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#possibly they don't realize it was a real time loop until they escape and the real game happens. and they're like wait a fucking second
do people write game changer fanfiction? i would kill for a fic where deju vu was actually a different game but the players get caught in an actual time loop and think that's the game for several rounds
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breezybeej · 1 year
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After thinking on The Endless for a couple days after watching it:
There's the cosmic framework, obviously, but I really liked the themes they played with. Spoilers for the movie under the cut. Note, this is just surface level examination. I'll come back to it for a deeper look later. Maybe
After thinking on The Endless for a couple days:
There's the cosmic framework, obviously, but I really liked the themes they played with. Spoilering everything because I'm too lazy to discriminate what is and isn't a spoiler. The time pockets all center around people stuck in cycles that we see in society. Cult manipulation, addiction, abusive family dynamics*, and I guess just dying in 3 seconds. Like, how do cults control people? They eliminate their freedom, isolate them from the rest of the world, and convince you that whatever they have is better than freedom (as in, you have choice but also face risk). Addiction, as a cycle, becomes this monster that, no matter how many times you kick it, can always find a way to come back to you even if you try your hardest to keep it away. Supporting someone with an addiction can feel like fighting the same battle over and over. The ableist guy, we're told, used to do crack with the 'gun nut tweaker' and we see him struggling with himself every three hours.
Everyone's cycle is different, some have three hours, some have days or years. The guy helping his friend kick drugs apparently has enough time to get him mostly de-toxxed before time resets *but they both keep fighting against his illness every loop because it's worth it.* They don't give up, they struggle against the entity because it's worth it.
I think so many of these characters commit suicide as a commentary on how these stories often end in real life.
As for the main characters, they have a toxic familial relationship. They are this close to falling into a loop of brotherly abuse and control but they escape. They escape because Justin realizes that he is having this negative impact on his Aaron to the point that Aaron *wants* to be in the cult despite seeing what it really looks like on the inside. So he grows up and gives his brother space and they repair a dangerously shaky relationship.
Oh and Captain Ableism is so deep in his self loathing that he often kills himself way before his 3 hours are up. I think it says a lot about how his hatred is coming from a place of self-hatred and suffering that he'd rather spend as little time alive as possible. Even the guy in the 3 second loop doesn't want to die. Even the guy struggling against the looping doesn't kill himself until their loop is about to reset.
I think it's a cool framework to examine these kinds of things within. Especially when you think of the entity causing all of this as "whatever fights against the feeling of human loneliness or despair in a destructive way." Drugs do this, cults do this, addiction does this, othering people you deem beneath you does this.
And how do you beat it? You don't. You struggle against it always. Once it gets a foothold, it doesn't go away.
Anyway, those are my shallow first pass thoughts about the movie.
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pla-teau · 3 years
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LOKI EPISODE FOUR : THE NEXUS EVENT
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GIF CREDIT TO: @luke-skywalker SPOILERS AHEAD. YOU'VE BEEN WARNED!
SYLVIE | there's a lot to process in the short time we get of young sylvie. it didn't seem like she was doing anything that caused a nexus event. when we see her, she's simply playing with her toys on asgard. sylvie asks about what her crime was later on with renslayer but it's never clear cut as to what she did. the only thing we know is that she escaped from renslayer which is why she's so hell bent on capturing and pruning sylvie. i have a certain thought on this later.
WE SURVIVE | the words loki tells sylvie just when she’s given up and accepted that she’ll die on lamentis. that’s what makes loki a loki - yes, he fails over and over again but each and every time we’ve witnessed his ‘death’ he comes back or when things seem to possibly end for his story, loki still manages to survive.
LAMENTIS | based on the namesake of the episode, this is the nexus event that caused them to be found but what was it? personally, from watching the episode and keeping in mind that this is 2012!loki, i think that the nexus event was hope and acceptance between them. i think there’s genuine hope despite being stuck on a doomed planet about to become smaller flying rocks in space. in every apocalypse so far, we’ve seen that basically anticipating and accepting the end of the world doesn’t cause a breach in the timeline because what is there to hope for? it’s all going to be destroyed anyway no matter the little fake hope you have inside yourself telling you that everything is going to be alright. loki and sylvie up to this point haven’t had that kind of hope before ever in their lives. with the acceptance part, i think it's self-acceptance and acceptance of their roles in the universe. roll with me here, loki throughout the mcu has never accepted his fate or what's supposed to happen; he's always fighting it and trying to come out on top as a ruler of people whether it's earth, asgard and sakaar. he doesn't accept to not be a ruler or on the losing side of a battle against earth's mightiest heroes and at odds with the other marvel characters. he doesn't fully accept himself either because he didn't know he was adopted until at least one thousand years later and he couldn't accept that he wasn't destined for something other than a shadow or simply his title as the god of mischief. it made a lot more sense in my head tbh. a lot of people freaking out about this moment being loki falling in love with sylvie/himself but i don't think that's it. loki for once genuinely cares about someone else and i think it's platonic cause while i have little faith in the mouse house giving us more than confirmation that loki is bisexual, i don't think they'd make loki fall in love with himself.
LOKI'S TIME CELL | a nostalgic reveal we get is sif in this looped time cell plucked from loki's memory. apparently, he cut off a chunk of her hair because he thought it would be funny. in typical sif fashion, she proceeds to beat him up in retaliation as well of sharing some biting words. it's interesting how after a few loops and knees to the nuts, loki apologizes to sif about the prank and admits that he's afraid of being alone and acts narcissistic and like a pompous asshole if you will because of this fear. i think this is a bigger break through of his character than the one we saw in the first episode because he's admitting it to someone from his life that he highly respected but acted like a child to her to get her attention even if it was negative. i wish for more vulnerable loki moments because it continues to prove that loki isn't just the god of mischief, he can be more (as thor said in ragnarok).
MOBIUS VS LOKI | honestly, this whole interrogation scene screamed mobius being jealous of loki making pals with sylvie and i loved it. what i like is that mobius does air the sentiment that we all have in our heads after realizing that loki and sylvie did somehow click to create the nexus event. it's narcissism to the max. again, i think loki truly cares for sylvie in a platonic or even a familial sense since they both don't make connections too often with others (romantic or platonic).
HUNTER B-15 | i was wondering what happened with her after her run in with sylvie at the roxxcart supermarket. clearly, sylvie unlocked a memory within her subconscious as well and is starting to doubt herself. we don't see what memory of hers it was but it's enough to make her break protocol and go against the TVA later on in the episode. in conclusion, we have no choice but to stan this queen. also seems like she wasn't reset in that final battle so we'll hopefully see her in the next episode.
RAVONNA & MOBIUS | their friendship is put to the test in this episode. while being of a higher position than mobius, ravonna does seem to care deeply for mobius. she said so herself, she wants to protect mobius...but from the truth instead of the false danger about sylvie that she's filling his head with. ravonna clearly knows a lot more than she's letting on and that the TVA is an elaborate lie. i think she wants to protect mobius from the truth because she doesn't seem to have other close friendships like the one with him. it's also clear she cares for him when he's pruned (supposedly!) by another hunter. also, there's this other analyst/field agent mobius always brings up when we see them in her office so i wonder if it's someone who also knows about the grand lie the TVA is or is even some alternate variant of kang the conqueror who we know is supposed to be introduced in the third ant-man movie. it'd be interesting to see if kang is teased one way or another in the final two episodes.
DO YOU REALLY THINK YOU DESERVE TO BE ALONE? | the question mobius poses to loki when he starts to believe that they may be telling the truth. it's an interesting question to pose because we've been hearing it and have seen it throughout the mcu with loki. the time loop loki's stuck in, sif tells him that he'll always be alone. throughout the mcu, loki has been alone in his plans and mischief despite being surrounded by his family, his future enemies, and his people. loki has known nothing but being on his own, being his own island of chaos. as sylvie put it earlier, they're a product of the universe trying to break free, chaos. mobius knows that this nexus event has something to do with the two of them, for once, accepting that they're not alone or that they're not just a cosmic mistake, there's hope for them to be whatever they want and not just confined to their mischievous roles.
RAVONNA & SYLVIE | in the elevator, sylvie confronts ravonna about her crime as a child. it's something everyone wants to know, what does a young loki have to do to be charged and reset by the TVA? ravonna seems to know that this something she can leverage and torture sylvie with so she claims to not remember. sylvie says that it must've been important and severe enough to mess up the sacred timeline. maybe she wasn't supposed to know that she was adopted until later in her life like our loki. she's supposed to be causing trouble and be this terrible villain but what if with sylvie knowing her true parentage at such an early age, she learned to accept herself/identity and made peace with it. that's another thing that could've caused the nexus event between the two, they had found self-acceptance even at just the brink of death. maybe they're supposed to do so but later in their lives in their own timelines so that's why it's enough to destroy the TVA as mobius hinted at earlier. happy that sylvie decided to keep ravonna for information so i expect the next episode to have them in ravonna's office or still in the timekeeper chambers as ravonna tells us what is going on.
THE TIMEKEEPERS | when sylvie beheads the central timekeeper, we learn that they're mindless androids. it never ends, there's no throne to sit upon after killing them so it seems. it was all just a giant hoax but this further feeds into my personal theory that kang, one way or another, is behind all of this. what i find really interesting is how the other two timekeepers laugh when sylvie beheads one. whoever is behind controlling the fake androids, they have a way to see what is happening and communicate in real time with the TVA agents and variants. hopefully in the final two episodes we see what the hell is going on and how the TVA came to be and why.
LOKI POST CREDIT SCENE | so apparently, loki isn't reset or something of the sorts. he's actually sent to another world. i believe this is an alternate new york where we'll see president loki as you can see the remains of the old avengers tower. this makes me think about mobius' fate to be similar to loki's; possibly sent to either the same place or a similar world. we see three human new lokis here. from the credits, we have classic loki (richard e. grant), kid loki (jack veal), and boastful loki (deobia oparei). apparently there's also a crocodile!loki and i'm here for it. can't wait to see how our favorite variant gets out of it next week!
oh god, this was so rusty and unorganized but hope if whoever reads this can somewhat understand the points i'm trying to get across.
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asleepinawell · 3 years
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Been having a lot of Thoughts about the nier series recently and the larger themes of both games and wanted to jot them down and toss them into the void of the internet.
Massive spoilers for nier automata follow, including for ending e. Do not read this if you ever intend to play nier automata. There are spoilers for nier replicant as well, though not for ending e.
One of the biggest themes both nier games tackle is the tragedy of an uncaring universe. Bad things happen to good people, people who think they're good and doing the right thing find out they were actually committing atrocities, the very idea that there's 'good' and 'bad' people is dissected and rejected. At the end of the day, the universe doesn't give a shit about any of us and none of it matters. Enjoy your existential despair!
In nier replicant, the main character starts off as an optimistic young boy who wants to save, not only his sister, but the entire world. After the time skip, nier is a young man whose optimism has (partially) been tarnished and whose goal has narrowed down to just saving his sister. As you move through each route you understand more and more how tragic the world is and how, despite your best intentions, you are only adding to the tragedy of the world. The original 4 endings of nier replicant are all tragic in some way. Ending D has a glimmer of hope in it in the form of nier being able to save kainé at the cost of his own existence, but it's a bittersweet ending and the world is ultimately doomed anyway.
Which brings us to nier automata. Even more so than replicant, automata hammers home the meaningless of everything, the uncaring universe, tragedy both avoidable and unavoidable. The main characters are locked in an endless loop of violence and despair. The worst that could happen, does, again and again. It thrives off the type of tragedy porn I usually hate.
Except....
Except it doesn't. If endings a and b are the opening statement, endings c and d are the facts and body of the essay, but then there's ending e, the concluding paragraph which takes everything we've been told and gives you the chance to draw your own conclusion from it.
Route e starts after you've gotten both ending c and d and is no longer about the characters in the game at all. Route e is about you, the player, and what you believe. It says "we've given you a story of complete despair, we've shown you the universe is unfair and doesn't give a fuck about you, we've shown you things that end in tragedy. despite all of this, do you still believe it's worth fighting for the hope of something better?"
And then it asks you to prove it.
Route e is the ending every fan has asked for when they've said "I'll fight the creators to give my favs a happy ending." Today is your lucky day!
Route e is the ending credits of the game, except that the ending credits have turned into a bullet hell mini game. In fighting the actual credits themselves, you are fighting the game devs. You are saying fuck you I don't believe that everything is pointless. Fighting for better is always worth it. The meaning that we imbue in life is important to us and that matters.
The bullet hell of the end credits starts out fairly simple and gets harder and harder as you go, lasting something like 15 minutes total, which is a brutally long time to be playing something that requires split second timing and 100% of your focus. It's meant to feel insurmountable, just like the challenges the characters in the game faced (the larger plot challenges, not the combat). You will likely die a lot and check points are few and far between.
But there's more to it than that. The first time you die, a prompt comes up:
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And then when you die again:
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Except now, there’s a message on the screen. A message that appears to be from another player, somewhere in the world.
And again:
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(this one really fucked me up, but that’s for a different post).
And then finally:
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(thank you user MR-YE-1996)
When you accept the rescue offer, you go back to the bullet hell again, but now you have a wall of other players around your weak little avatar, shielding you from harm. The music, which has been a single vocal track up until now, gains an entire chorus of voices to represent the army of actual players who’ve shown up to save you (and there’s a lot I could say about the use of the (exquisitely good) music in the nier games, and especially about the difference in lyrical themes between ashes of dreams and weight of the world). Every time a bullet hits one of the players surrounding you, there’s a message saying that user’s data has been lost. Users from all over the world are sacrificing themselves to help you. It’s a very nice, heart-warming moment that you still don’t understand the full impact of quite yet.
After you beat the credits, you’re rewarded by a final cutscene. The android protagonists have been reconstructed and will receive a second chance at life. The narration at this point talks about how life exists within the spiral of life and death we are all trapped in. One of the two pods talking points out that even though the androids are being given a second chance at life, there’s a possibility that things will go just as poorly once again. And the other pod agrees, but adds: “However, the possibility of a different future also exists.”
And then the scene ends with this quote: “A future is not given to you. It is something you must take for yourself.”
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And this is really the final conclusion of the game. There is no inherent meaning in the universe, so the meaning we give our lives is the most meaningful thing. (And the ‘you’ here isn’t necessarily an individual either. It can be, or it can be humanity as a whole, or even one group). And you, the player, thought that it was worth fighting to give these characters a second chance, and other players out there in the world thought it was worth helping you to do so.
It’s such a wonderfully beautiful piece of meta interpretation posing as a game ending, and also a departure from the final conclusion of previous Yoko Taro games. It feels like a much more mature and nuanced interpretation of the world than the ending of replicant was (I won’t comment on the new ending e of replicant just yet since it didn’t come out that long ago). (Also, for the record, I love nier replicant and the characters in it with my entire heart. This post is not bashing it).
But the game has one more surprise in store for you. After the cutscene ends, you’re given one last choice. The game asks if you have any interest in helping other players the way you were helped. And if you say yes, you’re told that the only way you can do this is to sacrifice all your save data.
I think that sacrifice hits differently for different people. Some people genuinely won’t mind that at all. As someone who probably still has save data from games I played 20 years ago, it felt like a gut punch. To me, save data represents all the time and emotion and energy I’ve put into a game. Games are so deeply important to me in so many ways and have been since my childhood when they were one of the few ways I could escape from a lot of terrible shit going on in my life. (There’s a reason my blog title is what it is). I could talk a lot more about that point, but I’ll leave it by saying that when I saw what the game was asking of me it felt like someone had knocked my legs out from under me.
For more practical players, it also is locking you out of chapter select, the best way to go back and get all the things you missed and grab the achievements/trophies you still need.
The game will point out that you’ll get nothing in return for this (not a lie, there’s no secret reward), that you will likely never know if or who you helped, that you won’t be thanked, that the person you help could be someone you intensely dislike, etc. And with all of this comes the realization that all those people who came to help you in the credits had already done this. Those people whose data was sacrificed to help you get to the final cutscene had already sacrificed their save data to help you.
We’ve now gone from a world where everything is meaningless, to a world where other real actual human beings out there have sacrificed something that represented hours of their time and a varying amount of emotional investment without any hope of reward to help a stranger see a message of hope.
When I was younger, I was more drawn to dark, hopeless stories. Stories about how dark and meaningless the world was. The world was a terrible place then too. 9/11 happened when I was in highschool (an incident that influenced yoko taro’s creation of nier replicant and had a huge impact on me at the time), the pointless wars that happened after and the recession and a million other things seemed to infuse everything with hopelessness. In that world, stories about everything being meaningless and hopeless felt correct. They felt validating. Yes, everything really does suck that much!
That sort of story lost its appeal for me later on. Pointless and horrible things continued to happen, and still continue to happen. The world events of the last few years have been an unnerving reliving of those earlier years, except even worse. The cycles of tragedy are still there with no end in sight. I’m exhausted from all of it. It really does feel hopeless a lot.
But stories that stop at that point no longer appeal to me. Stories like nier automata--stories that say yes, things are terrible, but there’s always hope, you can create your own meaning, it is always worth it to fight for better even if you fail, your life is worthwhile simply for existing--those stories are the ones I think we all need more than anything.
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encosy · 4 years
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Eren Yaeger: A theory why the person devoted to freedom is in fact the least free character of all. (up to ch. 136)
Questions that lead me to this theory: Why did Eren behave so strangely? Why did he isolate himself from the rest? Why the hell did he decide to end the world? And why did he never really try to find another way?
“What about you is free?” - Chapter 134
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So, despite the flood of possible theories people came up with, I couldn’t find any that provided satisfying answers for several contradicting moments. It had me reading the manga after all and musing three days and nights until I settled with a surprisingly simple approach that I haven’t yet found among the common theories. The short answer for Eren’s weird behaviour and decision for apocalypse remains the same: “Because I was born into this world”. But, in a different way of interpretation. If you don't want to read the long version, there's a summary at the end as well ;)
 So far, this quote had been mostly interpreted as justification for the freedom to live, and the freedom to fight for survival. It’s the ultimate justification for Erens decisions, no matter how despisable they are, since he's fighting for their own survival. Yet, it sounds somewhat odd from Eren Yaeger, who had always been anything but a philosopher to begin with. Why wouldn’t he justify his decision with “because they will never leave Eldia in peace”, “because it’s the only way to end the war”, “because they had taken everything from me” or simply “because we have to keep on fighting”. That would have sounded much more like him, but not such a cryptic statement.
With the latest chapters, it became apparent that Eren was indeed severely suffering under the guilt and notion of destroying the world. So why would he not think of a different way? Why don’t we see him talk to his friends and discuss alternatives? Why does he never even try to find a solution? If anyone, it would be Eren to fight against a future he didn’t want to accept, no matter how small the chance of success. But all he does is to refer to the inevitable, unchanging future. The only spark of rebellion shown is in the pathetic attempt to safe one boy, which again end in him stating that "the future doesn't change"
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The idea that Eren is in fact not free to choose their future first struck me during his conversation with Rainer, where he claims they were both the same. Yes, they had both believed to do the right thing, to be a hero, but ended up with nothing but guilt, the wish to be judged upon and to finally put an end to it all. But in that moment, Eren had yet the chance to decide. It would have been so easy to accept Rainer as scapegoat for his revenge, but he only acts as if his decision was already set in stone. He never looked angry with Rainer to begin with. So it clearly wasn’t revenge he had in mind when attacking Liberio. In fact, he was simply moving forward and carrying out Zeke’s plan which would eventually lead him to his true goal: To eliminate the enemy.
Who or what exactly is the enemy/ enemies? (As far as I know, there’s no difference in Japanese language) First, it’s the titans, then the Marleyans, but now it seems to be cycle of life, death and hatred itself. Rainer, Zeke and Eren all came to this conclusion and even the last season’s opening song suggests this true motive: “Destruction, regeneration, you are the real enemy” (-My war-).
“Because I was born into this world” - reinvented
Chapter 121 underlines yet again that this phrase contains the central key to Eren’s motives. After all, it’s all it needs to thwart the great plan of Zeke – the most sharp-witted character that had been fooling everyone else throughout the whole story. Zeke’s demise came from assuming that Eren had been brainwashed by his father, hence believing it was possible to change his mind. And that’s totally legit since no normal person would be born “like this”, showing such hatred and craving for freedom from birth. In fact, the story shows no other character than Eren who despises the walls, even though he’d been living a fairly comfortable life.
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Zeke probably realized in that moment: Eren was never a normal child (Carla: “He’s already great because he’s born into this world). That doesn’t only refer to his character traits and motives, but he even proves that when opposing Zeke in the other world. First, by freeing himself from his shackles, and later when he stops Ymir (Zeke: “It’s pointless, Eren. Once Ymir, the founder begins to move, nothing in this world can stop her.”). This gives two options: Either, Ymir is not the founder, or Eren is not of this world (or both). And since the idea of Eren being the true founder for whatever time-wrecking reason is far too screwed for me to grasp, I’ll stick with the latter option. It could be what Carla refers to as well, and a reason why his titan looks a lot more devilish than any other shifter before.
What does Eren really want?
When chapter 122 “From you, 2.000 years ago” responds to the very first chapter’s title, it seems very likely, that the original message was from Ymir to the present. When Eren finds her, he already knows that she had been suffering and waiting there for someone – most probably him – (“Is it you who led me here? You must have been waiting. All this time.”) and shows deep empathy by going as far as to hug her by choice (at this moment, I can’t remember him showing such affection to anyone else before, but feel free to correct me). It looks as if his intrinsic will to fight for freedom has led him to this single moment of importance, where he frees Ymir from her curse to serve the power of titans.
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Interestingly enough, even though everyone knows that she gained back then, no one knows yet what the devil wanted in return. Seeing that Ymir is not at all the almighty deity, but not more than a slave, it’s likely that this was not her wish at all, but part of the bargain she now has to endure “into eternity” (as determined by the first king). Perhaps Eren symbolizes the in-time reincarnation of the devil to fulfil the bargain. But more likely, Eren was created ‘like this’ because he was the first chance in the timeline to enable her liberation (my wild guess is that Ymir herself sent him, but it could as well be the devil, the true founder, a twisted part of a past Eren or all of them at once. I don't think it doesn’t really matter who exactly started the whole ordeal.)
In chapter 122 he finally reveals he wants to “put an end to this world” to do so. He repeatedly says that he will destroy the world, but he never once said he wanted to do it, or that he wanted to kill all the people. As I see it, “putting an end” refers more to breaking the cycle than to committing omnicide.
So. What if Eren had never been in a position to make decisions, but Ymir? It looks like her motives are surprisingly simple, not more than a ‘normal person’s’. All she ever wanted is to be loved. She sacrificed everything, her life, and her humanity – even her freedom to die. But no matter what she did, she was only used for humanity’s (Fritz’s) greed. Over the course of the millennia, she gathered the hatred to destroy the world, but Eren is in no position to stop her because it goes against his destiny. In fact, Eren is quite graphically displayed as a puppet on strings. I think that’s also why Eren acted so strangely around his friends. Ever since seeing the entire future, he had been well-aware that he can’t do anything about Ymir and the apocalypse, but he hopes they are capable of ending him, and he went as far as to insult them only to make their job easier. Already back in ch. 84 when they had to decide between the life of Armin and Erwin, Eren claims to know it will be Armin to safe humanity, not him. This suggest again that Eren does not think of himself to be acting for the right cause, but rather as the (literally) spineless key for Ymir.
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To summarize: Seeing just how tormented Eren was by what would happen, how he tried to subtly encourage his friends to judge and stop him, and how he didn't show any semblance of his defining will to fight a future he didn't want, I now believe that Eren has never been the one to make decisions in the first place, but a key destined from birth to only serve one purpose: To free Ymir and end the era of titans. The quote "I was born into this world" thus doesn't act as justification for his decision, but as reference to his key role for the inevitable.
Soo, feel free to prove me wrong or correct mistakes. After all, there’s only so many quotes I remember and it’s natural to see the world with a subjective filter once you have an idea in mind. There are still several details that don’t seem to quite fit, but this is the best conclusion I could draw.
Also, taking this theory further to the present plot of chapter 136 and possible endings, my suspicions are much more vague. But there's one more detail I picked up and would like to share:
Just before Ymir is about to die in her tale, someone says “You’re free”. It would fit Isayama’s sense for loops that Ymir, who had escaped death (= freedom) from being hunted down, now finally ends her prolongued life by being killed (= freed) by Eren Jäger. I think it would give more credit to his name than the usual reference to hunting (more specifically, eradicating) titans.
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eivorsjawline · 4 years
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The Last Day
tw: mention of bloodshed, mental health struggles and alcohol.
*Not the last chapter dont worry, next will be last.
Chapter 9:
Eivor’s POV
I tend to reminisce on the past, my parents, Sigurd, the clan and the times when my family was whole. With the cold whip of the wind and the iridescent reflections in the sky, Norway will forever be my home. Even distant England holds a place within my heart as well as the family I built there. The answer to my hunger lies within myself and whether or not to go back to what I know or stay by the woman beside me. A choice between my honor and the person who I’ve grown to love the most. Though time keeps changing constantly, the recent past loops repeatedly in my head. These days I find myself staring at the walls, the ceiling and the emptiness around me. The dark realization that I have no purpose here, or do I? Life was peaceful but I missed the blade of my ax, I missed the bloodshed. I spent my whole life achieving greatness in what I knew, It was what I was bred for. There was an unspoken oath I took the day I was removed from my mother's womb.
A feeling of guilt always succeeded me, every passing day. What exactly I left behind and what the consequences would be. I have to remind myself that I would have died if It wasn’t for Y/n saving me. I understand now that the technologies that I have here were needed for my survival. Just herbs, alcohol and bandages wouldn’t have been enough to stop the life-threatening wounds I had. I was beaten, bruised and cut so badly I was nearly in a comatose state of mind. Even now, I still get flashbacks to that day and the fight. As a drengr, I’ve grown more and more cold to the idea of war and violence but there will always be something about that specific day. I can't seem to shake the feeling that it hasn’t ended and only more is to come.
Whilst I’ve been adjusting to modern life, I’ve turned to the bottle more times than I should. There have been days where I’ve fallen asleep on the couch, no recollection of even trying to get up yet I always wake up in bed with a blanket over my body. I can’t bear the thought of Y/n supporting me so I found honest work as a carpenter. With a few tweaks, I adjusted fine along with the help of co-workers and friends I made along the way. I feel I’ve become a shell of a being, the impact of everyday life burdens me. It’s not fun anymore, it's real and every day. The walk back home was loud and the people I found strange weren’t so odd anymore. I knew the truth within me, that I had become one of them too. I was almost always alone with my thoughts now that Y/n had started work again. Her hours tended to be late and tedious. She was the only thing keeping my sanity, everyday I drew a breath was for her. With the looks we shared, I wondered if she knew my real thoughts. My melancholic sulking was interrupted when a woman bumped shoulders with me and stopped me in my tracks. When I turned I recognized a familiar face waiting for me.
Reader’s POV
I was shocked when I came home, to say the least. The air was quiet, telling of the predicament I had placed myself in. I never thought I’d see Eivor and Valka sitting down together in my house. The silence was so loud, I couldn’t place my finger on exactly what but there was a feeling within me that knew why she was here. At first glance, she seemed unrecognizable but with a closer look, I recognized her right away. She looked almost the same with a more present-day twist to fit in. Faint freckles danced on her warm skin along with the intensity of her usual solemn expression. Her hair was pulled back and her eyebrows were as thick and beautiful as I remembered. She wore a light tan dress, she would never stray too far from her traditional taste. Valka wouldn’t have come this far for anything, a gut-wrenching feeling consumed me. I placed my belongings on a table near me and the three of us gathered around one another, the silence eating me alive.
“I want to make this as straightforward and honest as possible. We needed you then like we need Eivor now. Without you, Eivor would indefinitely no longer be with us. Ever since Eivor’s absence, the Danes and Saxons have grown only more divided.”
You could cut the tension in the room with a knife. Eivor had a worrisome look on her face, one that I had never seen before. Her eyes roamed around the room as If looking for some sort of distraction, maybe even a way out. I kept her sheltered here all this time and even though I’ve enjoyed every moment I still carry around a lot of guilt with me. The fact that I removed her from all that she knew tore me apart from the inside every day no matter how necessary. Perhaps, Eivor was meant to die there that day and her people’s fate was meant to be sealed. The realization that I could be in the process of ultimately changing the past suddenly struck me. Valka had more to say, a proposal I presumed to be made.
“If my visions are correct, Eivor is the key. My most recent discovery is that time changes throughout different realities and dimensions. It has been only a short amount of time for the both of you but It’s been years for us. Time passes slowly when maneuvering into the future but faster into the past.”
Everyone I met from the clan, I caused Eivor to completely leave them in the dark for years. I didn’t want to admit it but I knew exactly what Valka was getting at. These were Eivor’s last days with me if not the last day. As much as it pains me, she belongs in the past and I belong here. I screwed with time too much already, there are now two people out of place in the world. It’s almost as if Valka is an extraterrestrial being with the powers she holds and her ability to jump in between dimensions as if it were nothing. She had a natural aura about her almost like she could fit in anywhere she went and no one would have any suspicions. I've walked by Eivor’s side this entire time and I can't say the same for her. The road has been difficult and long, I can only imagine the toll it’s taking on her health.
The meeting with Valka was brief until she pulled only Eivor aside to talk to. I figured it wasn’t my business anyway since I was only one part of the story. As nosey as I was, I still tried to hold my breath to listen to their conversation but only whispers and mumbles could be heard. From the side of my peripheral vision, I saw Eivor and she looked stressed beyond all means. She was safe here and content whether she was happy or not and now she has one of the greatest burdens on her shoulders to deal with. A lump formed in my throat, I worried if there was still love between us at least on her end but it could just be my insecurities eating at me. For all, I know this is Eivor’s chance to be done with me and only I to be forgotten. Oh, but I could never forget her or the moments we share. Valka’s footsteps could be heard coming towards me as she came to say her farewells. When I stood up from my seat to make formal eye contact with her, I noticed her posture was straight and confident. I decided to keep my distance because I knew that I grew some sort of attachment to Valka as well. Not much could be said on my end, the decision is up to Eivor only.
Valka left and with her absence, the room grew eerily quiet. I couldn’t face Eivor, just seeing her face made me upset and wrapped in a whelm of emotions. Whenever the world became too much I always escaped outside. Like a coward, I ran towards the sliding door near the back of my apartment trying to hide my oncoming tears that were building up. The rays of the sun hit my skin and the sunset shone down on my face leaving a warm feeling on my cheeks. Tears started to roll down my face and I wiped it off with my shirt sleeve leaving a mess of a damp spot on the fabric. I felt selfish for crying, selfish because I never wanted someone all to myself so badly before. Being alone with my thoughts just caused me to feel them even more intensely, I allowed myself to be consumed by them. Suddenly, I heard what I knew was Eivor’s footsteps shuffling towards me. Quickly, I dried my tears and composed myself within a short time before Eivor stood close behind me.
“You don't have to hide it, I already can tell.”
I've had this moment a thousand times, the one where I try to look like I haven’t just bawled my eyes out. It never fails to completely embarrass me every time. When I turned around I noticed the sun beamed on her skin perfectly and every feature on her face could be seen clearly. She had her hair down, a relaxed look presuming she just got home not too long ago. Her eyebrows were pursed together as if she was studying me and trying to figure out what was on my mind. Eivor was like my guardian angel, always following me through my misfortunes and being my number one support. Truth be told, even if she went I was scared for her and if she could make it through this one. Her wounds were completely healed at this point, but I knew the damage it leaves on the mind is forever permanent.
She pulled me closer to her and wiped the wet spot on my cheek with her thumb. In her eyes, I could tell she was worried whether she admitted it or not. At the moment I catch her off guard her true feelings always show on her face and as soon as her eyes met mine she switched them off. I wanted to be honest with her and tell her my true feelings, how I felt about this situationship we involved ourselves in. My feelings had grown so strong since I met her and I realized I never once told her those three words. The more I tried to force words out of my mouth the more I felt the urge to cry again. Sure enough, tears started to fall down my eyes and my body kept telling me to let go of everything. Eivor brought me tightly into her chest and wrapped her arms around me, reluctant to release me. I heard her say something, mumbling under her breath. When I asked for reassurance as to what she said, she didn't hesitate or move.
“I love you.”
Eivor’s POV
The burden that's been placed upon my shoulders is a heavy one but I’m willing to face it. If I die going back I know that I’ll go in peace and with honor. Though it may have taken some time, I feel that Y/n understands that as well. Not to the degree that a drengr would but to the best of her abilities. She tried her best for me and I devote myself to trying my best for her. I was unsure of a lot of things in my life, but I knew no matter where this life led me that I wanted her there by my side. The sunlight was dying but the night was still young. Knowing it would be our last night here, we decided to savor it together. We did what we do best by getting wine drunk and cranked the volume on the speakers up so loud without a care of who was trying to sleep. The frown that was on her face earlier turned into smiles and laughs as she watched me attempt to dance. I always felt like I could have fun with her and be myself, not so serious all the time. She was a lightweight compared to me, already stumbling a little. Seeing her let loose was cute and showed me a side of her I haven’t seen before. I leaned in closer to her, truth be told she was looking extra sweet tonight. Her beauty was effortless and she didn’t even have to try to turn me on.
“Let me see you dance, I love to see you dance… Take you down another level and get you dancing with the devil.”
I placed my hands on her hips and she wrapped her arms around my shoulders. I did my best to lead her and sway with the music and It seems I was doing a good job once her cheerful eyes turned into a sultry spark. I pushed my torso closer to her, leaving that space between us no longer. A thousand intrusive thoughts crossed my mind, the most alluring one being that I could die right here and be happy. It’s the feeling moments before making love that is my favorite. My hands started to trace the outline of her body and my mind started to piece together what she looked like underneath the fabric from fond remembrance. Everything that brought me to her was worth it along with every obstacle in between. She leaned in to whisper in my ear and her voice had a noticeable nervous tremble.
“Take me with you…”
Reader’s POV
I said goodbye to everything I knew for the last time, this time the choice is mine willingly. Just a few months ago I would have never thought I’d be here and on my way to the place where it all happened. Where I met the love of my life and my impending future, the events that were to take place. The temperatures dropped so low at night, the bite of the cold felt bitter on my skin. Foolish me, I never take a cover-up anywhere I go. Luckily Eivor was close by and wrapped her jacket around me due to me being visibly upset by the weather. The cold never bothered her, I could feel the heat radiating from under her body when she hovered her arms over my shoulders to place her jacket. The stones were so close yet we hadn’t dared move within their reach. If I was to be honest with myself, I was nervous to go back. Perhaps, they would be upset with me for leaving so suddenly and taking Eivor along with me. It felt like just yesterday I was in England waiting for Eivor’s return by the ship dock.
Something within me felt like I was making the right decision and that this is the fate that was meant for me all along. Regardless of how twisted and strange it may be, I was ready. The entire time being here, Eivor constantly griped and moaned about how she missed home. For once, she was quiet. I always loved how expressive she tended to be with her face, studying everything like a hawk. She needn’t say much, I could tell what she was thinking about. Anxiety, sadness, and excitement all meshed together forming an array of emotions.
Eivor was a step ahead of me, venturing into the stone's embrace as I followed just behind her. Time seemed to pass more slowly, if not coming to a complete end. Throughout this whole experience, I realized that time wasn’t real. The people, the cultures and the history of the past all lived harmoniously with the present. It didn’t feel like I was traveling through time itself but rather visiting a different distant place on the same Earth. Families, lovers and enemies just the same as what we have today. Eivor’s hand met mine and there we held them together. The outline of the scars on the skin of her forehand and all that she endured in her life, a beautifully written story on her body could be felt. Eivor whispered something in her mother's tongue, something I couldn’t understand.
We both kneeled with our backs towards a tall large stone, huddled together with a cold and eerie feeling in the air. Eivor wrapped her arms around mine and we let whatever happened to be just that. I felt safe no matter where this life took me, I knew Eivor would be near. I was ready to live the remainder of my life with her in the past. I’d be lying if I didn’t admit that I thought of what our life was going to be like together and what our future held. Daydreams and fantasies that I wonder if she too thought of. Passing through a time portal was invisible, you could never really tell if you traveled or not. Something between reality and falsity merged, undetected by the universe itself. I closed my eyes and laid my head to rest in the crook of Eivors shoulder, letting my mind go blank.
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satrangee-ray · 3 years
Text
The Snack of a Lifetime
Book: Open Heart 3 and beyond.
Pairing(s): Ethan × NB!MC {Dr Inara Hepburn (she/they)}.
Rating: Teen+
Summary: Inara barges into the DT room with some obnoxious snacks to force Ethan into taking a break. But is that all they have in mind, or will their brilliant plan saved for later take him by pleasant surprise?
Category: Fluff, banter, life decisions and celebrations 🎉😁✌.
Trope: Weddings and Proposals.
Warning(s): one or two swear words, mention of a sex act.
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Writer's note: By the time this starts, Ethan and MC have already said their 'I love you's, are in a committed relationship, and more or less everyone knows about it. In my original HC for Inara and Ethan they don't get married this early, so this is kind of an AU cause I really wanted to write a proposal fic. Also the whole lawsuit drama didn't happen, cause I said so, and most sane people would agree.
Ethan wasn't used to receiving.
It was apparent in the way he interacted with the world, immediately getting suspicious of anyone who would remotely extend some sort of courtesy towards him. 
He knew if he ever wanted to have something for himself, no one but he would have to take initiative to go get it. And for two-way processes like relationships, he had no belief whatsoever on the legitimacy of such things.
That was until Inara waltzed into his life, and amazed him with the possibility that he could be on the receiving end of good things without having to worry about any strings attached. Be it love, or a blowjob, or "care", as he previously liked to call it– the best things life ever had to offer were simply falling into his lap, and he couldn't find himself complaining.
Inara cared, in the truest sense of the word.
She cared enough to take off his glasses and cover him up in warm blankets, whenever he would fall asleep with an open medical journal in his hands. She cared enough to know just how he liked his coffee, or to school his scotch habits whenever they would get a little out of hand. And presently, she cared enough to let him work overtime, by agreeing to grab lunch with Tobias instead.
Ethan couldn't afford to take breaks. These days, he had to work even in between shifts, to finish editing his second medical book decently before it's approaching release date.
.
.
(One month before Inara's board exams)
.
The diagnostics office sat deserted, except for one doctor. A wooden desk, with papers sprawled all around. Ethan pinched the bridge of his nose, as he kept his glasses aside.
Suddenly the office door swung open, and three figures strolled in. Two practically tumbled, giggling overenthusiastically. The third one was Harper, who calmly walked in holding a tray, and shook her head with an amused expression.
Ethan looked up, and saw Tobias and Inara, each triumphantly holding up all their 10 fingers at him.
"Ring Chips!" Inara squealed, running towards Ethan. "Si baked these last night, and brought them as extra snacks for her fourteen hour shift today, but of course, we managed to hog some. So dig in!"
Ethan cautiously eyed the bright yellow crisps looped through Inara's fingers, and said, "you're not expecting me to eat those atrocities, are you?"
"Did you just call Sienna's baked goods an atrocity? That's wrong on so many levels E, lemme just get her on the phone..."
"NO", Ethan replied on high alert.
"That's what I thought. Cause bold words for someone who struggles even with a pancake."
Tobias and Harper chuckled, struggling in vain to stifle it.
"Fine, give me one here", Ethan said, extending his hand towards Harper's tray which contained the particular baked snacks.
"Nope, that's not the way", Inara stopped him, slapping his hand. "If you're doing this, you gotta do it right."
A loud exhale escaped Ethan. "What now, Rookie?"
"E, you can't just pick one chip and eat it, okay? You gotta slip it through your finger, and try to grab it with your mouth, the childhood nostalgia way. Like this."
Inara brought their hand to their mouth, and swallowed one whole finger, sucking on it until the chip looped through it flew backwards into their mouth. They proceeded to chew on it, staring straight into Ethan's eyes. 
He was so screwed. 
Turning away from Inara's gaze with tremendous effort, he wordlessly picked up a chip loop from the tray and tried to slip it into his finger.
"Too small", Tobias remarked, and handed him another. "Try a bigger one."
This time the ring effortlessly slipped through his finger, sitting perfectly at it's base. Ethan stared at it, perplexed, for a few moments.
"Yes! Now consume it with your mouth", Inara's excited cheers continued.
Harper couldn't hold in a scoff, while the youngest doctor in the room remained blissfully unaware of the implications of their phrase.
Ethan's mouth opened in protest, but he realized it's futility immediately and decided to close it. Scrunching up his entire face, in disbelief that he was actually doing this, he lowered his head, and slowly raised his hand to his face.
When his finger holding the chip was well within his reach, he opened his mouth once again to grab it. But just when he was about to take the bite, Inara acted quickly and slipped the chip out of his finger, causing Ethan to bite into his own skin instead. 
"Aahh, Nars what the hell! Are you nuts?"
The three other doctors in the room unabashedly cracked up now, not bothering to hide their glee in Ethan being tortured like that.
Inara began stroking his beard softly, before leaving a quick kiss on his cheek.
Shades of light pink took over it in response.
"You should have acted faster, honey", Inara said, taking his hands into theirs. Another gentle peck landed on his lips.
"Now I'm already running late, there's this patient I have to check on, gotta yeet. But you better finish the rest of those snacks, along with the real food we brought you for lunch, and for God's sake, please look up from those damn papers for five minutes, and take a freakin' chill pill!" 
The last words were shouted as they rushed out the door.
Ethan and Tobias sighed.
"They're the best thing that has ever happened to you"
"Indeed", Ethan said in earnest. "I'll be very inclined to agree."
.
.
(Four months after Inara's board exams)
.
The gorgeous venue sparkled with chandeliers and boujee people in expensive suits. Small round tables, aesthetic chairs, congratulations in order everywhere. No, it wasn't the medical industry's 'it' couple getting married, it was the 'it' doctor, and the chief of medicine's second book getting launched instead. 
Ethan had walked into the Edenbrook atrium that morning like it was a war zone. His expression still spelt terror, as he uneasily shifted his glance between some of his guests, shooting small, forced smiles their way.
"Why do we always have to do this?", he had asked Naveen. "Why couldn't we just release the damn book in stores? Why host a useless social gathering with forty thousand rich snobs who are only any good at showing off and draining your energy?"
Naveen had shook his head and hit him with an assertive "it's necessary."
So currently, Ethan stood awkward to his bones, in the middle of this necessary evil. Until, a certain presence near the door cued him to look up.
It was them.
Pantsuit in a sinful vermillion, the colour glowing bright against their skin. Red bottom wedges, that only aided their boss status. Brunette locks framing their face, so impeccably contrasting the emerald eyes looking affectionately back at him. Those, which never failed to take his breath away.
Inara Hepburn.
His giver, his lover, his Rookie.
And Ethan couldn't be more mesmerized, or reassured.
"Need some help picking your jaw off the floor, Ramsey?" Inara quipped, as they strode towards Ethan, torturously slow.
"I– well…", he stammered, before clearing his throat. "Is that look the reason why you chose to arrive 'fashionably late', and drive separately to my book launch from our own apartment?"
"Yeah, definitely the look, but I daresay some other things as well", they said, placing a playful hand on Ethan's chest. "You'll soon find out."
He smiled warmly at them. "Is that a challenge?"
"Have you ever backed down from one?"
A reckless mistake of letting his eyes slip to their lips, and Ethan couldn't wait any longer. He wrapped his arms around their waist, kissing them hard and deep. Drinking in their mouth, their warmth, their sensations. Aching to draw as much energy as he could to power through this event, from his greatest source of confidence, his only constant supporter. 
"I love you so much, Rookie", he panted, after the kiss broke off.
"Some brand new information there", teased Inara, bumping their nose into his. "You know I love you too, E. Now tell me what's bothering you."
Ethan pulled back swiftly at that, and stared at them in astonishment.
"What?"
"What 'what'? It was all over your face when I entered, and you still don't look quite alright. What's wrong, love? I don't recall you being afraid of public speaking!"
"I'd address an audience in my dreams! I just don't understand what's up with these people who come up individually to congratulate me, and purposefully try to expand those two lines into a whole one-on-one conversation. Scandalous!"
Inara nodded vigorously in agreement.
"Such a mood, b*tch, such a mood."
Peels of laughter were shared again, at their effortless mutual understanding, and at the usage of Inara's all time favourite nickname.
"All the best", they wished, shaking him by the lapels of his coat. "Get out there, and kill it!"
.
.
.
About an hour later, applause sounded from every corner of the atrium. Ethan beamed, as he finished reading the last line of a snippet about his latest research from his book.
Clapping proudly from the crowds was Inara, a lover on a mission.
"Thank you everyone, for joining me here today", Ethan said, amongst cheers and buzzing words of encouragement from fellow doctors and other esteemed medical personalities. "I hope I will be able to add value to patient-care through my efforts behind this book. There are some people I would like to specifically thank for being of immense help on my journey till here, so let's begin. Dad, thank you so much for coming to support me. Means a lot. Maybe because of my personal outlook, I could never comprehend your brand of unconditional love, which you so freely offer without actively needing me to work for it. I know now how valuable and rare that is, and how it has helped me grow into the man I am today. For that I will always be grateful. Naveen, thank you so much. You know if I start listing 'what for', I won't finish."
A lighthearted chuckle spread among the crowd.
"You always keep saying my success is my own, but I firmly believe there was no way I would have been the doctor I am without your help and guidance. Thank you for being the excellent mentor and leader by example that you are, you still motivate me to become better everyday. And, last but not the least… Inara."
All eyes in the audience shifted towards one young attending, who was clutching her glass out of giddiness.
"I really want to say thank you, but those two words will never be able to express the amount of gratitude I hold towards you. Before you, my life was only ever about blacks and whites. Giving my everything into medicine, working late nights and coming back to an empty apartment with scotch in my hand, I thought I was doing it all right. But when I met you, got to know you, I… you left me in utter awe of who you are, both as a professional and as a person. I couldn't stop myself from falling in love, and in respect, with your brain, your mind, and your soul. I am so glad you were patient with me while I was busy trying to deny it. You continued to show that patience even until recently, when I was all cranky with writer's block. Now I know the great Dr. Inara Hepburn is also a published novel writer, so of course that bit might have come out of empathy, but nonetheless, I'm thankful for it. Today, I'm about to release a book I put my all into, the information in which might hopefully change the face of what I'm most passionate about – public healthcare, for the better. And I'd rather not share this moment with anyone else. So Inara, would you please honour me by coming up on stage to receive the first ever copy of 'Prognosis and Evaluation'?"
Inara couldn't speak, stunned into silence for a bit. They had no idea Ethan would be the one for emotional public speeches, and here they were, utterly moved, in for another surprise. So would he be, soon, they reasoned in their head, and gathered themselves. Keeping their drink aside on a table, they strode towards the stage, eyes shining with pride, love, and determination.
Determination to get this right.
Ethan took their hand as soon as they stepped on the first stair, and led them upstage. 
A copy of the book, new and shining, was lying, all theirs to hold.
'Prognosis and Evaluation: A comprehensive study.'
Their heart swelled at the words written on the first page of the book.
Typical Ethan's handwriting, somehow neat and gibberish at the same time.
'My love, my north star, I promise to never let you down' - Dr Ramsey Ethan <3.
Tears. Instantly, a whole lot of them rolled down their cheeks. They clutched the book hard and hugged it to their chest, holding on tight. Ethan held them in turn, locking their shaking frame in his embrace, as the crowd broke into a unanimous applause.
"E, I don't know what to say", Inara began, on being handed over the mic. "Si would have cried so much if she were present here, Naveen's already crying."
Their grandmentor smiled back at them through his tears.
"The thing is, I love success. I love standing in the spotlight, having my own life, and earning my own achievements. Despite that, there is always a deeper warmth in standing next to someone you love, when they accomplish great things, and shouting "my person!" Today, you've given me that opportunity, and I'm so grateful to you for it. I'm proud of you for believing in yourself, and speaking your voice not as a "mechanism of coping with the means of this corrupt world", but as a means to bring genuine change because you believe you can. I've always seen you try so hard to never let your loved ones down, and that effort is what I'm so here for. People like you are rare, and I'm glad I got one to myself, to constantly cheerlead for, now and as long as you'll have me. I'll never leave your side, Ethan. I'd love us to forever be each other's hype person. Not just in practice, but also… officially."
Three distinct gasps were heard in the room.
Alan, Naveen and Tobias let their pinkies lock into each other.
Ethan's eyes widened, as he took in the meaning behind their words, starting to sense what might be coming.
Doubt. Disbelief. Shock. Anticipation.
In the next moment, they were down on one knee.
"Ethan Jonah freaking Ramsey, will you marry me?"
Dead silence in the entire room, everyone taking in what just happened.
Ethan's hands flew to his mouth.
Minutes passed.
One… two… and five...
No one said a word.
Eventually, the entire audience burst into cheers and jubilation. Even in such a formal event as that, quite a few wayward whistles were heard.
And then there was the man of the hour, standing centre stage, shell shocked. Still trying to process everything.
"Inara... Rookie, I–"
He couldn't. Form words or coherent sentences. His entire focus was on the person and the tiny blue box in front of him.
"There's a ring in there for real?"
'Shit', he cursed internally. What a ridiculous question.
Of course this was real. Their love was real, they were real. He was to get married. What? Wow. Really?
Of course there would be a ring for real.
"Depends", Inara said with a wink. "On whether or not you say yes."
"Come on Ethan!" 
Encouragements burst from his acquaintances in the crowd, imploring him to say yes. His three musketeers, however, were heard the loudest.
'Yes', Ethan thought to himself. 'Yes.'
He had to say it.
"Yes", he tried whispering under his breath.
A first time, then a second.
"Yes. YES OF COURSE I’LL MARRY YOU!"
He exclaimed those words in ecstacy before dropping down on his knees as well, and pulled his lover in against him. He engulfed her in his arms, holding her so tight, it could knock the breath out of his chest. 
"Yes Inara, it would mean the world to me if I could marry you", he whispered again into her ear.
"Good thing I asked then, E", Inara whispered back, before squeezing him one last time and pulling away. 
"Ring! Ring! Ring! Ring!", the crowd chanted.
The widest smile ever was shot their way, as Inara once again took hold of the navy box. She waited for both of them to steady themselves, and Ethan found himself holding his breath. 
At last, the cover of the ring case slowly lifted, to reveal… 
A bright yellow ring chip sitting right into the slit of the fabric in the case. 
Confused noises of varying degrees filled the room. Only Naveen, Tobias and Alan watched the whole scene unfold with a twinkle in their eye.
Meanwhile, Ethan's expression progressed from utter cluelessness to gradual realization.
Oh! That ring.
"Wait, how did– how come that snack didn't rot in all these days?"
"Of course it did, love. Our original measuring tape probably decomposed long ago in some trash bin outside a gold shop, after having done its job. This is merely a replica, but you can call it a token."
"Nars… what do you mean?"
"I mean…", Inara said, inserting her hand into her suit pocket, to pull out a sparkling golden band, complete with five little diamonds on top. "May I have your hand?"
"Readily, Rookie… you already have my heart. Always, for as long as you'll have me."
Ethan placed his shivering palm on Inara's steady hand, and she took the opportunity to slip the golden band through his ring finger.
A perfect fit. 
With tears in his eyes, Ethan agreed.
"I'm getting married to you."
"I'm getting married to you!"
Inara squealed at the prospect, and Ethan decided on sealing their joyous sentiment by crashing his lips onto hers in a searing kiss.
The audience went wild, but they were all forgotten in the minds of the lovebirds.
"I can't believe I get to call you fiancé", Ethan wondered in amazement.
"Me neither", said Inara, joining their foreheads together. 
"Say what, we should ask Sienna to bake our wedding cake. Three tier, with a big old fondant ring chip on top."
"What? Ethan Ramsey wants a huge a** fondant snack on the top of his wedding cake! Are you sure he's okay?"
"Yes, he is, and he would do anything for his fiancé!"
With moist eyes and full hearts, they buried themselves again in each other's holds.
This time, with a mutual promise of a forever.
F I N.
Oukay so this happened. I kinda posted it. Shh, I need to breathe.
Thank you so much for reading, if you've made it this far. I hope I haven't damaged too many of your braincells.
Thank you @gaeipsstuff for naming Ethan's book. I would have never, seriously! Thanks for proofreading and giving a detailed analysis, it came extremely handy during the my edit sessions. Thank you @adiehardfan, @jeetushmannfeelz, you know if it wasn't for the both of you, this wouldn't be up on my Tumblr.
This is my first proper OH fic, with an actual story and shenanigans, so I've been super apprehensive about this. Hence, it would mean a real lot to me if you could tell me how you found it. Stay safe, do what you love, stan pixelated characters, and take hugs. Peace✌.
Tagging: @adiehardfan @irisofpurple @barbean
Others kindly let me know if you wanna be tagged!
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halfusek · 4 years
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Hello yes my hyperfixation is Henry so I would like to know about Henry in the portal AU i'm sorry I don't have a specific question
Hmm lemme think
Well so Henry is kinda like taking Chell's place
The "portals" work in such a way that he uses the golden spray (that you can find in batim locked behind boards, in this world its more orange) to paint things to go through like for example doors, and the other thing is the blue seeing tool to see the other doors drawn before in the environment
As it's not testing in this AU but cartoon making, he isn't required to use these to go through a cartoon episode but he can use them to get out of an episode faster/easier
Though they also become a part of his character's design so they mat be essential to plots of some cartoons
Story!Joey was inviting all the humans he could find in the company's files, Real!Joey previously got rid of Henry's files but Sammy seeing the studio's downfall decided to make a file for Henry because he figured Henry could be someone to help them
(Sammy was the only human that survived being turned into a cartoon/death)
Story!Joey as such doesn't know Henry until he recognizes him when Real!Joey's conscience starts kicking in later on
When Henry arrrives at the studio he is turned into a toonyfied version of himself and he starts to go through the cartoons and is guided by Joey's voice
He thinks the messages are pre-recorded until he escapes being burned to death in the last cartoon planned for him - because those messages weren't prerecorded, it was Story!Joey talking to him all this time in a way that was supposed to trick him into thinking he's not actually being supervised live, but when Henry escapes, Story!Joey loses his cool (just as GlaDOS in the game) and starts talking in a way that shows that he's definitely watching his every move
Henry's mute but he's more expressive than Chell, as far as his gestures and drawings can go, he definitely performs a few acts of vandalism with his spray :P
As a parallel to the companion cube, he had to get rid of a... Boris. Joey definitely used that to torment him, alongside the fact that his wife probably gave up on him and found someone else and making up stuff about bad things happening to his family in real life
When Story!Joey realizes Henry is his friend and decides to let him go (because he's still required to make cartoons but doesnt want Henry to suffer through them), Henry leaves the studio with Wally that has been now fully made into a companion Boris :P
(That's a sort of a punishment from Story!Joey for almost destroying the studio; also Wally had Boris elements in his design before but he wasn't fully made into one.)
So, outside Henry and Wally tag along and possibly reunite with their families (though due to loops a looot of time has passed so its possible most of them could be dead at the time)
(Generally most workers at the studio dont have anyone to get back to, so staying and embracing the cartoon life is okayish for them)
Well I went off lmao xD
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Well then.
I recently discovered this "Gem" of an article and oh boy. This is next level insane conspiracy. *The article in question*
https://reclaimthenet.org/no-pixels-for-fascists/
Now the article is not promoting the context in it so much as covering it as a horror story. And at first I believe it to be satire...... But sadly it is not. First if all. Censorship is BAD. Many people will always argue with this because, "hate speech" or, "violent speech" but fact it, the people arguing for censorship so it because they believe that nothing they can or will ever say will be censored. Fun fact mind you. The term, "useful idiot" plays a big part here. See, people in powerful places don't ACTUALLY care about you or your views. They care about power. Consider for a moment why EA is backing this campaign. EA is a game publishing company that has been in hot water MANY times over the past several years. Up to and including incidents like putting out a game that was supposed to have some level of historical accuracy, but with "their version of history". Then there was the loot boxes controversy that literally started a legal war against predatory loot boxes in games, of which EA is literally the worst offender.
Now with all of this in mind realize something VERY specific. Many people that were "right wing" were very much not happy about the "our version of history" crap because it was not how the franchise had been treated prior. ""Left wing" people were mostly against the whole predatory loot boxes thing. Grant you yes, there was a lot of cross over, but fundamentally these were split issues. Now consider for a moment what some people consider to be fascist in modern culture. It's pretty broad. And it has been escaping it's proper meaning by a long shot. But with all of this said, something people neglect to realize is that totalitarianism, authoritarianism, and fascism are all basically the same. And all involve one fundamental truth. Absolute Control.........by ANY means necessary. Censorship is authoritarian by nature. Because when you can't speak, you can't spread ideas. Imagine for a moment Progressives, you finally get free speech removed. FINALLY these "right wing Nazis" can't spread their hate messages any more out of fear of fines, jail, or imprisonment. What doth the governing bodies do next? Maybe they ban protests. Maybe they don't ACTUALLY like gay people and ban pride parades or maybe remove gay marriage. And you think to yourself, "THEY CAN'T DO THAT! THEY ARE NOT ALLOWED T-". Yes they are. You literally handed them the keys and papers to the car....... And handed over your spares while you were at it. Meaning it's theirs now. They don't have to answer to you any more.
And that's the point. You THINK you can just take away people's ability to speak because you don't agree with them, but who's speech do you think they come for next? The people who helped put them in power. The people that handed them the keys. WHY?! You might ask? Because at that point, YOU are the biggest threat to them. You are the loud, violent, useful idiots that wished for absolute control over speech to adhere to your ,"moral compass". News flash. That power? Is all encompassing. And does not just go away when someone you won't like takes power. What's more, you actually TRUST many of the people in power at face value as if they actually care about you. They don't! You, to them, are only a means to an end. And think about it really. The biggest road blocks to freedom right now are mostly all people that label themselves, either left wing, or progressives. Any idea why you can't see your own folly? Because you have too much trust in people that have no real moral compass. Consider for a moment what you've been advocating for (not all of you).
Disarming the general public (2A)
Banning certain types of speech (1A)
Give full control of healthcare to the government (which they can then deny you of)
Give full control of production rights (to the people) by proxy also the government
You are literally advocating for the government to have absolute authority over everything. And it's funny too. They've got you believing that, "The rightous path to end *fascism*, patriarchy, racism, and bigotry,-" is to give them the power to make all of that much MUCH worse. What happens when a progressive get into office that is SO progressive, they legalize pedophilia? Maybe beastiality? Guess who speech gets removed next? Everyone against those ideas since one, you no longer HAVE the first amendment to protect you, nor a second to defend yourself. Then after that person, an extremist right wing LITERAL Nazi gets put in power? Guess what? Racism and bigotry are in full swing now. Welcome back to the 1800's. And guess what you can do about it? Absolutely nothing. And you know who's to thank for that? You are.
The above article also goes on to mention this, which...... Is basically insane-
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Fact is, contrary to MOST news sources. GG was not a hate movement. The FBI confirmed as much. And calling "Trump and his associates" gamers? They can't even operate FB half the time. Their only experience with gaming is probably Pac Man. Also the article goes on to say "right wing people" are the problem. No they are not. Because of the text I wrote prior to this. Because they SEE the trap and they are the only ones fighting to keep us free. Them and a hand full of centrists and not insane leftists. Also, it bares noting that "right wing" and "left wing" are not the same in the US as they are in other places, but a lot of people don't fully grasp that. People still have this view of "the right" as hillbilly racists, who shoot people because they can, and wish death upon "the gays". But that's a far cry from the bulk of the right in modern days. Because consider for a moment if the left wing was identified by their extreme? Full government control, make people be gay by force, legalize all age dating/sexual acts, let everyone love everyone *most specifically animals*, and killing/imprisoning all "non progressives". That's your fringes.
The reason so many people literally can't open their eyes is because they honestly can't think for themselves. They listen to "news" media to get all their info, even though that info is often doctored to be as woke and untrue as possible. Do you know why? Because activist types of the progressive fringes are the loudest and most entitled of us all. Salon, Kotaku, IGN, Vice, BuzzFeed, Feminist Frequency, Washington Post, The New York Times, The Guardian, CNN etc. They ALL get their news stories from one another. And they are all activists who want to push a narrative. They have no reason to be honest. The more angry you get reading their stuff, the more you will come back to read their stuff. Basically a loop of hate. Because without it, they'd go out of business. They NEED you to click on, share, and parrot their stories. I mean consider this for a sec. When GG got big, who was it that would have taken the hardest hit from the information found out? Games journalists. Do you know why mainstream news outlets came to their rescue? To paint gamers as all being racist, sexist, bigots? Because if it had come out and gotten attention beyond the gaming sphere that games media was being dishonest and unethical in its practices, how long do you think it would have been until we started to consider the same about mainstream journalism. They KNEW this was bad for them. But they also knew they had dedicated fan bases that would spread their propaganda for them. And they used that. They used that to pin down a few bad actors (the fringe people latching into the coat tails of the movement) to paint the entire movement as hateful. And not only did they succeed in spreading those lies. Now any time they need to make people angry again, or they need something to hide behind, the bring up GG *GamerGate*. Because the article writes itself. And they know by talking about it, they can deflect all forms of criticism. Journalist has sexual assault allegations against them? It's just GG trying to hurt progressives. Black Face? Just a GG lie! They threatened me/my family. It's the perfect shield. So much so, even Hollywood had taken on the mantra. But they took it up a notch to just say, "my movie did bad because sexist man babies". And they all do it. They don't actually CARE about sexism or whatever, but they KNOW, even the mention of "those types" is basically a battle cry to misinformed people that only wish to form a hate mob and enact "justice" on these "bigots". Open your eyes. You're a tool for the rich and powerful and you can't even see it.
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indomitablemegnolia · 6 years
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His laugh was warm, a delight, the music changed, Wonderful by Adam Ant begins, our dance got closer, he held me tighter. "Well, baby, I am pretty sure I don't have the kind of power to defy physics" he gripped my shoulders, I giggled, his face became beautifully serious, like an avenging angel "but if I could, I would stop all the clocks, if I had the power, I would turn the winds around, I would roll in the fog, I would bring in more ice and snow, I would tear a hole in the sky; change the polarity of the earth so compasses couldn't work, so your plane couldn't take off on the other side of our time." I kissed his lips desperately, "I would do that, but since that isn't here, isn't now, no need to worry; now, there is no past, no future, just us; so, just relax, kissing me really can't be the worst offer you have had." He danced me back to the bed, stopping pulling me down onto his lap.
Sitting on his lap, I listened to the soothing sound of his voice ricochet; I was loose limbed and intoxicated by the words that flow from his delicious lips, as he spoke his hands caressed; he seemed to have a need to talk, I just let him go, he talked about the weather and about time and about nothing at all. His vocabulary and grammer were perfect, his syntax delicious. I thought as he spoke of an e.e. cummings poem, I mindlessly started rattling out the words, "Since feeling is first, who pays any attention, to the syntax of things, will never wholly kiss you; but you, look at you, that vocabulary and syntax, and still the way you kiss." I kissed him softly, shaking that foggy feeling from my brain enjoying the flavour of his breath. "Did that feel like a cheapened kiss?"
"Hmmm, e.e. cummings, that speaks to my heart; my blood approves, and your kisses are a better fate, than wisdom. Though, going by the poem, it's you who focused on syntax." He kissed me deep and hungry, what could be a better fate... than this, gripping his lapels I dipped deeper into his mouth, I slid tongue along the roof of his mouth, ending by pulling his top lip in for a small nibble.
"Gods, is this undeniable connection between us, I am pulled to you; this strong pull, like a 400 ton electro magnet, that neither of us through this horrid day could avoid;" I sucked in a deep breath, "when first I looked into your eyes they spoke."
His deep chuckle rumbled, traveling the distance between us, "Now, what did they say to you?"
I raised my eyebrows looking up rather coyly, "Honestly?" He nodded emphatically, I tilted my head smiling with just one side of my lips, suddenly, stupidly, doubting my ability to read people; "they said 'it is you I want.' I know wishful..."
He cut me off with a kiss, pulling me as he laid back, I cuddled into his chest, it was a deep hungry kiss, I felt his wish filled hope; he broke away for air, "it's true, I did, mmm I do." He nuzzled my neck. "Back to your first point, that pull, the attraction, it was never one sided, it was gravity." I giggled, he pulled me closer, looking directly into my eyes, "don't mock, as real as the gravity that pulls the tide." He slid those skillful delicious hands along my frame, "as real as the force that pushes your body in for a perfect fit along mine, so close right this moment; we were pulled and pushed together, I am sure if I hadn't trailed after you we would have possibly crashed into eachother, hurled by the cosmos."
I was caught breathless by that truth, "I still wonder why... why me? How was I so blessed? I have trouble believing this is real."
"Sweetheart like we talked about, this is your world, you control all of this world;" He kissed me deep, "let your pain go," he kissed me deeper, "let the hurt go," he kissed licking the the egde of my soul, "let the guilt go." He kissed me pulling my body so that not an inch wasn't pressed to him. "What you are imagining right now, that world you control, in this place as real as any pain?"
I moaned, "Hmmmm, possibility." I sat up looking down at him; "what are you imagining?"
He laughed and my toes curled, "I am not sure you want to know."
"Oh, but I do." I kissed him, "I want to know everything you want, everything you imagine; I want to know what you feel, what you want, what you imagine... I want to feel, I am like a robot just awakened, I want to know why me?"
He sighed, resigning himself, "I dont know why you, I have been obsessed since first I saw you; you struck a chord in my heart that I had not heard in a while. You are no robot, I have seen too many of those. You are simply a human who like the tinman forgot there was a heart beating in that breast." He looked in appreciation at my chest, suddenly his jaw dropped as though he had a revelation, "my imagination is something of its own, but this is your world; I just hunger to be near you, I would love to just sip coffee and kisses for days; make out like mad teenagers, I want nothing from you; all I require from you, all I ask of you, all I want is for this sliver of a moment, a simple time away from time;" a look crossed his face as if something inside was daring him to tell the unvarnished truth; "but my imagination screams I want you, I need to have you; sensually, sexually, i want bury myself so deeply in you;" he stopped looking a little ashamed, he kissed me, holding me close, "I want you, simply as a man and a women; simple, no rules, no expectations, i imsgine recspturing thst firdy kiss you naturally, fiendishly movong against me; god, that first kiss we shared, the laugh, it wrecked me." He tucked my hair back behind my ears, I cuddled my cheek into his palm. "I want to see in your eyes, when that simple truth, that in this give and take, that you give yourself to me freely, that you take equally greedily; not because you have to, or because I asked you, but because you want it too. I want that mad passionate love. Mostly, I want you, any way I can get you."
He pressed me back into the bank of pillows, "Now, of course, for such a gem, I offer all that I am," I moaned as I felt his weight settle into my body. "I offer you freedom; a pure and total freedom; freedom from the drudgery of that other everyday life." He laced his fingers through mine, kissing each fingertip. "I offer freedom as an abstract ideal. I can't offer a freedom from pain." He ran his hands delicatly over my body, lingering in places "I offer you a freedom from responsibility, from guilt, from regret; momentarily a freedom from sadness. I offer you moments of pleasure, moments to be happy. Oh, I can offer you pleasure likes of which you have never known."
Beseme mucho started on his playlist; I rolled my eyes closed, pleasure already making my soul free. "No, please, don't close your eyes;" my eyes snapped open, "I need you to look at me." I let a slow breath out, "I want to see the realization in your eyes that I am offering you my love." Slipping along the deep V in the robes neck, his skilled hands teased my flesh, his deft tongue pulled my eyes. I felt so very alive, his fingers moving at a slow a tantalizing pace, moving slow, moving the edges of the robe out, exposing more of my flesh; I was already drowning in lust and need; his eyes holding me captive. "Ah there it is, all of me is what I offer you, all of you is all I ask of you."
I notice finally, his fingers caressing some of my scars, angry red welts I have never let anyone see. "Gods, you see them and you are not revolted?"
He shook his head, then I watched his lips caress the welt that transected my abdomen. "Nope, not even a little. All of you, it's all I ask of you."
"Kiss me until I forget how terrified I am of everything wrong with my life." God, did he, the man's kisses were amazing I felt his hands, his tongue both working in unison; I gravitate toward him, longing for, wanting to use my hands in such a delicious spell , thirsty for more contact. My awe apparent in my voice, as he pulled away, almost a whisper, "wow," I smiled. He was magnificent.
"Well, my sweet you never really defined, 'really, very good,' for me..." he kissed me almost in passing, "maybe we can work that out together." He kissed me, soft, asking, "or you tell me your favourite food."
"Chinese." I giggled,
He laughed, oh, that gorgeous marvel of deliciousness, pulling me to my feet, starting a sweet waltz, "I do love a good chinese dinner," he danced me in a soft circle, he buried his nose in my neck kissing at first; his tongue lightly licking, "I want you in the purest ways," my arms slid along his wide shoulders caressing his neck, he started with soft bites. I gripped the robes lapels, "I want bring all of your senses alive;" his hands began to move over the thick terry cloth, soft looping circles traced in the opposite direction of his tongue, pulling him closer, I let out a breathy sigh. My breath hitched, I slid my hands under his robe, sliding along his silky skin; "tell me sweetheart, total honesty, tell me how you feel about what I said."
"Hmmm, my nerves, they are alive, I am having trouble making up my mind which I want the most; I crave your words, but that sweet haunting revrence of your touch," his hands moved with more intent, beginning to grip pulling the robe, holding me close, his lips with intention, I moaned unashamedly, living in the friction of his fingers using the terry cloth to excite, "mmm, the trailing fluidity of your hands creating punctuation for your crafted sentences, natural aphrodisiacs. Oh, those words followed by the delicious brush of your hands; oh, feeling, that feeling."
Kissing me breathless he bent me back taking advantage of the parting robe, his lips feasting along the edges of the terry cloth; I sighed, I bucked, I strained backwards, shudding gasps escaped. "I love how you react instantly, honestly, you senses on edge, your shiver at my voice, your bend to my touch."
His revrent hand glided up my neck, dipping his thumb between my lips; words were pulled from me; "The way your touch softly glides, fingertips delicately trace the furrows, the hollows for those words to sweetly flow." I licked his digets, caressing the pads with my tongue; "the texture of those large, luscious, calloused hands, each of your fingers touched with just the perfect roughness; each finger pressed softly, trailing against my aching, hungry skin. The gentle veracity, the keening desire, your lingering breath weaves our tale."
He hooked his foot behind my knee and pushed; with a squeal I landed on the soft duvet, his weight delightfully covering me. I giggled, "I wish I could say sorry for falling over you, but you are just so delicious, the communication of souls. The more I get, I just want even more; tell me more, please, just keep talking."
I giggled as his fingers tickled, turning quickly to a hiss of air between my teeth, his lips caressing the scars lacing my abdomen, shocking myself I didn't try to push him away, instead I continued; "Your kisses craft slowly flowing paragraphs; long languorous passages; savory, sensuous stanzas of will and want; the hushed whispers of the soul allows the movement of our bodies to create the chapters of our own perfectly written novel. Your eyes spoke to me of the extent of your will, I was shaken; though, I confess not disappointed. If this were any more potent, I know I would not be able speak, the fate of the world could hang in the balance of my one uttered syllable and I would be unable to even whisper acknowledgment."
I licked my hungry lips, surreptitiously making sure they had not fallen off completely. His glorious mouth drifting revrently over my scars, resting and reveling in my hungry skin, he pushed my robe open a little more exposing more of my neck; the things he was doing his hands lips and tongue were deliciously driving me wild, he wasn't kidding about waking every one of my senses, "Oh, I watched as your eyes spoke, I was drowning in those green seas of desire; now, hearts, souls slowly burn. Gods, now I admit freely, it is you that I want; it has always ever been you, believe it always will be you." I gathered his robe pushing down his shoulders, running my fingers lightly over his soft skin, letting my nails lightly trail roughly, his growl played across my skin. "In fact, I will fan the flames, I want to let them burn, right through my skin, right through the heart of me. I want to burn in this sunspot moment."
Our eyes locked, the look in those fathom deep depths stilled my breath; willl and want and something more simmered deeply; he pulled my robe open just enough to bare my shoulders, his tongue tracing lightly the length, gripping softly pushing my face to the left; his lips taking full advantage of the opened space, playing merry hob with that mouth on my sensitive nerves. I arched off of the bed, my breath shuddering; I clutched at his shoulders; we melt together, like two links remembered and fused again together; "we thirst, hunger, want, need, crave … lust. How wonderful to be alive, he thought. But why does it always hurt?"
He slowed, pulling lightly away but keeping in complete contact; "I need to know how far we go."
My breath coming in pants, I tried to quip, "I dont know, how far do you think you can make it in this storm? It's kind of white out conditions."
He laughed, delicious feeling rushing over my senses. "You know exactly what I mean, do we, you and I go all the way, no regrets; we will just fall asleep together when the night is burnt and tired, and I want... I want... I want... you, I have wanted you, I want to finish this day feeling your pulse pressed against mine just so we know we are both alive, in this beautiful second.  I want… I” he took a breath; "but to hell with what I want, if you wish we can just sip coffee and kisses, until the storm is past."
I took a deep breath, and willed myself to answer with every ounce of sexuality I had, in a very Lauren Bacall style; I angled my head seductively, stretching a arm over my head saying rather with a bored tone, "Take me to bed or lose me forever." God his laugh, "I want it all, if we were at a restaurant I would be ordering the lobster with out checking the price, or even looking at the chicken." I ebbed away losing steam, I wound up to let loose one of my nervous, inane topic traversing tirades.
@pedeka you sounded like you needed some
@writernotwaiting because
@keeper0fthestars you know where this is from.
@iamhisgloriouspurpose because
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