle King was real. That… thing in the woods is the closest thing to it we can get,” Jughead explained.
“Ethel’s involved, too. It was too tall, but again, the stilt idea exists. She also isn’t answering our calls.”
They started investigating a map while Sweet Pea and I took a breather. It wasn’t as though we had much to offer to their investigation. After half an hour or so, I checked my phone. “Sweets, we should probably go home. Whoever this Gargoyle King is, they hardly seem like a threat. They walk slowly and clearly tend to skulk in the woods. I’m fuckin’ tired, please?”
Sweet Pea looked on edge. “Yeah, you’re right. We’ll tell you yes if we learn anything that’s helpful, okay? Good night.”
We said our good-byes before we headed home. We both had a very hard time sleeping that night.
~~~
In the middle of one of my classes, I was surprised to receive a text from Jughead asking if I could help him with the case. He told me that in order to get closer to Ethel and learn more for the case, he had to play a game with Ethel. But, for some reason, Ethel asked for me to be there, too. She hadn’t specified why, and we’d never even met before. I trusted Jug, though, so I agreed.
“This looks like the place,” Jug said, motioning to a weird pipe dug into the ground.
“What the fuck, Dilton definitely had a few screws loose,” I commented as we climbed down.
“No kidding.”
When we were both inside, the first thing I took note of was the dozens, if not hundreds of candles. It was rather spooky. “Ethel,” Jughead stated, which made me cast my gaze to the front. Down a short hallway was a room, and in the middle of the room, a table. Sat at that table was a girl with brown-orange hair and a big bow, but what was odd about her attire was that she was wearing medieval garb.
“Welcome to your first game. Your entry point to the realm of Gryphons and Gargoyles. The magical kingdom of Eldervair. First things first, join me.”
Jug and I kneeled down at the table, occasionally sending each other questioning glances. “Do you want to be the Radiant Knight, Arcane Invoker, or Hellcaster?”
“Uh, Hellcaster.”
“I’ll be Arca —“
“You do not choose,” Ethel interrupted. “Sit here, next to me. You are already the destined Gargoyle Queen.” I did as told, situation myself next to the strange girl. “Good choice,” she continued, directing her attention back to Jughead. “That was Ben’s avatar. I was supposed to ascend with him, but he betrayed me and finished the game with Dilton.”
“I’m sorry, Ethel,” I apologized sympathetically.
“Doesn’t matter. Pick a quest card. Let’s get started.”
The game began, but only for Jughead. I was mostly concerned about why the hell I was the Gargoyle Queen, when I had no association in any of this drama except that I was friends with Betty and my boyfriend was a Serpent. I tuned back in to the conversation when Ethel spoke,” Two chalices sit before you.”
“Ethel!” I exclaimed. “No way is he doing that!”
“You wanted to prove your worthiness,” she retorted with a shrug.
Jughead seemed to be pondering it. “If I do this, you promise to give me the scripture?”
“I promise. The King as my witness.”
I couldn’t help but scan the room, paranoid. Jughead picked up one of the chalices and chugged it. I watched, chilled to the core, waiting for him to drop dead. I knew there’d be no convincing him to stop, however, I was relieved when he seemed fine.
“I’m fine. Rulebook, now,” Jug demanded.
“You have to kiss me first.”
“My god, are you serious?”
“It’s in the scripture. The Hellcaster kisses the princess or doesn’t get the treasure.”
The ritual was complete, and we were both relieved and ready to get the hell out of there, until we realized Ethel had drank the chalice with poison.
~~~
It was the fault of that stupid game. Sweet Pea came home a week ago with a manual for Gryphons and Gargoyles, and ever since, he’d gotten completely addicted to it. It bothered me, especially knowing the outcome of the game was almost certain death. From the moment we got home to the middle of the night, he played it with his friends. Somehow, even Jughead had gotten absorbed in it. Betty hadn’t been in touch either, but I presumed she had a lot more investigating to do now that she was down a detective.
I sighed, shutting my laptop and setting it on the table next to me. The chilled midnight air nipped my skin and I let out a yawn, finally throwing the blanket over me. I hated not having Sweets in the bed next to me. It made me feel lonely. I was tired, and clearly Sweet Pea wasn’t coming home anytime soon, so why not sleep outside and wait?
I set my alarm and started to doze off to the music of the forest. The wind brushed my hair around time to time, and occasionally, I heard a Serpent walking or talking in the distance. I turned on my side, cuddling my knees to my chest. Just as I was almost lulled into sleep, I picked up the vague sound of slow, approaching footsteps. Maybe Sweet Pea finally decided to sleep. But even if it was him, I wasn’t in the mood to be around him. I stirred a bit as they came closer.
It really must’ve been Sweet Pea, because he paused right next to my seat. I was confused, though, because it sounded as though leaves were rustling from right next me. It became rather insistent, and he wasn’t moving away. Suddenly, I felt something cold and metallic touching the top of my head.
My eyes shot open, and dread consumed me as I saw the looming figure of the Gargoyle King. I sat up instantly, letting out a shrill scream. Lights in the trailers around starting turning on, and the King turned and left the scene. I was left paralyzed after tipping my chair and collapsing into the small table, eyes glued to the evacuating figure.
F.P., Fangs, Jughead, and a group of Serpents came to the scene, and the boys helped me up. “Y/n, what happened? Did you see the Gargoyle King?”
Sweet Pea pushed his way through the crowd, pulling me into a warm hug. “Y - yeah. I was asleep, but I heard someone coming towards me. I thought it - it was Sweets, but then he dropped something on my head. I woke up and he was just… standing there!” I stuttered fearfully, clutching my boyfriend’s shirt tightly.
Jughead weaved around me, leaned over, and picked up something. “W - what is that?” I asked. The crowd was starting to disappear, bout a few of my friends stuck around to comfort me.
“A tiara.” He inspected it in his hands. “I guess Ethel was serious about that whole ‘Gargoyle Queen’ thing.”
“What?” Sweet Pea shouted angrily. “What the fuck are you talking about? Are you telling me she’s in danger again?”
“Sweet Pea, chill —“
“Shut up. Are you kidding me? We have a serial killer hunting my girlfriend, and you’re telling me to chill?”
I pushed myself away and placed my hands on his cheeks. “Sweets… let’s just go to bed, okay? It’s late. Jughead and Betty will take care of it… F.P., too.”
“Yeah. We’ll keep an eye out for any Gargoyle King. Make sure to stay inside, too,” Jug said, patting my shoulder.
“…Fine,” Sweet Pea conceded, grabbing my arm and pulling the both of us into the trailer. He strictly locked the door and sighed. “Goddammit. I should’ve come home sooner.”
“It’s not your fault. I just wish you weren’t so obsessed with a… board game,” I admitted.
“I… I’m sorry. It’s just really fun.You should join.”
“It’s the reason two kids are dead, drugs are becoming a thing again, and Ethel is in the hospital. I don’t want you playing that game, Sweets! Not you or any of your friends. Even Jughead’s lost it, he’s hardly solving the problem!”
He massaged his forehead. “It’s not the board game killing them, it’s that Gargoyle King or whatever the fuck! And we’re not using the Fizzle Rocks, I promise! Can we just… go to bed, babe? It’s late and we have classes tomorrow.”
I bit my lip. “…Sure.”
~~~
Yeah, Sweet Pea’s definitely not obsessed with that board game. It’s definitely normal that we never talk, he never sleeps, and I even have to ride my bike to school. Two weeks had passed, and it had been a solid three days since I’d seen him. If I could’ve known when we first started dating that our relationship was fragile enough to be ruined by a knock-off Dungeons and Dragons, I never would’ve been interested.
So, just like normal, I had woken up at two a.m. alone in bed. I couldn’t sleep. I was always worried that the Gargoyle King would break in. To be fair, though, the last time Sweet Pea actually paid attention to me was when said King attacked me.
It was suffocating in the trailer. There weren’t any lurking dangers outside the trailer, so it was fine to step outside. I pulled on a sweatshirt and went out. The cold air nipped the my exposed face. I took out my phone and scrolled aimlessly through my gallery - I had over seven thousand memes, and only memes - for a few minutes. The cold grass tickled my bare feet, although I didn’t mind the sensation.
“That’s the queen,” a deep voice suddenly spoke, and several people emerged from behind the trailer. I dropped my phone from shock and shrieked, trying to reenter the trailer. However, a number of hands grabbed at me, pulling me back. One hand covered my mouth, another had my neck, but a majority of them gripped my arms and waist. I struggled against the cloaked figures with scary masks, tears slinking down my cheeks. I was being dragged away, and obviously nobody had heard my cries, because the rest of the trailer park remained silent and asleep. At some point, my arms were pinned behind me and only one of the men felt the need to hold me. I was still struggling, trying to slobber on or bite the hand against my mouth, but it was in vain. Somehow, I was dragged up an entire hill, and I dreaded when we passed by some lit torches and I was pushed into a cult circle.
I scrambled to my feet, realizing I was totally enclosed by ambiguous figures in gargoyle masks. There was at least ten people. And, only a few feet away, was the Gargoyle King. Was this when I got sacrificed to a dude wearing a tree?
“Gag,” the King growled, clearly using a voice changer, and I stared at him in horror. I did what I could before I was grabbed again, letting a shrill scream rip, even if my voice cracked several times. However, I couldn’t prevent the white cloth that was tied around my mouth. I was forced towards the King, who reached out and grabbed my shoulders. I was turned around and my back was pressed against the twig figure.
“Bring the new recruit.”
Suddenly, a new figure emerged from the crowd, accompanied with two people that were carrying chalices. I knew where this was going. I struggled harder against the person. The masked recruit walked forward. It took shocking turn, though, because he shouted,” Now!”
Serpents emerged from every corner of the woods. “Gargoyles, run!”
The King let go of me while Serpents swarmed the area. My knees were jelly so I fell to the ground. I tore off the gag. Sweet Pea appeared at my side, and they’d somehow snatched one of the… Gargoyles, was it? I was hardly registering what was happening around me. My vision was blurred from sheer stress. I knew people were talking, but all I could focus on was Sweet Pea’s arms that were secured around me. I couldn’t stay at the trailer park any more. Sweets picked me up, to which I clutched onto him desperately. I guess at some point I passed out.
A few days later, I was staying with Betty. They were more than understanding when I called up, and Sweet Pea thought it would be a good idea, too. Betty was gone most of the time - it was adorable how brave and hardworking she was - so Alice and I spent most evenings knitting, playing monopoly, and watching movies. It was fairly therapeutic and felt like a break. I didn’t need to think about my busy boyfriend or the Gargoyle King; the most stressful thing consuming my life was schoolwork and leadership programs for community service.
I was cuddled up on the one-person couch, a warm hot coco cup in my grip, while I aimlessly watched a YouTube video. “Hi, Betty,” I called as the woman entered the house. Even while walking inside, she seemed to be deep in thought.
“Oh, hey, Y/n,” she greeted.
“Betty, there’s some leftovers in the kitchen,” Alice said. She was sat on the couch next to me doing some paperwork. Apparently she’d becoming more successful, a newswoman, and I was proud of her for that.
“Thanks, mom.” She made her way over.
It was only seven, but I was dreadfully tired, so I shut my laptop and just basked in the surrounding heat. I occasionally took a sip of hot coco, staring into space. “Are you alright, Y/n?” Alice asked.
“Yeah, just sleepy. I’m going to get ready for bed.”
I finished my drink and slowly rose to my feet, heading over to the downstairs bathroom. I washed my face and started brushing my teeth. I leaned over the sink to spit it out, when all of a sudden, the electricity went out. It was startling, so I quickly washed the rest of my mouth. I stood in the kitchen in a confused fashion.
“Betty, you stay here, I’ll check the power box,” Alice said from the front door.
“What’s going on?” I asked warily, hugging myself.
A flash of lighting boomed from outside, ad when Betty and Alice turned to me, they screwed unanimously. I was confused, stumbling back a bit. But I realized what was scaring them when I backed straight into a hard surface. Twigs rustled as two arms enveloped me tightly. I was too tired to scream - I’d ruined my throat from last time - so all I could do was try and push at them.
Betty said that I’d be fine, so the two of them ran up the stairs. The moment they were gone from view, the art unraveled themselves and the Gargoyle King backed away. I stumbled back, so confused by their decision, my brain apparently figured that the best next course of action was to faint.
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emeraldhazeart · 2 years
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About this blog
Hi there. Please call me Emerald. I go by she/her.
I’m a very shy, private person, so I don’t tend to engage much online. But please don’t think that means I don’t care: I just sometimes don’t have the emotional energy/spoons to respond right away.
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This is my main blog, where I post my general art, play tag/ask games, talk about whatever’s on my mind and reblog things I love. I endeavour to keep things positive and encouraging here, as well as sfw.
This blog is mostly themed around Bokumono/Harvest Moon/Story of Seasons content, but I’ll also post other stuff like Sonic the Hedgehog content from time to time.
Here's a list of Picrews I enjoy if you're looking for fun doll makers.
I post and reblog Undertale content on my side blog @emeraldhazeidentity
And I have a little art blog for my OCs: @emeraldforestocs
I have a Sonic blog now: @angelislandemerald
 You can find all my writing on Ao3 at EmeraldHaze15
 I tag all my art with #emerald’s art and my writing with #emerald writes. Stuff about me is tagged with #Emerald's facets
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todaysdocument · 3 years
Photo
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Front page of the Tulsa Tribune during the Tulsa Race Massacre, 6/1/1921.
Series: Central Decimal Files, 1881 - 1982
Collection: Records of the American National Red Cross, 1881 - 2008
Transcription:
THE PEOPLE'S PAPER
                                                          The Tulsa Tribune
THE WEATHER                                                                                                       SECOND
OKLAHOMA - Tonight and Thurs-                                                                    EXTRA
day part cloudy.
     Tulso temperatures: Maximum
today at noon, 85, yesterday, 91;
minimum, 68, yesterday, 61
FULL LEASED WIRE REPORTS OF ASSOCIATED AND UNITED PRESS; UNRIVALED STATE AND FEATURE SERVICE
VOL. XVII - NUMBER 225.        TULSA, OKLAHOMA, WEDNESDAY, JUNE 1, 1921.        State Edition * *      FOURTEEN PAGES - PRICE [TORN] CENTS
COUNTY PUT UNDER MARTIAL LAW
*     *     *     *     *     *     *     *     *     *     *     *     *     *     *     *     *     *     *     *     *     *
7 whites, 68 Negroes Dead --- Fire Rages
PROCLAMATION
All persons not deputied as special officers are ordered to
disarm in a proclamation issued shortly before noon by Mayor
Evans. Persons carrying guns after that hour will be arrested.
The proclamation:
"Armed troops, well equipped, have now arrived who, with
the assistance of the local authorities, will be able to control
the situation in this city. Everyone is directed to preserve law
an dorder and to avoid under every circumstance, the gather-
ing on the streets of curious and excited masses. This only
tends to make the situation worse for the authorities in restor-
ing order, making it more burdensome and complicated. No
loyal citien of Tulsa will willingly commit any act which en-
dangers the peace and security of the city. All parties, without
direct authority from the chief of police or the sheriff or Tulsa
county, who may be found after 11 a. m. today bearing arms and
engaged in any act liable to promote a breach of the peace will
be arrested and prosecuted under the Riot Act.
"Headquarters of the National Guards is established in
Room 306, City Hall, at Fourth street and Cincinnati avenue,
and except for duly appointed policeman and deputy sheriffs
all permission to bear ar mfsrom, and after, the publication of
this proclamation must be countersigned by Gen. Charles F.
Barrett or Col. B. F. Markham, commanding the National Guards.
"Gen. Charles F. Barrett concurs in this proclamation."
Dated 10:30 a. m., June First 1921.
"T. D. EVANS, Mayor."
Barrett is Put in Full
Charge by Robertson
OKLAHOMA CITY. - Martial law in Tulsa was ordered by
Governor Robertson at 11:15 o'clock and Adjutant General Bar-
rett placed in command of the city. The order was given over
the long distance telephone and a proclamation to this effect is
being prepared and will be issued immediately.
The order of Governor Robertson invoking martial law
over Tulsa has been extended to include all of Tulsa county. The
order will displace civil control and place it in supreme com-
mand of the adjutant general.
The governor's telegram to the adjutant general follows:
"I have declared martial law throughout Tulsa county and
am holding you responsible for maintenance of order, safety of
lives and protection of property. You will do all things neces-
sary to attain these objects.
(Signed)                  "J. B. A. ROBERTSON, Governor."
The governor acted after being in communication with of-
ficers in Tulsa. Attorney General Freeling will go to Tulsa this
afternoon.
"The situation at Tulsa seems peculiar to me," Governor
Robertson said. "With power vested in all city and county offi-
cials there to deputie and put into the law enforcement every
citien of the city if necessary, I cannot understand how this
trouble was allowed to get such a start."
Conversation with Adjutant General Barrett was to the ef-
fect that it was impossible for the fire department to enter the
negro section and that the flames were raging unabated.
All available guardsmen will be placed on duty once in
the negro section, which has been entirely destroyed by flames,
General Barrett said when he r[eceived order?] from Governor
Robertson placing the county under martial law.
Orders have been issued to disarm citizens. Later the
military will issu ecrededntials to men chosen as special officers.
A military commission, composed of seven city officials
and business men, to pass upon the guilt of the 6,000 negroes
now held in concentration camp, was formed shortly before
noon by Mayor Evans and Chief of Police Gustafson and ap-
proved by General Barrett. This committee will pass upon the
guilt of those held under guard in the various camps, naming
those who will be held for trial for inciting the black populace
to riot.
The personnel of the committee: C. S. Younkman, water
commissioner; Albert Hunt, district judge; H. F. Newblock,
city commissioner; C. S. Aver, oil man; Grant McCullough,
banker; F. E. White, business man; Alva J. Niles, banker.
The Tulsa Tribbune
RESTORE ORDER
LYNCH law leads not to law but to lawlessness and
lawlessness is a repudiation of government.
Lynch law is a fire brand in the hands of those
who thoughtlessly elect to establish mob rule for law
and order. Lynch law is an impassioned appeal to the
hatreds of prejudice. It brings ignominy and disaster
to any community that falls its victims.
Whatever ground it may have had, a story starts
that a negro in the county jail was to be lynched. Out
of curiosity a crowd collects. A small band of negroes
brings firearms onto the scene. At first they were few
At the outset there was nothing to indicate that the
whites had been moved to a battling protest. But when
the first small band of negroes added to their armed
forces the war began. Tulsa found itself experiencing
a night of terror and the new day dawned with the
[illegible]nd of battle and the sky clouded with the smoke that
rises above the burning buildings and shacks in the
negro end of town.
At such a time as this it is the first duty of every
citizen to restore law and order as quickly as possible.
The National Guard is equal to cope with the rioting
negroes who are already under control. Let every citi-
zen do his duty and lend his fullest influence to the
prompt restoration of law and order. Do this for the
good name of Tulsa. Keep off the streets where there
are evidences of disorder as much as possible. Make
no needlessly threatening display of arms. The state's
soldiers can do that and do it with the authority of the
law.
Now is the time for every citizen to keep a cool
head, to keep out of mob collections. The quickest and
surest way to restore law is to respect the law. Let the
authorized agents of the law handle those who will
not.
BLACK QUARTER BURNS TO GROUND;
FOUR GUARD UNITS TAKE CHARGE
Seven white persons are known to be dead.
One white woman, shot six times, is expected to die.
Thirty-four whites are wounded in three hospitals. Many other wounded persons are
in their own homes.
Sixty-eight negroes, including men, women, and children, are dead, according to reports
from all districts of the black belt where heavy fighting was waged throughout the night
and up to 9 o-clock this morning.
One hundred blacks are believed wounded.
The officials are in control of the situation and no more armed conflicts are expected.
The entire black belt of Tulsa is a charred mass. The business section of
Greenwood avenue is levelled. Scarcely a building escaped the flames set by
torches when an army of whites invaded that district early this morning to an-
ticipate a general attack on the part of the blacks. Officials at noon today were
unable to estimate the total loss which will extend into many thousands of dollars.
It is estimated that more than 500 homes of negroes were burned. A score of
business buildings and a number of factories were razed. Heavy stocks of mer-
chandise were a total loss.
The fire carried by a strong north wind spread into the white residence
section adjoining the black settlement on North Detroit avenue. Ten homes in a
row were burned before firemen could check the flames. One house was burned
in the immediate vicinity of Standpipe hill.
At 12:30 o'clock the fire in this district was rapidly being brought under
control.
Hundres of white women and children fled from their homes as the leap-
ing flames fanned by a strong wind from the north ate their way to the white
belt. About 11 o'clock the wind subdued, giving the firemen a chance to
successfully combat the flames.
A special train bearing 350 National Guardsmen under the command
of Adjutant General Barrett arrived at 9:05 o'clock this morning. General Bar-
rett issued a statement from guard headquarters at the police station that mar-
tial law would not be declared until he had made a hurried investigation.
Only developments will determine if it is to be invoked,
Barrett added. Companies A and B, totaling 150 men, arrived
on the special train from Oklahoma City, with a second troop
train due from the capital about 11 o'clock. Company B and a
sanitary detachment, both located here, are also on duty and
have been since midnight.
The guards after establishing headquarters in Second
street in front of the police station were ordered to various sec-
tions of the black belt. One contingent was sent to Meulty park,
where several hundred negroes are interned.
General Barrett is now acting under orders issued by Mayor
Evans, Chief of Police Gustafson and Sheriff Bill McCullough.
Following a night of rioting, snip-
ing and open clashes between whites
and blacks hundreds of armed men
invaded the negro district to remove
the menace the blacks there offered.
At 5 o'clock scores of armed men in
automobiles drove to the north side
of the black belt in the vicinity of
Standpipe hill. These white fighters
formed one wing of an encircling
movement entirely surrounding the
negro district. Hundreds of pedes-
trains advanced on the black belt
from the south and west. Hundreds
of shots were fired. Many negroes
were reported to have been wound-
ed while a number of whites were
taken to hospitals with wounds.
The heaviest fighting this morn-
ing  was in the extreme northern sec-
tion of the black belt. Hundreds of
negroes were concentrated in a val-
ley at the base of Sunset hill. Fifty
were barricaded in a church.
Machine Guns In Use.
Deadly volleys of steel were poured
[into?] the ranks of the whites as they
[advanced?] in open formation against
the blacks who stood their ground.
Finally the whites were forced to re-
treat. A call was sent to police head-
quarters for reinforcements. A num-
ber of guardsmen with two machine
guns were rushed in automobiles to
the scene of the fighting. The ma-
chine guns were set up and for 20
minutes poured a stream of lead on
the negroes who sought refuge be-
hind buildings, telephone poles and
in ditches.
The heavy firing came to a sud-
den halt when a huge white cloth
was raised aloft by the negroes. The
church where many negroes were
barricaded was riddled with bullets,
it was said.
Hundreds of negroes with hands
held high in the air walked from
the valley under the guard of armed
civilians. They were taken to Con-
vention hall and McNulty park,
where they were interned.
Whites who returned from the
battle-swept valley said that at least
50 negroes, including men, women
and children, were lying dead. At 10
o'clock authorities had been unable
to make a check of the black losses
in this battle.
Most of the blacks who were killed
met death in the early morning
fighting in the negro section near
the Frisco tracks.
___________________________
THE START
The clash had its inception when
several automobiles loaded with
armed negroes and said to have been
led by "Old Man" Stratford, a ne-
gro hotel proprietor, swung up in
front of the courthouse shortly be-
fore 10 o'clock, bent on protecting
Rowland. Not more than 30 blacks
were in the first party but they suc-
ceeded in virtually taking command
of the situation there because few
of the whites were armed and none
displayed guns. The blacks were or-
dered home by Sheriff McCullough,
who it is said, had armed negro
deputies with him on the courthouse
steps. Barney Cleaver, a former negro
police officer, also advised them to
go home. After the first sally,  dur-
ing which the blacks dispersed part
of the crowd of whites, the negroes
were still permitted to keep their
guns.
Instead of going home, they cir-
cled around several blocks near the
courthouse and came back with an-
other flourish of shot-guns and
rifles. By this time the crowd of
whites had increased to several
thousand with hundreds of women
and a number of children on the
fringes. Most of the whites wer on-
lookers and there appeared to be
no organized mob. After making
known their intention to protect
Rowland at all costs the blacks were
star[ing?] toward home again. There
was still no move on the part of the
sheriff's forces or the city police to
disarm them although the black
force was not more than 50 at this
time.
Instead of going to the negro sec-
tion to stay the blackss whirled
through the streets of the quarter
and sought recruits. Every negro
they met was solicited to joion their
ranks. At Sixth and Cincinnati two
negroes who refused were threat-
ened, according to residents of the
neighborhood who overheard the
conversation.
Shortly after 10 o'clock the blacks
came back to the courthouse with
their biggest force. Estimates place
the number of armed negroes at be-
tween 100 and 200. By this time
it was estimated that probably 100
of the whites in the crowd had
procured arms. A number of whites
who sought guns at the National
Guard armory were refused. Cour-
iers went through the crowd of
whites and warned women and
children and unarmed men to seek
safety. They said they feared an
assault by the blacks. Only a part
of the crowd complied.
The first clash followed on the
heels of this warning. There are
two versions of how the firing be-
gun. According to some of the spectators
pistols were first fired into the air
in front of the Boulder street en-
trance to the courthouse and this,
spectators say, acted as a signal for
the general firing during which the
blacks fired ten shots to each one
for the whites. The crowd of whites
greatly outnumbered the armed
band of negroes but the whites were
helpless in front of the black on-
slaught because they were in con-
stant danger of firing into other
whites if they attempted to protect
the women and children in the crowd
by answering the blacks fire.
Where First Man Fell
After the first volley one carload
of blacks came north on Boulder
avenue, firing as they raced along.
The first white man dropped be-
fore the crash. He had been stand-
ing against the wall of the garage
on Boulder, just south of Sixth
street.
Across the street men and women
in the crowd sought refuge in the
row of houses on Boulder south of
Sixth. Many of them were unoble
to reach cover before the second
volley so they dropped in their
tracks and clung to the earth.
Others hid behind curbs in the
driveways to the garages of these
homes, running to better cover be-
tween the volleys.
Meanwhile the negroes fled.
Some of them ran through the
crowds of women and children,
brandishing their guns. They had
disappeared from the immediate
area of the courthouse within ten
minutes after the first shot had been fired.
Second Version of Start
The second version of the start
of the firing was to the effect that
a number of unarmed white men,
seeing that the officials were not
willing to disarm the blacks, took
that task to themselves. One man
is reported to have dashed into the ranks of blacks and seized one of the
guns. Spectators who relate this as
the true story of the inception of
the shooting declare that the blacks
immediately opened fire when they
were threatened with disarmament.
Shortly after the negroes fled
from the courthouse battlefield an
automobile load of white youths
sped past and fired into the jail
windows on the fourth floor, spec-
tators declared.
John McQueen, a former county
officer and one of the men who at-
tempted to disperse the crowd at the
courthouse, declared today that
Johnny Cody was the negro whose
shot started the general firing here.
"While I was on the steps Cody
and a band of negroes started up,"
McQueen said. "I went to meet them
and a stranger backed me uo. Cody
pushed a gun against him and fired
just as I pushed the gun away. The
stranger went down. Several bullets
went through my coat."
Immediately after this report came
to the crowd that the blacks were
mobilizing for systematic assault on
the whites. The majority of the
white men were still [illegible]. It
became immediately apparent how-
ever, that the police and sheriff's
force were making no attempt to
prevent the return of the blacks so
the white men themselves took
charge of the situation. Small
groups systematically entered all
downtown hardware stores and
pawnshops and took up all the arms
and ammunition that could be found
Nothing else in any of the stores
were touched.
Black Attack Again.
Soon there were more than 1,000
armed men on the streets. Part of
this crowd defended the Hotel Tulsa
and the section around Second street
and Cincinnati avenue from an attack
of blacks who swarmed back within
three quarters of an hour after the
court house battle.
After this second general battle,
which is described elsewhere, the
whites took rapid command of the
situation. Patrols spread quickly to
cover all the principal streets and
the roads leading into the city.
Special guards were put at all bridges
within a several-mile radius to halt
any incoming blacks. Roving pa-
trols moved up and down Main
street. At Main and Archer streets
desultory firing took place for sev-
eral hours. Blacks from their quar-
ter fired repeatedly from behind the
building at Archer street and Boulder
avenue and Archer and Cincinnati
avenue. They were cleared out with-
in an hour or two, but a second
group took their place and held the
negro block on Cincinnati, at the
Frisco tracks, against assault until
early this morning. Two negroes were
killed here and several others wound-
ed. A number of whites were re-
ported wounded in fighting here.
Could Have Disarmed Blacks.
Fully an hour before the first
shots were fired at the courthouse
citizens stood on the south steps and
pleaded with Police Commissioner
Adkison to call out the National
Guard without delay. The negroes
were just beginning to parade the
streets at that time and they argued
that even a small detachment of or-
ganized and equipped men could dis-
arm them, compel them to return to
their own part of ftown, get the
whites to disperse when this had
been accomplished and so avert im-
pending trouble.
Commissioner Adkison answered:
"We are trying to get them out,"
then turned and told the crowd to
obey E. S. McQueen's advice to go
home while the negroes were patrol-
ling the streets in arms, threatening
death and rapine. The police were
powerless.
An hour after the pitched battle
took place around the courthouse
and northward along Main and Bos-
ton, the Guard got into action.
Guardsmen went immediately to the
police station and began an attempt
to disperse the whites who had
armed themselves and gathered
there in expectation of another at-
tack.
_____________________________
The Dead
Carl D. Lotpeisch, 28, Randall
 Kans., shot through breast. Taken to
Oklahoma hospital at 6:30 o'clock
this morning. He died shortly after-
ward.
Unidentified whate man, about
28; light brown hair; light brown
eyes; five feet ten inches; 160
pounds. At the Mowbray undertak-
ing parlors.
F. M. Baker, Havelin, Kan., 27,
short in back with buchshot. Died
this morning at Morningside hospi-
tal. At the Mowbray Undertaking
parlors. An identification card found
in his clothing bore the name of
Norman Gillard, 315 So. Norfolk.
The third white man, unidentified
was killed about 5:45 o'clock this
morning when a squad of white
riflemen engaged a group of ne-
groes on North Cincinnati av. The
body was taken to Mitchell-Fleming
undertaking parlors. He was de-
scribed as about 25 years old, six
feet [ta?]ll, weight 165 punds. He
wore dark green trousers, brown
coat, tan shoes, and a tan belt with
a silver clasp bearing the initial
"W". He was shot in the neck.
Death was instantaneous.
The body of an unidentified white
man about 35, held at the Stanley-
McGee Undertaking parlors still
was unidentified early today. He
was shot in the head.
The body of a white man, about
30, shot in the back of the head, held at
the Mowbray undertaking parlors,
ho[illegible] [ea?]rly last night in the first brush
with the blacks, still was unidentified
this morning.
[1?]0-year-old white boy, though
to [be?] named Olson, home at Sapulpa
died at 8:30 o'clock following a bat-
tle an hour earlier at the Frisco depot
in which two negroes were reported
killed. Olson's body was removed to
the Mitchell-Fleming undertaking
parlors where it awaits positive
identification.
A white girl was reported killed on
North Peoria in the vicinity of the
Texaco plant. the report could not
be verified at 10 o'clock.
____________________________
The Injured
A re-check of the injured revealed
the following at the various hospit-
als:
Oklahoma Hospital.
Earl Hileman, city, shot through
thigh, not serious
G. B. Steck, Sapulpa, shot in back,
serious.
J. E. Wissinger, 150 Admiral or
1202 East Second, shot in knee, not
srious.
G. F. Joiner, 1703 South Main, shot
in leg, not serious.
Ross G. Owens, 1108 South Jack-
son, shot with bird shot, several
wounds but not serious.
E. D. Hartshone, shot in thigh.
Edward Austin, 418 South Detroit,
shot in toe, not serious.
Grocer Slinkhard, West Tulsa, fac-
tured rib.
Robet Elmer, West Tulsa,
A. N. Dow, 401 South Madison,
shot in upper thigh and compound
fracture of arm, serious.
C. C. Thomas, 803 South Main,
shot in leg, not serious.
E. R. Hileam, Fern hotel, com-
pound fracture of thigh, serious.
Garland Crouch, 16 North Quincy,
shot in upper abdomen and right
arm, though serious.
A. T. Sterling, 314 South Zunis,
minor injuries.
Robert Palmore, West Tulsa, shot
in left shoulder, not serious.
E. Belchner, 1437 East Hodge,
shot in hand and leg, not serious.
Lee Fisher, 338 1/2 East First, shot
in left leg and thigh, thought serious.
G. I. Prunkart, Frisco conductor,
shot with bird shot in shoulder, chin
and forehead. He was shot while
sitting in caboose of train just pulling
into city.
There are two wounded patients
unidentified. Fifteen or 20 patients
having only slight wounds called at
hospital and had them dressed, left
hospital without giving name or ad-
dress.
Tulsa Hospital
George Switzgood, 415 N. Detroit;
not serious.
K. G. Logsdon, 308 S. Cincinnatti;
shot in arm; not seriously.
Sergt. W. R. Hastings, 1507 E. Jef-
ferson; not serious. After having his
wounds dressed, Sergeant Hastings
immediately left hospital.
H. L. Curry, Illinois hotel, shot
through neck; serious.
E. F. Vickers, city; arm shot.
M. W. Camble. 220 W. Cam [Iron;?]
thought serious.
Jess Collins, 522 N. Boston; serious.
R. N. Seltzer, 529 S. Utica; leg, not
serious.
Otto Sherry, 112 N. Frisco; face
powder burned.
Thirty-five or forty who were only
slightly wounded were attended at
the hospital. After the wounds were
dressed they walked out, leaving
no name or address.
Physicians & Surgeons Hospital.
R. C. Hankson, Jenks, Okla., tool
dresser; shot through right wrist,
bullet traveling through abdomen
into the left arm; shot at 6:45 a. m.
___________________________
NOTICE TO TELEPHONE
SUBSCRIBERS
          ______________
Please use your telephones only
in case of emergency. This will
assist us in protecting life and pro-
erty.
SOUTHWESTERN BELL TELE-
PHONE COMPANY
___________________________
CURTIS BROWN CO. sells PHOE-
NIX PURE SILK HOSE. Phone 232.
____________________________
We sincerely trust that the
local disturbance is over. We
do not want to give the im-
pression of trying to drive in
business as the result of a
calamity.
It is our duty, however, to
call t he public's attention to
the fact that the standard fire
policies do NOT cover loss re-
sulting from Riot, Insurrection
or Civil Commotion.
We write Riot, Insurrection
and Civil Commotion Insur-
ance and the cost of same is
very slight. Call us for rates.
Policies are written here in
our office. Phone Cedar 2100.
Pearce, Porter & Martin
500 Palace Building
_______________________
NOTICE
______
Because of the race war
the announcement of the re-
maining entrants in The
Tribune beauty contest will
be carried in all editions to-
morrow and none today.
186 notes · View notes
garbagevanfleet · 3 years
Text
Brightest Blue (series)
PART ONE
Pairing: Josh & female!Reader Warnings:  None yet.  Summary: Things are changing. New state. New school. New roommate. You just pray things are going to click into place. Notes: Here we are everyone. This fic has been a long time in the making, but I’m pretty dang happy with it so far! I made Josh extra lovable and squishy for you all. I hope you enjoy! This fic is edited by the amazing and gorgeous, @lantern-inthenight. And big thanks as always to @myownparadise96. I literally could not have found the motivation to do this fic without you. 
MASTERPOST 
taglist: @myownparadise96 @n1-party-anthem @valleyd0ll @bigblack-catattack @guitarfingers @thebohemianpenguin @oblvions @hansonobsessed​ @satingrass-maidensfair​
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The scenery in Michigan was vastly different than back home. You were used to and comfortable with the nearly unforgiving heat of the American South West, but the farther away you got from home, the more foreign everything seemed. The scrubland slowly started being replaced by emerald green grass and dense forests of towering pines. Once you hit Illinois, little farmsteads were scattered along every road you took, boasting fields thick with corn and beans. 
It was a bit over a full day’s worth of driving. You had originally thought you could just drive right through - after all, you were young and you had plenty of caffeine at the ready. In reality, you wound up digesting the trip over two days. 
You were a fortunate enough person that you had a reliable car, which made up for the fact that it wasn’t very pretty to look at. It didn’t exactly sip gas, but that had never even been a concern before this - it wasn’t very often that you left home, let alone make a trip across the country. But you were able to breathe a sigh of relief when you started seeing the exit signs for Ann Arbor. 
Your parents had been a bit judgemental about you picking a school so far away - they were even worse homebodies than you, and they knew that you being across the country meant they wouldn’t be seeing you until the school year was over - but there was no way you could turn down an opportunity like this one. You had worked your ass off to qualify for a scholarship, knowing full well that there was no way you could afford higher education otherwise. MU hadn’t been your very first choice but with one of the better programs in the country for your desired field, you just couldn’t turn it down. 
You had to pull over into a McDonald’s parking lot to pull up the address you were looking for and program it into your phone’s GPS before continuing further into the city. Your mother had been particularly wary about your living situation. See, she was a woman that adamantly liked to have a plan and then stick to it - she didn’t see any value in just letting things happen. “Go with the flow” wasn’t in her vocabulary, but you’d always romanticised the idea. Which was why, when you pulled up to the apartment that you were going to be living in for the next year, it was the first time you’d ever seen it. 
You had found the listing on the Facebook marketplace for the area, looked at a couple of pictures, and signed the lease agreement online - all without knowing what you were really in for. You’d been informed that you’d have a roommate when you’d contacted the landlord, but she hadn’t mentioned a thing about the person other than that. All she really said was “no pets, no smoking, and one month’s rent for the security deposit. You had told yourself that it didn’t really matter what the situation was as long as the other person wasn’t outwardly malicious and the place wasn’t infested with pests or anything, even though you knew it mattered a little. 
An audible sigh of relief left your lips when you pulled into the apartment parking lot and found that your new home looked well kept. The building had old, slide-up windows, but the brick siding was clean, and the shrubs that lined the property were trimmed and neat. You and your back seat stuffed to max capacity with house plants had made it - and with only a bit of sleep deprivation and caffeine jitters for damages. 
After you got out of the car, you grabbed your very favorite potted cactus and found your way into the building, meandering down the dim hall until you came upon the door marked 6. You hadn’t been given a key yet, so you knocked with your free hand and waited until you heard someone shuffling around inside.
You would be lying if you said you weren’t nervous - obviously, you were - but more than anything you were excited. Anxious, maybe? That seemed like the right word. 
The door opened to reveal a boy, around your age, hair a mess of curls on the top and shorn tighter to the sides of his head. You were immediately taken aback by the depth in his eyes, chocolatey and warm. 
“What’s up?” he asked casually, leaning against the door frame, a pair of old-school headphones dangling from his hand. 
You frowned at him slightly, suddenly terrified you’d gotten the wrong apartment number. You weren’t sure how you’d live with that embarrassment, especially if you had to live next door to him - you’d just be that stupid girl that didn’t even know where she lived.  “Oh, I think I’m your new roommate? This is number six, right?” You peered around the other side of the open door, just to confirm.
A beaming grin spread over his soft face, showing you his blindingly white teeth and the deepest pair of dimples you’d ever seen. “Oh, cool, yeah. Come on in.”
He stepped aside, giving a dramatically flourished bow as a gesture for you to enter. You obliged, and even though this was your new house too, you paused and waited as he shut the door behind you. 
“Sorry, I was expecting you yesterday, so.” He trailed off with a sheepish smile and then extended his free hand to you. “Anyway, I’m Josh.” 
You shifted your cactus to one arm so you could shake his hand. “Y/N. Yeah, sorry, it took me longer than I expected to get here. Which is why my stuff apparently showed up before I did.”
You eyed around the apartment, spotting boxes of your things in piles. The original plan your parents had come up with was to have you rent a U-Haul, but since you’d never driven anything bigger than your Camry, you had quickly shot that idea down. After some expert negotiating, they had agreed to hire a moving company. You hadn’t had the balls to ask what a service like that had set them back - decided instead that it was better if you didn’t know. 
“Oh yeah,” he replied, rubbing at the back of his neck. “It all showed up yesterday at like noon. One of the boxes was open a little, and I saw records so I looked through them to make sure you weren’t some kind of freak.”
It was more of a statement than a warning, and the smile he gave you showed not even a shred of an apology so you just smiled back. “Find anything you like?”
He turned on his heel and headed into the kitchen - connected to the living room by a huge square archway. “Your music taste is,” He paused, opening a cupboard and pulling down two mismatched glasses. “Eclectic.”
You laughed at him, bending to gently set your plant down on a side table. “That’s true.” 
“But I found plenty I could listen to, so I guess you’re okay. You want some juice?” he asked as he held up a paper carton of store brand orange juice
“That would be lovely,” you agreed, standing stick straight the way you did when in the presence of new company. “My dad used to take me to a lot of thrift stores and we’d go home with a minimum of two records per trip.”
“I love thrifting,” he said simply, giving you an alarmingly serious look. “There are three here, I think. Every once in a while you can find something really worth keeping. I have kind of a ‘catch and release’ policy where if I don’t instantly know what I’m going to do with an item, I leave it there, but I think - like - a third of my wardrobe is from thrift stores.”
You listened, feeling oddly entranced by the way he was handing you thoughts as they came to him. There was something truly honest about it - a quality people back home didn’t seem to have. It was charming. 
He brought your glass of juice to you and then motioned to the rest of the apartment. “You want the grand tour of Casa De Joshua-” He gave you a pointed look and a cheesy grin. “And Y/N?” 
You breathed a laugh at him, nodding as you sipped. “Please.”
“Okay, try not to get lost - this is obviously the living room. I do most of my living here as the name would suggest. I found this couch on the side of the road - actually almost all of my furniture is adopted.” As he explained, he was gesturing to items like Vanna White.
The couch looked. Well-loved. You could tell just at a glance that it was probably past it’s prime when Josh had stumbled upon it, but it did look comfortable, and it wasn’t like you had a couch to offer, so you were happy with it. 
“I have this TV but it’s really only for movies and stuff because I’m twenty-two and I’d rather die than pay for cable. But there are literally hundreds of DVDs in the TV stand that you are welcome to peruse at your leisure,” he informed, his hands gesturing almost arbitrarily as he talked. 
You followed as he moved on through the archway. “This is the kitchen. All of the food lives here. There’s lots of stuff, but I try to just make two bigger meals per day. I don’t have a real ice tray so I’ve been using a chocolate mold- Well anyway, our ice will be in the shape of wiener dogs.”
You were shocked at the laugh that escaped you, genuine and uncontrolled. He grinned over at you, clearly also surprised - but pleased with himself for getting the reaction he was aiming for. 
“I think I can live with that.” 
“Good,” he agreed simply, giving you a new kind of smile - something sweeter. After a beat, he motioned down the hall with his eyes, letting you lead. “The bathroom is this way. The water takes like three or four minutes to get hot. I realized that I have a lot of products for some reason, but I condensed them all into this one area in the corner just in case my new roommate was a girl, and you are so that’s great. I’ll probably get a shelf.”
There was a proud quality to his voice like he felt gentlemanly for letting you have all the space you needed. For some reason, that made you feel warm and fuzzy. 
“And what if your new roommate had been a boy?” you inquired with a smirk. 
He put a finger on his chin, taking on a contemplative look for you. “Hmm. Then I guess I slowly would have moved my stuff back to the cabinet - probably just one thing per day so he wouldn’t notice. Unless he had a lot of makeup or something, then I’d just let him have it.” 
He grinned as you teasingly shook your head. 
“This way is the sleeping quarters. My room is there on the right and yours to the left.”
You stepped into your new room and let a sigh of relief. Two huge windows took up a lot of the far wall, framed underneath by large sills. The space was bright and roomier than you’d pictured. Your bed was set up in the very middle of the room, but you already knew exactly where you wanted it to go. For some reason, you had been concerned that you wouldn’t like the space, but it was kind of perfect. 
“This is great,” you breathed, turning to him and giving him a sly grin. “Wanna give me a hand moving my furniture around?”
He pretended to consider for a moment until you spoke again. 
“My mom sent money for pizza while I get stuff unpacked,” you said coyly. “If you needed any convincing.”
He laughed, showing you his teeth. “You drive a hard bargain. Okay, I’ll help as long as I get to look through your stuff while we move it.”
You gave him a questioning look, earning a one-shouldered shrug in return. He looked benign enough standing there, propped against the door frame with a goofy upturn to his lips, so you relented.  
“Deal,” you agreed.
You were positive you would not have been able to move stuff without his help. For being a slender boy, he seemed to easily be able to get things where they needed to be. He dutifully helped you shove your furniture into place - your bed against the window wall, your desk and vanity on the wall with your closet door. Then, bless his little heart, he helped you move it all again when you decided you didn’t like the arrangement (but not without some light griping). 
One by one, you brought in your boxes from the living room and you allowed him to poke through them, perched on your bed. He flipped through your books, thumbing pages of ones that piqued his interest - you could only imagine that he was already planning on borrowing some of them. He reacted similarly to your framed photos, as he unwrapped them from their packing paper.
When you got your record player set up, he put on a vinyl and started to hang your art prints on the wall where you instructed him to. The look of concentration on his face was rather endearing as he held a few nails between his teeth and hammered them into the wall, one by one. There was a time or two you were convinced that he was going to mutilate his thumb, but he didn’t, and when the last picture was hung, you breathed a sigh of relief. 
You called in a pizza, adorned with his requested toppings as you hung your clothes into your closet, your phone tucked against your ear and shoulder for maximum efficiency. 
Plants collected on your bed until there was no more room for them - after that, he started setting them on the floor as he brought them in from your car. He didn’t seem to be judging the sheer amount of them, even though he had every right to. 
“It’s going to look like a jungle in here,” he stated finally as he took a bite out of a slice of pizza that he was holding like a taco, his eyes raking over all of the foliage scattered around your room. Rather than sounding like he was teasing, his tone seemed excited. 
You grinned at him, starting to arrange them on the window sill and your bookshelf that had only ever served you as a plant shelf since you’d bought it. “Plants are my passion. Botany major,” you explained as you fluffed up your Monstera’s huge leaves. 
“Ooh.” He raised his eyebrows at you, pulling one of his legs up underneath him on your bed - now fitted with sheets. “I think that’s going to be nice. Give it some life in here.”
You grabbed another slice from the pizza box on your nightstand and tried to think of the right tone of voice to use to ask the next question. “How long have you lived here by yourself?”
He hummed, eyes flicking around distantly as he thought. “Well, I’ve lived here just over a year, and my first roommate dropped out and moved back home about...six months ago?”
“Have you been lonely? You seem like a social guy.” You gave him an empathetic look but he just shrugged at you. You hadn’t known him long enough to know for sure, but you suspected he was more affected than he was letting on. 
“I mean, a little lonely. But I got used to it for the most part.” He paused for a good couple of seconds before a smile spread across his lips. “And Penny’s kept me company.”
“Oh, does your girlfriend stay here too?” you prompted, trying to remember if you’d seen any feminine looking items lying around that weren’t yours.
“What? No,” he said under a chuckle and stood, gesturing for you to follow him across the hall. 
The second you walked through the doorway, you were met with the smell of incense sticks and linen. His room was dimmer than yours and kind of cramped with all of his mismatching furniture, but he had a huge bed - you thought it could easily fit three people in it. There were some clothes strewn about around a laundry hamper by the door and you tried to not be jealous that his closet seemed to be about twice the size of yours. 
He crossed the room to crouch in front of a coffee table that he seemed to be using as a catch-all. The varnish was worn off the top of it in rings because sitting on the coffee table was a globe of water and a calico colored goldfish swimming around aimlessly inside of it. 
“Ah, so this is Penny,” you giggled as you bent over next to him. When the fish spotted him, it rose to the surface of the water, opening its mouth in demand for food.
He grinned down at it. “Light of my life. We’re not allowed to have pets but I figured that a fish didn’t count.”
You hummed, admittedly a bit charmed by the whole situation. “But don’t goldfish require a lot of space?”
The smile fell from his face, adopting a level of concern you hadn’t yet seen from him as he peered over at you. “Do they?”
Immediately, you felt guilty for putting that look on his features. Your brain kick-started - trying to think of a way to make it right again. “I think so? Maybe we can find her a small tank? Put a few little plants in there for her?”
Josh nodded at you, stroking his fingers over the glass with a frown. “I’m a bad dad.”
“No, no!” you assured, putting your hand on his head but then removing it instantly when you realized that you didn’t really know him, he’d just already made you feel like you did. Either way, you figured it would be inappropriate to touch him. “You’re great. She looks really happy.”
“She’s great at begging for food, so don’t get tricked,” Josh instructed after a moment, seemingly able to put his concerns aside to jest you.
You nodded in agreement. “I’ll be ever vigilant,” you promised, making him smile again. 
He stood back up, so you did as well. 
“Well, I’ll give you some time to get comfortable in your room,” Josh said, sitting back on his bed. “Let me know if you need anything, okay?” 
“I promise I will,” you assured, tapping your hand on the doorframe on your way out. 
By the time the sun was set, your room was shockingly well put together. The emotional rollercoaster that was the album Rumors helped you keep on task, losing yourself in the music so it didn’t feel like work at all. You hadn’t been expecting it to come along so quickly, but you guessed that was because you hadn’t anticipated such a friendly roommate. The nesting had always been your favorite part, so you took your time to enjoy placing out all your knick-knacks and photos. 
You took a break to shower when you decided you were done for the day, reveling in the feeling of the water after such a long time in your car - He was absolutely right about how long it took to warm up from ice cold. When you got out and changed into your pajamas, Josh was sitting in the living room with a laptop across his legs. 
“You wanna chill?” he asked when he heard you padding down the hall, shutting the lid of it and setting it on a side table. “Or if you’re too tired, that’s okay too.”
“No, no. I’d love to talk.” You sat next to him, leaving a comfortable amount of room between you as you pulled your knees up to your chin. “Tell me more about yourself,” you requested, tugging a blanket from a beat-up wicker basket on the floor and wrapping it around your body.
“Hmm, okay,” he started. You wondered how long it had been since he had to introduce himself to someone new. “I’m from a tiny little town here in Michigan. I’m the oldest of four - two brothers and a sister. My brother, Jake, also attends MU and lives just off campus.”
You frowned at him. “Wait, why wouldn’t he live with you?” you asked through a disbelieving laugh. 
“He lived with me long enough,” Josh explained in a humored tone. “There are only so many people where I’m from and well - we wanted to meet new people, you know?” 
“I guess I should be grateful for that.” 
“Yeah, probably,” he teased and then paused to think. “I’m in performing arts - I’m actually putting on a production around Christmas with some elementary school kids.”
You suppressed the aww that was threatening to pass your lips. “You like kids?”
He beamed you a smile, shaking his head. “Love them. I want to have like ten of them someday.”
The thought of him surrounded by kids made you soften. You were genuinely shocked about how easy he was to talk to - how easy he was to like. You had never thought in a million years you’d get along with your roommate so well, let alone the first day meeting them. 
“I hope you get to,” you said as genuinely as you could muster, prompting him to give you a grateful smile. 
A yawn escaped you before you could hide it, and you quickly breathed an apology, but he just waved you off. 
“You must be exhausted from that drive,” he said, his voice soft. “You should get some sleep.”
You nodded in agreement and gave him a thankful smile. “Is it okay if I sleep out here?”
The look on his face was quizzical, forcing a laugh from you. “Why would you do that?” 
“I have this tradition where whenever I’m in a new place, I always sleep in the living room on the first night. It’s good luck.”   
“Whatever you say.” His lips pulled back into an unconvinced smirk. “Well, yeah, you live here now too, so you can sleep wherever you’d like.”
He disappeared into his room for only a moment before popping his head back out, fingers wrapped around the door frame.
 “Do you mind if I join you?” 
You tried not to look too taken aback by the question, but you could feel your cheeks flushing warm. You raked your eyes along the couch, entirely positive that there wasn’t enough space for the two of you to lay out on it together fully - at least, not without being pressed flush against one another. However, his face looked innocent and soft - not a single tint of mischief colored across his features.
“Yeah, that-. I guess that’s okay,” you agreed sheepishly with a shrug. “But I’m not sure we’ll both fit if I’m being honest.”
He frowned questioningly at you, his brows lacing together until he realized what you thought he meant. His face instantly turned a light shade of pink to match yours. “No, no,” he quickly assured in between a breathy laugh. “I’m not going to sleep with you - I’ll take the recliner.” 
“Oh, right.” You gave a nervous laugh of your own, cursing yourself out in your head for being so dull. 
You were still well embarrassed as you made a nest of blankets on the couch and he brought out a pillow for you when you realized yours were still tucked deep in your bag of bedding. When each of you was situated on your respective pieces of furniture, he flicked the light off with a comfortable sigh. 
It was silent for a moment before he spoke again, his voice taking on a tone that was far too smug for your liking. “You were awfully quick to agree to sleep next to me. You don’t have a crush on me, do you?” 
You knew he was teasing, but your heart rate still managed to pick up under the pressure. You had never been particularly good with awkward social situations; you rolled your eyes in the dark, thankful he couldn’t see how red you were. “No, Josh. I do not have a crush on you.”
“Okay,” he said through a melodic laugh, and you got the feeling that he’d gotten the reaction he was aiming for from you. “Should we be best friends though?”
You snorted a laugh of your own, wanting to be annoyed at how likable he was, but falling short. “You are the most peculiar person I’ve ever met, I think.” You curled up, clutching your blanket tight to your body. “But yes. We can be friends.”
“Okay, cool - I’ll order matching t-shirts for us.” You could hear the pleased grin he was wearing, making you feel warm and cozy. You pulled the worn blanket up to your chin.
“See to it that you do.” 
Author’s Note: okay, I hope you guys like it! please let me know if you want to be added to the tag list or removed from it. I’m using the same taglist from my Jake!fic, so no hard feelings if you don’t want to be tagged!
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calzona-ga · 3 years
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In her unauthorized book, Lynette Rice explores the stories behind some of the ABC drama's biggest moments, including — in this exclusive excerpt — the factors that led to McDreamy's shocking death.
In How to Save a Life: The Inside Story of Grey’s Anatomy, author Lynette Rice recounts the ABC medical drama’s eventful 16-year history, revealing new details behind some of the show’s biggest departures. Included in the unauthorized, 320-page oral history (St. Martin’s Press, Sept. 21, $29.99) is a chapter that offers new insight into leading man Patrick Dempsey’s shocking exit in season 11 of the Shonda Rhimes-created drama. In the chapter, Rice speaks with Dempsey’s co-stars and exec producers who were present during filming of his final days on Grey’s Anatomy, and reveals claims of “HR issues” that contributed to the death of his alter-ego, Derek “McDreamy” Shepherd.
“There were HR issues. It wasn’t sexual in any way. He sort of was terrorizing the set. Some cast members had all sorts of PTSD with him,” recalls exec producer James D. Parriott, who was brought back to the series to oversee Dempsey’s exit.
In more than 80 interviews with current and former cast- and crewmembers, Rice, an editor-at-large at Entertainment Weekly, also explores the show’s early days, recounts the thinking behind some of its more polarizing storylines and offers exclusive details about the show’s behind-the-scenes culture.
“After 17 seasons, fans still can’t get enough of Grey’s Anatomy,” Rice tells THR. But what went down behind the scenes was just as dramatic as what viewers saw every Thursday. I’m excited for fans to read what I learned about those early days, along with what it was like to work for Shonda Rhimes, and why the drama was so freakin’ headline-prone.”
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Below, The Hollywood Reporter shares an excerpt — the full eighth chapter — from How to Save a Life, and tune in Friday to TV’s Top 5 for an interview with Rice about her book and the other big reveals she uncovered in her reporting for it.
(Reps for ABC, ABC Signature, Shondaland, and Dempsey declined comment on the reveals in Rice’s book.)
“He’s Very Dreamy, but He’s Not the Sun,” Or, How Grey’s Anatomy Loved — Then Learned to Live Without — Patrick Dempsey Ellen Pompeo may have played the titular role, but for many fans over many years, Patrick Dempsey was the real draw to Grey’s Anatomy. Some of it had to do with his celebrity: Dempsey was the most famous member of the original cast at the time of the pilot and brought with him quite a cult following from his 1987 movie Can’t Buy Me Love. But a lot of it was due to the way Rhimes wrote her McDreamy and how Dempsey depicted him. James D. Parriott I would say, “The guy would never say that,” and Shonda would say, “He’s McDreamy. He’s the perfect man. He would say that.” I’d say, “Okay. It’s your show.” Eric Buchman Shonda had a very clear idea of how important it was to keep Derek as this almost idealized love interest, not just for Meredith but for the audience. Naturally, the writers—especially writers who had been working on one-hour dramas for a while—were like, “Well, maybe have McDreamy make a big mistake in surgery and kill somebody. Or he develops an addiction of some kind. What is his deep, dark secret?” Shonda was very insistent: that’s not the character we do that with. Even when you find out he’s married, that was done in a very sympathetic way that kept him being a hero. He was wronged by his spouse and in spite of it all he was still gonna give his marriage a second chance. Stacy McKee Shonda was protective of McDreamy, but it was really with an eye toward being protective of Meredith. I don’t think the two were separate from one another. I don’t think she wanted to put something out there that maybe on the surface might seem a little frivolous. At its core, there was something really substantial that she wanted to say. She wanted to be very specific about the type of relationship values that she put out there. Tony Phelan I was in editing with Shonda once, and it was the scene where Meredith and Derek had broken up. He comes over and she’s like, “I can’t remember the last time we kissed.” And he says, “I remember. You were wearing this and you smelled of this …”
Joan Rater “Your shampoo smelled like flowers, you had that sweater on …” He described their last kiss. Tony Phelan Typically in editing you start on Derek, then you cut to Meredith for a reaction, and then you’ll go back to him. I noticed that we weren’t ever cutting back to Meredith. I asked why. Shonda said, “Because the woman in Iowa who’s watching this show wants to believe that Patrick is talking to her, and if you cut back to Meredith, it pushes them out of it.” In those special moments, we would just lock into Derek and let him do his thing. Joan Rater And he was a master at it. Patrick Dempsey He’s the ideal man, and that’s what Shonda constructed. There’s a projection [of him] onto me when you come in contact with fans, certainly with the younger and older fans. There is a certain amount of expectation. There is a responsibility to it. It made me grow, too. There were good qualities [of his] that you work on to obtain. Off camera, Dempsey was equally as charismatic to his fellow actors, crew members, and anyone who would come to visit the set. Lauren Stamile I was going in to meet him, and I remember I had this little cardigan sweater on and I took it off before I got into the room. Dempsey is one of those people—it’s almost like there’s a light shining around his body, and you feel like you’re the only person in the room. I got so hot and I remember saying, “Gosh, I would take off my sweater if I had one on because I’m so hot, but I took it off.” I was just babbling. He said, “You look nice,” and I said, “You look nicer.” I felt so awkward and he was so gracious and lovely. I was having a nervous breakdown. It’s like this “it” factor. I was like, God, whatever he has, I wish I had. I think it was very obvious how nervous I was, and he went out of his way to make sure he introduced me to everybody and made sure I felt comfortable, which he certainly didn’t have to do. But he did. Joan Rater He knew I had a giant crush on him, and he loved it. And when we’d go to table reads—I was an actress at one point in my life—they would always give me Meredith if Ellen wasn’t there. And I’d be getting my chicken tenders at craft services before the table read and he’d come up behind me and say, “Are you reading Meredith?” in my ear, like, so sexy. I’d be like, Oh my God. I mean, I could barely … I could not look at him. Tina Majorino I worked with Patrick a ton. I love him so much. We had a really great time working together. I think he’s such a great actor and he really made me laugh a lot. I feel like we had a good dynamic in scenes together, and it was always fun to play opposite him. Yes, he’s that charismatic in real life. Yes, his hair is that awesome. Yes, he is dreamy up close.
Chandra Wilson Patrick Dempsey will forever be known as Grey’s Anatomy’s McDreamy. Derek Shepherd is a permanent part of television history.
Norman Leavitt He is a big, personable guy.
Jeannine Renshaw We all love Patrick. Patrick is a sweetheart. If I saw him on the street, I’d give him a hug. I love the guy.
Mark Wilding I’ve always had a soft spot for Patrick. He really does try to do the right thing. Brooke Smith, who played Dr. Erica Hahn, remembers how Dempsey defended her when the decision was made to fire her from the show in 2008. Brooke Smith I remember calling him and saying, “Oh my God, they said they can’t write for me anymore, so I guess I’m leaving.” And he was like, “What are you talking about? You’re the only one they’re writing for.” Which at that time, it kind of did feel that way. But I guess someone didn’t like that. They gave me a statement [to release, about her departure] and I never said it. Patrick said that he actually took it out of his jacket on The Ellen DeGeneres Show and read the statement. He won’t let me forget it. He was like, “I defended you, see?” And it was true.
By season eleven, however, fans saw a disturbing break in MerDer’s once unbreakable bond. Six episodes had gone by without a peep from Derek, who was supposedly in Washington, D.C., where he had apparently made out with a research fellow. Fans began threatening to bolt if their hero didn’t return soon to Seattle. “I have never missed one episode,” wrote a fan on Dempsey’s Facebook page. “But I swear if [Rhimes] kills you off I’m done.” But there was a critical reason for Derek’s strange absence: behind the scenes, there was talk of Dempsey’s diva-like fits and tension between him and Pompeo. To help manage the explosive situation, executive producer James D. Parriott was brought back in to serve as a veritable Dempsey whisperer.
Patrick Dempsey [That] was the first year that I haven’t been in every episode. I [was] in every episode since the pilot— close to 250 episodes. That [was a] huge run. James D. Parriott Shonda needed an OG to come in as sort of a showrunner for fourteen episodes. There were HR issues. It wasn’t sexual in any way. He sort of was terrorizing the set. Some cast members had all sorts of PTSD with him. He had this hold on the set where he knew he could stop production and scare people. The network and studio came down and we had sessions with them. I think he was just done with the show. He didn’t like the inconvenience of coming in every day and working. He and Shonda were at each other’s throats.
Jeannine Renshaw There were times where Ellen was frustrated with Patrick and she would get angry that he wasn’t working as much. She was very big on having things be fair. She just didn’t like that Patrick would complain that “I’m here too late” or “I’ve been here too long” when she had twice as many scenes in the episode as he did. When I brought it up to Patrick, I would say, “Look around you. These people have been here since six thirty a.m.” He would go, “Oh, yeah.” He would get it. It’s just that actors tend to see things from their own perspective. He’s like a kid. He’s so high energy and would go, “What’s happening next?” He literally goes out of his skin, sitting and waiting. He wants to be out driving his race car or doing something fun. He’s the kid in class who wants to go to recess.
Patrick Dempsey It’s ten months, fifteen hours a day. You never know your schedule, so your kid asks you, “What are you doing on Monday?” And you go, “I don’t know,” because I don’t know my schedule. Doing that for eleven years is challenging. But you have to be grateful, because you’re well compensated, so you can’t really complain because you don’t really have a right. You don’t have control over your schedule. So, you have to just be flexible.
Longtime Crew Member Poor Patrick. I’m not defending his schtick. I like him, but he was the Lone Ranger. All of these actresses were getting all this power. All the rogue actresses would go running to Shonda and say, “Hey, Patrick’s doing this. Patrick’s late for work. He’s a nightmare.” He was just shut out in the cold. His behavior wasn’t the greatest, but he had nowhere to go. He was so miserable. He had no one to talk to. When Sandra left, I remember him telling me, “I should’ve left then, but I stayed on because they showed me all this money. They just were dumping money on me.”
Patrick Dempsey It [was] hard to say no to that kind of money. How do you say no to that? It’s remarkable to be a working actor, and then on top of that to be on a show that’s visible. And then on top of that to be on a phenomenal show that’s known around the world, and play a character who is beloved around the world. It’s very heady. It [was] a lot to process, and not wanting to let that go, because you never know whether you will work again and have success again.
Jeannine Renshaw A lot of the complaining … I think Shonda finally witnessed it herself, and that was the final straw. Shonda had to say to the network, “If he doesn’t go, I go.” Nobody wanted him to leave, because he was the show. Him and Ellen. Patrick is a sweetheart. It messes you up, this business.
James D. Parriott I vaguely recall something like that, but I can’t be sure. It would have happened right toward the end, because I know they were negotiating and negotiating, trying to figure out what to do. We had three different scenarios that we actually had to break because we didn’t know until I think about three days before he came back to set which one we were going to go with. We didn’t know if he was going to be able to negotiate his way out of it. We had a whole story line where we were going to keep him in Washington, D.C., so we could separate him from the rest of the show. He would not have to work with Ellen again. Then we had the one where he comes back, doesn’t die, and we figure out what Derek’s relationship with Meredith would be. Then there was the one we did. It was kind of crazy. We didn’t know if he was going to be able to negotiate his way out of it. It was ultimately decided that just bringing him back was going to be too hard on the other actors. The studio just said it was going to be more trouble than it was worth and decided to move on.
Stacy McKee I don’t think there was any way to exit him without him dying. He and Meredith were such an incredibly bonded couple at that point. It would be completely out of character if he left his kids. There was no exit that would honor that character other than if he were to die. Patrick Dempsey I don’t remember the date [I got the news]. It was not in the fall. Maybe February or March. It was just a natural progression. And the way everything was unfolding in a very organic way, it was like, “Okay! This is obviously the right time.” Things happened very quickly. We were like, “Oh, this is where it’s going to go.”
So that was that: McDreamy would die in episode twenty-one of season eleven, even though Dempsey was in year one of his recently signed two-year contract extension. Rhimes wrote a script that was befitting of her lead’s heroic persona: she began “How to Save a Life” by having Derek witness a car crash and helping the injured. Once it appeared everyone was out of harm’s way, Derek continues on his road trip but is suddenly broadsided by a truck.
Rob Hardy (Director) The paramedics leave. He’s there by himself. He’s having a moment. The nice music is playing, and all of a sudden, bang. It comes out of nowhere, which, you know, is how accidents happen. So as opposed to watching it as a viewer, we saw the accident happen through Derek’s perspective. Derek ends up at Dillard Medical Center, a hospital far from Grey Sloan and the talented doctors who work there. His eyes are open, but his brain is severely damaged. No one hears his plea for a CT scan; he can’t speak. To help keep the episode a secret, the scenes were shot in an abandoned hospital in Hawthorne, California, about twenty-two miles from the show’s home studio in Los Feliz.
Mimi Melgaard It was really hard on all of us because it was so secretive and we had so many different locations. We shot at this closed-down hospital that was absolutely creepy haunted. All the scenes there were so sad anyway, and in this yucky-feeling haunted hospital? It was really weird. His whole last episode was really tough. Patrick Dempsey It was like any other day. It was just another workday. There was still too much going on. You’re in the midst of it—you’re not really processing it. Rob Hardy Here’s a guy who’s immobile. Now you’re inside of his head. We were trying to make that feel scary from the perspective of a person who’s used to being in control, from a person who usually has the power of life and death in his own hands. But now he doesn’t have the ability to speak on his own behalf.
Samantha Sloyan When I went to audition, I didn’t recognize any of these doctors’ names. I assumed they were just dummy sides so people wouldn’t ruin the story line or anything like that. All we knew is that we were dealing with a man who’s been in a car accident. I had no idea that it was going to be Derek. I just figured I was going to be a guest doctor and that whoever this person was who was injured, was going to be just a character on the show. Once it became clear what we were working on, I was like, Oh, my gosh. I can’t believe this is the episode I’m on.
Mike McColl (Dr. Paul Castello) I signed an NDA before they would release the script to me. I was reading it in my house, and I was like, “Oh, my God.” I didn’t tell anyone, including my agents. I just said, “This is a really great booking. It’s a great role on Grey’s.” And they didn’t know anything until it aired.
Savannah Paige Rae (Winnie) The first scene I shot was actually the sentimental scene when I’m saying, “It’s a beautiful day to save lives, right?” I’m in the hospital room with Derek and talking to him. Even though I never watched the show, I recognized the value of the episode I was in and just really took it to heart. It was so special that I got to be a part of it.
Rob Hardy [Patrick] had a lot of emotions during the whole shoot, which evolved. I think when we first started, he was very calm and cool … the same Patrick that I remembered when I worked on the show a year or so before. With each passing day, he was a lot more emotional. A lot more was on his mind, and that would show itself in different ways. The finality of the episode and for his character was setting in. You’ve become a global icon on this show and then in five, four, three, two, a day … it’s over.
James D. Parriott Patrick was very cooperative and good.
Mike McColl When I met Patrick, he’s lying on a stretcher and we’re rushing him into the ER. I just introduced myself, shook his hand, and was like, “Man, I cannot tell you what an honor it is to be the guy to take you down.” He loved it. He could not have been nicer to me and was funny through the whole shoot. He was on the table in front of me there when I cut his chest open and all that stuff. He gave me a hug at the end. It was a real privilege to be a part of TV history in that way.
Samantha Sloyan I remember him being incredibly kind. They had his neck in a brace, and he’s strapped down to the board, so there wasn’t a ton of chatting. I remember him being really kind, but it was clearly intense for him.
Stacy McKee It was such a beautiful piece of storytelling. I knew this event was going to be a really sad, horrible event for Meredith, but I also knew it was going to be the beginning of such an incredible chapter for Meredith.
Dempsey completed his final hours of shooting on a rainy night. There was no goodbye party, no goodbye cake. Maybe that’s because some cast members were left out of the loop. James Pickens, Jr., told ABC News that the cast “didn’t know a whole lot. It was kind of on the fly. So whatever information we got, we pretty much got it kind of right before it happened.”
Caterina Scorsone (Dr. Amelia Shepherd) I didn’t get to say goodbye to Patrick when he left. I do think that helped, because I’ve been using the character of Derek in my internal landscape since Private Practice. Derek was the stability in Amelia’s life. He became a father figure after they watched robbers shoot their father. When he was suddenly gone from the show, we didn’t have that closure, so I got to play it out. She’s about to use drugs again before Owen confronts her in a way that she finally talks about her feelings about losing Derek. She doesn’t end up using.
James D. Parriott The day he left, that was my last day. There was a certain sadness to it, but I think he was relieved. I mean, I think it took a toll on him, too.
Rob Hardy I didn’t see other actors showing up and saying, “Hey, it’s the last day! Wanted to come and wish you well.” I didn’t get that. It was more the Patrick show. We were in the Patrick world, and then Ellen came, and there was definitely a lot of emotion that both of them had individually … not necessarily together. It was more so her being there on the day that he died. He had his own way of being with that, and the same thing with her. It was like two people who grew up together and … here we are. They had their own way of reflecting.
Patrick Dempsey I very quietly left. It was beautiful. It was raining, which was really touching. I got in my Panamera, got in rush-hour traffic, and two hours later I was home. Big news like this doesn’t stay quiet for long. Both Michael Ausiello—who left EW in 2010 to launch the news site TVLine—and Lesley Goldberg of The Hollywood Reporter learned two weeks prior to Dempsey’s final episode that he would be leaving the show. No reporter worth their salt wants to sit on a scoop—least of all one as huge as this—but Ausiello and Goldberg didn’t want to spoil the outcome for fans, so they agreed to hold the story until after the episode aired. I eventually found out, too, but in the nuttiest way imaginable: I was standing on the set of CSI: Cyber, watching Patricia Arquette talk about some droll techno-criminal. Unfortunately, the publicist also cc’d Dempsey’s manager and ABC publicist while trying to give me a major story, so I couldn’t immediately report the scoop. But I did use the information to successfully negotiate the one and only exit interview with Dempsey. Two weeks before his final episode, I met him and his publicist at Feed Body & Soul in Venice, California, for a story that would hit newsstands on April 24. He seemed a little shell-shocked and at one point choked up, but at the time he said nothing about how his on-set behavior may have contributed to his ouster. My editor, Henry Goldblatt, wanted to put him on the cover of Entertainment Weekly, but he couldn’t guarantee to ABC that no one would see it before the episode aired. Good thing we didn’t: some subscribers got the issue on the morning of Dempsey’s final episode— and one actually tweeted the story. Our PR department tried to get the tweets removed, but the cat was out of the bag: some fans found out early that McDreamy was about to be McHistory. Outlets like Variety reported how the story got out early, while our PR department released this statement: “We are surprised that an EW subscriber may have received their issue a day earlier than planned. We always try our best to bring readers exclusive news first. We would like to apologize to fans of the show that learned the news ahead of time.” Dempsey’s final episode was watched by 8.83 million viewers—the show’s largest audience since the premiere that season. Variety even pontificated whether the ratings boost was due to my exclusive with Dempsey.
Lesley Goldberg (The Hollywood Reporter) I’m used to working with networks to hold news as part of their efforts to guard against plot spoilers. But the way Patrick Dempsey’s exit was handled involved a layer of paranoia and secrecy that has been unlike anything I’ve seen in my reporting career. News that he was leaving, and his character being killed off, would have been a major story considering how big the show is domestically and internationally. However, it also would have meant spoiling the episode and, more important, damaging key relationships I’ve worked hard to build. At some point, publishing the news of Dempsey’s exit before the episode aired became an ethical question of what was more important—a big story and its subsequent traffic, which would have come no matter what, or the relationships and trust that it took years to craft. Ultimately, I still published early because EW subscribers received the issue with Lynette’s Dempsey interview before the episode aired.
Mike McColl The morning after Derek’s last episode aired, my daughter sent me a link that was on YouTube or Facebook or something. I actually pulled it up to look at it, and it was a Grey’s Anatomy showbiz cheat sheet. It asked the question “Who is the attending doctor who killed Derek ‘McDreamy’ Shepherd?” It included a photo that I posted from the set. I had on a bloody rubber glove and was in my scrubs and mask. I never obviously would have posted this before it aired. I posted it well after the episode aired, and I [captioned it] “McDeadly.” This writer said something like, “Kill McDeadly.” Maybe that’s why the producer didn’t choose a big-name actor to be the one who killed our beloved McDreamy! I want to be ultrasensitive to these hard-core fans because it means so much to them, and I certainly didn’t mean in that case to make light of it. It’s just, I’m an actor, and I recognize it for what it is. Is everybody clear on the fact that this is just pretend and Patrick knew he was going to be leaving the show? It was just like, “God. He’s okay. He really is okay.”
Peter Horton Derek was going to be there forever with Meredith because you went through a whole journey with them. That was incredibly fulfilling. So even if he’s not there, he’s there. I don’t think any of us really worried about that going away because by then you were so invested in it. The show can last as it has for years.
Patrick Dempsey Lots of people [miss him]. “It’s good to see you alive” is the comment I get. I’m like, “Yes, I’m very much alive in reruns.” People were really invested in that relationship. I knew it would be heavy. Very happy to have moved on with a different chapter in my life.
Samantha Sloyan The montage just killed me, when Meredith says, “It’s okay, you can go.” God, I’m getting choked up just thinking about it. The chemistry they have as a pair and the way they were able to build that and sustain it! So many of these relationships are, like, “Will they, won’t they,” and then it wears thin. They sustained it for the duration of their relationship on the show, and it’s just, I think, a testament to what those two created. It was just unbelievable.
Pompeo addressed Dempsey’s departure with a tweet that focused solely on his character, not on how she spent eleven years working side by side with him: “There are so many people out there who have suffered tremendous loss and tragedy. Husbands and wives of soldiers, victims of senseless violence, and parents who have lost children. People who get up every day and do what feels like is the impossible. So it is for these people and in the spirit of resilance [sic] I am honored and excited to tell the story of how Meredith goes on in the face of what feels like the impossible.” Meanwhile, fans futilely created a Change.org petition to reinstate McDempsey, while other, more desperate ones simply tweeted “We Hate You” to Rhimes.
Shonda Rhimes Derek Shepherd is and will always be an incredibly important character—for Meredith, for me, and for the fans. I absolutely never imagined saying goodbye to our McDreamy. Patrick Dempsey’s performance shaped Derek in a way that I know we both hope became a meaningful example— happy, sad, romantic, painful, and always true—of what young women should demand from modern love. His loss will be felt by all.
Talk about the mother (father?) of all postscripts: In November of 2020 Dempsey reprised his role as McDreamy in the season opener—but only in Meredith’s dreams. Stricken with COVID-19, an unconscious Meredith “imagined” reuniting with her husband on the beach. After talking exclusively to Deadline and saying how it was “really a very healing process, and really rewarding,” Dempsey would return for more beach-based episodes that would ultimately stand out as the best moments of season seventeen. “It was a second chance thing,” one ABC executive told me at the time. “Shonda likes a comeback. Also, they wanted him in their last season.”
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msgrumpygills · 2 years
Note
- Jared tweeted this about Angelina jolie “I guess Angie has put on some lb’s. It was hard for me to count all of her ribs thru her dress.” I mean she has been suffering from anorexia !
- Jared doxxed an employee at live nation
- he doxxed an employee at American airs
- this is the video of him bribing the cops after assaulting his employee : https://youtu.be/EvFkbH-5va4
- he tweeted from Misha’s twitter account that he’s pro torture
- he called Kim’s vogue edition “ expensive smut “
- this was the statement of restaurant he doxxed : This is the problem with Social Media. This "movie star" was in B-
restaurant in MN. I am not sure of all the details other then I just got a
very, very upset call from her that this person has put her on his Facebook
page, slandering her. Yes, he was at her restaurant, and yes BE
Ican
be outspoken but she is NOT a mean person, and would help anybody.
Obviously this person has a large following and of course everyone is
jumping on the band wagon without even knowing the whole story here or
what took place between the two of them. She even tried to talk to him in
private to clear up any possible misunderstandings. She has never had
anything like this happen to her, and is very well liked by all her peers and
fellow coworkers and this person has the potential to ruin her life in one
sweep. She does not even have a twitter account nor does she evern
understand it. she is rarely even on her FB page (which she has taken
down). But someone is claiming she said mean things to this person via
Twitter. When he came into her restaurant she didn't even know who he
was, maybe he is pissed because of that. Either way, this is very, very
upsetting and another good example of how social media can really cause
a shit storm. She has no recourse as she does not have millions of
followers and now Lawyers etc. from her work have to get involved. I
seriously can't believe it.
the same anon who sent you Jared’s fuck ups
When a fan called Jared out on doxxing this was his reply : Thank you for iuing your opinions and your concern. You are, of course, entitled to both. As far as last night goes, I didn't receive "poor service". I didn't have mustard instead of mayonnaise on my burger, and she didn't give me too many or too few cubes of ice in my drink. The picture of her playing on her phone was the NICEST thing she did during the course of the evening....… No. I was subjected to a mean, spiteful human being. Period. She was mean. She was a bully. She, specifically, did several things that hurt mine (and our) feelings. She made me feel singled out and not welcome and "less than" (maybe you've been in the same situation before?). She ruined my night (if not my trip) in Minnesota. Furthermore, I'm not incredibly happy to have you express that you believe I'm not entitled to share my concerns or unhappiness because I'm a "celebrity". That's akin to the people who told me that I should be "happy" because I'm "successful", and that I shouldn't have "depression" or "anxiety" because "famous people" are so "lucky". And I very much don't appreciate being victim shamed, even though I'm "famous" and should just "deal with it and keep quiet about it. At the end of the day, I am a human being that breathes oxygen. The same as you. And, sometimes, there are people who hurt my feelings intensely and I want to reach out to my social media family to express my hurt and let y'all know that I, too, sometimes run into mean people who aim to ruin my day. As far as "keeping future grievances" more private? Simply put, no. I will not let you silence or censor me and my feelings the same way those in the past have tried to silence or censor or ignore or belittle my feelings. I've worked too hard for too long on myself to be told to take negativity that's sent my way, and shut up about it, just because I'm a "celebrity". I'm truly sorry that the existence of my hurt disappointed you, and I wish you peace and happiness. With love, jp. This was Jared’s reply to a harmless joke about Jared being Jared’s biggest fan : hey kayla, that hurts me. i have struggled with doubt and depression, no matter my position, and to read something like that makes me want to tell you, honestly, that this is for my friends and the fans, if you can't understand, then i am truly happy for you. But don't you ever try to imply that i am here for myself, how dare you. Please leave my Facebook and twitter pages. You are poison.
the same anon ,
This is his reply to a teen fan who just joked about don’t talk about dean : I saw it. It's hurtful.…. I wish you nothing but the best in your life. I wish you peace. I hope that the phenomenal folks that support me don't cause you any more strife and pain than you're already going through. You will be whoever you want to be.
sorry if this got too long and its okay if you want to ignore this .
Whew! So I apologize for taking a while to respond, I had read these messages the other day and just got so annoyed at Jared and his behavior so I needed to take a break lol. I combined your asks and changed the format just a little bit to shorten the post! 
First of all; fuck Jared. I just needed to get that out before I go on. I also want to apologize ahead of time because this is going to get long. I’m actually going to put this under a read more because it’s gonna get wild.
What he said about Angelina Jolie is disgusting. AKF amirite? Even if she wasn’t struggling with anorexia (I don’t know enough about her to know if that is true or if it was just something being said about her) he has NO RIGHT to be commenting on other people’s bodies. In the case that she did have anorexia, fuck him for cherry picking who he thinks should be exempt from his bullshit comments when it comes to mental health. 
That statement from the restaurant Jared doxxed was heartbreaking. Obviously we don’t know what happened that night, but there is NO EXCUSE to dox someone because you’re throwing a fit and didn’t get the treatment you feel so entitled to. This woman tried to meet with Jared and clear things up and he still went on with blasting her on social media and causing her emotional distress and to take her accounts down because of the harassment he incited. He doesn’t see service workers as people, he sees them as servants and if they dare to put a toe out of line, it’s open season on them. We don’t know the situations, but I think it’s safe to assume Jared isn’t the most reasonable person to deal with I mean we’ve seen his tantrums and his behaviors. 
But as we can see, Jared can dish it out just fine but he can’t take it. That brings me to the Twitter essays. 
Poor wittle Jared had some bad service. Poor Jared wasn’t waited on hand and foot. Poor Jared was forced to go to Twitter and blast someone to his rabid stans because he was obviously incapable of talking to management instead. Poor Jared was shown some karma and got given some treatment that he’s dished out to plenty of people. Poor Jared had his trip ruined and then had his whole night ruined by someone calling him out on his bullshit behavior. Woe is he! 
Literally no one told him he couldn’t be upset and shouldn’t be shown the same courtesy as other customers. But he has ZERO right to put people in danger by blasting them to his stans that he is very aware, will cause problems on his behalf. He’s really quick to change his tune on mental health though! Angelina Jolie is subject to ridicule, and PSH? Cowardly! But poor Jared is fighting for his right to have anxiety and depression when it’s convenient for him! Fuck him for using that as a crutch against rightful criticism. He’s making stigma worse.
Don’t censor poor Jared! He should be able to dox people all he wants because he’s just a human! Poor Jared is entitled to be a total shit bag and put people at risk when he’s mad! 
He is really good at treating people like shit just to turn around and attack people for calling him out or making jokes. It’s okay when he makes tasteless, disgusting jokes, but when someone makes a harmless joke? Poison! And once again, using his mental illness as an excuse! What an advocate! 
He’s such a raging hypocrite and reading all of this made me pissed off. There are people who defend his behavior even while watching him flip-flop back and forth, contradict himself, further harmful stigmas about mental health, and act like a jackass to people. 
So again, fuck Jared. 
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hkblack · 2 years
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(1/2) Hi! I'm looking forward to your tips and tricks for editing/beta reading. One thing I sometimes find challenging when betaing for others is distinguishing between my personal taste and what could objectively improve the piece. Basic SPAG is straightforward enough, but when it comes to the more subjective aspects of writing, I worry about inadvertently imposing my own preferences/style on the author, when they may have an equally valid writing voice that's just very different than mine.
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Hi @anonymousdandelion!
You sure do know how to start with the easy questions, don’t you?
I have about twelve drafts in a word document answering this question. I’ve got a bulleted list. I’ve got flow charts. I’ve got things broken down into how each one of those points should be it’s own post all on its own.
Ultimately I found myself chatting with the amazing @ambrasue. Ambra is a brilliant human and just posted the final chapter of Striking Chords, which is not only a great Human AU Good Omens fic in which Crowley is a Country Music Star, but also a repository of some of the best recs I’ve seen regarding Queer Country Music. There’s even a Spotify playlist based on Ambra’s recs because we all need more queer country music in our lives. Anyway! Ambra and I first started chatting when she needed help with some music metaphors for Striking Chords. I uh, have a degree in music so...I think I'm a good resource for music metaphors. When I put out a call for beta-readers for one of my own WIPs, Ambra offered her services. We were chatting about other things, including this Tumblr, and I brought up your ask.
She said this:
there needs to be a give and take, in so far as the beta needs to trust that if a suggestion isn’t what the writer is going for, the writer will say so, and no hard feelings either way. That’s maybe the best way to learn about what’s them and what’s you?
And my heart soared because in each draft I wrote in answer to your question, I tried dive into the trust that you need to have in yourself, in your writer, in your beta-reader, in everything, and I think Ambra summed it up perfectly in her response.
There are so many facets to the trust needed between a writer and a beta-reader. Here’s my trust statements:
As a writer I trust that my beta-reader is offering me suggestions that serve my story as a whole. I trust that my beta-reader has my story’s best interest in mind. That they are acting in good faith with every suggestion. I trust that they will not be offended if I do not take a suggestion. I trust that my beta-reader is not out to get me. I trust that an outsider’s opinion is only going to help me strengthen my plot and the weak points within it. I also trust myself to not take suggestions personally. I trust myself to know when a note is something I can work on at that moment. I trust myself to know if a note is a good note—but not the note I need at that moment in time, or in that story. I trust myself to take suggestions at face value. And, most importantly, I trust that my works are still valid and good even if I did make a mistake or get a lot of notes.
As a beta-reader I trust that my writer will not take things personally. I trust them to know their story, their world, and their writing better than I do. I trust them to take suggestions that they are ready to hear, and able to take, at face value. I trust myself to not take things personally when they don’t take my suggestions. I also trust myself to not take any kind of ownership over the pieces I beta-read, even if I see lots of my suggestions/rewrites scattered throughout the writing. I also trust myself to know the difference between a suggestion that serves the story as it is and a desire that I have as a reader. And when it is or is not appropriate to voice that second kind of suggestion.
This is really hard if this is the first time you’re working with someone and don’t know them/their voice/their style very well. So that last piece of trust I have as a beta-reader is super important. If it’s my first time working with you, and we are still on my first pass through the story, I will not give any notes that I cannot absolutely anchor in something objective.
“But what if you’re beta-reading something unfinished and the question the writer has is literally: what should I do next?”
I will dig through their work and find the crumbs that they’ve laid down to support as many variations on the theme they are going for. Everything I give to a writer when I first work with them will be based in the words they’ve already written.
If I’m reading and think to myself “Oh [blank] would be funny here” or “It’d be great if [blank]” I will absolutely stop myself and interrogate that line of thought to determine if it is something I have thought because their writing has lead me there, or because my fanfic brain, which already likes to riff on stories, is trying to build something else. If my fanfic brain is just bouncing along going “ha! What if they kissed?” then that thought never gets voiced to the writer. But if it’s, “Hey, you have this running gag throughout the rest of the story—and here is another excellent place to slide it in” I will give them that suggestion.
And I will trust the writer to know if that’s a suggestion that fits in their voice or not.
… Does this answer your question? It’s a big one, so I feel like this can be a continuing conversation because hoooo. You just came right out the gates punching with the heavy hitter.
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