#sculp

[ancientsstudies]

coffeeacademia.

[oliverscarlin]

Benvenuto Cellini - Narcissus (c.1548)

[europeansculpture]

Georg KOLBE (1877 - 1947) - Petite Amazone, 1911/12

[big-time-rat-girl]

Working on another gift, a lil soccer rat

[tesssk]

children, eat well, or you'll become this👹

[ronk]

getting inside your head

Scultura di Andrea Salvatori

[akire2002]

3D diorama of my character. This piece was also part of a school project and I had a lot of fun making it. 3D model, coloring and shading was made in Zbrush. The last one was edited in Krita.

[melit0n]

No words

📸: here!

[lizasweetling]

Okay, I almost understood that!

but if I understood correctly, I really don't get why we carved a Klaus into the pencil.

like ok, claws are probably not good for penmanship, so writing probably wouldn't have worked anyway, but ??? I don't know what that was meant to convey if the problem is there's Klaus and a scary Clank lady in the labs.

[d-i-e-mydarling]

Let one dream...

[kriimhild]

Freddy head with glowing eyes is now searching for his owner! DM me if you're interested^^

Onward to accept sculping commissions as well🙌

No 3D, everything made by hand, the sculping and painting as well

I'm making sure you'll get the best quality

Free shipping

[reksink]

OFF With Humble Zacharies and A Molting Bad Batter

[europeansculpture]

Rafael CANOGAR (*1935 ) - Tête. 2005

[technocite]

Arthur I am so sorry that was NOT my drifter. you just smooched Wally

[allyheart707]

Weeellll, I think I can mark sculpting *off* my list of talents. I feel like the really bad/cheap paint & brushes I got didn't help but yeahhhhh not the best thing I have made

He holds my brushed ^-^

[4eternal-life]

Gonzalo Fonseca  (Uruguayan, 1922 -1997)

Castrum Doloris, 1974 – 75

Limestone

Time for Fonseca is a perceptible multiplicity. It enables him to embrace both abstraction (associated with signs, symbols, and generalities) and representation (associated with realism and specificities). Fonseca punctures the orthodoxy of flat forms with dwellings akin to archaeological Joseph Cornells, a synthesis of both tendencies that does not demand unity.

In refusing to be conditioned by the society in which he lived, Fonseca followed his imagination. Yet a longing for classical equilibrium also held him, as is likewise visible in the deep melancholy that pervades De Chirico’s painting The Enigma of the Arrival at the Afternoon (1912). These intricate towns, ruins, façades of unbuildable architecture, haunting streets, empty piazzas, and water vessels of various shapes are alive, unpopulated because the shapes are the population, populating the stone and taking up residence as symbols, exuding their auras as objects made for backdrops and dreamscape still lifes.

https://brooklynrail.org/2017/12/artseen/Bui