#rest before he breaks something

[eyrieofsynapses]

why Aurora's art is genius

It's break for me, and I've been meaning to sit down and read the Aurora webcomic (https://comicaurora.com/, @comicaurora on Tumblr) for quite a bit. So I did that over the last few days.

And… y'know. I can't actually say "I should've read this earlier," because otherwise I would've been up at 2:30-3am when I had responsibilities in the morning and I couldn't have properly enjoyed it, but. Holy shit guys THIS COMIC.

I intended to just do a generalized "hello this is all the things I love about this story," and I wrote a paragraph or two about art style. …and then another. And another. And I realized I needed to actually reference things so I would stop being too vague. I was reading the comic on my tablet or phone, because I wanted to stay curled up in my chair, but I type at a big monitor and so I saw more details… aaaaaand it turned into its own giant-ass post.

SO. Enjoy a few thousand words of me nerding out about this insanely cool art style and how fucking gorgeous this comic is? (There are screenshots, I promise it isn't just a wall of text.) In my defense, I just spent two semesters in graphic design classes focusing on the Adobe Suite, so… I get to be a nerd about pretty things…???

All positive feedback btw! No downers here. <3

---

I cannot emphasize enough how much I love the beautiful, simple stylistic method of drawing characters and figures. It is absolutely stunning and effortless and utterly graceful—it is so hard to capture the sheer beauty and fluidity of the human form in such a fashion. Even a simple outline of a character feels dynamic! It's gorgeous!

Though I do have a love-hate relationship with this, because my artistic side looks at that lovely simplicity, goes "I CAN DO THAT!" and then I sit down and go to the paper and realize that no, in fact, I cannot do that yet, because that simplicity is born of a hell of a lot of practice and understanding of bodies and actually is really hard to do. It's a very developed style that only looks simple because the artist knows what they're doing. The human body is hard to pull off, and this comic does so beautifully and makes it look effortless.

Also: line weight line weight line weight. It's especially important in simplified shapes and figures like this, and hoo boy is it used excellently. It's especially apparent the newer the pages get—I love watching that improvement over time—but with simpler figures and lines, you get nice light lines to emphasize both smaller details, like in the draping of clothing and the curls of hair—which, hello, yes—and thicker lines to emphasize bigger and more important details and silhouettes. It's the sort of thing that's essential to most illustrations, but I wanted to make a note of it because it's so vital to this art style.

THE USE OF LAYER BLENDING MODES OH MY GODS. (...uhhh, apologies to the people who don't know what that means, it's a digital art program thing? This article explains it for beginners.)

Bear with me, I just finished my second Photoshop course, I spent months and months working on projects with this shit so I see the genius use of Screen and/or its siblings (of which there are many—if I say "Screen" here, assume I mean the entire umbrella of Screen blending modes and possibly Overlay) and go nuts, but seriously it's so clever and also fucking gorgeous:

Firstly: the use of screened-on sound effect words over an action? A "CRACK" written over a branch and then put on Screen in glowy green so that it's subtle enough that it doesn't disrupt the visual flow, but still sticks out enough to make itself heard? Little "scritches" that are transparent where they're laid on without outlines to emphasize the sound without disrupting the underlying image? FUCK YES. I haven't seen this done literally anywhere else—granted, I haven't read a massive amount of comics, but I've read enough—and it is so clever and I adore it. Examples:

Secondly: The beautiful lighting effects. The curling leaves, all the magic, the various glowing eyes, the fog, the way it's all so vividly colored but doesn't burn your eyeballs out—a balance that's way harder to achieve than you'd think—and the soft glows around them, eeeee it's so pretty so pretty SO PRETTY. Not sure if some of these are Outer/Inner Glow/Shadow layer effects or if it's entirely hand-drawn, but major kudos either way; I can see the beautiful use of blending modes and I SALUTE YOUR GENIUS.

I keep looking at some of this stuff and go "is that a layer effect or is it done by hand?" Because you can make some similar things with the Satin layer effect in Photoshop (I don't know if other programs have this? I'm gonna have to find out since I won't have access to PS for much longer ;-;) that resembles some of the swirly inner bits on some of the lit effects, but I'm not sure if it is that or not. Or you could mask over textures? There's... many ways to do it.

If done by hand: oh my gods the patience, how. If done with layer effects: really clever work that knows how to stop said effects from looking wonky, because ugh those things get temperamental. If done with a layer of texture that's been masked over: very, very good masking work. No matter the method, pretty shimmers and swirly bits inside the bigger pretty swirls!

Next: The way color contrast is used! I will never be over the glowy green-on-black Primordial Life vibes when Alinua gets dropped into that… unconscious space?? with Life, for example, and the sharp contrast of vines and crack and branches and leaves against pitch black is just visually stunning. The way the roots sink into the ground and the three-dimensional sensation of it is particularly badass here:

Friggin. How does this imply depth like that. HOW. IT'S SO FREAKING COOL.

A huge point here is also color language and use! Everybody has their own particular shade, generally matching their eyes, magic, and personality, and I adore how this is used to make it clear who's talking or who's doing an action. That was especially apparent to me with Dainix and Falst in the caves—their colors are both fairly warm, but quite distinct, and I love how this clarifies who's doing what in panels with a lot of action from both of them. There is a particular bit that stuck out to me, so I dug up the panels (see this page and the following one https://comicaurora.com/aurora/1-20-30/):

(Gods it looks even prettier now that I put it against a plain background. Also, appreciation to Falst for managing a bridal-carry midair, damn.)

The way that their colors MERGE here! And the immense attention to detail in doing so—Dainix is higher up than Falst is in the first panel, so Dainix's orange fades into Falst's orange at the base. The next panel has gold up top and orange on bottom; we can't really tell in that panel where each of them are, but that's carried over to the next panel—

—where we now see that Falst's position is raised above Dainix's due to the way he's carrying him. (Points for continuity!) And, of course, we see the little "huffs" flowing from orange to yellow over their heads (where Dainix's head is higher than Falst's) to merge the sound of their breathing, which is absurdly clever because it emphasizes to the viewer how we hear two sets of huffing overlaying each other, not one. Absolutely brilliant.

(A few other notes of appreciation to that panel: beautiful glows around them, the sparks, the jagged silhouette of the spider legs, the lovely colors that have no right to make the area around a spider corpse that pretty, the excellent texturing on the cave walls plus perspective, the way Falst's movements imply Dainix's hefty weight, the natural posing of the characters, their on-point expressions that convey exactly how fuckin terrifying everything is right now, the slight glows to their eyes, and also they're just handsome boys <3)

Next up: Rain!!!! So well done! It's subtle enough that it never ever disrupts the impact of the focal point, but evident enough you can tell! And more importantly: THE MIST OFF THE CHARACTERS. Rain does this irl, it has that little vapor that comes off you and makes that little misty effect that plays with lighting, it's so cool-looking and here it's used to such pretty effect!

One of the panel captions says something about it blurring out all the injuries on the characters but like THAT AIN'T TOO BIG OF A PROBLEM when it gets across the environmental vibes, and also that'd be how it would look in real life too so like… outside viewer's angle is the same as the characters', mostly? my point is: that's the environment!!! that's the vibes, that's the feel! It gets it across and it does so in the most pretty way possible!

And another thing re: rain, the use of it to establish perspective, particularly in panels like this—

—where we can tell we're looking down at Tynan due to the perspective on the rain and where it's pointing. Excellent. (Also, kudos for looking down and emphasizing how Tynan's losing his advantage—lovely use of visual storytelling.)

Additionally, the misting here:

We see it most heavily in the leftmost panel, where it's quite foggy as you would expect in a rainstorm, especially in an environment with a lot of heat, but it's also lightly powdered on in the following two panels and tends to follow light sources, which makes complete sense given how light bounces off particles in the air.

A major point of strength in these too is a thorough understanding of lighting, like rim lighting, the various hues and shades, and an intricate understanding of how light bounces off surfaces even when they're in shadow (we'll see a faint glow in spots where characters are half in shadow, but that's how it would work in real life, because of how light bounces around).

Bringing some of these points together: the fluidity of the lines in magic, and the way simple glowing lines are used to emphasize motion and the magic itself, is deeply clever. I'm basically pulling at random from panels and there's definitely even better examples, but here's one (see this page https://comicaurora.com/aurora/1-16-33/):

First panel, listed in numbers because these build on each other:

The tension of the lines in Tess's magic here. This works on a couple levels: first, the way she's holding her fists, as if she's pulling a rope taut.

The way there's one primary line, emphasizing the rope feeling, accompanied by smaller ones.

The additional lines starbursting around her hands, to indicate the energy crackling in her hands and how she's doing a good bit more than just holding it. (That combined with the fists suggests some tension to the magic, too.) Also the variations in brightness, a feature you'll find in actual lightning. :D Additional kudos for how the lightning sparks and breaks off the metal of the sword.

A handful of miscellaneous notes on the second panel:

The reflection of the flames in Erin's typically dark blue eyes (which bears a remarkable resemblance to Dainix, incidentally—almost a thematic sort of parallel given Erin's using the same magic Dainix specializes in?)

The flowing of fabric in the wind and associated variation in the lineart

The way Erin's tattoos interact with the fire he's pulling to his hand

The way the rain overlays some of the fainter areas of fire (attention! to! detail! hell yeah!)

I could go on. I won't because this is a lot of writing already.

Third panel gets paragraphs, not bullets:

Erin's giant-ass "FWOOM" of fire there, and the way the outline of the word is puffy-edged and gradated to feel almost three-dimensional, plus once again using Screen or a variation on it so that the stars show up in the background. All this against that stunning plume of fire, which ripples and sparks so gorgeously, and the ending "om" of the onomatopoeia is emphasized incredibly brightly against that, adding to the punch of it and making the plume feel even brighter.

Also, once again, rain helping establish perspective, especially in how it's very angular in the left side of the panel and then slowly becomes more like a point to the right to indicate it's falling directly down on the viewer. Add in the bright, beautiful glow effects, fainter but no less important black lines beneath them to emphasize the sky and smoke and the like, and the stunningly beautiful lighting and gradated glows surrounding Erin plus the lightning jagging up at him from below, and you get one hell of an impactful panel right there. (And there is definitely more in there I could break down, this is just a lot already.)

And in general: The colors in this? Incredible. The blues and purples and oranges and golds compliment so well, and it's all so rich.

Like, seriously, just throughout the whole comic, the use of gradients, blending modes, color balance and hues, all the things, all the things, it makes for the most beautiful effects and glows and such a rich environment. There's a very distinct style to this comic in its simplified backgrounds (which I recognize are done partly because it's way easier and also backgrounds are so time-consuming dear gods but lemme say this) and vivid, smoothly drawn characters; the simplicity lets them come to the front and gives room for those beautiful, richly saturated focal points, letting the stylized designs of the magic and characters shine. The use of distinct silhouettes is insanely good. Honestly, complex backgrounds might run the risk of making everything too visually busy in this case. It's just, augh, so GORGEOUS.

Another bit, take a look at this page (https://comicaurora.com/aurora/1-15-28/):

It's not quite as evident here as it is in the next page, but this one does some other fun things so I'm grabbing it. Points:

Once again, using different colors to represent different character actions. The "WHAM" of Kendal hitting the ground is caused by Dainix's force, so it's orange (and kudos for doubling the word over to add a shake effect). But we see blue layered underneath, which could be an environmental choice, but might also be because it's Kendal, whose color is blue.

And speaking off, take a look at the right-most panel on top, where Kendal grabs the spear: his motion is, again, illustrated in bright blue, versus the atmospheric screened-on orange lines that point toward him around the whole panel (I'm sure these have a name, I think they might be more of a manga thing though and the only experience I have in manga is reading a bit of Fullmetal Alchemist). Those lines emphasize the weight of the spear being shoved at him, and their color tells us Dainix is responsible for it.

One of my all-time favorite effects in this comic is the way cracks manifest across Dainix's body to represent when he starts to lose control; it is utterly gorgeous and wonderfully thematic. These are more evident in the page before and after this one, but you get a decent idea here. I love the way they glow softly, the way the fire juuuust flickers through at the start and then becomes more evident over time, and the cracks feel so realistic, like his skin is made of pottery. Additional points for how fire begins to creep into his hair.

A small detail that's generally consistent across the comic, but which I want to make note of here because you can see it pretty well: Kendal's eyes glow about the same as the jewel in his sword, mirroring his connection to said sword and calling back to how the jewel became Vash's eye temporarily and thus was once Kendal's eye. You can always see this connection (though there might be some spots where this also changes in a symbolic manner; I went through it quickly on the first time around, so I'll pay more attention when I inevitably reread this), where Kendal's always got that little shine of blue in his eyes the same as the jewel. It's a beautiful visual parallel that encourages the reader to subconsciously link them together, especially since the lines used to illustrate character movements typically mirror their eye color. It's an extension of Kendal.

Did I mention how ABSOLUTELY BEAUTIFUL the colors in this are?

Also, the mythological/legend-type scenes are illustrated in familiar style often used for that type of story, a simple and heavily symbolic two-dimensional cave-painting-like look. They are absolutely beautiful on many levels, employing simple, lovely gradients, slightly rougher and thicker lineart that is nonetheless smoothly beautiful, and working with clear silhouettes (a major strength of this art style, but also a strength in the comic overall). But in particular, I wanted to call attention to a particular thing (see this page https://comicaurora.com/aurora/1-12-4/):

The flowing symbolic lineart surrounding each character. This is actually quite consistent across characters—see also Life's typical lines and how they curl:

What's particularly interesting here is how these symbols are often similar, but not the same. Vash's lines are always smooth, clean curls, often playing off each other and echoing one another like ripples in a pond. You'd think they'd look too similar to Life's—but they don't. Life's curl like vines, and they remain connected; where one curve might echo another but exist entirely detached from each other in Vash's, Life's lines still remain wound together, because vines are continuous and don't float around. :P

Tahraim's are less continuous, often breaking up with significantly smaller bits and pieces floating around like—of course—sparks, and come to sharper points. These are also constants: we see the vines repeated over and over in Alinua's dreams of Life, and the echoing ripples of Vash are consistent wherever we encounter him. Kendal's dream of the ghost citizens of the city of Vash in the last few chapters is filled with these rippling, echoing patterns, to beautiful effect (https://comicaurora.com/aurora/1-20-14/):

They ripple and spiral, often in long, sinuous curves, with smooth elegance. It reminds me a great deal of images of space and sine waves and the like. This establishes a definite feel to these different characters and their magic. And the thing is, that's not something that had to be done—the colors are good at emphasizing who's who. But it was done, and it adds a whole other dimension to the story. Whenever you're in a deity's domain, you know whose it is no matter the color.

Regarding that shape language, I wanted to make another note, too—Vash is sometimes described as chaotic and doing what he likes, which is interesting to me, because smooth, elegant curves and the color blue aren't generally associated with chaos. So while Vash might behave like that on the surface, I'm guessing he's got a lot more going on underneath; he's probably much more intentional in his actions than you'd think at a glance, and he is certainly quite caring with his city. The other thing is that this suits Kendal perfectly. He's a paragon character; he is kind, virtuous, and self-sacrificing, and often we see him aiming to calm others and keep them safe. Blue is such a good color for him. There is… probably more to this, but I'm not deep enough in yet to say.

And here's the thing: I'm only scratching the surface. There is so much more here I'm not covering (color palettes! outfits! character design! environment! the deities! so much more!) and a lot more I can't cover, because I don't have the experience; this is me as a hobbyist artist who happened to take a couple design classes because I wanted to. The art style to this comic is so clever and creative and beautiful, though, I just had to go off about it. <3

...brownie points for getting all the way down here? Have a cookie.

[lover-of-mine]

Fought 'til you tethered me, swept under surfaces, never enough of it...

[roughentumble]

geralt who always subbed to people who treated him like shit as a form of self harm who then gets brought out of his shell to dom for jaskier

[lee-hakhyun]

the final lines of chapter 614

oh dear god. 'does this make me a little more like him?' kdj kinnies are dangerous

some notes

earlier, he tried to write a sentence that could persuade hsy, but he didn't have enough probability. so he instead wrote this end for himself. this was the only way to get what he wanted, for his readers to have a chance of survival

stories without sacrifice do not exist.

his debut work was a short story that won him a newcomers division award, 'the origins of memory'. (yes, this is the same award as the one from star writer. star writer is also brought up as another novel lhh wrote!)

'the origin of memory' is a story about a writer who fabricates his childhood to sell stories and give lectures. sounds familiar.

his fraud is later exposed, with the main character's reaction being something like 'no one is harmed because i have such a past. doesn't everyone have the right to their own story?'

'기원' is used here, which has different meanings depending on the hanja (my korean isn't that good though please forgive me if i made a mistake 🙏)

기원(起源) origin 기원(冀願) wish

the story the protagonist of that novel wrote wasn't his origin, but his wish. so it was still his story.

and as a reader of lhh's works points out, almost all of lhh's works have similar themes of lies and 기원. the only one that doesn't fit lhh's style was orv.

(edit: somehow i gave an explanation of 기원 and still messed up the quote. it would probably make more sense to be walked toward his 'wish', not 'origin'. i feel like it's also meant to be a double meaning word though, but that can't really be translated.)

[ichthyorelationships]

ideas: i didn't really think of him being underwater but they deserve to have drama by crying there too so i just think you could say something about the composition being denser than water or w/e. proteins

i'm always like good thing he didn't try to exit asap via swimming in ciao alberto But What If He Did lol. just swim Somewhere else along the coast, maybe panic about [money??] & whether somehow this ruins school for luca, whether he can get in touch w/o it being On Sight b/w him & all marcovaldos, consider just kind of trying out other places, traveling after all...fascinating considering the other povs on the issue like: now there's the paguros to sympathize w/a kid vanishing, luca however in a somewhat more novel position there, giulia's throwback to alberto being a bit perplexing lmao, kind of thinking the best massimo could do is have a prewritten letter for luca to give to alberto If Possible, conveying something like i know you didn't set my livelihood on fire on purpose but even if you did i'd want you to stay. and luca in a position to do all of "maybe give the island fun facts so someone can check if he's there" & "wait & hope alberto can/does get in touch" & "have a lot of feelings"....not even the context of what this drawing is about necessarily, just tacking it on here anyways. ahead of time i went "heh now i Know they're gonna have it get little Real here b/c it's really about alberto wanting the security of feeling he can 'earn' a sustained relationship" then the short cleared & i was lying completely dead on the pavement

[laufire]

honestly if dc isn't even gonna pretend to bother to coordinate all it's runs to make a semi-coherent (or at least not brazenly contradictory) timeline, I think they should just stop all this crossover/cameos/whatever shit. each run deals with its singular hero/duo/team and everyone stays in their lane except for very occasional, very brief, very surgical cameos.

like at this point there would have to be at least four different bruce waynes running around to make sense of this 😭

[oh-gh0st]

[orestes-hungry-and-pylades-sober]

The one thing I'll say for living close to a city is that I get to go see shows a hell of a lot more often than I would otherwise which I really do appreciate.

Anyway it was a fantastic show and as usual, I have full audio to trade. Right before For Forever, there was a "all cast and crew please leave the stage" announcement and we were on pause for about 20 minutes before Pierce Wheeler came on to replace Jeffrey Cornelius as Evan for the rest of the show, so there's a weird gap there unfortunately.

However I will say that the star of the show was absolutely August Emerson as Connor, he has an incredible voice and just was amazing

[minamotosousuke]

Look all I am saying is that on day 4 of knowing Mitsuba, Kou is going to wake up in the morning with scribbles all over his face. But nobody would’ve dared touch the Prince’s face before, so it’s not until breakfast that he finds out.

[ectoplasmer]

i'm supposed to be sleeping but i'm busy sobbing into my hands over ryou for like the fifth time already this week

[llycaons]

claudia’s actress was fucking excellent. emmy

[bigkpopstan]

I don’t care if sunghoon mc’s or not. it was a great opportunity for him he seemed to gradually grow more comfortable and confident in it and I’m so proud of him but it’s the fact that he’s going to miss it that upsets me. the fact that he’s sad and upset about it being over with and that he’s going to be so busy now, is what’s getting to me. the fact that he didn’t even know it was his last day to mc until a few hours before we were all told. it’s also…wonyoung’s contract for mc-ing got extended and Sunghoon’s didn’t when he’s going to miss it.

[jooniez]

okay wow so today was a whirlwind of emotions 😭😵‍💫🥹

[mxdotpng]

the soremik in my head is so vastly different from anyone elses idea of them that i fear if i ever speak out on the subject i'll have rocks thrown at me. but once again they are allowed to look but never touch. you have to expect this from me by now.

[ciaoteamo]

Milk and Water Pt. II

pairings: doppelgänger!Milkman x fem!Reader

summary: the aftermath of letting him in

pt.I

(art credits: @yunonoaii)

warnings: 18+ content

“…what. the. fuck.” You mutter to yourself, watching the scene before you unfold.

“mmm, how about letting me in now? promise i won’t bite you too hard” His eyes were dangerously seductive.

Your desktop fan and the slight rustling sound of (what you could only assume was) him touching himself filled the eerie silence of your office space.

However, he could still tell that you were hesitant to let him in, especially considering what he just did to D.D.D.

“how about this, sweetheart we-“

“if i open this door.” You cut him off. He shuts up quickly and halts his movements with a blank stare. His eyes watching you intently.

“you come straight to me, or else i swear to fuck. it will not be a good time for you. you copy?” Your hands were firmly grasping the edge of the desk as you stared the man in his color changing eyes.

“i promise” He kisses the window and you give him one last short lived glare before unlocking the door for him.

BZZT!

He slowly turns away from you and walks toward the door and you felt relieved to hear a light knock a few seconds later before he let himself in.

“see? you can trust the milkman” He grins.

He was a mess. Between the torn clothing, the blood, and his unzipped slacks that displayed his black briefs holding back a huge bulge, he honestly looked like something out of a wet dream.

“this is quite a small space… you think i’ll be alright in here?” He closed the door behind himself and strides toward you.

“you don’t have any choice but to be alright” You retort and he chortles.

“i love this mouth of yours… i’ve never crossed paths with a human as bold as you…” He tilts his head, placing a hand under your chin to lift it a bit.

“unless you’re actually scared… and using this boldness as a tactic..?” His irises turn white once again and his grip on your chin tightened slightly.

Though you were enduring a near death experience right now, being that you were this close to a doppelgänger, you were unbelievably horny.

“tactics?” You start. You already knew that you probably wouldn’t be able to get out of his grip just by moving, so you used a more… inappropriate approach.

You took a step closer to him, closing in the 2 foot gap that sat between the two of you and you placed your palm over his hard-on.

His grip immediately loosened a bit and his fingers twitched against your skin. What a reaction that was…

You feel more confident, realizing that he’s just another horny good looking guy. “is there a reason i should be afraid of you?” You ask, hand squeezing around him and a finger rubbing his tip.

He shudders and his hand falls from your chin and rests around your throat. His forehead tapped against yours, and your eyes were fixed on each other. “…you really are something”

“wish i could say the same for you“ You start, breaking the eye contact to look at his lips and sharp canines. “you’re just a slutty and messy excuse of a monster” Your words would probably be venom to anyone else, but this only riled him up more.

You felt his throbbing under your palm and grin to yourself before being greedily pulled into a kiss. For a brief moment, you could taste a metallic bloody taste on his tongue.

You moaned at the warmth of his mouth and felt his hands rested on your hips, rubbing circles into the area.

You release yourself from the kiss with his bottom lip between your teeth and a smile. “desperate, are we?” You tease.

“painfully…” His eyes glistened. “what’ll it take to get those pretty lips to go a little lower?”

“show me what yours can do first and i’ll see about returning the favor” You challenge. His eyes go back and forth between yours before he kisses you again.

This time however, he started to undo your uniform. Groaning so deeply that you felt the rumble in your throat. His skilled hands loosened your belt and your slacks came down and off.

Next he lowered himself and lifted you a bit to get off your socks and shoes, making him get more sloppy and needy within the kiss.

At this point he was squatting and you were standing over him, holding both sides of his face. His hands travelled up and down your leg as he stayed in his position and this time, he’s the one to break the kiss.

You were both breathing heavily, and staring each other down. You almost forgot your resolve and let him fuck you right then and there.

But you had to stay strong, for both of you guys’ sake. You take a deep breath in and til your head.

“well, you gonna show me? or are just sit there and look delirious from a simple kiss?” You teased.

“…may i?” He asks with a slightly raised eyebrow, gesturing toward your leg.

“go ahead”

“hold on to something right”

“why am i h- shit!” You would’ve fell right to the ground if it wasn’t for the shelf behind you that held last months documents. Albeit, they’re scattered over the floor now.

Your legs were snatched from underneath you and each one was hooked over the man’s shoulders. His warm breath against you felt sinister. It sent a slight chill up your spine.

His eyes stared down at your sex and he licked his lips, looking more excited than you did for this. “don’t let go” He says before using gis fingers to spread you sticky lips.

His tongue pressed hard into you and drug from your hole, up to your clit. You bit your lip at the warmth and felt your back arch against your will.

“ha~ this all you got? Thought you said you’d be bet- anghh~!” Your eyes widen and your mouth drops at the new feeling below.

“you were saying?” He mumbles into you. His tongue was longer with a pointy tip, and his lips were wrapped tightly around your clit.

The pleasure was almost overwhelming. You could definitely admit that he made you eat your words and replace them with loud endless moans.

As you felt yourself getting closer you began to grind your hips over his face, chasing after your high.

“don’t stop” You could barely get out the last word before the wave of immense overstimulating pleasure came over you.

You curse and take in a few deep breaths, calming yourself down a bit, and only then did he let your clit go with a ‘pop’, making your legs to twitch.

“that wasn’t fair” You jokingly glare at him, the sweat making your skin shine and chilly from the fan air.

“i told you i was better” He wipes his chin with his thumb and licks it clean without breaking the eye contact.

“you have to be some sort of… sex demon” You shake your head in disbelief.

“maybe i am?” He lets you tug him closer by his tie and give him another sloppy kiss. The change in size of his tongue being just below too much for you as it explored your mouth.

“well let’s see how long you can last then… hm?” You ask, beginning to leave a trail of light kisses on his next before a harsh bite.

You could feel him shudder and decided to have him sit in your office chair. “let me borrow this..” You say, undoing his tie while he sat.

You spin the chair around and bring both of his arms to the back and tie them to the chair. When you spin his back around, his had such a mischievous grin that you went ahead and addressed.

“yes, i know you could probably get out of that in a heartbeat” You start and roll your eyes. He chuckles, amused at your awareness. “but, will you?” It was your turn to put on the sly grin now. The second he managed to break free from his restraint, would be the moment you’d send him off.

“…” He read your face, bit knowing if he should say something sly or not.

“right, thought so” You smile and give him a few taps on the cheek.

You kneel between the man’s legs, finally addressing the large and throbbing penis before you.

“god you’re hard… you weren’t kidding when you said you needed help” You joke, rubbing his wet tip through his boxers with you finger.

He grunted a bit and readjusted himself in his seat. You look up at him before pressing harshly on it with your thumb.

“oh fuck you~” He throws his head back and you giggle.

You reach for the hem of his briefs and tug at them, signaling him to lift his hips. Once he’s exposed, you could really see the girth and length of him.

He was veiny, thick… bright pink tip, and god knows how long it was.

You put your hand around the base, it was warm and nearly pulsating. Your pace was moderate, giving him just enough to work with. You knew it was a nice steady pace when his hips slightly jerked up for more friction.

“needy boy wanting to fuck my hand? this wasn’t even the main event you asked for, love” You coo, strengthening the grip you had on him by a smidge.

“i can’t help that you know how to use those hands of yours so well” He remarks, still facing the ceiling.

You pump your fist higher up and use your own skilled tongue to drag along his vein.

“@$?!~” He moaned and immediately looked down at you with a snarl. An almost threatening one telling you that he wanted more.

And were you planning on giving it to him? Absolutely not.

You stare right back at him and smirk, using the same motion and occasionally sucking the pre cum from its leaky pink source.

“i’m gonna cum” Your eyes welled a bit at the large shaft triggering your gag reflex. But he was close so you would endure the slight pain.

His thrust his hips up a few times and you force your head as far as you could before completely stopping.

“fuck- why’d you stop” His voice was almost a whisper and suddenly thick white ropes shot into the air and landed on his thigh.

“oh i’m sorry, i’ll keep going” You reach for his most sensitive spots, overstimulating him into a nervous laughter as he begged you to stop.

It was fun watching him experience more than he could handle, but all good things come to an end.

He sighs in relief, sweaty, heaving, and dazed.

“can i be freed now?” He asks.

“sure, why not. looks like you’re done here anyway” You shrug.

“who’s done?” He stands up, simply snapping the tie apart.

“oh… you’ve still got more in you?”

“im the milkman, i never run out” He suddenly picks you up and sits on you on the desk. Jesus, these things are strong.

You wrap your hands around your neck, suddenly feeling the arousal for another round yourself.

His hands find your slick entrance, teasing the outside and slipping two cold slender fingers into you.

“mmm!” You mean into the kiss, holding onto his forearm as he fingered you at an inhumane pace. You break away and cat h your breath trying to slow him down a bit.

“i don’t want to cum from this, put it in” You say.

“yes ma’am” He lines himself up without your entrance and slowly pushes himself in with a moan. You could every centimeter of the stretch as he went deeper.

You tapped the back of your head onto the window behind you and felt him kissing on your neck and collarbone.

“fuck you’re big” Your voice slightly shook as you stated the obvious.

“and you’re so warm and wet inside, i ashamed to admit that i almost came putting it in” He chuckled before biting back another groan.

RIIIIING

RIIIIING

You snap your head in the direction of the phone and see D.D.D. calling.

Shit.

“stop, i have to take this.” He halts his thrusts and you grab the phone. “hello?”

“agent number” A deep voice says over the phone.

“5 5 8 4 3 7” You state clearly.

“thank you agent (Y/N), we’re calling about a few M.I.A. cleaners? it says in our system that you were the last to call. is everything alright?”

“ye-es~” You feel something rubbing your g-spot and look over at Francis. ‘stop, now.’ You mouth silently. He just smirks and speeds up.

“are you sure? you sound like you’re being threatened” The man on the phone asks.

“mhm~, im fine sir, just a little shaky” You put your hand over the phone speaker and look at Francis.

“what the fuck is wrong with you??” You ask, interrupting yourself with a few moans.

“just a little thirsty for some water” He thrusts harder, causing him to hit your g-spot, and your clit back to back.

You cover your mouth with your shirt and moan into it, hearing the buzz of a voice on the phone. Honestly you should be scared, they could show any minute, but right now, you could care less.

“im gonna cum” You whisper, still being mindful of the potential listeners.

“yeah?” He grabs a young and stands straight up, slamming you down into his cock. You let out something just short of a scream into the crook of his neck and find yourself twitching and shaking in his grip.

You heard a splash and felt him fill you up with his seed. You both were a moaning, groaning mess, heavily breathing in place.

“(Y/N), do you copy?……. we’re on our way” The phone then hangs up and the low buzzy voice is replaced with a prominent beep.

“you have to go, they’re coming” You lazily try to leave his strong hold with a tired push against his chest.

“but first” He puts you back on the desk where you rest your back against the cold glass window. “a drink..” His tongue grows longer right infont of you, and cleans you from your ankles to your navel, and of course he ran it over the bundle of nerves he’s been abusing all night, making your body jolt.

“you’re so delicious… i wish i could always taste you” His tongue goes back to its normal size.

“well i’ll get going now… i’ll be seeing you again soon, love. i’ll try not to cause too much trouble next time…” He gives you a peppery kiss on the nose and leaves.

Well, that’s one way to end your day shift…

[rubarb69]

a drawing I did alittle while back of Eden (was once known as (ex) Razor girl)