#rex and emmett

[sali0512]

"Nobody Came for Me"

Here's a quick sketch! Rex and Emmett! I love their duet

[artflameball]

hi legomovieheads. i gave them undertale souls

[my interpretation of emmett is transfem]

[rebasource]

Well, like I always say, if you don't wanna hear about my problems, don't ask me about cheese.

HAPPY'S PLACE 1.01

[a-rustyfrickinspoon]

HAPPY BIRTHDAY TO DAVID TENNANT

[pedroninjavermiliongreen87]

LEGO Prime second part Cross Kingdoms Emmett brickowski dangervest

[joyflameball]

I love transfem Emmett because I’ve heard a lot of pre-transition trans women just try to fit in and not break the rules of their gender while still being Somewhat Off/Somewhat Miserable due to dysphoria, and I’ve heard that other pre-transition trans women lean as hard into masculinity as possible trying to overcompensate for feeling like a failure at it. And with the existence of Rex Dangervest, Emmett manages to do BOTH.

[singinprincess]

Y’all!!! It’s starting!! Emmett is jealous because Bobbie is on a dating app!!!

[sketchnskribbles]

Okay, question for you because I made a post about this on my lego blog.

Do you think Rex can talk to his raptors?

LIke I know your fanfic has the translators and such, but I want to think that those are more for other people than Rex.

That’s a great question!

I do, in fact, believe that Rex can talk and interact with the raptors without the need for the translators.

So, thanks to Rex, Jurassic Park happens to be relevant (imo). In Jurassic Park, it is mentioned the raptors are so intelligent that they can learn to mimic sounds and actions. And that they are constantly learning.

Rex took that knowledge and utilized it to teach himself and his raptors a sort of language to communicate with each other. A mixture of clicks and whistles and calls that only the crew would know the meaning to.

Otherwise the raptors would just talk in their normal calls and growls and clicks to themselves and to strangers, since the translators are tuned to their normal animal sounds. So, yes, even Rex has a translator.

They utilize the specific language between each other face to face. Rex wanted to make sure that only he and his crew would understand the specific language between them.

[aniaticdk]

Artwork by my friend E~

[sinceileftyoublog]

Ty Segall's Life Cycles

(Drag City)

BY JORDAN MAINZER

Throughout his career, prolific fuzz rock wunderkind Ty Segall has consistently revealed new combinations of sounds, and tricks. 2024 was no different. In January, with Three Bells, Segall combined the melodic psych folk of Sleeper with the glam funk sprawl of Manipulator and Freedom's Goblin. The album is a 15-song, song cycle, produced with Cooper Crain of Bitchin Bajas, that reads like a treatise on overcoming existential panic. In August, Segall released Love Rudiments, a not just fully instrumental but all drum album, inspired by the cycles of life and love. Both of these records contain moments of insularity and blasts of outward expression.

Even when Segall involves his band members, he's the true driving force behind the songs and their ability to bewilder you. Three Bells features collaborations with Denée Segall and Emmett Kelly, and occasionally, the rest of the Freedom Band. Of course they shine on a song like the thrilling "Move", which sports Denée's deadpanned, spoken vocals atop Segall and Kelly's dueling guitars and Charles Moothart's monstrous fills. But the album's highlights are directly representative of Segall's anxious inner monologue. Take "Void", where Segall's vocals lurk atop nervy acoustic guitars, as if to foreshadow the song's halfway about-face into a mopey, strummed tune with distorted guitars that almost sound like horns. "In here, I realize it's all fake, what I've seen outside," Segall sings, doubting his own past perceptions as you try to parse what you're hearing. "Eggman" plays like a sonic experiment, sounding slowed down before actually slowing down, its elements subsumed with noise as if the song is being boiled. "Your mouth's agape and caked with eggs," Segall deliberately sings, the rhyme scheme the only thing less expected than the song's aural turn. And at first, while a song like "Denée" seems like a showcase for the album's instrumental palate, Segall simply repeating his wife's first name and allowing the instruments to take shape, Ben Boye's spacey keyboard licks criss-cross with Kelly's bass and hand-clap percussion to create an odd time signature, making you forget how the song started in the first place.

If some songs on Three Bells represent Segall's efforts to capture the absurdity of the world, the more traditional and introverted tunes seem like a necessary contrast. "Out there, I'm too dizzy," Segall declares on "My Room". In other words, when he's inside, he can fool around, flip through his record collection, and craft songs. Three Bells gives you your quintessential T. Rex-indebted strut with "I Hear", drippy Goodbye Bread-era ditty with "Watcher", and Neil Young stomp with "Repetition". Segall's great ability to propel a song with acoustic guitar shines on "To You"; even the sweetly whirring breakdown fails to prevent the main melody from wriggling its way into your ear. "Just keep singing so we can dance forever," Segall requests, to others and himself, as if it's his mantra.

Well, except for the fact that Love Rudiments, on the other hand, has no singing and much less than normal you can dance to. Three of its four tracks are longform wanderings that, even upon entering a groove, take a left turn. "Getting Ready / Arrival / The Dance / Walk Home Pt. II / First Touch", beginning with trilling xylophone and panning snares, eventually makes its way into a 4/4 beat, with a forward march that could stand up to his excellent cover of Hot Chocolate's "Every 1's a Winner". Soon, though, its layered mallet instrumentation melts into something that sounds like rustling around a pile of silverware, and the song rolls to its end. The clacking boom bap of "Honeymoon / Life / Confrontation / Argument / Separation / Realization" also gives way to skittering drum rolls. Its ambient whooshing recalls the feeling you get from hearing Segall's trap kit playing on opening track "First Look / First Conversation / Walk Home Pt. I": that the songs are crumpling in on themselves. The titles on Love Rudiments suggest a love that starts and ends over decades, but as with any cycle, it's not linear time that's important as much as repetitions on a theme. Three Bells and Love Rudiments are Segall's attempts to find patterns in a senseless world.

[beanbagbuddies4life]

The evolution of dinosaurs: Rex from 1996 and Emmett from 2024.

[artflameball]

I mean, imagine if protagonists just died in the first scene!

i asked my buddies to pick a song from my lego movie playlist and one of em picked main character. so here's my girl

[rebasource]

HAPPY'S PLACE 1.02 'Tapped Out'

[goddessswan]

　　﹒　♡　⊹　🐬　𓂃　﹒　◞

　　🩵　cutemasc　⸝⸝　names　₊　

　　╭　🌀　　✦　names　﹒

　　╰　　　♡　archie apollo ace axl ash arlo benny basil brady brooks beckett brody blu buck bowie clyde chase caleb cain colin cody colby cyrus dorian danny edi / eddie elvin eli emmett everett finn finley felix fiero grey / gray hugo harry ivan ian ivo jack jax(on) jaz jett knox kian liam leo louie myles manny nick ollie otis olaf owen percy peter quince(y) rhys ricky robbie rex silas teddy toby troy theo vinny xeno　﹒

◌ 　 　❜ 　　request by: @k9shark　　𓈒

[your-nanas-house]

Cock headcanon part 2

Headcanon created with @mrkdvidal1989

Emmett: Very curved upwards (pointing to the stars type), longer and THICK, 7.5 inches, hairy hairy, grower, uncircumcised, very veiny, dark beige

Tom Buckley: average length and thickness, 5.7 inches, pink tip and balls, a little veiny, straight, perfectly proportional tip, shower, circumcised, shaved

Neil Lewis: Neil's hung like a horse, HUGE, 8.5 inches, it’s all intensely pink, straight, circumcised, grower, fully shaved, veiny

Mike Kiernan: a little longer but average girth, 6.3 inches, straight, pale with beige tip, uncircumcised, shower, groomed but hairy

.

Taglist:

@gabile18 , @mrsfullbuster500 , @rex-ray , @elizamalfoyy, @eovjjj @wife-of-magic-monkeys , @jeremiah-va1eska , @gothamchic16, @rabbiteggz , @dieg0brandos-wife , @rottenecstasy , @lazyexcuse , @teh-vampire-bunny , @lobotomy-lover , @slasher-smasher , @sleepycreativewriter , @mrkdvidal1989

[joyflameball]

Whenever I rewatch the second movie it's so obvious that Lucy doesn't really like Rex (her face after rex is like "AND BTW MY MIDDLE NAME IS MACHETE NINJASTAR SO I KNOW TOUGH") (her face when rex is like "emmett trust me she's brainwashed bro trust me she's totally brainwashed") (her just calling rex a jerk)

Like even before the "rex wants to start armamageddon" thing Lucy clearly thinks Rex is an egotistical asshole trying very hard to be cool

And that makes everything so fucking funny

Because Rex obviously has complicated feelings towards Lucy due to the whole "we were in love but you thought i wasn't enough and then abandoned me for years" thing, meanwhile Lucy is just standing there thinking "oh my god shut the fuck up you egotistical tryhard loser"