#road to full stack developer

[tccicomputercoaching]

"Welcome to 'Design Adventures' – your portal to the wonderful world of website creation! Whether you're a budding artist, a coding enthusiast, or simply someone with a passion for sharing ideas online, this is your playground to unleash your creativity and bring your digital dreams to life.

[secretbigboylover]

Buffet Date

CW: Weight gain, rapid weight gain, teasing.

Trevor was trying to ignore how full his belly was and how good it felt. His big belly spilled over his lap and pushed his favorite button up shirt to its limit. It was a sky-blue shirt with yellow rubber duckies dotted all around it. His boyfriend, Max, had picked it out as a gift when they first moved in together. The same Max that confided in him that he liked his men chunky, the same Max that kept buying Trevor’s favorite snacks even though Trevor was on a diet. The same Max that innocently suggested a buffet for their date night.

Trevor knew he’d over eat, but couldn’t help himself and he was sure Max did too. The food just smelled amazing. There were so many options from pizza to pasta, stakes to hotdogs, every fried savory food he could think of, and the desserts were so mouthwatering. Trevor didn’t used to be a big guy, but boy did he have a big appetite. He had played football in high school and in college. Trevor had a wide build that made him the first pick on any team. He even had the good looks to make any man swoon or at least he used to. Now, thanks in part to dating Max, Trevor felt he had lost some of that. He was still broad and tried to be athletic, but had started developing a bit of a gut. Sure, some of his gym buddies when through bulking phases and got a bit chunky before getting ripped, but Trevor didn’t do any body building stuff. He liked to keep a lean muscle look. Now staring at an orb of a gut he groaned. He was so full and the food was so good. Rubbing his taught stomach only showed just how much of a pig he made of himself, but it also felt good. He didn’t want to admit it, but a part of Trevor really liked this feeling of being over stuffed. It was a good excuse to let Max dote on him while he just digested. He knew he should be more active, but Max always looked so happy when Trevor ate too much. Maybe it was time to give in? That though vanished when he looked down at the sad state of his favorite shirt.

The day he had gotten the shirt Max had taken him on a magical date to the winter fare. They had gone ice-skating, Trevor had tried to win Max a stuffed animal, they had hot chocolate, and road the Faris wheel. They had stopped by a little boutique before going home. It was filled with all kinds of crazy and goofy shirts. When Trevor saw the rubber ducky shirt he fell in love and he was over joyed when Max bought it for him. They took it home right away. Trevor was so swept up by how cute it was that he didn’t realize it was a size too big. Max had ensured him that he still looked cute in it and the bigger size only gave him room to grow.

Now diamonds of doughy flesh poked between the buttons. Trevor leaned back and stroke his belly. He couldn’t imagen taking another bite. He had already stuffed himself with four full plates. Trevor vowed this would be the last buffet date for the year. He would get back on his fitness grind and fit back into his favorite shirt. Once Max came back, he would tell him his master plan about getting his summer beach bod ready.

Max came back with three plates, one with a few slices of pizza, one with a slice of cheesecake, and the other stacked with two slices of strawberry cheesecake and warm brownies.

          “Sorry for the wait. I heard they were bringing out a fresh batch of brownies and I know how you love them.” Max said.

Trevor completely forgot about his aching belly the second he smelled the brownies. They were so rich. He could smell the semi-sweet chocolate and could almost taste it. His summer body forgotten he chowed down on the brownies. They were even better than he imagined. So dark and rich, with the perfect smooth fudge texture. They practically melted in his mouth. Trevor inhaled the last few and the cheesecake. Without a second thought he got up and raced towards the brownie station.

They had set out two massive sheets, still steaming. Like a child possessed, he quickly loaded his plate high with brownies. As he walked back to his table he had to peak over the mountain of brownies and had missed Max’s massive grin. Max was full on laughing by the time Trevor came back to the table.

“What, did I take too many?” Trevor said.

“No baby, your shirt.” Max said as he tried, and failed, to keep in his laughter.

Trevor looked down and saw two buttons in the middle of his shirt had popped off, his soft belly exposed to the air. He turned the deepest shade of crimson and hid behind his tower of brownies.

“Aw baby, no need to be embarrassed. I think you look very sexy with that soft belly.” Max said.

“Then why were you laughing?” Treavor said.

“Because I got an email that your new shirt had arrived.” Max said.

This did not quite answer Trevor’s confusion and Max recognized that and continued.

“I know how much you love that shirt and I know it has been fitting a little snug recently. So, I found out that store had a webpage and, on a whim, bought it the next size up. I’m just laughing because right as I got the email your buttons flew off.” Max said.

Trevor was still embarrassed but touched. He looked down at the plate and a had a wicked idea.

“Well let’s see if you can pop the rest of my button’s off.” Trevor said.

Now it was Max’s turn to be flustered.

“Wait what?” Max said.

Trevor wasn’t sure what came over him. He still wanted his lean summer bod, but loved seeming Max flustered and new this would do the trick.

“Yea, just feed me till I pop.” Trevor said as he pushed the plate of brownies towards Max.

Still flustered, but now definitely horny, Max picked up a brownie and popped it in Trevor’s mouth. Instantly Trevor was in heaven. The brownie was still as good, but the extra edge of having his sexy boyfriend feed them too him was doing wonders. Trevor knew in that moment his new shirt wouldn’t last very long.

[dreamchaserguild]

We recently backed a project on Kickstarter and I wanted to ramble about that.

(This is not paid promotion and I have no association with the team making this project. This is just me gushing about something I think is cool.)

I grew up playing Heroscape. This game was my childhood. If you don't know what Heroscape is, here you go:

It was a simple tactical minis tabletop battle game where you make a team of different heroes with their own unique abilities. But what really sold this game was the landscape you could build yourself.

I used to have a table that sat out on our front porch that was filled with Herocape stuff as I constructed and deconstructed and reconstructed my maps.

And I didn't just have the starter set you see above. (Above is actually several starter sets. You don't get quite that many pieces from one box. I'm guessing it's three starter sets since there are six ruins, and Heroscape only came with two.) No. I had the ice set, the volcano set, the castle set, a Marvel set. The second starter set with swampy environment.

Heroscape was an amazing part of my childhood. Then Hasbro let it die.

They tried to revive it in the form of Arena of the Planeswalkers, a knock-off with a flat cardboard battlefield. But it got cancelled after two expansions. They're going to try again, but I have no faith that they'll stick with the Heroscape revival.

Which brings us to SOURCE.

SOURCE is a hex system made by indie-developers who themselves were Heroscape fans and inspired by Heroscape. Rather than connecting at the sides like Heroscape, the SOURCE tiles are held together by edges as you can see here. (I sure hope they don't mind me lifting the images from their kickstarter.)

A disadvantage to this is that you lose some of the modularity in being able to build in any shape you want. The advantage though is that it allows for terrain to easily be added and removed throughout gameplay.

(They're also working on special grip mats for those who just really want to build in any shape they want without being confined to shapes of the edges.)

And in my opinion, the detail looks way better than Heroscape ever did. Just compare the lava tiles above to Heroscape's:

There's no contest.

The SOURCE hexes aren't just the same thing in different colors. They're actual works of art.

And I'm not saying this to put Heroscape down. Like I said, it was my childhood and was fantastic for its time.

The game on the Kickstarter, Timestrike, is very similar to Heroscape. But with so much more stacked onto Heroscape's foundation.

Characters have move, range, attack and defense like Heroscape. You have the six-sided dice where three sides are swords and two are shields. Only now there is a special lucky sword and a lucky shield. These aren't relevant for most characters, but some characters will have abilities where they'll gain some bonus on lucky rolls.

If that's not enough, there's also a Contest mechanic where you can push another player's figure. This is great if someone is on a ledge and you want to cause them fall damage, or if you just want to steal the high ground from them to increase your attack.

You can also mine materials, build roads with the materials you mined, and go fishing for buffs. (Literally. You can stand near water and try to fish. If you succeed, you take a card from the fishing deck.)

There are wild monsters you can try to tame. There are even large figures you can mount and ride. See this guy:

That's a base on his back for you to place a smaller miniature on and ride him around!

The game is centered around not just beating each other, but also fighting a boss called a Sentience with space for three figures on its back.

(Note: the Gorilla Brute is not part of this first set, and will likely come with a future expansion.)

The sentience takes full advantage of the destructible terrain, leveling any space he lands on.

And they're tossing in solo and co-op rules for people who don't want to fight each other and just want to fight the boss alone, or to team up to fight the boss.

Oh! And it comes with STACKABLE WALLS!

That's a small thing, but it's a cool thing. (Okay, this is technically a stretch goal for $200,000 that they haven't put on the official Kickstarter, but $200K feels likely to me.)

The creators also seem genuinely committed to making this a reality and keeping it going for a long time, with talk of several expansions in the pipeline, introducing more playable characters, more rideable Brutes, and more bosses which will each have their own abilities and their own solo/co-op modes.

And possibly boats.

That's a picture of a prototype boat that can fit three figures and will NOT be included in this Kickstarter. But it is planned for a future expansion.

I don't know if the boats will come to fruition. I don't know if they'll look like that when they are released or if they'll look completely different by then since that would be a long way off.

But I appreciate knowing that there are plans to make this a long-term investment. I'm not worried that the creators will give up on SOURCE and Timestrike like Hasbro did Heroscape and Arena of the Planeswalkers.

And it's not just Timestrike. The SOURCE terrain can be purchased on its own and the SOURCE system is intended to be used for a variety of games by different creators. And it's already naturally compatible with Heroscape, Arena of the Planeswalkers, Battletech and other hex-based games.

I am incredibly excited and hopeful for the future of this project!

Here's the Kickstarter for anyone who wants to see more of this.

And here's a video review going over the Timestrike rules and how it plays:

[wheelsgoroundincircles]

1955 Chrysler C-300

1955 Chrysler C-300: A Glimpse into the Golden Age of American Automobiles

The year 1955 marked a significant milestone in the history of American automotive engineering and design. It was a time when automakers were pushing the boundaries of performance, style, and innovation, and one car that epitomized this spirit was the 1955 Chrysler C-300. Often regarded as the first modern American muscle car, the C-300 not only represented a radical departure from conventional automobiles but also left an enduring legacy in the world of automotive enthusiasts. In this extensive exploration, we delve into the history, design, performance, and cultural impact of the 1955 Chrysler C-300, a symbol of the golden age of American automobiles.

The Birth of a Legend

The 1955 Chrysler C-300, where "C" stood for "Continental," was more than just a car; it was a statement of power, luxury, and style. Born out of Chrysler's desire to reclaim its position as a dominant force in American automobile manufacturing, the C-300 was a bold departure from the brand's previous offerings. It was the brainchild of Chrysler engineer and visionary, Bob Rodger, who saw an opportunity to marry a high-performance V8 engine with a full-sized luxury car, creating a new breed of American automobile.

Design: Classic Elegance with a Touch of Sport

The design of the 1955 Chrysler C-300 was a harmonious blend of classic elegance and sporty aesthetics. The car featured clean, uncluttered lines with a distinctive grille that became one of its signature design elements. The iconic, vertically stacked quad headlights and a wide, bold grille made a bold and unmistakable statement on the road. The subtle yet pronounced fins at the rear added a touch of sophistication and conveyed a sense of motion even when the car was at a standstill.One of the most striking design elements of the C-300 was its two-tone color scheme. Many C-300s featured a contrasting roof color, which accentuated the car's sleek profile. The attention to detail and craftsmanship in the exterior design set the C-300 apart as a true luxury automobile.

The interior of the C-300 was equally impressive. It featured sumptuous materials, tasteful chrome accents, and a driver-centric dashboard. Plush leather seats provided both comfort and support, making long drives a pleasure. The cabin was spacious, allowing passengers to enjoy the ride in style and luxury.

Performance: The Birth of American Muscle

What truly set the 1955 Chrysler C-300 apart was its groundbreaking performance. Under the hood, it was powered by the legendary Hemi V8 engine, which had already gained a reputation for its power and efficiency. In the case of the C-300, the Hemi V8 was tuned to deliver a staggering 300 horsepower, an unprecedented figure for a production car of its time. This made the C-300 the most powerful American car of 1955.The combination of a high-performance engine and advanced engineering made the C-300 a formidable force on the racetrack. In fact, it dominated the NASCAR circuit in its debut year, winning eight of the 16 races it entered. This racing success solidified the C-300's reputation as a true performance car, earning it the nickname "Banker's Hot Rod."

Engineering Innovations

The 1955 Chrysler C-300 introduced several engineering innovations that set the stage for future developments in the automotive industry. The Hemi V8 engine was at the forefront of these innovations. It featured hemispherical combustion chambers, which allowed for better airflow and combustion efficiency. This, in turn, contributed to the engine's remarkable power output and smooth operation.

Another notable innovation was the use of power-assisted brakes and power steering, both of which enhanced the car's drivability and safety. These features were a testament to Chrysler's commitment to providing a superior driving experience.

Cultural Impact and LegacyThe-1955-Chrysler-C-300

The 1955 Chrysler C-300 had a profound cultural impact that reverberates to this day. It represented a paradigm shift in American automotive manufacturing, heralding the dawn of the muscle car era. The C-300's racing successes on the NASCAR circuit elevated its status and contributed to the popularity of stock car racing in the United States.The car's blend of luxury and performance appealed to a new generation of consumers who desired both power and style. It embodied the American spirit of innovation and ambition, and its success inspired other automakers to explore the concept of high-performance production cars.

The legacy of the C-300 extends beyond its time. It laid the foundation for the muscle car movement of the 1960s and 1970s, influencing iconic models like the Ford Mustang, Chevrolet Camaro, and Dodge Charger. The C-300 remains a coveted collector's item, a symbol of an era when American automakers pushed the limits of engineering and design.

Conclusion

The 1955 Chrysler C-300 is a testament to the ingenuity, ambition, and creativity that defined the golden age of American automobiles. It represented a bold departure from the norm, marrying luxury with high-performance engineering in a way that captured the imagination of a generation. As a cultural icon and a pioneering force in the automotive world, the C-300 continues to inspire and captivate enthusiasts and collectors, ensuring its enduring legacy in the annals of automotive history.

[reelvibes91]

Batman: Caped Crusader Review

Batman has probably the deepest rogues gallery in all of comics. Oftentimes, when depicted on screen, the focus has been on a core few. With Batman: Caped Crusader, we step away from that and get some focus put on different characters. How does Caped Crusader stack up against other iterations of character?

This version of events is unique in various ways. Taking Batman back to a 40s Mafia setting was a nice touch. One that particularly helped lend to the investigative aspects of the character. It relies on good old-fashioned detective work instead of relying on modern technology.

The Batman/Bruce Wayne dynamic was handled well. Hamish Linklater has the task of living up to prior talent, and he does a great job. This is a Batman who feels more vulnerable and wants to keep in touch with his human side. It has always been his allies that ground him, and this version really allows the relationships Batman has form organically. He has to establish those links over time and knows full well these tasks can't be accomplished on his own.

There can't be a discussion about a Batman series without the villains. Here, we treated to a wide array of villains. Two standouts immediately are Firefly and Harley Quinn. The episode featuring Firefly was the most visually stunning of the entire series. By far, I stand out in that regard. Why Harley worked so well is the changes made to her origin story. This far into the characters' existence, it was a refreshing take and one that kept the fundamentals of the character in tact.

The only real issue of the series is a general lack of pacing. Some episodes hit very hard, and others were just the middle of the road. That is the hard part of trying to tell a complete story within a 25-minute episode. There really is no room for the additional subplots and working out enough growth for everyone. Catwoman and Onomatopoeia were the weakest links in terms of the villains because their presence does not matter to the overall plot development. Catwoman is all stuff we have seen before, and with the Onomatopoeia stuff, it felt completely like a filler episode.

The writing on this show was very well thought and executed with the mafia and overall look and feel. There is so much potential for future seasons of this show to capitalize on villains who need redemption. The potential and ceiling for this series are limitless because we know they are willing to make changes to classic villains. This show did in a way that elevates the character and does not take away why we love them. That is the key to enhancing any long-standing character. Make them your own and find a way to set yourself apart from other versions.

One last thing is that this show really proved why animation is much easier than live action. Live action takes on creating certain aspects of characters, which have translated to some ridiculous looks. Here, they were able to finesse together some new looks and new styles and blend them all together. Some of these scenes and new looks likely would not have created the same atmosphere in live action. That's not to say stop doing live action but more to say use animation to do things that are harder to create in live action. It was stunning to see some of this come to life the way it did. It feels the same way across all animation that has excelled at telling rich and deep stories.

[centrally-unplanned]

I enjoyed this "saying the obvious but well" piece, on why when you do gather a ton of rich people together in a room their conversation seems so droll. Now admittedly part of this is that the Davos set selects for anodyne middle-of-the-road types; the rich aren't drafted to attend for sample bias purposes. So I think there are some pretty rich spicy takes people out there still.

But the overall point is sound, in the world now has legions of highly polished take-making machines trained on social media algorithms that "being rich" is in no way going to let you compete with. And everyone is going to the same wells for their takes. "Back in the day" these wells actually were diverse and difficult to access, you attended parties with journalists and politicos and stuff and learned about what they were thinking 6 months before they publish a big piece that takes the zeitgeist, you could be 'in the know' or have diverse circles talking about different things. Now its all out there, everyone is live-blogging their ideas as they develop them and people who do this full time will synthesize them way faster than you, person with a demanding job, will.

Particularly when you stack on things like domain expertise (yes the finance guys have better, cutting-edge finance opinions, they won't have that in other subjects), of course they fall behind. Which imo is a little bit of a change from the past, a bit of that 'death of the elite' energy.

Also good to note that you can in fact post your way into the hearts of billionaires if you are good enough at it in our glorious modern internet #yudkowskygoals

[fishrpg]

2024-12-27: Louisiana (Hex 27)

Slow-moving water filters through swamps on both sides of the road. Insects constantly splatter the windshield as you travel, blending with the cacophony of bugs living in the swamp to sound like radio static.

Notable Feature: Sills Ethyl Synthesis (Dungeon)

Medium dungeon, 13 areas

The old Sills ethyl synthesis plant got shut down years ago for numerous safety violations, the most notable was being a house of butterflies because the chemicals involved often caused workers to hallucinate insects coming out of their bodies before they went violently insane. Recently the lights at the old plant have come back on and smoke is rising from the stacks again. Most folks think it's just started operations again, but they stay clear lest they fall victim to its hazardous emissions. The truth, though, is much more sinister.

A chemical weapons specialist named Caleb Ormstead has received secret orders from the U.S. federal government to develop a chemical that can be sprayed on Vietnamese food sources designed to achieve two goals. The first goal is for this chemical to function as an herbicide to cause food shortages, while the second goal is to leave enough lead in the soil that the next several crop harvests contain lead in amounts high enough to induce lead poisoning and hopefully render the Viet Cong (and innocent bystanders) unable to fight.

Unbeknownst to Caleb when operations began, a group of vigilante magic users had been engraving ritualistic sigils on the property in the years that the facility was dormant in an attempt to speed up the facility's destruction. These efforts were largely unsuccessful because they required more blood sacrifice than could be discreetly provided. But when a worker fell to his death a few weeks ago, his blood activated the dormant sigils and opened up a portal to the elemental plane of fire. Now there is facility full of dangerous chemicals that is slowly being consumed as the portal grows larger.

The party's goal is to retrieve a sample of the hazardous chemical developed by Ormstead so that local scientists will know what they are dealing with, create a circle of protection large enough to contain the portal and stop it from spreading, and stop the weaponization of the factory if at all possible. Success in this endeavor will see the party rewarded with up to 6 consumable magic items (selected from this list: potions of gaseous form, oil of slipperiness, oil of etherealness, potion of fire breathing).

Secret: Gulf Ranger

Crawdads (crayfish) are among the numerous creatures that inhabit the bayous of Louisiana. Normally their coloration ranges from reddish brown to an olive green, but some rare ones exist in much more vibrant colors. Those who find such a crawdad and feed one to an alligator will summon a being known as the Gulf Ranger. The Gulf Ranger is eternally cursed to never leave the bayous of Louisiana unless they find someone to willingly trade places with them. The Gulf Ranger has the ability to teleport you to any waterway in the contiguous US, but it is incredibly painful for the Ranger and the curse dictates that they cannot refuse a teleportation request.

The teleportation is in one direction only, though vehicles can be teleported as well to ease the inconvenience. Overall, the teleportation takes about 10 minutes, but it also summons a torrential rainstorm centered on the party's location (even if the skies are clear and no rain is forecast) that will attract attention, especially if anyone is a wanted person.

If anyone opts to trade places with the Ranger, they will give up their character sheet and make a new character. The only way to return a character to a player's control is to find someone else to willingly switch places (and the former Ranger will never agree to go back).

Service Station: Boudin Bobby's

This place is little more than a shack with a sagging roof, but Boudin Bobby's manages to cram a cafeteria-style lunch counter inside. Obviously the boudin is the star of the show, but several other dishes are available (though they all smell very spicy).

Boudin Bobby's closes at sunset; no one needs to be out here in these parts after dark. A lone light fixture illuminates the closed sign. Those who stumble upon the fuel station at night will notice swarms of fireflies clinging to the side of the building. Legend has it that the shape these fireflies form can provide information about the future if you know how to interpret them.

If you need the toilet, there's an outhouse around back that deposits waste directly into the bayou (or you can accomplish the same thing without the privacy of the outhouse, your choice). Just make sure you slam the outhouse door loudly before doing your business to encourage any swamp critters to flee before you sit down.

[savidesai]

Introduction to SkillonIT Learning Hub- Empowering Rural Talent With World-Class IT Skills

SkillonIT provides IN-Demand IT courses, connecting Rural talent with rewarding IT skills through affordable, accessible and career-focused education. with Guaranteed pathways to internship and high paying jobs, start with us and step into Opportunities at top Tech-leading Companies. Skillonit Learning Hub, located in Buldhana, Maharashtra, is a leading institute dedicated to equipping individuals with cutting-edge technology skills. With a mission to bridge the digital divide, the institute provides high-quality education in various IT and professional development domains. Skillonit focuses on practical, industry-oriented training, ensuring students gain the expertise needed to thrive in today’s competitive job market. The hub is committed to empowering rural talent and shaping the next generation of skilled professionals.

Courses Offered Skillonit Learning Hub offers a diverse range of courses tailored to industry demands, enabling students to master both technical and professional skills.

Blockchain Development — Smart Contracts (Solidity, Rust, Web3.js, Hardhat) — Blockchain Protocols (Ethereum, Solana, Binance Smart Chain, Fantom) — Decentralized Applications (DApps) Development

Front-End Development — HTML, CSS, JavaScript — Frameworks: React.js, Vue.js, Angular — Responsive Web Design & UI Frameworks (Bootstrap, Tailwind CSS)

Back-End Development — Server-side Programming (Node.js, Python, PHP, Java, .NET) — Database Management (MySQL, MongoDB, Firebase, PostgreSQL) — API Development (RESTful APIs, GraphQL, WebSockets)

Full-Stack Development — Front-End + Back-End Integration — MERN Stack Development — Database, Deployment & DevOps Practice

Mobile App Development — Cross-Platform Development (Flutter, React Native)

Unity 3D Game Development — Game Mechanics & Physics — C# Programming for Game Development — Virtual Reality (VR) & Augmented Reality (AR) Integration

Professional UI/UX Design — User Interface Design (Adobe XD, Figma, Sketch) — User Experience Principles — Prototyping, Wireframing & Usability Testing

Professional Graphic Design — Adobe Photoshop, Illustrator, and CorelDraw — Branding & Logo Design — Digital Art & Visual Communication

Digital Marketing — SEO, SEM, and Social Media Marketing — Content Marketing & Copywriting — Google Ads, Facebook Ads & Analytics

Spoken English — Communication Skills & Public Speaking — Accent Training & Fluency Improvement

Personality Development — Business & Corporate Etiquette — Confidence Building & Interview Preparation — Leadership & Teamwork Skills

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Contact us

Conclusion : Skillonit Learning Hub is revolutionizing IT and professional education by making technology and essential career skills accessible to aspiring developers, designers, marketers, and professionals. With a strong emphasis on practical learning, industry exposure, and career opportunities, it stands as a beacon of growth for young talent in Buldhana and beyond. Whether you are looking to build a career in tech, marketing, design, or personal development, Skillonit provides the ideal platform to achieve your goals. Join Our Social Community

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[joannechocolat]

The Final Chapter

A review – well, sort of – of Chris Fowler’s WORD MONKEY.

There are books that you never want to end. Sometimes it’s because of the thrilling plot; or the fantastic world of the story;  or that the central characters are so engaging that it’s hard to say goodbye. Whatever the reason, it has taken me a very long time to reach the end of my old friend’s final book. Not because it was dull – quite the reverse; it may be the finest, funniest, most sincere, the wisest thing he has ever written – but because I didn’t want to reach the final chapter.

This is the memoir Chris Fowler always spoke of writing. The first instalment, PAPERBOY, was the story of his childhood; a life dominated by books, films and comics in a working-class household where no-one understood his passion. The second chapter, FILM FREAK, was the account of a young, ambitious gay man at the start of his career, obsessed with the movies, desperately seeking work in a collapsing industry. The third, WORD MONKEY, was to be the story of a successful career in books, his advice to budding writers, his thoughts on the industry, all presented with the same joie-de-vivre, keen observation, hilarious wisdom and lightness of touch that characterized the previous two. And it is – it’s all those things, and more. More, because it’s also the tale of the final chapter in a life, the last pages of which I read in real time against the backdrop of the pandemic and everything that came with it, including Chris’ diagnosis with terminal cancer and his final, dazzling flare of creativity before the end.

Before I go on, some context. Chris and I were friends a long time – over 30 years, in fact. It began with a letter I wrote as a very new author, thanking him for my only review. From there it developed into a regular correspondence (I still have a stack of those letters, many of them detailing things that later appeared in the books, always funny and generous, and illustrated with little cartoons); and then a growing friendship. We were different in many ways, but we shared a love of books and films, and it was in Chris’ nature to help other writers whenever he could. He saw the rise of my career from teacher to bestselling novelist. He was there at my highest and lowest points. He found me my first proper agent. His company did the advertising campaign for the movie of CHOCOLAT. When he moved from Kentish Town to King’s Cross, I bought a pied-à-terre down the road, and we met up whenever I was in town, usually for a breakfast that would go on till lunchtime.

At the beginning of lockdown, both of us were diagnosed with cancer. They found mine early. His, too late. Over the next three years I tried to come to terms with his terminal diagnosis. I didn’t really believe in it; he was still so full of life, so upbeat, so creative. We corresponded by e-mail and text from our respective chemo chairs; he told me funny stories about his life and his doctors. When lockdown ended, we met up again for our usual breakfasts in King’s Cross. I think I expected to see a change; but he looked and sounded just the same; and he was still writing furiously. In December 2022 he finished editing his memoir; by then he was unable to leave the flat, and I went to see him at home for the last time. I didn’t know it would be the last time, of course, but it’s rare to know these things as they happen. He was getting frail by then, but mostly he was just the same; clever and funny and cheery and filled with stories and book recommendations and accounts of obscure European films that I absolutely had to watch. And he was still writing furiously; short stories, blog posts, tweets, even a new Bryant and May book (he joked that it would have to be a short one). I told him I loved him. He said it back. That was the last time I saw him, although our correspondence went on right up till the end, in March, just weeks from his 70th birthday.  

I still find it hard to believe he’s gone. His voice is still so clear in my mind. And I still see him all over King’s Cross; in bookshops and theatres and cinemas. In the comics and record shops we visited together; in countless breakfast places. And it’s here, in this book, the final chapter of a life well lived, a quite extraordinary life, crowned with achievements (which he typically downplays) and filled with humour and stories. It’s all here, and it’s wonderful, and it fills me with admiration at the talent of the writer, as well as the courage of a man who can take something as bleak as a terminal cancer diagnosis, and work it into something like this; a celebration; joyous, true and filled with unflinching insight.

I don’t know why I feel surprised. I always knew how good he was. But this is more than just a dazzling piece of writing. It’s a testament to the power of words; a reminder that through them, you can shine even beyond that darkness; that life is short, and love is long; and stories can live forever. This is why we write, after all; to push away the shadows. To connect with each other across the years. To celebrate what brings us joy; to prove that we are not alone. So read this book, and read the rest of this astonishing trilogy. And be inspired – as writers, as readers – by the boy who dreamed of the stars, and learned to live forever.

[nancypullen]

Thursday

Howdy do. It's Thursday here in Dullsville and I've decided to go full steam ahead with fall decor. Why not? Just gonna' do what makes me happy and maybe Mother Nature will see it and usher in some true autumn weather. We've had some really pleasant days lately, it was actually FIFTY degrees on Tuesday morning! I think our high today is 76 which is just fine with me. A little rain wouldn't hurt, but I feel like that's asking too much. I'll just be content that the brutal summer heat seems to have moved on. So....FALL! Remember the candlesticks I was going to paint and distress? I'm building a centerpiece around them, not sure where it's headed yet but I like the before and after.

That's the dollar store pumpkin I covered with napkins, and the little $1 pumpkin stack got some fresh paint. Easy and cheap! Tonight I'm headed to The Foundry for a mosaic class. I've taken these mosaic classes a couple of times before, it's pretty straight forward - you're basically just paying to use the supplies. She always has boxes of tile, glass, china, and of course the nippers to cut it all. The instructor is super sweet, so it'll be fun to create and chat. Tonight's class will make a 14x5 house number or welcome sign. This is the example given.

I plan to make a house number with a Halloween vibe. Our house number is 504, so I can make the 5 and 4 with black tiles and make the 0 an orange pumpkin. We'll see if that works. I've never been able to get to the grouting stage in class. I always have a big plan and not enough time. I'm keeping it simple for this project, so maybe tonight is the night I finish!

Tomorrow I'm scheduled for a COVID shot at 10am. I also have a 1pm plant pick up at the arboretum. Every spring and fall they have a big native plant sale and I always buy a couple of things to support them. This fall I'm just getting some rudbeckia (Black-eyed Susan) and some blue mistflower.

It's supposed to attract bees and butterflies, crossing my fingers but not counting on it. In a quest to lure more wildlife to our yard we added yet another bird feeder. This one clamps onto the railing of the back porch and allows us to watch the birdies from the sofa. The cats are loving it too. It's been nice enough to have windows and doors open lately, so Phoebe is on duty.

Of course, the squirrels found it right away. They never miss a snack. I zoomed in with my phone to snap that from the living room.

This one too - Phoebe had him in her crosshairs.

I think a birdfeeder is better than tv. The sounds are certainly more enjoyable. The new feeder is covered in finches every day now and with the windows open it's lovely to hear their chatter. They sound like they're terrible gossips. A Caroline Wren entertained us yesterday afternoon, they have such pretty songs. Yep, that's who I am now, a crazy cat lady who looks forward to meeting new birds. I own it. I've been reading about people who develop relationships with crows, trading trinkets and stuff like that, and I've never wanted anything more in my life. When I drive between Denton and Easton (which I have to do for just about anything) and I see a crow near a corn field I want to roll down my window and scream, "Come to my house, I'll give you stuff!" Crows remember faces (so do hummingbirds!) so maybe one will land in the backyard soon and recognize me from the road. This is all normal to think about, right? Alright, time for me to go beat my hair into submission, then throw something together for Mickey to eat while I go glue mosaic tiles to a board in hopes of having a little fun. The class is 5:30 to 7:30 and I'm usually the only person who stays to help clean up, so I may be out until 8 o'clock!

Sending out tons of love, take what you need and pass it on. Stay safe, stay well. XOXO, Nancy

[disolutions-world]

Transforming Businesses with DI Solutions: Innovative IT Expertise

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#disolutions #DI Solutions #Hire Angular.js Developers #Hire React.js Developers #Hire Vue.js Developers #Hire UI/UX Developers #Hire .NET Developers #Hire Node.js Developers #Hire Laravel/PHP Developers #Hire Android Developers #Hire IOS Developers #Hire Ionic Developers #Hire React Native Developers #Hire Full Stack Developers #Hire MERN Stack Developers #Hire MEAN Stack Developers #Mobile App Development #Web Development #UI/UX Design #Quality Assurance #DevOps Services

[allineedistostudy]

Free resources!!

Learn to Code — For Free — Coding Courses for Busy People (freecodecamp.org) -> Free code camp

https://roadmap.sh/ -> Road map: so many roadmaps for high level overviews to guide you for tech roles

Big-O Algorithm Complexity Cheat Sheet (Know Thy Complexities!) @ericdrowell (bigocheatsheet.com) -> Big old cheat sheet: Visual display of big O

GitHub - prakhar1989/awesome-courses: :books: List of awesome university courses for learning Computer Science! -> GitHub: FREE courses on everything by universities compiled by Prakhar1989

https://visualgo.net/en -> 𝐕𝐢𝐬𝐮𝐚𝐥𝐀𝐥𝐠𝐨:Visual display of algorithms

https://devdocs.io/ -> 𝐃𝐞𝐯𝐃𝐨𝐜𝐬: Documentation of popular libraries and frameworks

Technical Interview Guide for Busy Engineers | Tech Interview Handbook -> 𝐓𝐞𝐜𝐡𝐧𝐢𝐜𝐚𝐥 𝐈𝐧𝐭𝐞𝐫𝐯𝐢𝐞𝐰 𝐇𝐚𝐧𝐝𝐛𝐨𝐨𝐤: all you need for technical and behaviour interviews

Grind 75 - A better Blind 75 you can customize, by the author of Blind 75 (techinterviewhandbook.org) ->𝐓𝐞𝐜𝐡𝐧𝐢𝐜𝐚𝐥 𝐈𝐧𝐭𝐞𝐫𝐯𝐢𝐞𝐰 𝐇𝐚𝐧𝐝𝐛𝐨𝐨𝐤: useful for technical cause you can set a guide on how much time you have

https://caniuse.com/ --> 𝐂𝐚𝐧𝐈𝐔𝐬𝐞:what web browser support for CSS

Leetcode Patterns (seanprashad.com) -> 𝐒𝐞𝐚𝐧 𝐏𝐫𝐚𝐬𝐡𝐚𝐝: Leetcode patterns with what companies ask it

14 Patterns to Ace Any Coding Interview Question | HackerNoon -> 𝐇𝐚𝐜𝐤𝐞𝐫𝐍𝐨𝐨𝐧: helpful article to pass coding interviews

GitHub - EbookFoundation/free-programming-books: :books: Freely available programming books -> 𝐆𝐢𝐭𝐡𝐮𝐛: FREE BOOKS by EbookFoundation

Your Career in Web Development Starts Here | The Odin Project -> 𝐎𝐝𝐢𝐧 𝐏𝐫𝐨𝐣𝐞𝐜𝐭: road map for full stack JS or ruby on rails

Jake's Resume - Overleaf, Online LaTeX Editor -> 𝐎𝐯𝐞𝐫𝐥𝐞𝐚𝐟: Jake's Resume Template

Get Started Contributing to Open Source Projects | CodeTriage -> 𝐂𝐨𝐝𝐞 𝐓𝐫𝐢𝐚𝐠𝐞: opensource issues

First Timers Only - Get involved in Open Source and commit code to your first project! -> 𝐅𝐨𝐫 𝐅𝐢𝐫𝐬𝐭 𝐓𝐢𝐦𝐞𝐫𝐬: open source issues for first timers

#100Devs - leonnoel.com -> 𝟏𝟎𝟎𝐃𝐞𝐯𝐬: Fullstack bootcamp\

I found this on Linkedin somewhere and wanted to share :)

[priya-joshi]

Getting Started with Full-Stack Web Development: Obstacles and Opportunities

Embarking on the journey to becoming a full-stack web developer offers a blend of exhilarating challenges and rewarding accomplishments. In this guide, we'll explore the intricacies of mastering full-stack development, delving into the obstacles you may face along the way and the triumphs that await those who persevere.

Introduction

Mastering full-stack web development is akin to embarking on a thrilling adventure—one that promises countless opportunities for growth, innovation, and professional fulfillment. However, the road to proficiency is not without its hurdles. In this blog, we'll navigate through the challenges aspiring full-stack developers may encounter, as well as the triumphs that come with overcoming them.

1. Diverse Skill Set

Full-stack web development demands proficiency in a diverse range of skills, spanning from frontend technologies like HTML, CSS, and JavaScript to backend languages such as Python, Ruby, or Node.js. Additionally, expertise in databases, server management, and deployment processes is crucial. Acquiring mastery in these areas requires dedication, time, and a continuous commitment to learning and adaptation.

2. Ever-Evolving Landscape

The realm of web development is in a perpetual state of evolution, with new frameworks, libraries, and tools emerging at a rapid pace. Keeping pace with these advancements and constantly updating your skill set is imperative to remain competitive in the industry. Allocate time to explore emerging technologies, enroll in online courses, and engage with the developer community to stay ahead of the curve.

3. Complexity of Projects

Full-stack developers often tackle intricate projects that necessitate the integration of various technologies and components. Managing the intricacies of these projects, troubleshooting issues, and ensuring seamless interaction between frontend and backend systems can be daunting. Nonetheless, overcoming these challenges cultivates invaluable problem-solving skills and deepens your comprehension of web development principles.

4. In-Depth Understanding

To excel as a full-stack developer, a profound understanding of programming concepts, algorithms, and data structures is indispensable. Mastery of these foundational principles empowers you to write concise, efficient code and tackle complex technical challenges with confidence. Dedicate time to delve into computer science fundamentals and engage in coding exercises to fortify your expertise.

5. Effective Problem Solving

Effective problem-solving is a hallmark of successful full-stack developers. Debugging code, identifying bottlenecks, and optimizing performance demand astute analytical skills and a systematic approach. Collaborating with peers, leveraging online resources, and seeking mentorship can facilitate the navigation of complex technical hurdles and yield effective solutions.

6. Strategic Time Management

Balancing multiple responsibilities, including frontend and backend development, database management, and project deployment, necessitates adept time management skills. Prioritize tasks, establish realistic timelines, and leverage productivity tools to streamline your workflow and maximize productivity. Reserve time for ongoing learning and professional development to continually enhance your skill set.

7. Cultivating Team Collaboration

Full-stack developers often collaborate with interdisciplinary teams, comprising designers, frontend developers, backend developers, and other stakeholders. Effective communication, teamwork, and collaboration are vital for project success. Foster strong interpersonal relationships, actively contribute in team settings, and cultivate a culture of open communication and collaboration within your team.

8. Prioritizing Security

Understanding security best practices and implementing robust security measures is paramount in web development. Full-stack developers must remain vigilant in identifying and mitigating security vulnerabilities to safeguard sensitive data and uphold the integrity of web applications. Stay informed about prevalent security threats, adhere to industry best practices, and consistently update your knowledge to proactively address emerging risks.

Conclusion

Embarking on the journey to becoming a full-stack web developer is a thrilling endeavor marked by challenges and triumphs. By embracing the obstacles, refining your skills, and maintaining a steadfast commitment to learning and growth, you can unlock a realm of opportunities and embark on a gratifying career in web development. Remember, each challenge surmounted brings you closer to mastery, and the journey itself is as enriching as the destination.

[gamersonthego]

GOTG Review: Mutant Year Zero

This is the next game in my Backlog Roulette series, where each month I spin a wheel to randomly select a game on my massive backlog that I must play (though not necessarily to completion). These wheel spins occur on the monthly preview episodes I co-host with my friends on The Casual Hour podcast.

I can’t remember the last time I shouted “oh, fuck off” as often as I did during my last Mutant Year Zero play session. 

Mutant Year Zero: Road to Eden, the 2018 breakout turn-based tactical shooter from Swedish developer The Bearded Ladies Consulting, fools you into thinking you control the battlefield when in reality, the deck is eternally stacked against you. 

If you’ve read or listened to any content from Gamers on the Go before, you’ll know I love this genre. Fire Emblem, Advance Wars, Super Robot Wars, XCOM, Into The Breach, Tom Clancy’s Ghost Recon: Shadow Wars (a criminally overlooked launch title for the 3DS) — these are the kinds of games where I feel most at home. But being a big fan of a genre can be a double-edged sword, because now I’m pretty particular about what makes a good one of these. 

Tom Clancy's Ghost Recon: Shadow Wars was way better than it had any right to be.

Mutant Year Zero has some cool ideas, but it’s not "a good one of these." Your ragtag group of mutants — a pig man named Bormin, a duck man named Dux and a…normal lady who sometimes kind of has nature powers named Selma (you do get a couple more recruits over the course of the story) — are Stalkers, a group of capable hunters and scavengers keeping humanity’s last bastion of hope, the Ark, from the brink of collapse. Complicating this are Ghouls, who roam the post-apocalyptic Zone outside of the Ark, looking to bring the whole thing down. And you need to use your cunning and strategy to stop them while also finding Eden, a place that may be a salvation for the ruined world. 

And therein lies my problem with Mutant Year Zero: my cunning just can’t make up for the amount of ways the game demands to fuck you over. One of the big selling points of MYZ is how you can explore areas in free roam until you or an enemy locks eyes and starts combat. This gives you an opportunity to pick up resources scattered around the environments or listen to your characters talk about the current events of the plot (which mostly involves Dux asking “isn’t this all kinda weird?” and Bormin saying “yeah, but shut the fuck up anyway,") but most importantly, it allows you to scout and position your units to ambush enemies for the next skirmish. 

A snipe like this is the coolest the game gets, but it's nothing you haven't done a million times before in XCOM.

There’s something satisfyingly cool about posting my sniper up in an elevated position, then getting my tanky boar behind some cover down low to rush in and finish the job so that the enemies never know what hit them. This isn’t perfunctory either, as MYZ rewards you for being patient, doing a stealthy sweep of the area and even picking off a handful of stragglers with silenced weapons before it’s time to go loud and mop up whoever’s left. It’s a great system…when it works. But too often, engaging with these mechanics is a tedious or even impossible pain in the ass. 

Tactical games all hinge on information. When you have information available to you, you can make smarter, more strategic decisions that let you take down bigger or stronger enemies. For example, in Into The Breach, you are given perfect information about exactly what each enemy is going to do on their turn even before their turn has started. So it’s up to you to find the best way of mitigating or redirecting their damage to protect your units and the city. Fire Emblem lets you turn on enemy range indicators so you can bait out some enemy attacks one at a time while avoiding the wrath of a full army. XCOM does hide enemies in a fog of war that are too far away, keeping you from getting the full picture of a battle, but it’s easy to scan around the field and position your units to make the best of what you have. Mutant Year Zero however routinely makes it difficult to know what you’re up against until it's much too late.

The first area you're in is a dense, dark forest. Then you get to this snowy area with so much crap on the ground that you can't really see anything effectively. And the zoomed out camera isn't doing you any favors.

The environments are incredibly dark, with plenty of debris to further block your view. Enemies have vision rings around them, but they don’t appear until you’re very close to them, making it nigh impossible to know if picking off this close enemy is going to provoke and enemy much further away. And there’s no map (mini or otherwise) to help you get a lay of the land. You do get a compass at the top of the screen that tells you where your objective’s destination is, as well as the direction of nearby enemies, but enemies also move around, and there’s no way to tag them to better keep track of where they go. But the worst of the issue of the bunch is an oppressively locked isometric camera that doesn’t ever seem to give you good sight lines of where you're going or what's out there. You can’t plan around what you can’t see, which often leads to your attempted ambushes getting ambushed themselves as more enemies you couldn’t detect come out of the woodwork to oppose you.

To make matters worse, even if you are able to fully scout out an area, there aren’t many opportunities to clear out those stragglers before the big firefight, even though that is kind of the game’s central thesis. Even when you do find them (which takes a significant amount of time, both with the game’s glacial walk speed, and waiting forever for enemies to get into the right position on their patrol path), the enemies in these situations can often take more than one round of combat from your stealth weapons, leaving them in a position to call in backup and/or retaliate with an attack of their own. But more often than not, enemies will be found in stubbornly stationary pairs, which further complicates your goal of a silent execution to remove a threat from the board. Why would they make a core tenet of their game so difficult to achieve? I don’t have a good answer for you, but it leads to a lot of standing around waiting for a plan to fail, only so you can reload and wait even longer for it to fail in a slightly different way.

Be ready to see this screen a lot.

Once the bullets do start flying, you’ll find yourself at a disadvantage almost immediately. Your attack ranges are painfully short, while the enemy seems to be able to take shots at baffling distances. Even when you do have a shot, good luck hitting anything. While MYZ certainly has some XCOM: Enemy Unknown influences — especially in its UI which will feel instantly familiar — one of the ways it tries to simplify is in its hit percentages. MYZ only deals in percentages of 100, 75, 50, 25 or 0. It all makes for a lot of missing, especially on your overwatch shots, leading to many wasted turns of missing, followed by more wasted turns of reloading your weapons. Meanwhile, a Pyro enemy is tossing molotovs at you like they were going out of style, and you’ll find yourself loading up your last save time and time again, leading to further frustration. I knocked the difficulty down to its easiest setting, and still routinely found myself in impossible, or brutally attrition-filled situations, and this is a style of game I feel pretty comfortable with!

It’s not quite all negative. The characters have pretty enjoyable personalities, both in their aesthetics and their mechanics, each with a unique skilltree of mutant abilities you’ll unlock over time (Bormin’s knockdown tackle is a personal favorite since it gave me another crucial stealth damaging tool, incapacitating a target long enough to follow up with two or more shots from my other characters, stealthily finishing the job.) And while the quantity of weapons in the game is low, the variety within that small set is very nice, with a number of distinct firearms with added abilities like knockdown or incendiary rounds. You can also find armor out in the world, which will cosmetically be displayed on your characters during play (I gave a top hat to Dux, not just for the increased damage buff it gives him while on elevated terrain, but also just because it looked dapper.)

It's a good hat! But also, this is a 75% shot? From my sniper character? Give me a break.

But those niceties don’t make up for the molasses walk speed, poor autosaves, murky environments and painfully inaccurate weapons, which all combine to make for an experience that is equal parts exhausting and annoying, even in a game that’s as short as 10-15 hours. The Bearded Ladies new game, Miasma Chronicles looks like a big improvement to many of my MYZ complaints: The environments are cleaner, better lit and easier to both navigate and survey, which could make a huge difference in my enjoyment if I play it.

But Miasma Chronicles is not the game my backlog wheel landed on, Mutant Year Zero is. And I can't help but feel extremely disappointed. I’d heard many good things, and had often thought about playing it even before my backlog game required it. But unfortunately, a few fun ideas isn’t enough for it to rank in a genre packed with other excellent titles. 

[devopscourses1]

This Software Training Institute in Bangalore is Secretly Powering India's Top Tech Careers – Discover How

In the buzzing tech capital of India, one Software Training Institute in Bangalore is quietly making waves—and transforming ordinary learners into extraordinary IT professionals. Welcome to Kodestree, where innovation meets education, and students don’t just learn—they thrive.

Whether you’re fresh out of college or a working professional seeking career growth, Kodestree’s software training programs are tailored to match industry demands. From full-stack development, data science, and DevOps to cloud technologies like Azure and AWS, this institute blends practical training with real-world projects—equipping learners with job-ready skills.

Why Kodestree is the Go-To Software Training Institute in Bangalore:

✅ 100% Placement Support with tie-ups across leading MNCs

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🧑‍🏫 Mentorship by IT Veterans with 10+ years of field experience

📈 Custom paths for career switchers and upskillers

The institute also stands out for its interactive classrooms, up-to-date curriculum, and a thriving community of tech enthusiasts. Unlike outdated training centers, Kodestree is future-forward—teaching tools and tech stacks that top companies are hiring for right now.

So, if you're hunting for the best software courses in Bangalore, Kodestree might just be your golden ticket.

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