#poster print panel 2

[redgoldsparks]

I wrote a 12 page epilogue to my 2019 comic "Harry Potter and The Problematic Author" because I found, in 2023, that I had more to say. You can also find this comic on my website, and I have PDF copies available on etsy. I may sell print copies at some point in the future.

instagram / patreon / portfolio / etsy / my book / redbubble

Full transcript below the cut.

PAGE 1

Part one: Ruddy Owls!

I was in fourth grade when the first Harry Potter Book was released in the US.

Panel 1: Sometimes our teacher would read it aloud in class. “Mr and Mrs Dursley of number 4 Privat Drive were proud to say they were perfectly normal, thank you very much…”

Panel 2: I was 11 years old when Harry Potter finally broke through my dyslexia and turned me into a reader.

Panel 3: Every night in the summer before sixth grade I waited for the owl carrying my Hogwarts Letter. I cried when it didn’t come. “I have to go to Muggle school!”

PAGE 2

Part Two: Hats

I dedicated myself to being a fan.

Panel 1: I began collecting Harry Potter News article.

Panel 2: I asked my relatives to mail me ones from their local papers. I filled a thick binder with clippings.

Panel 3: I wrote my own trivia quiz

Panel 4: and participated in the one held annually at the county fair. “Next contestant!”

Panel 5: I usually got into one of. the top five spots. I won boxes of candy, posters, stationary, and once a baseball cap. (Hat reads: I survived the battle of Hogwarts).

Panel 6: In high school I sewed a black velvet cape and knitted many stripped scarves.

PAGE 3

Part Three: Double Trouble

Watching the last film in 2011 felt like the final note of my childhood. 

Panel 1: I remember driving home from the midnight showing thinking about the end of 13 years of waiting; wondering what would define the next chapter of my life. 

Panel 2: That same month I heard of something called Pottermore. “Okay, so there’s a sorting quiz… I already know my house! Patronus assignment? Mine’s a barn owl. Duh!" 

Panel 3: You can read the books again but with GIFs? Why? 

Panel 4: I lived in a place with very slow and limited internet at the time. Pottermore sounded inaccessible, but also boring. I never joined. 

Panel 5: "I’ll just read the actual books again, thanks." 

PAGE 4

Part Four: Sweets

In 2016, a series of short stories titled "History of Magic in North America” were released on Pottermore to pave the way for the first Fantastic Beasts Film. These stories display an extreme ignorance of American history, culture, and geography, but the worst parts are the casual misuse of indigenous beliefs and stories. Fans and critics immediately spoke up against this appropriation. Some of the most quoted voices included Nambe Pueblo scholar Dr. Debbie Reese who runs the site “American Indians In Children’s Literature”; Navajo writer Brian Young; Johnnie Jae (Otoe-Missouria and Choctaw), founder of A Tribe Called Geek; Dr Adrienne Keene (Cherokee Nation), a Professor at Brown University who runs the blog “Native Appropriations”, and writers N.K. Jemison and Paula Young Lee.

PAGE 5

Rowling is famous for responding to fans directly on twitter, yet she did not respond to anyone calling out the damaging aspects of “Magic in North America.” Her representatives refused to comment for March 9 2016 article in the Guardian. She has never apologized. All of this, plus the casting of Johnny Depp and the specific declarations of support by JKR, Warner Brothers, and director David Yates left a sour taste in my mouth.

For further thoughts on the new films read The Crimes of Grindelwald is a Mess by Alanna Bennett for Buzzfeed News, November 16, 2018.

PAGE 6

Excerpt from Colonialism in Wizarding American: JK Rowling’s History of Magic in North America Through an Indigenous Lens by Allison Mills, MFA, MAS/MLIS (Cree and Settler French Canadian)

Although Rowling is certainly not the first white author to misstep in her treatment of Indigenous cultures, she has an unprecedented level of visibility and fame, […] One of the most glaring problems with Rowling’s story is her treatment of the many Indigenous nations in North America as one monolithic group. […It] flattens out the diversity of languages, belief systems, and cultures that exist in Indigenous communities, allowing stereotyping to persist. […] It continues a long history of colonial texts which ignore that Indigenous peoples still exist. […] In the Wizarding world, as in the real world, Indigenous histories have been over-written and our cultures erased.

from The Looking Glass: New Perspectives in Children’s Literature Volumn 19, Issue 1

PAGE 7

Part 5: Music

Panel 1: Also in 2016 I discovered two podcasts which radically altered my experience of being an HP fan. The first was Witch Please created by two Canadian feminist literary scholars Hannah McGregor and Marcelle Kosman.

Panel 2: “If it’s not in the text it doesn’t count!” “Close reading ONLY!”

Panel 3: They talk about Harry Potter at the level you’d expect in a college class with particular focus on gender, race, class, and the troubling fatphobia, fear of othered and queer coded bodies, violence against women, white feminism, gaslighting and failed pedagogy in the books. They bring up these issues not because they hate the series, but because they LOVE it.

PAGE 8

These passionate, joyful conversations went off like fireworks in my mind. I had never taken a feminist class before. I gained a whole new vocabulary to talk about the books- and the world.

PAGE 9

Panel 1: The second podcast I started that year was Harry Potter and the Sacred Text, created by two graduates of the Harvard Divinity School, Vanessa Zoltan and Casper Ter Kuile.

Panel 2: They read one chapter per episode through a theme such as love, control, curiosity, shame, responsibility, hospitality, destruction, or mystery. Like Witch Please, they are interested only in the information on the page, not thoughts from the author. The delights and failures of the text are examined in the context of the present day, and new meanings constantly arise.

PAGE 10

What does it mean to treat a text as sacred?

Trusting that the more time we give to it, the more blessings it has to give us.

Reading the text repeatedly with concentrated attention. Our effort is part of what makes it sacred. The text is not in and of itself sacred, but is made so by rigorously engaging in the ritual of reading.

Experiencing it in community.

“To me, the goal of treating the text as sacred is that we learn to treat each other as sacred.” -Vanessa Zoltan

PAGE 11

Part 6: Tooth and Claw

In October 2017, Rowling liked a tweet linking to an article arguing that trans women should be kept out of women’s bathrooms because of cisgender women’s fears. In March 2018, she liked a tweet about the problem of misogyny in the UK Labour Party which included the line “Men in dresses get brosocialist solidarity I never had.” The author of the tweet had previously posted many blatantly anti-trans statements.

Rowlings publicist claimed she had liked the posted by accident in a “clumsy and middle-aged moment.” Yet, in September 2018 she liked a link posted by Janice Turner to her column in the Times UK titled “Trans Rapists Are A Danger In Women’s Jails.”

Screencaps of these tweets can be found in the article “The Mysterious Case of JK Rowling and her Transphobic Twitter History”, January 10 2019 by Gwendolyn Smith (a trans journalist), LGBTQNation.com

PAGE 12

Excerpt from: Is JK Rowling Transphobic? A Trans Woman Investigates by Katelyn Burns

Ultimately, the answer is yes, she is transphobic […] I think it’s fair that she receives criticism from trans people, especially given her advocacy on behalf of queer people in general, but also because she has a huge platform. Many people look up to her for creating a singular piece of popular culture that holds deep meaning for fans from different walks of life, and she has a responsibility to handle that platform wisely. (Published on them.us March 28, 2018)

PAGE 13

Part 7: Home

At age 30, I’m still not over Harry Potter.

Panel 1: I’ve recently found a local bar that does HP trivia nights. “Poppy or Pomona?” “Poppy!”

Panel 2: I currently own an annual pass to Universal Studios so I can visit Hogsmeade.

Panel 3: I love talking to kids who are reading the books for the first time. “Who’s your favorite character?” “Ginny!”

Panel 4: And I’m planning a relisten to the audio books to next year to help me get through the election cycle. “Jim Dale, I’m going to need you more than ever…”

Spoiler from 2023: I did not do this. By mid-2020 JKR had posted her transphobic essay; we were in covid; I never visited Universal Studios again.

PAGE 14

But I do want to learn from her mistakes. I never want to repeat “Magic in North America.” As I write, I will do my research. I will consult experts and compensate them. If a reader from a different culture/background than me speaks up about my work, I will listen and apologize. I KNOW I WILL MAKE MISTAKES. But I will own up to them and I will do better.

PAGE 15

Excerpt from Diversity Is Not Enough: Race, Power and Publishing by Daniel José Older

We can love a thing and still critique it. In fact, that’s the only way to really love a thing. Let’s be critical lovers and loving critics and open ourselves to the truth about where we are and where we’ve been. Instead of holding tight to the same old, failed patriarchies, let’s walk a new road, speak new languages. Today, let’s imagine a literature, a literary world, that carries this struggle for equity in its very essence, so that tomorrow it can cease to be necessary, and disappear. (Buzzfeed, April 14, 2017) 

PAGE 16

Harry Potter is flawed, & JK Rowling is problematic. But the books helped me learn a lot: 

*One of the greatest dangers facing the modern world is the rise of fascism 

*The government cannot be trusted 

*Read and think critically

*Question the news: who paid the journalist? Who owns the paper? 

*Trust and support your friends through good times and bad

*Organize for resistance

*Educate and share resources with peers

*The revolution must be diverse and intersectional

* We are only as strong as we are united

*The weapon we have is love 

MK 2019

PAGE 17

PART 8: EPILOGUE

In 2021 I removed a Harry Potter patch I sewed to my book bag over a decade ago. I took 15 pieces of Harry Potter fanart off my walls. I got rid of my paperback book set, 2 board games, and 8 t-shirt. [images: a Hogwarts a patch with loose threads, a pair of scissors and a seam ripper]

Panel 1: Maia holding up a shirt with the Deathly Hallows logo on it. Maia thinks: “Damn, this really used to be my entire personality.”

Panel 2: The t-shirt gets thrown into the Goodwill box.

PAGE 18

I wrote my zine wrestling with JKR’s legacy in 2019, after her dismissive and racist reaction to indigenous fans and critics of “Magic in North America” and after she had liked a couple transphobic tweets. Since then, she has gotten so much worse.

A Brief Timeline (mostly from this Vox article)

June 2020- JKR posts a 3600 word essay making her anti-trans position clear

August 2020- The Robert F Kennedy Human Rights Org issues a statement about her transphobia, JKR doubles down on her position and returns an award they gave her

December 2020- JKR claims 90% of HP fans secretly agree with her anti-trans views

December 2021- JKR mocks Scottish Police for recognizing transgender identities

March 2022- JKR criticizes gender-inclusive language and legislation

December 2022- JKR retweets trans youtuber Jessie Earl’s critical review of Hogwarts Legacy, starting an onslaught of transphobic harassment towards Earl

December 2022- JKR removes her support from an Edinburgh center for survivors of sexual violence with a trans-inclusive policy and funds her own center which explicitly excludes trans sexual assault survivors

January 2023- JKR tweets “Deeply amused by those telling me I’ve lost their admiration due to disrespect I show violent, duplicitous rapists.” It got nearly 300K likes

March 2023- One the podcast “The Witch Trials of JK Rowling”, hosted by a former Westboro Baptist Church Member, JKR compares the trans rights movement to Death Eaters.

PAGE 19

What are The Witch Trials of JK Rowling?

Panel 1: Maia speaking. “It’s a 7 episode documentary style podcast hosted by Megan Phelps-Roper. Nearly every episode contains interviews with JKR as well as critics, journalists, historians, protestors and fans.

Panel 2: Maia speaking. “In episode 1, JKR speaks more candidly than she has previously about being in an abusive marriage. Her ex-husband hit her, stalked her, broke into her house overlapping with the time she was writing the first three HP books.”

Panel 3: Maia speaking. “What she went through genuinely sounds horrific. I have a lot of sympathy for the kind of life-long traumas those experiences leave.”

PAGE 20

HOWEVER.

It is clear from reading the June 2020 essay on her blog and listening to the podcast, that JKR still to this day feels unsafe. Despite her wealth and privilege she moves through the world with the mindset of a victim. And the group of people she finds most threatening are trans women.

Or rather, she is afraid that allowing trans women in women’s spaces invites the possibility of male predators entering those spaces.

Here’s a direct quote: The problem is male violence. All a predator wants is access and to open the doors of changing rooms, rape centers, domestic violence centers [...] to any male who says “I’m a woman and I have a right to be here” will constitute a risk to women and girls. - from The Witch Trials episode 4 as transcribed by therowlinglibrary.com, March 2023

Image: A stem of Belladonna with flowers and berries.

PAGE 21

Let me introduce here the term: TRANSMISOGYNY. The intersection of transphobia and misogyny, this term was coined by Julia Serano in 2007. Scout Tran, on tiktok as Queersneverdie said: “Transmisogyny occurs in people who have been previously hurt by traditional misogyny. Who have been driven to hate men or at the very least to be scared of men. They will sometimes take out that rage on trans women. (March 2023)

JKR claims to care for trans women and understand they are extremely vulnerable to assault and violence. In her 2020 Essay she wrote: “I want trans women to be safe. At the same time, I do not want to make natal girls and women less safe.”

So she cares about trans women… just less than cis women, and she’s willing to throw all trans women under the bus because of her unfounded, prejudice fears.

PAGE 22

Panel 1: Maia speaking. “JKR claims to have seen data that proves trans women have presented physical threats to other women in intimate spaces, but never cites sources. She also uses “producer of the large gametes” as a definition of “woman”.

What about transmen and nonbinary folks?

Panel 2: Maia leaning on a stack of all seven HP books, the first four Cormorant Strike books and The Casual Vacancy, gesturing to a series of quotes with a tired and disgusted expression.

I’m concerned about the huge explosion of young women wishing to transition and also about the increasing numbers who seem to be detransitioning. * [...] If I’d been born 30 years later, I too might have tried to transition. The allure of escaping womanhood would have been huge. -June 10 2020 essay

I don’t believe a 14 year old can truly understand what the loss of their fertility is.

-Witch Trials episode 4

I haven’t yet found a study that hasn’t found that the majority of young people experiencing gender dysphoria grow out of it*. -Witch Trials episode 7

*No sources cited

PAGE 23

It’s hard to over emphasize how fixated JKR has become on these topics. As of the date I’m writing this, 14 out of her 20 most recent tweets (70%) are in some way anti-trans. She tweets against Mermaids (a UK based trans youth charity), against trans athletes, against gender neutral bathrooms, and in support of LBG Alliance- a UK org that denies trans rights while upholding gay rights. Here are some gems from her archive:

“People who menstruate.” I’m sure there used to be a word for those people. Someone help me out. Wumben? Wimpund? Woomud? -June 2020

War is Peace. Freedom is Slavery. Ignorance is Strength. The Penised Individual Who Raped You Is a Woman. - December 2021

And in response to someone asking “How do you sleep at night knowing you lost a whole audience?”

I read my most recent royalty cheques and find the pain goes away pretty quickly. -October 2022

PAGE 24

Hashtag Ruthless Productions a queer nerd podcast company created a great guide on ethical engagement with HP. Image: the two hosts of Hashtag Ruthless productions, Jessie (They/she) and Lark (he/him).

Stop buying all official HP Products: books, movies, games, toys, etc, Universal Studios tickets, food, merch.* Boycott any new TV series or movies. Instead: buy the books and DVDs used. If you still want to wear HP merch, buy fan-made. Engage only with fan content: fic, podcasts, fanart, wizard rock, etc. Show transphobia is bad for business. None of this will change JKR’s mind. But the Fantastic Beast series was canceled and after record Pottermore sales in 2020, they fell in 2022 by 40%.

*She gets a portion of ALL tickets. In 2019, this was her largest income source. Read the full guide: hashtagruthless.com/resourceguide

PAGE 25

As late as 2019, I was still reading JKR’s murder mystery series. But by the fourth book my experience began to sour.

Panel 1: Maia holding a copy of Lethal White. “The only gay character in this book is a government official who gropes his staff?”

Panel 2: “The only genderqueer character is misgendered and portrayed as a whiny faker?”

Panel 3: “The only Muslim character is disowned by his family over gay rumors?”

Panel 4: “Even the women aren’t portrayed very well…”

Panel 5: “Why is the main female character defined by the rape in her past?”

Panel 6: “Wait, what happens in the rest of this series…?” Maia scrolls on eir phone.

Panel 7: “Is the series heading towards an employee/boss relationship?”

Panel 8: “And has a man wearing women’s clothes to commit assault?”

Panel 9: “Yeah, I’m done. I’m never reading a new JKR book ever again.”

PAGE 26

And as for JKR herself?

As tempting as it might be to tweet your frustrations at her, I don’t recommend it. In 2021, she tweeted, “Hundreds of trans activists have threatened to beat, rape, assassinate and bomb me.” Getting hate online feeds her sense of victimhood and she waves it as proof of her moral high ground. Instead I suggest you block her on twitter, then delete twitter, go to the library and try to find a new book that feels magical.

Stack of books: In Other Lands by Sarah Rees Brennan, The Scorpio Races by Maggie Stiefvater, Gifts by Ursula K Le Guin, Deep Wizardry by Diane Duane, A Deadly Education by Naomi Novik and Gideon the Ninth by Tamsin Muir.

PAGE 27

In “Emergent Strategy” adrienne maree brown writes: You do not have the right to traumatize abusive people, to attack them, personally or publicly, or to sabotage anyone else’s health. The behaviors of abuse are also survival-based, learned behaviors rooted in pain. If you can look through the lens of compassion, you will find hurt and trauma there. If you are the abused party, healing that hurt is not your responsibility and exacerbating that pain is not your justified right.

PAGE 28

Seeing anyone over age 12 wearing HP merch now makes me uncomfortable. Are they ignorant or actively a TERF? I hate wondering how much money JKR has probably poured into anti-trans legislation… This zine is a culmination of my slow breakup with a story that once brought me joy. Now it just makes me angry, tired and sad.

Image: Candle in a fancy holder burned down to less than an inch.

Maia Kobabe, 2023

[periwinkla]

Final NRMT poster with all panels! Print here <3 Did anyone notice... anything about the bottom right panel? It's not too obvious but I wanted it to at least be noticeable within the poster itself that something is... 'off' if you compared it with the other panels. And there's a reason. Honestly it's just about a silly headcanon of mine, and it is also a silly way for me to include it but... I'm silly myself. Under the cut, the hanakotoba notes for the flower panel... and other stuff. The other stuff isn't important really but it was funny for me.

Already talked about this in the flower panel post - but these are the main things I took into consideration when choosing the flowers:

3 sunflowers specifically mean 'I love you' - so I also added 3 chrysanthemums to complement them. By the by, among other things, sunflowers mean 'passion', 'love', 'adoration', 'I only have eyes for you' - while white chrysanthemums mean 'truth'. Red chrysanthemums signify 'love' but I opted against them in favor of the following flowers.

The small blue flowers are forget-me-nots, which, other than the obvious, mean 'true love' in hanakotoba. 

The pink flowers are Japanese primroses ('sakurasou' - they get their name because of their resemblance to cherry blossoms), which mean 'first love', 'longing', 'purity', 'youthful love', 'the beginning of youth and sadness'...

Also, here the nmweek24 tag on the blog to see the posts for the individual panels with additional info/behind the scenes: https://periwinkla.tumblr.com/tagged/nmweek24 note: there are a few minor adjustments I made for the final poster compared to the individual panels (you probably won't even be able to see them honestly) ---Sentimental story time--- The reason I wanted to do something special for nrmt week was because tomorrow (the 8th) will mark the day I first started playing AA1. And I'm so happy I got into it! Funny story: my first exposure to AA was the anime (almost 10 years ago!) I got to the end of the first 12ish episodes, obviously was very confused because it's not meant to be consumed by someone who didn't play the games, and promptly abandoned ship and forgot all about it. Completely. I even forgot I had watched it! until I got to Turnabout Goodbyes because I had a vague recollection of having seen the boat photo. But other than that, complete oblivion (my memory is quite terrible in general). Basically, last year I had finished Detective Pikachu 1 and wanted something similar because I usually play classic jrpgs and needed a change of pace... AA1 was my choice. As I mentioned, I remembered absolutely nothing from the anime (I had no idea Mia died, so, imagine the shock). I went completely blind till I finished with AJ and AAI1-2. Honestly, it's a beautiful experience when you play games without knowing anything about them. It feels like the good old days. I absolutely don't believe that study that says spoilers don't spoil the experience. Also I find it nice that I got into nrmt without outside prompt, because I find it funny that my brain needed to play through 6 games in order to see it. I seem to have prosciutto on my eyes (Italian idiom). In my defense I usually don't look for romance in stories and ship stuff unless it's very obvious. Nrmt comes too close to it to ignore. Ok, end of nostalgic sentimentality. ...And here's the 'other stuff': This print was the thing I said I had hidden 'in plain sight'. It has been on the print shop since... Thursday. 'It was there all along'-well more like half-along really <3

[2dmax]

2dmax commissions info spring 2024

last updated april 12th

to place an order for a commission, you may PM me; if you prefer, you can also fill out this form or commission me through fiverr.

text and additional info below the readmore.

thanks for reblogging, even if you aren't interest right now!

Packages

These are excellent starting off points for most common commission types. Additional specificity and complexity can be purchased. All basic packages are artist's medium of choice, include simple backgrounds, minimal/no props. All include full color, fully finished works.

Standard Illustration - $80

Artistic and expressive "full body" illustration (roughly 75-100% of figure).

Mini Illustration - $50

Chibi, portrait, half body, icons, and the like.

Couple's Illustration - $100

A duo version of the above styles. Doesn't have to be romantic couples - friends, enemies, family, pet & owner, or other pairs and duos OK.

Multipose, Reference, and Group Lineups - $120+

For commissions that require either multiple poses of the same character, groups, more than two characters generally. Reference pages can include close-ups and detailed shots.

Experimental Commissions

18"x24" Handmade Poster - $200

artist’s choice of medium only. typically acrylic/mixed media. always on extra large poster sized paper. great way to celebrate your favorite OCs or canon characters!

paper clay figurine - $100

chibi humanoids/animals/ferals/anthros only. between 2"-3" cubed, give or take. armature wire, paper clay, paint, and varnish. these are delicate art items, not toys; not suitable for children. includes a photoset at no additional cost.

standalone comics page - $200

2-5 panels, 1-2 characters, 1 location. artist’s choice of medium only. can be OCs or canon characters.

wildcard commission - $???

submit your request and your budget; results are up to the artist.

pay what you want means get what you get!

here’s what to expect when you order:

Send me a PM with basic info; what you would like me to draw, your budget, and if you have a deadline.

I will ask a few questions to be able to build up the concept. I will also give you my e-mail, where you can send me further info and any references you’d like to share!

Your sketch is typically ready within a week; I’ll always update you on my progress. After we agree on the sketch, payment will be due. After it’s paid, I will give you an estimate for when I will be finished with your piece.

Your finished artwork will be e-mailed to you. I am also happy to mail physical art at cost!

terms and conditions:

Your commission is for personal use; icons, roleplaying, in your blog theme, as a wallpaper, or to print out and tape to your fridge. Commercial use can be negotiated.

You must credit me on the platform used if reposted. Always OK to post to ToyHouse; my username is 2dmax there. On instagram and all other platforms where I don’t have an account, please credit my instagram @/maximumgroove.

You may not use my art to promote anything hateful or illegal. You may not claim it as anyone else’s creation. You may not use it for commercial uses, or to edit, adapt, trace, or directly reference, without getting permission. I may use my art in my own promotional material.

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[mspaesthetic]

speaking of flagrant disregard of stock image licenses, how close does homestuck skirt the boundaries of copyright law? was hussie really allowed to just go to google images, take some random image, and control C control V it into a panel?

I'm no counsel, so anything I say should not be taken as factual or legal advice, but from what I understand about U.S. copyright law, determining what constitutes as fair use is done on a case-by-case basis using four major factors:

1) the purpose and character of the use, including whether such use is of a commercial nature or is for nonprofit educational purposes; 2) the nature of the copyrighted work; 3) the amount and substantiality of the portion used in relation to the copyrighted work as a whole; and 4) the effect of the use upon the potential market for or value of the copyrighted work.

Ultimately, it's up to the court to interpret and weigh these factors in their analysis of the new work, so while one case may be declared as fair use, a similar case could be found as infringement. To break down what each of these mean exactly, let's apply them to an example from the comic.

In the hypothetical case of Ornate Victorian Decorative Floral Pattern Artist v. Hussie, 612 U.S. 413 (2011), the plaintiff claimed the defendant infringed upon their work's copyright when the defendant incorporated an unpermitted use of said work into the defendant's own work, Homestuck, an on-line web comic.

The purpose and character was transformative, using the pattern as part of a backdrop in the story, and the more transformational the use is, the less importance is stressed on the other three factors. However, while the comic is made freely available to read on the Internet, Hussie profits off of the comic's ad revenue and sales of related merchandise, such as physical printed books of the comic, making it a technically commercial nature. This doesn't necessarily rule out the use as fair, but it weighs against it somewhat.

The nature of the copyrighted work, the original decorative pattern, has to be determined whether it actually falls under copyright or not. At present, it's impossible to ascertain if the pattern duly belongs to the author, or if it's merely a reproduction of a preexisting Victorian decoration. The concept of an ornamental Victorian era floral style isn't protected by copyright, but a particular rendition of one could be unless it has fallen under the public domain.

The third factor would seem to be counterproductive in defending against the claim, as Hussie markedly used the entire image to produce the repeating pattern, which is where it derives its entire value, at several points throughout the story, but this fact does not bar it to be found as fair use. It just makes it less likely. If the court found it to be sufficiently transformative enough, then this factor would not even weigh in as much.

Hussie's appropriation of the image definitely resulted in the loss of a license sale for the plaintiff (which could have prevented this mutually costly legal battle for both parties in the first place, but that's irrelevant), but the manner of how he used it definitely doesn't act as a substitute for the stock image. Any reasonable person looking to use a stock image of a pattern would likely prefer a higher quality, unmodified, and unwatermarked copy of the original, opting to purchase a license for it that guarantees some clearly defined legal rights. Regardless, the fact that it's licensed could weigh against Hussie's use.

If I was a powdered wig-wearing judge presiding at the trial, I would throw the book at Hussie and his lily white ass in the slammer. Whether this is how it would actually go down in court, I do not know. I'm also not sure of the more dubious inclusions of other copyrighted materials, like the countless movie posters plastering the walls of the characters, or straight up Iron Man and Johnny 5.

I guess the latter's case could fall under parody, since Hussie is at least stating that Johnny 5's sentience is fucking stupid. I still think he doesn't have much solid ground to stand on for everything else, though.

Then there's also the sticky issue of using celebrities' likenesses, as well as the photographer's copyright to those images.

Then you've got using trademarked brands.

In summary, Homestuck in particular is one big potentially misappropriated licensing powder keg waiting to explode (not really).

Oh, before I close out of this topic, there's actually one little curiosity I'd like to cover. On the MS Paint Adventures Wiki, two panels were uploaded on the very same day they were posted in an update that was soon after revised significantly:

It's clear that the changed panels are highly more transformative, the paintings having been flipped horizontally and drawn over. It strikes me as odd that out of all the times Hussie could have been cautious of copyright, the harlequin paintings was where he drew the line. It might not even have been a concern over copyright but a personal matter of aesthetics. If that was the case, it'd be weird to go to such extreme measures for an inconsequential thing. Unless someone can grab a hold of the big man himself and ask, I guess we'll never know the real reason why.

EDIT: I asked an old friend of mine, phantos, who's a veteran member of the MSPA Forums and former acquaintance of Hussie's if they knew anything about this, and they vaguely recall something about an artist not wanting their work to be used in this instance. They also went on to mention that after the incident "it wasn't until he stole the furry porn for Equius' room that [Hussie] even bothered to look for art for 'whimsical room decorations'", which I don't think is quite true since I can think of at least one instance where he did (the witch furry poster in Jade's bedroom), but I felt it was worth noting down.

[someone-always-cares]

Progress update

Edit: laptop broke (hard drive issue), so thing will either be delayed a week or A Lot depending if my shit is recoverable. Back up your files regularly yall

Realised I should probably update yall on how things are going! Things are almost ready, just need to stich the book together together and finish a couple things, then I can order a sample of the book. I don't want to start the kickstarter until I have a book sample in hand that I'm happy with.

Admittedly looking like my original timeline isn't quite going to fit but such is life. its a close enough timeline so im not too annoyed just not in time to advertise it this weekend

to thank yall for your patience with this, here a sneak peek of the stickersheets made because I'm very happy with them and also because I just approved the proofs the manu sent me for those samples:

disclaimer: colours may vary depending on how the samples turn out (converting rgb to cmyk, my beloathed).

[id: two stickersheets, one of characters from chapter 1, and the other chapter two: chapter 1 sheets has: rami (civilian clothes), his whole team, tsunami, inkmaster, swarm, sound flood, and mori. as well as some smaller stickers: a sparkling wave, rami's logo, two diamond shaped sparkles, a small fireball, swarm's butterly, and three hearts with the ace, trans, and rainbow pride flags. chapter 2 sheet has: lewis and sound flood (both in civilian clothes), iris, faete, mindforce, and omen (super costumes). also several smaller stickers: mindforce's eye, a yellow and pink rose, a snowdrop, faete's sword, iris's notebook (with the words "stay safe"), a starry sky with city view, rami's hand holding a rose, and 5 blue pink and white hearts. end id]

also here's the cover (minus the blurb)

[id: image of the cover design, layed flat. aka the front cover is on the right side, back on the left, and the spin inbetween. designed to look like a corkboard with photos pinned to it, and red sring connecting things. on the back there are photos that are from various panels in chapter 1 and 2 (redrawn, specifically faete after transforming, cam readying her forcefield, lewis on the roof, and tsunami riding his wave. the back also contains enamel pins: a trans flag, an ace flag, and mindforce's eye. as well as the corner of a missing persons poster, a business card for "cullen's bowls 'n' bowls", and a blank sheet of notebook paper where the blurb should be. the spine has some starry washi tape with the title written on. the front has a piece of blue paper torn off at the end with the title on it, and stickers of a silver star and rami's logo. below is a large image of rami sitting in the water staring intestly at the viewer, light emerging behind him. around him, hands all strech out towards him, hands belonging to the significant character significant in chapters 1 and 2 of sac. end id]

so specifically what is left (no particular order):

spellchecking

adding page numbers to the bottom

finishing the rest of the not comic pages (aka the thank you note, about the author, deciation and the bit where im going to add names of people who pledged to the kickstarter) 75% done

character bios (admittedly optional i just want to do them)

bonus pages for art and sketches (i have collected all the art and sketches, its just deciding which ones to ue and which ones to save for next time because it makes more sense to put them with the more spoilery chapters 3-5 specific arts)

assembling these and sending a sample off to print

actually starting the kickstarter (once i have decived book sample back and am happy. i am not starting it without knowing 100% that i can fufill it right then and there)

(in the intrest of transperency: while these are all easy and mostly quick (aside from character bios. havent started that one yet), i also have some upcomign events that will have to take priority. that being a convention this weekend, next weekend, and my sisters wedding the weekend after (and the wedding gift, which is custom artwork of my sister and future brother in law. like a wedding painted but not on the day and also digital. so that will take up a bit of time after [another reason i wanted to get this done before then but ah well])

for real though one day i hope to be able to do art stuff full time because i am. so tired of doing a day job

also also there are versions of lewis and rami stickers in super outfits, they'll be seperate stickers

[id: drawings of lewis and rami, same as the stickers in the sheets, just seperate and in different outfits, the drawings have been placed close together, so it looks like thye're holding hands. end id]

you can make them hold hands :)

[ultramarine-spirit]

WMMAP Volumes 3 & 4 (Traditional Chinese)

Interstellar Publishing has announced the pre-orders for their translation of WMMAP's manhwa (volumes 3 & 4, limited edition)!

✦ Price: NT$ 1,399

✦ Pre-order date: 11/17 (Friday) 19:00-12/3 (Sunday) 23:59 (GMT+8)

✦ Merch description:

❶ 【Comics】 "Who Made Me A Princess" Volume 03

❷ 【Comics】 "Who Made Me A Princess" Volume 04

❸ Print-bronzing Acrylic Panel | The Emperor

◆ Specifications: 13 × 19cm/2mm acrylic/machine printing + partial white ink + partial gold printing

◆ Art by Korean artist Spoon

❹ Starry Postcard Set｜Collect beautiful moments

◆ Specifications: 10 × 14.5cm/240G Starry Card + White Cowhide Envelope

◆ Art by Korean artist Spoon

❺ A5 PP Poster Set｜Princess's daily life

◆ Specifications: 14.8 × 21cm/0.18mm fog-proof PP + partial white ink

◆ Art by Korean artist Spoon

❻ Silver Stamping Shikishi Board｜Princess’s Debutante

◆ Specifications: 20 × 14cm/Fine art paper mounting + water-based light/hot laser silver

◆ Art by Korean artist Spoon

❼ Silver Stamping Ticket Set｜Lonely Black Wolf & Soft Charisma

◆ Specifications: 21 × 8cm/250P copper + hot stamped full version laser silver/broken diamond film OPP bag

◆ Art by Korean artist Spoon

❽ Matte Book Box

◆ Specifications: 16.5 × 22.5 × 4.5cm/Full-page hot stamping/300P white copper + matte P

◆ Art by Korean artist Spoon

✦．【Pre-order bonus】 ✦. ✦．✦

❶ 1 Shining Badge (1 piece)

◆ Specifications: 58mm/Tinplate

◆ Art by Korean artist Spoon

❷ 2 Card Stickers (2 pieces)

◆ Specifications: 8.5 × 5.4cm

◆ Art by Korean artist Spoon

❸ 1 Transparent Card

◆ Specifications: 10.5 × 14.5cm

◆ Art by Korean artist Spoon

✦．【Giveaways】 ✦. ✦．✦

❶ Bonus Posters (3 pieces at random)

◆ Specifications: 72.8 × 50.2cm／190P snow bronze

◆ Art by Korean artist Spoon

❷ Special-designed Paper Bag

◆ Specifications: 23 × 27.5 × 13cm／150P matte special copper

【Additional bonus for pre-ordering the novel & comic's special editions】

❶ 2 Transparent Cards

◆ Specifications: 10.5 x 14.5cm

[bugsnax-community-questions]

Bugsnax Community Questions ~ Poll #25

Put filbo, eggabell and the others in one option because there aren't enough slots to fit everyone.

FILBO: Basic Furniture, Dandelion, Cot (secret), Grumpy Baby Mayor, Pawprint rug, Cloudy paws print, painted hut, Group Photo, Streamers, Garden gnome, snaxburg flag, Golden Strabby, Certificate of completion

WAMBUS: Scarecrow, beechwood, Sauce plant seedlings, Sauce rug, Rustic Bed, Mini Cactriffy, Grow light nursery, Wood panel print, cowboy hats, ceiling fan

BEFFICA: Sleeping bag, Ladder Shelf, bestie print, Bestie (exterior), Fuzzy heart rug, Privacy curtains, Bulletin board, glowing stars, purple lupin, befficas journal, Kiddie pool (technically from floofty)

WIGGLE: Hanging lights, Luxury bed (secret), Gilded (Secret), record player, Palm tree, Platinum Award, Beach Chair + Umbrella, Armoire, Music print, Rock club sign, Psychedelic rug

TRIFFANY: Map of Snaktooth, Drafting Table, Prehistoric Floorcloth, Grumpus Skull, Giant skeleton, Barrel cacti, Dig site print, hanging pots, ancient bugsnax statue 1 (pinkle), ancient bugsnax statue 2 (incherito), Bone and Stone (exterior), Bone and stone bed

GRAMBLE: Lantern, Pink oleander, Weather Vane, Knit Sprout Mat, Hay bales, knit bed, Strabby Hat, Doily Table, knitted (exterior), knit baskets, Strabby print, Bunger bed

CROMDO: Tulips, Police tape (Secret), Bug juice dispenser, Big safe, A single hanging bulb, boombox, money print rug, worn mattress, billboard, Motivational poster, Antique print

SNORPY: Loose Newspaper, Conspiracy board, Blueprint print, Protective coat hangers, Metal plating (exterior), Metalworks flower, Satellite dish, deprivation tank, bookshelf, HAM radio, hot tub

CHANDLO: Red Cedar, Framed jersey, Rock climbing holds, Strong trophy, Hammock, Bean bag, Orange bloodroot, Home gym (secret), Sports print (secret), Gym mats, chandlolier,

FLOOFTY: red ti plant, lab bench (secret), Specimen jar, Pirate ship (exterior), Beheading machine, ecience poster, chemistry rug, test tube lights, science print, Chalkboard

SHELDA: Hanging Planter, Herbology station, Primitive grass, Salt crystal, ebony stained wood, zen garden, Meditation cushion, Prairie grass, wind chimes, desert print, torch

EGGABELL: Family Photos, Eggshell print, medical egg rug, Medicine cabinet, Emergency bell, First aid kit, Draped fabrics, igloo (exterior), snow grump, medical bed

OTHER: Cowboy hat roof (Cactriffy), Planted snak (Cactriffy), Snak print (L), Strabby Shelf (L), Snakgoyle (Snaxsquatch), Matilija Poppy (Snaxsquatch), Eyes (exterior ~ B), Legendary snak rug (B), Snak mobile (C), Sodie Fountain (C)

[n7punk]

She-ra (2018) Con-Exclusive Merch & Giveaways

I'm assembling a master post of all officially-produced merch for the SPOP reboot, but it's focused on information. I have a separate post focused on promotion-exclusive items, and this post is dedicated to detailed information for the ambiguous middle ground: con exclusives. Some of these were given away and some were for sale.

If I get additional information on any of these specific items, I'll edit the post to add it, but if I find anything new then it'll go in a reblog addition as I've hit the image limit on this post.

Sometimes you have to click photos to see full images, as many are cut off due to varying dimensions. Any [x]s will lead to the source of the images, usually secondhand listings that will eventually become defunct. I use the best photos I can find.

Pins/Buttons:

The buttons (first two images) were at NYCC in 2018. [1st] [2nd].

Han Cholo sells a lot of pins on their website, but the four on the right were exclusive at SDCC one year (concept photo in the final reblog here, this post chain in general has a ton of photos of She-ra merch from a mix of sources). [3rd]

Misc:

A foam tiara (2 photos) and a (seemingly foam and plastic) flat sword were at NYCC 2018 & 2019 and SDCC 2019. [2nd], [3rd]

There aren't any good photos and I'm at the image limit anyway, but there are pictures in the final reblog here of knee-high socks that were given out at promo events (possibly cons) and in reviewer/influencer promo packages. They're patterned after She-ra's uniform and have a cape on the back. Any details on this would be appreciated if you know them.

Temporary tattoos (far left) and stickers (middle left) were at NYCC 2019 and maybe also Power-Con. Coloring sheets and hair ties were at either NYCC or Power-Con. The coloring sheet is watercolor with paint squares provided at the top of the sheet. I believe the hair ties came in three colors (purple, pink, and blue) and the long post* has good photos of the pink one. If you want to look at approximately ten pixels, this listing has all three colors. [1st] [2nd] [3rd]

Bookmarks were available at SDCC one year and likely any other locations that had the books (Power-Con, etc). [x]

Collector card sets featuring 16 of the characters were given out at cons, possibly SDCC 2018. First image is the front of the packaging, second is one of the cards, and the third is the back of the package. [1st] [2nd] [3rd]

Posters:

Buckle up, this is the final, longest part. Posters were at many conventions and some designs may have been available at multiple cons. I mostly want to catalogue the designs here and will list a con just when I know it. Most listings online are of fan reprints unless otherwise specified.

The first four (left to right) were available at SDCC 2019. The 4th & 5th are the front and back of the same poster, which was probably also distributed at places like Power-Con or wherever they sold the books (since it's a Scholastic poster). [4th] [5th]

Here are clean social media uploads of the 2nd and 3rd image. The 2nd was also the cover image for season 3 and the front of the DVD for seasons 1-3.

The character mini prints in the bottom right [6th] seem to have been given out at multiple cons. They were probably at SDCC (year unknown) and/or Power-Con (year unknown). The collector card designs roughly followed their design pattern.

All three of these were at SDCC WonderCon. The first was 2019 and the second was probably 2018. The 3rd was supposedly at 2023 but was (probably) 2018 unless they still just had a bunch of extras laying around. WonderCon also had a variant of the 4th poster from the SDCC section above, but I can't find good photos of it and there's going to be a third variant of it further down too, so at this point I think you get it.

The first design is the cover image for season 2.

The first was probably at NYCC 2018. The right two were given out at a NYCC 2019 panel, as well as sent out with an exclusive statuette to family bloggers to promote season 4.

The first design is the cover art for season one. Its design was also used for a shopping bag at Anime Expo 2019 (photo in the final reblog here). The second one is the cover image for season 4.

Distribution currently unknown (if there ever was one). The second image is the cover for season 5. I'll edit on the distributions if I happen to find them, but I'm fine with what I've got here. I could have missed one or two posters, but since their distributions mostly amounted to handing out flyers, they're hard to find.

[momo-no-tane]

Due to the popularity of the Shugo Chara! Pop Up Shop in Marui, Amnibus has started accepting pre-orders early. The pre-order period will end on March 12th, 2024. The products are scheduled to be shipped early June 2024. They were also added to Tokyo Otaku Mode’s mail order website.

The prices are as follows (tax included):

Trading Color Illustration Pin Buttons (12 Types) (Random) - single: 440 yen / box: 5,280 yen

Trading Original Scene Pin Buttons (12 Types) (Random) - single: 440 yen / box: 5,280 yen

Trading Color Illustration Acrylic Cards (12 Types) (Random) - single: 715 yen / box: 8,580 yen

Trading Color Illustration Card Stickers (12 Types) (Random) - single: 550 yen / box: 6,600 yen

Trading Original Scene Card Stickers (12 Types) (Random) - single: 550 yen / box: 6,600 yen

Trading Acrylic Stickers (6 Types) (Random) - single: 715 yen / box: 4,290 yen

Trading Color Illustration Bromides Set of 3 (20 Types) (Random) - single: 495 yen / box: 4,950 yen

Big Acrylic Stands with Parts (7 Types) - 1,980 yen

Big Acrylic Stands (3 Types) - 1,980 yen

Dialogue Big Acrylic Keychains (2 Types) - 1,100 yen

Multi Desk Mats (2 Types) - 3,850 yen

Daily Calendar Vol. 2 (1 Type) - 2,178 yen

A6 Acrylic Panels (4 Types) - 2,178 yen

A3 Matte Posters (4 Types) - 880 yen

Canvas Boards (3 Types) - 5,500 yen

Hinamori Amu Character Fine Graphs (3 Types) - 14,300 yen

Color Illustration Blanket (1 Type) - 5,478 yen

Hinamori Amu T-shirts (2 Types) - 4,378 yen

Hinamori Amu & Tsukiyomi Ikuto Original Scene T-shirt (1 Type) - 4,378 yen

Hinamori Amu Back Print Zip Hoodie (1 Type) - 7,678 yen

Source: Amnibus’s website, Tokyo Otaku Mode's website, X

[you-have-made-a-fatal-error]

nd art id - CUR - jane's room

1 + 2 are miniatures of two of the six Lady and the Unicorn (La Dame à la licorne) tapestries, created circa 1500.

3 - Jane's folding screen - is made up of the four central panels from this six-panel screen depicting the arrival of a Portugese ship in Nagasaki Harbour, created circa 1600-1625

4* + 5 are miniature chinoiserie-style french tapestries. unfortunately the images seem to be sourced from my nemesis the Pictures Now collection, so tracking down more specific details about them has proved difficult, but what i have found suggests the designs are from the mid-1600s

6 - as far as I can tell, all of Jane's opera posters were created by HeR. if they are recreations of real posters I haven't been able to find the originals. but they definitely used the female figure from this 19th c. Japanese print to make the Madama Butterfly poster! bridgeman calls the print 'Courtesan Turning Head' and credits it to Kitugawa Eizan, but I haven't been able to confirm this because the Rennes Musee des Beaux-Arts collections website doesn't seem to work.

*HeR also used #4 in Message in a Haunted Mansion - it's one of the tapestries decorating the main staircase

[geekynerfherder]

'Godzilla Minus One' theatrical poster print.

Officially licensed 24" x 36" screen print, in numbered limited editions of 350 for $50 each or $95 in a 2 print set; numbered White Rainbow Foil editions of 175 for $75 each; and digital prints on 4mm thick aluminum panels in limited editions of 50, with a numbered COA with BNG hologram of authenticity, for $125 each.

On sale Tuesday March 26 at 12pm ET through Bottleneck Gallery.

[vikenticomeshome]

Cyberchase - "Who's New?" Promotion

Cast your mind back to the Spring/Summer of 2004. Cyberchase was just starting its third season. This was an important time for the show, as they were about to introduce several new characters.

Nero the Animal Hero (debuted in Season 3 Episode 1 "Ecohaven CSE")

Slider (debuted in Season 3 Episode 2 "Borg of the Ring")

Mister-Z (debuted in Season 3 Episode 3 "A World Without Zero")

Sheldon and Roxy (debuted in Season 3 Episode 4 "A Piece of the Action")

Creech (debuted in Season 3 Episode 5 "The Creech Who Would be Crowned" )

At the time, the Cyberchase was updated with a promotion called "Who's New?", which served to introduce the characters. You can see it promoted on the website in this capture from June 9th, 2004. I believe the promotion started sooner than this, as all of those episodes aired in May. However, the Internet Archive has a gap between February and and June of 2004.

We start with a title page.

Five new episodes of Cyberchase will be on TV in May!

Check your local listings for the exact dates.

In their latest adventures, Matt, Jackie and Inez make new friends and explore new cybersites like the jungle of Ecohaven. And the CyberSquad returns to one of their favorite places, the skateboarding cybersite Radopolis.

Figure out their names and you'll get a printable "puzzle poster."

We get this panel, which looks like a title card for a 70s cartoon. We also get Matt trying to be mysterious.

Here's the main panel, showing the upcoming characters.

We get riddles to solve to get each letter of the character's name.

Here's some fun facts about Slider.

Lives in Radopolis

Loves to skateboard and is really good at it.

Can fix anything.

Here are some fun facts about Creech.

Lives in tropical Tikiville.

Really fun and spunky.

Her family used to rule Tikiville until they lost the crown in a race.

Here are some fun facts about Nero the Animal Hero.

Travels all over Cyberspace, but especially loves the jungles of EcoHaven

Has his own cybertv show 'Nero the Animal Hero.'

Can soothe savage beats by singing to them in Spanish.

Here are some fun facts about Mister-Z.

Live in glamorous Gollywood.

Occupies a very important place.

Has a special value not everyone sees.

Here are some fun facts about Roxy.

She's a Scritter.

Lives underground in Eureeka.

A very loyal friend.

And here's some fun facts about Sheldon.

He's a Scritter.

Lives underground in Eureeka.

Loves to jump.

Sure enough, you get a printable puzzle piece for each of these six characters.

I used GIMP to cut out the pieces and put them together into one image.

If anyone here wants to actually print this out and assemble it, here's an Internet Archive upload of the six pages extracted in full quality. it also contains a bunch of other goodies from archives of the old website.

The game itself has been submitted for inclusion into the Flashpoint Archive project.

So, we get an interesting selection of characters here. Of course, Creech and Slider show up on the show all the time. However, as far as I am aware, Mister-Z, Nero, Roxy, and Sheldon have not appeared since their debut episodes.

I didn't know that the Scritters lived underground, and I had forgotten that "A Piece of the Action" took place on the cybersite Eureeka.

[2dmax]

2dmax's commission info

custom artwork made to order; last updated 10/08/23

I have made the choice to rework my commissions to have a more traditional structure. This post is also currently somewhat of a WIP, and may be updated soon for clarification. Commissions currently in progress not subject to this update. Please see my new pricing below. Info will be repeated in plain text beneath the readmore. Also inside the readmore is what to expect when you order a commission, as well as my terms and conditions for use of my artwork. For something not listed here, please feel free to reach out with a question!

all art is defacto lined and flat colored/minimally shaded. sketch commissions are not available at this time.

Couples, groups, furries, scalies, ferals, pets, fantasy animals, robots, fantasy humanoids, backgrounds and props all OK. Not sure? Just ask!

Thank you for reblogging, even if you’re not interested in a commission right now! 🎨⭐

Pricing

Regular commissions:

chibi, portrait, bust, or icon:

$60 base price

request traditional art +10

request specific pose +10 (artist may choose to waive)

pair/couple interaction = subtotal x 1.2

group lineup or interaction = subtotal x 1.5

extra desired complexity +20 (if artist chooses to add on own accord/without request, no extra charge

half body (above the waist):

$80 base price

request traditional art +15

other options same as above

full body:

$120 base price

request traditional art +20

other options same as above

ref sheet; includes a combination of full body poses, busts/expressions, detail drawings, differing outfits, chibi art, and notes, as per your request; cost is subtotal x2

Experimental commissions:

18"x24" poster

artist's choice of medium only

base cost $200

paper clay figurine

chibi humanoids/animals/ferals/anthros only

base cost $100

delicate art items, not toys; not suitable for children

standalone comics page

2-5 panels, 1-2 characters, 1 location

artist's choice of medium only

base cost $200

wildcard commission

true PWYW - $1+

can only give me basic request; everything else up to artist, including medium, pose, decision to abstract or simplify, physical size, etc.

pay what you want means get what you get. quality not guaranteed.

Here’s what to expect when you order:

Send me a PM with basic info; what you would like me to draw, your budget, and if you have a deadline.

I will ask a few questions to be able to build up the concept. I will also give you my e-mail, where you can send me further info and any references you'd like to share!

Your sketch is typically ready within a week; I’ll always update you on my progress. After we agree on the sketch, payment will be due. After it’s paid, I will give you an estimate for when I will be finished with your piece.

Your finished artwork will be e-mailed to you. I am also happy to mail physical art at cost!

Your commission is for personal use; icons, roleplaying, in your blog theme, as a wallpaper, or to print out and tape to your fridge. Commercial use can be negotiated.

You must credit me on the platform used if reposted. Always OK to post to ToyHouse; my username is 2dmax there. On instagram and all other platforms where I don't have an account, please credit my instagram @/maximumgroove.

You may not use my art to promote anything hateful or illegal. You may not claim it as anyone else’s creation. You may not use it for commercial uses, or to edit, adapt, trace, or directly reference, without getting permission. I may use my art in my own promotional material.

FAQ: TBD

[maciek-jozefowicz]

[26] “Wounded” — Derwent brush, Drawing group (in the Procreate app). I was thinking — we have the advanced technology to create digital art, but we lack the advanced technology to present digital art. Computer monitors, tablets and smartphones won’t do. They lack the necessary significance, momentousness, solemnity; as do modern printing methods, which are excellent for books and periodicals, but are too cheap-looking for art. (An art print is merely a glorified poster.) Digital art is the art of our age, digital age, and here is the list of the three technologies that digital artists need to properly present their art:

1) We need high resolution, thin digital screens. Imagine the screen of an iPad Pro the size of Rembrandt’s “The Night Watch” (11′ 11″ x 14′ 4″). Imagine a screen that is essentially as light and as thin as the thickest canvas and can be produced in any dimensions required; a screen that is powered by light, like a solar-powered calculator. (The solar panel would run along the circumference of the screen and would also serve as the frame for the artwork.)

This screen will not only present the digital art, hung on walls of homes, galleries and museums, but also present the video of how that digital art was created, thus revolutionizing the way we view art. We need Apple to do this. They created two fantastic tools for making digital art — the iPad Pro and the iPencil (it’s not really called that, but it should be) — and now they need to create the tool that will show this art in the most suitable way — on large, thin screens.

Art created digitally ought to be presented digitally, and on equal terms with the art of the past; meaning, digital art shown on these large canvas-like screens should hang alongside the paintings of Van Gogh, Monet, Cézanne, Picasso, Matisse, Kandinsky, etc.

2) We need new type of printing. We need printers that can print in depth — 3-D printers that print in full color. But that would just be transitional technology. We need printers that print with oil paints and can layer those paints the way that oil painters layer their paintings. We need printers that can “print” impasto. This would be an alternative way to high tech screens of presenting digital art. (I prefer the screens. If you want to make oil paintings then use oil paints. Unless you purposely want you digital art to “look” like oil paintings — a kind of trompe l'oeil l’oil.)

3) We need more advanced ebook presentation. I am thinking about my needs here. This isn’t about technology as much as coding. I am going to collect some of my art and publish it in book and in ebook forms. But I want the ebooks to be able to also have embedded videos, of the same size as the page of the artwork. The videos will show how each artwork was created. These ebooks will represent a new kind of art book.

The inclusion of videos inside ebooks will increase the file sizes of the ebooks significantly — imagine a book collecting images of 100 artworks and their corresponding 4K videos, each around 3 to 5 minutes long. Huge file size. Amazon and Apple will need to make the necessary data storage upgrades to make these kind of ebooks happen.

It’s worth it. These types of art books will not only create better educated viewers, they will also create future generations of superior artists.

[st-just]

First Real Con™ (-ish. Like, still pretty small, but) Experiences, in roughly chronological order

-Went to a fun cosmic horror 'panel' that was just Premee Mohamed bleary-eyed off the plane on a Friday afternoon. Had never really heard of her before but was good panel, ended up buying her book to get signed

-Went to a D&D worldbuilding panel that was just, like, Some Guys talking and a physically painful Q&A session

-Got a fishbowl cocktail with 3 shots in it and dinner at Boston Pizza with friends (The pasta was honestly more of a mistake than the liquor).

-Spent an hour waiting in line Saturday morning despite already having my lanyard

-Went to a panel where a professional Viking Nerd just kind of rambled and answered questions of wildly varying quality for an hour and a half, then bought a copy of his personal illustrated translation/retelling of the Edas because hey why not

-Spent like 2 hours wandering around the vendor hall and spending a truly eye watering amount of money on [dice, mouse pad with cool print on it, many many posters, t-shirts, necklace, etc]

-Watched a pair of circus performers put on a ring/aerial dance/acrobatics routine set to the soundtrack of Ocarina of Time, was left acutely aware of how little core strength I have (ran into them outside the Con after too, they were nice and have very pretty business cards)

-Watched the local SCA chapter put on 45 minutes of sparring bouts and medieval dances

-Forgot to buy separate ticket to 19+ red carpet cocktail thing so went to gin distillery three blocks form apartment with friends who didn't have tickets for evening

-Spent at least two hours wandering around gawking at cosplayers (pleasantly surprising number of Gideons and also one Harrow, a truly incredible Aloy, an adorable couple and their kid dressed up as the Forgers, etc)

-Attended panel about how to do horror in TTRPGS (read: D&D) by Some Guy (well, Girl) that was actually pretty interesting. Presenter said her background was in event management which made sense given the super well organized powerpoint and the clear discomfort with public speaking.

-Played a few incredibly niche boardgames I had never heard of (the licensed Portal boardgame: surprisingly not shit!)

-Did swing dancing demo and actually had a lot of fun/managed to not terminally embarrass myself

-aaand finished off attended an actual multi-person panel with Premee Mohamed and T. J. Klune talking about worldbuilding which was, like, 75% just watching two fun charismatic people riff off/take the shit out of each other and was 100% an absolute blast.

[jlonejacketwthe30out]

CONTINUING HAND & EYE - typography, poster design and final results❗️❗️

(yeah. sorry it’s even later. my bad !! 💀)

OKAYYYY!!!! so after finishing my panels i got to making my zine into an actual physical outcome - which included making my title cards ^^

now for this i thought it would be fun to do some stencilling - and it was! not sure why but i really enjoyed this part, i think i was getting pretty hyped cos it meant i was almost finished😁

and to add extra flair, i cut some star shapes from some neon yellow paper i had! i wanted this to add even more colour and just some more dynamic shapes to the zine - i also included these in the poster that i made to go on the other side on my folding zine

the poster on the other side was also SOOO fun to work on - probably because i got to be a lot messier here 🙏🏾

to keep with the theme of trains, i used a bunch of collaged train maps and travel card forms as the background of my poster, above which i put my neon stars and graffiti influenced arrows - and ofc my trains.

i’m not sure if i included this fact in my notes or submission or anywhere, but another reason i really like the neon stars idea was because they reminded me of sparks that sometimes fly off the tracks and trainlines because of either the friction of the track and the train wheels, or the electric trainline wires. i love being a chronic train user🩷

HERE ARE BOTH MY NARRATIVE AND MY POSTER COMPLETED 😁👍🏾❗️❗️

after this, i scanned both and edited them together in photoshop. from this point i could print a sheet that had both outcomes on either side! i finally had a zine !! woohoo !!!

bearing in mind that the zine i was making was meant to have copies i could sell, i tired to print on some thicker and higher quality paper!

unfortunately for me!!! the paper i had (which was like… 350gsm i think… SUPER thick) was too much for the printer i used and it came out deformed 🛌

because of this (and my last minute rush el oh el) i chose to use the standard cream paper that was available in the library - it did the job😹

and here are my outcomes at the zine fair!!! i sold 2/3 copies - pretty good since i honestly would’ve gave them away for free😭 i love lots of really good feedback too so that was rlly nice :DDD

i kinda sorta loved this project and i was okay w my outcome but as usual for stuff this year i fumbled a little bit - mainly down to my organisation and timing BUT IT WAS SM FUN🩷💛💚🩷

thanks SO MUCH for looking at my process!!!!😭