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#self propelled gun
theworldatwar · 1 year
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German soldiers with a rack of grenades and a self propelled gun use the ruins for cover as they wait for any signs of the enemy - Italy, date unknown
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crippledgiraff · 2 years
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#MarchofRobots2023 pummels your timeline with heavy artillery! I drew a #LancerRPG Vlad Artillerist.
#MarchofRobots
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ricusa · 1 year
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IKV 103 - 5 Kills Full Realistic Battle gameplay on War Thunder
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deutschland-im-krieg · 4 months
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Heer (German army) Marder II self propelled guns drive through a village in Ukraine, 1943
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Greetings Mutual, I was reading a comic and found this doodle:
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I thought it was interesting, so I looked it up; and it's real
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But it only has one barrel :( I agree with the artist, if two doesn't work, simply add more until it does
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Though I am curious about your opinion on multi-gun tanks / SPA. Disappointed with the Kremlin's cowardice, Bronzeageprolapse
Oh-hoho, not so fast, my friend.
While you are correct that the final production model of the Koalitsyia had only one barrel, there were at least 2 prototypes that adopted the 2 barrel look seen above. As a matter of fact, I've covered them in an early post.
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As far as tanks/SPGs with multiple cannons, I'm of two minds on the topic. On one hand, it's wildly impractical, and makes for overcomplicated, oversized, slow, and cramped vehicles, without much advantage over a well-trained crew and a single gun.
On the other hand, it's rad as fuck.
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blueiscoool · 10 months
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Big Guns
The work of the Ukrainian crew inside the British AS-90 155-mm self-propelled gun.
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carbone14 · 10 months
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Traversée du Dniepr d'un canon automoteur soviétique SU-152 – Bataille du Dniepr – Octobre 1943
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toaster-boi · 8 months
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hold on. forgive me for going on a gun rant unprovoked but i just realized something
so, bit of context. normal firearms use bullets inserted into a brass/steel/polymer (rarely) case full of propellant, the bullet has no way of accelerating itself. it's purely a projectile. gyrojet rounds have no case, the bullet contains angled solid rocket motors that both propel and spin-stabilize it.
as such, gyrojet firearms do not require case ejection ports except for clearing a jam, and the rounds gain kinetic energy up to the point where the motors burn out long after leaving the barrel. this means they are not particularly effective at close range.
so why is it that the only properly manufactured gyrojet cartridge is a 13mm caliber pistol round??? you're hardly gonna get more out of that than .45 ACP!!! all the ballistic advantages, rendered pointless because it would never be used at long enough range for it to matter!!! agh!!!
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katakaluptastrophy · 8 months
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Continuing to think about the horror of what happens to John, and the horrors of love...
When Alecto has first been created, she says to him "I picked you to change, and this is how you repay me?" and "What have you done to me?"
They're heartbreaking questions she has every right to ask, but there's something awful and ironic about them too. Because John also might have asked "what have you done to me?"
It's easy to get distracted by the cartoonish awfulness of John's own narration: "talk about police abuse", "come on, love. Guys as careful as me don't have accidents," "love a working tram system." But all of these comments come after moments where John has unwittingly come into proximity with violent death, an experience he repeatedly likens to having drugs forcibly injected into him; an omniscient, dream-like, out of body experience that seems to propel him forward through his basest impulses. The first time this happens, he's brought back from "the verge of something insane" by being shaken violently by P-. Lines like these aren't revealing John's diabolical plotting. They're a man who would rather own atrocities as premeditated than admit that he was losing his grip.
The second is when he encounters the soul of the earth. His human mind makes contact with the incoherent, furious soul of a planet. In any other context, this would be straightforwardly Lovecraftian. And everything he describes after that is full of elipses, jumbled, and detached. His friends are shot by gun-toting cultists and he says it was like a dream.
Hearing the earth screaming, feeling his friends' deaths under his skin like a drug, he might well have asked "what have you done to me?"
Alecto said to him, "I picked you to change, and this is how you repay me?" But as everything collapses, John says:
"I thought you were going to take me, somehow. Purge me. Use me as an instrument. But you didn't say anything...I was babbling, Show me. Come on. I'm ready. You kept screaming and screaming..."
John has spent months becoming something terrifying, an entity with yellow eyes and uncanny powers. He's discovered that death has an overwhelming impact on him that he cannot fully control. Everyone was relying on him to do something. And he did so many things: well-meaning things and stupid things and things that were lashing out in rage and frustration. Hundreds of people have died because of him. His friends have died because of him. Surely, surely there was a point to this. Surely there was meaning. Surely whatever did this to him, made him into this, had a greater plan.
But there is no plan. There is no great revelation. He tries to hurt the earth, to provoke some kind of answer, but the screaming continues. And when P dies, the person who snapped him out of it the last time, John lets go and the whole world dies.
John is kneeling on the grass vomiting up dirt and tearing out his own ribs, saying "there was still too much of me that was just a human being...", trying to swallow the soul of the earth. And by the end, the one shred he has to hold onto is a memory of playing with a doll as a child. That, and his anger...
The earth tried to reach out in the only way it could, amidst its incoherent suffering. And John tried to use the abilities it gave him, but he was only human. Fallible and proud and angry.
She said, "I still love you." And the horror; the horror of love, the horror of this story, is that to begin with they did this to each other.
To be clear: I don't mean to diminish the awfulness or the very specific forms that John's violence against Alecto takes, and continues to take across the story. I don't mean to excuse his own self-mythologisation. I certainly don't think he's blameless for the decisions he made and the agenda he pursued. But if there's one thing that happens over and over again in TLT, it's that the horror of love is not a one-way street.
And I wonder, in light of what we now know about the permeability of the soul, quite where John ends and Alecto begins. And when that blurring began...
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buryustogether · 1 year
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lilac - chapter 2
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miguel o’hara x f!reader
summary: a pre-work visit to the bank goes horribly wrong.
wc: 4.7k
tags/warnings: unhappy relationship, gun violence, bank robbery, blood, scars, stripping, pole dancing, sexual fantasy, semi-public sex, praise
author’s note: yeah he got me fucked up
They called him Spiderman.
He appeared seemingly from thin air overnight - specifically, the night you’d stayed late at the school to watch Gabriella O’Hara until her father could pick her up. They were hailing him a vigilante, a hero, an aggressor. No one could quite seem to agree on just what he was other than supernatural. Like the multiple self-titled supervillains who had taken over your city without someone to stop them, he possessed abilities no regular human was capable of. Shooting webs from his wrists, climbing walls, moving and propelling himself at unimaginable speeds. He was something unimaginable.
People theorized, over the week since his city-wide premier on shaky cellphone footage and breaking news coverings that interrupted regular shows, that he had escaped from a cage in Alchemax. How else could they explain his powers? They couldn’t. Others said he was an alien. Some said he was a fake, said that the clips that captured him beating the absolute shit out of car thieves and back alley thugs and would-be kidnappers, were all photoshopped with a fancy computer and an advanced program.
Either way, no matter where he’d come from or what he was, whether he was a do-gooder or another villain searching for glory, no one could deny that what he did was incredible.
It was too bad some people were out to get him despite what he was doing for your city.
“He’s a menace!” shouted the anchor of the news show playing in the bank’s lobby. J. Jonah Jameson’s voice brought a migraine to the front of your head, one that wouldn’t go away with just simple ibuprofen. You tried to block him out as you waited in line for a teller, attempting to focus instead on the story your boyfriend was barking in your ear on your phone. Your attempt was unsuccessful. “He’s just another villain trying to have his five minutes of glory in the sun. He’ll burn out just like all the others; Doc Ock, Kraven, the Vulture… Please, people! Wake up and take a deep breath of reality! He’s not helping the citizens of New York - he’s getting in the way of our police!” He fixed the camera with a hard, stony stare that made you look away when you saw one of his eyes twitch. What in fuck did that dude put in his cereal every morning? “Spiderman is just another villain. Give him another week, and see where he ends up.”
You felt your lips tug down as you turned away from the television and moved up in line. What a sad, pathetic city you lived in, where someone attempted to use whatever powers they had to do good and got blasted for it instead of praise. God knew New York needed all the help it could get. With the highest crime rate in the country, who would turn their nose up at what little help was offered to them?
Dickwipes, that was who.
“Hello?” shouted the voice on the other end of the phone you held up to your face. You jumped slightly and pulled it from your ear, earning yourself a few strange looks from the other people in line. “Are you even listening to me?”
“Sorry, babe,” you exhaled into the speaker. Blocking out the television and the rest of the distractions in the bank, you upped the volume on your phone. “Just kind of busy at the moment. I’m in line at the bank, and then I’ve got to catch a taxi in this fucking traffic and haul ass to work before class starts, and -”
From his end, Ferris released one of those breathy sighs that he did when he wanted you to stop speaking so that he could talk what was on his mind. You knew the sound well - well enough to shut your mouth and swallow thick. “Could’ve just said it was a bad time,” he grunted, then made the noises of switching his phone to his other ear. You recognized the sounds of his deft fingers fiddling with his guitar strings. God, it seemed like he never put that fucking thing down. A part of you suspected that if your apartment was on fire, he would run to save his instrument before you. “Listen, I’ve got practice here in a while. I’ll let you get back to whatever’s so important.”
Ignoring the pang that resounded like a thunderclap through your ribcage, you nodded your head despite knowing he couldn’t see you. “Uhm, okay.” You hesitated, then added, “Oh, before you go to practice -” you heard him sniff - “could you put away the dishes in the sink? I started the cycle this morning before I left, so it should be -”
“Yeah,” he said quickly. “Bye.”
“Oh, okay, bye. Lo-” Before you could finish, you heard the familiar click of the other line being hung up. You stood still for a moment, feeling a little numb at your fingers, before slowly pulling your phone from your face and pressing that bright red button to hang up your end. Trying to keep your expression neutral, you stepped forward in line as it moved.
Maybe once upon a time, you and Ferris had been happy together. Maybe… satisfied was the right word. Settled. There to fill the void when you needed someone. Saying ‘I love you’ was never a column to lean upon in your relationship; it was only mumbled under breaths during sex and rare moments when both of you were in the mood to not be so completely alone. But that wasn’t often. He was too busy with his band, spending whatever money from his gigs that he received at whatever bars he trolled when he claimed he was cleaning up after shows. You were too busy teaching your kids during the day and teasing and smiling desperate souls at night, putting lousy paychecks and crumpled tips toward keeping your rent paid and food in the pantry.
The girls at The Menagerie asked you why you didn’t leave him, kick him out of your apartment and change the locks. You couldn’t ever come up with a good reason. Maybe it was because if you did, six months of your life would be down the drain. Maybe it was because if you did, you’d be more alone than you ever had in your life.
You didn’t have anyone besides Ferris. Your parents, shit - they were a lost cause. The girls at the club all had separate lives. And your kids at the school - you had to let them go every afternoon, walk out that door without a glance back.
If you let Ferris go, you would have no one.
Stuffing your phone back into your purse, you held your head high, refusing to let anyone else here see just how deep the cracks in your foundations were. At last, you were called up to the next available teller.
Your heels clicked and clacked along the polished tile floor, the bright yellow dress that you’d bought for yourself for a school spirit day swishing about your ankles. You felt like a sore thumb in this dull, brown-and-white building that was just aching to be updated. Old, vintage chandeliers hung from the high-arched ceilings, illuminating the golden bars the tellers sat behind. Benches with creaky leather occupied the center of the lobby, accented by matching chairs and little desks that bankers in starched collars met with clients at. It was all black and white, neutrals and dark tones.
Greeting the teller behind the gate with as bright a smile as you could muster, you opened your mouth to say hello. Yet just when you began to push the syllables past your lips, your world shattered like porcelain meeting concrete.
Sunlight like a torch in a dark tunnel flooded the bank as a small line of figures crowded into the bank. At first, no one paid them any mind. Then shots like the deafening cracks of fireworks right beside your ear sounded from sleek black rifles into the ceiling, and screams filled the echoey chambers of the building. You immediately dropped and covered your head, breath leaving your lungs like the air had been slammed from your chest by a sledgehammer. People cowered behind the cushions and desks, scrambling for cover as another round went through the roof.
“Everyone put your hands on your heads and take a seat on the ground,” came a booming voice from the figure at the head of the group. There were four of them, a small team who wore identical kabuki masks and black tactical gear fit to be seen on military personnel. “This is a robbery. Not a killing spree, not a kidnapping - a robbery. We ain’t looking to hurt anyone today, unless someone tries to be a hero. No sudden moves. You all follow directions, and you’ll be home in time for lunch.”
Unable to pull in a new breath, you slid to the ground and placed your hands on top of your head. You watched, eyes wide and fingers trembling slightly as the men began to make their rounds to the tellers, plopping wide, fat bags on the counters and demanding money from beneath the desks be placed inside. One took up a stance just beside you, forcefully shoving his bag to the man behind the bars and commanding him to pull out the stacked bills. The teller at once complied, dropping thousands of dollars as sweat began to bead at his temples.
Holy goddamn fucking shit. Holy fuck. You knew this city was dangerous - hell, you’d sit back night after night at home and watch on the news as cars were jacked and people were taken hostage. You’d just never thought it would happen to you; of all the millions of people in this city, you’d never thought it would be you. And yet here you were, hunkered down against a countertop as your bank was robbed with you at the throbbing heart of it all.
And you were all alone.
The man in the mask beside you took a glance down when your trembling brushed up against his leg, his head tilting slightly in a demented way that made his mask look haunted. You were suddenly reminded of your own mask that you wore for work, of the ones the other girls wore, and you were struck with the realization that, perhaps, you and he were not so different. You both wore masks to hide your faces, holding out your hands and moving to a particular kind of dance in order to snatch money right out of pockets without batting a damn eye.
Then again, when you danced, you didn’t hold an automatic rifle strapped to your shoulder.
“Give it to me,” said the man above you. You were barely able to understand his words through his mask.
Your heart skipped yet another few beats as you tried to register what he was saying. Give it to him? Give him what? “What?” you managed to say over the lead in your throat.
He nodded his head to the space beside you, and you whipped around. Your purse lay on its side next to your thigh. He wanted your purse; your wallet. Your money. Everything you had - which still wasn’t much. But you couldn’t give it up.
You looked back up at him while he switched his gaze between you and the teller, who was still busy filling the bag with cash. “No,” you said, and when he snapped his gaze to yours, you added, “please. I don’t have much, I don’t have anything compared to this place.”
The man in the mask turned away from the teller to grip his rifle tighter, tilting it slightly so that it was level with your leg curled up against your chest. “I’m not going to ask again, lady.”
Just as your hand began to scrabble for the purse laying beside you, knocking around a few papers and loose change that had fallen out, the man was struck in the face with a mass of white substance that clung to his mask. He cried out and dropped his rifle, hands flying up in an attempt to pull the stuff from his eye holes. You watched, frozen in place, as another masked man across the lobby was stuck to a countertop by his hand with another mass that appeared from seemingly nowhere.
Before anyone else could react, a dark, sinewy figure dropped from the arched ceilings overhead and kneeled on the tile just a few feet from where you huddled. When they stood up straight, your breath hitched in your throat. It was a man, donned head to toe in a blue and red suit that popped with color here in this bleak interior - like your yellow dress. His face was covered with a mask, the only indication of an expression beneath that surface retractable eye lenses that narrowed as he took a glance around the ceiling.
Spiderman exhaled a nearly inaudible huff. “Some things never change.”
From that moment, the bank was painted into a picture of chaos. The masked vigilante expelled a pair of webs from his wrist to slingshot himself across the lobby, landing a jaw-cracking blow to one of the robbers who tried to raise his rifle. The fourth, the last one still able to move, cracked off a number of shots that sent people scrambling and wailing out. The blue and red suit shot off tiny sparks as lead collided with its bulletproof material, nothing but pebbles against a mountain.
Spiderman huffed again, a breathy little chuckle this time. “Cute.”
In the next second, that fourth gunman was sent flying into a marble wall, sliding down onto his face to reveal the large crack his spine had put in its surface. The last two men were taken down quicker than you could have blinked. The second, his hand still stuck to the countertop, didn’t stand much of a chance when webs ripped his own rifle from his grasp and struck him across the forehead with a sickening crack. And the man who had demanded your purse - he’d only just gotten the white mass of sticky stuff off his mask before the vigilante slung across the room, grabbed him by his vest, and raised a gloved hand capped with three-inch long claws. “It’s impolite to threaten pretty ladies,” he growled in a voice that, for some reason, despite the situation, made your stomach churn a jolt of pleasure straight to your core. He swung the robber toward you where you sat on the ground, that clawed hand gripping his jaw to force him to keep your eyes. “Apologize - like a gentleman. And maybe I’ll think about letting you keep your trigger finger in one piece.”
By now, with the gunmen either unconscious or being held against their will, almost everyone else in the bank had gotten to their feet and bolted out the front doors. In the distance, sirens wailed and tires screeched. And yet you remained where you were, staring up at Spiderman as he tightened his grip on the man’s jaw. His claws drew tiny dots of blood along his skin. “We’re waiting,” he said in a breathy murmur.
The gunman inhaled a high-pitched, shaky breath and turned his eyes to you from behind his mask. “M’sorry,” he stuttered over his own terror.
The vigilante leaned closer, his eye lenses narrowing. “Sorry for what?”
“M’sorry for threatening you,” came the pathetic cry in response that almost made you pity him. Almost. “It - it won’t happen again, I swear.”
For a short moment, the two men stared at you. One was praying that you accepted the apology, prayed you were going to call off your savior in spandex. The other was waiting for your decision, waiting to see if you accepted such a sorry excuse for a ‘sorry.’ Swallowing the large lump in your throat, you wordlessly bobbed your head in a nod.
Spiderman hummed and turned his head so that his mouth would be close to the robber’s ear. “Seems the lady’s feeling generous today. Consider yourself lucky.”
He spun the man around with those claws of his, and the robber’s gloved hand reached out in a blind panic and grabbed onto the vigilante’s suit just where his neck met his broad shoulders. He dragged the spandex down accidentally as his head was slammed against the marble countertops, giving you perhaps a one second-long glimpse of dark, tan skin and a small scar across his collarbone. Then the man’s grip relaxed as he dropped to the floor and he released the material of the suit, allowing it to snap back into place.
You jumped slightly as the would-be robber collapsed in a heap of limbs and tactical gear beside you, your dress riding up on your thighs slightly from how you sat with your knees huddled to your chest. Before you could think to do much else in this mind-boggling moment, Spiderman was standing before you and offering a hand to help you to your feet. His claws had shrunk back into his glove - or, perhaps his own nails - and his upturned palm suddenly looked oh so inviting. It floored you in the most alluring, gut-clenching way how those very hands had just brought four men within an inch of their life, and yet now they were softer than empty promises just for you.
“You alright?” he asked as you took his hand and stood. “Sorry you had to get caught up in all this.”
He talked to you in such a casual way, like the pair of you had met before, that you could do nothing but stare and clutch your hands to your stomach as he scooped up the fallen items from your purse, dropped them back in, and handed your bag to you. Numbly, you accepted it.
“You’re safe to walk outside now,” he assured, towering over you like a damn stone column. Fuck, his voice was sexy. Low and tipped with a rolling accent. You wondered, in that moment, why it sounded so familiar. “The police should be arriving any time. They’ll just ask you a few questions and send you on your way.” As if he understood that you were frozen in place, he touched your back, turned you around, and urged you toward the front doors that were now flooded with red and blue lights from the squad cars outside. “Take care of yourself, alright?”
You had just barely mumbled a barely-audible ‘okay’ before he was gently guiding you out the doors, and then suddenly you were alone, facing down three dozen cops and a truckload of SWAT soldiers.
They asked you exactly what happened in that bank. They asked what you were doing there, what time the incident occurred, who in the hell could single handedly take down four aggressors with automatic rifles and bulletproof vests? They knew the answer, and so did you. But you told them anyway.
“It was Spiderman.”
And no matter how fucking hard you tried, how much you urged yourself to forget about them and focus on the here and now, you were unable to get that masked vigilante out of your head. You thought about him on the rest of the way to the school, because god knew there were far too few teachers in this city and you couldn’t have gotten a substitute even if you tried. You thought about him while your coworkers, the other teachers, all gathered around you in the breakroom and demanded answers and stories from your little incident that morning. You thought about him while you planned out your day with numb fingers and toes, and while you stood out front and welcomed kids in, and even when Miguel O’Hara appeared to drop off Gabriella safely at your side.
It took a few words out of his mouth, past those gorgeous full lips of his, a quirk of one of those thick brows, to finally bring you out of your stupor. “I’m sorry?” you said when you realized he had asked you a question. You felt your cheeks warm and your palms become sweaty as you begged his pardon.
To your relief, Miguel only smiled slightly and placed a hand on his jutted hip like he did. God, why did he have to do that? Draw attention to the perfect ratio of his body, a beautiful slope from his wide shoulders to his trimmed waist? “Just asking if you were alright,” he repeated himself, and you could have sworn his eyes flitted over you while he spoke. “Heard you were caught up in that robbery down on Fifth.”
“Oh… right.” You cleared your throat and watched as Gabriella spotted a few friends and dashed into the school to meet them, her backpack wagging behind her. “Yeah, I’m alright. Now that it’s over, I realize it didn’t even last that long. Maybe five minutes or so before… before Spiderman showed up.”
“Yeah?” He reached up his other hand to scratch at the underside of his chin, where the delicate skin of his throat was. Your eyes followed his movements like they were a magnet and you had no choice but to watch. Even if you did have a choice, you would have watched, anyway.
You nodded your head once, clasping your clipboard with your kids’ names on it to your thighs over your dress. A breeze blew over Washington Elementary, letting the yellow fabric dance and blow up to your knees. They were scuffed from kneeling on the hard tile floor this morning. “Mmm-hmm. He’s… not like I imagined him,” you admitted, then realized just what you were doing; talking to Miguel O’Hara, the main star in every single one of your late-night fantasies, about the man who had quite literally swooped in and saved your ass. “But, anyhow… No one got hurt. That’s what matters.”
The corners of Miguel’s lips quirked upward ever so slightly, showing off a tiny flash of his white teeth. It then occurred to you that you’d never seen him smile fully - only with a closed mouth. “Well,” he said, and lifted his hand an inch or two, almost like he was going to touch your arm, then stopped himself and lowered it back down. “I’m glad you’re safe.” There came a fraction of a second of tense, charged silence between the pair of you before he added, “Don’t know what we would do if something happened to Bri’s favorite teacher.”
Bri - you’d never heard him call her that before. It was always a full ‘Gabriella.’
Behind you, in the school, the bell rang, signaling the final five minutes before class started. You glanced over your shoulder, feeling your heart sink slightly at the realization that you would have to leave the conversation. “I’d better -” You allowed your sentence to fall away as a number of squad cars came rounding the corner across from the school, sirens wailing and tires squealing on the tarmac. Other vehicles on the road pulled over to let them pass as they blew through a red light; whatever was happening, it must have been serious. But wasn’t it always.
“Heh,” you chuckled gently as you began to turn back to Miguel. “Always something happening, ri-”
He was gone. Vanished, seemingly, into nothingness. No car to watch pull out of the lot, because he walked his daughter to school, and no trace of his hulking, towering form down the sidewalk outside the wrought iron gates that surrounded the building. He’d completely and totally disappeared.
Damn, you thought as you blinked a few times, gripping your clipboard, and entered the school. What an enigma he was.
That night at work, as you spun yourself around and around on the pole center stage in various twisted shapes and contortments, you found yourself divulging in yet another one of your little fantasies. You shut your eyes as you tensed your leg and gripped the pole to send yourself around in a tight, flashing circle that made the train - that your boss had specifically instructed you to wear while you were in the spotlight - flutter and whip like golden water pulled across a current.
You pictured Miguel seated in the leather chair closest to the stage, his chin propped on his forearms where they rested across the edge of your runway. You imagined the neon lights playing tricks and dirty, filthy, irresistable illusions in the gleam of his eyes, following your movements around and around because no matter how many times you did the same cheap trick, he would still watch it as if it were his first time seeing it. You thought of kneeling down in front of him even though it was against the rules to get too friendly with customers if they weren’t going to pay to see you up close, and of gently taking the point of his chin in between your fingers so that he was tilting his head up to look at you.
Fuck, you thought of him taking you on that fucking stage after the place was closed, hovering over you with your legs locked around his hips and your hands gripping the wrists pinned beside your head so tight your knuckles paled. You swore that, even in your little scenario, you could feel his breath fanning across your face as he leaned down to murmur in your ear through his huffs and lustful, breathy sighs.
“Such a good girl, takin’ it all f’me. Pretty girl, pretty baby. All mine. All mine.”
You opened your eyes and forced yourself to return to reality when you felt yourself being watched. Of course you were being watched - there were dozens upon dozens of eyes surrounding your stage, watching from behind the porcelain gaps in their animalistic masks. But there was another sensation of being stared at that didn’t quite fit in with the rest of them, one that sent a certain kind of shiver down your spine. Keeping in time with your routine and the music thrumming through the floorboards of the club, you peered deep into the wide atrium in search of whoever was fixing you with such a gaze.
You found it.
He was standing nearly in the shadows where the lights couldn’t reach him, arms crossed tight over his chest and stance firm so that everyone who looked at him knew to never even think of invading the space he’d claimed for himself. The man was tall and sinewy with muscle, but you had to squint to see his frame clearly through the dark and the dress jacket he wore. Over his face, the edges obscured by the slicked-back mess of dark hair atop his head, he wore the club’s one and only spider mask.
It was a specialty disguise, one that only the top rollers and highest bidders of the evening bribed their way to at the front room. It usually signified that whoever was behind the porcelain wanted attention, wanted drinks to come nonstop to their side tables, wanted every girl in the damn house on their lap and at their feet. And yet, this evening’s spider was nothing like that. He clung to the shadows, to the perimeter of the room, like he didn’t want anyone to know he was there. He took up no more space than necessary. He was practically a no one, despite the delicate, fractured-looking design he wore over his features.
And he was watching you dance like he was mesmerized, like if the doors were chained shut and the place was burning down around him, he’d be content to stay where he was and keep his eyes focused on your body.
When the man realized you had spotted him, that you were staring right back at him through the gaps of your monarch mask, he moved. You nearly wanted to cry out, to tell him to wait, that you weren’t done. But you couldn’t.
So instead you continued to dance, continued to watch him as he flowed through the other patrons toward the exit. Yet when he turned in just a particular way to avoid bumping into a server, you saw it; through the unbuttoned top pair of buttons of his dress shirt, you spotted it, you were able to catch a glimpse of a pale, raised scar running along his collarbone.
The very same you’d seen on Spiderman.
tags: @mooomeadows @twentysomethingwereyote @screamforyani @fangirlreice7 @axdjelx @ornamentalnecromancy @faust-pda @ilikethemoon28 @mrm-pachypoda @wadafrick
(strike through means your blog could not be tagged.)
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wardenparker · 7 days
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Bones Full of Words, ch 8
Javier Peña x plus size reader Co-written with @absurdthirst
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“He pleaded so much that he lost his voice. His bones began to fill with words.” ― Gabriel García Márquez, One Hundred Years of Solitude
Javier Peña had no way of knowing for certain the American journalist he sometimes sees sniffing around the embassy for her stories is also getting information about the narcos from the same girls that he is. After Helena is brutalized by sicarios, it is that same journalist who comes to take her away and look after her -- giving Javi reason to pause and reconsider his opinion of the woman he had previously not considered as anything more than eye candy.
He has no idea that once she has walked fully into his life, he will be battling with himself over whether or not he should stop her from walking out it of again.
Rating: E for Explicit! 18+ Word Count: 10.4k Warnings: *Blanket warnings for this series: sex work, time period appropriate sexism, cursing, alcohol, food/eating, talk of weight or size, fatphobia, internalized fatphobia, self-esteem issues, canon typical violence* Jealousy, poor communication, arguing, poor decision making, violence, kidnapping, gun violence, murder, death. Summary: Upset with Javier and determined to do things your own way, the tension in the apartment propels you into a situation no one could have predicted. Notes: High violence warning this chapter! It's all canon-typical, but Narcos is a high-violence show. Please be advised that this chapter does contain multiple instances of gun use and gun violence. (As usual, I apologize for an errors I may have missed in editing.)
Ch 1 ~ Ch 2 ~ Ch 3 ~ Ch 4 ~ Ch 5 ~ Ch 6 ~ Ch 7
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Because he asked you to keep an eye out, you don’t leave the apartment that day. Cooking in silence and sitting down with your notepad is the most you can manage for daily activity but it’s better than nothing. When you’re able to leave tonight you’ll be out there with fire in your heart.
Elisa hears you moving around in the kitchen, but when she comes out, you are already back in your bedroom. Unsure of why she feels a chill in the air, and wanting to apologize if she’s overstepping.
Chi-Chi hears her coming before you do, shifting over from her place on the bed to face the door when footsteps sound. “It’s not worth it, girl,” you murmur to the large dog. Even if you do appreciate the sentiment.
Biting her lip, Elisa reaches out to knock on the door before she pulls her hand back. Uncertain if she is imagining the frostiness. Or if it’s any of her business.
Can you keep an eye on her for me? Javier’s words ring in your head and almost make you so frustrated you decide to ignore the knock altogether, but you promised. You promised, and he’s…he is more to you than you are to him.
After a long moment of deliberation, you pat Chi-Chi’s back and get up.
She hears you move around and takes a step back from the doorway so she isn’t right in your face. Smiling politely when you open the door.
“Hi.” What else are you supposed to say to the woman unknowingly fucking your soulmate?
“Hi.” She is kind of stuck now and she gestures towards the kitchen. “I, uh, I didn’t know if you had anything in there that I shouldn’t touch?”
“No. Groceries are for everyone.” Everyone is really just two of you and one very spoiled dog, but you’re not about to get into semantics with her. All you’ll say, to keep further guilt at bay, is what’s necessary. “I promised Javier we would stay inside today. The only time I’ll leave is to walk the dog and even then I’ll stay right outside the windows.”
“Okay.” She nods, wondering when you two talked, but that’s not her business. “I’ll try to stay out of your way.”
“You surprised me last night.” It comes out of your mouth unbidden, blurted out into the tense silence between you almost like sick. “I didn’t know anyone else would be here.”
“I’m sorry.” She bites her lip and looks down the hallway uncomfortably. “It was sudden. I had to be taken somewhere safe and Connie suggested Javier. Since he works with Steve.”
“You know Connie and Steve?” That is news to you — Javier has never once offered for you to spend time with his partner and his wife, although you know their names from the embassy and stories. Then again, why would he offer?
She nods. “I worked with Connie at the clinic.” She admits. “That’s how we met.”
"That explains the scrubs." She's dressed in what must be her own clothes today. Presumably they were either washed and dried here in the apartment, or she hadn't been wearing them long enough yesterday for anything to get dirty.
“Yeah.” She looks down at her clothes and chuckles. “I didn’t have time to get anything.” She admits. “Connie said she would get me something to wear so I don’t have to just wear this.”
"She sounds like a nice woman." As opposed to you – even if this woman wouldn't be swimming in your clothes, you still wouldn't offer. Purely out of bitter jealousy.
“She is.” There’s something brittle in your tone and Elisa decides it’s best to end the conversation. “I’ll let you get back to…whatever it is you are doing.” She offers. “Uh, thanks for the information.”
"Help yourself to something to eat." There just isn't much else to say to her. If you let yourself say whatever pops into your head you might end up yelling and there's just no point in that. It's not her fault that you went and developed feelings for your soulmate. It's not her fault that you let your heart get in the way. "Javier usually works late, but he'll probably come back sooner since you're here."
“I doubt it.” She snorts and shrugs. “He’s not one to really be tied down, is he? He’s nice enough, but he’s not really a homebody, right?” She’s sure that plenty of women have paraded in and out of here.
"Not really." Not that you are, either. You wouldn't go so far as to claim that. But you wonder if she's fishing for reassurance, and can't stomach the idea of Javier deciding that she is worth coming home to instead of you. He might, though. He really might. "I'm sure once he finds the right person, that's all it will take."
She shrugs, knowing that it won’t be her. “Hopefully I’ll only be in your way for a few days.” She tells you.
"It will be whatever it will be." It isn't your call, after all. Whatever she's really doing here and whatever she is to Javier? Those things are between them. You're just his roommate. And that has never stung more than it does right now.
“That’s a nice outlook.” She licks her lips and wipes her hands on her pants. “Well, I’m going to get something to eat.”
"Okay." Considering this conversation has gone on far longer than you prefer, that is perfectly fine with you. "Just..." You may not like this woman, or the fact of her being here, but you're not cruel. "Don't eat what's in the white plastic container. That's Chi-Chi's food. You wouldn't like it very much."
She laughs, waving her hand appreciatively as she turns to walk down the hall. “Thanks!” She calls back.
“Sure.” You murmur at her back, thudding the door shut behind her, wishing you could have just ignored her existence altogether.
There’s something there. Elisa mulls it over as she goes through the cabinets and figures out something to eat. She just doesn’t know exactly what.
******
Chi-Chi is the first to sound the alarm when the front door opens in the late afternoon, though her barking turns to happy howls and a vibrant wagging of her tail when she sees Javier walk through the door instead of an intruder. The alert had brought you out of your bedroom though – with a paperweight in your hand to lob at any intruder who might dare to invade your space.
Instead, the sight of your soulmate makes your stomach turn. "You're home early."
Javi turns when he hears you, seeing the expression on your face and the paperweight in your hand. “Yeah.” He turns back to the door and locks it securely before looking back at you again. “Steve sent me home. Figured you’d babysat enough.”
"Good." Normally having some extra time in the apartment together would be cause for a homemade dinner and maybe even a movie, but you're loathe to suggest spending time together tonight. It simply isn't even worth considering. Instead, you shift the paperweight in your hands and your own weight from foot to foot. "I'll get ready and go work, then." You huff quietly, mostly at yourself. "Shift change."
“I don’t think you should go out tonight.” Javi has thought about how to approach it all day and he knows you won’t be happy about it. “But, if you have to go, let me send on of the SearchBloc with you.” It seemed like a good compromise, and since he couldn’t leave Elisa home alone, it was better than not having anyone with you. “Trujillo said he wouldn’t mind.”
While he isn't necessarily wrong to be concerned about safety in most of the city, the way your hackles raise at something you would otherwise consider a kind gesture is just...it is so indicative of your stubborn nature as much as your current heartache. "I don't need a babysitter," you tell him unilaterally. "That's apparently a service I provide, not something I need. Besides, I never even told you where I'm going tonight. For all you know I'm interviewing the ambassador in her ridiculous mansion."
He doesn’t know what burr is up your ass and he says as much. “Why are you being fucking difficult?” He hisses, narrowing his eyes at you in annoyance.
"Me?" That earns him a deep eye roll. "You're the one begging for favors and then trying to hinder my work with an asshole in a uniform. Do you know how hard it is to do my job with a cop standing over my shoulder? No one will talk to me."
“He can be discreet.” Javi tells you, knowing that the younger man would wear regular clothes if he told him too. “I would go myself, but-“ he gestures down the hall towards his room where Elisa most likely is.
"What makes you think I would bring you with me, either?" The paperweight in your hand thunks on the nearest flat surface with determination. "All of a sudden you give a shit what happens to me?"
He frowns at your venom, the bile that he hears. “What the hell is your problem?” He demands, getting pissed and glaring at you.
The truth of it is far too cutting, and the heat blasting in your fury keeps you from holding your tongue. "You." You spit back at him, before stalking down the hall and back into your room. There is goddamn work to do and you can't go out into Bogotá at night with tear streaks down your face looking like a mopey schlub. You have to get yourself the fuck together, and you definitely can't do that around Javier.
Javi stares after you, jumping slightly when you slam the door shut and blows out a frustrated sigh. You two had been getting along and now you had come back from your night out with an attitude that was almost worst than the one you had when you first met him. “Fuck.” He hisses under his breath.
"Javi?" Elisa is standing in the doorway of his room, having heard the commotion and stayed well out of harm's way.
“Hey.” He frowns, knowing that she had to have heard and he doesn’t have one damn clue on how to explain that. “Connie gave a bag of clothes to Steve.” He tells her, motioning to the bag he had dropped by the door.
"Thank you." The coast seems to be clear, and she comes out into the living room to retrieve the bag – but also you say hello. "Your roommate is..." She frowns, considering what words to use. "It seems safe to guess that she dislikes me."
“She was rude to you?” He frowns even more, sure you would have at least taken to her and interviewed her. You always ask about anyone involved in the case against Escobar and now you seem practically apathetic towards the best witness he has.
"No." Elisa shakes her head. Once she has picked up the duffel bag from the door, she leans into his side and presses a kiss to his cheek. "But being overly polite is sometimes worse and has more tension than anything else. We only spoke this morning."
He grunts and shakes his head. “She is being stubborn about something.” He doesn’t understand it, but you are a grown ass woman.
"I'm sorry if my being here has caused tension," she offers, not really sure what else to say.
“It’s not you.” He assures her, although he has no proof of that. But this isn’t her fault, no matter what. “Have you had dinner?”
"Not yet." Truth be told, she was waiting for him. For a touch of comfort and companionship. Fresh clothes, a good meal, and Javi will take care of all of those needs.
“Okay.” He nods. “I can order something to be delivered.” He orders with a small shrug of his shoulders.
"Ah." She nods in understanding. "It's her cooking in the refrigerator. Not yours."
“Yeah.” He admits with a grin. “I can make you some eggs and toast. That’s about it. Or slap a sandwich together.”
"There is nothing wrong with a sandwich." Far be it from her to turn her nose up at any kind of food, really. She isn't a fussy or picky kind of woman. "What did your ambassador say?"
"It's going to take a day or so to get clearance," Javi admits. "But with the attack on the Palace, they want to get you to a safe location. One where you can't be touched by Escobar." He doesn't mention that the military is demanding to know who she is and interrogate her.
“I wish I could go back for some of my things,” Elisa admits, but she knows it isn’t possible. The target on her back is too large and too clear. “But thank you. When it is finally safe to come home again I might to thank you for that, as well.”
He knows what she means by thanking him and his cock twitches in his jeans, even as he is glancing down the hallway towards your room. “We can cross that bridge when we come to it.”
"Or perhaps when your roommate leaves." Elisa shrugs, not wanting to get into the complications of it. She will not be here for long and it is not her life. "You wanted dinner, I think?"
Grateful that the other woman in his life isn’t trying to argue with him, he nods. “Do you have something specific you want?” He offers, pulling out the take out menus.
"No, I'm flexible." She pauses, smirking at that, and catches Javi's eye to have him smirking, too. They had tested that fact very well yesterday.
He almost comments, but you open the door to the bedroom and come marching out. Javi looks down at the menus and grabs the one off the top. The Indian restaurant. “How about here?”
"Sure." She really doesn't mind much and it's clear that the tension in the apartment extends to him and doesn't simply emanate from you.
"I'm leaving." Wearing slightly more revealing clothing that you normally would and checking the purse you have stashed your notebook and a pen into along with your essentials, you breeze straight past them without looking around. "I might stay with Inez tonight." There are no more courtesies than that, no other explanations about where you're going or what you expect to do. Things that you might have told him if you weren't so pissed at yourself for expecting him to simply intuit the change in your feelings.
“Okay.” Javi frowns, wishing you would stop and talk to him, or at least take him up on his offer of Trujillo, but you just walk out the door. The silence lingers for a moment and Javi clears his throat. “Pour us a drink while I order, hm?”
"Sure." Elisa nods again and moves to the bar cart that Javi keeps in his living room. She has a feeling that he will need more than one, but that is up to him. "Whiskey?"
“Yeah.” He answers, picking up the receiver from the hook in the kitchen and dialing the restaurant. He doesn’t know what exactly to do, but he can only handle one problem at the time right now.
******
The night is oppressively hot and sticky, not yet cool enough to have brought the temperature down in the city and the warmth of so many people swirling through the busy streets as people go about their evening plans. Powered by frustration as much as anything else, you make your way through the streets on foot to catch a cab to your old neighborhood.
The cab driver asks if that is where you really want to go, shaking his head and sighing when you say yes and starts to drive cautiously towards the area of town that has grown increasingly violent.
The man you’re going to interview was displaced by the raid on the club just like you and Inez, with a similar situation of a landlord evicting their tenants and selling the property to get away from sicarios invading the neighborhood. He has promised a full interview with both him and his brother as anonymous sources, and suggested a semi-public place to meet. There are dangers, of course, there always are, but if you’re normally stubborn about things…Right now you’re downright blind to them.
The small café is around the corner from the old building the club used to be housed in. Rundown, one of the widows is boarded up from being shot out just two days ago. The waitress gives you a nervous look when you walk in the door.
“I’m meeting some friends,” you tell her politely, trying not to fidget in the clothes you picked for tonight. They’re not really not revealing but they’re more fashionable than you normally choose so you feel a bit like you’re on display. “Could I have a coffee please?”
“Sure.” She motions towards the empty tables, the seating area empty besides you. She can tell you are American and that makes her even more uncomfortable.
Convincing yourself that the tension in the air is you projecting your own emotions on the place, you sit and sip your coffee with one eye on the door. Everything is fine. You’re just upset and it’s making you prickly.
The cook in the back slips outside, unobserved by you and the waitress taps nervously on the counter as she waits for something to happen.
Five minutes click by. Then ten. Your coffee wasn’t the best but you know you’re a snob about it so you don’t say anything to the anxious-looking waitress. It isn’t until the door open again and a short man with thick, dark hair walks in wearing the promised blue linen shirt and denim jacket that you show any interest in anything whatsoever.
His eyes find you in the corner with your back to the kitchen and he plasters a smile on his face as he walks over to you. Saying your name for confirmation, to make sure that it’s you. As though there is anyone else in this seedy little café to be confused for.
“Is your brother not able to join us?” Enrique has turned up alone with a cigarette behind his ear and a friendly smile. “Join me. Have a seat.”
“He will be here.” Enrique promises, smirking slightly as he pulls out a chair and flops down into it opposite you. “Had to do something first.” He looks around and notices that you don’t seem to have anyone with you. “You came alone?”
“The nature of what we have to talk about is relatively private.” Hence the cafe — deserted aside from its employees, although you were bolstered to see the large window through to the kitchen, ensuring more than just the waitress for witnesses.
He nods and plucks the cigarette out from behind his ear and produces a lighter from a pocket of his jacket. “Figured you would have that DEA agent with you.” He comments as he blows out the first puff of smoke.
“…What DEA agent?” You hadn’t said a word about Javier in your phone call with this man, and suddenly the tense air in the cafe goes from thick to oppressive. All it takes is an instant and you’re wondering if you can get to the door before the man twice your height can block the way.
“The one who has been passing the word that the American woman journalist looking for an apartment is under his protection.” He continues conversationally and points at you with the cigarette between his fingers. “That is you, no?”
You’re going to fucking kill him. You’re going to tear Javier Peña a new asshole the second you get home tomorrow. He blew your fucking credibility that bastard! “I don’t know what you’re talking about.” You manage to lie without stammering or sounding fearful. For that, you will reward yourself later. With rum. “I have a place and I certainly don’t work with the DEA.”
“Yes, you do.” He smiles, a thin stretch of his lips that has lost the charm from earlier. “Someone wants to meet you.”
The front door is probably no more than twelve feet away. The door to the kitchen is only five or six, but you would have to wind through the whole thing blindly to find the exit, and potentially give this stranger the opportunity of pick up a weapon. The front door is the cleanest choice. You remember the way to the nearest busy neighborhood center from here and at this time of day you can blend into the crowds making their way into bars and clubs. That will give you enough time to duck into a bathroom and get another cab.
In the split second it takes you to make all of these plans, you wrap your wrist in the chain of your purse under the table and move your feet as subtly as you possibly can. Using the bottom of the booth to push off like a runner in the Olympics, you sprint for the door.
Only to find the way blocked as soon as you reach the frame.
Grabbing your arms, his ‘brother’ grins as you as he holds you. “You don’t want to leave, do you?” He tsks and Enrique laughs. “Pablo would be so disappointed.”
Pablo.
“I can’t tell him anything he doesn’t already know.” That, at least, is true. Your job is only to gather information and report. The information that he is putting out into the world. Him and his sicarios — the misery and mayhem that they reap.
“He can be the one who decides that.” You are turned from the door, a gun in Enrique’s hand now. Pointed at you. “Let’s go. Out the back.”
You don’t need to glance at the bar to know the waitress is gone, and you don’t need to even think twice to know that you are not going home or to Inez’s tonight. In fact, you’re probably not going home ever again. If you’re lucky, they’ll just kill you outright is all you can think, with the imagine of Helena’s nearly comatose body in your head.
One foot in front of the other, you are marched through the abandoned coffee shop and out through the kitchen, where the only employee pays you no mind whatsoever and another man is sitting in the driver’s seat of a car. The puddle of white fabric in the dirt might be an apron, you can’t tell.
“The trunk.” The motion of the gun guides you to the back of the car and he smirks when you try to push back against the man behind you. “Don’t make it harder. He said we had to get you to him, not what condition you had to be in.”
“There’s no reason for him to waste so much effort on me,” you repeat, annoyed when your own not inconsiderable strength does nothing to help you.
Both men chuckle and your hands are bound behind your back. “It’s no effort at all.” Enrique taunts. “You came like a lamb to the slaughter.”
It's insulting how true that assessment is, and even more insulting when the two men shove you into the trunk of the car and slam it shut while laughing to each other in Spanish, as if you don't understand them perfectly. The slamming doors rock the car, and the movement of the two large men settling into seats shifts you back and forth even more, but it doesn't matter.
Your hands have been duct taped so thoroughly that even your fingers are bunched together and your eyes aren't adjusting to the darkness of the trunk like you expected them to. Trying to compensate for your lost and muddled senses makes paying attention to the car's twists and turns very difficult, and even though you know this neighborhood you lose track of the route you've driven after about ten minutes.
That would be bad enough on its own, but then the driving doesn't stop. Deep potholes jolt you violently hour after hour until you've managed to bite your lip and tongue bloody from the way the car bounces and your head has hit the top or bottom of the trunk just hard enough that you're wondering if you might have a slight concussion from it.
But hour after hour, it never stops and the car never slows.
It’s only when you’ve completely lost track of what time it is, and fell asleep a few times that the car stars to slow down. Creeping along for a few minutes before finally stopping. Arriving at your destination.
The stopping is what wakes you, as cars open and close and the vehicle jostles multiple times. Voices raise outside the trunk, muffled but audible. When the key turns in the lock and the trunk is flung open, your intention to throw yourself off the floor of the thing and lash out with feet if nothing else, is abruptly squashed by the fist that comes down on your cheek. You see the outside world just long enough to know that it's near sunrise when a cloth bag is put over your head and you're manhandled out of the trunk back onto your feet.
Two different pairs of hands grab at you. Shoving you along and when you struggle, one of them punches you in the stomach and makes you double over, gasping for air. “Move, bitch!” It’s not Enrique’s voice this time, but the tone is evil. The voice of a man who has no sympathy in his entire body for anyone.
It feels like they intentionally trip you on a short flight of stairs, pulling you up again by your armpits when you stumble and fall, landing on stone not just once or twice but three times. From the way your shins sting and ache, you've got a few cuts and will have throbbing muscles in no longer than an hour from now. If you even make it another hour. The possibility that you won't is unnervingly real.
“Sit her down.” The voice comes from your left, the order in Spanish and there is the slight sound of a disappointed sigh. “What have I told you about kidnapping women?” The voice says. “You treat them with respect.”
"American pig." Sneers one of the other voices that you don't recognize. If you can figure out who it is later on – and if your mouth is ever untaped – you'll spit right in his eye.
“But a valuable one.” There’s the sound of footsteps and the scrapping of a chair as one is dragged closer to where you are standing. “Remove the bag.”
The fabric is ripped from your head, definitely taking some hair with it, and suddenly you become sharply aware that you're facing east. Sunrise is blinding you so badly that you have to flinch away and let your eyes adjust. Which means it's almost a full minute of standing there before you realize that Pablo Escobar is the figure outlined by the rising run.
Your full, government name is said, leaving no doubt that the biggest drug lord in Colombia knows who you are. They had gone through your purse on the way here, but that’s not the point. “Please, sit.” Pablo offers, motioning to the chair in front of you.
For the rest of your life, regardless of how long that is, you're going to be proud of yourself for not immediately pissing yourself in fear at the sight of him. He's nothing special. Not really. A mid-height chubby man with curly hair and an unfortunate mustache. He looks very...disarmingly...normal. But this ruthless murderer is not to be underestimated.
So you sit.
“Ah.” Pablo smiles, the gesture meant to be disarming and charming. “And they say Americans are stubborn.” The men around him chuckle but he keeps his eyes on you. “Forgive our manners.” He tells you, not really meaning it. “I’m afraid that it has become harder to talk to the people I need to now.”
The irony does not escape you, and you shoot him a look that says I can't talk to anyone at all right now while momentarily slipping your grip on the fact that this situation is deadly serious. Thankfully, the man laughs and waves one hand, which one of his armed flunkies takes as a direction to come over and rip the duct tape off of your mouth.
Pablo watches as you hiss in pain and move your jaw around. “There. Now we can talk.” He pulls out a cigarette and lights it. “What is your connection to the DEA?”
"I have none." That hasn't stopped being true – or mostly true – just because they drove you out of the city and out to what looks like one of Pablo's mansions.
“Then why was a DEA agent saying he as protecting you?” He snaps his fingers at one of this men. “What was the asshole’s name?”
"Peña." Supplies Enrique. Or, the man who told you that his name was Enrique.
Fucking hell. Why did soulmate have to be such a meddler?
"I don't know why he said that," you answer honestly. Mostly because it doesn't make any fucking sense to you but also because you really don't know his logic.
“Is he fucking you?” Pablo drags his eyes up and down your body. You aren’t bad, but you are thicker than he likes. Tata would like you though.
"No." To date, Javier Peña has never even hugged you or any much physical contact with you at all. Which is what makes his claims of protection so aggravating. It's like it's a performance on his part.
“And you are a journalist?” He asks, tilting his head as he wonders why the DEA agent is interested in protecting someone that he isn’t fucking.
"Yes." If he knows your name and he knows who Javier is, then he already knows that. There's no point is denying it when he basically catfished you with a phony story for your column.
He takes another drag off his cigarette and slowly exhales the smoke. Considering his options and then nodding. “You will interview me.” He decides, smirking slightly at his genius idea.
"Excuse me?" The idea of it takes you so off guard that you just stare at him for a moment, but he looks so fucking pleased with himself and is already motioning around to his men and issuing rapid fire orders. Someone is to bring him a chair. Someone else a drink. A third person is sent to fetch his breakfast. Still another is waved inside to check on Tata. You're fairly certain he didn't even hear your confusion over his own self-satisfaction, but you manage to cut through the noise of movement with your second thought. "I'll need my hands for that. To take notes."
“Bring a notepad and a pencil!” Pablo shouts after the men, cursing when he realizes that no one else is here to cut you loose. “You try to run and I will put a bullet in your head.” He tells you casually as he pulls out his gun and shows it to you. “Then I will have my men in America kill your family. Understand?”
Your family. The thought of Escobar sending goons to carry out hits on your mother and your brothers terrifies you far more than anything he could do to you, and you nod once. "I understand."
“Good.” He gives you that charming smile again, but his eyes are watchful, calculating. “Then you will write the story and tell the real truth about what is happening here.”
It's an odd and sickening guarantee. You will live long enough to write your article. To carry his words to the world. Whether or not they let you live longer is up in the air and highly improbable – but if you can drag this out a little you might be able to figure out how to survive. Attempting an escape seems like a surefire way to get his sicarios sent after your family, and you aren't willing to take the chance he may not be bluffing about having that ability.
The men return, another chair and a table being brought in. Notepad with several sharpened pencils are slapped down on it. One cold coke in a glass bottle, obviously not for you, and then a bottle of water that might be for you are also added.
You're careful not to look anywhere but at your hands in front of you, somehow convinced that making eye contact with any of these people will end in violence. On Escobar's orders your legs are tightly tied to the chair and the tape is cut from your hands. There is no way you're going anywhere, but at least you can flex your fingers and feel the blood flow return to them.
"Where do you want to be begin?" Pablo asks curiously before he turns in his own seat and berates one of his sicarios for not bringing an ashtray to the table.
"Well..." Reaching for the notepad and a pencil with tentative hands, you flip open to the first page and instinctively date the top line. Swallowing is a dry and hazy endeavor but you manage to remind yourself to breathe. "Let's start with your full name and where we are." The more corroborating information that you can get, the better. Maybe after the article is done and Escobar inevitably has you shot, the work will still help convict him somehow.
"Pablo Emilio Escobar Gaviria." He announces his name dramatically and with a slight hint of theatrical flair. He is vain enough to know that most people, even Americans, recognize his name. What he craves is respectability. "We are in—" He tilts his head and smirks slightly at the attempt to get information from him on your location. "Colombia."
"You don't have to give me the longitude and latitude." You're not dumb enough to think wherever you are actually has an address. "But...in general. Are we at your home? A safe house? The home of a business associate?"
His brows furrow in anger, his jaw tightening. "In hiding." He spits, sneering at the mere thought of the indignity. "Because of your fucking DEA."
"That must be very hard for you." The top of the page is marked out with the date and the name of your subject, and from there your pencil flies across the pages. Taking down direct quotes from both Escobar and you – questions and answers exactly as they're said. Your training is kicking in despite the fear. Writing in shorthand ensures that you can actually get everything down without having to pause in the conversation and ruin the flow. "To have to hide with your family when you are also working to be a community leader?" He did run for office, after all. You aren't leading him fruitlessly.
"Why does America care about me?" Pablo demands. "I am a businessman." He stresses, flicking his cigarette into the ashtray and shaking his head. "I care about Colombia. But you are here, for me. Your DEA is here, for me." He shrugs. "Why do you care?"
"Your business has made it all the way to America." Calling it a business makes your skin crawl, but following his proverbial scent and the thread of the narrative he wants you to tell for him matters. "We are always interested to know about the people who bring their business to our country."
"Then ask me what you want to know." He offers.
The situation is so loaded from every angle that you almost don't know where to start. The drugs, the smuggling, the international reach of his enormous illicit business dealings. His family. His public image. You might be the only American reporter to ever get to sit down with the world's most infamous drug lord and squandering that opportunity is basically a waste of the end of your life – since you really are sure you won't make it out of this place alive.
"Start at the beginning," you offer, starting a new line in the notebook you've been given. It's a miracle that your hand isn't shaking too badly to write, but you're not going to question it. "When you started this business, what did you hope to achieve?"
“Support my family.” Pablo tilts his head, surprised by the question. “My mamá had this couch. Worn, broken.” He snorts. “It was a piece of shit. I wanted to buy her a new couch. To buy her things she sacrificed having raising me.”
“With a worldwide business, would you say that you have now achieved that goal?” The longer you can keep him talking, you decide, the better. The more he will feel you have become sympathetic to him. The more likely he is to perceive you as friendly and slip on something. Something seemingly insignificant that can be used against him somehow. You have to try. You have to try.
“Perhaps.” Pablo shrugs slightly. “Visions change. Goals broaden.” He crushes out the cigarette and picks up the Coke bottle to twist the lid off the drink to take a swallow.
“You have goals for more than just your family now?” He must, considering her ran for office, but you’re willing to pick up any thread he gives you.
“I want to be involved in politics.” Pablo admits, his expression tight. “I would be good at it.”
“Tell me what happened,” you prompt. Just breathe. Keep him talking. You’ll find the angle eventually and some tidbits along the way. “In your own words.”
Pablo starts to weave a tale of honorable intentions derailed by jealousy and a corrupt system that would not let him come to power. Finishing his coke during the long-winded story as you write notes.
If you had been asked what you expected to hear, this would be something close to it. A man who saw himself as a savior being thwarted at every turn, his good intentions stagnated time and time again. He truly must have no idea how bloviated with arrogance he sounds. How self-absorbed and self-righteous. How delusional.
The article he wants you to write and the one that you’ll print if you ever survive this horror show are two very different beasts.
“We should have a recorder.” Pablo frowns as he thinks of it, snapping his fingers at the man that is guarding the door.
Anything he wants is available to him at the snap of two fingers from either a man who looks terrified to misstep, or a man who looks smugly confident of his own self-importance. The juxtaposition is stark, but the ones who do the scurrying and fetching are the terrified ones.
“Thank you.” Even in your own anxieties and fears, somewhere in your mind you’re convinced that good manners might buy you a little more time. “This will be very helpful.”
“I would hate for the story to be misquoted.” Pablo muses, although his brow arches up. “Smoke?” He offers, holding out the pack as he waits for the machine to be brought in.
The idea of accepting anything from this absolute insect of a human being is repulsive and you almost can't even stomach it. But there is a solid chance that if you don't take the offering he'll be offended, and that could end in your end. More plainly put? You're not going to take the chance that Escobar will be so mad you rejected his 'gift' that he kills you for it. So you say yes and manage to even sound grateful through the strain of a dry throat and however many hours you were jostling around in that car.
He shakes out a cigarette for you to take and even pulls out his own zippo to light it. Flicking the striker even as he growls to the other man about what is taking so fucking long with the recorder.
For the first time in all of this, the thought in your head is wondering what Javier would think if he could see this now – and not in an angry and cursing sort of way. Just in the way where you are absolutely bewildered with every new moment of this.
And then suddenly, as Escobar is cursing out his men for taking too long, you know exactly what you're going to do. The chances of your surviving this are low. Infinitesimally low. And the notebook that you're writing in is entirely in shorthand. Unless one of Escobar's henchmen has studied to be a secretary at an American college, they're not going to be able to read your notes. Maybe that was folly, maybe it was just ingrained habit.
Either way, it is going to let you fill this notebook full. Two articles – one that Escobar will approve of and one that tells the entire truth of your kidnapping and everything you witness while in this compound.
So even though you won't make it out, there is at least a chance that the truth will survive you.
Waiting makes Pablo Escobar angry. He’s not a man who enjoys waiting for things. Especially when it appears to make him lose face in front of an American Journalist. Picking up the water bottle, he hurls it at the other man in the room. “Hurry the fuck up!”
A man skitters into view a minute later with a tape recorder in his hands, begging forgiveness and practically tripping over his own two feet to place the recorder on the table. A split second before it is fully set down, you realize with horror that there is no cassette tape inside.
It takes him two seconds, two bone chilling- heart stopping seconds. The fierce glare on his face is cruel, almost demonic. Pablo pulls out his gun as the man starts to back up, holding his hands in front of him. “Boss- boss, please-“ Escobar doesn’t give mercy, pulling the trigger three times and shooting the man down right in front of you.
Your heart stops. Breath catching in your lungs and blood running cold in your veins. And then your stomach lurches, revolting on you, and the only saving grace of the moment as you fall forward and dry heave in your seat is that there is nothing left in your stomach to actually empty out.
Pablo watches you retch as he puts his gun away. “He was disappointing.” He explains casually, not mentioning that the man had fucked up numerous times before.
Another man appears moments later with a new bottle of cold water to replace the broken one, and a fresh tape. He unwraps it from its plastic and plunks it down beside the machine without sparing you even a glance, but you don't care. You can't even process anything else. You had managed to make it this far in life without seeing anyone die, let alone be murdered in cold blood. But you can't say that anymore.
"I hope," you manage, feeling your throat croak and ache. "For everyone's sake, that no one else disappoints you."
Your pencil flies automatically, like some kind of ingrained reflex or biological imperative that operates entirely outside of your personal horror at the situation. It helps ground you, reminding you of the unyielding truth of this moment: that these horrors are, at their core, so deeply and terribly human. When you can breathe another steady breath, you reach for the tape recorder to hit the record and play buttons. “Let’s continue,” you manage, knowing how shaky your voice will sound on that tape.
“Perhaps I should start again?” Pablo asks, watching dispassionately as another couple of his men come into the room to drag out the body.
“For the record.” Speaking as clearly as you can into the tape recorder, you state your name — No use in pretending he doesn’t know it, he’s said it before. Even your middle name. — and the date. “Interview conducted in private at subject’s request.” It’s pure professionalism. Every single step meant to ensure that he believes you are taking him seriously. “The first part of this interview was taken by shorthand notes by the reporter.” Polite. Always polite. Looking back up at him and somehow managing not to flinch, you motion to the recorder. “Please state your name for the tape, as you have already done for my notes, and anything you would like to repeat. Then we will continue.”
He goes through the major points again, sending you a pleased smile when he comes back to the point where you had left off. “Now. We will talk business.” He nods.
“What kind of business would you like to talk?” He’s in the driver’s seat of this interview, after all. You’re just holding on for dear life.
“The kind that brought you to Colombia to write about me.” He smirks and picks up another cigarette.
******
It is a whole twenty-four hours after you are supposed to arrive at her apartment that Inez decides to call. She would have sooner but – as you always say – life happens and she just assumed that you had decided to go home again despite being annoyed with your Javier. Now that she is finally able to pick up the phone and call your apartment, she's wondering how you are feeling after your interview. If you got anything worth while out of the brothers who had contacted you.
Javi had been expecting a phone call from Steve, staying with Elisa today since you had decided not to come home. So when the phone rings in the apartment, he picks it up. “What have you learned?” He asks immediately.
"Um...hello?" Inez's voice fills with a frown. "Is this Javier?"
A woman’s voice. Javi rolls his eyes slightly as he tries not to sigh. He feels like he’s in a version of hell concerning the opposite sex. “Yes?” He asks, trying to keep the annoyance out of his voice. “Who is this?”
“My name is Inez.” In an instant she understands why you’re constantly so annoyed with this guy. He’s snappy and huffy on the phone, which means he probably doesn’t have much better manners in person. But the warm depth of his voice is nice. “I was calling for your roommate,” she tells him, adding your name in case he doesn’t remember who mentioning her to him in the past.
Javi pauses, frowning and his brow furrowing together. “You’re the bartender from where she used to live?” He asks, prompting her to confirm. “She’s not home. I guess she hasn’t made it back from your place.” He twists his head to look at the clock on the wall. “I’ll let her know when she gets in.” He doesn’t even want to unpack why it was so easy to say ‘home’ where you are concerned.
“She didn’t come home last night?” Inez’s voice is immediately tense.
“She….said she was staying at your place.” Javi’s gut curls, the warning bells starting to ring in the back of his mind. “What time did she leave?” You were angry enough that you might have gone to a bar and went home with someone, or went to the brothel. So the panic starting to creep into his veins could be completely unwarranted.
“She…never came over.” The sickening feeling of panic in her chest tightens and makes her stomach flip.
“What the fuck do you mean she never came over?” Javi growls, gripping the receiver tight in his fist.
“I figured she went home after the interview!” Inez defends, startled by his tone. “I was calling to check on her!”
“She hasn’t been back.” Javi breaks off in a string of curses. “Give me your number, I’ll call you back.”
Quickly rattling off a string of numbers, Inez takes no offense when he slams down the receiver afterward without saying goodbye. She’s shaken and fearful, left sitting on her couch wondering what the fuck happened, and wondering if she should call Vanessa.
As soon as Javi slams down the phone, he is picking it up again, calling Vanessa. Trying to ignore the way his fingers shake as he punches the buttons.
“Hello?” Vanessa’s voice is bright and cheery when she picks up her private line.
“Vanessa, please tell me that—” Javi says your name almost desperately, “came over and is still with you or Freckles? Or fuck, any of the girls?”
“What?” Vanessa frowns immediately. Javi never sounds scared or panicked unless there is a very good reason. And right now he sounds both. “No. I don’t think so? Hold on.” Freckles is there in the room with her, having just finished with a particularly irksome client. “You haven’t seen our girl lately, have you?” She asks over the receiver.
“No.” Freckles shakes her head, barely glancing up from her magazine. “Not for a little while now.” She tilts her chin at the phone. “Is that Javi?”
“Yeah.” Vanessa nods while her own frown forms and she readjusts the phone on her shoulder. “She’s not here, Javi.”
“Goddamnit.” Javi hisses, shoving a hand through his hair. “If she shows up, call me!” He demands before he is slamming the phone down so he can call Steve. You’re missing and there’s the small issue of the fact that you are his fucking soulmate.
The phone line rings twice before it’s picked up, making the world feel like it’s moving in slow motion around him. “Murphy.” His partner drawls on the other end by way of greeting.
“I’ve got a problem.” Javi spits out.
“So do we all, Peña.” Steve chuckles on his end of the call. “Something new, I take it?”
“I don’t have time for your bullshit.” Javi hisses and says your name. “The journalist? The one that lives with me? She’s fucking missing.”
“Shit.” Steve sits up in his seat, alarmed at Javi’s tone. “How long?” An American tourist going missing in Bogotá is bad enough — but one living with a DEA agent? That shit would be like catnip to sicarios.
“She left last night to go interview someone, I don’t know if she ever made it there.” Javi admits, blowing out a sigh. “I tried to get her to take Trujillo but she wouldn’t.”
“Where was the interview?” Steve asks, pulling out a notebook to start taking notes.
“Fuck, I don’t know.” Javi should have asked Inez if she knew anything more, but he had been frazzled and not thinking. “I’m assuming her old neighborhood.”
“Shit.” More emphatic this time, Steve rubs His hand across his forehead and reaches to grab his jacket. This has officially become a situation. “Is there someone she would have told? Or does she keep notes somewhere in the apartment?”
“I don’t know.” Javi shakes his head. “She has a friend. Inez. She was supposed to meet her after and she had told me she was going to stay with her last night. Inez called me just a few minutes ago asking about her.” He rattles off the phone number. “Get her in to go over any fucking detail she can remember. I’m going to search her room.”
"Copy that." Steve hangs up without preamble and then immediately picks up his phone again. It's a whirl of activity as he drops his jacket, dials the number he wrote down – all the while wondering what it is about this woman that has his partner so knotted up as to actually sound scared on the phone.
Javi hangs up and immediately bolts down the hall to your bedroom. The panic he’s swallowing covers up any hesitation for imposing on your private space. He starts at the shelf closest to your door and starts searching methodically.
Things are fairly well organized in your room. The small closet is full of clothes with shoes lined up in a row on the floor and your suitcase stashed up on the top shelf. Two other, clearly empty bags are beside it and even though those bags are all empty, they're still the first things he goes through. The shoe box on the end of the shelf comes down with a clatter, revealing nothing more consequential than a collection of knick-knacks all tagged with the date and location of your purchase, and a name – small mementos of Colombia that are meant to be brought home with you later as gifts.
If he was trying to get a sense of you as a person, this would be a treasure trove of information. But none of this helps him find you. Not until he finds the matchbook for a small café. It’s one he swears that you’ve mentioned several times and there’s a good chance that you might have stopped by there or maybe even tried to set up your interview there as a neutral setting. It’s better than nothing and he shoves the matches in his pocket as he continues to search.
The small table at your bedside holds a leather notebook and a copy of Gabriel García Márquez's One Hundred Years of Solitude, stacked one on top of the other beside the photo of your family and a half-drunk glass of water. Even the bureau on the wall opposite your bed is tidy, with a tray of makeup and other beauty products laid out carefully beside your small jewelry box.
Surrounded by your belongings, those things most intimate to you, Javi starts to panic. The fear started to set in, as he reaches for the hairbrush that you have lying on the dresser. “Fuck.” He hisses, nearly picking it up and throwing it through the mirror, but he doesn’t. He can’t. He can’t do this right now. Not when you could be in danger and every minute that passes without knowing where you are, that possibility increases one hundred fold.
"Javier?" Elisa's voice comes from the hallway, nervous and quiet but still loud enough for him to hear. "What happened?"
Turning his head where he was staring at your make up, he sees Elisa hovering in the doorway. “I’ve got to go.” Javi decides, unable to stay here and wait. Not when you might be in trouble. “Stay here. Lock the fucking door.” He tells her and pushes away from the dresser to get the backup gun out for her. “Shoot anyone who doesn’t belong if they come through that door.”
"Be safe." She says after a moment's pause. Whatever is going on, it is clearly dire and he is upset, so she simply takes the gun and bolts the door behind him when he bolts out of it like a rocket.
He had his cell phone and he’s immediately calling Steve back, rushing to his vehicle. “I’ve got a possible lead.” He tells him. “Café near the nightclub.”
"Address?" Steve stands and grabs his jacket, ripped his note page off of the pad he had been scribbling on while talking to Inez. "The bartender didn't know a location but had the names of the men she was meeting with. Might be pseudonyms but it's a start."
“Goddamnit.” Javi slams the door of the jeep and slaps the steering wheel. “I don’t fucking like this!” He hisses. “She needs to be found right now!”
Steve smothers a groan, hightailing it through the halls of the embassy on his way out the door. "I know she's a missing civilian but I always thought this woman pissed you off to no end. You're acting like the sky is falling."
Javi doesn’t have an answer for him right now. Growling down the line. “Hurry the fuck up.” He snarls before he ends the call and peels away from the curb.
******
The cafe is just as decrepit as he feared it would be, and while the block is deserted that could either be a good thing or a very bad one. The only person in sight is the woman in all black wearing a half apron smoking a cigarette by the front door, but that's a start.
Javi walks up to the woman and pulls out a pack of cigarettes to take one out. She seems like she’s someone who’s seen plenty. “Busy day?” The fact that he’s as calm as he is remains a surprising miracle, but he’s hoping he might get some information out of her casually.
She snorts, exhaling smoke from her last drag and waving her hand dismissively. “Never.”
Javi hums, flicking open his lighter and bringing the flame to the end of the cigarette. “How about last night?” He asks after the first puff, slipping the zippo into his pocket and watching her carefully.
“Never.” She repeats, but mostly in a bored way. Most of the men who come through here on business aren’t nearly this handsome, and she’s bored to tears. She doesn’t mind having a chat. Just as long as he doesn’t ask too many questions.
Javi pulls the cigarette from his mouth and flicks the ashes away from her. “Friend of mine told me about this place.” He lies. “Said she was coming here last night.”
“Doesn’t ring a bell.” She lies, just as easily. Though her lips flatten and she takes a longer drag from the cigarette to finish it faster. The only woman who came through last night was the one Esteban and Manuel came for.
“I’m sure she said this was the place.” He looks around the front again and then back at her. “American, curvy.”
The woman’s shoulders tense and her stomach revolts, and she quickly stubs out her cigarette. “No Americans.” She insists, as though she were stating a policy and not panicking. This man knows something.
She springs up from her perch on the stoop and Javi lunges forward, grabbing her arms and spinning her around to face the wall and yanking her arms behind her back. “Where is she?” He shouts.
“Who?!” The waitress cries out, shoulder pushed firm against the stone building. She’s been warned to keep her mouth shut enough times that she is going to play dumb with this Americano. The sicarios who own her apartment building have made it clear that her daughter’s life is at stake if she doesn’t. “I don’t know what you mean!”
“Don’t fucking lie to me,” Javi hisses, pulling back slightly and pushing her up against the building harder. He pins her with his weight and reaches for the cuffs tucked into the back pocket of his jeans. “The journalist! She was here!”
The sound of car tires screeching to a halt only adds to the chaotic atmosphere, and Steve Murphy is jumping out of his car practically before it has come to a complete stop. “What the fuck is going on?” He demands, seeing Javi about ready to drag this woman off to prison. “You find something out?”
Steve’s talking in English, and this woman doesn’t seem to understand him. “She’s lying. She knows something!” Javi tells Steve as he slams her against the wall again. “Tell me!” He roars in Spanish at her and spins her around to see the fury in his eyes.
“What the fuck is wrong with you?” Steve hisses, pulling his partner back from the woman he has slammed against the wall. Javier’s managed to get the cuffs on her and she looks as confused and terrified as he does furious. “She told you she doesn’t know shit and you’re mad about it? Is that what’s going on here?”
“She’s fucking lying!” Javi growls as he pushes back, getting up in Steve’s face. Glaring at him before he turns back to the woman and switches back to Spanish. “I will kill you before the sicario’s can touch you.” He warns her. “She’s a DEA agent’s soulmate.”
“Jesus Fucking Christ.” The hammer of understanding lands swiftly on Steve’s brow, and he’s not proud of the extra two seconds it takes him to collect his jaw off the ground before he can step in to pry Peña’s hands off the woman. He knows the word for soulmate in Spanish. Connie had learned it and was starting to use it as a cute pet name. “I’m putting her in the fucking car and you’re going calm the fuck down!” He orders his partner, pointing one finger firmly in Javi’s direction as he shoves the suspect in the direction of his car.
Javi doesn’t want to let her go, but he doesn’t have much of a choice when Steve pushes him off again. Swiping his hand through his hair and blowing out a breath as he paces on the sidewalk.
In the time it takes Steve to wrestle the woman into the backseat of his car in her handcuffs and lock her in, Javi is prowling the sidewalk like a caged panther. “Your fucking soulmate?” Steve asks, the second he’s up on the pavement with his partner again. “That’s why you’ve lost your goddamn mind?”
“Don’t you even fucking lecture me.” Javi grabs Steve’s jacket and shakes him slightly. “You would tear Colombia apart if something happened to Connie.”
“Of course I would!” There is no doubt about that and Steve doesn’t even try to deny it for a moment. “But if you had told me who the fuck were we looking for we would have been out here straight a-fucking-way!”
Javi pauses, clarity breaking through his anger. He had never told Steve what you were - are - to him. That’s his fault. He lets go of him and frowns. “She needs to talk.” He tells him. “She was here, I know it.” He doesn’t know how he knows it, but it was the exactly type of place you would have set up an interview.
Steve searches his face, looking for signs of anything besides the obvious fear and concern, and when he comes up short he nods. “Okay.” He agrees, still standing between his partner and the car. “But after we interrogate her you’re telling me everything, got it? Otherwise I’m not gonna be any good to you on this search.”
“You won’t like it.” Javi promises, looking back at woman in the car. “I’m calling Carillo.”
“Let’s get the band back together.” Steve agrees. This just became about a hell of a lot more than a missing journalist.
______
Master Tags: @pixiedurango @chattychell @winter-fox-queen @lady-himbo @artsymaddie @princess76179 @paintballkid711 @missminkylove @pedrosbrat @ew-erin @sarahjkl82-blog @sharkbait77 @justanotherblonde23 @lv7867 @recklesswit @mylittlesenaar @f0rever15elf @gallowsjoker @steeevienicks @athalien @sherala007 @skvatnavle @thatpinkshirt @jaime1110 @girlimjusttryingtoreadfanfics @goodgriefitsawildworld @greeneyedblondie44 @littlemousedroid @harriedandharassed @churchill356 @ajathegreats-blog @haylzcyon   @beardsanddetectives @kirsteng42 @ladykatakuri @adancedivasmom @madiebear @tanzthompson @emilianamason @bigsdinger @xocalliexo @pedr0swh0r3 @avaleineandafryingpan @charlyrmv @avidreader73 @iceclaw101 @loveslide @elegantduckturtle @becsworld @julesonrecord @its-nebuleuse @itsrubberbisquit @mikeyswifie @guelyury @lizzie-cakes @for-a-longlongtime @vabeachazn @purplerain04 @weho2kcmo @madnessofadaydreamer
BFoW: @haileymorelikestupid @theorganasolo @missladym1981 @alexiamargot06 @southernbe @cloudroomblog
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nanowrimo · 11 months
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Beyond the Word Count: A Book Editor's Guide to Writing a First Draft
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Every year, we’re lucky to have great sponsors for our nonprofit events. First Draft Pro, a 2023 NaNoWriMo sponsor, is a beautifully designed writing app for fiction writers. Today, they've partnered with Kelly Norwood-Young, former book editor for Pan Macmillan and Penguin Random House, to bring you some pro tips on writing your first draft:
In my career as a book editor, I’ve reviewed hundreds of manuscripts. I've seen the joy of authors creating compelling tales, but also how disheartening it can be to rewrite a disjointed story. I’m here to give you some strategies to address common pitfalls so that you not only reach your NaNoWriMo goal, but also lay the groundwork for a manuscript that truly deserves to be called a gripping novel.
1. Have a plan.
Even if you’re more of a ‘pantser’ than a ‘planner’, it's really helpful to have an outline. I have two favourite approaches for this: the structure-first approach, and what I call the ‘Phoebe Waller-Bridge approach’.  
The structure-first approach
There are a lot of narrative frameworks for story structure, but the most foundational in Western fiction is the three-act structure. Here’s a handy guide that breaks each of the classical three acts into a day-by-day guide to NaNoWriMo: 
8-day guide to Act 1
14-day guide to Act 2
8-day guide to Act 3
The Phoebe Waller-Bridge approach
I love this quote from Phoebe Waller-Bridge: ‘I’ve never thought structure first. I’ve always thought material first, jokes first, character first ... But knowing the end really helps. Then you just go as far away from the end emotionally as you possibly can.’  
Sketch out your major story arcs, your character’s desires and conflicts, and the world they inhabit. The more you know your story's world and inhabitants, the less you'll stray into scenes that lack purpose or create plot and character inconsistencies. 
2. Keep the story moving.
Each word needs to propel your story forward. Superfluous details or tangents that don’t serve the narrative stall the momentum you’re trying to generate for your reader. 
There’s a trick you can use to move your story forward, called the question of reversibility. Ask yourself: How difficult would it be for my character to reverse their decision? The harder it would be for them to turn back, the more you’ve moved the plot forward. 
3. Plant clues carefully.
Plant important elements early and make sure every element, however subtle, serves a purpose (i.e. Chekhov’s Gun). 
Be sure to set up necessary components for your climax so that you can steer clear of Deus ex Machina (having that strong outline will help you here), and avoid red herrings unless they serve a clear, meaningful purpose (e.g. you’re writing a mystery and your readers expect some false leads). Misleading your readers without a payoff can erode their trust.
4. Write for the reader, not yourself.
‘There is only one thing you write for yourself, and that is a shopping list,’ insists Umberto Eco in On Literature. Even if writing, for you, is a therapeutic outlet, a form of self-expression, or a way to leave a legacy, you’re still writing to say something to someone else. Your story simply won’t be as strong if you forget your reader’s perspective. 
5. Keep daily editorial notes for your future self.
While editing should wait until at least December, end each day with a brief reflection, noting any off-course deviations, potential inconsistencies, areas to research further, or moments of inspiration to revisit when you start editing. 
These daily notes will be invaluable during the editing process, helping you to remember insights that are no longer fresh when you come back to the manuscript later.
6. Embrace the first-draft mentality.
There’s a lot you can do to ensure that your first draft is the best it can be before the end of November—but just as important is to understand that all first drafts have flaws.
As a book editor, I've witnessed manuscripts transform, sometimes unrecognizably, from their first drafts. Embrace the uncertainty and creative detours—because it's from this beautiful chaos that your story will find its true voice. 
Kelly Norwood-Young is a seasoned book editor and proofreader with comprehensive experience across various facets of manuscript editing. Her background includes roles at Pan Macmillan and Penguin Books, extending into a successful freelance career working with award-winning authors. Kelly's work, known for its precision and sensitivity to the author's voice, has been integral to the success of both new and established writers globally.
Try out First Draft Pro: All NaNoWriMo participants can use the discount code NANOWRIMO2023 for 20% off a premium subscription to First Draft Pro! Offer expires January 31, 2024.
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theworldatwar · 2 months
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A Soviet SU-152 self propelled gun is towed away for closer examination by German forces - Eastern Front, Aug 1943
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deutschland-im-krieg · 4 months
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Wespe self-propelled howitzers from the 2nd Battalion of the Großdeutschland Artillery Regiment, moving towards the front line along a country road during Operation Citadel (Battle of Kursk), July 1943
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Loooong boi
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ISU-152, Soviet SPG, Chelyabinsk Kirovsk Plant, 1943-1959.
It's pretty much what it says on the tin, a 152mm Self-Propelled Gun built on the KV-1 chassis. It served for 12 years with the Soviets, then was spread across the Soviet allies for decades afterwards.
99% confidence.
Edit: it looks like I shouldn't have been so confident! Thanks to @the-history-chap , I've learned that I was, in fact, totally wrong about what this is at all!
This is apparently an ISU-125, a tested based in the ISU chassis for the 2A46 125mm gun.
Additionally, the piece of information I had said in the original post about the ISU-152 being based off of the KV-1 chassis was also incorrect, and in fact the KV-1 chassis was only used as a basis for the SU series of tanks.
Once again, thanks to @the-history-chap , and I'm sorry for my lack of diligence.
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blueiscoool · 3 months
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Scrap Metal
A destroyed Russian self-propelled gun 2S5 Giatsint-S at the front. The loss was a result of the detonation of a shell inside the barrel.
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