#reading and I want to cry

[itsmeatballworld]

not a man reading over my shoulder in public 😭 he did NOT have to yell “HE’S THRUSTING???”

sir go away lmaooo

[bitchofdarkness]

I hate how fandom has become "if you haven't created anything in this very specific time frame after the release of the show/movie, everyone will have moved on"

And call me old fashioned, but that's just not me. I sometimes take ages to create and publish. And I will love a show or movie for such a long time (years, babes, years) that I just can't relate to the fast consumerism that's going on.

Because, let's be real, it can get really lonely in a fandom if most have simply moved on to the next shiny thing. Is what's created less worth, just because it was created outside the hype? Why is it such a taboo for this new fandom generation to love an old or "late" fic or art?

It's so tiring and I'm too old for the 30-seconds-hype-tiktok-shit. Just tired. So, so tired.

[hinamie]

"I'll show you every day that choosing to live was worth it"

some of my favourite scenes from @hijinks-n-lowjinks' fic things i would miss from the other side . this fic tore my heart out fr but like in a good way and i wanted to pay it homage the only way i know how <3

[tzarrz]

i listen to fog lake too much

[petricorah]

scenes i loved from Real Enough to Get Me Through by @marriedzukka <333 [ids in alt]

[rafeandonlyrafe]

proper thank you

words: 600

warnings: 18+ only!, stepbro!rafe, sending nudes, stepcest, kinda dumb/baby reader???

“carry me up to bed rafey?” you coo at your step brother, fluttering your lashes as your pout turns into a giggle when he sighs, unable to resist your pleading face.

“you're the most annoying little sis ever.” rafe says, calling you the nickname just to tease you as he leans down, scooping you into his arms. he carries you like you weigh nothing, so easily slotting into the good older stepbrother role when your parents married, despite him being only a few months older than you.

“thank you rafey.” you say sweetly as he walks you up the stairs, your arms holding him around the shoulders, head leaned against his broad chest.

“yeah, you gotta give me a better thank you than that.” rafe rolls his eyes as he carries you into your bedroom. only once the door is closed do you press a wet kiss to his cheek as a proper thank you.

rafe plops you down on the bed unceremoniously. “there ya go.” he waves as he walks away, knowing it's not actually goodnight as you let out a whine.

“tuck me in?”

rafe hides his smirk before turning around, putting on his slightly annoyed act like he always does when you ask him.

rafe pulls the fluffy blanket out from under you. it's slightly weighted so it naturally tucks around your body anyways as rafe covers you, but his hands still move slowly, feeling your body as he pushes in the blanket until you're stuck tight underneath it.

“anything else? want me to tell you a bedtime story?” rafe says it as a joke, but with the way your eyes light up, he finds himself sitting on the edge of your bed, recounting three little pigs from memory the best he can.

“alright, you gotta get to bed now.” rafe glances at the clock on your nightstand as the hour hand ticks closer to midnight. “goodnight.”

“goodnight rafey.” you smile softly before letting out a yawn. “ill give you a proper thank you soon.”

rafe isn't sure what you mean until he makes it back to his room, scrolling aimlessly through his phone until a text message appears from you.

he clicks it to open up the image, his eyes widening and dick swelling as he sees you in a silky nightgown, the swell of your breasts clearly visible, nipples poking through the fabric. he recognizes the nightgown from a few days ago, but you clearly got further undressed.

rafes eyes bulge as the next image loads, the same pose, now sans nightgown, tits bare and thighs clenched together to make a delicious looking v that rafe wants to dive into.

a proper thank you ;) reads your text, along with one last image, this time with your legs spread, smile on your face as your cunt is on clear display. you took the marker tool to add to your lower stomach “property of big brother.”

rafe is in your room untucking you from your bed before the clock reaches midnight.

taglist: @drewstarkeyslut @forstarkey @f4ll-for-you @dilvcv @drudyslut @jjmaybankswifes-blog @rafescokenostril @jjsmarijuana @seeingstarks @angelofcigs @cece45450 @babygorewhore @vanessa-rafesgirl @michelleisheres-blog @outerbankspov @drewstarkeyswifehoe @cutielando @kamninaries @rafeyslove @rafeinterlude @bellbottombaby @deeaardiary @rubixgsworld @wearemadeofstardust0 @leighbronk @starkeysheart @pradabambie @tobesolovelysstuff @alexiskirkland @rafestar @brioffthegrid @juniebugg @magicalyoura @cokepewpsii @mysticallystilinski @luvdella @aerangi @vogueprincess @yourenogoodforme @auryyz @mayhem-72 @thestarlithideout @marvelfanfics1recs @rafesgiirl @ditzyzombiesblog @chiaraanatra @tobiaslut

[poorly-drawn-mdzs]

Started a new book series, and has been a journey...an Odyssey, if you will.

[choccy-milky]

sometimes you gotta lure your overly-studious ravenclaw gf into spending time with you 🥰 📚 ( from 'Every Teardrop is a Waterfall' by Kat_12739 on ao3, GO READ IT!!! the first story is about seb falling sick and still pushing himself/not admitting he's sick until he ends up in the hospital, the second story is about the birth of seb and clora's daughter and seb's reaction to clora almost dying in childbirth, and the third is about dealing with a fussy newborn lewis😭🥹THEY'RE SO GOOD AND SWEET AND SOMEWHAT SAD (not to mention beautifully written) so go check it out!!💖💖 )

[linipik]

the character page for my mer!keith comic Once Upon the Seashore (and the Adashi fic set in the same universe :3c) 

[flockoff]

In a another world, Peak of Combat has a plot that involves Time Travel Shenanigans which puts V in one of the Funniest Situations.

[purpleelephantsocks]

Oh god, oh fuck, oh no; the parallels between Jean at the beginning of tsc panicking and telling Wymack "I want to go home" and Jean at the end of tsc falling apart after finding out his baby sister has died, telling Neil the same thing.

"I want to go home."

He is only nineteen

[wigglebox]

Yapper BF 💛❤️

This post by @kendyroy killed me a lil bit

[heartorbit]

i'm sending this endless melody to a nameless you

[juju-or-anya]

It's hard not to find irony in the criticisms directed towards Eloise Bridgerton and the elevation of Penelope Featherington as a more genuine and hardworking figure in contrast with Eloise's supposed privileged circumstances and her discourse on feminism. Indeed, some voices have pointed out Eloise's feminism as something white and privileged, and while this is not without merit, it's akin to rediscovering what others have already noticed, akin to Christopher Columbus "discovering" America.

Understanding the context in which "Bridgerton" unfolds is essential. The series is set in Regency England, between 1813 and 1825. This historical period is marked by a highly stratified and conservative society, where women, especially those of the upper class, were relegated to traditional roles and lacked basic legal rights. In this context, any discussion of feminism must consider the unique limitations and challenges of the time.

It is true that Eloise Bridgerton, being part of a respected family in English nobility, embodies many of the characteristics associated with the white and privileged feminism of the time. However, this should not diminish the value of her role in advancing feminist ideas in her historical context. It is thanks to women like Eloise, who challenged social expectations and dared to question the status quo, that doors were opened for future, more inclusive feminist movements.

On the other hand, when analyzing Penelope Featherington's role in contrast with Eloise Bridgerton's, intriguing nuances worthy of a more detailed critical exploration are revealed. Although both come from upper-class families, Penelope's experiences differ significantly from Eloise's. In the society depicted in "Bridgerton," Penelope is portrayed as a more marginal figure, overshadowed by the prominence and glamour of the Bridgerton family. She is often seen in the background, struggling to find her place in a world where her social status does not put her at the center of attention.

Throughout the series, Penelope exhibits a distressing lack of empathy and solidarity towards other women. Instead of fostering unity and support among her peers, her writings are propelled by feelings of envy, resentment, and desires for revenge. Striking examples of this include her actions to publicly reveal Marina Thompson's pregnancy, intending to undermine her relationship with Colin Bridgerton, or defaming individuals such as Daphne, Edwina, and Kate Sharma, often with no apparent reason other than personal gain.

Penelope's behavior as Lady Whistledown sheds light on her complex nature and motivations. While it may represent an attempt to find her voice in a world dominated by more powerful figures, it also reveals a tendency towards manipulation and selfishness. Ultimately, her role as the mysterious chronicler is more than just a quest for identity; it is a reflection of the moral and ethical complexities underlying the society of "Bridgerton."

In summary, asserting that Penelope is more feminist and hardworking than Eloise due to her role as Lady Whistledown is, at best, simplistic and, at worst, deeply misleading. Both women, while privileged in their own right, have chosen different paths in life and have faced their own challenges. However, the narrative of Penelope as a morally superior and more genuinely hardworking figure should be questioned in light of her actions and motivations, which often reveal a lack of integrity and empathy towards her peers.

It's important to note that when Theo confronts Eloise, questioning her understanding of the real world and her privileged position, Eloise doesn't reject this criticism but uses it as a catalyst to seek greater understanding. Recognizing the validity of Theo's observation, Eloise actively seeks to broaden her horizons. She engages in conversations with Theo and John, seeking to break free from the bubble of privilege in which she has lived so far.

On the other hand, Penelope takes a different stance towards her own privileged position. Instead of acknowledging her situation and seeking to understand the realities of those less privileged, Penelope vehemently denies any suggestion that she also benefits from the system. Rather than accepting her position of privilege, she portrays herself as a victim, despite her actions suggesting otherwise. Ultimately, this divergence in attitudes between Eloise and Penelope highlights the complexity of individual perceptions of privilege and personal responsibility in an unequal world.

PS: The comment: "Penelope saved Eloise by writing that she hung out with radicals, she doesn't know what it's like to be grateful" is shit. Whose fucking fault is it that the Queen is on a crusade with torches and pitchforks, looking for blood and a rolling head? From Penelope because she doesn't know when to keep her hand still and stop writing, if it weren't for Penelope, the queen wouldn't think that Eloise is Lady Whistledown, Penelope wasn't looking to help Eloise, she was looking to save her skin.

[steveharrirngton]

sigh

[tshortik]

Starscream aka my beloved backstabbing millions of years old cockroach