il y a toujours une façon particulière dont les choses arrivent ou bien n’arrivent pas ; un regard qui ne traverse pas, une main qui n’accroche pas, un sourire qui se maintient au travers du chemin ; l’habitude connaît bien ce théâtre des attentes ; elle en sait chaque couleur, elle en détaille chaque tourment ; mais ton ombre, elle, reste à l’écart du jeu, omniprésente, comme l'éclat qui l'a vu naître
Apropos of nothing here are 3 underrated cello concertos:
1. Barber: Cello Concerto
Barber manages to wind together banger melody after banger melody in a way that absolutely grips the listener’s attention. Probably underprogrammed because of its extreme difficulty (Jesus Christ that cadenza in the first movement!)
2. Shostakovich: Cello Concerto no. 2
Extremely morose work, as with most of late Shostakovich. If that scares you off, try the second movement, which is classic Shostakovich, very impish and sarcastic, or the third, where he breaks out horns and what can only be described as “the GarageBand beats”
3. Bloch: Schelomo
Bloch tells the story of King Solomon using solo cello, with the orchestra representing the world around him. Very operatic with a couple excellent themes that weave in and out of Solomon’s world. The piece is in one movement. It’s 21 minutes long, but flows excellently and is absolutely never boring.
"Adventure" - music by Samuel Barber. Costumes by William Walstrom. Choreography by John Butler. Danced by Carmen Gutierrez, Glen Tetley, and Arthur Mitchell. First produced in Europe on July 22, 1955, at the Piccolo Theatre of Genoa by the American Dance Theatre. Photo by Serge Lido.
je veux vivre dans les réverbérations qui rendent la vie moins exacte, son chant plus durable ; chemins d'entre les murs des sentiments royaux, chemins tremblants qui finissent au ciel en une invisible fumée qui élimine la part sacrée du corps terrestre