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dungeonmalcontent · 4 years

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Thoughts on Encounter Balancing and the Meat Grinder

I’ve talked about running a meat grinder, and given a brief description of what that entails. But I want to go into detail on the matter. Below the cut there will be some visuals and ttrpg philosophy discussion for how to run good and balanced encounters in 5e d&d, primarily through the use of Roll20. This is a long post. I would put it on my Wordpress blog, but that’s getting some work and requires more effort.

So what is a meat grinder?

A meat grinder is a combat only one shot that allows for variety of play at high speed. Key aspects of the meat grinder are challenging encounter composition, terrain (re-positionable), and increased difficulty with every encounter round with the players leveling up between each. Ideally, the players have pre-planned how they want to level up their characters, have a different character ready for every level, or use a character manager tool like Aurora Builder, Fight Club 5e, or DNDBeyond (which I had my players use, because they could randomize and build widely varied characters) to facilitate fast level ups.

So how did I run the meat grinder? What does it look like? How do you even start this sort of project?

Well, let’s look.

This is the setup I used on Roll20. This is without FoW on, and I’ll zoom in on various aspects as I go on, but it isn’t that complicated. At the top we have a waiting room, where players can pick a token that speaks to them, and a “lion cage” with the tokens for each planned encounter (I deleted a few during the game I ran). Below that is the “arena,” which by itself isn’t all that special, as it was emptied out completely at the end of every encounter. At the very bottom, and pretty much never visible to the players, is the terrain room where I have shapes or tokens with terrain. My terrain was essentially just columns of various size that ran from floor to ceiling and either made walls or obstacles, but that was only because I put this together in a couple of hours.

Lets start with the waiting room.

At the start of the game, this is all the players should be able to see. There are a variety of tokens and instructions for how players can pick theirs; which in Roll20 you will then have to assign to the player (and then ideally color code as shown with the last four). All the tokens I threw on there, and I picked for variety, were pulled from the free assets on Roll20 (though I have plenty of my own, this was faster than uploading to my library). You can add on player/character names to help differentiate, but that also takes some extra time. The important part is that the players use this space to get used to what is about to happen. I also used an airlock room attached between the arena and the waiting room, just to give them a little more immersion and warning when the next round was ready, but that’s not really necessary.

Next is the “Lions Cage,” and I call it that in the spirit of the Roman Colosseum.

This is where I kept the tokens for each encounter. I had then arranged in rows with the first being at the top (which was deleted after it was beaten, but contained an Evil MageTM, two zombies, and two skeletons). I started at CR 1 (with four level 1 players), and went to CR 2 (animated armor and dragon wyrmling) and so on, following basics for balancing encounters based on CR. I will get into monster selection more later, but this is the room where I had all of that laid out. It is always blacked out for players. (I also had two spiderman PNGs and a barrel to use as variety tokens like Spiritual Weapon or familiars, they’re a running joke in my games.)

Now, the arena.

This is a big empty area. Every round I add in the tokens for the encounter monsters, the terrain, and I adjust the lighting as needed. The lighting is probably the biggest brain thing I’ve ever done on Roll20 and I encourage the use of this system for any arena or massive dungeons you build on the platform. You write out “Lighting” as well as “bright,” “dim,” and “dark.” You add this text to the background layer (along with all the boxes and things you don’t intend to move). Then you get boxes big enough to cover whatever lighting options are not in use. For bright rooms where there is enough light for all characters (save those with aversion to bright light) to see clearly, you cover up “dim” and “dark.” It’s that simple and it does so much for the players too, because it gives them actual use of their darkvision and they don’t have to ask you what the light in the room is like, they can just see. If they have disadvantage due to lighting, they can see the precedent based on the setting. It’s a good system and I am quite proud of it.

As a secondary note, FoW is interesting in this room. For after round cleanup and next round setup, it is recommended to black out the arena. When starting out a round, particularly if you are using sneaky creatures, it is advised to reveal the room gradually as the characters move about it. This is a great place to use the token lighting feature thing you get with a premium Roll20 subscription, as this feature enables rapid revealing and occluding of space in the arena based on the token’s given sight range. But that costs money. I got along just fine doing it manually.

Lastly, the terrain room.

This is just an empty space below the arena map, used to store terrain pieces. For my meat grinder I used six objects. Three squares and three circles, made to equilateral sizes with the shift function (should use high contrast colors and have both line and fill colors selected before making shapes, hence the purple and green). More shapes would have been ideal, but weren’t necessary. And shapes aren’t even required, you can add in terrain features from whatever map builder you use, but shapes are the easiest to prepare and move.

Another good option might be to add in one big solid black square to cover the whole arena and use other colored squares to represent platforms (possibly even color coding certain platforms to indicate height from a base level like the precipice of the waiting room). This adds an additional challenge to navigating the room and rewards characters with mobility based abilities like flight, or spells like spider climb. Alternatively alternatively, the room could be indicated to be submerged and the players given potions of waterbreathing, as this allows for underwater combat and aquatic monsters.

So what might an encounter look like? Here’s an idea for CR 4.

It doesn’t look that hard, honestly. Nothing in the lineup is actually even CR 4. But you also have to remember that most classes don’t get anything interesting or impactful at level 4. Level four is the designated ability score improvement level. So they aren’t going to be able handle anything much more challenging than before, even if they all take super useful feats instead of score ups (if you use those rules). The challenge of this setup is the terrain and the cube. Gelatinous cubes are a menace in group fights with small spaces, and gargoyles and werewolves have a lot of basic damage resistance and high speed.

So, suppose you open the room like this.

“The room is dark. You can see several pillars in front of you and not much else. There are vague shapes near the tops, as though they are ornamented with some statuary that you can’t quite make out. The room smells foul, like decay, and you can hear an uncomfortable squelching noise coming from further in.”

The players guess: Well, something is clinging to the tops of the pillars, and there’s some form of ooze in there. They probably won’t split up, so they can avoid getting taken out by falling creatures, and they expect to gang up on the ooze to take care of it quickly. But the cube is a tank and they have no clue the werewolf is hiding in the shadows. They are going to get ambushed, boxed in by the cube and divebombed by gargoyles. Now, if they’re smart they will take advantage of the tight spaces between pillars and act like tunnel fighters. The center middle or the bottom right are ideal for using the cube in their favor, as it will likely absorb the werewolf or careless gargoyles on accident if they don’t all have enough space. Worst case scenario, they all fail to see the cube (which I’ve made a size larger, arbitrarily), they stay in the open and split up to get picked up by big swooping maneuvers (which I would play out to the sound of Roundabout by Yes playing in the background).

So say, you run a round and the players win easily. Then what?

When the players win a hard fought battle I give them loot. One item from each killed monster, and there is usually at least one monster per player. I used the donjon random loot generator set to uncommon magic items. In the case of an easy victory you can adjust to no loot or less loot, or maybe just non-magic loot.

The players beat an encounter. I move them to the waiting room to level up and sort loot, cover the arena back up, move tokens and terrain around, and start again.

How did I select the encounters? Why certain creatures and why put them together?

The answer isn’t satisfying. Gut feelings, matching mechanics, and CR. I like thematic encounters for the meat grinder, though those themes are sometimes very arbitrary. My CR 3 lineup was themed “This looks like the dumbest and best hippie van art ever” and consisted of a gnome bard riding a gryphon and three centaurs. It used mounted combat, high speed, and mobile casting. Terrain would be sparse and likely against the walls to make crevasses for players to trap or get trapped in. If it felt like it was going to be too tricky, I could drop one or two centaurs from the encounter.

Generally speaking a creature of a certain CR is balanced for a party of 4-5 players of the same level as the creatures CR, with “boss” monsters being occasional outliers. So typically, an encounter consists of a high CR monsters (at or just above the PCs level/CR) and some fodder minion of a lower CR. Some monsters are also designed as fodder monsters, however, so putting just a lot of fodder monsters of the same CR as the players level is also an option. The beauty of the lions cage is that it allows you to also mix and match lineups on the fly, you can add or subtract monsters easily to make it harder or easier for your players. My players got wiped out by the animated armor and wyrmling, and had I used one less armor, they would have definitely survived, but it might have been too easy if they had picked up on the theme of the round (high armor, low health, so using save spells and abilities was the most effective method).

When putting together an encounter, I start by looking at the donjon creature index (another great tool you should have bookmarked) and browsing for a key creature for the encounter. This is usually the same CR as the players level. I pick one and then build up complimenting creatures from the same or lower CR. And that’s most of it.

The beauty of the meat grinder is its simplicity. It’s perfect for practicing combat balancing, getting new players used to the mechanics of combat, or running a quick one shot with little prep. You can even adjust it into a sort of tournament arc sort of narrative or a game show sort of last man standing operation (with killed players running pvp fights).

If you read this whole thing, holy cow. You’re a trooper. I hope you learned something useful or got some ideas. If you run a meat grinder of your own, I wish you all the luck in the world. It’s fun and can be very rewarding. Think of it like the infinity train (the one from Adventure Time, not the show [I haven’t watched the show and probably should]), lots of possibility—itty-bitty living space.

#dnd #d&d #5e #gming #dming #dungeons and dragons #meat grinder #combat #encounter balancing #monsters #arena #pvp #options for running a quick one shot

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vectalex · 3 years

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mybestluxe · 3 years

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What is Milgrain? A Complete Guide

Many people believe that this jewellery design style gives off an antique or retro vibe, and they’re right. However, Milgrain has a long history and has been revived several times throughout history. It is a jewellery design method that uses little metal beads to create borders and is sometimes described as “tiny dots” along the sides of a piece.

Milgrain has remained a popular engagement ring style thanks to its unique intricacies, excellent craftsmanship, and accurate design.

Milgrain (sometimes written millgrain or milgraine) is a jewelry-detailing method that involves the addition of tiny metal beads, usually to form an ornamental border. Milgrain’s popularity peaked during the Art Deco era of the 1930s, but the style originated thousands of years ago in Asia, when artisans would carefully embellish the jewelry’s design with tiny metal beads by hand.

It was the most popular jewelry style in the first half of the twentieth century due to its meticulous attention to detail. Milgrain took a long time to make, and that time spent showed the receiver how much the giver loved and cared for them.

It is becoming more popular again, despite the fact that most it jewelry is considered old. The reason for this is, it can really set your jewelry unique, and modern technology (like 3D printing) makes it easier than ever to create. You may now shop for antique-style engagement rings without having to track down an original. link_opens_in_new_window=true

Also Read:- What is London Blue Topaz? A complete Guide

Table of Contents

History of Milgrain

What Size is Milgrain?

How Milgrain is Created

How to take care of Milgrain

Can Milgrain be added to a ring?

What is Diamond Milgrain?

History of Milgrain

It is most associated with the Art Deco period, when it was at its peak of popularity. This is how it earned its name, which comes from the French word mille-grain, which means “a thousand grains.” However, this design technique originated in Southeast Asia and extends back many centuries. Earring were the first things discovered with milgrain among artefacts excavated from ancient sites in this region. Many instances of milgrain-style rings were later revealed.

Milgrain was regarded as a delicate, beautifully detailed ornamental element that complimented the era’s riches and extravagance. The development of the acetylene torch allowed trained jewellers to produce gorgeous designs with milgrain as a prominent feature. Platinum was the metal of choice for exquisite jewelry.

Milgrain became more accessible to the general public during the Art Deco period, when jewellers used the technique on white gold jewelry.

What Size is Milgrain?

Milgrain detailing is available in a variety of sizes, ranging from tiny spheres to large grains. Some milgrain beads are large enough to stand out as a highlight in and of themselves, while others are so small that they may go unnoticed until you touch the ring’s margins. The ring’s size is determined by its overall design. Large and little milgrain detail can be used combined to create appealing designs in some circumstances.

While traditional milgrain engagement rings have simply one row of milgrain around the edges, some current designs have entire surfaces covered in neat rows of milgrain, as shown in the ring below.

How Milgrain is Created

It can be applied to a piece of jewellery in three different ways. Two of them are long-established traditional processes that necessitate the expertise of master artisans. With the introduction of technology and computer-aided design, or CAD, a third technique has just recently been added to these two processes.

In the First Method, Each tiny bead is painstakingly manufactured by hand, then individually set in the design and hand-soldered to fuse together; this technique dates back to the earliest milgrain creations. This process takes a long time and necessitates meticulous attention to detail and professional precision. The extra attention and effort invested in a milgrain engagement ring or wedding band translate into a charming romantic mood for many people.

2. The second method involves a specialised tool known as a knurling tool. You can imagine the knurling tool as a much smaller pizza cutter. The milgrain wheel is the tool’s wheel component. The most common pattern on the wheel is a round milgrain pattern, as it is the most popular. Wheels, on the other hand, can be made with oval or square milgrain and available in a variety of sizes. The wheel is put on the metal edges and rolled carefully along the border to achieve the milgrain with the knurling tool. The milgrain look and texture is achieved by engraving little bumps or spots of milgrain into the metal.

3. The most common way for the modern third option is to deploy 3D-CAD computer software. Within the application, jewellers can create a milgrain effect for a piece of jewelry, which is then sent to a printer to create a wax cast. The wax mould is subsequently turned into a metal die. Although this is the most efficient way, it lacks the charm that the attention and great craftsmanship of the first two procedures provide.

How to take care of Milgrain

Milgrain, unfortunately, has a finite lifespan and will soon fade. So the greatest thing you can do is avoid scratching or rubbing against the ring as much as possible.

If jewelry is worn regularly, such as some milgrain engagement rings, the milgrain will need to be restored around once every ten years. Thus, restoration is a crucial aspect of routine milgrain maintenance, despite the low cost.

Milgraining a piece of jewelry (as long as it’s done by a professional) shouldn’t compromise the ring or the provenance’s integrity.

Credits:- Peora Store

Can Milgrain be added to a ring?

Milgrain patterns are typically found in ancient jewelry, but modern jewellers have begun to use them in their collections as well. Milgrain is used by jewellers to provide a more accurate vintage look in rings.

What is Diamond Milgrain?

Milgrain (sometimes written millgrain or milgraine) is a jewelry-detailing method that involves the addition of tiny metal beads, usually to form an ornamental border.

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micondesigns · 1 year

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Christmas Stained Glass Round Clipart Bundle PNG Sublimation Designs, Ornaments, Snowflake, Tree, Stained Glass, Snowman, Winter Scene

#christmas designs #christmas png #christmas clipart #stained glass png #stained glass design #stained glass santa #Christmas Ornaments #Ornaments Snowflake #Ornaments snowman #stained glass xmas #Round Stained Glass #christmas tshirt png #xmas clipart designs

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svghubs · 2 years

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Our first Christmas SVG, couple Christmas svg, Christmas ornament svg

Our first Christmas SVG, couple Christmas svg, Christmas ornament svg, round Christmas svg This is a downloadable cut file and not a physical product. You will instantly receive a zipped folder containing files in the formats of SVG, PNG, EPS, PNG, PSD, PDF, DXF and AI. You can opt to download a free SVG under Free SVG category to test the quality of our files. The files are compatible with…

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wallpapernifty · 4 years

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yui1107 · 5 years

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Robotech : The Masters Episode 49. " A New Recruit ".

(Time 20:46 minutes -seconds ) Zor Prime told to Dana Sterling : " A girl that was playing an erectronic harp , a Leve Ficelle "

(JST 01:56 March 04 2020 update) As an intermediate artworkｓ to complete the art of Musica and Cosmic Harp　(Leve ficelle) 2020 , I will do "outline" artworks for the drawing of a muse "Musica".

See

Cosmic Harp (Leve ficelle) for Tirolian Muses

The armchair with control console for Cosmic Harp

Cosmic Harp (Leve ficelle) and armchair with control console (Stringed instrument set- unit suite )

Musica and Cosmic Harp (Leve ficelle) colored 02 ( Musica and Cosmic Harp [ Leve ficelle ] , the full version) .

(Artworks update ) [ J. S. T . 17 : 50 ] March 08, 2020 : Sub-complete except for Highlight and shade and Cosmic Harp strings .

JST 0:07 March 06 , 2020 . The boots details up .

Musica and Cosmic Harp (Leve ficelle) WIP3

Drawing tool and screen capture of Musica

Cosmic Harp

(Original " Super Dimension Cavalry Southern Cross " is defined as "

Leve ficelle “ in this film).

The armchair with control console built into Cosmic Harp reduces fatigue. However, on the other hand, it can cause unwanted resonances and, in addition, armchair may have disrupt sound in large halls.

To dislike this, some of Sibyllae muses (Μοῦσαι , Musa in Greek) often exchanged for a simple round seat stool supported by a pipe frame.

When I was a 14-years-old girl, I was wondering about the lineart of "Sibylla" muse "Musica" by Tomonori Kogawa.

"Why did Mr. Tomonori Kogawa (湖川友謙) leave his lyre (Cosmic Laser Harp) to his disciple Yutaka Arai (新井豊)　instead of drawing himself ?

Instrumentalist and Bard Musica have other sisters, Allegra (The "Sitar" is a plucked stringed instrument, originating from the Indian subcontinent) and Octavia (The "Zither" is a German rendering of the Greek word cithara, from which the modern word "guitar" also derives) is more impressive by the instruments they play, but unfortunately there is no art depicting Musica and Cosmic Harp ( " Leve ficelle " in Tirolians' designation) together thought.

If Mr. Tomonori Kogawa does not draw musica sitting beside the instrument in the future, I have no choice but to draw as. 14-year-old little girl.

I thought this and drew this art back in 1984.

However, this fanart is too poor at 2020, after 37 years.

So, with the arrival of the "Hina Matsuri"　(March 03 , also called

Doll's Day or Girls' Day , is a special day in Japan.

Celebrated on 3 March of each year) , I decided to start drawing fan art for a new “Musica and CosmicHarp (Leve ficelle)” that matches my skills at the age of 50 " . Hinamatsuri ( 雛祭り , Hina-matsuri ), also called Doll's Day or Girls' Day , is a special day in Japan. [1] Celebrated on 3 March of each year, [2] platforms covered with a red carpet - material are used to display a set of ornamental dolls (雛人形, hina-ningyō ) representing the Emperor , Empress , attendants, and musicians in traditional court dress of the Heian period .

Hinamatsuri - Wikipedia

Musica - Robotech Saga Wiki

Allegra - Robotech Saga Wiki

Octavia - Robotech Saga Wiki

Tomonori Kogawa - Wikipedia　(湖川友謙, Kogawa Tomonori, born January 3, 1950 in Engaru, Hokkaidō)

Muses - Wikipedia

Sibyl - Wikipedia

Bard - Wikipedia

Harp - Wikipedia

Sitar - Wikipedia

Zither - Wikipedia

超時空騎団サザンクロス2020『ムジカ・ノヴァ』と歌巫女の電子弦楽器「リーヴ・フィセル」(レーザーハープ)は、Tinami のファイルのみ反映されます。画像のサイズはヨコ・タテがそれぞれ110×80ピクセル以上、3600×5120ピクセル以下、4MBまでの制限により、原寸のPNG画像を投稿することは出来ませんでした。以下のWeb頁から、原寸のPNG画像をダウンロードください。。投稿画像のサイズが720×1440長辺が3600pixelまで

【Pixiv】〔一部に36000色に減色、また32MBまでの制限により、縮小している投稿があります〕 https://www.pixiv.net/user/150476/series/74560 【Deviantart】〔ごく稀に、投稿画像の80MBの容量制限により、縮小している投稿があります。〕 https://www.deviantart.com/yui1107/gallery/71354423/musica-allegra-and-octavia 【flicker】特に制限により、縮小している投稿はありません。 https://www.flickr.com/photos/169039156@N06/with/49608218881/

ムジカ・ノヴァの単身の抜き出しの彩色を行いました。 https://www.pixiv.net/artworks/79980671

▼ 0.ゾル軍・歌巫女の弦楽器「リーヴ・フィセル」 https://www.pixiv.net/artworks/79984676 ▼ 1.「ムジカ・ノヴァ」と弦楽器「リーヴ・フィセル」（レーザー・ハープ） https://www.pixiv.net/artworks/79925157 ▼ 2.「ムジカ・ノヴァ」と弦楽器「リーヴ・フィセル」（レーザー・ハープ）【ムジカ単身の抜き出し】 https://www.pixiv.net/artworks/79980671

当初の制作動機であるムジカと弦楽器レーザーハープの組み合わせは、まだまだ先になりますが、待てない閲覧者の為に暫定的に組み合わせてみました。

湖川友謙氏が「超時空騎団サザンクロス2020」にて『ムジカ・ノヴァ』設定画を描いたら？楽器（レーザーハープ）を含む全体的なアートワークの進行状況はDeviantartにて逐次報告します。つまりpixivは飽くまでもDeviantartの日本語簡易版の扱いです。ムジカのアートの閲覧者需要は残念ながら日本よりも海外の方が遥かに大きいので、当初より英語SNSであるDeviantartを主な公開発表の場とせざるを得ないのです。 https://www.deviantart.com/yui1107/gallery/71354423/musica-allegra-and-octavia

▼【超時空騎団サザンクロス2020】『ムジカ・ノヴァ』制作の切っ掛けとなったのは、2020年2月22日の実家の倉庫の整理で37年振りに発見された 1984年夏頃の14歳の少女だった私の描いた恥ずかしい拙い水準ながら私の描いた初めてのムジカでした。https://www.pixiv.net/artworks/79924180

〓俗称「コスミック・ハープ」（原作の「超時空騎団サザンクロス」ではラテン語を起源とするゾル人の言語で「リーヴ・フィセル」【Leve ficelle】と定義されています）。このレーザー・ハープに演奏制御卓〔コンソール〕が組み込まれた肘掛け椅子は、ミューズ（ギリシャ語の原意「ムーサ」“Μοῦσα”，ごく乱暴に日本語に訳せば「歌巫女」）の疲労を軽減します。しかし、一方で、それは望ましくない共鳴を引き起こす可能性があり、さらに全身を覆うほどの大きな肘掛け椅子は大劇場で音を乱す可能性があります。

これを嫌うが故に、「シヴィラエ」（歌巫女たち）のミューズ（ギリシャ語でムーサ，“Musοῦαι” ）らは、パイプ支柱フレームの骨格フレームで彼女らの体重を支持される簡素な丸い座椅子（スツール）と頻繁に交換しました。

私は14歳のとき湖川友謙の「シヴィラ」ミューズ「ムジカ」の線画について疑問に思っていました。「なぜ湖川友謙氏は、自分の絵を描くのではなく、ムジカと一体とも言える弦楽器、西洋琴（Cosmic Laser Harp）を弟子の新井豊に任せたのですか？　」

器楽奏者と吟遊詩人としてのムジカには一卵性の他の２姉妹「ムジエ」〔アレグラ〕と「ムゼル」〔オクタヴィア〕がいます。

“ムジエ”　こと「アレグラ」の扱う「シタール」はインド亜大陸に由来する弦楽器です。また“ムゼル”　こと「オクタヴィア」の扱う「ツィター」はギリシアの単語「キタラ」のドイツの翻訳でありそこから現代語「ギター」の名称も由来します。

三姉妹は彼女らが演奏する楽器によって、より印象的ですが、残念ながらムジカと楽器〔「レーザー・ハープ」，ゾル人固有のラテン語由来の言語で「Leve ficelle」〕を一緒に考えたアートはありません。

将来にわたって「湖川友謙」さんが楽器の横に座っているムジカを描かないのなら、14歳の少女をだった私が50歳となった2020年の今、代筆者とし描くより他に表現手段がありません。

私は少女の未熟な頭脳ながら、上記の弦楽器の傍らに描かれていないムジカの単独線画の問題点を考え、1984年時点で既に稚拙ながら問題点を改善する意図でアートを描きました。

ただし、この1984年の画は、37年後の2020年、50歳の私の観点から鑑みれば、描画技術はあまりにも貧弱です。

だから「ひなまつり」（3月3日は、人形の日や女の子の日とも呼ばれ、日本では特別な日です。毎年3月3日に祝われます）が来たので、新しいファンアートを描き始めました。

50歳で私の描画能力スキルに合致したリメイクされている「ムジカと弦楽器」つまりこの新作『ムジカ・ノヴァとレーザー・ハープ』（リーヴ・フィセル, Leve ficelle）を！

#SouthernCross #SuperDimensionCavalry #SuperDimensionCavalrySouthernCross #超時空騎団サザンクロス #超時空シリーズ #湖川友謙 #NorikoHidaka #日高のり子 #TomonoriKogawa #MeloraHarte #cosmicharp #robotech masters

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visuellesfest · 6 years

Photo

Just Pinned to png: https://www.pinterest.com/pin/701857923156593810 Islamic ornament vector , persian motiff . 3d ramadan islamic round pattern elements . Geometric circular ornamental arabic symbol vector . #3d #arabic #Circular #elements #Geometric #Islamic #motiff #Ornament #ornamental #PATTERN

#Pinterest #png

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micondesigns · 1 year

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Heaven is a Beautiful Place Round Ornament Bundle PNG Sublimation Template, Photo Memorial Christmas Ornament Png Designs

#christmas ornament #Memory #christmas #Memorial #ornament

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marysmiller · 6 years

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13 Cricut Hacks For Crafters

Cricut Hacks for the Crafter If you own a Cricut you might really benefit from these Cricut hacks below. They are simple solutions to problems you may face and ways to save you time during your crafting. All those tiny pieces you need to weed out in an intricate design, I have a hack for that. Want to save money on Cricut pens, you bet I have a trick you can do to save. These Cricut tips and tricks have really helped me maximize my time and making the process easier.

Test Cuts In the beginning, I would do test cuts on new sheets of paper and that got expensive quick! Save back your scraps of paper and when you go to test use them instead of a new sheet. That way if something is off you didn’t waste a new sheet.

Sticky Mat Issues If you find your material won’t really stick to the mat, reach for painters tape or washi tape. It helps to hold the material in place without damaging it when you go to peel it off. Works really well.

Cleaning Your Mat If your mat is losing the stick and you don’t want to use painters tape, use a lint roller. This helps a lot or buy some alcohol-free baby wipes to clean your mat with. Also just washing with soap and water and allowing it to dry on its own will sometimes do the trick in bringing the sticky back.

Writing With Cricut Pens You don’t have to buy Cricut pens when you want to write on some material. Gelly Roll Pens, Crayola Fine-Line Markers and even Bic Round Stic Ballpoint Pens all fit perfectly in the pen holder on your Cricut. There are other brands out there that probably work too, these are just ones I found successful. If you find you have issues keeping the pen in place use a craft stick under Clamp A to help line it up then after you close the clamp, move the stick.

Blade Not Sharp Enough If your blade is getting dull use this Cricut hack. Place aluminium foil on your mat and cut a simple design. It will sharpen your blade as it cuts through the aluminium foil.

Upload Files You can upload your own files to use in your Cricut which is really nice. The DXF, PNG, or SVG style of images will give you the crispest images in most cases. There are other options to save your image as to upload, I personally recommend these types of files.

USB Port If you didn’t know on the side of your Cricut maker there is a USB port where you can plug in your tablet or smartphone to use. It is so handy not to have to turn the computer on and find a place on the table to set it.

Cardstock Designs If you have a really detailed design on cardstock, grab a lint roller and run it over the mat once you have it cut out. It will pick up the small cut out pieces and make the weeding process a lot faster!

Weeding Tools Dental tools can be a great item to have for weeding as well as pointed tweezers.

Light Box Make or buy a light box, this will help a lot with seeing all the little areas you need to weed for your intricate designs.

Transfer Paper If you run out of transfer paper, grab the adhesive lint roller and use that to remove the cutout.

Cut Through Mat If you accidentally cut through your mat grab some sturdy tape, and apply to the back. It is flexible and gives it that sturdy feel it needs.

Wax Paper Stencils Consider using wax paper to cut out stencils and then tape and paint on your project. It will save you money from buying vinyls.

Please not this post contains affiliate links, which means when you purchase from the links above we get a kickback of small change, this is at no extra cost to you.

New Cricut Explore Air Machine in Gold

from Online Shop For Ornaments https://homeandgarden.craftgossip.com/13-cricut-hacks-for-crafters/

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tinmsn · 6 years

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Yurt là gì

Yurt

Other uses [[File:Syr Darya Oblast. Kyrgyz Yurt WDL10968.png|thumb|A traditional [[Kazakh people|Kazakh]] yurt in 1860 in the [[Syr Darya]] Oblast. Note the lack of a compression ring at the top.]] [[File:Armature dune yourte (Khorezm, Ouzbékistan) (6859416536).jpg|thumb|A Qaraqalpaq bentwood type “yourte” in [[Khwarezm]] (or Karakalpakstan), Uzbekistan]] [[File:Gorskii 04412u.jpg|thumb|[[Turkmens|Turkmen]] woman at the entrance to a yurt in [[Turkestan]]; 1913 picture by [[Sergei Mikhailovich Prokudin-Gorskii|Prokudin-Gorskii]] ]] A traditional ”’yurt”’ (from the Turkic languages) or ”’ger”’ (Mongolian) is a portable, round [[tent]] covered with skins or [[felt]] and used as a [[dwelling]] by [[nomad]]s in the [[steppe]]s of [[Central Asia]]. The structure comprises an angled assembly or [[latticework]] of pieces of wood or bamboo for walls, a door frame, ribs (poles, rafters), and a wheel (crown, compression ring) possibly [[steam bending|steam-bent]]. The roof structure is often self-supporting, but large yurts may have interior posts supporting the crown. The top of the wall of self-supporting yurts is prevented from spreading by means of a tension band which opposes the force of the roof ribs. Modern yurts may be permanently built on a wooden platform; they may use modern materials such as steam-bent wooden framing or metal framing, canvas or tarpaulin, Plexiglas dome, wire rope, or [[radiant barrier|radiant insulation]]. ==Etymology and synonyms== [[Image:Kazakhyurt.jpg|thumb|A yurt in [[Shymkent]], [[Kazakhstan]], used as a café]] * Yurt – originally from a [[Turkic languages|Turkic]] word referring to the imprint left in the ground by a moved yurt, and by extension, sometimes a person’s homeland, kinsmen, or feudal [[appanage]]. The term came to be used in reference to the physical tent-like dwellings only in other languages. In [[modern Turkish]] the word “yurt” is used as the synonym of “homeland” or a “dormitory”. In [[Russian language|Russian]] the structure is called “yurta” (юрта), whence the word came into English. * гэр (transliterated: ger, IPA-mn) – in [[Mongolian language|Mongolian]] simply means “home”.url=http://www.safecom.org.au/yurts.htmtitle=ger (dwelling house) – Memidex dictionary/thesaurus * [[wikt:тирмә|тирмә]] (transliterated: tirmä) is the [[Bashkirs|Bashkir]] term for yurt. * киіз үй (transliterated: kıiz úy, kɘjɘz ʉj) – the Kazakh word, and means “felt house”. * боз үй (transliterated: boz üy, bɔz yj) – the Kyrgyz term is meaning “grey house”, because of the color of the felt. * ak öý and gara öý (ɑk ��j, ɡɑˈrɑ œj) – In [[Turkmen language|Turkmen]] the term is both literally “white house” and “black house”, depending on its luxury and elegance. * qara u’y or otaw () – in [[Qaraqalpaq language|Qaraqalpaq]] the first term means “black house”, while the second means “a newborn family” and is used only to name a young family’s yurt. * “Kherga”/”[[Jirga]]” – [[Demographics of Afghanistan|Afghans]] call them. * “Kheyma” (خیمه/ख़ॆमा) is the word for a yurt or a tent-like dwelling in [[India]] and [[Pakistan]], from the [[Arabic]]:خیمه * In [[Persian language|Persian]] yurt is called “chador” (چادر), in [[Tajik language|Tajik]] the names are “yurt”, “khona-i siyoh”, “khayma” (юрт, хонаи сиёҳ, хайма). * өг (ög, œɣ) is the [[Tuvan language|Tuvan]] word for yurt. ==History== Yurts have been a distinctive feature of life in Central Asia for at least three thousand years. The first written description of a yurt used as a dwelling was recorded by the [[Ancient Greece|ancient Greek]] historian [[Herodotus]]. He described yurt-like tents as the dwelling place of the [[Scythians]], a horse riding-nomadic nation who lived in the northern Black Sea and Central Asian region from around 600 BC to AD 300.[http://www.woodlandyurts.co.uk/Yurt_Facts/Build_Your_Own.html A complete guide to making a Mongolian Ger], webpage, retrieved October 23, 2011 ==Construction== [[Image:Gurvger.jpg|thumb|A Mongolian Ger]] Traditional yurts consist of an expanding wooden circular frame carrying a felt cover. The [[felt]] is made from the wool of the flocks of sheep that accompany the [[pastoralists]]. The [[timber]] to make the external structure is not to be found on the treeless [[steppes]], and must be obtained by trade in the valleys below. The frame consists of one or more expanding [[Latticework|lattice]] wall-sections, a door-frame, bent roof poles and a crown. The Mongolian Ger has one or more columns to support the crown and straight roof poles. The (self-supporting) wood frame is covered with pieces of felt. Depending on availability, felt is additionally covered with canvas and/or sun-covers. The frame is held together with one or more ropes or ribbons. The structure is kept under compression by the weight of the covers, sometimes supplemented by a heavy weight hung from the center of the roof. They vary with different sizes, and relative weight. They provide a surprisingly large amount of insulation and protection from the outside cold of winters, and they are easily changed to keep the yurts cool for summertime. A yurt is designed to be dismantled and the parts carried compactly on [[camel]]s or [[yak]]s to be rebuilt on another site. Complete construction takes around 2 hours. Image:Montage d’une yourte murs.jpg|Mongolian Ger: starting with walls and door Image:Yurt-construction-1.JPG|Mongolian Ger: starting to place roof poles Image:Yurt-construction-2.JPG|Mongolian Ger: with roof poles in place Image:Yurt-construction-3.JPG|Mongolian Ger: placing the thin inner cover on the roof Image:Yurt-construction-4.JPG|Mongolian Ger: adding felt cover Image:Yurt-construction-5.JPG|Mongolian Ger: adding the outer cover Mongolian Ger.jpg|A ger sits on the Steppes near Mandalgovi The wooden yurt under construction in Zakamensky district of Buryatia, Russia.jpg|The wooden yurt under construction in [[Zakamensky District]] of [[Buryatia]], [[Russia]] ==Decoration and symbolism== The traditional decoration within a yurt is primarily pattern-based. These patterns are generally not according to taste, but are derived from sacred ornaments with certain symbolism. Symbols representing strength are among the most common, including the khas (swastika) and four powerful beasts (lion, tiger, garuda, and dragon), as well as stylized representations of the five elements (fire, water, earth, metal, and wood), considered to be the fundamental, unchanging elements of the cosmos. Such patterns are commonly used in the home with the belief that they will bring strength and offer protection. Repeating geometric patterns are also widely used. The most widespread geometric pattern is the continuous hammer or walking pattern (alkhan khee). Commonly used as a border decoration, it represents unending strength and constant movement. Another common pattern is the ulzii, a symbol of long life and happiness. The khamar ugalz (nose pattern) and ever ugalz (horn pattern) are derived from the shape of the animal’s nose and horns, and are the oldest traditional patterns. All patterns can be found among not only the yurts themselves, but also on embroidery, furniture, books, clothing, doors, and other objects.last=van der Haegan ===In Central Asia=== Image:Shangrak.JPG|Shangyrak Image:Coat of arms of Kazakhstan.svg|[[Emblem of Kazakhstan]] Image:Flag of Kyrgyzstan.svg|[[Flag of Kyrgyzstan]] [[File:151127-worlds-largest-yurt-Mary-Turkmenistan.jpg|thumb|align=right|Ak Öýi (White Building), “The World’s Largest Yurt”, is located 10 km west of Mary, Turkmenistan, dedicated on 27 November 2015.]] The wooden crown of the yurt (lang-mn, IPA-mn; шаңырақ ; lang-ky ; tüýnük) is itself emblematic in many Central Asian cultures. In old [[Kazakhstan|Kazakh]] communities, the yurt itself would often be repaired and rebuilt, but the shangyrak would remain intact, passed from father to son upon the father’s death. A family’s length of heritage could be measured by the accumulation of stains on the shangrak from decades of smoke passing through it. A stylized version of the crown is in the center of the [[coat of arms of Kazakhstan]], and forms the main image on the [[flag of Kyrgyzstan]]. Today the yurt is seen as a nationalistic symbol among many Central Asian groups, and as such, yurts may be used as cafés (especially those specialising in traditional food), museums (especially relating to national culture), and souvenir shops. In celebration of the city of Mary’s year as Cultural Capital of the Turkic World, the government of Turkmenistan constructed a yurt-shaped structure, called Ak Öýi (White Building) and described as “The World’s Largest Yurt”, of concrete, granite, aluminum, and glass. Dedicated on November 27, 2015, the structure is 35 meters high and 70 meters in diameter. According to the Turkmenistan state news agency, “A white yurt is a symbol of an age-old, distinctive historical-cultural legacy, a sign of preservation of our roots and origins.” This three-story structure includes a café, offices, and VIP apartments as well as a large auditorium with 3,000 seats. url=http://www.eurasianet.org/node/75866 cite web ===Buddhist symbolism in the Mongolian Gers=== [[Image:Yurt hearth 1.JPG|upright|thumb|left|Buddhist symbol dharmachakra is represented by the [[Dharmacakra|khorlo]] (Tib: འཀོར་ལོ།) toono. Other Buddhist symbols–[[khata|khadag]] (Tib: ཁ་བཏགས་) hangs from the toono and [[Srivatsa|dpaljibeu]] (Tib: དཔལ་གྱི་བེའུ) is present on the stove]] The design of the Mongolian Ger developed from its ancient simple forms to actively integrate with Buddhist culture. The crown—toono adopted the shape of Dharmachakra. The earlier style of toono, nowadays more readily found in Central Asian yurts, is called in Mongolia “sarkhinag toono” while the toono representing Buddhist dharmachakra is called “[[Dharmacakra|khorlo]]” (Tibetan འཀོར་ལོ།) toono. Also the shapes, colors and ornaments of the wooden elements—toono, pillars and poles of the Mongolian yurt are in accord with the artistic style found in Buddhist monasteries of Mongolia. Such yurts are called “uyangiin ger”, literally meaning “home of lyrics” or “home of melodies”. ==Western yurts== [[Image:FinishedYurt.jpg|thumb|A yurt-derived structure in the [[Mountain ranges of Colorado|Colorado mountains, USA]]]] Enthusiasts in other countries have adapted the visual idea of the yurt, a round, semi-permanent tent. Although those structures may be copied to some extent from the originals found in Central Asia, they often have some different features in their design to adapt them to different climate and use. In [[Canada]] and the [[United States]], yurts are made using [[hi-tech]] materials. They are highly engineered and built for extreme weather conditions. In addition, erecting one can take days and they are not intended to be moved often. These North American yurts are better named yurt derivations, as they are no longer round felt homes that are easy to mount, dismount and transport. North American yurts and yurt derivations were pioneered by [[William Coperthwaite]] in the 1960s, after he was inspired to build them by a National Geographic article about [[Supreme Court Justice]] [[William O. Douglas]]’s visit to Mongolia.[http://www.alternativesmagazine.com/18/kemery.html Article at Alternatives Magazine on North American Yurts], webpage, retrieved February 9, 2006 In 1978, American company, Pacific Yurts, became the first to manufacture yurts using architectural fabrics and structural engineering, paving the way for yurts to become popular attractions at ski resorts and campgrounds. Yurts are also popular in Northern Canada. In 1993, Oregon became the first state to incorporate yurts into its Parks Department as year round camping facilities. Since then, at least 17 other US States have introduced yurt camping into their own parks departments.[http://www.midwestweekends.com/plan_a_trip/stay/camping/yurts_state_parks.html Article at Midwest Weekends on Yurt Camping], webpage, retrieved December 08, 2010 In [[Europe]], a closer approximation to the Mongolian and Central Asian yurt is in production in several countries. These tents use local [[hardwood]], and often are adapted for a wetter climate with steeper [[roof]] profiles and [[waterproof]] canvas. In essence they are yurts, but some lack the felt cover and ornate features across the exterior that is present in traditional yurt. There are UK-made yurts that feature a metal frame in use in at least two [[glamping]] sites in [[Somerset]] and [[Dorset]].[http://woodlandescapeglampingholidays.co.uk/Yurt-Glamping.php Yurt Holidays in Somerset at Woodland Escape], webpage, retrieved April 06, 2017[http://www.dorsetcountryholidaysandevents.co.uk/yurt-glamping.php Yurt Holidays in Dorset at Dorset Country Holidays], webpage, retrieved April 06, 2017[https://www.bctshop.co.uk/products/nomadic-yurt Yurts from UK Company BCT Outdoors], webpage, retrieved April 06, 2017 The [[palloza]] is a traditional building found in the [[Serra dos Ancares]] in northern Spain. Pallozas have stone walls and a conical roof made of stalks of [[rye]].date = September 2015 Different groups and individuals use yurts for a variety of purposes, from full-time housing to school rooms. In some provincial parks in Canada, and state parks in several US states, permanent yurts are available for [[camping]].[http://www.ontarioparks.com/roofedaccommodation/yurts Yurts at Ontario Parks], webpage, May 15, 2018 ==See also== * [[Architecture of Mongolia]] * [[Flag of Kyrgyzstan]] * [[Hexayurt]] * [[List of human habitation forms]] * [[Mausoleum of Theodoric]] * [[Tent]] * [[Yaranga]] * [[Ger district]] ==References== reflist ==External links== Yurts *[http://www.yurtinfo.org Yurt Info] – A comprehensive resource for yurts and related structures *[https://www.yurtforum.com Yurt Forum] – A community resource for yurts and related structures *[http://amicusmongolia.com/news-blog/63-mongolia-ger-mongolia-yurt.html What is Mongolia Ger?(Mongolia Yurt)] *[http://www.blackdownyurts.co.uk/our-yurts/ Timelapse of Yurt construction at Blackdown Yurts – Devon, England by Mike Lusmore] *[http://www.wdl.org/en/item/1927 Yurts of the Nomadic Chahar People. Inner Mongolia, China, 1874] *[http://www.weatherport.com/yurt-and-tiny-living-tips-from-experts/ Yurt living tips from experts] Huts [[Category:Central Asian culture]] [[Category:Indigenous architecture]] [[Category:House types]] [[Category:Tents]] [[Category:Vernacular architecture]] [[Category:Mongolian culture]]

#wiki

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