#probably actually one of my best drawings

[squinch-depraved]

ted, cnc, but make it keeping reader stoned for freeuse purposes

do you see the vision?

you beautiful genius i see the vision and it is glorious - i hope our vision is the same because this was really fun... got rlly intense sooo yaya

CW: cnc, somno, free use, drugging someone, marijuana usage, she/her used, MDNFI

ted tossed your dab pen back to you after taking a long drag from it, pulling the smoke deep into his lungs and expelling it upwards with his head tilted back. you copied him, drawing a large cloud from the cart and hacking a few short coughs while he laughed at you.

"you're a bigger stoner than i am, how are you coughing from that?" he chuckled.

you whipped your head around to glare at him. "coughing isn't indicative of experience smoking, ted. i'm disappointed in you, you should know better." your voice was dry and matter-of-fact. "plus, i took a blinker and you didn't." you leaned back onto the couch and stared up at the ceiling, pen still clutched in your hand.

it was quiet for an unquantifiable stretch of time, distorted by the drugs you were sharing, until ted spoke. "you still down for our agreement?" his voice was quiet but hopeful.

your eyes opened (not that you had noticed they closed, you were so relaxed) and you thought back on the deal you made with him. you were only staying at his place for a long weekend, three nights and heading home monday. it was the second day, two more sleeps to go before you had to leave your boyfriend's safe haven of an apartment and head back to your chaotic life. ted had pleaded on discord calls between the two of you for weeks before you flew out to l.a., begging you to let him get you stoned beyond your usual limits and take advantage of you. the idea was actually very appealing, and the thought of what he would do to you fueled your late-night vibrator sessions whenever he couldn't be there in a call with you. you took another long hit off your pen and and spoke as you exhaled it.

"you have my full permission to do whatever you want to me teddy."

he grinned and shifted towards you slightly. "as much as i want? all day?"

you nodded and met his eyes. "all day."

he lunged at you, kissing you deeply before he made a noise and broke away to get up and walk to the kitchen.

"where're you going??" you whined, eyes glassy and hair tousled.

"bought you some edibles. i want you gone for me," his voice carried through the apartment.

"if you bring me a whole nerds rope, the agreement is off," you taunted.

he snorted and shuffled back to the couch, handing you a large, square gummy, and looked at you impatiently until you took it from him. "whole thing. eat it," he instructed.

"oh, my god, ted, this thing is huge! how much is this? am i gonna pass out?"

he rolled his eyes and sat down next to you, putting on a movie to watch while it kicked in. "it's from the dispensary down the street, and it's just a little bit more than the ones we usually take. you'll be fine," he replied, before mumbling a, "probably."

with a deep breath, you popped the square in your mouth, not realizing until you had swallowed it that you hadn't eaten at all for the day. oh well, you thought. i'm already in too deep. and so you surrendered to your high, trying your best to pay attention to the obscure film he put on to trip you out. when it finished, ted looked over at you as the credits rolled. your eyes were red and lidded, mouth hanging open in surprise at the ending as you slowly processed what you could. he smirked hungrily while he watched you for a second before reaching over and pulling your pants off, laying you on your back and pushing the stolen hoodie of his you were wearing up so he could see your breasts.

you mumbled something he couldn't understand as he eagerly stretched you on his fingers, bending your legs back so he had a better view of your dripping hole. "ted, teddy, ngh- fuck!" you mewled when he finally pressed his lips to your clit. he sucked at your sensitive nub, working and curling his fingers still while he sloppily ate you out. you glanced down at him and he shifted his eyes to look directly into yours, cutting right through you. a loud, drawn out moan tore from your lips as you laid your head back down, nearly covered by the wet sounds of ted making out with your pussy.

"ted, 's getting to be too much," you cried, your own words echoing in your ears as the room began spinning. he gave your ass a quick smack and started swirling his tongue faster, holding you down when you inevitably began to squirm. "i- i can't, please, teddy, i feel so much! can't handle it! please stop!"

you bucked your hips frantically, trying both to get away from his face and bring it impossibly closer. he moaned into your core and smacked you again, much harder this time. you screamed pitifully as you clenched your thighs around his head, crying out, "stop!! baby, please, i'm gonna.." you trailed off when you started seeing stars, only able to make nonsensical noises while tears flowed down your cheeks. you swore you felt him grin against you and prayed he would finally stop, but he just kept going.

you have no idea how long you laid there, being devoured by your boyfriend like that. your sense of time was beyond fucked, and all you could do was occasionally beg, "stop? please?" before getting slapped again. he was going to eat until he had his fill, and you were going to have to deal. when he finally pulled away, you looked down at him and your stomach flipped. his face was red, lips puffy and wet, stubble soaked by your essence, and his hazel eyes peered up, and then down at you as he sat up and wiped his face with his sleeve. your eyes flicked down to the tent in his pants, adorned by a dark wet spot right where his tip would be, and you blinked slowly before looking back up.

he handed you your pen from the table and said, "smoke more and take a nap. i gotta get some shit done but we're not finished here."

you sighed and obeyed, taking a hit to appease him before he walked away. you pulled a blanket over you, not bothering to put pants back on before curling up and dozing off. ted checked back in on you after cleaning up the mess he made in his pants, and, finding you sleeping peacefully, he got a few chores done around the apartment. he wanted to be sure you were really sleeping so your reaction to him taking you forcefully would be all the more adorable. the groggy expression on your face as you pleaded for him to stop, the futile struggle you would put up as he held you down- it was all going to make tonight worth the weeks he had to put up with between your visits.

it was late afternoon when you came to. orange light filtered through the blinds, and you were suddenly very cold. you turned your head to look at what was happening and found ted kneeling between your legs on the couch, pumping his cock in his hand before shoving your legs open wider. you were stupid from the weed; your eyes only widened a little bit when you realized what was happening.

"no! nonononono! ted! please, please don't," you stuttered, brain trying to keep up with the situation.

he simply grinned and hooked your legs over his shoulders, lining himself up with you and waiting for just a moment before he said, "'anything i want,' baby. you said. this is your fault." with that, he buried himself deep into you, savoring every second and gently pumping his hips.

after a minute, he started thrusting harder, chuckling breathlessly when you resumed begging him to stop. of course, he knew you'd use the safe word if you really needed him to stop. it was so like you to put on a show for him, you really were such a performative slut. or maybe you really didn't remember.

"god, baby, you're so weak under me! hate to think of what else i could do to ya without you bein' able to stop me," he growled, still grinning. "taste these, huh, baby?" he shoved his fingers in your mouth, pressing them onto your tongue and watching as tears filled your eyes yet again, and he relished in how pathetic you looked as he ruined you.

when you started gagging on his digits, he pulled them out and wrapped his hand around your neck, squeezing lightly. "my pretty baby takes me sooo well, even when she doesn't want to," he continued, now pounding into you. all you could do was cry.

"y'know," he started with a laugh. "i really didn't think you'd be stupid enough to eat that whole gummy!" the sound of him smacking into you persisted as you slowly worked through what he said.

"wha?" you slurred, cockdrunk and higher than you had ever been.

"you just believed me so easily! one fourth-" he slammed deep into you, "- of that thing is what we usually have, but you just ate it all because i told you to." he leered down at you, continuing, "so trusting. so stupid. what if i wanted to hurt you, love? what if i used you until you were worthless and then kept going?"

you just sobbed. "and then i told you to smoke more, and you did! you stupid little slut! i bet you've never been this high, huh?" he was right in a way he couldn't imagine. you were floating, every inch of your skin tingling, and your core ached from overstimulation. you didn't think there was such a thing as too many orgasms, but here you were. your thoughts were a mess, the only thing in your mind was the name you were screaming: "teddy!!" over and over and over as you bawled, pounding your fist at his chest in a feeble attempt to stop him. but he persisted, railing you at an inhumane speed and reaching unexplored depths.

your only indication he was close was him gripping your throat far too tight, and you frantically grasped at his fingers while he jackhammered into you several final times before burying his shaft as far as it could go and cumming in you with a low, "fuuuck..."

the two of you kept your eyes locked until he caught his breath and removed his hand from your now slightly bruised throat. the sight snapped him out of his brutish state as he began to panic, kissing your neck softly and cooing about how sorry he was.

you just smiled and let your eyes fall closed, trusting him to take care of you after he had abused you so filthily.

[machveil]

Beautiful, cute, dulzura, A quick question, do you have any advice for drawing? I see your drawings and I just fell in love with them, I just started drawing again but it's difficult...

I don't know, sorry, English is not my first language, using translator jiji 🤎🍁

(note: this post is long, grab a snack lol) ah! no problem, don’t worry about the translator haha (pinterest link - this is my masterboard for human references! I’ll talk about it more below)

I think my best advice for anyone wanting to draw is to break down your piece into shapes! (also, depending on your style, using different line weights)

from my experience, while looking at the whole reference is good, it’s easier to break down individual parts! while some parts can look complicated, a lot of things can be broken down into triangles, squares, and circles (or half circles)

I focus on character art, so I’ll be speaking about that - but it can applied to scenery and objects too. a lot of characters clothes are broken up into colored articles already - in the top reference, Ghost has a red bandanna on his arm! that bandanna helps break up his arm: the top near his shoulder is triangular, the bandanna itself is overall rectangular, and the bottom of his sleeve is a square

of course, depending on how you’re posing the character it can change the angle of what we’re seeing - there’s also an accommodation that your art probably won’t be a 1-to-1 copy with your reference. Ghost’s right arm (bandanna) has a white rolled up sleeve - while the model’s sleeve is square, I prefer to draw rolled sleeves more triangular

I think line weight is also important depending on your style! I prefer thicker lines around the entire character, and defining qualities also get thicker lines

I like thinner lines inside the character to help define dimensional shape and form. I use thicker lines on the inside of the body if there’s a shape/area that’s more in the foreground - example: König’s chest and midsection have thick line art to help differentiate from his left arm (behind his body)

I know a common piece of advice is to use real life references, and I agree… but, I never hear people talk about how to use references in a way that actually helps (“just draw from real life”, or “drawing with a reference is good practice”). I experienced that and wasn’t able to take anything away for years!

within the past year or so I seriously took a look at how using references can help me, so I want to try and talk about that - if I had trouble learning from references I’d wager someone else has

here’s my best example of using a reference because I actually remembered to! I labeled the figure to make it a little easier to follow

(1) my first tip is using a reference to figure out how the body ‘flows’. the human body has a lot of soft, rounded lines when you look at a picture - very few things are legitimately straight and sharp. I used the reference specifically to figure out how men’s pecs are shaped (of course, this is just one reference… because this is my headcanon for König’s body type haha)

(1) looking at references can help you understand how muscles move. in the reference with the woman, you notice how her right arm (down) muscles are layered - the shape portrayed by the reference lets you see how an arm’s muscles might be laid out in that position

(2) my second tip from the König reference is to look at negative space! the highlighted red portion between the arm and midsection is roughly the same negative space as the reference. if you’re using a reference and something feels off with the placement of what you’ve drawn I’d recommend looking at the space your reference takes up

(2) the negative space trick helps me line up where proportions should meet up - the distance between her arms lets me gauge how the rest of her body should be proportioned

(2) while it doesn’t match up 1-to-1 with the reference when layered overtop, it doesn’t have to! the negative space between the arms was enough for the sketch to mimic what the reference looks like. art doesn’t have to be a 1-to-1, but negative space can help you figure out ‘why does that arm look funny?’, “that arm looks funny because, compared to the negative space of your reference, it’s too (far away/close) to the body.”

(3) my last tip is the simplest, so I’ll just be referring to the König figure! when using references I look to gauge the distance between different body parts - it helps me get more realistic proportions. the bit I specifically compared to was the man’s stomach placement compared to his waist. I didn’t copy it 1-to-1 because I like the idea König has more of a tummy, but the reference allowed me to figure out an anatomical placement for where König’s stomach would be compared to his waist

I hope my advice wasn’t terrible haha everyone’s art journey is different, but these are tips I would have liked to know a few years ago (specifically the reference material ones lol). I wanted to focus more on the reference material because when people say ‘just use a reference, it’ll help’ it didn’t do it for me

I personally needed a more in depth explanation on why I would use a reference, what should I be looking at - because just drawing a person doesn’t necessarily help, and how should I be learning from it - I accidentally taught myself negative space before I knew what it was

but uhm… yeah, I hope this wasn’t awful! good luck on everyone’s art journeys, just remember that you’re allowed to take your time and try different things

if you guys have any other questions about my art feel free to jump into my inbox; process wise, inspiration, etc - I’ll answer anything I can<3

[nuzipilled]

been really normal about @interstyx ‘s fic kenosis as of late, really great character study + made me feel things. huge thx to @drowninginfelines for the rec

[gunstellations]

boop! 💙🤍

[whenthelightisrunninglow]

remembered @hehe-hoho-ohno's misfits au it's sooooo good and i love it. CHEERS AND APPLAUSE. YAY

[sheetzking]

aughhh im so late but i hope everyone has been enjoying pride month! huzzah!! gay people!!!

i had to rush this one out since ive been busy with other things,but i just couldnt miss out on drawing juza this month, since hes such an important character to me, for so many reasons! <3

[lizardbrainlabs]

sketched out all the human partners!!!

[slavhew]

knights in pajama armor

[lesbian-gnome-village]

GLOW WEEK DAY 3: Nature/Nurture

You guys how did it take me three days to finally draw a kiss? Shameful. Anyways, this one got me into some headcanons so buckle up. One of the powers Steven and Rose have in the series is the ability to control/manipulate plants. It's easy to forget about, because it kind of merges with Steven's healing powers a little bit, and the two times Steven uses it, it doesn't go great (Melon Steve and Cactus Steve). Unlike shapeshifting, another ability he initially struggles with, we don't ever get to see him master this power. So I hc that he never really quite figures it out, and it's one of the very few powers he still struggles with in adulthood. So, kissing in the flower field? Flowers. Everywhere. You'll never free yourself from your pollen prison. Enjoy the allergies.

[thetriangletattoo]

let me dream

[bloobydabloob]

When you answered the ask asking about your art style (which is a post I keep looking back on bc what you have to say is very interesting) in one of your screenshots of you talking you mention something about how most if not all of your symbolism is self referent and I was wondering what you meant by that!

Hellloooo. I’m glad you found my ranting interesting. Here is some Dirk art I’m probably never going to finish for your troubles.

What I meant by that when talking about any symbolism in my art is that it doesn’t reference outside sources - e.g. where some art might use something like religious concepts, animals, real life events to represent ideas, I tend to use things more like colors, contrasting objects, composition. That sort of thing. So things that are inherently a part of the work itself rather than connections to the real world. If I ever do use symbolism otherwise, it’s usually comic related even still. Although I have done pieces with religious symbolism before too, haha.

I don’t know how to describe it other than “self referential” because I’m not really sure what else to classify that sort of symbolism as. Just… artistic maybe? Non literal? I couldn’t say. I think it all basically just goes along with the majority of my art nowadays being more figurative than literal. Sorry if this doesn’t explain it very well. It’s also funny to think that anyone is “Looking back” on any of my texts posts though, haha. To me I feel like I am just dumping my words on my poor followers. Surprising. Thank you for reading.

[pepperpixel]

💖STRANGE LOVE!💖

“the lightening’s not frightening when u r w me, oh cuz love is not always what u think it’ll be!”

CROMA!!!! Croma art!!!! Cuz I forever and ever adore these two together….. they’re so good…! 🥺

[blueskittlesart]

cold fruit in a hot kitchen (so i had this great watermelon last weekend)

[ratislatis]

',:) Requests??? HEH. Well there's like ten million in my head but actually Rat since you've already blessed the world with yassified Sparrow, how about some yassified Lark? (I remember you mentioning that Lark is your jewelry model! I'm dying to see him!!!) 💜💜💜

I hope this is what you meant by yassified

pov you get dragged into playing mermaids with your best friend's 5 year old daughter who will not stop talking about fish

(requests are open <;3)

[katabay]

sketchbook / the mabinay spring (2023)

I’ve been busy, so I haven’t had the time to finish up some comics I have in my WIP folder, so it’s time for some traditional art from my sketchbooks! lately I’ve been drawing foods and drinks and just recently got comfortable enough with it to start adding some color to them 🍓🍓🍓

[claitea]

whoa guys did you see the new cards i really want alto's full art!!

made with this site! art without the text under the cut :D