#pre-1968

[swiftviolets]

lori roux through the decades ❤️‍🔥

1968 / 1978 / 1988

1998 / 2008 / 2018

[get-back-homeward]

Life With The Lennons, Exclusive by Ray Coleman, April 1965 [x]

[tsutsumi-kurose]

very interested to see in the coming chapters, with all that’s changed, specifically regarding timelines, if tsukasa and nene are still able to slip through time in the same ways they were previously able to

[savage-kult-of-gorthaur]

UP THE NYC STREET PUNKS -- HAIL THE V.U.!

PIC INFO: Spotlight on American rock band THE VELVET UNDERGROUND, photographed by Ken Greenberg in NYC during the band's "White Light/White Heat" era, c. 1968.

"In a way, we were perfect punks. Delinquents anyway. I remember my parents thought rock 'n' roll would lead me to juvenile delinquency. But I was already there, so they couldn’t blame it on the guitar playing.”

-- STERLING MORRISON (1942-1995), c. 1985, collected in "Linger On: The Velvet Underground" (by Ignacio Julià, 2022)

Source: www.picuki.com/media/3180193860176874727.

[my18thcenturysource]

Today you can go to a mini spring vacation to a particular zone of Mexico City: la Plaza de las Tres Culturas.

This guided tour by CyArk, takes you through the architectural styles and the long and rather violent history: from the Spanish conquest, to the 1968 students movement, to the earthquakes and the restoration of the cultural significance of this place.

So, click the link and stand in the Plaza de las Tres Culturas, surrounded pre-columbian, colonial, and modern architecture. The tour guides speak in Spanish but everything has English and Spanish subtitles, and there's not only historians and guides, but testimonies from survivors of the Tlatelolco Massacre.

There are also several online resources to learn more, at the end of the tour.

[rosewatergrapefruit]

this is still maybe one of the most insane relationships I’ve ever had with an album…when I was 15 and really making an effort to figure out what I believed in and what I wanted to stand for this album was invaluable in articulating what I imagined living in active resistance would be like….the pain and anger and humiliation and discomfort and joy and sexiness and the love of it all…really very few pieces of work that I can think of even today that embody that. and it’s also one of those things where it rings so strongly of “what could have been” like it feels like it was recorded while we were on the precipice of something that we ultimately whimpered away from…which is why every song on here kind of makes me want to cry lol. anyway, great album!

[internatlvelvet]

Susan Bottomly in Gerard Malanga's "Pre-Raphaelite Dream," pre-June 1968.

[star-anise]

Warnings: Doomerism, climate grief, child death

The thing about having studied history and the psychology of trauma so much is that I can't pretend to myself that the world used to be better at sometime in the past.

Don't get me wrong; things are absolutely terrible right now and need to change, quickly.

But also, they're better than they've ever been for us as a species. It is literally mindblowing how much worse life was for us historically.

Have you seen one of those charts of the human population over time? Have you thought about what it actually means?

Because here's what I see: Humans have always loved things like living to old age, like having sex, like raising babies. Those are things we have always wanted to do. It's not like pre-industrial humans were giant pandas like, "Nah, rather not reproduce as a species. No thanks," and suddenly the Victorians discovered horniness.

Instead, for most of human history, we have died. At terrifically young ages. The few who made it to adulthood could make babies as much as they liked, and then overwhelmingly watched pregnancies miscarry, births end in tragedy, or babies die. Their own lives were constantly at the mercy of a world that could kill them without a second thought. To be human meant to live in a world full of a million little tragedies, all the goddamn time.

And then what happened was: The babies stopped dying. The effects of a lot of things from higher agricultural yields to public health efforts to mass communications made us the master over the diseases and maladies that once had us by the throat.

When we look ahead at catastrophe and terrors, yes, they're bad. But they'd have to be extremely bad indeed to measure up to the number of people who wouldn't even be alive in any other century.

And even the obvious bogeyman then, overpopulation—did you notice what's already happened? On that chart, there's the green measure of total population, but the thin purple line is the rate of population growth. Please notice that it peaked in 1968. It is, in fact, projected as entirely possible that within a century it could go lower than it was twelve thousand years ago, at the end of the last big ice age.

The moment babies started to live longer, people went, "That is too many babies. An absolutely unsustainable number of babies. People are crying out for help because taking care of that many children is completely overwhelming. We need to be able to fix this problem," and they invented birth control and fought to get it legalized. It hit the market in the late 1950s and in less than a decade, it had caught on like wildfire.

To me, this is the absolute opposite of an argument for passivity and political inaction. It's not that everything's going to be okay so why even try. It's that as it turns out, the human capacity to grow and thrive and make the world better is absolutely reality-defying. I don't have faith that all of our problems will be solved, but I do have faith that those problems are all the subject of passionate obsession of millions of people.

And apparently we have a really strong track record at that kind of thing already.

[project-sekai-facts]

Only one date is ever mentioned in-game, that being 2021. Considering that the Virtual Singer Fan Festa seems to be a stand-in for Magical Mirai 2021, we can assume that the Scramble Fan FESTA! event takes place in September 2021 (the real-life MM2021 was delayed to November due to covid-19, but the pandemic doesn't exist in-universe and MM Tokyo usually takes place at the beginning of September). There are Leo/need Daily Life social media posts that show them attending Magical Mirai, and do state the year of the event, but these can be considered promotional material for the event itself rather than canon material, especially since the characters address in-game that only one year has passed since the start of the story (despite the fact they have celebrated new year's day 4 times now. Timeloop things).

Based on this date, we can actually place exactly when every main character was born. The cutoff date for Japanese schools is April 1st, making Ena the oldest main character, being a 3rd year with a birthday of April 30th, followed by Tsukasa on May 17th, so on so forth all the way down to Kohane, a 2nd year with a birthday of March 2nd.

Considering when Scramble Fan FESTA is set, Ena, who was a 2nd year at the time, would be 17 years old. That would place her date of birth as April 30th, 2004. Additionally, while Kohane, a first year at the time, should be 15 during the event, the game considers her to be 16 due to using a set age for every grade bracket. Regardless, the event setting places her date of birth as March 2nd, 2006.

Based on this, we can conclude that:

Ena, Tsukasa, Rui, and Shizuku were born in 2004

Mafuyu, Kanade, Airi, Minori, Saki, Toya, Nene, An, Ichika, Mizuki, Emu, Haruka, Honami, and Akito were born in 2005

Shiho and Kohane were born in 2006

This also means that Ena, Tsukasa and Rui are all older than the MEIKO software (released November 5th 2004), and everyone except Kohane is older than the KAITO software (released February 17th 2006). Every main character is older than Miku, the Kagamines, and Luka based on this information.

Using the information around set ages*, we can also work out rough estimates for when the side characters were born. For example, Arata, who was 19 during the first 3 years of the game, is 3 years older than the members of VBS who were all considered to be 16. Since the members of VBS were born in the April 2005 - April 2006 school year range, Arata was likely born in the 2002-2003 school year range.

* based on how characters like Youta and Miu, who are said to be the same age as Leo/need, were both confirmed to be 16 years old before the 3rd anniversary age-up. Also Haruka's age is confirmed as 16 at a point in time when she shouldn't be 16. Timeloop things.

Based on this, the oldest living side character, Kounosuke, who was 55 pre-3rd anniversary and 39 years older than Emu, was probably born between April 1966 and April 1st 1967. On the younger side of things, Hanano, who was 14 pre-3rd anni, was likely born between April of 2007 and 2008. I've put the rest of the estimated side character DOBs under the cut.

assumed age as of 3rd anniversary in brackets (literally just pre-age-up age + 1)

Rakunosuke Otori - April 2nd 1922 ~ April 1st 1923 (98 (at time of death. would be 100 if still alive))

Kounosuke Otori - April 2nd 1966 ~ April 1st 1967 (56)

Jean Riley - 1967~1968 (55)

Harumichi Aoyagi - 1968~1969 (54)

Shin'ei Shinonome - 1973~1974 (49)

Mr Yoisaki - 1975~1976 (47)

Ken Shiraishi - 1978~1979 (44)

Taiga Kotaki - 1978~1979 (44)

Yuuka Kazamatsuri - 1990~1991 (32)

Keisuke Otori - 1991~1992 (31)

Shousuke Otori - 1994~1995 (28)

Tatsuya Okazaki - 1999~2000 (23)

Ayaka Saito - 2001~2002 (21)

Hinata Otori - 2001~2002 (21)

Iori - 2002~2003 (20)

Mio - 2002~2003 (20)

Arata Tono - 2002~2003 (20)

Souma Miyata - 2002~2003 (20)

Kotaro Mita - 2004~2005 (18)

Sakurako Seiryuin - 2004~2005 (18)

Nanami "Nanamin" Hayakawa - 2004~2005 (18)

Futaba Natsuno - 2004~2005 (18)

Ayumi Tabata - 2004~2005 (18)

Hibiki Miyake - 2004~2005 (18)

Shuuta Hayashi - 2004~2005 (18)

Ibuki Taniyama - 2004~2005 (18)

Yuina Uchiyama - 2005~2006 (17)

Shouta Hayashi - 2005~2006 (17)

Miu Takagi - 2005~2006 (17)

Youta Yoshizaki - 2005~2006 (17)

Riho Hasegawa - 2005~2006 (17)

Saku Kousaka - 2005~2006 (17)

Mai - 2006~2007 (16)

Hanano Yoshizaki - 2007~2008 (15)

Ambiguous:

These ages were given in the 3rd fanbook, but there is not really any way to tell if these are the characters' ages at introduction or ages after the 3rd anniversary age-up. Here are both possible DOB ranges.

Mrs Asahina - 1980/81 or 1981/82 (41)

Yoshiki Shindou - 1982/83 or 1983/84 (39)

Yuuki Akiyama - 1999/2000 or 2000/01 (22)

Asahi Genbu - 2003/4 or 2004/5 (18)

Arisa Higure - 2004/5 or 2005/6 (17)

Additional notes (mod is rambling atp):

Rakunosuke died when he was 98 years old. In the WxS main story, Emu says that he died a year ago. Assuming Emu was 15 at the time, they have an age gap of around 83 years. The year of birth listed here was based on that assumption.

We know that Kanade's mother died aged 30, but we do not know when she died. She is still alive in flashbacks set roughly 10 years prior to the events of game.

We do not have confirmed ages for Nagi, Reki, Sakaki, Ohara, MMJ's landlady, Mafuyu's father, Daigo, Hiiragi, or the members of ReLight, yet

Rui suggests that Reki is the same age as him in A Story Where You Are The Star. However since it's more vague than Asahi, I left it out. However, Asahi was since confirmed as 18 when he was compared to Reki as being similar age, it is likely that Reki is also around 18 years old.

Nagi's age is left blank in the fanbook due to it not being revealed that she was dead at the time of publication. She is younger than Taiga, but we don't know by how much, but nonetheless she was likely born in the early 1980s. It is unlikely we will ever know her exact age.

Ohara is stated to be in his mid-30s, placing his birth year as somewhere in the 1980s, likely around 1986-1989. Sakaki is an old college friend of Ohara's, so he is likely a similar age.

Daigo went to college with Shousuke, so he is likely a similar age. We can assume he was born at some point in the early-mid 90s.

No NPCs are given exact birthdays

[spirk-trek]

hii this is really random but i'm writting a paper on star trek fanfiction from the 60s/70s and i was wondering if there were any fics youd recommend? are there any like iconic, keystone fics that are really significant to the fandom? (i'm having a bit of trouble sourcing pre-internet fics)

Hi! I'll try to help the best I can but I am by no means an expert- in fact, many people who end up seeing this may have better/more information so I'll extend it to any of them to answer as well :)

Disclaimer: many of the following links contain nsfw content!!!

Here is page 1 and page 2 of what might be the first known k/s fanfic published in Grup fanzine (1974). Grup is credited as being the first Star Trek fanzine with adult content. This fic, A Fragment Out of Time by Diane Marchant was vague enough that it had to be clarified as k/s in a later edition, but the author did do so.

Spockanalia is always a good source for early fandom. It is the earliest and best preserved example of fanzine content (beginning in 1967 before the second season had even aired). I'd definitely say that makes it influential! So much more can be found on the internet archive and on fanlore. Copies of Spockanalia found their ways into the hands of many people involved in the show, including Roddenberry himself.

Gayle F is a prolific fanzine artist (one of my favorites) for k/s and is also influential to k/s writing. She was behind the Cosmic Fuck Series (yes really lol) which begins with Desert Heat (1976) in which Spock prematurely enters his second Pon Farr with only Jim available to him. This is the first mention (that I know of) of Spock's "double ridges" which are still a fanon element of his anatomy today (fanlore link here).

Alexis Fegan Black is another name to know, but is actually the pen name for author Della Van Hise. She did a lot of her work in the 80s and beyond, so I'm not sure how helpful this will be, but I think she's very influential. You may know about her licensed trek novel Killing Time (1982) because the first edition was recalled for being way too gay (changes between the two versions are best documented here imo).

Jenna Sinclair was very influential but again, a lot of her works came a little later than what you're looking for (note: ao3 does NOT have the correct dates, you'll need to find those separately).

A few more links to throw at you:

List of Star Trek Fanzines

List of Star Trek SLASH Fanzines

Captain's Log (1968)

The Crewman's Log (1967)

Spock's Showcase (1968)

Spock's Underground (1968-71)

The Sensuous Vulcan (slash zine, 1977)

Thrust (slash zine, 1978)

I hope all these links work and at least something I mentioned is helpful for you!! Good luck! I'd love to hear about your research if you're so inclined to share :)

[ikroah]

I pushed my soul in a deep dark hole, and then I followed it in, I watched myself crawling out as I was a-crawling in. I got up so tight, I couldn't unwind, I saw so much, I broke my mind… —“Just Dropped In (to See What Condition My Condition Was In),” The First Edition (1968)

It Keeps Right On A-Hurtin’ #28 - Ring-a-Ding-Ding VII

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Read IKROAH on Archive of Our Own

Notes / Transcript:

Notes

Do you have any idea how long I've wanted to type those words? "End of Volume 2?" We have been on Volume 2 for just over three years. Obviously it's unfair to compare it to the breakneck pace of Volume 1, because... I got burned out (I got better), I got divorced (I got better), and most importantly, I've spent all three of these years overhauling my approach to art, which is to say, I got better. My canvas size doubled because my initial naive approach of "smaller pages means less art, which means faster art" was holding me back: I wanted more art, and the subjects of too many panels had gotten flubbed due to what was basically a pathetically low rendering distance. I revamped my approach to coloring entirely, leaning into a vibrant, saturated, and faux-comic halftone style that I vastly prefer to my more grounded, gradient-driven work beforehand. I changed IKROAH's font (Unmasked!), I changed Agnes's appearance slightly (she's far less gaunt, which was an early design choice I've thrown away, plus I think I'm much better at drawing her consistently now), and so much more. Comics are a time-consuming artform and while a lot of what made this volume take so long was out of my control, and well worth not pushing myself through, the total reinvention of how I actually make comics was the single best thing to come out of Volume 2.

It's a lot of lessons and groundwork that I'm very eager to take into Volume 3, which I have spent every single one of these years viciously impatient for. Now, it's finally here. See you at the cover reveal.

Original Pencils

Something that I have been working a lot harder on with my art lately is inking: actual inking, not merely "outlining" and figuring out the rest by the seat of my pants digitally. I've come to realize that the fewer steps of my production process that I try to do digitally, the more fun it is to make art as a whole, and inking was something that I was very intimidated by for the longest time. What happens if I mess up! It's permanent marker, after all! But after all the practice that I've done, I'm really happy with how bold and confident the shadows are on this issue, and they're perfect for how moody and dramatically lit the whole thing is. You can compare the pencils to the inks to the final products and really see how I planned out the overall composition.

Transcript

INT. LUCKY 38 PRESIDENTIAL SUITE, VERY LATE AT NIGHT. The lights are all off in this luxurious, distinctly pre-war abode. It is almost empty.

RADIO: Welcome back to the program, folks. This is Mr. New Vegas—and I hope I'm not coming on too strong. We've got some news for you, coming right up.

The only real light in the suite comes from the glowing screen of the Securitron VICTOR, standing in front of the private elevator.

RADIO: Tops Hotel owner Benny has been killed by an unidentified assailant. According to his fellow Chairmen, shots were heard in his private suite, and his body was found inside. They are urging all visitors to please keep an eye out for suspicious individuals and behavior on the New Vegas Strip. The new head of the Chairmen, Benny's former right-hand man Swank, consoled mourners: "If I know my pal Benny, he's swinging with the Big Cat Upstairs as we speak. Or he's chasing some angel broad with cans as big as her halo!"

RADIO: In other news—

In a guest bedroom off to the side, ROSE OF SHARON CASSIDY is sound asleep. Her belongings are neatly folded on the dresser, except for the cocktail dress that she was wearing, which has been thrown onto the ground.

RADIO: —refugees at Bitter Springs are giving startling accounts of the legate known as Lanius, who is said to be Caesar's top field commander. One refugee told us the legate took over an underperforming squad of troops by beating its commander to death in full viw of everyone. The legate then ordered a tenth of his own force be killed by the other nine tenths. And you thought your boss was a pain!

RADIO: You know, I think all news, whether it's good or bad, brings us closer together. Don't you?

Directly across from the elevator, across from VICTOR, are the shut doors to the master bedroom.

RADIO: These headlines, brought to you by Vault 21...Vault 21! Everything is better when you experience it...in a vault.

Inside the master bedroom, AGNES SANDS sits on the edge of the bed, wide awake. The RADIO plays from her PIP-BOY, which provides a slight amount of light in the dark room.

RADIO: Gonna play a song for you right now—it's about that special someone, that you can only find once...in a "Blue Moon."

"Blue Moon" begins to play from the radio. AGNES's head remains lowered in rumination.

Suddenly, the radio broadcast cuts out.

SFX: KZZRRRSSHHTTZ

RADIO: Has your life taken a turn?

A NEW VOICE speaks on the radio. It's dreamy, seductive.

RADIO: Do troubles beset you? Has fortune left you behind?

AGNES remains in thought.

But then: she lifts her head.

And she looks over at the radio.

RADIO: If so, then the Sierra Madre Casino,

The PIP-BOY displays: 11.09.81, 4:13. <<Signal Unknown>>

RADIO: in all its glory, invites you

AGNES listens.

RADIO: to begin again.

AGNES is now somewhere else.

EXT. MOJAVE DESERT. At sunrise, AGNES SANDS is perched atop a ridge somewhere in the desert. Her overcoat billows behind her, and her shoulder-mounted flashlight beams straight ahead. She looks manic. In one hand, she clutches her duffel bag, full of every belonging she has. Her other hand is wearing her PIP-BOY, and the radio broadcast continues:

RADIO: Come to a place where wealth, excitement, and intrigue await around every corner. Stroll along the winding streets of our beautiful resort. Make new friends...or rekindle old flames. Let your eyes take in the luxurious expanse of the open desert, under clear starlit skies. Gaze straight on into the sunset from our scenic Villa rooftops. Countless diversions await. Gamble in our casino, take in the theater, or stay in one of our exclusive executive suites that will shelter you...and cater to your every whim.

Below the ridge is a pile-up of wrecked shipping containers. One of them opens up toward the surface like a gaping throat of metal. It leads somewhere, deeper into the earth.

RADIO: So if life's worries have weighed you down—if you need an escape from your troubles—or if you just need an opportunity to begin again—

The source of the broadcast signal is coming from INSIDE.

RADIO: —then join us.

AGNES descends into the container, revealing a makeshift staircase of sheet metal that leads into darkness.

RADIO: Join us, let go, and leave the world behind...

The signal from inside the tunnel is now audible. It overlaps with AGNES's PIP-BOY...

RADIO: Join us, let go, and leave the world behind...

Until she sees it.

RADIO: ...at the Sierra Madre Grand Opening.

A pre-war, art deco type radio, sitting on a metal pedestal. It speaks to her.

RADIO: ...at the Sierra Madre Grand Opening.

AGNES stares at the radio, bewildered.

She barely notices the HULKING FIGURE about to grab her from behind.

RADIO: We'll be waiting.

END OF VOLUME 2

[nerdygaymormon]

Didn’t he try to get his gay employee to marry a woman lol? I love him, he was a sweet, kind man, but also old and a lifelong Republican.

Most American voters register with one of the two major political parties. I don't know why Fred Rogers registered as a Republican, but what Republicans stood for in the 1950's & 1960's is very different from how we think of that party today. According to his wife, Fred was "very independent in the way he voted."

————————————————————

It is true that Fred Rogers encouraged a gay employee to marry a woman. I think it's an unfortunate part of his history, but I think it's helpful to fill in more of the story.

Francois Clemmons was hired by Fred Rogers to be the first Black person to have a recurring role on children’s television. He would be Officer Clemmons on the show Mister Rogers' Neighborhood, and he kept that roll for 25 years.

In his memoir, Officer Clemmons, Franc shares that one day in 1968, he was called into Fred’s office at the studio.

“Franc, we’ve come to love you here in the Neighborhood. You have talents and gifts that set you apart and above the crowd, and we want to ensure your place with us. Someone, we’re not able to say who, has informed us that you were seen at the local gay bar downtown with a buddy from school. Now I want you to know, Franc, that if you’re gay, it doesn’t matter to me at all. Whatever you say and do is fine with me, but if you’re going to be on the show, as an important member of the Neighborhood, you can’t be ‘out’ as gay. People must not know. … Many of the wrong people will get the worst idea, and we don’t want them thinking and talking about you like that. If those people put up enough fuss, then I couldn’t have you on the program. It’s not an issue for me. I don’t think you’re less of a person. I don’t think you’re immoral.”

Clemmons began to sob because he could only have the job only if he stayed in the closet.

If it had been known a gay man was a regular part of a children's show, it would've been cancelled. Remember, this is pre-Stonewall.

“You can have it all if you can keep that part of it out of the limelight. Have you ever thought of getting married? People do make some compromises in life.”

Francois Clemmons married a woman in 1968. In 1974 they divorced and Franc began living as an openly gay man.

Fred Rogers changed his advice, urging Clemmons to find a gay man he was happy with. He also stopped asking Clemmons to remain in the closet, and he warmly welcomed Clemmons' gay friends whenever they visited the television set. I've read that this change came from Fred getting to know and becoming friends with gay people.

—————————

Having a Black man as a police officer on the show was making a statement in support of Civil Rights. The most iconic encounter between Officer Clemmons and Mr. Rogers on the television show occurred in 1969.

At a time when many community pools were strictly segregated, Mr. Rogers invited Officer Clemmons to join him and cool his feet in a plastic wading pool. As Officer Clemmons was getting out of the pool, Mr. Rogers helped him dry his feet.

This exemplified the message that all people are equal and valued and loved

The core values of the television show were: Love your neighbor as yourself, be kind, say “I'm sorry,” smile, accept people and help them grow, be forgiving, see each day as a new chance to be happy, positive and kind. The show talked about grief, divorce, race issues and disability.

Fred Rogers' character regularly said, “there's no person in the whole world just like you” and “I like you just the way you are.” It was an example of radical acceptance.

In addition to Franc Clemmons, John Reardon is another openly gay man who regularly appeared on Mister Rogers' Neighborhood, so it seems Fred Rogers personally didn't have an issue with gay people, but having them be open on the show was not something possible at that time. I'm sad that an openly gay character never occurred on the show.

Fred Rogers shared that evangelicals would sometimes write to him asking him to condemn homosexuality, and he never would, instead saying he — and God — loved everyone just as they were. Since 1967, Fred and his wife worshipped at Pittsburgh’s Sixth Avenue Presbyterian Church which was a diverse, progressive church where women were equal, social justice was the theme, and since the 1960's has engaged in a ministry to gay people and was the first Presbyterian church to ordain gays & lesbians.

While he was not a public advocate for gay rights, his message of unconditional acceptance didn't exclude any genders, orientations or races.

[wellntruly]

Over the last eight months, I have watched 112 features and 6 short films released between 1932 and 1969, in chronological order. This has been a wildly interesting experience. The 30s were a blast. The temperamental differences before, during, and after World War II were faaascinating. I wondered when the 1950s were going to arrive, and then Montgomery Clift was introduced ass first hitchhiking in a leather jacket and a white T-shirt in the opening of A Place In the Sun. “France” was invented in the 1960s, and “the 1970s” were actually invented as soon as the Hays Code ended in 1968. I fell in love with people like Jean Arthur, The Archers, Satyajit Ray, Anton Walbrook, Bette Davis, Joseph Losey & Dirk Bogarde. My affection for Cary Grant and Shirley MacLaine somehow grew, I got oddly bored with Humphrey Bogart rather quickly, and Gregory Peck bless him can’t act, it turns out. My hilarious pre-Code girl Miriam Hopkins started returning in aunt roles after 1949 and I lost my mind. Claude Rains got cucked so many times.

After the jump is the list of everything I watched, but it's just so many and/so really what I would so want is for anyone who is interested in getting into old movies to tell me any kind of movie or mode you already like, and I will be your classic films thesaurus!

In a related story: poster design changes!

[gophergal]

File them under "canon straight couple I'm weirdly obsessed with"

(headcanon rambling under the cut)

Ok I've been thinking about Spy and Scout's Ma SOOOO much. Woe, headcanons be upon ye:

To start with, their names are François Donadieu and Rose Cusack. They never married, but have been in a committed relationship for 23 years as of 1968

François is four years younger than Rose, they met in 1944 when he was 22 and she was 26, while she was working as a waitress.

Spy had been sent to speak with an informant who, unbeknownst to Spy, was going to doublecross him. After giving him bad information, the informant poisoned his coffee when he was distracted, which Rose noticed. Unable to think of anything else, she spilled his coffee on him to prevent François from being killed. When she brought him another mug, she also gave him a note to explain. He took her to dinner afterwards to show his appreciation.

She didn't tell him about her children until their 3rd date, terrified that her being a widow and single mother, with the majority of her children born out of wedlock, would be a major deal breaker. It was, in fact, a bonus, as Spy had always wanted a large family

Spy immediately stepped into a doting father role to her sons, and remained so until Jeremy was around 4. He will freely admit to his beloved that these were the best years of his life

His leaving the family came after a hit was issued on them that he only barely managed to thwart. He and Rose mutually agreed that it would be safest if he kept a distance from his family. François' only contact with them was to send money home, watch from afar in disguise, and occasionally rendezvous with Rose

Bonus Scout related headcanons that are still relevant:

Scout gets his buck teeth and green eyes from Spy (who has had work done on his teeth ((thats even canonical)) and has partial green/hazel heterochromia in both eyes). Rose misses her beau's natural charming smile, and is secretly happy that Jeremy inherited it.

Meetings with Spy leave a very distinct cigarette smell on Rose, which Jeremy recognizes and hates. The idea that some asshole is putting the moves on his ma pisses him off. As such, he hates that scent and Spy by extension (pre-spydad reveal)

Rose is somewhat ditsy and Spy is arrogant. Jeremy was cursed with the dumbest parts of both parents. François is deeply disappointed in this

[hometoursandotherstuff]

I remember this house. It's one of my favorites, still on the market. Do you like primary colors? This is so my house- firstly check out the cement gorillas on the red front stairs w/yellow railings. 1968 home in Wimberly, TX has 3bd, 2ba, and was reduced $1K to 649K + 53mo. HOA fee.

As soon as you walk thru the door, into the foyer, you see the primary colors.

Ahead follow the red floor into the living room. And, you can see how prominent the red ceiling beams are.

It's like a carousel or a circus tent.

The whole living area has double sliders lining the walls

This empty area is for the dining room.

Round to the kitchen we go. It looks like a pre-school classroom, doesn't it?

It's a big kitchen, though.

Here's a family room.

This must be the primary bedroom and I'm sure that the rest of bedrooms look like this.

They have this cool outdoor tile shower.

It also has a very large deck.

I can't tell if that's a car port, b/c I don't see that this is a driveway, but it looks like tire tracks on it. Unless they drive over the dirt.

5.17 acre lot.

https://www.zillow.com/homedetails/101-Via-De-Noria-Wimberley-TX-78676/28598384_zpid/?

[letmedowntomorrow]

The Beatles announce their decision to replace John Lennon with a cardboard cutout following the divorce meeting - 1969

Pre-screening of Yellow Submarine - 8th July 1968