#reverb delay chorus echo
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Unleash Classic Echoes with the NA 501 Chorus Echo Plugin by Nembrini Audio
Welcome to the world of impeccable sound where the past and present collide beautifully. Introducing the NA 501 Chorus Echo, a state-of-the-art plugin by Nembrini Audio, engineered to resurrect the legendary Roland RE-501 Chorus Echo’s hallmark sound. This modern digital marvel offers a seamless blend of nostalgic analog warmth and contemporary functionality, catering to today’s diverse music…

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#AAX#analog#Apple Silicon#AU#AudioUnit v3#AudioUnits#BBD#BBD chorus#chorus#classic tape echo#DAW#delay#Echo#iLok#Instagram#Intel#iOS#iPad#iPhone#Logic Pro#M1 Mac mini#MAc#NA 501 Chorus Echo#Nembrini Audio#plugin#reverb#Review#Roland RE-501#software#Sound On Sound
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I've always loved the dreamy, spacey guitar (?!) solo of "I'm Gettin' Sentimental Over You" and have wondered how you recorded it. Is the delay/echo done with tape? It seems like the song was recorded before digital delay (The song's from 1983? Boss' DD-3 came out in 1984).
JF: In the first years we only had a couple of effects, and we would print them onto the tracks on a regular basis. The delay you hear on almost everything super-early (including vocals usually with a very tight, chorus-like effect) is the Ibanez Analog Delay guitar pedal which I purchased on 48th St. days after it was available I believe in '83 (funny to think of something so completely noisy and essentially funky as "emerging technology" but that is kind of our story). Later we got a DD-3 and used it in very similar ways, but my suspicion is Sentimental is the Ibanez. To be candid, while the digital box was much much cleaner, our recording techniques were so tape-saturated and mossy sounding in general it is very hard to distinguish between the two on the finished product.
I don't think we had anything that actually made reverb (only delay, phase and chorus from pedals) so if you hear reverb it probably came from mixing (or recording) at Studio PASS which started happening in '84 I believe.

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drag talk gear!!!
got sent those pics and couldn't help myself eheheh
matty
DigiTech Whammy 5
Boss TU-3 Chromatic Tuner
Keeley Compressor Plus
Deep Space Devices Dust
JPTR FX Warlow
Catalinbread FX40 Soft Focus Shoegaze
Death by Audio Echo Dream 2
EarthQuaker Devices Sea Machine Super Chorus
neil
Ernie Ball EB6201 Volume Tuner
EarthQuaker Devices Park Fuzz Sound
Catalinbread FX40 Soft Focus Shoegaze
Boss Delay DM-2w
Boss Chorus Compressor CE-2w
EarthQuaker Devices Transmisser Reverb
Mr. Black Boost Drive One-Hundred (rare thing)


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i could talk about these for HOURS, they're all my effects pedals!! i haven't fully tapped into all of them but i've been doing a lot of recording lately so i'll probably make some pretty noises with all of them some day in the near future :>
the first picture's order is all wonky because that's the order i have the pedals in the chain
1. EHX' Mel-9 (Mellotron emulator)
2. Alexander Pedals' Defender (OD/DST/FZ)
3. TC Electronic's Grand Magus (RAT similar)
4. Behringer's Noise Reducer (i use mostly as a mute when tuning)
5. TC Electronic's Afterglow (chorus)
6. Donner's Mod Square II (16 modulation in a mini casing)
7. TC Electronic's Hall of Fame 2 (digital reverb)
8. EHX' Oceans 12 (dual digital reverb/delay)
9. homemade JHS Little Black Box copy (1 setting buffer)
---not on the board---
10. TC Electronic's Sub'n'Up (octave)
11. Proco's RAT (distortion/fuzzish?) this one gets put back on the board every now and the
12. Dunlop's Crybaby (wah-wah)
13. Danelectro's Dan-Echo (echo/delay)
14. Joyo's Wow-Wah (auto-wah)
15. Donner's Echo Square
16. BOSS' ODB-3 (bass overdrive) i use this a lot when i play bass :)
17. BOSS' LMB-3 (bass limiter/enhancer)
18. BOSS' RBF-10 (rack mount flanger)
19. Danelectro's EStudio Honeytone E-15 (my dad's headphone amp from the mid-late '90s, not really a pedal but it can sorta be)
secret 20. 1-Spot Pro (power supply under the board, also not really a pedal but it's essential for the rig)

the shoegazer tap dancing on all those thangs
#dreampop#emo#shoegaze#dream pop#goth#noise#diy#trans artist#trans musician#trans music#transfem#trans woman#transgirl#transgender#queer#queer artist#electro harmonix#tc electronic#danelectro#jazzmaster#harmony#boss#effects pedals#guitar#guitar pedals#bass pedals#again don't rob me#i'd be really sad :(#too many tags#i'm sorry
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"i remember moments of happiness; endless summer, acoustic guitars" - SRXT, bloc party
hello again!
today we're gonna talk about my guitars for the new ep! buckle up, this is gonna be a long one.

first off, i've done a about half of this ep on my stock fender classic player jaguar special hh. it's a 24" scale and it's actually tuned b to b and it sounds SO good. like. it's kind of unreal how well it holds a baritone tuning. generally, i have the neck pickup rolled off to coil split (i generally don't love a neck humbucker, honestly) and the bridge is whatever it needs to be, song by song. i don't really use the tremolo arm ever unless i'm just messing around - i try to put this thing out of tune as little as possible during a show. this guitar can do ANYTHING. it's so tonally versatile it's fucking stupid, truly. i am a lucky girl to own this.

next up is the other half: my squier classic vibe baritone custom telecaster! this is also tuned b to b, but it's got a 27" scale, so it's got a much more traditional baritone sound. i have always always ALWAYS loved the versatility of a telecaster and when they put out an affordable baritone version, it was an absolute no-brainer for me. i love the range and the tonal differences that a baritone brings to indie music - thrice is one of my favourite bands of all time, and their use of baritones (and their gear in general [duh, for those in the know]) REALLY inspired me. i've been using this on a lot of the really wet stuff and the really clean stuff, but also just for some stereo guitars to lean into some tonal differences or just because it flat out feels right. i love this thing, too. it really is so flexible and fun to play (and it weighs NOTHING, which is kind of unique for a tele lol). i've replaced the output jack and jack plate and i've flipped the control panel because i'm notorious for punching my pickup selector while playing.
both guitars are strung with d'addario medium baritone strings (.14-.68).
finally, for amps and pedals... well. the future is here and i, for one, welcome our modeller overlords.


this is gonna seem like a lie based on what you're looking at here, but i'm really pretty simple with my setups - i am a set it and forget it kind of woman.
for rhythm parts, i am using a fawn vox ac30 (blue alnico) and a fender deluxe reverb (oxford) in tandem, generally being pushed by an earthquaker pillars and an xotic ep booster (bruises uses a klon, just depends on the kind of push i need). little bit of compression with the xotic sp compressor, then, as necessary for wetter parts: line 6 echo park, line 6 space chorus, a boss ce-1, a boss ac-2 and a fender vibratone (lol). in terms of helix-only effects, i'm using the line 6 heliosphere delay and hot springs reverb.
for LEADS however, we're all over the place. all kinds of shit. i generally run a higher gain amp, like a bogner shiva (uberkab t75) or a marshall jcm-800 (jensen p12q [grammatico amp]/marshall basketweave g12 m25). I was actually really pleased with how good the shiva is for lead work in our sad queer indie rock songs - this is an amp that like alice and chains and korn use and it really adds the right amount of twinkle and beautiful bummer to our songs about autism and queerness and millennial disillusionment and i just think that's such a funny juxtaposition. anyways.
for taurus, i'm using the bogner and running the xotic ep booster again, way huge red llama, dunlop mxr timmy, mxr phase 90, and auto-volume echo from the line 6 dl4. simple stuff.
for re-run, i'm using the jcm-800 and pushing it with a tube screamer when it gets huge. boss tr-2, boss dm-2 with adrian mod, tc electronic 2290, tape eater from the line 6 mm4, simple tube comp, and the line 6 feedbacker. i also have a looper set up so I can include some post-rock tremolo picked yumminess without it taking up all my focus. this is definitely my most complex rig in the helix, but even still - not too wild. like i said. set it and forget it.
so yeah! that's pretty much it for my guitars this time around. i'm gonna guess that we'll do mj's guitars next but who knows! life is a mystery and it is for living! see y'all soon.
~ elizabeth
#transgender#indie rock#trans artist#trans music#vancouver music#wearehouseguest#houseguest#houseguestband#alt rock#post rock#studio diary#updates#emo#pacific northwest emo#post hardcore#post punk#punk rock
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Let’s get to work! Here’s the breakdown for all three components:
1. Score Sheet for "OOZE DAY" (Music Structure)
2. DAW Project Map for “OOZE DAY”
Here’s how to set up the project in a DAW like Ableton, FL Studio, or Logic. Each section represents a different layer of sound:
Track Setup:
Track 1: Bass
808 sub bass (looped)
EQ’d for rumble and depth
Sidechain compression to kick drums
Track 2: Kick Drum
808 kick (slightly distorted) for wet effect
Double kick pattern with staggered velocity
Light reverb (to simulate wet ground)
Track 3: Hi-Hats
Glitchy hi-hat rolls with random velocity
Automation to pan left-right for chaotic movement
Track 4: Percussion (Broken Glass, SFX)
Broken glass sample slowed down and pitched
Chopped and stuttered using automation
Track 5: Synths & Melodic Layers
Dissonant synth arpeggios with modulation
Delayed piano stabs, filtered to create tension
Dark, ambient pads (slowly evolving)
Track 6: Vocals
Main verse (processed with auto-tune for dissonance)
Layered crowd vocals, distorted (both normal and reversed)
Whispered, buried vocals during bridge
Vocoder FX on final chorus for monstrous sound
Track 7: SFX (Ambience & Background Noise)
Tape hiss, analog radio-style static
High-pitched static building in the intro
Pulse heartbeat during the bridge
Track 8: Final Touches (FX)
Heavy distortion/feedback during outro
Sudden silence for final glitch stop
Automation:
Volume automation to control intensity during transitions.
Reverb/Delay used for dynamic, space-filling effects, especially during vocal breaks.
EQ automation on vocals and synths to shift tone/texture, giving life to verses and choruses.
3. Music Video / Scene-by-Scene Storyboard
The music video for "OOZE DAY" should reflect the chaotic, multidimensional themes of the song while blending anime aesthetics with experimental cinematography. Here’s the concept for how it could unfold in a Taz-themed universe:
Scene 1: The Breakthrough (Intro)
Setting: A surreal, wet urban landscape. The camera moves through puddles that shimmer unnaturally, as if looking through glass.
Animation: Taz's silhouette forms from the dripping ooze, shifting between human and abstract forms, breaking the fourth wall. We see whispers of his name across the screen in glitchy text.
Mood: Unease, dissonance.
Scene 2: The Drip (Verse 1)
Setting: A ruined, dystopian cityscape where the very air crackles with unstable energy.
Animation: Taz floats above this city, fragmented pieces of his body making up the shattered sky, moving in chaotic patterns. His face morphs and breaks apart into different forms, signifying the shift in identities.
Visual Effects: Water rising from cracks, swirling as portals open beneath the ground, sucking in people and objects.
Mood: Pressure, fragmented reality.
Scene 3: The Chant (Chorus)
Setting: Taz’s twisted version of a throne room. The walls pulse with ooze, and strange, insectoid figures bow before him.
Animation: A large, shadowy crowd chants “OOZE,” their faces distorting and shifting into one another, faces turning into abstract shapes and crawling back into the ooze.
SFX: Vocal chops and chants echo in the background.
Mood: Haunting, powerful.
Scene 4: The Descent (Bridge)
Setting: A dimension-breaking portal appears. Water floods the world, and landscapes begin to crumble.
Animation: Taz is now fully formed but constantly breaking apart. His hands touch the portal, causing the landscape around him to deform and twist. Shadows of other “versions” of Taz appear in the portal.
Mood: Uncertainty, loss of control.
Scene 5: The Flood (Final Chorus & Outro)
Setting: Complete collapse of time and space. Taz is absorbed into a massive ooze that engulfs the entire city.
Animation: Final chaotic clash between multiple timelines, where Taz and his manifestations collapse into the ooze. Everything begins to blur together — people, memories, names.
Final Image: Silence. The screen flickers off like a malfunctioning television set. The water continues to ripple.
This setup creates an immersive experience, combining avant-garde animation, hard-hitting sound design, and a story arc that flows perfectly with the chaotic spirit of the track.
What do you think? Ready to start drafting the visuals and sounds? Let me know if you need further breakdowns on any specific part!
@Comcast
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Analysing "Date Nite" by KhakiKid and Saint Demarcus
"Date Nite" by Irish artists KhakiKid and Saint Demarcus is a vibrant and engaging track that seamlessly blends elements of indie pop, hip-hop and electronic music. This breakdown will explore its key components, including structure, instrumentation and rhythm.
Key and Tempo
The track operates at a tempo of 119 bpm in the time signature of 4/4 and in the key of C# Major with some minor tonalities evoking a smooth and laid-back vibe making it suitable for both relaxed listening and dancing.
Structure
"Date Nite" follows a common pop and hip-hop structure, usually consisting of:
Intro (0:00 - 0:18): The first 8 bars sets the mood and introduces the instrumental elements and the hook.
First Verse (0:19 - 0:49): The next 16 bars features a verse by KhakiKid establishing the narrative and character dynamics.
First Bridge (0:50 - 1:06): An 8 bar long contrasting section by Saint Demarcus that enhances the overall narrative.
First Chorus / Hook (1:06 - 1:22): Another 8 bar section with a catchy and memorable refrain that encapsulates the songs essence
Second Verse (1:23 - 1:54): A second 16 bar verse by KhakiKid continuing with the fun vibes of the track.
Second Bridge (1:55 - 2:10) A second 8 bar bridge by Saint Demarcus, this time stripped back with no percussion
Outro (2:10 - 2:31): A final 8 bars concludes the track while echoing the hook from earlier sections.
Instrumentation
The instrumentation in "Date Nite" is a rich tapestry of sounds that contribute to its engaging atmosphere:
Drums: The drum pattern features a punchy kick, crisp snare, and hi-hats that provide a steady groove. The rhythm is often syncopated, with some interesting drum fills adding an element of surprise and keeping the listener engaged.
Bass: A deep, resonant bass line underpins the track, providing warmth and depth. It often follows the kick closely, enhancing the groove.
Synths: Bright, melodic synths add layers of color to the arrangement. These can include both pad sounds for atmospheric depth and lead sounds that carry the melody.
Vocal Samples: Occasionally, vocal samples are layered in, adding texture and reinforcing the track’s themes.
Guitar: Some psychedelic strums soaked in reverb and delay add texture and reinforce that laid back summer time feel.
Rhythm and Groove
The rhythm in "Date Nite" features a laid-back yet danceable groove with the kick and bass creating a solid foundation, while the subtle variation in the hi-hats and snares keep the rhythm dynamic and fun. The syncopation in the drum patterns invites listeners to move, making it perfect for casual settings.
Production Techniques
The production of "Date Nite" employs various techniques that enhance its appeal:
Layering: Multiple layers of instrumentation create a rich soundscape, allowing for depth and complexity.
Reverb and Delay: Effects are used to create space, making the track feel expansive and immersive.
Vocal Processing: The vocals may feature effects such as autotune for a modern sound, as well as harmonies to enrich the vocal delivery.
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Effects unit

A guitar pedalboard allows a performer to create a ready-to-use chain of multiple pedals to achieve certain types of sounds. Signal chain order: tuner, compressor, octave generator, wah-wah pedal, overdrive, distortion, fuzz, EQ and tremolo.
""An effects unit, effects processor, or effects pedal is an electronic device that alters the sound of a musical instrumentor other audio source through audio signal processing. Common effects include distortion/overdrive, often used with electric guitar in electric blues and rock music; dynamic effects such as volume pedals and compressors, which affect loudness; filters such as wah-wah pedals and graphic equalizers, which modify frequency ranges; modulation effects, such as chorus, flangers and phasers; pitcheffects such as pitch shifters; and time effects, such as reverb and delay, which create echoing sounds and emulate the sound of different spaces. Most modern effects use solid-state electronics or digital signal processors. Some effects, particularly older ones such as Leslie speakers and spring reverbs, use mechanical components or vacuum tubes. Effects are often used as stompboxes, typically placed on the floor and controlled with footswitches. They may also be built into guitar amplifiers, instruments (such as the Hammond B-3 organ), tabletop units designed for DJs and record producers, and rackmounts, and are widely used as audio plug-ins in such common formats as VST, AAX, and AU. ..."
W - Effects unit (Audio)
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(WA) 0851-7988-9353 Mixer 16 Channel Elsound Audio di Cigending Bandung Bandung

Karaoke Mixer dan Mikrofon: Panduan Lengkap untuk Pengalaman Karaoke yang Sempurna
Karaoke telah menjadi salah satu hiburan favorit di seluruh dunia, dengan berbagai perangkat yang mendukung pengalaman menyanyi yang menyenangkan. Salah satu perangkat yang sangat penting dalam meningkatkan kualitas karaoke adalah mixer karaoke dan mikrofon karaoke. Dalam artikel ini, kita akan membahas secara mendalam mengenai mixer karaoke dan mikrofon yang digunakan, serta berbagai fitur penting yang perlu Anda ketahui agar dapat menikmati karaoke dengan kualitas suara terbaik.
1. Apa Itu Mixer Karaoke?
Mixer karaoke adalah perangkat yang digunakan untuk mengatur dan memodifikasi sinyal audio dari mikrofon, musik, dan efek suara dalam sesi karaoke. Fungsi utamanya adalah untuk mencampur berbagai sumber suara, menyesuaikan volume, tone, dan menambahkan efek yang meningkatkan kualitas suara secara keseluruhan. Ada berbagai jenis mixer karaoke, termasuk mixer karaoke dengan efek, mixer karaoke dengan echo, dan mixer karaoke untuk soundbar.
2. Mengapa Menggunakan Mixer Karaoke?
Menggunakan mixer untuk karaoke memungkinkan pengguna untuk memiliki kendali lebih atas suara yang keluar dari sistem karaoke mereka. Dengan mixer, Anda dapat menyesuaikan level suara mikrofon, musik, dan efek suara lainnya seperti reverb atau echo, agar suara menjadi lebih jernih dan mendalam. Selain itu, mixer juga memungkinkan untuk mengatur mixer karaoke untuk home theater, yang meningkatkan kualitas audio dalam sistem home theater Anda untuk pengalaman karaoke yang lebih menyenangkan di rumah.
Mixer karaoke juga menawarkan fleksibilitas untuk menghubungkan berbagai perangkat, seperti mikrofon, sound system, dan bahkan drum set elektronik, untuk menciptakan pengalaman karaoke yang lebih hidup dan dinamis.
3. Jenis-Jenis Mixer Karaoke
Berikut adalah beberapa jenis mixer karaoke yang dapat Anda pilih sesuai kebutuhan:
Mixer Karaoke dengan Efek
Mixer karaoke dengan efek biasanya dilengkapi dengan berbagai pilihan efek suara yang dapat memperindah suara vokal Anda. Efek seperti reverb, chorus, dan delay dapat ditambahkan untuk memberikan nuansa berbeda pada suara Anda. Efek-efek ini sangat berguna untuk menciptakan atmosfer yang lebih menarik dalam sesi karaoke.
Mixer Karaoke dengan Echo
Karaoke mixer dengan echo adalah pilihan populer bagi banyak pengguna karena memberikan efek suara yang khas. Echo dapat memberikan kedalaman pada suara Anda, seolah-olah Anda sedang menyanyi di ruang besar atau panggung konser. Penggunaan echo dalam karaoke juga membantu menambah kesan dramatis dan menyenangkan.
Mixer Karaoke untuk Soundbar
Jika Anda ingin meningkatkan kualitas suara karaoke melalui soundbar, mixer karaoke untuk soundbar adalah pilihan yang tepat. Mixer ini memungkinkan Anda untuk menghubungkan sistem karaoke Anda ke soundbar dan menyesuaikan tingkat volume dan efek suara agar sesuai dengan preferensi Anda. Hal ini sangat bermanfaat bagi mereka yang ingin mendapatkan kualitas audio yang lebih baik saat menyanyi di ruang keluarga atau ruang tamu.
Mixer Karaoke untuk Home Theater
Bagi mereka yang memiliki sistem home theater, mixer karaoke untuk home theater bisa menjadi pilihan terbaik. Dengan menghubungkan mixer karaoke ke sistem home theater, Anda bisa mendapatkan kualitas suara surround yang lebih hidup dan mendalam. Ini memberikan pengalaman karaoke yang sangat menyenangkan dan mendalam, seolah-olah Anda sedang berada di panggung besar dengan penonton yang menyemangati.
4. Mikrofon Karaoke: Komponen Utama dalam Setiap Sesi Karaoke
Selain mixer, mikrofon adalah alat utama yang digunakan dalam karaoke. Pemilihan mikrofon karaoke yang tepat sangat penting untuk menghasilkan kualitas suara yang optimal. Mikrofon karaoke umumnya dilengkapi dengan fitur-fitur khusus, seperti penangkal kebisingan dan sensitivitas yang lebih tinggi, yang memungkinkan suara Anda terdengar jelas dan natural.
Beberapa jenis mikrofon karaoke yang bisa dipilih antara lain:
Mikrofon kabel: Mikrofon ini ideal untuk sesi karaoke dalam ruangan yang stabil, di mana kabel panjang cukup untuk mencapai semua sudut.
Mikrofon nirkabel: Untuk mobilitas yang lebih besar, mikrofon nirkabel memungkinkan pengguna bergerak bebas di sekitar ruangan sambil tetap mempertahankan kualitas suara yang optimal.
Selain itu, mikrofon dengan pengaturan volume dan gain yang tepat akan memberikan kontrol lebih dalam suara yang dihasilkan, memberikan pengalaman karaoke yang menyenangkan tanpa gangguan atau distorsi.
5. Cara Menggunakan Mixer Karaoke dengan Efek
Penggunaan mixer karaoke dengan efek dapat menambah dimensi baru dalam sesi karaoke Anda. Dengan efek yang dapat disesuaikan, Anda bisa mengubah suasana suara menjadi lebih hidup dan mengesankan. Berikut adalah beberapa langkah dasar untuk menggunakan mixer karaoke dengan efek:
Atur level mikrofon: Sesuaikan level mikrofon untuk memastikan bahwa suara Anda tidak terlalu keras atau terlalu pelan.
Pilih efek suara: Sesuaikan efek suara seperti reverb, echo, atau chorus sesuai preferensi. Mulailah dengan efek ringan dan tambahkan efek lebih kuat jika diperlukan.
Periksa volume musik: Pastikan musik memiliki volume yang seimbang dengan mikrofon. Jangan biarkan musik mengalahkan suara vokal Anda.
Sesuaikan EQ: Gunakan pengaturan equalizer (EQ) pada mixer untuk menyesuaikan frekuensi suara agar lebih jernih dan pas.
Dengan pengaturan yang tepat, Anda dapat menciptakan pengalaman karaoke yang sangat menyenangkan dan profesional.
FAQ tentang Karaoke Mixer dan Mikrofon
1. Bagaimana cara menghubungkan mixer ke sound card?
Untuk menghubungkan mixer karaoke ke sound card, Anda perlu menggunakan kabel audio yang sesuai. Pastikan mixer memiliki output yang kompatibel dengan input sound card, biasanya menggunakan kabel XLR atau 1/4" TRS. Sambungkan kabel dari output mixer ke input sound card, kemudian pastikan perangkat lunak audio Anda mengenali perangkat tersebut untuk pengaturan lebih lanjut.
2. Apa itu VU meter pada audio mixer?
VU meter adalah alat yang digunakan untuk menunjukkan level sinyal audio dalam mixer. VU meter mengukur kekuatan sinyal yang diproses melalui mixer dan memberi indikator apakah sinyal terlalu lemah (under) atau terlalu kuat (over). Penggunaan VU meter membantu menjaga kualitas audio agar tetap stabil dan tidak terjadi distorsi.
3. Bagaimana cara menggunakan mixer untuk karaoke?
Menggunakan mixer untuk karaoke cukup mudah. Langkah pertama adalah menghubungkan mikrofon dan sumber musik (misalnya smartphone atau CD player) ke mixer. Kemudian, sesuaikan volume mikrofon dan musik agar seimbang. Anda juga bisa menambahkan efek suara seperti reverb atau echo untuk memperindah suara. Pastikan semua pengaturan pada mixer sudah disesuaikan sebelum memulai sesi karaoke.
4. Apa itu sidechain pada audio mixer?
Sidechain adalah teknik pemrosesan audio di mana sinyal audio dari satu sumber (misalnya vokal) digunakan untuk memodulasi volume atau gain dari sumber audio lain (misalnya musik latar). Fungsi utama dari sidechain adalah untuk menciptakan efek kompresi otomatis yang membantu vokal lebih menonjol ketika dipadukan dengan musik latar.
5. Bagaimana cara menghubungkan mixer ke drum set elektronik?
Untuk menghubungkan mixer karaoke ke drum set elektronik, Anda perlu menggunakan kabel audio yang sesuai, biasanya kabel TRS 1/4" atau kabel XLR. Sambungkan output dari drum set elektronik ke input pada mixer. Pastikan semua pengaturan di mixer sudah diatur dengan baik, termasuk volume dan efek suara, agar suara drum dapat terdengar jelas dan seimbang dengan vokal karaoke.
Kesimpulan
Mixer karaoke dan mikrofon adalah dua perangkat yang sangat penting dalam menciptakan pengalaman karaoke yang tak terlupakan. Dengan memilih mixer karaoke dengan efek atau mixer karaoke untuk home theater, serta mikrofon berkualitas tinggi, Anda bisa meningkatkan kualitas suara dan menciptakan suasana yang lebih hidup dalam setiap sesi karaoke. Jangan lupa untuk menyesuaikan pengaturan volume, efek, dan EQ pada mixer untuk mendapatkan hasil yang optimal. Dengan pemahaman yang tepat tentang penggunaan alat ini, Anda dapat menikmati karaoke dengan kualitas suara yang luar biasa, baik di rumah maupun di tempat hiburan.
Kontak dan Pemesanan Hubungi 0851-7988-9353 ELSOUND AUDIO adalah produsen speaker no.1 di Indonesia. Produk asli Indonesia ini menyediakan berbagai jenis speaker dan komponen speaker seperti: speaker driver, speaker aktif, speaker pasif, power amplifier, audio mixer, tweeter, hingga microphone. Elsound Speaker dan Cipta Suara (main distributor AudioBulls produksi Elsound) siap melayani berbagai kebutuhan audio anda dengan harga terjangkau. mixer audio mini|,mixer audio digital,mixer karaoke,mixer sound,mixer sound system
Kontak dan Pemesanan Hubungi
0851-7988-9353 https://wa.me/6285179889353
Klik link berikut untuk informasi lebih lanjut : https://linktr.ee/elsoundspeakers
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Official Website : https://elsoundspeakers.com/
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0851-7988-9353 - Mixer Speaker Elsound di Musi Rawas

Panduan Lengkap Memilih Sound Mixer 12 Channel Terbaik untuk Kebutuhan Audio Anda
Ketika berbicara tentang pengelolaan audio yang profesional, salah satu alat yang tak tergantikan adalah sound mixer 12 channel. Mixer ini sering menjadi pilihan ideal bagi musisi, teknisi audio, hingga penggemar karaoke di rumah. Dengan mixer yang tepat, Anda dapat menggabungkan berbagai sumber suara menjadi satu, menghasilkan audio yang lebih jernih dan seimbang.
Dalam artikel ini, kita akan membahas detail tentang mixer audio mini, mixer audio digital, serta bagaimana Anda bisa memanfaatkan fitur-fitur penting yang ada pada mixer karaoke atau mixer sound system. Di akhir artikel, kami juga menyertakan bagian FAQ untuk menjawab pertanyaan umum yang sering muncul.
1. Mengapa Memilih Sound Mixer 12 Channel?
Jika Anda sering berurusan dengan beberapa instrumen atau sumber suara, sound mixer 12 channel menawarkan fleksibilitas yang lebih besar. Dengan 12 channel, Anda bisa menghubungkan hingga 12 perangkat seperti mikrofon, gitar, keyboard, atau perangkat pemutar musik.
Mixer 12 channel juga memberikan kendali penuh atas setiap sumber suara, termasuk pengaturan volume, equalizer, dan efek, yang akan memastikan bahwa setiap elemen audio terdengar jelas dan seimbang. Misalnya, untuk mixer karaoke, Anda bisa mengatur agar vokal terdengar lebih dominan atau musik latar lebih halus.
2. Fitur Penting pada Sound Mixer 12 Channel
Saat memilih sound mixer, ada beberapa fitur penting yang harus Anda perhatikan untuk memastikan bahwa mixer tersebut mampu memenuhi semua kebutuhan Anda. Berikut adalah beberapa fitur utama yang perlu diperhatikan:
Parametric EQ
Parametric EQ pada audio mixer memungkinkan Anda menyesuaikan frekuensi audio secara lebih rinci dibandingkan dengan equalizer biasa. Anda bisa mengatur frekuensi tertentu, lebar band, dan tingkat penguatan, yang sangat berguna untuk memperbaiki masalah frekuensi tertentu pada suara atau menyesuaikan karakter suara sesuai preferensi.
Kompatibilitas Digital
Mixer modern sering kali hadir dengan konektivitas digital, yang memudahkan Anda menghubungkan mixer audio digital langsung ke perangkat seperti laptop, komputer, atau bahkan smartphone. Ini sangat berguna jika Anda ingin melakukan rekaman langsung atau melakukan streaming online.
Efek Digital Bawaan
Banyak mixer 12 channel, terutama pada mixer sound system, dilengkapi dengan efek digital bawaan seperti reverb, delay, dan chorus. Efek ini sangat penting untuk memberikan kedalaman dan nuansa pada suara, terutama saat digunakan untuk live performance atau karaoke.
Talkback
Talkback pada audio mixer adalah fitur yang memungkinkan teknisi suara atau operator mixer untuk berbicara langsung dengan orang di atas panggung atau di studio tanpa terdengar oleh audiens. Fitur ini sangat membantu dalam situasi live show atau rekaman studio.
3. Jenis-Jenis Sound Mixer
Ada beberapa jenis sound mixer yang bisa Anda pilih berdasarkan kebutuhan Anda:
Mixer Audio Mini
Jika Anda memerlukan sesuatu yang portabel dan tidak memerlukan banyak input, mixer audio mini bisa menjadi pilihan yang tepat. Mixer ini biasanya memiliki fitur yang lebih sederhana namun tetap mampu memberikan kualitas suara yang baik, terutama untuk pengaturan di rumah atau proyek audio kecil.
Mixer Audio Digital
Mixer audio digital menawarkan lebih banyak fleksibilitas dan fitur canggih dibandingkan dengan mixer analog. Mixer jenis ini memungkinkan Anda menyimpan pengaturan preset, melakukan mixing secara otomatis, dan menghubungkan perangkat secara digital. Ini adalah pilihan yang tepat jika Anda sering bekerja di studio atau ingin hasil yang lebih profesional.
Mixer Karaoke
Bagi penggemar karaoke, mixer karaoke memiliki fitur khusus seperti kontrol echo, reverb, dan pitch, yang dirancang untuk memperkuat vokal dan memberikan pengalaman karaoke yang lebih menyenangkan. Beberapa model bahkan dilengkapi dengan input khusus untuk menghubungkan mikrofon karaoke dan perangkat pemutar lagu secara langsung.
Mixer Sound System
Untuk acara besar seperti konser atau pertunjukan live, mixer sound system yang lengkap dengan channel input yang banyak dan fitur kompresor bisa menjadi solusi terbaik. Mixer ini dirancang untuk mengelola berbagai instrumen dan mikrofon dengan pengaturan yang lebih detail.
FAQ (Pertanyaan yang Sering Diajukan)
Bagaimana cara menghubungkan mixer ke laptop?
Untuk menghubungkan mixer audio digital ke laptop, Anda memerlukan kabel USB atau kabel audio dengan adaptor USB jika mixer Anda tidak memiliki output digital. Pastikan laptop Anda memiliki perangkat lunak yang kompatibel seperti DAW (Digital Audio Workstation) untuk menangani input dari mixer. Hubungkan kabel dari output mixer ke input laptop, lalu konfigurasikan pengaturan audio pada perangkat lunak di laptop Anda.
Apa itu talkback pada audio mixer?
Talkback adalah fitur pada mixer yang memungkinkan teknisi suara atau operator berkomunikasi langsung dengan musisi atau artis di panggung tanpa terdengar oleh audiens. Biasanya, talkback terhubung ke headphone atau monitor panggung, dan sangat berguna dalam setting live show atau rekaman studio.
Bagaimana cara menghubungkan mixer ke home theater?
Menghubungkan mixer ke home theater cukup mudah. Anda hanya perlu menghubungkan output dari mixer sound ke input AUX atau RCA pada receiver home theater. Pastikan Anda menggunakan kabel yang sesuai, seperti kabel RCA atau kabel stereo 3.5mm ke RCA, tergantung pada input yang tersedia pada perangkat home theater Anda.
Apa itu parametric EQ pada audio mixer?
Parametric EQ adalah jenis equalizer yang memungkinkan Anda menyesuaikan frekuensi spesifik pada sinyal audio, serta mengatur bandwidth (lebar frekuensi) dan gain (penguatan). Ini berbeda dari equalizer grafis, di mana Anda hanya bisa mengatur level frekuensi secara terbatas. Parametric EQ memberikan kendali yang lebih rinci, sangat berguna untuk menghilangkan frekuensi yang tidak diinginkan atau memperkuat area tertentu pada spektrum audio.
Bagaimana cara menghubungkan mixer ke smartphone?
Untuk menghubungkan mixer sound ke smartphone, Anda memerlukan kabel adaptor yang sesuai. Cara termudah adalah menggunakan kabel TRS 3.5mm yang terhubung dari output mixer ke jack headphone smartphone. Beberapa mixer digital mungkin memiliki output USB, yang dapat dihubungkan langsung ke smartphone melalui adaptor USB OTG (On-The-Go).
Kesimpulan
Memilih sound mixer 12 channel yang tepat akan memberikan Anda kendali penuh atas pengaturan audio, baik untuk kebutuhan studio, live performance, karaoke, maupun penggunaan di rumah. Dengan memahami fitur-fitur seperti parametric EQ, talkback, dan efek digital bawaan, Anda dapat membuat keputusan yang lebih tepat dalam memilih mixer yang sesuai dengan kebutuhan Anda.
Selain itu, baik Anda menggunakan mixer audio mini atau mixer audio digital, penting untuk memastikan bahwa mixer tersebut kompatibel dengan perangkat lain yang Anda gunakan, seperti laptop, smartphone, atau sistem home theater. Dengan mixer yang tepat, Anda dapat mencapai kualitas suara yang optimal dan memaksimalkan pengalaman audio Anda.
Ingatlah bahwa setiap mixer memiliki keunggulan dan fungsinya masing-masing, jadi pastikan untuk menyesuaikannya dengan kebutuhan spesifik Anda. Semakin Anda memahami alat ini, semakin mudah pula bagi Anda untuk menghasilkan audio yang profesional dan berkualitas tinggi.
Kontak dan Pemesanan Hubungi 0851-7988-9353 ELSOUND AUDIO adalah produsen speaker no.1 di Indonesia. Produk asli Indonesia ini menyediakan berbagai jenis speaker dan komponen speaker seperti: speaker driver, speaker aktif, speaker pasif, power amplifier, audio mixer, tweeter, hingga microphone. Elsound Speaker dan Cipta Suara (main distributor AudioBulls produksi Elsound) siap melayani berbagai kebutuhan audio anda dengan harga terjangkau.
Kontak dan Pemesanan Hubungi
0851-7988-9353 https://wa.me/6285179889353
Klik link berikut untuk informasi lebih lanjut : https://linktr.ee/elsoundspeakers
Follow juga akun sosmed yang lainnya :
Instagram | https://www.instagram.com/elsoundaudio/ Tik Tok | https://www.tiktok.com/@elsound.audio Youtube | http://www.youtube.com/@ElsoundAudio
Official Website : https://elsoundspeakers.com/
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How to Use a Live Sound Card for Optimal Performance

In today’s digital age, live streaming has become an essential tool for artists, broadcasters, and content creators. A live sound card plays a pivotal role in enhancing the audio quality of these streams. Whether you’re a beginner or a seasoned professional, understanding how to use a live sound card effectively can significantly improve your audio output. This guide will walk you through the basics of setting up and utilizing a live sound card to get the best results.
What Is a Live Sound Card?
A live sound card is a device that combines multiple functionalities, such as recording, broadcasting, live streaming, and karaoke, into one compact unit. It is equipped with features like live effects, electronic music effects, sound field settings, and voice change capabilities. These features are designed to improve the overall audio quality of your live performances or recordings.
Key Components of a Live Sound Card
Before diving into the setup and usage, let’s break down the essential components of a typical live sound card: 1. Effects and Modes Most live sound cards come with a variety of effects, such as: - Live Effects: Enhancements like reverb, delay, and chorus that can add depth to your vocals. - Electronic Music Effects: Effects like distortion, flanger, and phaser that are ideal for DJs and electronic musicians. - Sound Field Effects: Settings that simulate different acoustic environments, such as concert halls or studios. - Voice Change: Options to alter your voice for fun or creative purposes. 2. Connectivity - Bluetooth: Allows wireless connection to devices for music playback or backing tracks. - Inputs and Outputs: Connections for microphones, instruments, headphones, and speakers. - USB: For linking to computers or charging the device if it’s battery-powered. 3. Control Interface - Rotary Knobs: Typically found for adjusting levels of music, monitor, echo, and microphone. - Buttons: For selecting effects, changing modes, and controlling the device’s functions. - Display Screen: Provides visual feedback on settings and status.
Setting Up Your Live Sound Card
Step 1: Connect Your Devices First, connect your microphone, instruments, and any other audio sources to the appropriate inputs on the live sound card. Ensure that all cables are securely connected and that the device is powered on. Step 2: Pair with Bluetooth Devices (If Applicable) If your sound card supports Bluetooth, pair it with your smartphone or tablet to stream music wirelessly. This is particularly useful for playing backing tracks during live performances. Step 3: Adjust Levels and Effects Using the rotary knobs, adjust the levels of your microphone, music, and echo until you achieve a balanced mix. Experiment with the different effects modes to find the perfect sound for your performance. Step 4: Connect to Your Streaming Platform Plug the sound card into your computer via USB if you plan to live stream. Most modern live sound cards support plug-and-play functionality, making setup quick and easy. Once connected, select the sound card as your input device in your streaming software.
Tips for Getting the Best Results
- Monitor Your Sound: Use headphones or a monitor speaker to listen to your mix in real-time. This helps you fine-tune your levels and effects on the fly. - Use One-Key Evasion: This feature allows you to quickly adjust the volume of your microphone and monitor. It’s especially useful when you need to make rapid changes during a live broadcast. - Experiment with Multiple Microphones: If your sound card supports dual inputs, try using two microphones for different sound sources or for stereo recording. - Maintain Your Equipment: Keep your sound card clean and protected. Regular maintenance ensures that it continues to perform at its best.
Enhancing Your Live Streams with a Quality Sound Card
Investing in a high-quality live sound card can make a significant difference in the audio quality of your streams. For instance, a well-equipped live sound card such as this model can offer advanced features like 12 live effects, 12 electronic music effects, and 4 sound field settings, making it a versatile tool for any live streaming setup.
Conclusion
Mastering the use of a live sound card can transform your audio production, whether you’re streaming, recording, or performing live. By following these steps and tips, you’ll be able to set up and utilize your sound card to its full potential, delivering crisp, clear, and engaging audio to your audience. Read the full article
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The Top 10 Audio Plugins Every Music Producer Should Know About
If you’re a music producer, audio plugins are essential tools in your arsenal. They help shape your sound, mix your tracks, and add creative effects to your music. But with so many options out there, it can be hard to know which ones are worth your time. In this blog, we’ll go over the top 10 audio plugins that every music producer should know about.
1. Equalizer (EQ) Plugins
EQ plugins are a must-have for any producer. They allow you to adjust the balance of different frequencies in your mix. Whether you’re cutting out unwanted noise or boosting certain tones, an EQ plugin gives you control over your sound.

2. Compressor Plugins
Compressors help manage the dynamic range of your tracks, making quiet sounds louder and loud sounds quieter. This is crucial for creating a balanced mix where every element can be heard clearly. Compressors are especially useful for vocals and drums.
3. Reverb Plugins
Reverb plugins add space and depth to your tracks by simulating the sound of different environments, like a small room or a large hall. Adding reverb can make your music sound more natural and polished, helping elements sit better in the mix.
4. Delay Plugins
Delay plugins repeat your sound after a short period, creating an echo effect. You can use delay to add rhythm, texture, or atmosphere to your tracks. It’s a versatile tool that can be used creatively in many different genres.
5. Saturation Plugins
Saturation plugins add warmth and color to your sound by emulating the effect of analog tape or tube equipment. They can make your tracks sound fuller and richer, which is great for adding character to digital recordings.
6. Limiter Plugins
Limiters are used to control the peak levels of your tracks, preventing distortion and ensuring that your mix doesn’t clip. They are often used in the mastering process to make sure your final mix sounds loud and clear without any unwanted peaks.

7. Chorus Plugins
Chorus plugins create a thicker, more textured sound by duplicating your audio and slightly detuning it. This effect is often used on guitars, vocals, and synths to add width and richness to the sound.
8. Pitch Correction Plugins
Pitch correction plugins help you correct or manipulate the pitch of your vocals or instruments. They’re useful for fixing off-key notes and can also be used creatively to achieve that popular pitch-shifted vocal effect.
9. Noise Gate Plugins
Noise gate plugins reduce unwanted background noise by cutting out audio below a certain threshold. They’re particularly useful for cleaning up recordings of vocals, guitars, or drums, where you might have unwanted hums or hisses.
10. Modulation Plugins
Modulation plugins add movement to your sound by altering certain parameters over time. This can include effects like flangers, phasers, and tremolos. Modulation can make your tracks more dynamic and interesting by adding subtle or dramatic changes.
These 10 audio plugins are essential tools that every music producer should be familiar with. Many reputable shops like VIP PRO AUDIO in Brooklyn provide guidance on audio gears to ensure musicians get valuable information whether you’re mixing, mastering, or just adding creative effects, these plugins will help you take your music to the next level. By understanding how to use them effectively, you’ll be able to produce tracks that sound polished, professional, and uniquely yours.
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News: Under Starling’s newest single ‘Selkie’ embodies vibrant growing atmospherics weaved into a mythical narrative of longing
The alt-rockers Under Starling have been confidently dominating the Irish music scene ever since they began, renowned for their evolving and distinctive musical style. Influenced by iconic acts such as The Cranberries, Kings of Leon, and U2, Under Starling still offer distinct familiarity in sound, but with a complete whirlwind of their own that’s characterised best by effects like reverb, delay, and chorus, creating really vast and colossal soundscapes.
2024 has been a busy one for the four-piece too, starting hot with their single ‘Changeling’ before announcing the highly anticipated release of their debut album in October. Now as things are gearing up for this astonishing high, the group release the second snippet of the album titled ‘Murmurations’, giving listeners yet another glimpse into the incredible depths of their sound. Through intimate atmospherics, their new single ‘Selkie’ begins rather untraditionally, not trying to pry your attention with bold sound but instead hooking you on the instant haze and intricacy of layers that are soon built around you. With looped keys and guitar, a tender sense is drawn-out and quickly developed, all before growing with striking drums, rich bass twangs and echoed backing vocals. This tumbling concoction of sound finds all of its value in the complexities of its development and the distinct effects the four-piece have truly perfected, looping and adding new elements each new time it comes back around, keeping you completely enthralled for the entire duration. The vocals are equally endearing, soft but charismatic in one, climbing into higher nods while mostly residing in familiar mid-tones you can’t help but wish to sing along with and offer company to.
Delving into the challenges of long-distance relationships, while also quite wildly incorporating the myth of the Selkie otherwise known as the seal people, the sea people or the mermaid, ‘Selkie’ even in its narrative stands out too. With their kind described to be irresistible to ordinary humans, who are apt to fall in love with the seal people, we see how a lot of the track’s heavy yearning really shines through. This lyrical exploration seeks to highlight how love can transcend great distances, embodying themes of growth, resilience, and acceptance.
Written by: Tatiana Whybrow
Photo Credits: Phannarat Sukkarnka
// This coverage was supported and created via Musosoup, #SustainableCurator.
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Pedal Electric Guitar
A pedal electric guitar, commonly referred to as an electric guitar pedal, is a crucial component in the arsenal of guitarists across various musical genres. These pedals are compact electronic devices designed to alter or enhance the sound of an electric guitar by applying various effects and modifications to the instrument's signal chain.
Electric guitar pedals come in a wide variety of types, each offering distinct sonic capabilities:
Distortion and Overdrive Pedals: These pedals add varying degrees of saturation, crunch, and sustain to the guitar signal, mimicking the sound of pushed tube amplifiers. They are fundamental for achieving classic rock, blues, and metal tones.
Modulation Pedals: Modulation effects include chorus, phaser, flanger, and tremolo pedals, which manipulate the guitar signal to create dynamic movement and spatial effects. These pedals are essential for adding depth and texture to guitar solos and rhythm parts.
Delay and Reverb Pedals: Delay pedals repeat and echo the guitar signal with varying time intervals, while reverb pedals simulate the acoustics of different environments, adding space and ambiance to the guitar sound.
Compression Pedals: Compression pedals even out the dynamic range of the guitar signal, enhancing sustain and smoothing out inconsistencies in playing dynamics.
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How to Download Image-Line FL Studio 20.9.2 Producer Edition (Windows)
FL Studio 20.9.2 Producer Edition, developed by Image-Line, is a groundbreaking music production software designed for Windows users. This full version software is available for download, offering lifetime activation. It supports a variety of formats, including AAX, VST3, VST, VST2 AU, and Standalone, ensuring flexibility for different production needs.
Tech Specs (Windows Only)
Software Type: Music Software
Platform: Windows Only
Upgrade/Full Version: Full Unlocked
Download/Boxed: Download
License Type: Lifetime Activation
Format: AAX, VST3, VST, VST2 AU, Standalone
Hardware Requirements – PC: Intel / AMD Multi-core CPU, 4GB RAM minimum
OS Requirements – PC: Windows 10 or later
An Impressive Array Of Powerful New Features
Celebrating the 20th anniversary of FL Studio, Image-Line has bypassed versions 13–19, releasing a significant update straight to version 20.9.2. This version supports time signatures and allows unlimited time signature changes, easing the creative process. The in-situ rendering (freezing) feature reduces the load on your computer, while multiple arrangements let you manage audio, automation, and pattern clips efficiently. The plug-in delay compensation feature ensures a seamless mixing experience, complemented by a refined Graph Editor, “Legacy” Precomputed FX, an upgraded Channel Sampler, and numerous new and updated plug-ins. Additionally, FL Studio now supports Mac with full VST and AU compatibility, enhancing its versatility.
Tons Of Virtual Instruments
FL Studio 20.9.2 Producer Edition comes with 13 virtual synthesizers, offering a vast range of sounds from acoustic/synth bass to electric guitar and plucked strings. It includes powerful sampler tools like a piano and beat-slicing capabilities. The software’s browser simplifies sound searching by category, providing an intuitive user experience. The built-in instruments deliver high-quality sounds, catering to both traditional and electronic music production needs.
Full-Featured Music Production Environment
FL Studio offers flexible audio tools for beat-slicing, time-stretching, chopping, and editing audio. The enhanced Edison Wave Editor provides spectral analysis, convolution reverb, loop-recording, and more. Each track can accommodate up to eight effects and be routed to other audio tracks, offering immense creative flexibility. Included effects cover delay, distortion, EQ, filtering, phasing, flanging, chorus, vocoding, and reverb. Mastering tools such as multiband compression/limiting and parametric EQ are also provided.
Included Instrument And Generator Plug-Ins
Automation: Automation Clip Generator, Envelope Controller, Keyboard Controller
Sample Playback/Manipulation: Audio Clip Generator, BooBass, Channel Sampler, DirectWave Player, FL Keys, Fruity Pad Controller (FPC), Granulizer, Slicer, Slicex, Wave Traveller
Synthesizers: 3x OSC, Autogun, BassDrum, BeepMap, Drumpad, Fruity Kick, Fruity DX10, Groove Machine Synth, MiniSynth, Speech Synthesizer, FL FlowStone, Sytrus, Wasp/WaspXT
Tools/Generators: Control Surface, Patcher, Dashboard, Fruity Video Player2, Layer Channel, MIDI Out, ReWired, FL Studio Mobile Plug-in
Included Effects Plug-Ins
Automation: Formula Controller, Peak Controller, X-Y Controller
Compressors/Limiters: Fruity Compressor, Fruity Limiter, Fruity Multiband Compressor, Soft Clipper, Maximus, Soundgoodizer
Delay/Echo: Delay, Delay 2, Delay 3, Delay Bank
Distortion: Blood Overdrive, Fast Dist, Fruity Squeeze, WaveShaper
EQ: Edison Equalize Function, Convolver, EQUO, Fruity 7 Band EQ, Fruity Parametric EQ, Fruity Parametric EQ2
Filtering: Fast LP, Filter, Free Filter, Love Philter
Vocoder: Vocodex
Phasing/Flanging/Chorus: Chorus, Phaser, Flanger, Flangus
Reverb: Convolver, Reeverb, Reeverb 2, Edison Convolution Reeverb
Multi FX: Effector (12 FX)
Tools: Control Surface, Balance, Big Clock, Center, Patcher, dB Meter, HTML NoteBook, LSD, Mute 2, NoteBook, PanOMatic, Phase Inverter, Scratcher, Send, Stereo Enhancer, Stereo Shaper
Visualization: Fruity Dance, Spectroman, Wave Candy, ZGameEditor Visualizer
Download FL Studio 20.9.2 Producer Edition
For a seamless music production experience, download Image-Line FL Studio 20.9.2 Producer Edition (Windows) from the following link: Download Now.
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Pedal to Jazz: A Quick 20-Minute Cycling Session
Jazz guitarists make sure to make use of their pedals in an approach that enhances the elegant nature of jazz instead of obscuring it. Pedals such as reverb and delay can add depth and ambiance and modulation pedals broaden the spectrum of harmonics on guitars. The slender, warm sound of electric guitars that come with a neck pickup makes a great match for subtle effects. Look for pedals that preserve your amp's warm tonality and soft the acoustics. Reverb Reverb pedals for instance provide depth to your guitar sound by creating the illusion that you're playing in a larger space. Jazz players employ them to improve the acoustic characteristics of their instruments and create a more complex rhythm. Jazz musicians make use of pedals that add sophistication and depth without overwhelming the instrument's musical voice. The slightest touch with modulation pedals, like the one of the chorus pedals, or a phaser, may bring a shimmering character to your playing. Additionally, distortion and overdrive can add the slightest grit to your tone. Dual Marine Layer has a easy user interface that makes it easy to navigate. You can adjust the desired effects in a snap. The Dual Marine Layer includes three knobs for adjusting the level, tone and decay of the effect. It also includes an input to a pedal on the foot to regulate the intensity of the effect. Delay Delay is a pedal that repeats your signal, adding the sound's depth and ambience. You can adjust the duration of delay using knobs, such as time, frequency of repeats and mix. You can design any kind of delay, from a snappy slapback, to lengthy, lush Tape Echo delays. You can also manipulate the tone of the delay by selecting various modes. For example, by selecting "Grit" You can include drive in the repeated signal for a thicker texture. Delay is frequently used by dub, shoegaze, and reggae guitarists, and also by metal (especially technical metal). The pedal is typically used alongside distortion for more powerful and heavy guitar riffs. Be aware that the sequence of your pedals could alter the tone you're able attain, so make sure you are experimenting carefully. Layer delay and reverb together to create epic, expansive soundscapes. Chorus Effects on pedals can bring depth and depth to the clean jazz tone. The Chorus pedals can give a shimmering, 3D character. Certain players employ chorus to add a hint of vibrato in their sound it can be very effective when used on the lead tone. The effect can be utilized to smooth out choppy chords that are played in stride. However, it doesn't work as well if you're playing at a higher tempo or playing with a group.
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Master Effects, based in Canada has an amp called the JC-Pre. It is built on Roland's JC120 amps with a cleaner channel. The JC-Pre delivers 30V of headroom and is offered in a compact size. The chorus voicing feature isn't present on this pedal yet, but it would be great to have in the future. Overdrive A simple overdrive pedal could give just a little tension and edginess while still respecting jazz's clean tone imperative while improving your playing. Combine multiple dirt pedals to get greater depth and more complex sounds or combine one overdrive and a delay pedal in order to create intricate sound cascades that add interest without becoming the focal point of your performance. A lot of jazz musicians are reluctant to use effects. With careful use of effects, you can create your own sound palette that will enhance your sound. You can explore ambient effects such as delays, reverbs and feedback manipulation to create rich backgrounds on which you can play intricate solos. Distortion The distortion pedal may give a touch of the grit in your tone but you should be careful not to go overboard with it. Jazz players like to maintain the authenticity of their instrument's sound and the effects should compliment rather than obscuring that. Jazz also makes use of looper pedals to create complex sound cascades over which you can play sophisticated solos. The wah-wah pedal can be used to produce subtle volume boosts for powerful impact. When selecting an effect pedal that can be used in multiple ways for jazz make sure you choose one equipped with control knobs which offer the capability to alter the sound. For example, a reverb or delay pedal should come with a control for the volume of the sound, and distortion pedals should have controls for gain, tone and output. Video embed from YouTube
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