#robert and aaron

[srainebuggie]

Um, hi🤗

It's 2025 and I just posted...a Robron fanfic? What world am I living in!!!

Please read it?

https://archiveofourown.org/works/66142396

[johamfated]

I first heard this song in the TV show Manifest, and I've been obsessed since. Think it's perfect for Robert and Aaron. 🫶

[theofficialdramallama]

So, Robron fans... you can blame Ryan being in Casualty for this 😂

I'm kind of interested as someone who only vaguely knew of Robron from online spaces (I don't really watch Emmerdale that often) to delve into their story from the beginning if there is a somewhat easy way of doing so 🤔🤞 Are there any compilations/videos/clips of eps/scenes that show the entire Robert and Aaron saga, or is it simply that I'll have to watch every ep that either one are credited in? 🤔

[unemployedinfabuland]

I recently updated my fanfic. Check it out if you haven't already. The Fisherman's Lighthouse.

[otpmoments-blog]

AHHH, HES BACK‼️

EMMERDALE | 28.05.2025

[hylemorph]

Spoilers: Eggers' Nosferatu

There's a lot of debate right now on if Count Orlok represents Ellen's shame/trauma/abuse, or if he represents her repressed erotic desires, and in turn there's debate on whether or not viewers who find the Ellen/Orlok dynamic alluring are "missing the point." Eggers and Lily-Rose Depp have both said in interviews that there's a mutual pull between Ellen and Orlok, and even that there's a love triangle element, but obviously the experience is terrifying for Ellen. How can we reconcile the sexual tension and the horror?

I think the broader theme is that Orlok represents everything in a woman's inner world that men refuse to acknowledge and accept - fear and shame and trauma, yes, but also our appetites . After the prologue, the story starts with Ellen begging Thomas to stay in bed with her; she says "the honeymoon was yet too short" and tries to pull him in and kiss him (obviously trying to start some nuptial bliss). But Thomas is anxious to meet with his boss and get his promotion, because he has a narrative he's going to fulfill: he's going to pay Friedrich back, buy a house, and then start having kids (he and Friedrich touch on this a bit later. Notably, Friedrich discloses Anna's pregnancy to Thomas before Anna has made it public.)

It's the start of Ellen and Thomas' married life and she just wants him to prioritize her sexual desire, but he chooses to focus on his ideal of success, which sets him on this path to confronting Orlok. We know Ellen doesn't care about having a house or fine things and she begs him not to go, but Thomas listens to Herr Knock and Friedrich, who tell him that as a husband he has to provide materially. He ignores Ellen's stated desires, and so fails to provide sexually and emotionally. When Thomas gaslights her about her nightmares and calls them childish fancies, he shuts down her vulnerability, which kills the intimacy she was enjoying in the literal honeymoon phase.

On a related note, there's a defence in here for Aaron Taylor Johnson's performance, which I've seen a few male critics call "over acting." In this story Friedrich represents the masculine ideal of the time, he's a rich business owner with a beautiful wife and kids. Thomas clearly looks up to him and wants to emulate him - he wants to give Ellen the life "she deserves." But Friedrich's elevated masculine status is why he refuses to listen to Ellen's "hysterical, sentimental" worries, he's too rational for all that of course. And his stubborn "rationality" leads to the death of his entire family. Friedrich IS the patriarchal ideal that crumbles when confronted with nuance and uncertainty. Some people see Friedrich and assume that a character like him is meant to come across as dignified, and that Aaron Taylor Johnson is messing up by making him look annoying, but really he is giving a great portrayal of a really common, annoying kind of guy. The kind of guy who melts down and has childish tantrums whenever they lose control of a situation, or their manly skills and values are shown to be irrelevant.

The men in the movie (excluding Professor von Franz) frame Ellen as childish for speaking about her dreams candidly, but their own childishness is revealed when her dreams manifest in the form of Orlok and become unavoidable. Ellen (partially? possessed in the moment by Orlok) tells Thomas how "foolish and like a child" he was in Orlok's castle. In the literal context that's cruel, and obviously that shit was scary as hell, but it hits on Thomas' failure in the metaphorical reading. He was a child playing house: 'I'll be the husband and make money, you be the wife and make babies.' When it came time to confront his wife's inner world and all the scary, traumatized, lustful complexity of it, he was completely inept. The message isn't that Orlok is what Ellen really needs, or that Thomas is a wimp, but he's not a perfect husband either. I think "the point" is that a real healthy marriage with sexual, emotional, and spiritual mutuality is impossible in that society with Thomas/Friedrich's ideals. In that kind of society, a spiritually and sexually potent woman like Ellen ("in heathen times you might have been a Priestess of Isis") will always be caught in a "love triangle" with her husband and her own inner world.

[dailyflicks]

NOSFERATU 2024, dir. Robert Eggers

[houltsworld]

Nosferatu now playing in theaters.

[otpmoments-blog]

SCENE BY SCENE

23.10.2014 / 28.05.2025

[srainebuggie]

I put out my first fanfiction when I was fourteen years old.

It was about Robert and Aaron.

I am twenty-three, and this damn couple has got me re-downloading Tumblr, logging back into Ao3, and feeling nostalgic for a much simpler time😭

[earthtomia]

fic recs!

(all fics are x reader; specific characters below the cut)

╰┈➤ all time favourites! <3

╰┈➤ smut recs! 18+ ONLY

please respect the writers and do not interact with any content marked 18+ if you are a minor, thank you!

challengers (2024):

➸ art donaldson

➸ patrick zweig

criminal minds:

➸ aaron hotchner

➸ spencer reid

house md:

➸ gregory house

➸ james wilson

➸ robert chase

marauders:

➸ james potter

➸ remus lupin

➸ sirius black

marvel:

➸ bucky barnes

➸ matt murdock

➸ mcu!peter parker

➸ robert “bob” reynolds

➸ tasm!peter parker

star wars:

➸ din djarin

➸ han solo

➸ obi-wan kenobi

stranger things:

➸ eddie munson

➸ jonathan byers

➸ robin buckley

➸ steve harrington

supernatural:

➸ dean winchester

➸ sam winchester

the bear:

➸ carmen berzatto

➸ richie jerimovich

the pitt:

➸ frank langdon

➸ jack abbot

➸ michael “robby” robinavitch

➸ samira mohan

➸ trinity santos

miscellaneous characters:

➸ fox mulder (the x files)

➸ joel miller (the last of us)

retired characters:

(no new fic recs will be added for these characters!)

➸ indiana jones

➸ lip gallagher (shameless)

➸ rafe cameron (outer banks)

➸ thomas shelby (peaky blinders)

[otpmoments-blog]

Robert, you don’t deserve this💔

I don’t want you, Robert.

The ‘nightmare’ (and our dream):

The brush off:

30-May-2025

[tuserlivia]

WILLEM DAFOE as ALBIN EBERHART VON FRANZ in NOSFERATU (2024), dir. Robert Eggers

[priestess-of-isis]

THE HARDINGS Friedrich Harding, Anna Harding, Louise Harding and Clara Harding Nosferatu (2024) — Dir. Robert Eggers

[josephgraham]

EMMERDALE | 29.05.2025

[madeleineengland]

Nosferatu (2024), dir. by Robert Eggers