#portrayal of god

[noperopesaredope]

I just randomly remembered the fact that, when I was a little kid, I thought God was supposed to look like this mf:

And I just thought that everyone knew that. This is the canonical version of what (the Christian) God looks like. I was so baffled when I learned that that is not the common portrayal of God, and that my figurine of this guy was not a figurine of God, he was just from Star Trek. Nevertheless, when someone mentions God, I almost always imagine this guy.

[starry-bi-sky]

my martha knight au in a nutshell:

Danny/Martha: see up here?

Danny/Martha: *taps skull*

Danny/Martha: intense psychological damage

-----------

Danny/Martha: *upon finding out she's pregnant*

Danny/Martha: oh my god i cant be a mom, I'm fifteen and homeless--

Danny/Martha: im going to be a terrible mother--

Danny/Martha: i live in a cAR--

Danny/Martha: what if the baby inherits my powers? Oh no--

-------------

Danny/Martha post giving birth: i've only had Bruce for a minute and a half but if anything were to happen to him i won't even need to fuse with Vlad, I'm razing this goddamn planet to the ground myself

Danny, to Baby Bruce: you are the last remaining thread of my sanity. I'm going to give you the world :)

---------------

Danny/Martha prior to getting pregnant: Fuck it, if everything in my life has led to this moment, i'm allowed to make one stupid decision. I'm getting drunk and getting laid

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Danny/Martha while Bruce was a toddler: i swear to fucking god i am going to kill the next person who talks to me--

Bruce: hi mommy!! i brought you something!!!

Danny/Martha, immediately flipping on a dime: hi baby!! what do you have?

Bruce, a weird child like his mother: a spider :)

---------------

Danny/Martha, talking to Falcone after he made an unsavory comment at her and Bruce: If you ever come near me or my son again, I will dig up your shithead father's corpse and make you eat his skin.

Danny/Martha: do you understand me

Falcone:... crystal, ma'am

---------------

Danny/Martha new in Gotham: *getting mugged*

Danny/Martha: *grabs man's arm*

Danny/Martha: I AM GOING TO BREAK YOU IN HALF LIKE A TWIG, FUCK BOY, DO YOU HEAR THE WORDS COMING OUT OF MY MOUTH--

(she then proceeds to terrorize Gotham's night life for the next extended period of time, mostly unintentionally)

---------------

Danny/Martha: Danny Fenton?? No. you must be mistaken, my name is Martha Knight.

Danny/Martha: this here is my littlest knight, Bruce.

Danny/Martha: I made him all by myself :]

[cosmokyrin]

The Huntress in the Woods

—

Artwork powered by Free and Open-Source Software (FOSS): Linux Mint MATE 21.1 and Krita 5.1.5

[lasagoofs]

Hadestown lineup because I was lucky enough to go see it in ny a couple weeks back and I've been listening to the songs on loop ever since

bonus sketches:

[bandtrees]

warrior cats fans are the uncontested kings of getting mad at something before it happens that doesnt even happen

[kcrra]

you know for all their flaws, the bravest thing the enola holmes movies have done is introduce what is perhaps history's first fuckable portrayal of the sherlock holmes character

[ooooo-mcyt]

I think the thing I really love about Desert Duo is the warmth between them.

The way they banter and poke and prod at each other but always with an undercurrent of fondness. Scar teases about Grian's secret soulmate, Grian huffs that his heart is for someone special, Scar whispers with Pearl about ideas to mess with their soulmates, Grian mutters about leaving the desert all season. They both stay. They both giggle together and quickly drop any faux hurt.

The way they play each other. Scar coaxes Grian into doing work for him, Grian snatches a life away from Scar, Scar practically robs Grian blind through 'fair trade', Scar stabs Grian in the back in Thirdlife, Grian stabs Scar in the back in Limited Life. It's all in good fun. They sigh and roll their eyes and smile.

The way they gravitate towards each other. Easily partnering in Thirdlife, dancing around an alliance in both Last Life and Limited Life, being paired by the universe in Double Life, trying to reach for each other only to be torn apart by the universe in Secret Life. They meld easily together, like whispered plans and a presence beside each other is the most natural thing in the world.

The way they understand each other. "You and me, we know monopolies" Scar says, and Grian smiles. "Why DON'T you come along with me?" Grian giggles, and Scar can breathe for the first time all session.

Can you guys HEAR me I'm so NORMAL-

[masterbaiting]

rewatching les mis 2012 for the first time in a while the 2 second shot where grantaire notices enjolras sitting down next to him as he’s taking a swig and he forgets about the bottle as he finishes his sip and just stares at enj with so much love and wonder, so caught off guard, so entranced. the shot of grantaire after that where he does that little sigh and in that expression you can see all of his thoughts and all of his doubts and all his hopeless certainty about the revolution. george blagden you are everything.

[rollforjackass]

look we all know that aziraphale is mr. fiddlesticks-not-fuck and dearie-me-good-gracious, but my favorite thing about him is that there is also, at all times, a fuck-shit little bastard inside of him just begging to be let loose. he's petty, he's passive aggressive, and the Second he decides that playing by heaven's rules isn't going to help anybody, it's all "i know who you are, you idiot!" and "you STUPID man" and "FUCK"

[trappedinafantasy37]

The last DeVir and the forgotten Baenre. Two noble drow forever exiled from their homes and abandoned by Lolth.

[royaltea000]

I cannot stress how many times this fancam of hetamyu Prussia plays in my head daily I need to be neutered immediately

[verosikastrikerstellaexcuser]

Helluva Boss and its consistent dedication to portraying those who are financially disadvantaged or female as one dimensional bad guys

There is something so genuinely insidious to me in how HB treats financially or otherwise socially disadvantaged characters and makes them the bigots and villains of the show.

Striker is "just a bigot". The one who consistently recognizes and verbally calls out the sham that is the classism of their society, hes selected to be the bigoted character. The one who recognizes that imps are at the bottom despite farming everybody's food and who recognizes the higher classes fetishize them like toys, he's the problem. He's the villain that needs to be defeated.

Striker DOES exert toxic masculinity, no doubt. But toxic masculinity can often be the result of poverty. In my eyes, while they're not excused, it is easier to understand why working class men would believe in toxic masculinity (I say this as a feminist). Their living conditions mean either be masculine or you can't provide and you let down others relying on you. You don't survive, while the most masculine survive the best. Striker has likely learned that being better off relies on frequently exerting toxic masculinity and violence. Does the show humanize him and show this? No, it does not. Instead he is reduced to being a bigot that gets tormented with sex jokes against his will, "like he deserves".

You know maybe there could have even been a plot or something in which he gets hurt and needs to be cared for and he's treated kindly and that makes him realize the value of not always being hyper masculine. Or maybe we could even get to see how him being softer lead to someone he used to care about dying GASP. Oh wait, but they would never extend that kind of humanity or development towards him. Why? Because he antagonized Stolitz, he pointed out the fucked up things about it - an unforgivable crime. Send in the hounds sex jokes.

Striker being treated as just a joke ultimately weakens the writing as it would have been far more satisfying for him to be an antagonist with a point, that really challenges our leads and makes them think. But to do that he would have had to be taken seriously, and there's no way someone in the way of an mlm ship can be taken seriously in this show.

The only way a character can get away with antagonizing Stolitz without becoming one dimensional plot fodder with no humanization is if they're something like Fizz and Ozzie - aka a gay pairing in their own right (that also later make up with Stolitz anyway). It is so telling that out of all the antagonists we've had, Fizz and Ozzie were the first to be redeemed.

Now lets talk about Ozzie. Ozzie, who is a lord with boatloads of money and a sex toy production and club empire, is humanized and seen as a good guy. He is even contrasted by Mammon as "one of the good ones". I will admit I love Ozzie, he is fun. The show at least doesn't guilt you into seeing him as a poor victim like it does with Stolas. But what is it with HB consistently presenting wealthy rich men like they're not part of a larger system of oppression? Why does the show twist itself into knots to ignore their contributions to classism and the harm they do? Ozzie can threaten his worker imps and that's fine/understandable. Meanwhile the only way imps are worth having their own lives and stories explored seems to be if they're paired with one of these rich ruling class "good ones" men.

And aren't they cute, these imps and their ruling class lovers? Just don't think too hard about how, while Ozzie's love may be able to lift Fizz, one single imp, out of being lower class, the system as a whole is designed to keep imps down. If Fizz didn't have Ozzie then he'd still be exploited for profit by another member of the ruling class, he had to rely on a member of the oppressive class falling in love with him to save him - no no, don't think about that, focus on the cute gay!

Verosika is another notable example though I will only talk about her briefly as we don't know too much about her yet and she doesn't tie into the shows thing with those who are financially disadvantaged like Striker (and someone else I'm going to talk about after Verosika). Though Verosika hasn't been totally made into a one dimensional villain with the Ozzie's episode showing her sympathetically (for which I am very thankful), she also has barely been explored. Fizz has had so much time dedicated to showing us his own life. Practically more than Millie has gotten. I do understand he had a huge impact on Blitz's entire life and Blitz is the main character. However, Verosika is still a big chapter, and was wronged by Blitz due to his issues. She was hurt by that, which haunts him. And then she got screwed over again by him in Spring Broken with the bet. So now where is she? Why does Fizz get all extra stuff about the life hes now built for himself while Verosika only exists to be drama in Blitz's past? Oh, right. Verosika's a woman, not a man with a sexy bf. So while she can show up, shes never going to be explored outside of Blitz.

A lot of this strange standard of one dimensionalism being applied to characters depending on whether they either appeal to the shows weird mlm fetishization or gets in the way of it can also be seen with Stella. Stella's treatment is honestly appalling to me.

Just like Stolas, she was also trapped in an arranged marriage from childhood. She had to have sex she didn't want and had to get pregnant and produce a child with a man she didn't love. Except, its not just that. Everything that could be said about Stolas applies to her, and on top of that EVEN MORE does - due to her financial status.

Andrealphus states that now shes produced an heir, she "would get nothing" if Stolas died. So this basically confirms Stella has no real assets. Despite them both being forced into the arranged marriage, its Stolas that owns everything. Her home is Stolas', and without the marriage, she has no home. Now I'm sure there's a good chance she could go and live with Andrealphus or some other relative and would be allowed to do so. But is it really so crazy to still see that her situation is demeaning and awful? From what we can see in the show, the way the Goetia seem to operate is like how it used to be in olden times for women - men own everything. If you don't have a husband who gives to you, then you own nothing. So Stella is even more disadvantaged by the arranged marriage than Stolas is. The only reason she has her wealth and privilege is because she was married off to him and used as a tool. All of her assets belong to the men in her life and she never had any choice in it being that way because she was set up to be put in an arranged marriage with a man that would own everything from childhood.

And yet the show thinks instead of exploring how Stella feels about all that, given the very real world parallels to what women throughout history have faced, apparently it was more appropriate to make her one dimensional so that she could exist for the male characters. She sticks around to torture Stolas with no motivation beyond being hateful for seemingly no reason - because that's all her character got to be. Something for the show's obsession with Stolas torture porn, something to make us feel bad for him, so that Stolitz looks better. If she's a one dimensional abuser then that means we don't have to think about her lack of property ownership and how she was a victim of the arranged marriage even more so than Stolas was. Now we don't have to feel guilty when Stella is left with nothing to her name in the divorce, and she deserves being cheated on too! Yay! Phew! That saved us from thinking about a female character for more than five seconds and from being critical of our rich male fave, thank God!

This show refuses to humanize any characters that oppose Stolitz in any way, especially not if they're female. And its noticeable and obnoxious. The consistent way in which it makes its one dimensional bad guys impoverished or women while also churning out "one of the good ones" woobified rich men that benefit from hell's class system is. Well, its really fucking annoying and skeevy, in my eyes. It reveals that this show at its core is about its mlm pairings and nothing else - the class struggle stuff is there just to add flavour and drama to the mlm pairings. Women are powerful and accomplished but only so they can build and be used for the male characters stories. If you have all this time and all these resources to over and over again show another side to the guy who lauded Blitz's business over his head and said "Continually have fuck sessions with me or I'll end your business" then you can also bother to humanize impoverished imps fed up with the class system and women with no property rights trapped in arranged marriages.

[secriden]

i'm really enjoying Monster Next Door's portray of introversion in diew.

diew is quiet and likes to minimise social interactions, but i like that he isn't portrayed as incapable of them. he's nice and helpful and responds reasonably when people approach/talk to him. if it's someone he recognises, even if he's not close to them, he's pleasant and if its someone new he's polite. it's just...refreshingly realistic.

when he runs into wan and beer at the noodle shop, that's probably the most visibly uncomfortable we see diew, and even then he's still nice and polite and answers wan reasonably. he gets away as soon as he can, but even as he leaves, he bows to his seniors and flashes a quick smile.

i like that the focus of his introversion is that he enjoys calm things - reading, listening to music on his headphones, jigsaws - and that he is comfortable just being alone in his space. but his introversion doesn't prevent him from understanding and empathising with others who want more social interaction or who enjoy leading more active/fast-pace lives.

when god apologises for wan 'bothering' him, diew explains that he doesn't have to apologise because he knows wan means no harm. he isn't angry or upset and he doesn't resent wan's extroversion just because he's introverted.

sometimes when filmmakers have an 'introverted' character we just see someone who seems to hate people and get annoyed when other people try to talk to them.

i just... appreciate that diew feels like a real, full person who is MORE than just his introversion. he has his hobbies, interests, and can get sucked into a conversation about his favourite book even with a stranger. he loves his turtle and his family and tries to please (or appease) his mom. he's kind (picks up the papers that flew out of gun's bag at the start), will stop to pet doggies (so relatable), gets frustrated at noisy neighbours but also forgives easily once god apologises.

at the same time, you get the sense that diew could use a bit more branching out. there's nothing wrong with his life, per se, but also meeting someone like god will open up new experiences for him in a way that will help him grow as a person.

and thankfully god seems like a really green-flag love interest thus far and shows a lot of promise for sweet sweet blossoming love down the line. not only does he accept the boundaries that diew places on their relationship, he also takes them 100% seriously. to the point that he puts on mask (at least partly) because he wants to honour the fact that diew doesn't want to see his face yet. and then runs away at the noodle shop once he realises that diew is there. like it's not just condescending indulgence - he respects what diew wants and is willing to make the effort to stick to his conditions! it makes me feel safe in rooting for this couple because already you can see how careful god is handling diew. <3

[rabbit-exe]

I very much do want to see the betrayer gods again because they are some hilariously petty bitches who would definitely try and pull some absolute bullshit, but also I will Never be able to picture Lolth the Spider Queen or Asmodeus the Lord of the Hells, in mannerism, in voice, or in appearance, as ANYTHING other than Aabria Iyengar and Brennan Lee Mulligan. they did it too good and now it's Them Forever

[harbingersecho]

I don't feel pain I never escape I'm under the bed I'm licking the floor

[specific-dreamer]

daryl’s dally is who dally really is. he portrays dally as the kid that he is, his voice isn’t has a rough, he cracks in certain places and it’s real easy to remember this story is about children. babies if you will, the only adults in this story are darry and two bit; no matter how many times dallys been locked up or how grown he likes to pretend he is, he’s still a kid. and daryl!dally does a great job at portraying a lost kid pretending to be big and bad

joshua’s dally is the dally that pony sees. he’s the glorified version the dally. the one that’s a bully because the world made him tough. the one that doesn’t feel anything he doesn’t have to because he only cares about himself and that’s all he needs. with joshua!dally it’s easy to forget that dally is a just a kid, it’s easy to see the grownup that dally wants to be, its easy to get angry at him because that’s what dally wants