#revisited 2023

[eye-of-the-purricane]

Paz Lenchantin * A Perfect Circle * Judith (music video)

[reineydraws]

Hi hi! For the spotify wrapped art game, can I suggest akataka with 56?

oh, i think i was doomed before i began

56 is special girl by dodie. a particular fave, so im glad u chose mishanks for it since they've been on my mind. :')

wrapped 2023 game

[ohmypuckingod]

17 Mar '24 // NJ vs VGK

[ollyrewind]

and they were frenemies turned lovers oh my god they were frenemies turned lovers

[akakumoeteru]

Happy Qixi!

[tolbyccia]

IT IS ONCE AGAIN KISS RYUJI DAY

[belle-keys]

Saltburn: The Reign of British Bourgeois (Meta)

I recently had an interesting conversation with a close friend of mine who said, "I don't think Saltburn is really about class." She said she thought it was mainly about obsession, in the most individualist and interpersonal way possible. I naturally disagreed, and we argued about it for an hour. But I think the reason she didn't think it was really about class was because the film had a categorically anti-Marxist conclusion. That is, a very British conclusion. In many ways, Saltburn is a Thatcherite's wet dream. Let's discuss.

Saltburn isn’t an “Eat The Rich” narrative. It’s an “Absorb The Rich” narrative. I disagree that Saltburn is merely about an individual’s obsession with a particular guy or family. Saltburn is about the bourgeoisie’s obsession with the old English aristocracy.

Let’s establish the establishment: the modern English aristocracy whose family seats litter the shires. Saltburn aims to satirize the English Country House family drama, and then some. This is made evident when Felix informs Ollie that, whoa, the Evelyn Waugh himself based Brideshead Revisited and other works on Saltburn, on Felix’s family. The film, in my opinion, was kinda ballsy to go there and to do it so bluntly. So yeah, Saltburn wants to poke fun at the long-established English tradition of aristocratic family dramas such as Downton Abbey, Brideshead Revisited, Bridgerton, Poldark, Rebecca, etc. It’s no coincidence that the movie begins with an egregiously stereotypical sketch of Ollie struggling to fit in at Oxford, à la Charles Ryder. Felix Catton is Sebastian Flyte, and then some. And Ollie is obsessed with him, because look at him. Except… I believe Ollie’s obsession with Felix is less of an interpersonal homoerotic deranged clusterfuck than it is the bourgeois boy’s perennial fixation with the unreachable closed-door English aristocracy, the national pinnacle of inherited class and status in a nation founded on inherited class and status.

Saltburn, butler and all, is a perfect symbol of English aristocratic privilege (seconded by none other than Oxford, but the film didn’t care to explore the hierarchies present in British education and instead chose to focus on family in lieu of academia). Saltburn is grand, medieval, kitchy, isolated in the middle of whereverthefuckshire. One would think that Ollie was intending to infiltrate Saltburn to possess Felix, but I rather think he was intending to infiltrate Felix in order to possess Saltburn. To possess Saltburn is to possess the rank and place of the Catton’s in the world, to be the world. And Ollie doesn’t want to destroy the Cattons nearly as much as he wants to embody them.

I suppose Ollie’s need to absorb, to consume, to possess and to incarnate is obvious through his actions—drinking Felix’s semen in the bathtub, the period blood bit, the grave-fucking debacle. He worms his way through every aspect of the family members’ lives with the intent to become them, to suck them dry (see: “I’m a vampire”, how gothic). By the end when the Cattons are all dead, Ollie celebrates the privilege he has grasped, and in turn, the film applauds his feat rather than condemns him. Saltburn is a film that congratulates Ollie’s usurping of wealth and privilege, rooting for him from beginning to end. And the film never tries to interrogate itself and ask why Ollie is our hero. Ollie, who does not want to break the wheel as much as he wants to be in the room where it happens, even if that means destroying everyone else in his path. Ollie’s obsession, generally speaking, arises from the desire for status and rank rather than an inoccuous maniacal insanity. This is symbolized by his possession and control of Saltburn. If Saltburn were a gothic ghost story, then Ollie is our specter. And Saltburn is definitely rooting for the specter, full stop.

Britain is a nation of ranks and hierarchies, naturally averse to watering down pristine intergenerational blue blood with filthy postmodern capitalist dollars. “Stay in your place”, that is the Tory way. Even in a “modern, democratic” nation nonetheless governed by an antiquated Tory hegemony and quite opposed to both radicalism and revolution. Ollie, however, wants to be in the room where it happens in a world where only those who are born in that room ever get to enter it. It is why he faces this overwhelming yearning for Felix’s world and Saltburn’s beauty – it is, by default, off-limits to him no matter how hard he tries to reach it. In my opinion, Ollie’s fascination with Saltburn isn’t due to a homoerotic fixation on Felix. It’s due to an outsider’s bourgeois fixation on the romantic world of inherited English rank, status, and wealth. The romance of Saltburn, our need to romanticize the privileged upper class, is evident in the stunning cinematography and costuming. Farleigh is the first person in the family to notice Ollie’s insecurities and see it for what it is – he’s begging to be let in. Farleigh likewise takes the opportunity to constantly, antagonistically remind Ollie that Saltburn isn’t his world, that he will never fit in and will never be accepted as one of them: the tux will never perfectly fit. It is the tragedy of the almost-theres. So Ollie decides to just get rid of everyone in his way and prance about naked since the tux refuses to bloody fit.

It’s just so English, culturally speaking. To claw your way to the top to sit with the big boys rather than to criticize the system that bred the arduous, back-breaking, fatal climb in the first place. This is Tory meritocracy, founded on decades of policies to reduce taxes on properties such as Saltburn in Britain, to keep old peers in the Lords. Felix Catton is Sebastian Flyte is Margaret Thatcher. Thatcher who, despite brandishing her “common” background as a selling point during her political career, painstakingly perfected the Received Pronunciation of her Eton parliamentary peers and successfully died with the coveted title of Baroness added to her name. Thatcher, an Oxford scholarship kid like Ollie, who wormed her way into a title and country house and was yet forever plagued by her average, middle-class upbringing.

Ollie is obsessed with much more than a mere man. If Saltburn were a Marxist class story, truly dedicated to class critcism or subverting the English Country House drama, Ollie would have burned the whole damn place down. But Saltburn is rather a Tory class story about the insane lengths the British bouregoisie, obsessed with ascending class hierarchies and disillusioned by the lies of meritocracy, will go to possess the near-unpossessable ranks at the peak of English-textured privilege. The film is a performance in English upper-class tomfoolery and a celebration of its infiltration by the almost-theres.

And yet, the cycle perpetuates itself. Saltburn is ruled by a new lord. Nothing, really, has changed.

[sinlizards]

even more artfight prep while i rush to redo everyones icons <-dying

[jae-in-a-trenchcoat]

*cries in dead fandom*

Idc I love this man and honestly I’m just drawing what I want to

[eye-of-the-purricane]

Paz Lenchantin * A Perfect Circle * Judith (music video)

[anastacialyart]

05.02.23 || Have the skaters become more frugal this year?

[manicpixiedepressedwitch]

saltburn (2023) dir. emmerald fennell

cinematography by linus sandgren

[echollama]

"Hmm, what sauce should I pick for my macaroni tonight?" Wanted to draw Furina with some Macaroni 🥰🥰🥰

Some close up below that I'm kinda proud of since it's my first time painting digitally 🤡🤡👉👈

This took like a week in between work and commissions 😭😭😭 I have SO much to learn

[plusultraetc]

I've accepted that this fic will probably never be finished (although parts of it may be repurposed for future stories), but this exchange still makes me :')

+ bonus bc it made me laugh all over again

[merakiui]

please tell me you can see the vision of floyd as mr. insanity from dpr ian's "dear insanity..." album......... he would look so good in this outfit from "so i danced."

[boolean-moved]

cringetober day 5 - mspaint

shadow lugia was my favorite thing to draw on the family computer when i was 10