#rip big boi

[snakeredbirdbatkatana]

Damian's panicking.

It was idiotic the moment he saw Grandfather enter Gotham he should have called Father, or Richard even Todd but instead he went on a one man sucide mission.

He knows that he has nothing to prove he didnt have to track Ra's down egaged him in a fight that he can't win.

Especially when he isn't fighting to kill even back in the league trying his hardest he never measured up, his Grandfather has been and will always be untouchable.

He's down katana lost somewhere down below it's almost fitting another Robin dangling off the top of Wayne enterprises. Pearched at his throat a Katana ready to tear through blade sharpenerd that even with only the slight pressure a drop of blood has already rolled down his neck.

He will die again at the hands of another member of his family he seems immortal until it comes to another Al Ghul.

Tears start to slide down he hears grandfathers cruel laughter at how pathetic his grandson is he closes his eyes he doesn't want to see.

A sharp gasp reaches his ears and than a pained moan.

His eyes snap open.

Ra's Al Ghul stands a blade protruding from his heart that is quickly ripped out as he drops to his knees.

Damian's forces his gaze to move from his grandfathers bleeding corpse to the figure holding the blade.

His brother stands in nothing more than his suit he can't help the relieved sob as he pulls himself further away from the edge and throws himself into Tim's waiting arms.

"How did you find me, how did you get here so fast," he forces out through the sobs that's are starting to hurt his chest.

Tim pulls away enough to force Damian's head to gaze up.

"Oh sweetheart, Dami your literally on top of my building, Nevermind that kiddo I'll always find you."

He collapses back into his brothers arms burrowing as far as he can into his chest he doesn't have the energy to do much else other than cling.

He feels Tim shift him so he's carrying Damian as the adrenaline runs out. He doesn't try to fight sleep as he dozes off feeling safer than he ever has with the brother who saved him.

His brother who must have run from whatever meeting he was in without any armor to rescue his little brother. He wasn't saved by Red Robin but by Tim Drake and for once he can't imagine how he ever wished for a different one.

[chirpsythismorning]

Fun fact: In the original pitch for Stranger Things, El had a little brother.

After being rejected by almost 20 studios for the Montauk pilot, the Duffers were finally green-lit by Netflix. It was at this time that they began casting and then writing the first season officially, which included reworking a lot of that first episode.

This led to the removal of the brother reference, and with it, removing any sort of arc El could have had about her apparent brother.

But the thing about this moment, is that it might not have been scrapped entirely...

Going into the final season, no one can explain why or how El recognized Will back in 1x02. And while there are plenty of things on the show that are left unexplained, with a small portion likely left that way with the intention to uncover it later, what sets this moment apart from the rest is that there are very few possibilities here.

Because for starters, the story presents El's ability to see people in the void in s1 as requiring either a picture of that person for reference, or having met that person before.

But when El see's this picture of Will, she's never met him before. Or maybe she has, but we wouldn't know because they never showed us. They could have just not done this scene at all, given that it's clearly a copy/paste/edit of something scrapped from the pitch. Or they could have even still included it, but explained it.

One explanation could be that the lab had shown El a picture of Will before, similar to what they did with the Russian agent they wanted to spy on. But then that begs to question, why would the lab show El a picture of Will? Why would they want to see what he was doing? That alone is incriminating in and of itself, implying that Will is more connected to the lab than we realize.

The only other, and frankly most likely explanation, would be that El stumbled across Will at some point on her journey between escaping the lab and Will going missing. This is actually something that happens in The Other Side comic, which explores all the things Will may have experienced during his time in the Upside Down.

Though it’s worth noting the comics aren’t technically canon, and I highly doubt they would outright spoil everything in relation to Will’s time there, years before it was intended to be revealed. But still, let's humor this for a moment given that I do think Will's time in the UD is going to be very relevant in s5, which means it's highly likely they will finally address how exactly El saw him.

Basically, in the comic, Will see’s El walking through the woods, almost apparition like, glowing as she passes by, while also sporting the Benny’s burgers shirt. This means they would have crossed passed within a short span of time, between when El escaped Benny’s when the agents arrived, but before she was found by the boys.

Though it’s worth noting that we’re seeing this all from Will’s perspective. This means from the UD, Will was capable of seeing El on the other side, despite them being on different sides. And not only that, but she also looks back at him.

What confuses me about this, is that it doesn’t make sense for El to be in the woods, only to randomly decide to pop in to the void for a moment. She was trying to escape the lab and everything that came with it. I doubt she had any desire to lurk back there for some reason, not until someone encouraged her to. Not to mention, it would make no sense for her to go there and see Will if she wasn't even looking for him in the first place. And so this would mean Will and El could see each other, with Will being in the UD, and El being on the other side.

While it does seem pretty far off, given that you would think Will and El wouldn't be able to see each other from different sides, it is true in the story that El not only recognizes Will, but knows that he is in danger. She mentions that he is hiding specifically.

Which means she has likely seen him within the last 24 hours regardless.

This, in combination with Will being able to respond to El in the void at the end of the season in Castle Byers, when no one else outside of Terry and flayed-Billy have been able to, seems to imply that there is indeed something special about Will that makes him capable of communicating with El from the UD. Not only that, but El also seems to have an ability to be in this constant knowing state of how Will is doing, without even checking again to confirm. She's just certain of it. And she seems terrified about it.

Going forward, El never uses a picture of Will to find him. She never did. And more often than not, they don’t show us what she see’s either, not until the very end. And that’s the moment they reveal that he was able to communicate with her.

Again, there was really no reason to have El recognize Will. If anything it complicates things. But the fact that they chose to introduce this concept, with a scene from the original pitch that was related to El’s younger brother, with her pointing at his name cryptically, startling Benny, only to revamp it and have El not say anything at all while pointing at the picture of Will, startling Mike… It just really makes you stop and think.

Which brings me to the other aspect of this that might have people doubting, which is that El’s brother was originally younger than her.

We know Will is not younger than El, so how could this apply to him?

Well, it might be helpful to consider that in the original script, El was actually 10 years old, while the boys were always 12. Meaning that for some reason, they decided to age her up to the age of the boys, aka the same age as Will…

Ever since @erikiara80 shared this brother discovery with me, I have been sort of reeling. It then led to other little discoveries of changes they made between Montauk and Stranger Things.

It’s important to understand that the Montauk bible and the original script precedes what we ended up with in the final product, with it finally changing and evolving months, maybe even a year since that original vision. Even casting occurred before writing started for the first season. We know this because casting announcements were made in June and August of 2015, with writing not starting until August going into early 2016, simultaneously while they were filming.

And believe it or not, what I've discovered is that a lot of the changes they made between their original plans and what we see in the final product, have to do with not only Willel, but also Byler.

If you've read the original script for Montauk, you'll know that Mike's crush on Jennifer Hayes was focused on right from the jump, along with the birthmark on his face being focused on, which was the main cause of the bullying he experienced.

This has actually been talked about recently, and some of the claims people make do fit with what I am genuinely starting to consider here, which is that the initial plan for what makes Mike an outcast shifted.

I think when they completed casting, and started actually deep diving into what they wanted this world to look like, both from a short-term and long-term standpoint, they were presented with some pretty interesting discoveries, arguably already hiding in their initial plans without realizing it.

And this is where it sort of becomes a 'chicken or the egg' situation. Because which one came first? Byler or Willel?

I can't say for certain, because obviously this is all just speculation. But in the case that Willel came first, I think Byler would come very naturally after that.

The Duffers themselves are twins. Then they hire Noah, who is a twin. Then they're thinking and planning for El's past and how her family all fits into this, and they're thinking... wait a damn minute... We could totally Star Wars this bitch!

And then when they think it couldn't get any better, they uncover another layer that they hadn't planned or really considered in their initial plans.

While Will was always going to have sexual identity issues according to the Montauk bible, meaning that the writing process for him likely involved sitting down imagining scenarios that encapsulated this arc for Will from the beginning, they were simultaneously now finding very interesting aspects of Mike's character that made it hard not to at least consider the possiblity that Mike is not exactly straight.

Just think about it. The Byers and Wheelers are basically polar opposites on the spectrum of what a family looks like. While Will's discovery and acceptance of his queerness is interesting to explore because he comes from a low-income, single-mom household, all while having been bullied for years based on his perceived queerness, he also has a mother and brother constantly reinforcing that they will accept him no matter what. They've been sort of hitting us over the head with it for years, and so it wouldn't be very satisfying for his entire arc to merely lead up to something we've known all along. It's pretty much a given at this point.

On the other side of the spectrum, Mike comes from a more upper-middle class family at the end of a cul-de-sac, more aligned with what a nuclear family looks like. Mike's family is also presented as being more conservative, and while Karen does give that very queer-coded speech to Mike in s1 (I'm convinced they only wrote this after deciding to explore queer-coding more heavily with Mike), it also comes with comments from Ted and even still Karen that hint that they are probably not as open-minded and accepting as Will's family is to him. Which means Mike's arc would be a lot more about acceptance around him from his loved ones who we have been led to believe might not be as accepting of his queerness in contrast to Will.

And so as they're putting this story together, and they're being presented with something very interesting. Two similar experiences that play out in different ways because of the characters circumstances.

Will goes missing, and his twin sister with a buzzcut pops up and has the ability to help them find Will.

This leads to several moments where El is being compared to as not only a boy, but Will as well.

Now suddenly, their initial plans to have Mike's arc be about having a girl be interested in him and to hopefully have his first kiss and feel like less of a loser, starts to look a lot like what the experience a queer kid in his position might encounter growing up in the environment that he did.

And if you don't want to take my word for it, just hear the Duffer's themselves hinting at what they initially planned for Mike and the fact that it changed.

The changes don't stop there.

Believe it or not, 'It was a seven', did not exist in the initial pitch. When the boys went outside bickering over Nancy, they leave right after that.

Another thing that changed from the first script, was Scott Clarke's introduction:

And so you might be thinking, who cares? What does that have to do with anything?

Well, it's interesting because the line we end up with on the show is arguably one of the most on the nose Twelvegate proofs to date. Mind you, this is from the first episode:

Why chuck the original version, which was arguably more interesting and fascinating in terms of it hinting at the mysteriousness surrounding this story, only to replace it with him listing off tips about their upcoming test?

Well, I think it's the irony of it all. Here Mr. Clarke is practically telling us where to look to figure stuff out for ourselves what is going on, with all the kids filing out and ignoring him...

I relate to Scott a litttle too much in this shot here, any time I try to drop Willel evidence.

And the changes go on, as they obviously would.

Things like Terry Ives not even being El's mom, but actually a man who more so aligns with the characterization of Murray.

And one very interesting one I almost overlooked was in Hopper's introduction, where instead of a kids drawing done by who we assume to be Sarah, we actually see a picture on the wall of him and his wife and daughter... Interesting that they decided to switch it something that is a lot less definitive in presenting what Hopper's past looked like...

If you've made it this far, congratulations.

If you still think I'm out of my mind, just remember that El was going to have a brother in the original script, but they scrapped the scene and gave a near identical one to introduce her connection to Will instead 😘

[chubbydrawer]

(Part 3 will be exclusive to Patreon!) Based on the amazing Starlord Weight Gain story by Vacantname00 on Deviantart! Quill got caught in some very cheeky vines! They certainly love to blow up their victims! #maleweightgain #fat #maleweightgainsequence #maleinflation #forcedweightgain #fat #chubby #thick #gainer #gainerart #chubart #tightclothes #rippedclothes #poppingseams #fatter #curvy #starlord #starlard #bigboy #bigbelly

[calicotisane]

Hylics design explorations and an unrelated bit of rain world but never you mind

[mummysky1]

I need these ripped off hard 😔

[artsycooky13]

Depth

[omegalomania]

fall out boy live performances i think about Often

the reunion show medley. how many goats do i have to sacrifice for you guys to do this one again.

disloyal order of water buffaloes, specifically the version that opens with the piano and the rest of the band comes crashing in at the second verse. my GOD man what do i have to do to make you do this version again

death valley live. thats all.

the time they did their stayin out all night remix live with wiz khalifa

the thriller aol sessions version is so good that i thought it was the studio version with mild reinstrumentation at first lol

the medley they did in 2015 where they mashed up all their hits and even managed to sneak in the uma thurman riffs at the end

can i link the entirety of the knights of columbus set? i'm gonna do that. go watch it. it's glorious.

i feel like not enough people talked about how good church sounded live. i actually kinda like it a little better than the studio version. patrick drops down an octave for some bits of the final chorus and i always love hearing his chest voice.

obviously i have to link one of the few times they've played headfirst slide into cooperstown on a bad bet live. they did (coffee's for closers) at this show too and i think about it always.

they didnt do where did the party go live that often because it is MERCILESSLY heard to sing live but my GOD. when they did it. my god.

that one performance of the kids aren't alright where pete screams alongside patrick for the entire last part of the chorus ruined me in ways i have difficulty articulating.

the way way early version of sugar we're goin down they played live in 2004 before they changed all the verses

anytime they'd do just one yesterday live and patrick would do the bridge and kill it every time

the acoustic version of sophomore slump or comeback of the year they did for a private show in 2007. (they did this acoustic again in 2013 and i love that version too)

that one time they segued seamlessly from the chorus of alone together to my songs know what you did in the dark

MISS MISSING YOU LIVE YOU ARE EVERYTHING TO ME

any of those rare rare times they would do yule shoot your eye out live

when they did patron saints of liars and fakes at one of the reunion shows. don't touch me.

the acoustic session of tttyg songs (grenade jumper, chicago is so two years ago, saturday) they did that's on the my heart will always be the b side to my tongue dvd. they are so so so SO small!!!!!

save rock and roll live is like. so important to me personally it never fails to bring me to my knees. but specifically the time they did it for the mda telethon in 2014. joes backing vocals come through sO clearly and its SOOOOO AAAAAA

also the time they did save rock and roll live for vevo. BIG ouchie.

okay also the time they dedicated save rock and roll to bowie after he passed because pete gets VERY VISIBLY EMOTIONAL OVER THIS and i can't handle it.

we don't take hits we write them literally Only exists in live format so i have to give a special mention to that. what i would give for a studio version though...

it's hard for me to pick a favorite moment of the time they played wrigley field during mania tour. i was lucky enough to catch a livestream of most of the show and it was frankly magic. someathing has to be said for the energy in the way the show began...and for the way it ended.

im incapable of not bringing up the immortals acoustic version they did during boys of zummer. i cant NOT. joe and patrick sound sO GOOD TOGETHER VOCALLY, OKAY

i'm like a lawyer with the way i'm always trying to get you off, acoustic sessions.....im okay.

remember when they opened some of the monumentour shows with THIS IS THE TAKE OVER, THE MOTHERFUCKING BREAK'S OVER cause. i do.

if youve never seen the stripped-down piano version of young and menace and only heard the studio instrumental i beseech you to watch the live version. i will never forget hearing this live. the whole stadium got so, so quiet in what i could only describe as reverence.

you know that one text post that talks about patrick getting all emotional during a performance of what a catch, donnie and then just sniffs a little and says "i'm a loss for words...which is a good thing i have a microphone, right? so i can keep talking." well this is that exact performance.

[menwhomakemehard]

Wish i'd been the one to oil this lad up!

[martyrbat]

ghosts - batman: haunted knight

[ID: A multi panel sequence of Bruce Wayne as a child on Halloween. He's dressed up in a Mask of Zorro costume and is excitedly running down the stairs while holding two swords, calling out for his mother happily. He tells her that he's ready to go trick or treating. Martha Wayne has her hand on his shoulder and is smiling as she tells him, “your costume looks great!” Bruce replies, “Thanks, I made it myself. Alfred sorta helped. Is dad home yet?” Martha draws her hand back hesitantly and says his name. Bruce already knows that that means there's bad news. He tells her, “don't tell me,” before she continues and says his father called. Bruce has his head down, angrily finishing her sentence, “he's gotta work late!” He looks out the window as if his father will appear and says, “It's not fair! He promised he would take me trick or treating!” Martha soothes that she knows as Bruce repeats, “he promised,” to himself disappointedly. She tells him, “But there was an emergency,” which makes Bruce snap, “There's always some emergency!”

Bruce continues to stand in front of the window as Martha looks at him. Bruce announces, “I'm gonna wait for him. Even if it takes all night!” as he tensely clenches the handle of his sword. Martha reaches out for him sadly and suggests, “Bruce, I could take you out myself. Or, we can call some of the other children at school and go out with them.” Bruce, as an adult, somberly says off panel that, “she doesn't know...” as his kid self stares out the window still. His hat casting a small shadow on his face as he tells her, “There are no other kids to call. I have no friends at school.” Martha says his name again but doesn't know how to comfort him. Instead, she just silently places a hand on his shoulder. We see a silhouette from far away of her standing next to him as Bruce waits for his father to eventually come home. END ID]

[deathberi]

[kiryuspcktracer]

INSOMNIA

[growfilms]

Huge and bulky rugby player force feeds twink to immobility. All the ex-twink can do is focus on not suffocating under his own lard.

See more videos on YouTube

[chubbydrawer]

Zach Wilson commission! He’s really blowin up! Parts 3-4 on my patreon! #maleweightgain #fat #chubby #thick #gainer #gainerart #chubart #fatart #bigboy #bigbelly #growingbelly #fatter #weightgainsequence

[anton-rasputin]

🍰🌠

[hyperrealisticblood]

wallys as i get used to being a procreate andy again

[mari-lair]

quick redraw