In ep 24 "Knock Knock" I found this interaction between Kalaya and Eursulon so fascinating
Kalaya: You're a true friend of a wizard of the citadel?
Eursulon: Yes.
[...]
Kalaya: Is she kind?
Eursulon: She can be.
It felt like such a big sister thing to be cautious of this wizard and have concern for her little brother. A spirit in a world that can be unkind to wild ones such as themselves.
But more interesting than that was Eursulon's answer. "She can be." It could be interpreted as, sometimes she is kind and other times not. Which we have seen both from Suvi (wielding the power, prestige, and station of a wizard vs loving and cherishing her friends).
But it could also be interpreted in a future connotation. Like she COULD be kind but we have yet to see. Will the citadel justification machine take over or will she retain the lessons learned from grandmother wren and hold on to a respect for the world of spirits
Last Eursulon saw Suvi she was caught between her friends and the citadel. And while wizardry is not innately unkind the systems put in place by the citadel can be concerning. Suvi has the potential to go down an alarming path with the brass of the citadel pushing her along. She has the capacity to be "unkind". But the gut reactions we see from her. The Suvi reactions, not Sky or the citadel, but SUVI are always kind. With her friends in her life Suvi can be kind and would continue to be kind. But her friends keep pulling away and the fall out from the last goodbye may be very influential into who Suvi will be.
Eursulon may not have meant much by his response but it feels very ominous in that we are yet to see the type of legacy this interation of the wizard Sky is going to leave.
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man, the concept of grayscaling is So Interesting. like... it's depression? but it's also Not. you're trapped, you're complacent, you're safe. you hallucinate a colorless simulation half the time you're awake. you walk through the world like it's fine, and it's normal, and you're fine but everything isn't fine and maybe your friends know or maybe they don't but either way it's not like they can do anything... do you even want them to? is it a bad thing, really, to be like this? to be protected from everything and everyone that could hurt you? there's no joy in it, but no pain, either. the only constant is constancy, and that means you're safe. safe. safe from everything.
is it really worth it?
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the fulfilled motifs in alhaitham and kaveh's relationship are on my brain!!
- most poignantly, the two coming together to unveil the temple of silence in cyno’s story quest, which parallels their thesis on ancient architecture and runes of king deshret’s era, as the two appropriate the other’s respective signature (alhaitham recognises architectural structures whereas kaveh is struck by the beauty of an emblem) - where the two once fell out due to the disharmony of their viewpoints, they have reconciled them within this quest
- there’s the two working together in the house of daena, where they argued in the house of daena upon meeting them in the archon quest, where they were described to have a ‘terrible’ relationship by the npc geoff, which is mirrored in cyno’s story quest by the two actively working together - as well as paralleling the npc archon quest scene the player has to actively seek out in which the two argue once more, whereas in cyno’s story quest, the two willingly exchange information and are supportive in helping the other
- we have the fulfilment of kaveh losing his family and therefore his idea of ‘home’ through him actively referring to the house he and alhaitham share as ‘home’, and that he wants to return to it together with alhaitham, as a set, and by implication a family, in cyno’s story quest
- by extension, kaveh not concealing his living arrangements by openly referring to him and alhaitham’s ‘home’ in front of his friends, which refers back to when kaveh asks the traveller to keep it a secret upon meeting him officially in alhaitham’s story quest
- kaveh buying wine and coffee beans in the tavern, alhaitham and kaveh sharing wine in their house, which is something they are mentioned to do in the bulletin boards of sumeru as well as in alhaitham's story quest, going hand in hand with the two drinking coffee together in the house of daena, with kaveh mentioning he wishes he had made some for them before leaving the house, which refers back to his 2023 birthday letter where he and alhaitham taste tested coffee beans (i am, once again asking, for an alhaitham mention in 2024....),
for future sumeru quests or events i am thinking of the unfulfilled instances or things that can be addressed??
- whether kaveh accepts alhaitham's research into sachin's influence over his father as closure for his involvement in his father disappearing into the desert, as his reaction differs from whether alhaitham tells him vs when the traveller tells him. since cyno's story quest 2 indicates that alhaitham telling him is what happened in canon, this subsequently betters their relationship. the idea of kaveh's cycle of self-detriment due to his past guilt hasn't been addressed since apop and it remains uncertain as to if kaveh has made steps to forgive himself or if he even wants to. this development of kaveh's character is truly interesting and i would love to see it explored at some point, and also in turn what alhaitham's involvement is in this, as in his newly accepted support of kaveh
- kaveh writing to/visiting his mother in fontaine? or at least a mention of kaveh's mother, as his hangout has a heavy focus on faranak's past relationship with kaveh and her hopes for his future, which we see in her advice to him as a struggling artist being that to found reliable companions. if kaveh undergoes a reconciliation arc within himself, as in he aims to forgive himself for his past guilt, then it would make sense for him to have a reconnection with his mother to talk about the past in order to truly look to the future
- kaveh and alhaitham having a role to play in the exploration of the temple of silence in future events - hints of this may be seen in sethos cautioning cyno that he may only invite people he and lord kusanali deem worthy, for cyno to then tell alhaitham and kaveh upon arriving back in sumeru. To this, kaveh expresses an open interest and cyno tells him that he will have an opportunity to investigate in the future. As alhaitham and kaveh have teamed up together in order to investigate into the temple of silence, and are indirectly connected to it through their thesis of king deshret, it seems they will likely be a part of the role the temple of silence will play in the future
(- i thought that an unfulfilled instance could be kaveh referring to alhaitham as his friend in game as this would be a callback to when paimon asked whether he and alhaitham were friends, to which he replied that they ‘used to be’ but weren’t anymore… but in terms of how alhaitham and kaveh's relationship is handled in-game, i think queercoding plays a big part in having labels such as ‘friends’ continue to be evaded (i have spoken about definitive labels being avoided in the writing of haikaveh here), this is backed up by sethos’ voice line as the two are paired together as “alhaitham and kaveh” and are referenced as a set with “those two”, rather than a definitive label such as ‘roommates’ or ‘friends’ being placed on them. Rather, they are conceived to be something outside of this, as sethos conveys their ‘otherness’ with “something about those two hanging out, you just can’t look away”, so i think, imo, it would fall more in line for them to continually not be assigned definitive relationship status, but if the improvement of their relationship is actually mentioned in-game since it was only shown and not told in cyno's story quest 2, it would make sense for them to say something that indicates they overcame misunderstandings or something vague like that. as there's an air of secrecy around alhaitham and kaveh's relationship, the traveller won't ever be privy to the specific details)
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This was a massive mistake. If All Might's concern here was solely due to his heritage, then he deserved this scolding from Gran Torino. Because it's true that Shigaraki doesn't deserve more sympathy because of his heritage.
But they're both missing the main issue here. All for One's reveal was phrased in such a way that it was obvious that Shigaraki was groomed to become like this. They know what All for One is like and that this was likely the first time Shigaraki wasn't directly under his thumb. The League was still new without much mutual trust yet. They had just lost most of their meeting places and resources. And Shigaraki didn't act in a way that was actually detrimental to the hero side for awhile after this. This period of time was the best opportunity the heroes had to try to either talk Shigaraki down or stop him in general.
And they didn't take it because they wanted to double down on creating a line in the sand between villains and anyone else. So they came to the conclusion that because Shigaraki is a dangerous criminal, he can't be the kind of person who needs saving.
Though the decision to leave All Might out of going after Shigaraki makes sense. He was still recovering and had a duty to mentor Izuku. And...controversial take, I don't think All Might had the ability to save Shigaraki even if he had tried. He would have had similar problems as Hawks with Twice. All Might would have only been interested in saving Shigaraki but not any of his comrades due to his own personal reasons and it would have ended disastrously.
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Happiness, Sadness, and now Anger?
I've been discussing with friends that this upcoming Strawberry Floormaster Lady could have an emotion pun name--an "anger" name to match Sue Miley/Hoemi's happiness and Tia Safalin/Hannaki's sadness. If Nankidai continues this trend, he'll probably start her name with an "H" sound too.
This theme would also match how our Obstructor Maple cycled through three emotions, one at a time. Happiness, sadness, anger.
I like the idea that the prominence and fates of the three floor master women could represent which primary emotions Sara is feeling. In the beginning she is happy with Joe; in the middle she mourns him; in the end, she's tempted with revenge...?
All three women have survived to the final chapter, so if they each symbolize an emotion, their fate could reflect the tone of the story's ending. Maybe Sara could kill her chance of happiness (Miley) in favor of revenge (Strawberry Lady), or something similarly symbolic.
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