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#robert de baudricourt
tomicscomics · 11 months
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06/12/2023
JUNE OF ARC continues!  Mondays and Fridays all June long!
JOKE-OGRAPHY: 1. When Joan was 16 years old, the English were sieging the city of Orléans, and her Voices told her it was her job to banish them.  She had to go to Vaucouleurs, acquire knightly escort from Sir Robert, travel through enemy territory to Chinon, meet the dauphin (the uncrowned prince of France), offer her leadership to his army, go to Orléans, raise the siege, then escort the dauphin through more enemy territory to be crowned in the city of Reims (which was the traditional place for French coronations).  Super easy.  Barely an inconvenience. 2. Sir Robert de Baudricourt met with Joan but denied her request for escort twice before finally giving in.  Her persistence won her the support of the townsfolk first, then some of Robert's knights, then finally Robert himself.  She's our perSISTER in Christ! 3. In this cartoon, Robert is suspicious of Joan, saying her request to see the dauphin can't be serious.  She assures him it "DAUPHIN-ately" is, which is a play on the word "definitely" using the word "dauphin".
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histoireettralala · 2 years
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The Maid was born inside the borders of the kingdom since the Meuse river traditionally separates France from the Empire. "If you search for her nation, she is of the kingdom, if you search for her country, she is from Vaucouleurs." Domrémy is divided in two feudal obediences, part of the village being directly in the kingdom, the other, where Jeanne's house is, is attached to the Barrois mouvant. But during Jeanne's childhood the village is mostly torn between the rival ambitions of two political parties. The Valois Duke of Burgundy rules over the countries of here (the duchy) as well as over the countries of there (Flanders) and the strategic road which links them crosses the Meuse Valley. Louis of Orleans, count of Porcien and Valois, advances his pawns in the region in order to cut the States of his adversary in two, and has been trying to unite Lorraine to the kingdom. Metz or Neufchâteau go under a royal safekeeping ensured by Orleans troops.
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Jeanne's father is an Armagnac notable. The Maid's childhood is scarred by lootings from Burgundian troops, which really scared her. Jeanne denies any paternal influence in her political formation, which she attributes to her voices who love the king of France. From this moment, she hates the Burgundians. It is in her village that she hears about the imprisonment of the duke of Orleans after Azincourt, about the murder in Montereau (a disaster for which she doesn't believe the dauphin to be responsible), and about the treaty of Troyes (which she doesn't know too well, it doesn't deny the legitimacy of Charles VII). In Domrémy, everybody is Armagnac, except for Gérardin d'Epinal, whose head she would have gladly cut off if they hadn't been companions. The little boys of the village often go together to confront the children of Maxey, in Burgundian land, but little girls don't go.
Her mission starts during the Lent of 1429 at the moment when Orleans, besieged for eight months by the English, risks assault or capitulation. As the actual capital and symbol of the party, Orleans is the other body of Duke Charles, prisoner in England. Can it be fathomed that the English could hold both the body and the city ? The capture of Orleans would be the end of the party, because the duke would never be able to pay the ransom. In a way, the fall of Orleans would have greater consequences for the Duke's partisans than for the kingdom. Jeanne's mission is made of two to four parts. The first is the liberation of Orleans (proving she is sent by God), the third is the liberation of Duke Charles. In other words, Jeanne's mission is equally shared between the king (two duties: the Sacre and the expulsion of the English) and the duke. Charles is the "good Duke of Orleans", a title that isn't universally acclaimed at the time […] She envisions, on various occasions, to exchange him against English lords, to have him brought back by miracle, even to wage war in England to recover him. She has good will for him and for his interests.
A medieval party is first based on the clients of a prince whom they want to bring to power in fortunate times, or else defend. Jeanne's relationships with the prince's biological family are numerous. Dunois, Charles of Orleans' bastard half-brother, is the king's lieutenant in the Loire Valley. Some chroniclers, especially in Burgundy, think Baudricourt sent Jeanne to Dunois in order to save the city. The Maid likes even more the handsome Duke of Alençon, Charles's son-in-law. She goes to Saumur to visit his young wife Jeanne (daughter of the former queen of England who was a daughter of Charles VI) and promises her the safe return of her husband. She will indeed save his life during the campaign. Finally, she enters the cities of the apanage at their side. Duke Charles had married a second time with Bonne of Armagnac in 1410. Jeanne frequented the count of Armagnac and Thibault of Armagnac lord of Termes, who was a witness of the second trial in 1456. Also, Bonne Visconti, Charles's cousin, wrote to "the devout Jeanne sent by the King of Heaven" in order to recover her Milanese lordship.
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(Dunois)
Blood and alliance structure the party. But spiritual parentage also play a part. Jeanne has excellent relations with the Laval family, whose grandmother is the widow of Du Guesclin, who was godfather of Louis of Orleans. She gives her a gold ring, a link between the first saviour of the kingdom and the second one. She herself is the godmother, in the Orleans lands of Château-Thierry, of children of loyal subjects (of the king or of the duke ?) whom she names Charles. It is the name of the duke as well as that of the king.
Colette Beaune- Jeanne d'Arc
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kaitropoli · 5 months
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"Entrée de Jeanne d'Arc à Orléans"
by Jean-Jacques Scherrer
Oil Painting, 1887.
Musée des Beaux-Arts d'Orléans.
HISTORY
Joan of Arc (one of the many spellings of her name) is one of France's patron saints and was honored for her role in the Siege of Orléans (1428-1429) during the Hundred Years' War (1337-1453).
She grew up as a peasant, her father being a farmer, but she had divine visions that she was visited and guided by archangel Micheal, Saint Margaret, and Saint Catherine. After having these sights, Joan acted accordingly, joining forces with the French by gaining respect for her piety and firmness, swaying Captain Robert de Baudricourt into her favor.
Long story short (definitely watch a video or read about her history instead of going off of my quick knowledge, in case you're interested and I miss certain facts... soz): Joan of Arc promised Dauphin Charles that he would be coronated at Reims if he allowed her to fight the English. Yeah... they were skeptical—mainly due to Joan being a 16-17-year-old woman at the time—so Charles had sacerdotal authorities interrogate her. After review, and considering the devastating turnout of Orléans (which has been under British siege), the clergy decided it'd be best for Charles to use the young woman as she's asking to be involved.
Assigned to join in taking back Orléans, Joan arrives with supplies on the 19th of April, 1429, alongside Commander Étienne de Vignolles (or *thank God for nicknames* La Hire). May 4th was when things started to pick up, the French launching an attack, which the saint almost missed due to napping (hey, I get it), and in the meantime, Joan sent out letters to the British, basically telling them to fuck off her land before a sword gets shoved up a not so divine place. On the 7th, Joan was WIA, but that didn't stop her from continuing her duty, and by the 8th, the British surrendered.
Joan of Arc is widely remembered as a woman who faced perseverance when it was uncommon for a woman combatant to exist, especially one who instantly rose to the top, fighting as a leader amongst male French commanders. Even burned at the stake by the English around the age of 19, Joan kept her faith, the same that got her onto the battlefield and was depicted proudly on the flag she waved. In 1920, she was finally recognized by the Roman Catholic Church and canonized by Pope Benedict XV as a patron saint for her home country. She's respected as a martyr and seen as a symbol of freedom, not only in a patriotic context but as a feminist (as she is hailed as one of the earliest feminists in middle-age history).
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Again, I beg of you, if you are interested in learning more about the Siege of Orléans and/or Saint Joan of Arc, check out a video or pick up a book on the topic. I'm terrible at regurgitating historical information, especially when I haven't gotten any sleep. I'm not a historian, just a 19-year-old girl who likes to post art (ಠ_ಠ).
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ficretus · 25 days
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I previously talked about this in my Joan of Arc timeline theory, but I wanted to focus on one aspect of so called timeline 2.
To quickly summarize timeline theory, events that happen to Jaune in the show can be explained two different ways regarding Joan of Arc while still maintaining chronological timeline of the events. Fall of Beacon either being subversion of siege of Orleans or first sack of Joan's village. Whichever you take, from that point on you can parallel events that happen in the show with the ones that happened to Joan, albeit characters in the show are read differently depending on which timeline you take.
For example in timeline 1, Cinder represents Duke of Burgundy, bitter enemy of Joan and French King and in timeline 2 she represents Robert Baudricourt, garrison commander of Vaucoleurs that Joan needs to get through.
I mostly want to focus on latter, Cinder as Robert. While character wise they are not particularly similar, they serve similar purpose. They are the major roadblock Joan/Jaune needs to clear before reaching their true objective.
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Circumstances leading to their first meeting can be paralleled relatively well to the events of the show. As I said before, timeline 2 starts with Joan's village being sacked as a parallel to Fall of Beacon. In aftermath of the sack, Joan hears the Voices for the first time, more specifically, Saint Michael.
Michael is parallel to Pyrrha, both being perceived as ideal warriors everyone strived to be (Saint Michael was warrior saint as well as patron saint of France). Michael was also patron saint of Joan's village, mimicking Pyrrha's status as most important member of team JNPR. Her fight against Cinder and Grimm Wyrm also invokes famous imagery of Saint Michael battling Lucifer taking the form of Dragon.
Jaune's actions following this are guided by Pyrrha's sacrifice, following him metaphorically as a ghost through training tapes. Due to her death Jaune is determined to find Cinder. Similarly, Michael gives Joan instructions, eventually telling her to go to Vaucoleurs and find Robert de Baudricourt.
In case of both Joan and Jaune, they go on a journey without informing their parents. If you want to tinfoil it, man that takes Joan to Vaucoleurs, Uncle Durand can be paralleled to Qrow, both being the only adults of the group going there.
Joan's first meeting with Robert went as well as did Jaune's first meeting with Cinder. Both of them publicly called out their target, Jaune to rant, Joan to demand escort to see the King. Both receive similar response, with Robert/Cinder refusing to take them seriously. Robert considered her request amusing, before kicking her out and telling Durand to either slap her or have her whipped. Power imbalance plays important role in both meetings. Robert as military captain is unable to take demands of peasant girl seriously, similarly Cinder sees herself league above Jaune, not even remembering who he is initially.
Their second meeting took place few months later and unlike the first one, there aren't many details to the story. What is known is that Robert once again refused Joan's request. This is straightforward parallel to Jaune's and Cinder's fight at the end of Volume 8. Jaune is still persistently trying to stop her, but is unable to get through her. Although interestingly, one account I've found states Robert was starting to get unsettled by Joan, which if you tinfoil it could be a reference to Cinder's reaction to Jaune denying her Winter Maiden power.
Another parallel is two soldiers serving under Robert that play relatively important role in Joan of Arc narrative, Bertrand de Poulengy and Jean of Metz. They of course parallel Emerald and Mercury. Both pairs being described as mostly troublemakers. However, Poulengy and Jean both ended up being impressed by Joan and swore loyalty to her cause even before she got Robert's approval. This part so far is paralleled by Emerald, but looking at Mercury in Volume 8 as well as his brief appearance in Volume 9 epilogue, I'd say we are getting Mercury's redemption soon.
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This all leads to the theoretical third encounter that I feel will happen some time during the Vacuo arc.
Joan also met Robert for the third time. While Robert did start to respect Joan somewhat, he still wasn't confident. But outside circumstances of French losing more and more ground forced his hand and he gave Joan his approval.
Show itself seems to be going in this direction. Events at the end of Volume 8 should push Jaune to once again fight Cinder. On the other hand, Cinder like Robert seems to be gradually losing ground and growing more desperate. She is losing aura of superiority she had back in the Volume 5. Just during the Atlas arc, she was foiled at claiming Winter Maiden power thrice and even broke down crying. She should also be forced to acknowledge Jaune, especially after he denied her Winter Maiden power. Once again paralleling Robert's growing respect for Joan.
Isolation also plays some role. Robert had to deal with both his soldiers (Jean and Poulengy) as well as people of Vaucoleurs gradually siding with Joan. Similarly Cinder deals with Emerald and potentially even Mercury switching sides to support Jaune's cause.
As it stands, I consider third encounter between them to follow Joan of Arc story to some degree once again.
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I stated previously that Cinder represents narrative roadblock for Jaune's character. Question is, roadblock to what?
Easy and straightforward answer would be Weiss. Both times Jaune and Cinder fight each other Weiss is present and serves as driving force for Jaune. In first fight he awakens his Semblance to save Weiss, in second, he murders Penny which indirectly saves Weiss. During that sequence Cinder even separates them at two occasions, first time driving a wedge between them with flame breath, second time by blasting them with fireball.
She is not literal roadblock to Weiss, I don't think she particularly cares about Jaune's relationship status. It's more in a sense that as long as Cinder poses threat, Jaune cannot be happy, she will always come back to somehow ruin his life. After all, she was the one that killed Pyrrha and destroyed Beacon as well.
Narratively, their third encounter would serve to remove Cinder as a threat, similarly how Robert eventually relents and lets Joan reach her goal. Robert doesn't play any role in the story after this, so that makes sense. While some puzzle pieces don't quite fit, I'd say this is the best explanation looking at show's current trajectory in vacuum.
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Other explanation would be that it represents Cinder's redemption story. I previously stated that Cinder shares lot of similarities with French King at the time, Charles VII (who will be referred from now on as Dauphin).
Joan's goal with Robert was to convince him to see Dauphin, so that switches the narrative to Jaune trying to convince Cinder... to see Cinder. Sounds bit weird, but first thing he asks her is "How can you be so broken..." Joan's stated intention with Robert was to see Dauphin, Jaune's was to know what the hell is wrong with Cinder. He doesn't get answers in first two encounters, merely managing to chip her mask both metaphorically and literally. This would make third encounter change of status quo, with Jaune likely being able to destroy Cinder's mask.
Does it make sense for Cinder to be both Dauphin and Robert? I'd say yes. As I said before, this is the last role Robert plays in Joan's story. So Cinder merely takes a bow as Robert and takes on a new role, representing the side she hides beneath the mask.
There are also narrative similarities between meeting Joan has with Robert and the one she has with Dauphin. Both times she was guided by Voices to reach them, both times it's the male figure with significant authority, both times she tells them secret that makes them believe her. Robert and Dauphin are also only two individuals Joan ever told about her Visions. So these two figures potentially being fused into one is not random.
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In honor of Foundations turning one today, I'd like to take everyone on a walkthrough on all the religious symbolism, as well as double meaning behind it.
Spoiler warning: a lot of it can be traced back to Saint Jehanne d'Arc.
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Obviously, the entire song wasn't about her, but knowing Gerard and his love for her, it's not too surprising that some of the lyrics match up with St. Joan's story.
So, let's talk about it!
"See the man who stands upon the hill; he dreams of all the battles won. But fate had left its scars upon his face with all the damage they had done."
(I'd like to re-emphasize that while I agree with the more discussed meaning -- you can't wallow in the past forever, no matter how traumatic, as it'll only hurt you more in the end-- I'm looking at the song through a strictly religious lense; and one that focuses on St. Jeanne, specifically.)
Jehanne had witnessed her country be at war with England since she was little.
She was well aware of it, and had even witnessed an Burgundian attack on their village of Domrémy when she was around the age of sixteen.
All through that, she waited for a miracle to save France; but the miracle was her.
The last lyric could also be about her fate as military general, leaving literal scars on her from what the English (and English supporters in France, who I will be grouping with the English for the rest of this essay), had done to her; specifically, shooting her with arrows on two seperate occasions.
"And so, tired with age, he turns the page, let the flesh submit itself to gravity."
"Let our bodies lay; mark our hearts with shame; let our blood in vain; you find God in pain."
Jehanne had her first vision at the age of thirteen, and only began understanding what it meant at the age of sixteen, shortly after Burgundian troops ran amuck; where she fully allowed herself to become one with what the Lord had told her to do by heading to Vaucouleurs -- where her Aunt and Uncle lived -- to convince Sir Robert de Baudricourt to allow her to meet "Gentle Dauphin" (her own nickname for the then-king) Charles, so she may begin her military campaign in Orléans.
She, unfortunately, was turned away for nearly a year before her newfound friends were able to convince him to let her go.
And so, she went to Chinon, performing her first miracle by identifying the Dauphin in disguise within a crowd; Dauphin Charles, soon to be King Charles VII, granted her to go to Orléans where she soon joined generals: La Hire, Gilles de Rais, and Jean de Dunois in the city.
Jeahnne, along with most of her army, believed in God and the Bible; but they are still in the military.
They had to kill others if it meant surviving.
The soldiers are begging God to let them get into heaven, even if it's just in vain. Being pitied by God is a much better fate than an eternity in hell.
The last part though, isn't really about the army, but could still work: those who died on the battlefield die in pain, and then meet God shortly after, as He took their plea for forgiveness, and allowed them into heaven.
However, I like to see it as involving Jehanne.(There will be a lot of references to her death within this post btw.)
Jehanne d'Arc was burned at the stake at the age of nineteen for witchcraft, heresy, and so much more.
Her last (audible) words were in the form of a prayer, calling out for Jesus Christ. In the face of death, and admist her pain, she had "found" the both of them in the end.
"Now, if your convictions were a passing phase, may your ashes feed the river in the morning rays. And as the vermin crawls, we lay in the foundations of decay."
Jehanne wasn't considered a witch for very long, only a few years after her death was she called a martyr by the Catholic church.
The convictions she faced in court were a literal passing phase.
Not only that, but she was burned at the stake; her body turning into ash after three times, which the English disposed of by throwing her remains in the Seine river.
The people who murdered her were still alive, acting as though they didn't kill an innocent teenager for nothing.
Jehanne's family, on the other hand, were too focused on her death to continue the fight like she would've wanted.
Her brothers, Pierre and Jean, even went as far as latching onto a woman who claimed to be Joan, even though the real Joan was long dead by then.
"He was there the day the towers fell, and so he wandered down the road. And we would all build towers of our own, only to watch the roots corrode."
Throughout her travels as an army general, she became close with King Charles VII, who even ennobled her, and her family.
Her main goal was to protect him, and escort him to safety so he could be crowned the new king of France.
Her single motive was to protect her country, and yet, it was her country who betrayed her in the end.
Once she was captured, the Duke of Burgundy sold her to the English, where she was put on trial and ultimately killed.
Charles VII did nothing to help her in the end either, as he wanted to make amends with England, so Jehanne was alone fending for herself where she was assaulted and subjected to mental (and near physical) torture.
"But it's much too late, you're in the race. So we'll press and press 'til you can't take it anymore."
But even then, Jehanne was persistent. She attempted to escape the prison multiple times – once by jumping out of her 21-foot tall tower and living – but ultimately failed. (Which was something that was used against her faith in court.)
She was also supposed to be guarded by women of the church, but instead was "guarded" by Englishmen; who allowed a well-respected English Lord to sexually assault her. She fought back, and he eventually left before it could escalate.
Jehanne was always more comfortable around women; when given the chance, she'd prefer sleeping next to women than men-- but she did have few men she was comfortable around.
Even after she had initially signed a paper saying she was to not discuss her visions or crossdress while living out the rest of her life in prison, the men who held her trial were quickly called to come back to the prison, where they found her dressed in men's clothing once again; so she was put to death.
She did say that she would've gladly worn dresses if it meant she could attend mass (which she hadn't been able to see), but the fact she was forced into a prison with only men more than likely had something else to do with it.
"Let our bodies lay; mark our hearts with shame; let our blood in vain; you find God in pain."
[See previous]
"And if, by his own hand, his spirit flies, take his body as a relic to be canonized. Now, and so he gets to die a saint but she will always be a whore."
(i adore this part btw it's THE best my chem lyric idc!!)
This one is more metaphorical. Because obviously, the only one in that courtroom to be canonized was Jehanne, meanwhile, no one even knows her murderers names; unless you're super into the case of Jehanne d'Arc.
But at the time, the English and French kings were seen as heroes; in their lifetimes, for the most part, they were seen as the good guys, while Jehanne was seen as a heretic.
"Against faith! (Cage all the animals!)"
Many of her murderers claimed to care about her, and they just wanted the best for her, ehen in reality, the English caged her and her brothers in seperate cells, who they deemed to be a danger.
By imprisioning, and ignoring everything Jehanne said about her visions, the church was going against their own faith in God.
"Against all life! ('Cause the message must be pure!)"
The English and the Church putting her to death is one of the huge things that God should be against; killing people. Obviously. (It's kinda funny imo that whenever someone murdered someone in the Bible their punishment was...also.. to be murdered? But oh well.)
Especially those who have a direct order from Him to fulfill a task; anyone who gets in the way of that task will not have a pretty fate.
The only reason why so many people went along with her execution was because they marketed it as being a good deed– "it's okay if we do this because we won't have to worry about losing this war anymore."
"Against change! (You can wander through the ruins!)"
One of the main reasons Jehanne was killed was because she wore mens clothing, which goes against the Bible.
However, the church failed to mention that the Bible states crossdressing is okay, under certain circumstances; which Jehanne fell into.
She was still murdered for her religious beliefs, and for her ideals in general, but the main reason was because she wore armor in order to protect herself from battle, as well as from the men she was leading.
"We are plagued! (But the poison is the cure!"
Jehanne d'Arc was both the poison and the cure.
The poison against the English, as her persistance was something that both sides hadn't seen throughout the entire war.
And she was the cure for the French for the same reason.
The plague, on the other hand, was the war itself.
Any form of plague is known to last for a long amount of time, sometimes, without having a way to fight it for even longer.
This is the same case here.
It took ninety-two years for Jehanne to, basically, pick France up from its bootstraps and start to cause serious damage to the English.
"You must fix your heart."
As stated previously, Jehanne wasn't supposed to be put to death originally.
She had signed a paper that said she would not continue to speak about the voices she heard, and she would go to prison for the rest of her life.
That was considered a moment of weakness for Jehanne, as only a few days later, she was back in her armor and stated she had another vision from the same saints as before.
I see this as St. Catherine of Alexandria, St. Margaret of Antioch, and St. Michael The Archangel during that time telling her that it'll be okay as long as she still has full faith in the Lord; which she did.
Those Saints were there to guide her, which also meant being herself and doing the thing everyone hated her for.
"And you must build an altar where it swells."
As she waited for news about what was to come, Jehanne still prayed, and found ways to worship God despite her situation.
As tensions only continued to rise, she never lost her faith.
"When the storm it gains, and the sky it rains, let it flood, let it flood; let it wash away."
Again, I see this at those Saints during that vision telling her to allow that fear to take over for a short period of time, as it will help her become stronger in the end.
"And as we stumble through your last crusade, will you welcome your extincion in the morning rays?"
"And as the swarm it calls we lay in the foundations–"
Jehanne's last battle was getting to that stake.
With a mirtire listing off her convictions, she was lead and tied to the wooden stake in the middle of Rouen, where Bishop Pierre Cauchon began his homily. She was fairly calm up until her address, where she broke down.
She knew that soon, she would meet those who guided her through her journey, and she welcomed everyone with open arms through her fear.
The "swarm" here is Archangel Michael, Catherine of Alexandria, Margaret of Antioch, and God Himself calling out to her as she burned.
They all led her through those battles, and in her death, finally were able to accept her as one of their own.
"Yes, it comforts me much more. Yes, it comforts me much more. To lay in the foundations of decay."
Again, personally, I see this as Jehanne's brothers finding comfort in thinking their sister is still alive, even though they know she isn't.
They were both captured alongside her, and yet, they like living in ignorance instead of facing that harsh reality.
"Get! Up! Coward!"
This time, it isn't any of the Saints Jehanne saw telling her to keep going.
I see it as Jehanne herself telling the people (more than likely, her brothers) she led to get up and continue fighting; they almost won, they were so close.
So, they did.
"I believe firmly what my Voices have told me, that I shall be saved; I believe it as firmly as if I were already there." -Saint Joan Of Arc.
The French continued fighting until Bordeaux surrendered, marking the French victory, which was won only twenty-two years after Jehanne's execution.
Not only that, but her prediction on what would occur seven years after her trial came true: King Charles VII created the Pragmatic Sanction of Bourges, which means that no trial can be held without the authority of the Pope.
Meaning, Jehanne's trial couldn't have been held unless the Pope wanted it to happen. She had requested that the Pope at the time be contacted about her trial, but was denied because of how long it would've taken.
She would've been forty-one at the time the French came out victorious.
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kammartinez · 1 year
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She stood then, rising out of her chair to face him. “But what do you want from me? I am no prophet. I do not bleed from my hands and feet. I have never been visited by angels.” He took a step closer to her. The top of his head reached only to her chin, but he did not flinch. “There is a time to be humble, Joan, and this is not one of them. I have questioned the men who accompanied you here—the knight and squire, the royal messenger. I have heard the Duke of Lorraine sing his praises of you, and read a letter from the captain of the garrison in Vaucouleurs, Sir Robert de Baudricourt, a steady and trustworthy man, who asked that we should grant you an audience with His Majesty. Would you call these men liars for what they have reported about you? Would you say they are deceivers?” In an almost tender voice, he added, “We are all afraid to fail, yet we must still try. There has never been more at stake. More to lose. “For we are down to our last few pieces, some scattered pawns, some handful of knights, and the Dauphin—so terrified is he of being remembered as the king who surrendered the crown of France to her ancient enemy that now he does not move at all, not even the pieces he still has on the board. Three times a day, he goes to Mass; he makes devotions to his protector, Saint Michael, and spends most of his time praying, so a number of us thought, perhaps God can give him courage; perhaps God alone can imbue him with the strength he needs to fight and win this war. And how does God speak to us, save through those He favors, His appointed messengers? Thus the holy maid, the monk, the boy with bloody hands and feet.” Le Maçon bowed his head. “And now: you.”
Joan: A Novel, by Katherine J. Chen
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♦️SANTA GIOVANNA D’ARCO♦️ Santo del giorno, il 30 maggio si celebra l’eroina della Francia Pubblicazione: 30.05.2017 - Alessandra Pavone Santa Giovanna D’Arco viene celebrata nella giornata di oggi. Nacque il 6 gennaio a Domremy del 1412 è morì il 30 maggio 1431 a Rouen, in Francia Santa Giovanna d’Arco nacque il 6 gennaio a Domremy del 1412 è morì il 30 maggio 1431 a Rouen, in Francia. E’ commemorata il 30 maggio ed è una delle più importanti eroine della storia francese. Le sue gesta eroiche sono da ricondurre alla risoluzione della Guerra dei Cent’anni, che vide contrapporsi Francia e Inghilterra. Santa Giovanna D’Arco guidò l’esercito francese nella battaglia contro gli inglesi, uscendone vittoriosa. Venne però venduta all’esercito inglese, che la sottopose ad un durissimo processo per eresia e venne giustiziata ed arsa viva sul rogo il 30 maggio del 1431. Alcuni anni dopo, nel 1456, Papa Callisto III dichiarò il processo ai danni di santa Giovanna D’Arco invalido. Nel 1909 venne beatificata e nel 1920 fu canonizzata. Fin da piccola era una fanciulla estremamente caritatevole ed attenta alle necessità dei poveri e dei bisognosi a cui spesso cedeva il suo giaciglio per la notte. In età adolescenziale iniziarono a presentarsi le prime visioni dell’arcangelo Michele e di alcune sante. La prima visione si concretizzò durante un pomeriggio d’estate e da allora decise di dedicare la sua intera esistenza a Dio. Nel 1428, santa Giovanna e la sua famiglia furono costretti a scappare dal proprio paese a causa dell’attacco sferrato dalle truppe guidate da Antoine de Vergy. Le voci celestiali e le visioni spinsero la ragazza ad aiutare il futuro sovrano di Francia, Carlo. Ma, inizialmente, non parlò a nessuno delle apparizioni. Nel febbraio del 1929 la ragazza, scortata da alcuni uomini dell’esercito di Robert de Baudricourt, si presentò al cospetto di Carlo VII raccontando di come una forza divina l’avesse spinta ad aiutarlo. Il Delfino di Francia sottopose santa Giovanna ad un attento esame da alcuni ecclesiastici. Dopo aver superato brillantemente le prove, Carlo affidò alla giovane il compito di accompagnare una spedizione militare per liberare Orleans. Link in bio (at France) https://www.instagram.com/p/CeMEzXhoXPp/?igshid=NGJjMDIxMWI=
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ratcoon · 3 years
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I’m in my joan of arc fangirl era again
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the-void-archives · 5 years
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Robert De Baudricourt
[Here]
Series: Puella Magi Tart Magica
Icons: 33
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katzkinder · 2 years
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Wrath Group and Jeanne D'arc
Wrath Fam Posting never ends, because I like them and thank you all so much for encouraging that 💕
idk what it is about this group that keeps drawing me back to them. Maybe it's because Norse mythology is one of my special interests, maybe it's because the story of Wrath arc moved me so much, maybe I'm just gay as hell. Who knows, who cares, they make me happy, and I'm glad I get to share that joy with all of you~
--Alright enough sappiness, down to business
As the title of the post says, this is going to focus on the ways Strike uses references to Jeanne D'arc as a character motif for the Wrath group, which I consider to consist of Freya, Gil, Ray, and of course, Iduna.
First up, Freya. This one's super easy. We all know Jeanne was executed under false charges of heresy, but the thing that did her in, the one accusation the English levied at her that somehow stuck was... Cross dressing. Now, Freya as we see her is a very feminine woman, but her battle outfit when paired with Iduna is undoubtedly a military uniform, and canon shows us that it was quite common for Freya to be wandering around battlefields, picking up subclass as she pleased.
The "men's clothing" Jeanne wore was armor, and her short haircut she had throughout her military career was for the sake of convenience, not because she was attempting to dress as a man. (@redlanternchild also makes note of this in her post here! Very reassuring that I am not, in fact, an insane person ww. I love her analysis in general so please give her blog a look through if you haven't already; It's super duper worth it!)
It's also a common misconception that Jeanne was executed as a witch, one that might be due to how she was depicted in Shakespeare's Henry IV part 1, where, spurred on by common English propaganda at the time of writing, she was portrayed as a witch and a promiscuous woman (This makes Freya's one-sided adoration for her baby brother rather... bitter, in a funny way). And, well... Gear went and rescued Freya from a witch trial, so. There ya go.
Second comes Freya's subclass, Gilberto Weasel and Rayscent Crazyrabbit, aka, Gil and Ray!
Using Italian pronunciation of Gil's name would make it sound closer to "Jill," while Ray, is, well, Ray! Put em together, and you've got something remarkably close to Jeanne's compatriot and the commander of the French army, Gilles de Rais!
Now for birthdays. Birthdays for characters in Servamp are NEVER chosen Just Because, and Freya's subclass are no exception.
Gil's birthday is February 12th, which also falls on the day the Battle of Herrings started, allll the way back in 1429. It's a really minor battle within the Hundred Years War, but, it was the date Jeanne met with Robert de Baudricourt and ended up, ahem, convinced to help her. It's actually really funny; she basically cornered the dude and then proceeded to publicly lecture everyone present until he relented. This is significant because Jeanne's encounter with Baudricourt is considered by historians to be her first major step towards her career and fame, much like Iduna's first meeting with Gil was what pushed her to really think about what she was creating, who for, and why.
Now, time for Ray! Ray's birthday is May 15th, which just so happens to coincide with the day Gilles de Rais kidnapped a cleric during a dispute at the Church of Saint-Étienne-de-Mer-Morte. This ultimately prompted an investigation by the Bishop of Nantes, during which evidence of Rais's crimes as the infamous "Bluebeard" was uncovered. ... Basically he murdered and did Other Things to a bunch of kids but let's just move past that, ayup.
Finally, we have the Star (lol) of our show... Iduna! She's the most obvious of the bunch with her connections, to the point that I almost feel silly bringing it up? But I also realize that people genuinely might not realize some of these because it just never came up in their lives before.
First, Jeanne's nickname was the Maid of Orléans, and she wasn’t just a flag bearer who rallied the troops. She also carried a sword into battle, a fact that for whatever reason is often left out when discussing her accomplishments. Iduna's combo with Freya is literally named "Maid of Orléans (Draw your sword)", and its effect is to give Freya the weapon she is lacking to become a perfect bastion of offense and defense. I'd have to be a total idiot to miss that given that even FGO, which, as I mentioned in a different post about Freya, plays it VERY fast and loose with history, gets this right, and how popular Jeanne D’arc is as a person to take inspiration from for fictional characters.
(side note, but i wonder if the design of Freya's demon was inspired somewhat by Fate Extra CCC's Karna? Strike's definitely a Fate fan and has even drawn Ildio in Gilgamesh cosplay, so it's entirely possible considering she loves to sprinkle in homages to series she likes within character design)
Second, and I've mentioned it in a previous post, Iduna's birthday, May 30th, is also the day Jeanne died at the hands of the English.
Jeanne was also only 17 the day she first rode into battle, just like Iduna! She's also the patron saint of prisoners (of which C3 was keeping the subclass as, and they were freed and safely guided out of the collapse thanks to Iduna intervening with the battle between Shamrock and Shuuhei) and soldiers, especially female soldiers like Freya. However, she's much more well known for being the patron saint of France ww
Finally, there’s one of the charges leveled at Jeanne during her trial. While she was captured by the Burgundians, there was an incident where she jumped from a 21 meter(!!) tall tower, and she safely landed on the ground despite the height (but was quickly recaptured). Now the reason for this seems to have conflicting sources, and I… Do not speak French |D
Some say she was merely attempting to escape, others insist that she did so to save a nearby village. Point being, she leapt, survived, was captured, and maybe did so for not her own sake, but for others.
Anybody remember the end of chapter 106 and the entirety of chapter 107? Iduna, using a new invention, leaps from the window of the hospital (much to Gil and Ray’s distress lol) in order to more immediately tend to the injured Nicco, and her kindness is met with being taken hostage. I just thought this one was a funny little coincidence and probably not intentional, so take it as you like~
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If Joan did not own a horse until she received one from Robert de Baudricourt at Vaucouleurs; if she did not have a sword until she received one also from Baudricourt or even later sent for the one which was hidden in the monastery of Saint-Catherine-de-Fierbois; if she had never worn armor, until she first tried on the suit which Charles, the dauphin, ordered to be made for her; and if she had never ridden under any standard, let alone hers, when did she become a soldier or, even better, a military leader? For that is what Joan was destined to be; that is why the dauphin had her tested and approved by so many at Chinon, Poitiers, and Tours. The rather convoluted question can be answered quite simply in two ways. The first is to stand on a historical soapbox and exclaim that a horse, sword, armor, or standard were not necessary to make someone in the late Middle Ages a soldier, let alone a military leader, just as having those items did not automatically improve one's military skill or legitimize one's generalship. Indeed, during the Hundred Years War especially, it was being discovered that many were not made military leaders simply by their noble birth. Far more often, the good generals on all sides — English, French, and Burgundian — rose from obscurity to greatness because they had a natural ability to lead men, formulate strategy and tactics, and, perhaps most importantly, stay alive when others around them were being killed. They also had to have confidence in their abilities, for if they appeared to doubt what they were asking others to do, their leadership was moot; no soldiers would follow them for long. This was more important even than winning (although numerous victories also obviously helped) in leading men into battle or at sieges during the last two centuries of the Middle Ages.
Joan of arc: a military leader by Kelly DeVries.
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1. The Life and Death of Joan of Arc: A Brief History
During the plight of The Hundred Years War, Joan of Arc (b. 1412) was raised by her family, on their farm in the isolated village of Domrémy (Wilken, 2009). The war, which entered its third phase when Joan was nearly a year old, saw both King Henry V of England’s invasion into France, and the ending of the Great Schism of the Roman Catholic church. Although there is not much known about Joan before February 1428, it is assured that during her undocumented lifetime, political tensions were high, and the people of France were uncertain of their future (Neillands, 2001). 
At the age of 13, Joan claims she received her first vision from God. These visions, which included images of Saint Michael, Saint Catherine, and Saint Margaret, communicated a mission for her. Joan was shown herself leading the charge to remove the English from occupied France, and accompanying Charles VII (the French heir) to his inauguration in Riems, France (Wilken, 2009). These visions, which would come to Joan in both auditory and visual formats, would often last for several minutes and continue throughout her life (Nicastro & Picard, 2016). 
In 1428, at the age of 16, Joan left her home with a relative, and traveled to her local military base. Here she encounters Robert de Baudricourt, and informs him of her visions from God. She requested to speak to Charles VII, so she can tell him of her visions and reclaim France. Unsurprisingly, Joan is mocked, turned away, and told to return home (Wilken, 2009). However she persisted, and after a few months of telling prophecies that came true to the commander, and rumours of her loudly scolding him about his lack of faith, she was taken to see Charles VII in Chinon (Wilken, 2009)(TheUntoldPast, 2021).
Charles VII agrees to meet with Joan on March 7th, 1429 (or somewhere around that date, as it is still unconfirmed). He subjected Joan to a a set of testing pertaining to her visions, and after passing his tests, he believed her (Wilken, 2009). He agrees to help Joan with her mission, and allows Joan to stay there while they continue to strategize. After a few months, Joan was allowed by Charles VII to enter the battlefield (Neillands, 2001). 
At the time, the heart of the battle was being had in Orléans (Southey, 1806). Although they had been fighting there for six months, and were on the verge of defeat, Joan’s arrival changed the course of the war. Nine days following her arrival, France broke through and retook the city. By July of that year, Joan had helped the French army take back Troyes, Paris, and Reims. And in less than three months since her arrival, Charles VII had been crowned king (Southey, 1806)(Wilken, 2009). 
Although France was winning and regaining territory, Joan was captured and given over to the English in 1430. She was publicly called a heretic by English priests, and was put on trial for her crimes against God (Wilken, 2009). This resulted in twelve charges being brought against her. The charges, which were put into three distinct categories, were on the basis of diabolical influence, blasphemy/irreverence, and unorthodox presentation of religious devotion. There was a large focus on her desire to present masculinely, and refusal of women’s dress. They also focused heavily on Joan’s interpretation of the saints who had spoken to her, and believed that she did not have sufficient evidence to support her mysticism (Dolgin, 1951).
 It was clear that the capture and trial of Joan was not only because of England's belief of her being a heretic, but also because they saw her as a threat. The purpose for her trial was not only to kill the French revolutionist, but to also mitigate her followers. The trial was meant to publicly embarrass her, discredit her character and message. However, because Joan was able to out-speak the lawyer who represented the Church, the latter half of the trial was held in private. England was once again concerned with her ability to persuade and captivate the people around her, so they ultimately sentenced her to death (Dolgin, 1951).
Joan was tried for her crimes, and burned at the stake on the 30th of May in 1431, at the age of nineteen. Clutching a wooden cross, Joan was burned surrounded by 10,000 English soldiers. Accounts of her death state that she continued to say “Jesus, Jesus, Jesus” as she burned (Wilken, 2009). Although she died upon the initial burning, some accounts claimed that they were unable to burn some of her organs (most accounts claim that they were unable to burn her heart). This resulted in the English burning her body twice more, to ensure that her body was reduced solely to ash, which would be spread in the local river (Dolgin, 1951).
2. The Legacy of Joan After Death and Before Canonization: A Brief Exploration into Failure
There was some success in the smear campaign against Joan of Arc, as for-telling by the length between her death and her canonization.  Although she died in 1431, Joan was not beatified until 1909, and wasn’t canonized until 1920. Possible reasons for the length between her death and canonization is three-fold, with the first two specifically related to her public perception following death.  
The first reason was due to her crimes sentenced by the English church. Although she was later acquitted of these charges, and given the title of Martyr in 1456, there was concern about her canonization by the Vatican. This is evident in the rumours, that even though it had been nearly 500 years, Pope Benedict XV asked Queen Victoria (the sitting monarch of England during that time) permission to beatify her (Dolgin, 1951). 
A second possible reason is due to the misogyny in the Catholic church, and Joan’s gender expression. Although she was considered a holy transvestite, the title was still accompanied with shame. There were several rumours of her lack of purity, and lots of confusion and disdain from the Catholic church because of her refusal to wear feminine dress. As well, regardless of gender expression, by being born female, Joan was less likely to become a saint due to the Churches reluctance to pursue the causes of female saints (Dolgin, 1951). 
The final possible reason was rooted in history. Following the One Hundred Year war, Joan was officially recognized as a martyr. Previously, all martyrs of the faith were declared saints. However, in 1243, under Pope Gregory XI, the canonization process became centralized. Though, with the Great Schism happening around the time of Joan’s death, there is a possibility  that local French Churches were uncertain about how saints were going forward (Smith, 1970). So although not an official saint in Rome, Joan was often considered a saint by the French, and several people observed her feast day before her canonization (Dolgin, 1951). 
So up to this point, Joan is not officially seen as a saint, and there is not much of a push to make her one. Several people in her community considered her a saint, and celebrated her feast day accordingly. Following her being declared innocent, Joan’s family was never heard from again (Wilken, 2009). During the French Revolution, Joan became unpopular in France, and several of her relics were destroyed. Meaning that until the mid 1800s, Joan's cult was unsuccessful (Sexsmith, 1990). 
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Ikemen Vampire - Jean d’Arc Route Summary Chapter 10
here is the tenth chapter!
to clarify again, I’m not very good at japanese so if anything is wrong or weirdly translated everything is on me.
of course there is going to be some spoilers so do not read if you don’t wish to know jean’s story yet.
*also little bonus at the end about Jeanne d’Arc real story! of course you don’t have to read it to understand his route in the game but it’s very interesting :)*
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The Count tells MC the history of the war between France and England, also known as the Hundred Years’ War...
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【 Comte 】  Jean was a soldier who led the French army during the Hundred Years War.
Jean fights for his country, France and defeats the English army. Jean d’Arc, soon after the defeat of the enemy, becomes a true hero for his people.
However, such glory won’t last for Jean :( 'The most tragic end of the world's heroes', as they say.
In the course of the battle, Jean was captured as a prisoner of war by the enemy. The King didn’t want to help him for some reason. 😡
And of course... 🙄
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【 Comte 】  Jean was convicted of heresy and it has been decided that he would be sentenced to fire.
After Jean's death, the king ordered a re-examination of his treason and found him to be innocent, and he went down as a hero of France.
The fact that Jean never knew went down as a hero after his death and this won’t change the fact that he died as an innocent. The protagonist is angry because it doesn't make any sense.
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From the bottom of my stomach, I feel a mixture of anger and frustration.
Here, the MC asks the Count a question. “Why did he bring him back to life after such a death?”
There's something different about the Count returning the great men of the mansion and Jean.
The MC wonders if Jean really wanted the Count to bring him back to life. Before the Count can answer, Jean appears, interrupts him, takes the MC by the arm and leads her away.
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【 Jean 】  One look at this man's face is enough. I don't like it. Let's go, woman. 
As soon as they arrived in the library, Jean seems to have calmed down a little lets go of the MC's arm.
The protagonist apologises for trying to find out about his past without his permission, but Jean says that's okay. Jean says it's okay, because his life has been written about in books anyway. However, he says that he doesn't want the Count to tell her about it.
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【 Jean 】  ...It's not enough to say I hate it, it's too much.
Jean says that he is not a hero and that he is no different from the children's book he used to read, The Ugly Duckling.
it hurts me so much that this is the way he perceives himself when he deserves all the love in the world </3
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Jean's gaze fell on the book 'The Ugly Duckling', which was still on the table.
That’s it for chapter 10!
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here is some real background info about the real Jeanne d’Arc! She is such a brave and interesting historical figure. The epitome of a real badass, fearless and powerful woman.
so, the hundred years' war, if we summarize as much as possible is a series of armed conflicts that began in 1337. which opposes the kingdom of france and the kingdom of england.
in 1328 at the death of king charles iv, the question arises as to who will inherit the french crown.
one then has the choice between the cousin of the preceding king philippe de valois and edward iii the king of england who by his mother isabelle is also a descendant of the french throne.
you can imagine putting an english king on the french throne, wasn’t seen very well. 
edward not happy, which led to a succession crisis, which lead to the hundred years' war.
obviously this conflict, quickly overcomes a simple succession crisis.
it's a mess.
what you have to remember, is that the english are gradually invading part of the kingdom of france.
in 1415, after the battle of azincourt and the english victory, the english king henry v controls much of the north of the kingdom of france, including paris for that matter.
but it is far from being the only concern.
what you have to keep in mind is that the king of france at the time, charles vi, is reached at rather regular intervals of madness.
this obviously prevents him from administering the kingdom properly.
as a result, in parallel with the conflict with the english, a real civil war breaks out.
to find out who between his son the heir charles and his cousin the duke of burgundy will be able to take back the reins of the kingdom; the duke of burgundy is supported by the burgundians who will end up allying themselves with the english and the son of the king the heir charles is supported by the armagnacs.
but during this time, charles is betrayed by his own father who disinherits his son and after his death, gives the crown to the english.
i warned you that it was really messy.
and it is in this incredible mess that our jeanne arrives.
and where exactly does jeanne come from? from domremy.
she is also often called the virgin of orleans.
she is associated with the city of reims, but jeanne was originally born in domremy.
and where exactly is this place? domremy is this little town to the west of the city of the vosges department, on the banks of the meuse river.
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isn't it pretty?
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this is jeanne's birth house,
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she would have been born around 1412. the building classified as a historical monument since 1840 includes in addition to a cellar, three large rooms originally used to house the whole family, her parents and four siblings.
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according to jeanne's trial, it is here that she would have learned to sew or weave which were two occupations of the young girls of the time.
her father was a ploughman, so she often had to look after the animals.
and since she is very pious she spent a lot of time praying.
she went on pilgrimage at least once a week, for example in the notre dame de bermont chapel, about three kilometres (as the crow flies) from her birth house.
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and jeanne d’arc, as you may have guessed, wasn't always called jeanne d’arc.
no, in history she has had different names and official nicknames.
there are of course the best known ones: the virgin of orleans, jeanne the virgin or even just the virgin and in the vicinity of domremy she was also called the jeannette de rommée, in connection with her mother's name. she has even signed several letters with the name jehanne.
and it's even more complicated if you're interested in her surname “d'arc”.
which was originally written darc, without the apostrophe. here again there have been many variations, and i'll mention a few of them: tarc, dars, darx and even d'ailly or daly according to the phonetic transcription of her name, with a lorraine accent. from there we move on to duly, then du lys.
when the king ennobled jeanne and her family, it is written on the deed, la dame du lys in reference to the royal coat of arms.
this is the magnificent bois-chenu basilica, which was built between 1880 and 1940 in honour of jeanne.
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and for the record, this incredible basilica was sometimes considered to be the place where jeanne would have heard voices.
however if we refer to the trial, it is in her father's garden, near the house, that jeanne would have started hearing voices, celestial calls, coming from saint catherine of st. margaret's and the archangel saint michael.
the divine mission entrusted to her was very “simple”.
she was only commanded to be a cavalier, to cross a kingdom occupied by the english to go and find the future charles vii and convince him that she is the one sent from heaven.
to help him to take his place on the throne by her coronation in reims.
to show him how to liberate the kingdom of france, of the english presence.
it seems to be an easy enough mission for me. 😅 (nope)
so obviously you can imagine that the people didn't take her seriously right away. it took a few years before she managed to convince the world that she wasn't completely crazy.
- jeanne?
- yes?
- this is the voice.
- is someone talking to me?
- you are the chosen one, jeanne, join me.
- yes, i'm coming.
- i hope you like human barbecue. (ok i'll stop :/)
how is the legend of jeanne forged? how does one go from being a peasant girl eager to help, to jeanne of arc, heroine of the kingdom of france?
this is le centre d’interprétation (the interpretation centre), which is just behind jeanne of arc's birth house and retraces her youth and adventures.
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her journey is incredible, at 17 years old, jeanne can't stand not doing anything anymore, she has been hearing voices urging her to act for four years now.
so she decides to return to the châtellenie de vaucouleurs, to meet captain robert de baudricourt, one of the king's faithful followers and after several vicissitudes, she manages to convince him. it wasn't easy, i remind you that her main point was that she hears voices. but yeah, he finally agrees to send her with an escort, join the heirn in chinon.
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the journey is quite long and above all risky, we are talking about more than 500 kilometres and in this period of turmoil, the dangers were quite present especially if you look at the map, one realizes that the small expedition crosses areas not controlled by the enemy coalition.
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fortunately, everything went well for jeanne, who arrives at her destination on march 1429 and gets an audience with the heir two days later. he was quite suspicious of this young woman at first, who claims to hear divine voices but according to the story she made a revelation to him that we don't know which eventually convinced him.
for the entourage of the suitor of the throne, it's not that simple and you can understand them, betting on jeanne is a little bit like a poker game. so they insist that she will be given a few interrogations, she is questioned about her life, about her morals and finally confidence is established, she is equipped with military equipment. she then undergoes mini combat trainings and here we go, her dream is about to come true, she joins a supply convoy in blois and on april 22nd, with more than 4000 men, she is headed for orléans.
the arrival of jeanne of arc changes many things.
her faith, her confidence in victory gives hope to the soldiers and to the inhabitants, who are filled with new energy. they manage to win in less than 10 days, 10 days and the english are obliged to give up their plan, which consisted of taking the city and then attacking the south of the loire.
jeanne who comes out of this battle with this image as a victorious, ultra badass woman and just earned her nickname... la pucelle d'orléans (the virgin of orleans).
thanks to her victory in orleans, jeanne thus becomes a kind of national heroine. she represents by her fame and her qualities, a not insignificant asset for the heir in his fight against the english and the burgundians.
but what makes a real difference is less her qualities as a war strategist and more her ability to charm and to galvanise the troops and the inhabitants along the way.
it's quite simple, before jeanne's arrival, the english had a reputation for never losing their invincibility.
and jeanne achieves the feat of restoring confidence in a possible victory.
it gives the impression to the troops that they are going to receive a kind of divine help and it changes everything in the soldiers' minds, all the more so because before her arrival there was a prophecy, who said that a virgin would help defeat the english so when jeanne arrives, everyone thought "it's ok, we're saved"!
jeanne persuades the future king to start a ride to reims who is in the middle of enemy territory, to be crowned.
jeanne thus succeeded in carrying out one of the following missions which were supposedly entrusted to her by the voices she hears; in other words, since she has succeeded, she is necessarily an envoy of god, and that for the mood of the troops, it makes a huge difference.
unfortunately after the time of victories comes the time of defeats.
after the coronation, the king and jeanne no longer really agree. she is convinced that her mission is to keep the english out of france.
the king, for his part, is longing for a little rest.
for example, he does not feel at all capable of taking back paris, while jeanne, a little bit stubborn, goes there anyway and suffers a failure.
on top of that she is wounded, she gets a crossbow arrow in her thigh, moreover, she breaks her sword which had for all victories...
it's a bad sign.
some people think that the virgin is abandoned by god. some time later jeanne went to compiègne, a city besieged by the burgundians and by some english contingents and once again it goes wrong, she is taken prisoner in may 1430, by the burgundians.
she tried to escape, but all her attempts failed and in november of the same year, she was sold to the english. jeanne is then taken to the castle of rouen, where members of the church judge her for heresy.
the trial was to say that charles vii was crowned thanks to a witch, she is also blamed for everything and anything, for dressing in men's clothing,
for deferring directly to god's judgement without going through the church, for hearing the voices of demons and not of saints.
jeanne really plays her life on each of her answers, in addition, she faces accusers totally committed to the english cause on her own when she was only 19 years old.
moreover, the witnesses are obviously not chosen at random, everyone who could speak up for jeanne is under pressure. everything is being done to ensure that she is condemned. finally, she ends up at the stake, on the market square, and we make sure there's nothing left of her body, to prevent it from being turned into holy relics.
and then after the end of the hundred years' war, i.e. almost 25 years later, the church reverses this first court decision. king charles vii wants to wash away the insult that was done to him through this trial and he pushes jeanne's family to ask for a review. pope calixtus iii agreed and jeanne was rehabilitated in 1456. the investigations carried out are more serious, many of jeanne's contemporaries jostle to plead in her favour and even people who had once spoken badly of her finally return to saying good things about her.
the first judgement is broken and the young woman's memory is rehabilitated.
an unusual little fact in the end - many people have not been able to admit that the story of the virgin ends up on a pyre. for them it was impossible, this story was too beautiful, this too extraordinary woman.
and it went far enough that people found stories of women, who a few years later claimed to be the real jeanne.
just imagine them saying stuff like "oh yeah, yeah it's me i didn't burn at all, my face has changed a little bit but it's me, i assure you, believe me, really".
a certain claude des armoises is said to have pretended to be her, in the metz region. after having acquired a certain renown, having been given gifts by former relatives of jeanne; she even went so far as to meet two of the virgin's brothers, who (hold on because it's completely insane) believed her.
they really believed it was their own sister who had died at the stake.
it's a crazy story!
well, we don't really know if they really believed it, or if one pretends to believe it for financial reasons for example.
in any case, this woman, who was talked about everywhere, is unmasked by the king himself, so that this fraud can be stopped.
in the end, i find this story quite unusual.
here are the friends!
i hope it wasn’t too long to read (it probably was) and that you have learned two, three little things on our dear jeanne d’arc. after all, she is one of the most famous women in history!
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barely-alive-shrimp · 3 years
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About PSP Jeanne d’Arc ’s historical references
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You know, Jeanne d’Arc for PSP is a funny game: while clearly not being very historically accurate (orcs and magical armlets in the Hundred Years’ War? Huh, they don’t tell you about things like that on History lessons), it still contains some interesting nods to history, some of which are quite obscure. I’ve collected some of them, mostly about historical figures and some events that I consider to be most interesting. This is going to be a long post, and there will be some spoilers, but I’ll put a warning so you could skip that part if you haven’t played the whole game yet. Oh, and sorry for any mistakes – I’m not a native speaker, so I hope there won’t be too many of them. I tried my best :P
[Note: I kept referring to her as Jeanne d’Arc here, although, as far as I understand, it is more common to call her Joan of Arc in English. I’ll leave it as it is, if you don’t mind ^^’]
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Okay, I think I’ll start with the characters. There are quite a lot of characters who were based off real people: aside from the most obvious ones (Jeanne d’Arc, Gilles de Rais, Henry VI, Charles VII and some others), we have the following (I tried to find some paintings and pictures where possible):
Jean and Bertrand are based off Jean de Metz and Bertrand de Poulengy, who were Jeanne’s trusted allies during the Hundred Years’ War. They both had great respect for Jeanne and escorted her on her journey to the dauphin.
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Colet’s prototype is most likely Colet de Vienne, a royal messenger who also escorted Jeanne d’Arc on her way to Chinon. Little is known about him, other than that he was accompanied by an archer named Richard – probably a prototype for Marcel. I guess they changed his name so he won’t be confused with the other Richard, who is also a playable character. By the way, it seems that the name ‘Marcel’ means “little warrior” in French, so if game developers chose that name intentionally (and I think they did), that’s a very nice little touch!
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Étienne de Vignolles, more known as La Hire, was among France’s best commanders and was one of Jeanne d’Arc’s most trusted allies. Described as quite an arrogant man, he was a fearsome warrior and fought alongside Jeanne at Orleans and during the Battle of Patay. You can also find this prayer of his: “God, I pray Thee that today Thou wilt do for La Hire that which Thou wouldst have La Hire do for Thee, if he were God and Thou wert La Hire.” – perhaps, much like his in-game version, he did have a habit of talking about himself in the third person.
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Richard was probably based off Brother Richard, a Franciscan monk who knew Jeanne. I couldn’t find any other information about him, though, except for this design for an opera.
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The next one is a bit of a stretch, to be honest. It seems Bartolomeo does have a historical prototype, but it’s not clear who it was; he may or may not be based off Bartolomeo d'Alviano, an Italian captain who fought on the side of Spain against France. He didn’t have much to do with the Hundred Years’ War, though; moreover, he was born after Jeanne was burned at the stake.  
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Robert de Baudricourt was a captain of the royal garrison at Vaucouleurs. When Jeanne d’Arc came to him, saying she has a mission from God and asking for assistance, he was very skeptical at first, but since Jeanne was very persistent, he eventually provided her an escort to visit the Dauphin. The game didn’t change it much.
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John Talbot was an English military commander known as “English Achilles” for his bravery. Despite being one of the most feared warriors, he was respected so much that when he was captured, Charles VII released him without asking for ransom.
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Sir William Glasdale was an English captain who commanded the troops in the fort Les Tourelles. Jeanne d’Arc wrote a letter to him, pleading him to lift the siege of the fort, but he refused to do so, and Jeanne’s troops started the assault to take Les Tourelles back. During the assault, Glasdale fell into the Loire River and drowned, as his armor was too heavy. 
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Both Georges de La Trémoille and Arthur de Richemont were indeed Charles’s trusted servants. Georges also survived an attempt of assassination – as described, “thanks to his obesity”, and, as you can see in the game, the developers had that part in their heads, as well. :) Here’s a picture of Arthur de Richemont, I couldn’t find any paintings of real life Georges de La Trémoille, but I’ll add a picture of his in-game version a bit later.
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There’s an interesting detail about Charles VII himself: have you ever looked at his in-game portrait and thought: “Man, they didn’t have to draw him such a big nose”? Well, that’s probably because real Charles VII was actually described as a man with a big nose! That’s another “well done” to the game developers.
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As for Bedford – his actual name was John of Lancaster, ‘The Duke of Bedford’ was only his title. I don’t know, maybe that’s obvious, but I spent a good part of walkthrough thinking Bedford was his name. His real name not being mentioned and all the other characters calling him just “Bedford” certainly didn’t help. :P
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                                                             * * *
All right, now I’m going to dive into some historical events and characters’ relationships that might spoil some events of the game for you. Please, go to the “SPOILERS END” mark if you haven’t finished the game yet and want to see everything for yourself.
                                                          SPOILERS
  Okay, first of all, the game heavily implies Charles VII had a difficult relationship with his mother, Isabeau of Bavaria. Real life Isabeau of Bavaria claimed that Charles VII wasn’t the trueborn son of Charles VI, thus couldn’t be the rightful king of France, so I doubt the queen loved her son very much. The game tries to explain it with the demonic possession of Isabeau – still, her last words before she was (presumably) killed by Henry VI/Gilvaroth were confusing and quite out-of-nowhere to me.
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Georges de La Trémoille disliked Jeanne d’Arc and, as some historians believe, was involved in a plot against her that ultimately led to her death – both in real life and the game. Of course, we all remember that in the game it wasn’t Jeanne who ended up at the stake…
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The Battle of Patay (June, 1489) was one of Jeanne d’Arc’s greatest victories during the Hundred Years’ war. In this battle, the feared “Terror of French” John Talbot was finally captured. I’m not sure if this one was intended or not, but this stage in the game is the last time you see Talbot – well, not until he suddenly reappears late in the game, only to help you and never to be seen again. 
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Do you remember the part where Liane went overwhelmed with her great power and responsibility (hehe) and tried to recapture Paris by herself? Real Jeanne d’Arc also tried to break the siege of Paris, but the attempt failed and she and her troops were ordered to withdraw. After that, the nobles’ disappointment with her had reached its highest point, and Jeanne’s fate was pretty much sealed – much like Liane’s. 
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And, of course, the darkest nod to the history is Gilles de Rais, known as a serial killer and possibly a pedophile (there are some historians who believe he was framed, but that’s not the point for now). On the other hand, in-game Gilles is a nice and noble guy and never betrays you or does something violent. At the end of the game, he sacrifices himself so Gilvaroth would be trapped inside of his body, and, considering the real history, the demon probably got him in the end. This reference is more well-known and has been discussed at several forums, but I still cannot help but mention it. 
Also, on a less disturbing note – see how Gilles is drawn with a lily? That’s because Charles VII allowed de Rais to add this flower on their family crest, which was considered a great honor, as lily symbolized the power of the Crown (that’s what I heard, at least). 
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                                                    SPOILERS END
 These are the most interesting historical references of the game, in my opinion. Thank you for reading and feel free to correct me and/or add the details I’ve missed! My DM is closed for now, but you can correct me via reblogs, if you want. ^^
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blogdemocratesjr · 3 years
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Joan of Arc Listening to the Voices by Diogenes Ulysses Maillart
“You, Joan? You, a child, lead armies?”
“Yes. For one little moment or two the thought crushed me; for it is as you say—I am only a child; a child and ignorant—ignorant of everything that pertains to war, and not fitted for the rough life of camps and the companionship of soldiers. But those weak moments passed; they will not come again. I am enlisted, I will not turn back, God helping me, till the English grip is loosed from the throat of France. My Voices have never told me lies, they have not lied to-day. They say I am to go to Robert de Baudricourt, governor of Vaucouleurs, and he will give me men-at-arms for escort and send me to the King. A year from now a blow will be struck which will be the beginning of the end, and the end will follow swiftly.”
—Mark Twain, Personal Recollections of Joan of Arc
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mysticalhearth · 3 years
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Saint Joan - National Theatre - February 16, 2017 (Pro-Shot's master) FORMAT:  MP4 (SD) CAST: Elliot Levey (Bishop of Beauvais/Cauchon), Fisayo Akinade (The Dauphin/Charles VII), Gemma Arterton (Joan), Hadley Fraser (Dunois), Jo Stone-Fewings (Earl of Warwick), Matt Bardock (Robert de Baudricourt/The Inquisitor), Niall Buggy (Archbishop of Rheims/A Gentleman) NOTES: Pro-shot. National Theatre Live Season Eight.
Saturday Night Fever - The Netherlands - 2003 (Pro-Shot's master) FORMAT:  MP4 (HD) CAST: Joost de Jong (Tony), Chantal Janzen (Stephanie), Claudia de Graaf (Annette) NOTES: Generation loss Saved - Off-Broadway - June 8, 2008 FORMAT:  VOB (no smalls) (SD) CAST: Celia Keenan-Bolger (Mary), John Dossett (Pastor Skip), Julia Murney (Lillian), Mary Faber (Hilary Faye), Josh Breckenridge (Shane), Juliana Ashley Hansen (Lana), Curtis Holbrook (Roland), Van Hughes (Patrick), Jason Michael Snow (Zac), Aaron Tveit (Dean), Emily Walton (Tia), Morgan Weed (Cassandra) NOTES: One cover-up which lasts about 10 minutes The Scarlet Pimpernel - Broadway - February, 1998 FORMAT:  MP4 (HD) CAST: Douglas Sills (Sir Percy Blakeney), Christine Andreas (Marguerite St. Just), Terrence Mann (Chauvelin) School Girls; Or, The African Mean Girls Play - Off-Broadway - December, 2018 (Pro-Shot's master) FORMAT:  MKV (HD) CAST: Zenzi Williams (Eloise Amponsah), MaameYaa Boafo (Paulina), Joanna A Jones (Ericka), Myra Lucretia Taylor (Headmistress Francis), Latoya Edwards (Ama), Paige Gilbert (Gifty), Abena Mensah-Bonsu (Nana), Mirirai Sithole (Mercy) NOTES: Proshot WNET-TV's New York City-area Channel THIRTEEN continues its Theater Close-Up programming with a one-night-only broadcast of Jocelyn Bioh’s hit Off-Broadway play School Girls; Or, The African Mean Girls Play. The broadcast, filmed during the show's return run at the Lucille Lortel Theatre last year, plays August 16 at 9 PM. First seen Off-Broadway in 2017, the critically acclaimed School Girls; Or, the African Mean Girls Play was remounted by MCC Theater last fall, where it once again extended its engagement. Directed by Rebecca Taichman, the coming-of-age story takes place in an exclusive, all-girls boarding school in Ghana in the ‘80s and uses both comedy and drama to explore girlhood, colorism, colonialism, and beauty. School of Rock - Broadway - November 11, 2015 (Preview) (SunsetBlvd79's master) FORMAT:  VOB (with smalls) (SD) CAST: Alex Brightman (Dewey Finn), Sierra Boggess (Rosalie Mullins), Spencer Moses (Ned Schneebly), Mamie Parris (Patty Di Marco), Isabella Russo (Summer), Dante Melucci (Freddie), Evie Dolan (Katie), Jared Parker (Lawrence), Brandon Niederauer (Zack), Bobbi MacKenzie (Tomika), Luca Padovan (Billy), Taylor Caldwell (Shonelle), Carly Gendell (Marcy), Corinne Wilson (Sophie), Ethan Khusidman (Mason), Shahadi Wright Joseph (Madison) NOTES: Great HD capture of this great new ALW show. There is a 5 minute blackout during the scene after the opening song, due to late seating issues. The cast is phenomenal and Alex gives a sensational performance. High energy show with great songs and is so much fun! The last 11 minutes (which is the finale) ARE here, but from a different performance as someone was taking *multiple* flash pictures with their iPhone in the row and was scolded and babysat those 11 minutes. A- School of Rock - Broadway - December 19, 2015 FORMAT:  MP4 (HD) CAST: Alex Brightman (Dewey Finn), Sierra Boggess (Rosalie Mullins), Spencer Moses (Ned Schneebly), Mamie Parris (Patty Di Marco), Isabella Russo (Summer), Dante Melucci (Freddie), Evie Dolan (Katie), Jared Parker (Lawrence), Brandon Niederauer (Zack), Bobbi MacKenzie (Tomika), Luca Padovan (Billy), Taylor Caldwell (Shonelle), Carley Gendell (Marcy), Corinne Wilson (Sophie), Ethan Khusidman (Mason), Shahadi Wright Joseph (Madison) School of Rock - Broadway - December 30, 2015 (Matinee) (SJ Bernly's master) FORMAT:  VOB (with smalls) (SD) CAST: Alex Brightman (Dewey Finn), Sierra Boggess (Rosalie Mullins), Spencer Moses (Ned Schneebly), Mamie Parris (Patty Di Marco), Isabella Russo (Summer), Dante Melucci (Freddie), Evie Dolan (Katie), Jared Parker (Lawrence), Brandon Niederauer (Zack), Bobbi MacKenzie (Tomika), Luca Padovan (Billy), Taylor Caldwell (Shonelle), Carly Gendell (Marcy), Corinne Wilson (Sophie), Ethan Khusidman (Mason), Shahadi Wright Joseph (Madison) NOTES: Beautiful HD capture of this wonderful show. Alex is perfectly cast as Dewey and leads the show well. A very nice capture with no obstruction, no washout, and just a couple quick dropouts. It gets a little dark at times and filmed from the right side. The sound is excellent. Includes curtain call and playbill scan. Alex Brightman shows why he deserves his Tony Nomination with a kick ass performance School of Rock - Broadway - February 17, 2016 (Matinee) FORMAT:  MP4 (SD) CAST: Jonathan Wagner (u/s Dewey Finn), Sierra Boggess (Rosalie Mullins), Spencer Moses (Ned Schneebly), Mamie Parris (Patty Di Marco), Isabella Russo (Summer), Dante Melucci (Freddie), Evie Dolan (Katie), Jared Parker (Lawrence), Brandon Niederauer (Zack), Bobbi MacKenzie (Tomika), Luca Padovan (Billy), Taylor Caldwell (Shonelle), Carly Gendell (Marcy), Corinne Wilson (Sophie), Ethan Khusidman (Mason), Shahadi Wright Joseph (Madison) NOTES: Please Read- Act One you can only see the ceiling due too many ushers around the filmer. Act two you can see the show partially. School of Rock - Broadway - August 8, 2016 FORMAT:  MP4 (SD) CAST: Alex Brightman (Dewey Finn), Sierra Boggess (Rosalie Mullins), Spencer Moses (Ned Schneebly), Mamie Parris (Patty Di Marco), Isabella Russo (Summer), Raghav Mehrotra (Freddie), Evie Dolan (Katie), Diego Lucano (Lawrence), Brandon Niederauer (Zack), Bobbi MacKenzie (Tomika), Luca Padovan (Billy), Gianna Harris (Shonelle), Carly Gendell (Marcy), Gabby Gutierrez (Sophie), Ethan Khusidman (Mason), Shahadi Wright Joseph (Madison), John Arthur Greene (Theo/Ensemble), Josh Tower (Snake/Mr. Mooneyham) NOTES: Sierra's last show School of Rock - Broadway - January 20, 2019 (Closing Night) (NYCG8R's master) FORMAT:  VOB (with smalls) (SD) CAST: Justin Collette (Dewey Finn), Mamie Parris (Rosalie Mullins), Johnathan Gould (Ned Schneebly), Lori Eve Marinacci (Patty Di Marco), Ava Briglia (Summer), Levi Buksbazen (Freddie), Montgomery Lamb (Katie), Jordan Cole (Lawrence), Matthew Jost (Zack), Layla Capers (Tomika), Hudson Loverro (Billy), Madison Elizabeth Lagares (Shonelle), Sarah Walsh (Marcy), Madalen Yarbrough Mills (Sophie), Nirvaan Pal (Mason), Katie Greendorfer (Madison), Jeremy Woodard (Theo/Ensemble) NOTES: Very nice capture of the final broadway show. During the last song (Stick It To The Man (Reprise)), all the kids who have been in the show in the past come out. School of Rock - First National Tour - November 24, 2017 (SunsetBlvd79's master) FORMAT:  VOB (with smalls) (SD) CAST: Merritt David James (alt Dewey Finn), Lexie Dorsett Sharp (Rosalie Mullins), Matt Bittner (Ned Schneebly), Emily Borromeo (Patty Di Marco), Ava Briglia (Summer), Gilberto Moretti-Hamilton (Freddie), Theodora Silverman (Katie), Theo Mitchell-Penner (Lawrence), Phoenix Schuman (Zack), Gianna Harris (Tomika), John Michael Pitera (Billy), Olivia Bucknor (Shonelle), Chloe Anne Garcia (Marcy), Gabriella Uhl (Sophie), Carson Hodges (Mason) NOTES: Wonderful HD capture of the tour cast. Everything is nicely captured and the cast is terrific! A+ School of Rock - West End - August 21, 2019 (wheredidtherockgo's master) FORMAT:  TS (HD) CAST: Jake Sharp (alt Dewey Finn), Laura Tebbutt (Rosalie Mullins), Alan Pearson (Ned Schneebly), Rebecca LaChance (Patty Di Marco), Amelie Green (Summer), William Harvey (Freddie), Sofia Wilkinson Hill (Katie), Daniel Chang (Lawrence), Sebastian Adams Eaton (Zack), Kaylah Black (Tomika), Tommy Featherstone (Billy), Lily Jean Jackson (Shonelle), Calypso Bailey (Marcy), Ellie May Pavitt (Sophie), Todd Dachtler (Mason), Andy Rees (Theo/Ensemble), Ryan Bearpark (Snake/Mr. Mooneyham) NOTES: First show for Keisha Amponsa Banson, Benjamin Yates, Suzie McAdam, Kelly Hampson, Ryan Bearpark, Jayde Nelson. The sound of the video can become pretty loud. School of Rock - West End - January, 2019 (hitmewithyourbethshot's master) FORMAT:  MP4 (HD) CAST: Jake Sharp (u/s Dewey Finn), Claudia Kariuki (Rosalie Mullins), James Wolstenholme (Ned Schneebly), Michelle Francis (Patty Di Marco), Anya Hewett (Summer), Stanley Jarvis (Freddie), Anya Cooke (Katie), Austin Kindler (Lawrence), Jasper Bew (Zack), Aaylia Rose (Tomika), Jarvis Baugh (Billy), Tia Stuart (Shonelle), Romanie Jija-Wakeham (Marcy), Frankie Mae Garner (Sophie), John Addison (Theo/Ensemble), Andy Rees (u/s Snake/Mr. Mooneyham) NOTES: Full show. Original MP4 Scotland, PA - Off-Broadway - November, 2019 (StarCuffedJeans's master) FORMAT:  MP4 (HD) CAST: Jimmy Brewer (u/s Mac), Taylor Iman Jones (Pat), Jeb Brown (Duncan), Jay Armstrong Johnson (Banko), Will Meyers (Malcolm), David Rossmer (Doug), Lacretta Nicole (Mrs. Lenox), Megan Lawrence (Peg McDuff), Wonu Ogunfowora (Stacy/Brenda) NOTES: Great HD capture of this new Off-Broadway show, beautifully filmed from the orchestra. Act One starts when talking about the new fryer and Act Two starts when the detective is asking questions in the restaurant. Please do not post screenshots of this video on Twitter ever. Gifs on Tumblr are okay after the NFT date, but don't go linking things to actors and shows. The Secret Garden - 1st National Tour - 1992 (House-Cam's master) FORMAT:  MP4 (SD) CAST: Kevin McGuire (Archibald Craven), Anne Runolfsson (Lily Craven), Douglas Sills (Dr. Neville Craven), Jacquelyn Piro (Rose), Roxann Parker (Mrs. Winthrop/Alice), James Barbour (William), Jill Patton (Betsy), Audra McDonald (Ayah), Mary Fogarty (Mrs. Medlock) NOTES: NOT SURE ABOUT CAST INFORMATION, PLEASE VERIFY The Secret Garden - Lincoln Center - February 21, 2016 (SunsetBlvd79's master) FORMAT:  VOB (with smalls) (SD) CAST: Sydney Lucas (Mary Lennox), Ramin Karimloo (Archibald Craven), Sierra Boggess (Lily Craven), Cheyenne Jackson (Dr. Neville Craven), Ben Platt (Dickon), Oscar Williams (Colin Craven), Jere Shea (Ben Weatherstaff), Nikki Renée Daniels (Rose), Josh Young (Captain Albert Lennox), Julie Halston (Mrs. Winthrop/Alice), Jamie Jackson (Lieutenant Ian Shaw), Telly Leung (Fakir), Anisha Nagarajan (Ayah), Barbara Rosenblat (Mrs. Medlock), Quentin Earl Darrington (Major Holmes), John Riddle (Lieutenant Peter Wright) The Secret Garden - World AIDS Day Concert - December 5, 2005 FORMAT:  MP4 (SD) CAST: Jaclyn Neidenthal (Mary Lennox), Steven Pasquale (Archibald Craven), Laura Benanti (Lily Craven), Will Chase (Dr. Neville Craven), Celia Keenan-Bolger (Martha), Michael Arden (Dickon), Struan Erlenborn (Colin Craven), David Canary (Ben Weatherstaff), Sara Gettelfinger (Rose), Max von Essen (Captain Albert Lennox), Deborah S Craig (Mrs. Winthrop/Alice), Matt Cavenaugh (Lieutenant Ian Shaw), Jenny Powers (Claire), Nehal Joshi (Fakir), Reshma Shetty (Ayah), Barbara Rosenblat (Mrs. Medlock), Benjamin Magnuson (Major Holmes), Shonn Wiley (Lieutenant Peter Wright)  
She Loves Me - Second Broadway Revival - February 23, 2016 (Preview) FORMAT:  VOB (with smalls) (SD) CAST: Laura Benanti (Amalia Balash), Zachary Levi (Georg Nowack), Byron Jennings (Mr. Maraczek), Jane Krakowski (Ilona Ritter), Gavin Creel (Steven Kodaly), Michael McGrath (Ladislav Sipos), Nicholas Barasch (Arpad Laszlo), Peter Bartlett (Headwaiter) Sherlock Holmes: Next Generation - Hamburg - January, 2019 (Rumpel's master) FORMAT:  VOB (with smalls) (SD) CAST: Ethan Freeman (Sherlock Holmes), Frank Logemann (Dr Watson), Merlin Fargel (John), Lena Wischhusen (Catherine), Stephanie H Tschoppe (Mrs Mason), Yvonne Köstler (Miss Hudson) NOTES: Many obstructions but still captures most of the action. Shrek: The Musical - Broadway - October, 2009 (Pro-Shot's master) FORMAT:  MP4 (HD) CAST: Brian d'Arcy James (Shrek), Sutton Foster (Princess Fiona), Christopher Sieber (Lord Farquaad), Daniel Breaker (Donkey), John Tartaglia (Pinocchio/Magic Mirror/Dragon Puppeteer), Haven Burton (Sugar Plum Fairy/Gingy), Kirsten Wyatt (Duloc Performer/Shoemaker's Elf/Blind Mouse), Bobby Daye (Sticks/Bishop), Ryan Duncan (Bricks), Sarah Jane Shanks (Ugly Duckling/Blind Mouse), Aymee Garcia (Mama Bear/Dragonette), Rachel Stern (Dragonette/Mama Ogre), Jennifer Simard (Wicked Witch/Queen Lillian/Magic Mirror Assistant), Rozi Baker (Young Fiona), Tessa Albertson (Teen Fiona) NOTES: This 1080p HD proshot with soundboard audio was released in 2013, but was filmed in mid-October of 2009, a few months before the production closed. Significant Other - Broadway - March 10, 2017 (SunsetBlvd79's master) FORMAT:  VOB (no smalls) (SD) CAST: Gideon Glick (Jordan Berman), Barbara Barrie (Helene Berman), Lindsay Mendez (Laura), Sas Goldberg (Kiki), Rebecca Naomi Jones (Vanessa), John Behlmann (Will/Conrad/Tony), Luke Smith (Zach/Evan/Roger) Sing Street - Grounded - April 30, 2020 (Pro-Shot's master) FORMAT:  MP4 (HD) CAST: Max William Bartos (Darren), Brendan C Callahan (Gary), Billy Carter (Robert), Zara Devlin (Raphina), Gus Halper (Brendan), Jakeim Hart (Larry), Martin Moran (Brother Baxter), Anne L Nathan (Sandra), Johnny Newcomb (Barry), Brenock O'Connor (Conor), Gian Perez (Kevin), Sam Poon (Eamon), Skyler Volpe (Anne), Amy Warren (Penny) NOTES: An abridged 30 minute version of the show, performed from home in support of both Broadway Cares/Equity Fights AIDS and The Mayor's Fund to Advance New York City.  
Sister Act - Broadway - April 2, 2011 (SunsetBlvd79's master) FORMAT:  MP4 (HD) CAST: Patina Miller (Deloris Van Cartier), Victoria Clark (Mother Superior), Kingsley Leggs (Curtis/Shank), Chester Gregory (Eddie Souther), Marla Mindelle (Mary Robert), Sarah Bolt (Mary Patrick), Fred Applegate (Monsignor O’Hara/Howard), John Treacy Egan (Joey/Bones), Demond Green (TJ) Sister Act - Broadway - January 31, 2012 FORMAT:  MTS CAST: Patina Miller (Deloris Van Cartier), Carolee Carmello (Mother Superior), Kingsley Leggs (Curtis/Shank), Chester Gregory (Eddie Souther), Marla Mindelle (Mary Robert), Sarah Bolt (Mary Patrick), Audrie Neenan (Mary Lazarus), Fred Applegate (Monsignor O’Hara/Howard), Caesar Samayoa (Pablo/Dinero), John Treacy Egan (Joey/Bones), Demond Green (TJ)  
Sister Act - First National Tour - November 18, 2012 (SunsetBlvd79's master) FORMAT:  VOB (with smalls) (SD) CAST: Ta'Rea Campbell (Deloris Van Cartier), Hollis Resnik (Mother Superior), Kingsley Leggs (Curtis/Shank), E Clayton Cornelious (Eddie Souther), Lael Van Keuren (Mary Robert), Florrie Bagel (Mary Patrick), Diane J Findlay (Mary Lazarus) NOTES: Beautiful HD capture of the touring production. This cast was solid and was so fun to watch. A Sister Act - First UK & Ireland Tour - 2012 FORMAT:  VOB (with smalls) (SD)   |   NFT: Forever CAST: Cynthia Erivo (Deloris Van Cartier), Denise Black (Mother Superior), Nolan Frederick (Curtis/Shank), Edward Baruwa (Eddie Souther), Julie Atherton (Mary Robert), Laurie Scarth (Mary Patrick), Jacqueline Clarke (Mary Lazarus), Michael Starke (Monsignor O’Hara/Howard), Gavin Alex (Pablo/Dinero), Daniel Stockton (Joey/Bones), Tyrone Huntley (TJ) NOTES: An amazing beautiful capture in 16:9 wide-screen with no obstructions or blackouts of this fantastic musical which has just the right mix of music, comedy, fun and spectacle combined with some outstanding vocal performances. Sister Act - Scheveningen - July 13, 2014 FORMAT:  MP4 (HD) CAST: Nurlaila Karim (u/s Deloris Van Cartier), Marjolijn Touw (u/s Mother Superior), Stanley Burleson (Curtis/Shank), Jerrel Houtsnee (Eddie Souther), Tineke Ogink (u/s Mary Robert), Esmee van Kampen (Mary Patrick), Irene Kuiper (Mary Lazarus), Frans Mulder (Monsignor O’Hara/Howard), Zjon Smaal (Joey/Bones), Marlon David Henry (TJ) Sister Act - West End - 2009 FORMAT:  VOB (with smalls) (SD) CAST: Patina Miller (Deloris Van Cartier), Sheila Hancock (Mother Superior), Julian Cannonier (u/s Curtis/Shank), Ako Mitchell (Eddie Souther), Katie Rowley Jones (Mary Robert), Claire Greenway (Mary Patrick), Allison Harding (u/s Mary Lazarus), Ian Lavender (Monsignor O’Hara/Howard), Ivan de Freitas (Pablo/Dinero), Nic Colicos (Joey/Bones), Thomas Goodridge (TJ) Skintight - Off-Broadway - June, 2018 (NYCG8R's master) FORMAT:  VOB (with smalls) (SD) CAST: Idina Menzel (Jodi Isaac), Jack Wetherall (Elliot Isaac), Cynthia Mace (Orsolya), Stephen Carrasco (Jeff), Will Brittain (Trey), Eli Gelb (Benjamin Cullen) A Snow White Christmas - Pasadena Playhouse - December 15, 2012 (SJ Bernly's master) FORMAT:  VOB (with smalls) (SD) CAST: Curt Hansen (Prince Harry), Ariana Grande (Snow White), David Figlioli (Herman), Charlene Tilton (Wicked Queen), Jonathan Meza (Muddles), Neil Patrick Harris (Magic Mirror) NOTES: Entertaining show for all ages, with a score of recognizable pop songs and hilarious broadway and pop culture references to Wicked, Book of Mormon, How I Met Your Mother, Victorious, Dallas, and more. Some heads can be seen at the bottom of the screen, but they are worked around fine, especially after the first few minutes of the show. There are short dropouts during the first part of Act One, but each one lasts only 15-30 seconds. It’s filmed in 16:9 with a mix of wides, mediums, and close-ups. The sound is excellent. Includes curtain call. Soho Cinders - Off-West End Revival - January, 2020 (hitmewithyourbethshot's master) FORMAT:  MP4 (HD) CAST: Michael Mather (Robbie), Livvy Evans (Velcro), Michaela Stern (Clodagh), Hollie Taylor (Dana), Lewis Asquith (James Prince), Tori Hargreaves (Marilyn Platt), Dayle Hodge (William George), Robert Grose (Lord Bellingham), Melissa Rose (Sasha) NOTES: MTS, shot around heads, missing last 15 minutes of act 1, act 2 full, includes act 1 audio Soho Cinders - Off-West End Revival - October, 2019 (hitmewithyourbethshot's master) FORMAT:  MTS CAST: Luke Bayer (Robbie), Millie O’Connell (Velcro), Michaela Stern (Clodagh), Natalie Harman (Dana), Lewis Asquith (James Prince), Tori Hargreaves (Marilyn Platt), Ewan Gillies (William George), Christopher Coleman (Lord Bellingham), Melissa Rose (Sasha) NOTES: MTS, shot around heads Something Rotten! - Broadway - March 23, 2015 (Preview) (NYCG8R's master) FORMAT:  VOB (with smalls) (SD) CAST: Brian d'Arcy James (Nick Bottom), John Cariani (Nigel Bottom), Christian Borle (Shakespeare), Heidi Blickenstaff (Bea), Kate Reinders (Portia), Brad Oscar (Nostradamus), Brooks Ashmanskas (Brother Jeremiah), Gerry Vichi (Shylock), Michael James Scott (Minstrel/Snug), Peter Bartlett (Lord Clapham/Eyepatch Man) NOTES: First preview Something Rotten! - Broadway - March 28, 2015 (Preview) (SunsetBlvd79's master) FORMAT:  VOB (with smalls) (SD) CAST: Brian d'Arcy James (Nick Bottom), John Cariani (Nigel Bottom), Christian Borle (Shakespeare), Heidi Blickenstaff (Bea), Kate Reinders (Portia), Brad Oscar (Nostradamus), Brooks Ashmanskas (Brother Jeremiah), Gerry Vichi (Shylock), Michael James Scott (Minstrel/Snug), Peter Bartlett (Lord Clapham/Eyepatch Man) NOTES: Excellent HD capture of this hilarious new musical. The cast is just too perfect in every way. Superb performances, music, story and a great homage to theatre and musicals. Not to be missed! A Something Rotten! - Broadway - June 20, 2016 (SJ Bernly's master) FORMAT:  MP4 (HD) CAST: Rob McClure (Nick Bottom), John Cariani (Nigel Bottom), Christian Borle (Shakespeare), Heidi Blickenstaff (Bea), Catherine Brunell (u/s Portia), Brad Oscar (Nostradamus), David Beach (Brother Jeremiah), Andre Ward (Minstrel/Snug) NOTES: With a mix of original cast and new faces, there are great performances all around. Nicely captured just a couple quick dropouts. There are some heads at the bottom of the screen that regularly block the actors’ feet, but they are worked around as much as possible, and generally don’t affect the main action. There is also some occasional washout, especially in wider shots. It’s filmed in 16:9, with a mix of wides, mediums, and close-ups. The sound is excellent. Includes curtain call and playbill scans. Something Rotten! - Broadway - November 12, 2016 (SunsetBlvd79's master) FORMAT:  VOB (with smalls) (SD) CAST: Rob McClure (Nick Bottom), Josh Grisetti (Nigel Bottom), Adam Pascal (Shakespeare), Leslie Kritzer (Bea), Catherine Brunell (Portia), Brad Oscar (Nostradamus), David Beach (Brother Jeremiah) NOTES: Excellent HD capture of the final Broadway cast. Adam Pascal joined the cast as Shakespeare for the final 7 weeks on Broadway. Everything is captured nicely and the cast was still giving their all! Some minor washouts and the audio sounds like it is from the big theatre it was performed in. Songs for a New World - Encores! - June, 2018 (NYCG8R's master) FORMAT:  VOB (no smalls) (SD) CAST: Solea Pfeiffer (Woman 1), Mykal Kilgore (Man 1), Shoshana Bean (Woman 2), Colin Donnell (Man 2)  
Songs for a New World - Stuttgart, Germany - December 13, 2009 FORMAT:  VOB (with smalls) (SD) CAST: Dominique Aref (Woman 1), DMJ (Man 1), Willemijn Verkaik (Woman 2), Mathias Edenborn (Man 2) NOTES: Not the best quality, video is shaky and the sound isn’t perfect as well. You can hear everything though and the cast is great. Full show in English. Songs for a New World - Symphony Space, NYC - May 1, 2005 FORMAT:  VOB (with smalls) (SD) CAST: Andréa Burns, Beth Leavel, Brian d'Arcy James, Brooks Ashmanskas, Darius de Haas, Jason Robert Brown, Jerry Dixon, Jessica Molaskey, John Tartaglia, Michael Cerveris, Miriam Shor Sophisticated Ladies - Broadway - 1982 (Pro-Shot's master) FORMAT:  MP4 (SD) CAST: Hinton Battle (Himself), Phyllis Hyman (Herself), Calvin McRae, Garry Q Lewis, Gregg Burge, Leata Galloway, Lorraine Fields, Paula Kelly, Terri Klausner NOTES: Filmed in 1982 for Showtime at the Lunt-Fontanne Theatre before the show closed in January 1983. Features the final Broadway cast which was still composed of a large portion of the original Broadway cast, including Phyllis Hyman and Terri Klausner. The Sound of Music - Broadway (1998 Revival) - February 20, 1998 FORMAT:  VOB (with smalls) (SD) CAST: Rebecca Luker (Maria Rainer), Michael Siberry (Captain Georg Von Trapp), Patti Cohenour (The Mother Abbess), Jan Maxwell (Elsa Schraeder), Fred Applegate (Max Detweiler), Sara Zelle (Liesel Von Trapp), Gina Ferrall (Sister Berthe), Ann Brown (Sister Sophia), Andrea Bowen (Marta), Ashley Rose Orr (Gretl), Dashiell Eaves (Rolf Gruber), Patricia Conolly (Frau Schmidt) The Sound of Music - First Dutch Tour - 2002 FORMAT:  VOB (with smalls) (SD) CAST: Maaike Widdershoven (Maria Rainer), Hugo Haenen (Captain Georg Von Trapp), Anne-Mieke Ruyten (Elsa Schraeder), Dick Cohen (Max Detweiler), Céline Purcell (Liesel Von Trapp) The Sound of Music - The Sound Of Music Live - December 20, 2015 (Pro-Shot's master) FORMAT:  MP4 (HD) CAST: Kara Tointon (Maria Rainer), Julian Ovenden (Captain Georg Von Trapp), Maria Friedman (The Mother Abbess), Katherine Kelly (Elsa Schraeder), Alexander Armstrong (Max Detweiler), Evelyn Hoskins (Liesel Von Trapp), Norma Atallah (Sister Berthe), Julie Atherton (Sister Margaretta), Imelda de los Reyes (Sister Sophia), Guy Trundle (Friedrich), Ellen Coleman (Louisa), Amy Snudden (Brigitta), Zac Lester (Kurt), Jessica Burden (Marta), Martha Otterburn (Gretl), Paul Copley (Franz), Jon Tarcy (Rolf Gruber), Mel Giedroyc (Frau Schmidt), David Bamber (Herr Zeller) NOTES: TV Proshot first broadcast Live in UK on ITV. Later broadcast as part of PBS's "Great Performances." South Pacific - First Broadway Revival - August 18, 2010 (Pro-Shot's master) FORMAT:  MPEG/MPG (SD) CAST: Kelli O’Hara (Ensign Nellie Forbush), Paulo Szot (Emile de Becque), Andrew Samonsky (Lt. Joseph Cable, U.S.M.C.), Danny Burstein (Luther Billis), Loretta Ables Sayre (Bloody Mary), Li Jun Li (Liat) NOTES: Presented as part of PBS Live From Lincoln Center series, and broadcast live from the Vivian Beaumont Theatre at Lincoln Center just 4 days before the end of the run of the show, making it the longest running revival of any Rogers and Hammerstein musical in history. Also included are interviews with the composers' daughters, Mary Rogers and Alice Hammerstein. Multi-camera pro-shot for TV Spamilton: An American Parody - Off-Broadway - December 31, 2016 (SJ Bernly's master) FORMAT:  VOB (with smalls) (SD) CAST: Chris Anthony Giles (Leslie Odom Jr/Aaron Burr), Christine Pedi (Bernadette Peters/Barbra Streisand/Carol Channing/Liza Minnelli/Patti LuPone), Glenn Bassett (King George), Larry Owens (Okieriete Onaodowan/Mulligan and others), Lauren Villegas (Schuyler Sisters and others), Nicholas Edwards (Daveed Diggs/Lafayette/Jefferson), Robert Ariza (u/s Lin Manuel Miranda/Alexander Hamilton) NOTES: A hilarious parody full of references to Hamilton, Lin-Manuel Miranda, and tons of other broadway shows and stars. A must-see for any fan. A good capture overall. There is one head that blocks the actors from the waist down in the center of the stage. There is a three-minute blackout during The Schuyler Puppets and a three minute blackout during the finale, as well as a couple other quick dropouts. It’s filmed in 16:9, with a mix of wides, mediums, and close-ups. The sound is excellent. The show is 72 minutes on one disc. Includes playbill scans. Spider-Man: Turn Off The Dark - Broadway - December 17, 2010 (Preview) FORMAT:  VOB (no smalls) (SD) CAST: Reeve Carney (Peter Parker/Spider-Man), Jennifer Damiano (Mary Jane Watson), Patrick Page (Norman Osborn/Green Goblin), Matt Caplan (Flash/Bud), Gerald Avery (Swarm), Collin Baja (Carnage), Emmanuel Brown (Electro) NOTES: Blindshot. You can't see anything on stage. Catches most of the aerial stunts. Audio is clear. Spider-Man: Turn Off The Dark - Broadway - September 17, 2011 (SunsetBlvd79's master) FORMAT:  MP4 (SD) CAST: Reeve Carney (Peter Parker/Spider-Man), Jennifer Damiano (Mary Jane Watson), TV Carpio (Arachne), Patrick Page (Norman Osborn/Green Goblin), Ken Marks (Uncle Ben/Buttons), Megan Lewis (u/s Aunt May/Maxie/Mrs. Gribrock) NOTES: This is the revamp Spiderman 2.0 Version. A completely reworked show from the original. A Nice capture of the show, and not such a horrible show compared to how the press made it out. A- Spider-Man: Turn Off The Dark - Broadway - October 14, 2012 (Lanelle's master) FORMAT:  MP4 (HD) |  TRADER'S NOTES: Youtube rip - to be gifted|Gifted: Upon Request CAST: Matthew James Thomas (Peter Parker/Spider-Man), Kristen Martin (u/s Mary Jane Watson), Katrina Lenk (Arachne), Robert Cuccioli (Norman Osborn/Green Goblin) NOTES: Good zooms and decent audio quality, best so far. SpongeBob SquarePants: The Broadway Musical - Broadway - November 7, 2017 (Preview) (NYCG8R's master) FORMAT:  VOB (no smalls) (SD) CAST: Ethan Slater (SpongeBob SquarePants), Danny Skinner (Patrick Star), Lilli Cooper (Sandy Cheeks), Gavin Lee (Squidward Q. Tentacles), Gaelen Gilliland (The Mayor), Brian Ray Norris (Eugene Krabs), Wesley Taylor (Sheldon Plankton), Stephanie Hsu (Karen the Computer), Jai'len Christine Li Josey (Pearl Krabs), Kelvin Moon Loh (Perch Perkins), Jon Rua (Patchy the Pirate), Allan K Washington (Gary/Larry the Lobster), Abby C Smith (Mrs. Puff), JC Schuster (Old Man Jenkins), Tom Kenny (French Narrator) NOTES: Top of a head or two visible at the bottom of screen in the very wide shot SpongeBob SquarePants: The Broadway Musical - Broadway - July 18, 2018 FORMAT:  MP4 (HD) CAST: Ethan Slater (SpongeBob SquarePants), Danny Skinner (Patrick Star), Lilli Cooper (Sandy Cheeks), Gavin Lee (Squidward Q. Tentacles), Gaelen Gilliland (The Mayor), Brian Ray Norris (Eugene Krabs), Brandon Espinoza (u/s Sheldon Plankton), Jai'len Christine Li Josey (Pearl Krabs), Allan K Washington (Gary/Larry the Lobster), Abby C Smith (Mrs. Puff) NOTES: Hovers above a lot; it remains this way for most of the video. 720P SpongeBob SquarePants: The Broadway Musical - Broadway - July 27, 2018 (notjustthespongenextdoor's master) FORMAT:  MP4 (HD) CAST: Ethan Slater (SpongeBob SquarePants), Danny Skinner (Patrick Star), Christina Sajous (Sandy Cheeks), Alex Gibson (u/s Squidward Q. Tentacles), Gaelen Gilliland (The Mayor), Brian Ray Norris (Eugene Krabs), Wesley Taylor (Sheldon Plankton), Catherine Ricafort (Karen the Computer), Brynn Williams (u/s Pearl Krabs), Kelvin Moon Loh (Perch Perkins), Brandon Espinoza (Patchy the Pirate), Allan K Washington (Gary/Larry the Lobster), Abby C Smith (Mrs. Puff), JC Schuster (Old Man Jenkins), Tom Kenny (French Narrator) NOTES: The master has updated to make the listing as whatever the user wishes. It can be limited trades or regular trades. Filmed from the right balcony, with no zooms. Mostly a wide shot of the stage. Quite a bit of spotlight washout. Audio is clear. Starts from right before “No Control.” The only known footage of Alex as Squidward or Brynn as Pearl. A watermark at the bottom left corner says 2014/01/31, ignore this. It is the wrong date.  
Spring Awakening - Brno, Czech Republic - 2010 (Pro-Shot's master) FORMAT:  VOB (with smalls) (SD) CAST: Jiri Mach (Melchior Gabor), Ivana Skalova (Wendla Bergmann), Lukas Janota (Moritz Stiefel), Michaela Horka (Ilse Neumann), Lukas Vlcek (Hanschen Rilow), Viktor Polasek (Ernst Robel), Jakub Ulicnik (Otto Lämmermeier), Vladimir Rezac (Georg Zirschnitz), Katerina Kleckova (Anna), Katerina Kleckova (Thea Rilow), Irena Konvalinova (The Adult Women), Zdenek Junak (The Adult Men) Spring Awakening - Broadway - November 29, 2006 (Preview) FORMAT:  VOB (no smalls) (SD) CAST: Jonathan Groff (Melchior Gabor), Lea Michele (Wendla Bergmann), John Gallagher Jr (Moritz Stiefel), Lauren Pritchard (Ilse Neumann), Jonathan B Wright (Hanschen Rilow), Gideon Glick (Ernst Robel), Brian Charles Johnson (Otto Lämmermeier), Skylar Astin (Georg Zirschnitz), Phoebe Strole (Anna), Remy Zaken (Thea Rilow), Christine Estabrook (The Adult Women), Stephen Spinella (The Adult Men) Spring Awakening - Broadway - February 10, 2007 (SunsetBlvd79's master) FORMAT:  VOB (no smalls) (SD) CAST: Jonathan Groff (Melchior Gabor), Lea Michele (Wendla Bergmann), John Gallagher Jr (Moritz Stiefel), Phoebe Strole (u/s Ilse Neumann), Lilli Cooper (Martha Bessell), Jonathan B Wright (Hanschen Rilow), Gideon Glick (Ernst Robel), Brian Charles Johnson (Otto Lämmermeier), Skylar Astin (Georg Zirschnitz), Krysta Rodriguez (u/s Anna), Remy Zaken (Thea Rilow), Frances Mercanti-Anthony (u/s The Adult Women), Stephen Spinella (The Adult Men) NOTES: AMAZING capture, closeups, performances. Not to be missed. A+ Spring Awakening - Broadway - February 21, 2007 FORMAT:  VOB (with smalls) (SD) CAST: Jonathan Groff (Melchior Gabor), Lea Michele (Wendla Bergmann), John Gallagher Jr (Moritz Stiefel), Lauren Pritchard (Ilse Neumann), Gideon Glick (Ernst Robel), Brian Charles Johnson (Otto Lämmermeier), Skylar Astin (Georg Zirschnitz), Phoebe Strole (Anna), Remy Zaken (Thea Rilow), Christine Estabrook (The Adult Women), Stephen Spinella (The Adult Men) Spring Awakening - Broadway - August 18, 2007 (Matinee) FORMAT:  MP4 (HD) CAST: Jonathan Groff (Melchior Gabor), Lea Michele (Wendla Bergmann), Gerard Canonico (u/s Moritz Stiefel), Lauren Pritchard (Ilse Neumann), Jennifer Damiano (u/s Martha Bessell), Jonathan B Wright (Hanschen Rilow), Gideon Glick (Ernst Robel), Matt Doyle (u/s Otto Lämmermeier), Skylar Astin (Georg Zirschnitz), Phoebe Strole (Anna), Remy Zaken (Thea Rilow), Christine Estabrook (The Adult Women), Ken Marks (u/s The Adult Men) Spring Awakening - Broadway - February 22, 2008 FORMAT:  VOB (with smalls) (SD) CAST: Jesse Swenson (u/s Melchior Gabor), Alexandra Socha (u/s Wendla Bergmann), Blake Bashoff (Moritz Stiefel), Emma Hunton (Ilse Neumann), Jonathan B Wright (Hanschen Rilow), Blake Daniel (Ernst Robel), Brian Charles Johnson (Otto Lämmermeier), Skylar Astin (Georg Zirschnitz), Phoebe Strole (Anna), Remy Zaken (Thea Rilow), Kate Burton (The Adult Women), Glenn Fleshler (The Adult Men) Spring Awakening - Broadway - February 23, 2008 FORMAT:  VOB (no smalls) (SD) CAST: Matt Doyle (u/s Melchior Gabor), Alexandra Socha (u/s Wendla Bergmann), Blake Bashoff (Moritz Stiefel), Emma Hunton (Ilse Neumann), Jesse Swenson (u/s Hanschen Rilow), Blake Daniel (Ernst Robel), Brian Charles Johnson (Otto Lämmermeier), Skylar Astin (Georg Zirschnitz), Phoebe Strole (Anna), Remy Zaken (Thea Rilow), Kate Burton (The Adult Women), Glenn Fleshler (The Adult Men) NOTES: Ends abruptly in the middle of Song Of Purple Summer Spring Awakening - Broadway - April 24, 2008 FORMAT:  VOB (with smalls) (SD) CAST: Jonathan Groff (Melchior Gabor), Lea Michele (Wendla Bergmann), Blake Bashoff (Moritz Stiefel), Emma Hunton (Ilse Neumann), Matt Doyle (u/s Hanschen Rilow), Blake Daniel (Ernst Robel), Brian Charles Johnson (Otto Lämmermeier), Skylar Astin (Georg Zirschnitz), Phoebe Strole (Anna), Remy Zaken (Thea Rilow) NOTES: One of Matt Doyle's first times on as Hänschen, after taking over the role. He forgets one of his lines in the vineyard scene but improvises. Spring Awakening - Broadway - May 18, 2008 FORMAT:  VOB (with smalls) (SD) CAST: Jonathan Groff (Melchior Gabor), Lea Michele (Wendla Bergmann), Blake Bashoff (Moritz Stiefel), Emma Hunton (Ilse Neumann), Matt Doyle (Hanschen Rilow), Blake Daniel (Ernst Robel), Brian Charles Johnson (Otto Lämmermeier), Skylar Astin (Georg Zirschnitz), Phoebe Strole (Anna), Remy Zaken (Thea Rilow), Christine Estabrook (The Adult Women), Glenn Fleshler (The Adult Men) NOTES: Jonathan Groff and Lea Michele's final performance Spring Awakening - Broadway - May 30, 2008 FORMAT:  VOB (with smalls) (SD) CAST: Kyle Riabko (Melchior Gabor), Eryn Murman (u/s Wendla Bergmann), Blake Bashoff (Moritz Stiefel), Emma Hunton (Ilse Neumann), Matt Doyle (Hanschen Rilow), Blake Daniel (Ernst Robel), Brian Charles Johnson (Otto Lämmermeier), Gerard Canonico (u/s Georg Zirschnitz), Phoebe Strole (Anna), Remy Zaken (Thea Rilow), Christine Estabrook (The Adult Women), Glenn Fleshler (The Adult Men) Spring Awakening - Broadway - July 19, 2008 (Matinee) (broadwayspunk's master)
FORMAT: video CAST: Matt Shingledecker (u/s Melchior Gabor), Alexandra Socha (Wendla Bergmann), Brian Charles Johnson (u/s Moritz Stiefel), Emma Hunton (Ilse Neumann), Matt Doyle (Hanschen Rilow), Blake Daniel (Ernst Robel), Jesse Swenson (u/s Otto Lämmermeier), Skylar Astin (Georg Zirschnitz), Phoebe Strole (Anna), Remy Zaken (Thea Rilow), Christine Estabrook (The Adult Women), Glenn Fleshler (The Adult Men) NOTES: Final matinee for remaining original Broadway cast Spring Awakening - Broadway - July 19, 2008 (broadwayspunk's master) FORMAT:  VOB (with smalls) (SD) CAST: Kyle Riabko (Melchior Gabor), Alexandra Socha (Wendla Bergmann), Blake Bashoff (Moritz Stiefel), Emma Hunton (Ilse Neumann), Matt Doyle (Hanschen Rilow), Blake Daniel (Ernst Robel), Brian Charles Johnson (Otto Lämmermeier), Skylar Astin (Georg Zirschnitz), Phoebe Strole (Anna), Remy Zaken (Thea Rilow), Christine Estabrook (The Adult Women), Glenn Fleshler (The Adult Men) NOTES: Skylar Astin, Lilli Cooper, Brian Charles Johnson, Phoebe Strole, and Remy Zaken’s last performance  
Spring Awakening - Broadway - August 2, 2008 FORMAT:  VOB (with smalls) (SD) CAST: Kyle Riabko (Melchior Gabor), Alexandra Socha (Wendla Bergmann), Blake Bashoff (Moritz Stiefel), Emma Hunton (Ilse Neumann), Matt Doyle (Hanschen Rilow), Blake Daniel (Ernst Robel), Gabe Violett (Otto Lämmermeier), Andrew Durand (Georg Zirschnitz), Emily Kinney (Anna), Caitlin Kinnunen (Thea Rilow) NOTES: Final show for Kyle Riabko and Blake Bashoff (because they would go on to do the first national tour). Camera work is a little shaky, but has some really nice close ups. Spring Awakening - Broadway - August 7, 2008 FORMAT:  VOB (no smalls) (SD) CAST: Matt Doyle (t/r Melchior Gabor), Alexandra Socha (Wendla Bergmann), Gerard Canonico (Moritz Stiefel), Emma Hunton (Ilse Neumann), Jesse Swenson (Hanschen Rilow), Morgan Karr (Ernst Robel), Gabe Violett (Otto Lämmermeier), Andrew Durand (Georg Zirschnitz), Emily Kinney (Anna), Caitlin Kinnunen (Thea Rilow), Christine Estabrook (The Adult Women), Glenn Fleshler (The Adult Men) NOTES: Good capture with nice picture and sound. A few coverups but excellent close-ups and nice to watch. No curtain call. A- Spring Awakening - Broadway - January 18, 2009 (Closing Night) FORMAT:  VOB (with smalls) (SD) CAST: Hunter Parrish (Melchior Gabor), Alexandra Socha (Wendla Bergmann), Gerard Canonico (Moritz Stiefel), Emma Hunton (Ilse Neumann), Amanda Castanos (Martha Bessell), Matt Doyle (Hanschen Rilow), Blake Daniel (Ernst Robel), Gabe Violett (Otto Lämmermeier), Andrew Durand (Georg Zirschnitz), Emily Kinney (Anna), Caitlin Kinnunen (Thea Rilow), Christine Estabrook (The Adult Women), Glenn Fleshler (The Adult Men), Alice Lee, Eryn Murman, Morgan Karr, Zach Reiner-Harris NOTES: Closing Performance; features the full curtain call speech and the full show; some blackouts due to ushers; great sound and nice video Spring Awakening - Broadway - January 18, 2009 (Matinee) (Highlights)
FORMAT: video CAST: Hunter Parrish (Melchior Gabor), Alexandra Socha (Wendla Bergmann), Gerard Canonico (Moritz Stiefel), Emma Hunton (Ilse Neumann), Matt Doyle (Hanschen Rilow), Blake Daniel (Ernst Robel), Gabe Violett (Otto Lämmermeier), Emily Kinney (Anna), Caitlin Kinnunen (Thea Rilow) NOTES: The matinee of the final day of Spring Awakening on Broadway. Only includes the Mama Who Bore Me (Reprise), Don't Do Sadness/Blue Wind (whole scene), Left Behind, and Totally Fucked. Filmed in one of the front rows. Spring Awakening - Broadway Revival - October 18, 2015 (SunsetBlvd79's master) FORMAT:  VOB (with smalls) (SD) CAST: Austin McKenzie (Melchior Gabor), Sandra Mae Frank (Wendla Bergmann), Katie Boeck (Voice of Wendla), Daniel N Durant (Moritz Stiefel), Alex Boniello (Voice of Moritz), Krysta Rodriguez (Ilse Neumann), Treshelle Edmond (Martha Bessell), Kathryn Gallagher (Voice of Martha), Andy Mientus (Hanschen Rilow), Joshua Castille (Ernst Robel), Daniel David Stewart (Voice of Ernst), Miles Barbee (Otto Lämmermeier), Sean Grandillo (Voice of Otto), Alex Wyse (Georg Zirschnitz), Ali Stroker (Anna), Amelia Hensley (Thea Rilow), Lauren Luiz (Melitta Rilow / Voice of Thea), Alexandra Winter (Greta Brandenburg), Marlee Matlin (The Adult Women), Camryn Manheim (Voice of Adult Women), Russell Harvard (The Adult Men), Patrick Page (Voice of Adult Men) NOTES: Deaf West Theatre production Spring Awakening - Broadway Revival - November 15, 2015 (SunsetBlvd79's master) FORMAT:  VOB (with smalls) (SD) CAST: Austin McKenzie (Melchior Gabor), Sandra Mae Frank (Wendla Bergmann), Katie Boeck (Voice of Wendla), Daniel N Durant (Moritz Stiefel), Alex Boniello (Voice of Moritz), Krysta Rodriguez (Ilse Neumann), Treshelle Edmond (Martha Bessell), Kathryn Gallagher (Voice of Martha), Andy Mientus (Hanschen Rilow), Joshua Castille (Ernst Robel), Daniel David Stewart (Voice of Ernst), Miles Barbee (Otto Lämmermeier), Sean Grandillo (Voice of Otto), Alex Wyse (Georg Zirschnitz), Ali Stroker (Anna), Amelia Hensley (Thea Rilow), Lauren Luiz (Melitta Rilow / Voice of Thea), Alexandra Winter (Greta Brandenburg), Alexandria Wailes (u/s The Adult Women), Elizabeth Greene (u/s Voice of Adult Women), Russell Harvard (The Adult Men), Patrick Page (Voice of Adult Men) NOTES: Beautiful HD capture of the sign language production. This capture features the Adult Women understudies, who would go on to replace the originals. Also includes Left Behind from a Jon Groff concert. A Spring Awakening - Buenos Aires, Argentina - 2010 (Pro-Shot's master) FORMAT:  AVI (HD) CAST: Fernando Dente (Melchior Gabor), Florencia Otero (Wendla Bergmann), Federico Salles (Moritz Stiefel), Mariana Jaccazio (Ilse Neumann), Eliseo Barrionuevo (Hanschen Rilow), Leandro Bassano (Ernst Robel), Cristian Centurión (Otto Lämmermeier), Micaela Pierani Mendez (Anna), Julieta Nair Calvo (Thea Rilow), Irene Almas (The Adult Women), Tony Lestingi (The Adult Men) NOTES: Pro-shot with zooms, seems to be multi-camera. Non-replica production. Spring Awakening - Deaf West Theatre, Rosenthal Theater, Los Angeles - September 25, 2014 (SJ Bernly's master) FORMAT:  VOB (with smalls) (SD) CAST: Austin McKenzie (Melchior Gabor), Sandra Mae Frank (Wendla Bergmann), Katie Boeck (Voice of Wendla), Daniel N Durant (Moritz Stiefel), Rustin Cole Sailors (Voice of Moritz), Lauren Patten (Ilse Neumann), Treshelle Edmond (Martha Bessell), Kathryn Gallagher (Voice of Martha), Joseph Haro (Hanschen Rilow), Joshua Castille (Ernst Robel), Daniel David Stewart (Voice of Ernst), Miles Barbee (Otto Lämmermeier), Sean Grandillo (Voice of Otto), Jimmy Bellinger (Georg Zirschnitz), Ali Stroker (Anna), Amelia Hensley (Thea Rilow), Alexandra Winter (Melitta Rilow / Voice of Thea), Hillary Baack (The Adult Women), Natacha Roi (Voice of Adult Women), Troy Kotsur (The Adult Men), Daniel Marmion (Voice of Adult Men) NOTES: A nice capture overall; the biggest flaw here is the obstruction. There are a lot of heads that were very difficult to work around, but the show is still captured well and the actors are only occasionally blocked for a few seconds at a time. There are some very quick dropouts, but no major blackouts. It’s filmed in 16:9, with a mix of wides, mediums, and close-ups. The sound is excellent. Includes playbill scans. Spring Awakening - First National Tour - August 15, 2008 (kicks8567's master)
FORMAT: video CAST: Kyle Riabko (Melchior Gabor), Christy Altomare (Wendla Bergmann), Blake Bashoff (Moritz Stiefel), Steffi DiDomenicantonio (Ilse Neumann), Sarah Hunt (Martha Bessell), Andy Mientus (Hanschen Rilow), Ben Moss (Ernst Robel), Anthony Lee Medina (Otto Lämmermeier), Matt Shingledecker (Georg Zirschnitz), Gabrielle Garza (Anna), Kimiko Glenn (Thea Rilow), Angela Reed (The Adult Women), Henry Stram (The Adult Men) NOTES: Same day as Sunsetblvd79's master. Video is grainy and shaky but it's a rarer capture. Mostly for SA collectors. Spring Awakening - First National Tour - August 15, 2008 (SunsetBlvd79's master) FORMAT:  VOB (with smalls) (SD) CAST: Kyle Riabko (Melchior Gabor), Christy Altomare (Wendla Bergmann), Blake Bashoff (Moritz Stiefel), Steffi DiDomenicantonio (Ilse Neumann), Sarah Hunt (Martha Bessell), Andy Mientus (Hanschen Rilow), Ben Moss (Ernst Robel), Anthony Lee Medina (Otto Lämmermeier), Matt Shingledecker (Georg Zirschnitz), Gabrielle Garza (Anna), Kimiko Glenn (Thea Rilow), Angela Reed (The Adult Women), Henry Stram (The Adult Men) NOTES: First Tour Performance. Stunning capture of the Tour. Absolutely no blackouts or obstructions from start to finish. Wonderful performances, beautiful capture and amazing cast. A+ Spring Awakening - First National Tour - November 4, 2008 FORMAT:  VOB (no smalls) (SD) CAST: Kyle Riabko (Melchior Gabor), Christy Altomare (Wendla Bergmann), Blake Bashoff (Moritz Stiefel), Steffi DiDomenicantonio (Ilse Neumann), Andy Mientus (Hanschen Rilow), Ben Moss (Ernst Robel), Anthony Lee Medina (Otto Lämmermeier), Matt Shingledecker (Georg Zirschnitz), Gabrielle Garza (Anna), Kimiko Glenn (Thea Rilow), Angela Reed (The Adult Women), Henry Stram (The Adult Men) Spring Awakening - First National Tour - November 4, 2008 FORMAT:  VOB (no smalls) (SD) |  TRADER'S NOTES: PLEASE DO NOT REQUEST. Working on uploading :) CAST: Kyle Riabko (Melchior Gabor), Christy Altomare (Wendla Bergmann), Blake Bashoff (Moritz Stiefel), Steffi DiDomenicantonio (Ilse Neumann), Andy Mientus (Hanschen Rilow), Ben Moss (Ernst Robel), Anthony Lee Medina (Otto Lämmermeier), Matt Shingledecker (Georg Zirschnitz), Gabrielle Garza (Anna), Kimiko Glenn (Thea Rilow), Angela Reed (The Adult Women), Henry Stram (The Adult Men) Spring Awakening - First National Tour - November 7, 2008 FORMAT:  MP4 (SD) |  TRADER'S NOTES: Highlights CAST: Kyle Riabko (Melchior Gabor), Christy Altomare (Wendla Bergmann), Blake Bashoff (Moritz Stiefel), Steffi DiDomenicantonio (Ilse Neumann), Andy Mientus (Hanschen Rilow), Ben Moss (Ernst Robel), Anthony Lee Medina (Otto Lämmermeier), Matt Shingledecker (Georg Zirschnitz), Gabrielle Garza (Anna), Kimiko Glenn (Thea Rilow), Angela Reed (The Adult Women), Henry Stram (The Adult Men) NOTES: Apple store event. Kyle Riabko acts as the Melchior for the event, doing intros/cracking jokes for each song. The cast also participated in a fun Q&A session taking questions from a moderator as well as the audience. Spring Awakening - First National Tour - April 25, 2009 FORMAT:  MP4 (HD) CAST: Perry Sherman (u/s Melchior Gabor), Christy Altomare (Wendla Bergmann), Blake Bashoff (Moritz Stiefel), Steffi DiDomenicantonio (Ilse Neumann), Andy Mientus (Hanschen Rilow), Ben Moss (Ernst Robel), Anthony Lee Medina (Otto Lämmermeier), Matt Shingledecker (Georg Zirschnitz), Gabrielle Garza (Anna), Krystina Alabado (u/s Thea Rilow), Angela Reed (The Adult Women), Henry Stram (The Adult Men) Spring Awakening - First National Tour - November 19, 2009 FORMAT:  VOB (with smalls) (SD) CAST: Lucas A Wells (u/s Melchior Gabor), Christy Altomare (Wendla Bergmann), Taylor Trensch (Moritz Stiefel), Steffi DiDomenicantonio (Ilse Neumann), Sarah Hunt (Martha Bessell), Andy Mientus (Hanschen Rilow), Ben Fankhauser (Ernst Robel), Anthony Lee Medina (Otto Lämmermeier), Justin Scott Brown (u/s Georg Zirschnitz), Gabrielle Garza (Anna), Kimiko Glenn (Thea Rilow), Angela Reed (The Adult Women), John Wodja (The Adult Men) Spring Awakening - First National Tour - November 21, 2009 FORMAT:  VOB (with smalls) (SD) CAST: Jake Epstein (Melchior Gabor), Christy Altomare (Wendla Bergmann), Taylor Trensch (Moritz Stiefel), Steffi DiDomenicantonio (Ilse Neumann), Sarah Hunt (Martha Bessell), Andy Mientus (Hanschen Rilow), Ben Fankhauser (Ernst Robel), Anthony Lee Medina (Otto Lämmermeier), Matt Shingledecker (Georg Zirschnitz), Gabrielle Garza (Anna), Kimiko Glenn (Thea Rilow), Angela Reed (The Adult Women), John Wodja (The Adult Men) NOTES: Closing performance in Costa Mesa, commonly mislabeled as November 29 Spring Awakening - Hungary - March 19, 2009 (House-Cam's master) FORMAT:  MP4 (SD) CAST: Kossuth Gergő (Melchior Gabor), Viczina Dalma (Wendla Bergmann), Pirgel Dávid (Moritz Stiefel), Baranyai Annamária (Ilse Neumann), Moravszki Enikő (Martha Bessell), Gulyás Balázs (Hanschen Rilow), Zádori Szilárd (Ernst Robel), Kádár Szabolcs (Otto Lämmermeier), Kocsis Dénes (Georg Zirschnitz), Kiss Tünde (Anna), Simon Boglárka (Thea Rilow), Bajcsay Mária (The Adult Women), Szabó P Szilveszter (The Adult Men) NOTES: Stationary housecam from an upper level, but colours are bright, clear, and vivid and the image is nice and crisp. Sound is clear from the soundboard. Totally different staging from Broadway, more your standard bizarre Hungarian design (massive lucite fetish here.) Spring Awakening - Hungary - December 3, 2009 (Pro-Shot's master) FORMAT:  TS (SD) CAST: Kossuth Gergő (Melchior Gabor), Viczina Dalma (Wendla Bergmann), Pirgel Dávid (Moritz Stiefel), Baranyai Annamária (Ilse Neumann), Gulyás Balázs (Hanschen Rilow), Zádori Szilárd (Ernst Robel), Kádár Szabolcs (Otto Lämmermeier), Kocsis Dénes (Georg Zirschnitz), Kiss Tünde (Anna), Simon Boglárka (Thea Rilow) NOTES: Single cam proshot. Spring Awakening - Mexico - 2012 (Pro-Shot's master) FORMAT:  VOB (with smalls) (SD) CAST: Alan Estrada (Melchior Gabor), Melissa Barrera (Wendla Bergmann), Jose Luis Navarrete (Moritz Stiefel), Roxana Puente (Ilse Neumann), Iker Madrid (Hanschen Rilow), Arturo Valdemar (Ernst Robel), Pablo Rodriguez (Otto Lämmermeier), José Guerrero (Georg Zirschnitz), Estibalitz Ruiz (Anna), Melissa Ortiz (Thea Rilow), Gicela Sehedi (The Adult Women), Cristobal Garcia-Naranjo (The Adult Men) Spring Awakening - Mexico - 2012 (Pro-Shot's master) FORMAT:  MP4 (SD) CAST: Alan Estrada (Melchior Gabor), Melissa Barrera (Wendla Bergmann), Jose Luis Navarrete (Moritz Stiefel), Roxana Puente (Ilse Neumann), Iker Madrid (Hanschen Rilow), Arturo Valdemar (Ernst Robel), Pablo Rodriguez (Otto Lämmermeier), José Guerrero (Georg Zirschnitz), Estibalitz Ruiz (Anna), Melissa Ortiz (Thea Rilow), Gicela Sehedi (The Adult Women), Cristobal Garcia-Naranjo (The Adult Men) Spring Awakening - Off-Broadway - July 9, 2006 FORMAT:  MP4 (SD) CAST: Jonathan Groff (Melchior Gabor), Lea Michele (Wendla Bergmann), John Gallagher Jr (Moritz Stiefel), Lauren Pritchard (Ilse Neumann), Jonathan B Wright (Hanschen Rilow), Gideon Glick (Ernst Robel), Brian Charles Johnson (Otto Lämmermeier), Skylar Astin (Georg Zirschnitz), Phoebe Strole (Anna), Remy Zaken (Thea Rilow), Mary McCann (The Adult Women), Frank Wood (The Adult Men) NOTES: Done before the move to Broadway, nice picture and sound. A Spring Awakening - Rio de Janeiro, Brazil - 2010 (Pro-Shot's master) FORMAT:  AVI (SD) CAST: Pierre Baitelli (Melchior Gabor), Malu Rodrigues (Wendla Bergmann), Rodrigo Pandolfo (Moritz Stiefel), Letícia Colin (Ilse Neumann), Thiago Amaral (Hanschen Rilow), Felipe de Carolis (Ernst Robel), Bruno Sigrist (Otto Lämmermeier), André Loddi (Georg Zirschnitz), Estrela Blanco (Anna), Júlia Bernat (Thea Rilow), Deborah Olivieri (The Adult Women), Carlos Gregório (The Adult Men) NOTES: Proshot, filmed on a tripod with sound patched directly in. Non-replica production Spring Awakening - Second National Tour - February 8, 2011 FORMAT:  VOB (with smalls) (SD) CAST: Christopher Wood (Melchior Gabor), Elizabeth Judd (Wendla Bergmann), Coby Getzug (Moritz Stiefel), Courtney Markowitz (Ilse Neumann), Devon Stone (Hanschen Rilow), Daniel Plimpton (Ernst Robel), George Salazar (Otto Lämmermeier), Jim Hogan (Georg Zirschnitz), Rachel Geisler (Anna), Emily Mest (Thea Rilow), Sarah Kleeman (The Adult Women), Mark Poppleton (The Adult Men)
Spring Awakening - South Korea - 2009 FORMAT:  AVI (SD) CAST: Mu-yeol Kim (Melchior Gabor), Yu-young Kim (Wendla Bergmann), Jung-seok Cho (Moritz Stiefel), Ji-hyun Kim (Ilse Neumann), Dong-hyun Kim (Hanschen Rilow), Ha-neul Kim (Ernst Robel), Dong-wook Yuk (Otto Lämmermeier), Seuk-won Yun (Georg Zirschnitz), Lan-ju Park (Anna), So-yeon Oh (Thea Rilow) NOTES: Misses 'I Believe' and the Preacher's Sermon before 'The Guilty Ones'. Spring Awakening - University of Cincinnati - 2012 FORMAT: M4V CAST: Max Clayton (Melchior Gabor), Kathryn Boswell (Wendla Bergmann), Matt Hill (Moritz Stiefel), Alysha Deslorieux (Ilse Neumann), Julian Decker (Hanschen Rilow), Nate Irvin (Ernst Robel), Kevin Brown (Otto Lämmermeier), Noah J Ricketts (Georg Zirschnitz), Erica Vlahinos (Anna), Alison Bagil (Thea Rilow) Spring Awakening - Vienna - May 24, 2009 FORMAT:  VOB (with smalls) (SD) CAST: Rasmus Borkowski (Melchior Gabor), Jana Stelley (u/s Wendla Bergmann), Wolfgang Türks (Moritz Stiefel), Jennifer Kothe (Ilse Neumann), Johannes Huth (Hanschen Rilow), André Naujoks (u/s Ernst Robel), Marlon Wehmeier (Otto Lämmermeier), Dominik Hees (Georg Zirschnitz), Jana Nagy (Anna), Jeannine Michèle Wacker (Thea Rilow), Julia Stemberger (The Adult Women), Daniel Berger (The Adult Men) NOTES: Six major blackouts (including the majority of “My Junk” and “The Mirror-Blue Night” and the taper has a couple of performers that they obviously favour. The result is a video that stays in tight shot on the people in question for most of the show and has the shakes to go with it. Sound is great and it’s good to see the Vienna cast. Final performances for most of the understudies in their roles. Spring Awakening - Wallis Annenberg For The Performing Arts, Beverly Hills - June 13, 2015 (Matinee) (SJ Bernly's master) FORMAT:  MP4 (HD) CAST: Austin McKenzie (Melchior Gabor), Sandra Mae Frank (Wendla Bergmann), Katie Boeck (Voice of Wendla), Daniel N Durant (Moritz Stiefel), Alex Boniello (Voice of Moritz), Krysta Rodriguez (Ilse Neumann), Treshelle Edmond (Martha Bessell), Kathryn Gallagher (Voice of Martha), Andy Mientus (Hanschen Rilow), Joshua Castille (Ernst Robel), Daniel David Stewart (Voice of Ernst), Miles Barbee (Otto Lämmermeier), Sean Grandillo (Voice of Otto), Alex Wyse (Georg Zirschnitz), Ali Stroker (Anna), Amelia Hensley (Thea Rilow), Lauren Luiz (Melitta Rilow / Voice of Thea), Alexandra Winter (Greta Brandenburg), Hillary Baack (The Adult Women), Natacha Roi (Voice of Adult Women), Howie Seago (The Adult Men), Daniel Marmion (Voice of Adult Men) NOTES: Fantastic capture of Deaf West's production during it's run at the Wallis Annenberg; very well captured with no obstructions, or washout, and just a few seconds of dropouts throughout the entire show, most of which happen between scenes. Great picture and sound throughout. Spring Awakening - West End (Novello Theatre) - May 30, 2009 (Matinee) (Closing Night) (Highlights) FORMAT:  VOB (with smalls) (SD) CAST: Aneurin Barnard (Melchior Gabor), Charlotte Wakefield (Wendla Bergmann), Iwan Rheon (Moritz Stiefel), Lucy May Barker (Ilse Neumann), Hayley Gallivan (Martha Bessell), Jamie Blackley (Hanschen Rilow), Harry McEntire (Ernst Robel), Edd Judge (Otto Lämmermeier), Jos Slovick (Georg Zirschnitz), Natasha Barnes (Anna), Evelyn Hoskins (Thea Rilow), Sian Thomas (The Adult Women), Richard Cordery (The Adult Men) NOTES: Highlights of approximately 45 minutes of Act 2 only; filmed in widescreen with nice picture and sound with no coverups until the end of Totally Fucked, then little snippets of video and a full Those You've Known, after which the video footage ends. Starlight Express - Broadway - January 8, 1989 (Closing Night) FORMAT:  MP4 (HD) CAST: Greg Mowry (Rusty), Reva Rice (Pearl), Jane Krakowski (Dinah), Todd Lester (Caboose), Michael Scott Gregory (Dustin) NOTES: Final Broadway performance. Starlight Express - West End - 1988 (Pro-Shot's master) FORMAT:  VOB (with smalls) (SD) CAST: Gary Cordice (Rusty), Kim Leeson (Pearl), Drue Williams (Greaseball), Koffi Missah (u/s Elektra), Dawn Buckland (u/s Dinah), Shezwae Powell (Belle), Peter Reeves (Caboose) NOTES: Proshot, extreme gen loss and you can barely see anything but colours. There are separate cameras for the race scenes, which look great. Sunday in the Park with George - Broadway - October 21–25, 1985 (Pro-Shot's master) FORMAT:  MP4 (HD) CAST: Mandy Patinkin (Georges Seurat / George), Bernadette Peters (Dot / Marie), Barbara Bryne (Old Lady), Judith Moore (Nurse), Charles Kimbrough (Jules), Dana Ivey (Yvonne), Robert Westenberg (Soldier), Melanie Vaughan (Celeste #1), Mary D'Arcy (Celeste #2), Brent Spiner (Franz), Frank Kopyc (Mr.), Judith Moore (Mrs.), Nancy Opel (Frieda), William Parry (Boatman), Cris Groenendaal (Louis), Danielle Ferland (Louise), Charles Kimbrough (Bob Greenberg), Brent Spiner (Dennis), Dana Ivey (Naomi Eisen), Mary D'Arcy (Elaine), Judith Moore (Harriet Pawling), Cris Groenendaal (Billy Webster), William Parry (Charles Redmond), Robert Westenberg (Alex), Nancy Opel (Betty), Frank Kopyc (Lee Randolph), Barbara Bryne (Blair Daniels) Sunday in the Park with George - Second Broadway Revival - March 8, 2017 (SunsetBlvd79's master) FORMAT:  VOB (no smalls) (SD) |  TRADER'S NOTES: Highlights CAST: Jake Gyllenhaal (Georges Seurat / George), Annaleigh Ashford (Dot / Marie), Penny Fuller (Old Lady), Jennifer Sanchez (Nurse), Robert Sean Leonard (Jules), Erin Davie (Yvonne), Claybourne Elder (Soldier), Ashley Park (Celeste #1), Jenni Barber (Celeste #2), David Turner (Franz), Brooks Ashmanskas (Mr.), Liz McCartney (Mrs.), Ruthie Ann Miles (Frieda), Phillip Boykin (Boatman), Jordan Gelber (Louis), Mattea Conforti (Louise), Robert Sean Leonard (Bob Greenberg), David Turner (Dennis), Erin Davie (Naomi Eisen), Jenni Barber (Elaine), Jennifer Sanchez (Harriet Pawling), Jordan Gelber (Billy Webster), Brooks Ashmanskas (Charles Redmond), Claybourne Elder (Alex), Ruthie Ann Miles (Betty), Phillip Boykin (Lee Randolph), Penny Fuller (Blair Daniels), Jennifer Sanchez (Samantha), Ashley Park (Theresa) NOTES: Excellent HD capture of the Broadway transfer. The performances have really been fine tuned and beautifully performed. Jake and Annaleigh are perfection together. A Sunday in the Park with George - Théâtre Du Châtelet, Paris - April 17, 2013 (Pro-Shot's master) FORMAT:  MP4 (HD) CAST: Julian Ovenden (Georges Seurat / George), Sophie-Louise Dann (Dot / Marie), Rebecca de Pont Davies (Old Lady), Jessica Walker (Nurse), Nikolas Grace (Jules), Beverly Klein (Yvonne), David Curry (Soldier), Rebecca Bottone (Celeste #1), Francesca Jackson (Celeste #2), Damian Thantrey (Franz), Scott Emerson (Mr.), Elisa Doughty Louis (Mrs.), Christine Buffle (Frieda), Nicholas Garrett (Boatman), Jonathan Gunthorpe (Louis), Laura Gravier-Britten (Louise) NOTES: Pro-Shot filmed for French television. This critically acclaimed production uses a revolving set amid state-of-the-art video backdrops. In English, with French subtitles. Broadcast in May, 2013. Sunset Boulevard - Broadway Revival - February 3, 2017 (Preview) (SunsetBlvd79's master) FORMAT:  VOB (with smalls) (SD) CAST: Glenn Close (Norma Desmond), Michael Xavier (Joe Gillis), Fred Johanson (Max von Mayerling), Siobhan Dillon (Betty Schaeffer), Preston Truman Boyd (Artie Green), Paul Schoeffler (Cecil B. DeMille), Andy Taylor (Sheldrake), Jim Walton (Manfred) NOTES: Beautiful HD capture from the Orchestra of the Second Preview performance. Glenn again knocks her performance out of the park! Some subtle changes and delivery from the first performance. Terrific audience response and energy from the cast throughout the show! Sunset Boulevard - Netherlands - 2009 (Pro-Shot's master) FORMAT:  MP4 (HD) CAST: Pia Douwes (Norma Desmond), Antonie Kamerling (Joe Gillis), Peter de Smet (Max von Mayerling), Maike Boerdam (Betty Schaeffer), Jasper Kerkhof (Artie Green), Dick Schaar (Cecil B. DeMille), Paul Disbergen (Sheldrake), Derek Blok (Manfred), Mo Marcus (Heather) Sunset Boulevard - Netherlands - April 15, 2009 (Highlights) FORMAT:  VOB (with smalls) (SD) CAST: Pia Douwes (Norma Desmond) NOTES: Highlights. Quality: B Sunset Boulevard - West End - July, 1993 (Preview) (House-Cam's master) FORMAT:  MP4 (SD) CAST: Patti LuPone (Norma Desmond), Kevin Anderson (Joe Gillis), Daniel Benzali (Max von Mayerling) NOTES: Black and white house-cam footage with crystal clear soundboard audio, slightly washed out at times (as it was in infrared) but a great capture of the performances and the staging. Definitely filmed in July. Theres a higher quality MP4 version with no graininess and clear footage being traded as well. Check with traders. Swan Lake (Ballet) - The Royal Ballet - 2018 (Pro-Shot's master) FORMAT:  MP4 (HD) CAST: Marianela Núñez, Vadim Muntagirov, Bennet Gartside, Elizabeth McGorian, Alexander Campbell, Francesca Hayward, Akane Takada
Sweeney Todd: The Demon Barber of Fleet Street - Broadway Revival - April 2, 2006 (SunsetBlvd79's master) FORMAT:  VOB (no smalls) (SD) CAST: Michael Cerveris (Sweeney Todd), Patti LuPone (Mrs. Lovett), Benjamin Magnuson (Anthony Hope), Lauren Molina (Johanna), Mark Jacoby (Judge Turpin), Alexander Gemignani (Beadle Bamford), Diana DiMarzio (Beggar Woman), Donna Lynne Champlin (Adolfo Pirelli), John Arbo (Jonas Fogg) NOTES: Great Revival and nicely done. Crystal clear picture and sound. Lots of closeups. A Sweeney Todd: The Demon Barber of Fleet Street - First National Tour - September, 1981 (Pro-Shot's master) FORMAT:  MP4 (HD) CAST: George Hearn (Sweeney Todd), Angela Lansbury (Mrs. Lovett), Cris Groenendaal (Anthony Hope), Betsy Joslyn (Johanna), Edmund Lyndeck (Judge Turpin), Ken Jennings (Tobias Ragg), Calvin Remsberg (Beadle Bamford), Sara Woods (Beggar Woman), Sal Mistretta (Adolfo Pirelli), Michael Kalinyen (Jonas Fogg) NOTES: Commercial proshot video. Often mislabelled as being September 12th, 1982, HOWEVER, that is when it aired on PBS, not when it was recorded. Sweeney Todd: The Demon Barber of Fleet Street - Manila & Singapore - October 11, 2019 (Opening Night) (Highlights) (andflyingaway's master) FORMAT:  MP4 (HD) CAST: Jett Pangan (Sweeney Todd), Lea Salonga (Mrs. Lovett), Gerald Santos (Anthony Hope), Mikkie Bradshaw-Volante (Johanna), Andrew Fernando (Judge Turpin), Luigi Quesada (Tobias Ragg), Arman Ferrer (Beadle Bamford), Ima Castro (Beggar Woman), Nyoy Volante (Adolfo Pirelli), Dean Rosen (Jonas Fogg), Christine Flores, Emeline Celis Guinid, Jep Go, Kevin Guiman, Sarah Facuri, Steven Conde NOTES: Highlights: Johanna, Kiss Me, and Act 2 until part of Johanna (Reprise). A bunch of clips from the opening night of Sweeney Todd in Manila! Shot 3rd row at the balcony. I shot more but they were too zoomed in that they’re more likely to be considered audio so I decided not to include them. I was very near the usher and they were really strict. The phone was in my jacket pocket so I couldn’t see anything and I was scared of getting caught, so a lot is very zoomed and I’m really sorry about that. I absolutely loved the set, it was reimagined into a more modern almost gangster like setting. Shot in 4k on my phone. Please gift out to anyone who asks. Sweeney Todd: The Demon Barber of Fleet Street - New York Philharmonic Concert - March 5-8, 2014 (Pro-Shot's master) video |  TRADER'S NOTES: PLEASE DO NOT REQUEST. Working on uploading :) CAST: Bryn Terfel (Sweeney Todd), Emma Thompson (Mrs. Lovett), Jay Armstrong Johnson (Anthony Hope), Erin Mackey (Johanna), Philip Quast (Judge Turpin), Kyle Brenn (Tobias Ragg), Jeff Blumenkrantz (Beadle Bamford), Bryonha Marie Parham (Beggar Woman), Christian Borle (Adolfo Pirelli), Audra McDonald NOTES: Filmed in March 2014 and aired on PBS on September 26, 2014. Sweeney Todd: The Demon Barber of Fleet Street - San Francisco Symphony Concert - July, 2001 (Pro-Shot's master) FORMAT:  MP4 (SD) CAST: George Hearn (Sweeney Todd), Patti LuPone (Mrs. Lovett), Davis Gaines (Anthony Hope), Lisa Vroman (Johanna), Timothy Nolen (Judge Turpin), Neil Patrick Harris (Tobias Ragg), John Aler (Beadle Bamford), Victoria Clark (Beggar Woman) NOTES: Aired on PBS on October 31, 2001. Sweeney Todd: The Demon Barber of Fleet Street - Théâtre Du Châtelet, Paris - May 20, 2011 (Pro-Shot's master) FORMAT:  MP4 (SD) CAST: Rod Gilfry (Sweeney Todd), Caroline O’Connor (Mrs. Lovett), Nicholas Garrett (Anthony Hope), Rebecca Bottone (Johanna), Jonathan Best (Judge Turpin), Pascal Charbonneau (Tobias Ragg), John Graham-Hall (Beadle Bamford), Rebecca de Pont Davies (Beggar Woman), David Curry (Adolfo Pirelli) NOTES: Single camera pro-shot Sweeney Todd: The Demon Barber of Fleet Street - Third West End Revival - 2011 (House-Cam's master) FORMAT:  VOB (with smalls) (SD) CAST: Michael Ball (Sweeney Todd), Imelda Staunton (Mrs. Lovett), Luke Brady (Anthony Hope), Lucy May Barker (Johanna), John Bowe (Judge Turpin), James McConville (Tobias Ragg), Peter Polycarpou (Beadle Bamford), Gillian Kirkpatrick (Beggar Woman), Rob Burt (Adolfo Pirelli) NOTES: Fixed house-cam recording of the 2012 West End revival at Adelphie Theatre. There is a copy with press footage inserted for A Little Priest and Epiphany. Unsure if there is unaltered footage circulating; check with traders. FORMAT:  VOB (with smalls) (SD) CAST: Ann Reinking (Charity Hope Valentine), Bebe Neuwirth (Nickie)
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