In the days it takes you to heal from your injuries, Luffy comes to your bedroom to sleep next to you every night. He does try, the night after the first, to sleep in his own bedroom but he can't. Usually sleep comes easy to him, especially after a long day of adventure but not now. He closes his eyes, trying to think of your wounds healing, your soft breathing, your warm hand holding his, but he can't fall asleep. He huffs in irritation and rises from his bed, sulking across the ship to knock on your bedroom door and opening it slowly. You put down your book, you were also struggling to sleep, and open the covers for him. You smile at each other as he excitedly hops into your bed.
And so it becomes routine for you two. Even as your injuries heal completely, as the sunsets and the crew walks off to their separate bedrooms, Luffy follows you into yours and you let him. It becomes normal to roll over in the middle of the night and snuggle into his warm body, to wake up in the morning with his arm wrapped around you, to feel him pull you closer in his sleep, to giggle at his sleep-talking, to hear your name in his mumblings. You offer to let him keep his toothbrush and some clothes in your room, he accepts.
Sleeping together becomes so routine that you have trouble sleeping without him. There were times when you two would be separated by a foe that Luffy challenged and each night you would stay awake staring at his side of the bed, worry clouding your mind and making it impossible to sleep and eventually when Luffy defeated the foe, he would be covered in bandages and it was your turn to listen to his soft, even breathing as he slept. There were times when you be working late into the night and he would come find you, curling up on the floor next to you to sleep in your presence until you eventually finish and drag him back to your bed so you can both sleep comfortably. There were times when you would get angry at him for putting the crew in danger with his recklessness and you'd slammed your bedroom door in his face and toss and turn, your anger at him turning into desperation for him to just come to bed already, eventually you get up to find him and as you open your bedroom door, Luffy's sleeping frame falls on your legs. He'd been sleeping against your door. Smiling you pull his rubbery body into bed and cuddle up next to him, his heartbeat your lullaby. He smiles in his sleep and his arms come up around you. Whenever he's missing his hat or sandals, you find them by your bed.
This new routine of you and your captain sleeping together left your other crewmates with their mouths on the floor several times. They still hadn't gotten used to you two waving goodnight and walking into the same bedroom. When they would ask, you tried to explain but there really wasn't anything to explain. You and their captain couldn't sleep unless you slept together. That's all, why do they always stare at you in such surprise when you say that? Their shocked faces didn't discourage you both into cuddling up to each other at night, finding relaxation, warmth, safety, and comfort in each others arms. What was once your space becomes "our bedroom", "our closet", "our bathroom".
okay ngl i'm kind of confused by "saying you find quinn's DR's/whatever annoying/cringy is extremely cruel" type of rhetoric when we just got off a season where blue was mass clowned for her kitty kitty purr shtick to the extent of viral tweets about it? 💀
Taikan Yohou is so extra funny on the rewatch because you can really see how much Yoh and Segasaki both think they're communicating effectively and straightforwardly, and it's just the other guy who is the incomprehensible enigma.
Part of me is looking at this and nodding in accomplishment. The other part thinks it's cringe. However I love it either way! This is Shotput and I'm putting the context for this under the cut!
So, Shotput is one of my shipkids from Eternal Ashes! He's Killer and Dream's only son, and he's really only a sudecgaracter to EA, but he's got a special place in the story too lmao.
Shotput (his real name is Shooting Star but he stopped responding to that name around age 10~11) was best friends with Reset, the main character of EA. Shot was meant to be a sort of bringer of peace, a child between former enemies, and a good influence for everyone around. Of course, Killer still worked for Nightmare and, while he no longer fought Dream directly, he still caused a lot of chaos. His loyalty laid with Nightmare. So, Dream (and by Dream I mean the combined effort of any AU who could babysit + Dream) raised Shotout practically on his own. Shot barely knew Killer, but he looked up to him a lot, because Killer did all the fun things that Dream said were bad. But even while Killer did 'bad things' he was still nice.
So, idk, I just thought this would be a fun way to bring my young!Shotput design to life before I went back to doing my Orchid piece (<- Orchid and Shotout canonically were made around the same, so they're nearly twins, even tho they're cousins. They hate eachother.). Killer loves Shotput, and later on in the story they get to bond more when Shotout moves to live with Killer, but at the point that this clip is meant to show? He doesn't get why they (the adults) all seem so angry with Killer all the time! (<- it's Because Killer, like, killed people. They don't want the lil guy around him lmao-)
And side note: Shotput has beef with Orchid because not only does Reset (his supposed bff) choose her over him to plan and hang out with, but Killer chose to stay with Night in Shot's youth, and Killer knows Orchid better than he does Shot. He resents Killer when he's older, but at this point he's just Baby!
me waking up in a cold sweat at 6:20am: "I should get evening classes to be a hair dresser & training to be a makeup artist to be my own hair/make-up person on photo/video shoots and defy industry's single-gender-dominated-and-not-improving department segregation system like the all-rounder online creator that I am 👀😤"
the way that top didn't tell mew he loves him when mew was screaming at him because he knew mew wouldn't believe him even while he was thinking the whole time about how deeply he had hurt the person he loves the most
One of my favorite things about the worldbuilding in The Left Hand of Darkness is the "perverts" in Gethenian society—those who are permanently in one of the kemmer forms. The "normal" person on Gethen goes through a kemmer cycle with periods of somer, but that's not every Gethenian. People whose bodies don't work this way get treated with repulsion. Genly compares them to "homosexuals" in his society, and that comparison is really instructive. Gethenians may not have gender roles and identities the way we do, but they do have societal norms, including about bodies and sexuality. And those norms leave people out. They are imperfect and sometimes they are unfair. I think this is part of the point.
In subtle ways, this theme is woven throughout the book's descriptions of Gethenian cultures. To stick to sexuality, something similar can be said about the different norms surrounding incest on Gethen and the empathic treatment of Estraven's past relationship with Arek. There is no taboo about incest between siblings on Gethen, only on siblings vowing kemmering, but if a child is born of it, the parents have to separate (and it seems like Estraven is separated from Sorve because of this). The reason for including this element, in my reading, isn't to impose our own moral standards by "showing" that Estraven's relationship with Arek was "bad" (in fact, we learn fairly little about it, beyond that Estraven cared deeply for him.) Instead, I think it's partly to demonstrate the dissonance between Gethenian mores and our own, and unsettle both. Because, like Genly, we see Gethenian norms as strange, we can notice that they bring about particular situations and cause particular hurts. Even the custom of vowing kemmering monogamously for life, which sounds more familiar, is shown as double-edged. Estraven breaks a taboo by making his "false" vow to Ashe, but was trying to build a new life with Ashe really wrong?
These things are not 1:1 to any "real life" issue, but like everything else in this story, I think they're chosen because they are provocative. It's really meaningful to me that even in terms of gender and sexuality, Gethen isn't painted as a utopia, but as a real place. Le Guin shows us two sets of norms and asks us not just "are our norms arbitrary and/or constructed rather than essential truths?" but also "are norms always socially constructed? Should we question them sometimes? What harm is done to maintain them? Who is being left out?"
It's kinda funny because w/ my Zeus kid OC (who I've been thinking about renaming as Araceli, 'cause it means altar of the sky, apparently, which I like 'cause sky-themed-ish but also like. A little bit I wanted something that meant cloud the way Coral's name means... Coral) the implication is that she takes after her father to an almost mirroring degree because I developed her and my other PJO OCs (who also all got retconned into an OG work) at the same time I was playing around with my ideas on the Big Six, and the gist at the time was supposed to show how the Big Six could've turned out if they weren't so weird.
So the dynamics of the friendship was supposed to be very similar to the dynamics of Big Six's relationship to each other (e.g. Mary having a major crush on Hera's "representative" but also being attracted to literally every other person that walked by, Nico being the soberminded big brother figure, etc). It's also one of the reasons Mary would get angry whenever someone would compare to her dad, because similarly I think Zeus would get angry if someone compared him to his dad.
And then eventually as I got older and the daydream moved around with whatever obsession I had at the time, the characters and general storyline began to change away from that in some ways but core features sort of stayed and so I ended up with a version of Zeus that ignores his daughter's pleas for help because he loves her but her pain hurts him because he can't do anything about it and it's his fault she's suffering.
She got this intensity from him, it's ingrained into the way it's ingrained in him. But he was able to rebuild the world according to his own needs and wants and beliefs. And she can't really do that. So he doesn't have any advice he can give her when she's on her knees begging for help with all the noise and pain in her head. He doesn't know what to do! It's like he can just go and rip it out of her.
But she's suffering because she's different and she's weird and she knows it and she knows it's his fault which is why she's asking but he just doesn't know and he can't handle watching her suffering and listening to her cry when there is no helpful answer to give her because "I don't know" isn't going to fix it.
He's supposed to fix things, he's supposed to have the answers. He's king of the world, by damn! He's a problem solver. He supposed to have a solution, and a million backup solutions. But he doesn't! There's nothing he can do to make the noise stop because truth be told, the noise never really stopped for him! It just got easier and quieter. So he turns away from her because he loves her and he's failing her and he can't handle that.
But also in the same breath, I think he recognizes similar aspects of himself in Jason, who isn't even asking for help, and fucking despises him for it, lol.
hey how much is sapnap and matpat in the new tommyinnit video, i want to watch but i don't really want to see them
Matpat isn't in it. Sapnap is but it's just Tommy seeing him coming out of a store, asking if he's fucked up mentally, sapnap says no and Tommy is like "nice seeing you" very dryly and sarcasticly, and leaves. A lot of people say Tommy was being a bitch to him on purpose but he has autism and I ALSO have autism so....idfk