#seems only fair

[anamericangirl]

Neither Muslims, Jews, or Christians deserve religious theocracies. Allowing religion into your government will automatically lead to a dictatorship where they can start executing people who don't follow their religion correctly.

No not automatically. It can if the hypothetical religious government were to get corrupted with power and stop adhering to their religion, depending on the religion. Like with Christianity if a christian government did something like that it would be directly against the teachings of christianity.

Dictatorships can become a problem in any government. Atheistic governments don't have a great record either.

I mean governments run by the atheist rulers Stalin, Mao and Lenin are responsible for some of the largest mass killings in human history. So if you're going to blame the religion for a government becoming a dictatorship do we blame atheism for people like Stalin?

[jhsharman]

Pass by

Goodbye Betty. Goodbye Veronica. Goodbye shorts and tights. Hello multiethnic randos.

Also interesting to note the added shadowing.

[pinkiepig]

Non human characters am I right

[kirby-the-gorb]

Thanks for thinking of me! ＿＿＿＿＿＿＿＿＿＿＿ いつもリブログありがとです！

thank you for the drawing! your kirby is very cute <3

絵をありがとう！あなたのカービィはとてもか���いいです ❤️

[jeeaark]

You see the tragedy is that Greygold and The Emperor both have control issues, just different reasons for it. Both double downing on the power they know best, friendship vs illithidry, and -

Yeah no I couldn't betray Lae'zel like that. Based off past experiences, Babe has tried killing Greygold for less. But also, Lae'zel had grown so friggin' much. The sunset scene. I just couldn't. throw all that character development away. If Greyg had romanced anybody else. Literally ANYBODY ELSE-

Anyway. the tragedy is that everyone went through a beautiful life-changing character arc and Greygold really thought this was Emp's moment to face their hrm. morally conflicting confrontation with the help of friends. but hrm. Emps didn't think so. so....

[slutforpringles]

According to The Race, Yuki has taken over the new floor for FP2 that Daniel ran in FP1.

[the-cat-and-the-birdie]

Oh so when Wanda literally enslaves a whole town for weeks and tries to murder a random ass teenager (America Chavez) in cold blood and basically abuses the hell outta her husband AND her own variant to be with 'her' kids it's a tragic story of a woman experiencing parenting and loss

But when Miguel takes the place of his already dying variant and is shown doing everything in his power to give Gabby a good life and somehow he's evil and most likely an abusive predator???

Do you see how that don't add up?????

TO THAT I SAY -

[jvzebel-x]

here's an update for all the "tOuRiSm iS fOr ThE pEoPlE" fucks. always remember that the second anyone steps foot on that land in the name of "tourism" or any other haole institution, that is colonizing&that person is a fucking explicit modern colonizer who made the conscious decision to be one and has spent a lot of fucking money on that trip to get their title. only that kine want more of their kin there-- don't pretend that shit is for anyone else.

drop dead of spontaneous combustion specifically, not even the sharks would want that pīlau fucking meat.

[videogamelover99]

I felt I should write this lol.

The point of an unreliable narrator is not to trick the audience. The point of an unreliable narrator is to communicate that this narrator cannot be trusted, and encourage the audience to examine the material with a critical eye. The point is to have a different view of events be obvious enough that the audience can start questioning what is said to them.

And also to show that everyone is biased in their perspective.

Anyway I don't think Alex Hirsch is dropping major lore into a book only to say "haha it was all a lie you fell for it!" like some kind of "it was all a dream" hack of an ending.

[starfish-spencer]

Lassie would be going crazy for these, I just know it:

Tell me this man wouldn't love a gun air freshener

They're called "Pow-fumes?" He'd buy out the whole stock in a second

[woah-uhuh-uhuh-uhuh]

dude, i know, i get it!

[alyona11]

Ok time for my big Hadestown hot take and that’s that West End Hadestown doesn’t give you a 100% Hadestown experience. It’s still ridiculously good and 100% worth seeing, don’t get me wrong (I used my opportunity and saw it twice and will likely see it again if I’m in London), but it kinda made me realise a couple of things about OBC production that will always be my Roman Empire and make me deeply upset Broadway is too greedy to give us an OBC proshot.

So, here are some of my thoughts and reflections based on seeing Hadestown live on West End + seeing different versions (including London National theatre proshot) in boots. I think you can pretty solidly say that in Hadestown there are 2 main stories: Orpheus/Eurydice and Hades/Persephone. And even though arguably Orphedice is the main most important story, it my opinion it also wins from Hadesphone story being strong. Which works perfectly in OBC due to Amber Gray and Patrick Page delivering a very deep nuanced performances as their characters.

I think part of the success of Hadestown when it works on its fullest is how it creates a very deep emotional journey. And I feel that regardless which pair of Orpheus and Eurydice you have (if we take Broadway/tour/West End take on the characters) it’ll still work! Like you need to try really hard to mess up orphedice the way people wouldn’t root for Orpheus or wouldn’t empathise with Eurydice because they are so relatable and cute. You instantly love them, they are so so lovable. So orphedice part is one thing in Hadestown that imo works if not always then in 99% of the cases.

Hades and Persephone’s part of the story in the contrary is VERY hard to nail on 100%, in my opinion, and this is literally driving me crazy. Maybe seeing Amber Gray and Patrick page in professional recording awoken some feelings in me, I don’t know. I will state straight away that I also do enjoy other actors’ takes on characters and I do see some very interesting character moments there and there. However, I keep returning to the thought that Amber/Patrick’s characterisation works SO WELL for the main narrative. I’ll try to explain why I think so. Consider it my love letter to the OBC.

First and foremost, I feel like Hadesphone story has a very fine dynamic that the actors have to nail, so you would feel that: 1) these two still love each other; 2) these two are buried under their problems and see no way out, only a miracle (aka Orpheus and his song) can save their marriage.

And if the first one usually works at least due to Epic 3, the second one, imo, often (at least partially) falls victim to acting/directing choices which can cause troubles with point 1 as well. I think one big thing I’ve noticed is that often Persephone’s alcoholism gets forgotten in the acting performance. Like yeah sure her choreography includes drinking from a flask but in comparison to Amber you never get a feeling that she is absolutely wasted. Which, is in my opinion something that you should feel when you’re watching the show and something I was constantly forgetting about when I was watching the show on West End. I feel in Amber’s performance you can constantly see that her Persephone’s feel good attitude is a façade of a broken person who knows that her marriage is going to hell in front of her eyes yet she is too passive and hopeless to try to make an active change (well, she does try in Chant and nothing happens), so her only way is to chase the sense of normality that the “medicine” gives her. But when she is alone, if you get to catch a moment when people are not looking at her, you can see a deep sadness under her positive front and her memory of the old days when everything was more simple. Nevertheless, the main point that the lyrics literally say is that Persephone is blinded by the river of wine. And this is crucial to her character and her relationship with Hades because the story states that even though Hades is a problem and he is an active actor in creating more problems, he is not the only failure in this relationship. Persephone needs to be woken up from her apathy almost as much as Hades does and this is something that we see during If It’s True.

From Hades’ side I feel like it’s not a good decision to make him a total villain because when he is irredeemable you don’t feel like the whole “song that will fix the world” has any chance of working long term. I think Patrick nailed a deep antagonist very well. His Hades is weird and lowkey creepy and alien. He does objectively bad things but when you look at him you can’t stop thinking that he doesn’t operate in regular human logic or morality. When I look at him in Chant, it feels to me that his words about building stuff to impress Persephone are absolutely sincere, and I can absolutely see that his Hades doesn’t understand why she is so upset about it when his intentions are so so clear. Maybe it’s my vision but even before Epic 3 when he is so far gone and buried in his projects and messed up ideas I don’t have a single doubt that Persephone is a single motivator and goal of Patrick Hades’ life and that he literally doesn’t need any other being to care about. And tragically this fixation is what makes him blind to all other things he does even if those things ruin Persephone’s life (and other people’s but tbh I don’t think he cares).

I feel like by removing Persephone’s Chant 2 verse Hadestown created more problems for Hades and Persephone part of the story making it a much harder job for the actors to prove to the audience that Hades and Persephone have a chance to make their relationship work. Like I get that maybe it was a necessary things to do (even though I think the show is much better with it) but it made it so much harder to empathise with this particular part of the story unless the actors use the choices that work in the narrative. Because for example when I was watching the show on West End part of me was wondering “what is Persephone’s deal in all of that, what does she win by staying with Hades?” With the verse, and with Broadway Previews or London 2018 in particular this part was clear: Persephone still loves Hades and believes that he has the opportunity to change and become a better man he used to be. Without the verse, however, the actors should give you the same idea during the show which is a hard task considering Hades and Persephone have only 2 big conversations together (Chant and How Long). So apart from those songs there are only subtle mostly silent moments they get together through which the actors have to convey the same thought which is hella difficult and probably hardly will be appreciated by anyone apart from the people who sit closely.

So, maybe because in the actor combo I saw (Zachary and Lauren), I got a feeling that even though they were great separately, I didn’t feel much chemistry between them as a pair. I think, Persephone seemed pissed and tired of Hades all the time until How Long and I didn’t feel that she still believes in his willingness to change. And Zach Hades despite being entertaining, kinda gives the impression of Hades who has other options, he is not into Persephone enough. The only sparkle appears between the two in Epic III which is still cute but I’m not sure if it works just as well if that’s the first time you see the show? Also considering Zach Hades gives more malicious intent in His Kiss, The Riot it seems that he is not even slightly interested in Orpheus having any opportunity to succeed with his quest. Which is not bad, don’t get me wrong! But in comparison to Patrick who is deeply self projecting into Orpheus to the point where you could see that even though he doesn’t want to let him go, part of him does because it would prove he too could succeed in his challenge of waiting for Persephone, this take seems a bit lacking. And overall because of His Kiss, their promise in Wait For Me doesn’t seem as giving much hope that the story won’t repeat itself next Sunday. Which in its turn makes Orpheus’ sacrifice feel a bit… worthless. If on Broadway, when Orpheus turns, but spring comes again you feel like it is the start of something new: hopefully a kinder and softer time. On West End the show also wants you to feel it but when you think about Hades and Persephone you feel…less certainty that this sacrifice will have a long term effect?

I guess the creators wanted to concentrate on Orpheus and Eurydice more and forget about Hades and Persephone by making them more secondary story or maybe there was a lack of director’s involvement to give the cast some hints on how to make this particular part of the story work better, but it feels to me that in its current state the show works in its 85% power which is still great but once you know there is something missing you can’t stop thinking about it and wishing the show would give you those 15% you crave.

[jaimeski]

[moonchild-in-blue]

Hey guys... So like. Did we know that before Thom Pike was a tour manager, he was a drummer in a band (Falling With Style) with 3/4 guys who would later become Holding Absence? Is this common knowledge, or have I stumbled upon gold?

I knew about Sam Hallett being in Blood Youth before working as a tech, and Thom working with them on tour, and I also did know Thom and the HA guys went way back*. But this I didn't know!! How cool!!

* Adamross and the rest of Glass Heart was also already working with him at this time btw. The connections are connecting.

Referring back to that recent post from @sleepanonymous, I am now wondering if George Lever also produced their stuff from before, given he has worked on both early Holding Absence and Sleep Token, and if that's how they all met 👀

(more ramblings bellow the cut, nothing interesting just me being insane. also i just think it's cool how all of these bands and people are connected. nothing more)

So. Timeline of events that I know of:

2015 - Falling With Style ends

2016 - Thom is now a Tour Guy ; Sleep Token and Holding Absence are born ; George Lever is producing for both bands

(and then there's that Carl Bown/B4MV thing somewhere around here)

2018 - Thom has been working as Tour Manager for Holding Absence and Blood Youth ; Adam and the (would-be) Glasses are part of his crew ; Sleep Token is touring with HA and Loathe (also G. Lever prod.) as an opening band ; enter Espera (🥹🥰💕😚💘🤭 this has nothing to with the post but I just like to think about them)

2019 - Thom is officially managing ST (probably 2018 too? idk about before) ; Glass Heart is born (again not entirely relevant but I stay on my GH propaganda always. Adam say thank you baby 💎🩵)

Then we have those collabs etc etc ; Sam leaves the band and becomes a Tech guy ; FTRB ; George stops producing (🥺🥲) ; enter Carl Bown ; ENTERS COOL MF VESSEL THE FOURTH (our ivy)

January 2023 - Sam Hallett joins the fold (🥹💙) ; the first singles of TMBE are released ; World Domination etc etc

[oacest]

teen victim of beatlemania 🤝 21st century oasism

[lanniisters]

“And if you don't love me now, you will never love me again.”