#sgt university youtube

[wallisninety-six]

it just sort of baffles me (though i totally understand it) why people act like the collapse of the Smile album was a tragedy- a tragedy that Brian Wilson and the Beach Boys lost the war of transforming music forever: “think of what would happen” “they would beat sgt. peppers so hard” “this would have changed music forever”- even though such scenarios may have in reality (while possible) been far from the truth- Smile’s success and positive reception in the mid-60s was never guaranteed in the slightest

It’s weird because, Brian and the Beach Boys *did* pretty much achieve that- with Pet Sounds, with Good Vibrations- they all influenced COUNTLESS acts *even* to this very day, and in many parts of the world- shibuya-kei was heavily influenced by it and by him in Japan, and shoot, *even* Smiley Smile, that lo-fi album that everyone hated at first? Was really influential on lo-fi and alternative acts in the 80s and 90s

Smile’s legendary status may have been only helped by it’s non-release, and countless people hearing boolegs enough were *so* invested in it, and many started crafting their own versions of it- over 40 years later, that’s still happening, on youtube, on fan sites, Smile has in effect become a living-album- a rarity and gem of its own kind. Very few major acts can have claimed to do that. And when Smile was finally released in the 2000s and 2010s, it actually met the insane expectations of critics and it’s legendary status, it really *was* that good and got virtually universal critical acclaim- is this a tragedy?

The real miracle though, is that Brian, seeing and living through some of the roughest struggles of his life- was able to survive, and while he’s still dealing with the trauma of all those years of complete abuse by others- can see all of his works, works he put so much into- and see how after all of his intensive efforts... it truly was all worth it, if it spread this much joy. Brian may have never seen such a day if his struggles with making Smile ended up working him literally to death. Brian is a survivor in a sea of young rockers who either died way too young, or decided they couldn’t take it anymore.

What we do owe Brian- and all artists- all people in general dealing with years or even decades of abuse and mental illness... is humanity, and understanding. And while Brian just turned 80 and is now in the twilight of his life, doesn’t he deserve to feel *not* the artistic pressure that’s haunted him for this long..but instead compassion and love, love and mercy?

[robotsfromtomorrow]

Episode 809: The Greatest Bronze Age Batman Stories, Part 1

Having finished with the Man of Steel, today’s episode is the first of three looking at the best Caped Crusader stories of the Seventies to the mid-Eighties with the DC3Cast’s very own Vince Ostrowski! Come for the Neal Adams, stay to find out more about double-threat Frank Robbins, the mad genius of Bob Haney, Ra’s Al Ghul, Bruce Wayne and Sgt. Rock teaming up to fight Nazis, Batman’s Congressional career, and much more. All that, and just what the hell a hellgrammite is!

__________

SUPPLEMENTAL MATERIAL 

Comics referred to in this episode are:

The Brave and the Bold #79-86, 93, 94

Batman #217, 232, 234, 237, 242-244, 250, 251

Detective Comics #400, 402, 404, 407, 420, 421, 429

Swamp Thing #7

All comics are available as individual issues on DC Universe Infinite except for Batman #242 and 250.

Batman #242 is collected in the Batman: Tales of the Demon collection, and Batman #250 is collected in the first volume of The Greatest Batman Stories Ever Told collection series.

  Robots From Tomorrow is a comics podcast recorded deep beneath the Earth’s surface. You can subscribe to it via iTunes or through the RSS feed at RobotsFromTomorrow.com. You can also subscribe to our YouTube channel at this link. You can also follow Greg and the show on Bluesky. Stay safe and enjoy your funny books.

Check out this episode!

[someawesomeamvs]

Note: This is a reupload

Warning: None

Title: ANIMeNIACS | Yakko's Universe 

Editor: Rider4Z - Otaku Lounge Productions

Song: Yakko’s Universe

Audio Source: Animaniacs (cartoon)

Anime: Sgt. Frog, One Punch Man, Tengen Toppa Gurren Lagann, Space Dandy, Kimi no na wa (film)

Other Footage: Unknown source

Category: For fun

[akanshastyle]

Biosafety Measures for Prevention Against COVID- 19 Virus in Clinical bi...

[loominggaia]

Do you have any voices in mind for the Looming Gaia characters? I imagine Ginger sounding like Pearl from Steven Universe for some reason. Idk why...

Woah that’s a perfect voice for her now that you mention it! Personally I always thought she’d sound like Mrs. Brisby from Secret of Nimh, but Pearl is great too!

I have a few voices in mind. I’ll include Youtube links for examples. Itchy’s voice is described as “gruff” or “scratchy” in the series, so I think he’d probably have a Kurt Cobain thing going on.

I can’t imagine anyone else but Angela Gossow as Elska,

I think Mr. Ocean’s voice was described as soft-spoken but raspy/sickly at some point, so something akin to Chino Moreno maybe? Or just Salad Fingers. That works too.

I think Courtney Love and Gwen Stefani have fitting voices for Alaine. Both are kind of nasally, spunky, and tomboyish in a way.

Speaking of Steven Universe, I think Estelle (Garnet) has a good voice for Jeimos.

I’ve had a few voices in mind for Evan, but lately I’ve been stuck on Roger Clark, who played Arthur Morgan in RDR2. I don’t imagine Evan having Arthur’s thick American accent, but sounding more like Roger’s natural speaking voice. I think it’s the perfect blend of smooth and gruff for a big sweet lycanthrope dude. Someone once said they imagined Patrick Warburton voicing Evan, which I think is also a good fit.

Lukas probably sounds similar to Trevor Belmont from the Netflix Castlevania series.

Linde can sound like nothing less than a Disney Princess. How ‘bout Mulan? I think Tara Strong could be appropriate too.

Dave King from Flogging Molly is my first choice for Glenvar. And you might laugh at me for my second choice, but hear me out…Vinesauce Joel. The roughness mixed with the slight Swedish accent just works imo.

Zeffer…Peter Steele. Not his deep singing voice, but his normal speaking voice.

I can’t get David Bowie’s voice out of my head whenever I’m writing Dario. I think his performance as the Goblin King is perfect for him, it has that elegant yet threatening and vaguely douchey quality to it.

Tress Mcnielle doing her Agnes voice is spot-on for Morbus imo. A similar voice would work for Calamity too.

I forgot her name, but the actress who played Sally Acorn in that old Sonic cartoon had a really distinct voice that fits Flora super well.

I remember MetallicaFangirl suggested that the guy who plays Zuko in Avatar would be a good fit for Connor. I think so too!

Balthazaar sounds similar to Sgt. Hatred in my head. I don’t know why.

Those are just some stand-out voices I tend to imagine while I’m writing dialogue, but if anyone has more suggestions I’d love to hear them!

[bluinary]

gag anime that you need to watch maybe

 hi hello my name is juli and i will now gently guide ur attention to some top-notch shows, please pay attanetion

(this list is for people who don’t watch much anime or who are new to it. if ur a fucken weeb youve probably seen it all. dont @ me i want to help the kids)

ONE PUNCH MAN (the obvious 1st choice lol)

Genre: Action/ Shounen

Expectation: OP protagonist with riveting backstory fights to become the strongest hero, makes many friends along the way who recognize his talents and pure heart, big bad scary villains make him stronger

Reality: OP protagonist is already the strongest hero. His backstory? After fighting a lobster-man with nipples drawn on him with a Sharpie, Saitama decides to do a workout routine every day, and somehow ends up becoming the most powerful known being in the universe. His main issue is that now, he literally can take down any villain with a single punch, and he’s very bored of it.

Best Qualities: Animation is bomb, music is dope, humor is funnie, and Best Boy is a man whose superpower is riding a bicycle. Also Saitama egg head

If you were in a coma for all of 2015, this is the main thing u missed. Moving on.

Gekkan Shoujo Nozaki-kun (Monthly Girls’ Nozaki)

Genre: Romance/ Comedy/ Slice of Life

Expectation: Smol shoujo protag girl grows closer to her oblivious crush through a fated, if awkward, incident which reveals an embarrassing secret that has to be kept at all costs. Through one another they gain more quirky friends, help each other grow, and, eventually, the male lead realizes that what he needs has been beside him all along.

Reality: The crush writes romance manga, and that is literally all the man cares about. It’s not a secret, but when he told people they didn’t believe him. Nozaki and Sakura grow closer, but only because he confuses her confession with a request to be his Beta. They gain quirky friends through one another, but there is zero character development throughout the entire fucking cast. Every episode is run by Idiot Plot. All the characters share a singular brain cell. There’s a tall butch lady turning every girl in the school gay. Please watch

Best Quali-teas: Everyone is baby, lots of gay shenanigans, and toxic masculinity does not exist, the OP is pretty nice, too

I literally heard about this damn show, like, two months ago. This shit was released circa 2015. Pleeze watch

The Disastrous Life of Saiki K. / Saiki Kusuo no Psi Nan

Genre: Shounen/ Supernatural/ Fucking Everything tbh

Expectation: Slice-of-life supernatural where protag has psychic powers, albeit limited ones, and has to keep them a secret at all costs for fear of his safety. He has a few friends he loves and cherishes, and at least two girls who are in love with him that he has to choose between-- all of which are people he wants to protect from his double-life.

Reality: Kusuo is very aware that he is the protagonist of an anime, and he does not want to be. Born with pink hair? He rewrites the human genome to make colored hair normal. End of the world looming? He just keeps rewinding time so he doesn’t have to deal with it. Harem situation? He actively uses his powers to avoid all love interests at all times (see the above). The plot of each episode is him trying to stop the plot as quickly as possible without killing anyone. The main issue is that everyone around him is either dumb or just generally attractive to plot-driving circumstances, and they all, for some reason, want him to be in on their adventures.

Best Qualities: Heavy “me and the boys” energy, plenty of Idiot Plot, so funny that my 47yo mom who hates anime admitted that it’s funny, meta as fuck, occasionally sweet scenes, equally good dub and sub, Saiki is babie

The fandom for this shit is like. Nonexistent. Apparently it came out the same season as Mob Psycho 100, so that might be why. I almost didn’t watch it, but I got bored and it turned out to be a serious gem. Go watch if ur having a bad day, it will make u cry laughing

Sakamoto Desu Ga/ Haven’t You Heard? I’m Sakamoto

Genre: Slice of life/ Comedy

Expectation: God I don’t even know. I’d say a typical slice of life where the quiet kid is bullied but makes friends, there’s a love triangle as they grow up together through high school, yadda yadda, but look at this dude. I can’t imagine him being anything other than what he is-- a legend.

Reality: The entire show is just a question of how extra one man can be, and how well he can pull it off. Sakamoto is an “average” high school senior (in the sense that he has no supernatural abilities), but he’s....far more than that. He’s Sebastian Michaelis if he’d never been a demon. Everything always works out for him in the most ridiculous of ways-- he’s just that good. He makes a McDonald’s uniform look like Prada. He’s so smooth his bully ends up having a crush on him (and yes, it is a gay crush. no heteros in this show). 

Best Qualities: lots of homo content. the side characters, inspired by Sakamoto’s grace, all become better people, and you root for them. The circumstances are always average, but the presentation is fucking riveting. Watch to send ur depression into remission.

Another one no one talks about????? U all were so busy with ur broku no hero macadamias and ur Nartoes that you slept on this. Now’s the time to take back what was lost. Love yourself and binge this shit. 

Nichijou/ My Ordinary Life

Genre: Slice of Life/ Comedy

Expectation: Cute girls do cute, girly things and have fun with Their Close Good Friends (TM).

Reality: Cute girls get into very bizarre situations with extremely manic energies. Sometimes, the situations are normal, but the girls react in a bizarre, manic fashion. It will make you alarm-laugh.

Best Qualities: Adorable art style, little continuity, relatable as fuck

A nice little watch if you’re bored. I think the eps are on YouTube.

Pop Team Epic/ Poputepepiku

Genre: Only God Knows

Expectation: Probably a cutesy 4koma-type thing with 2 schoolgirls having shenanigans.

Reality: A regular acid trip with lesbian icons Popuko and Pipimi who are not schoolgirls, but gods. Like if Eric Andre and Hannibal Buress were turned into omnipotent anime icons. Watch at your own risk.

Best Qualities: Lots of unexpected parodies and references amongst a shitpost of a show. The OP is a bop. Popuko terrifies me, but also empowers me as a young woman because she will not hesitate to kill a bitch. She and Pipimi love each other a whole lot, so it is LGBTQ content, which is always a plus. 

I’m sure you’ve seen this one floating around. It will make you feel fear, and then laugh. Now, finally...

Ouran Highschool Host Club

Genre: Romance/ Comedy

Expectation: The protagonist is a girl who is mistaken for a boy and must be the servant of six rich, handsome young men, all of which are in love with her, and her secret must be kept at all costs. A reverse harem anime with plenty of fanservice.

Reality: Haruhi is a genderfluid queen who doesn’t give a fuck what others think she is. Because she broke a Conveniently-Placed Vase and is relatably poor, she has to pay off her debt by being a host herself-- which means male-presenting when flirting with her female classmates to make her dough. The six rich, handsome young men all share three brain cells, and most of those cells go to the character who has one line per episode (usually, it’s “Yeah”. I hope that VA got paid well). The only love interest-- the “leader” and most popular of the six men-- is so dead-set on their club being his Found Family, he confuses his romantic feelings for Haruhi with paternal ones. This is obvious to everyone but him. He never gets the brain cells. 

Best Qualities: Trans characters!! Lesbians!! Extreme “me and the boys” energy, except they’re all rich, so shenanigans skyrocket. Many 4th wall breaks. The most powerful Host looks like he’s 5. Any “fanservice” is never played straight. Takes the Found Family trope to a whole new level. Nice Parks & Rec-quality balance between hysterical and sweet. Everyone is in drag at some point.

I know all of us senior citizens grew up on this shit, but you younguns need to watch the classics to appreciate the newfangled stuff. I recommend watching when you’re in a cheesy rom-com mood. 

Honorable Mentions:

I can’t count these as gag anime, but they’re still ridiculously funny.

Mob Psycho 100

Scissor Seven

Kill la Kill

Cells at Work!

Jojo’s Bizarre Adventure 

Ones I haven’t seen but have heard a lot about

Osomatsu-san

Himouto! Umaru-chan

Azumanga Daioh

Gin Tama

Sgt. Frog

Okay that is all just limke put this in ur feel-good tag because these shows will make you happy and donut for get to like and describe to my channel, where I post literally nothing at all ever good night.

[sweetrosetta-martin]

Beatle tag (cause why not ✌💗) 

I’m new to this fandom online, so what best way to present myself but doing this (plz don't kill me guys I come in peace).

 But I do have to give an special to @sgt-revolver cause thanks to their post I decided to do it. 

How long have you been a fan ?: About two years if I’m not wrong, but god it has been two intense ones. Long story short, this band never was part of my life (grew up in a different culture) until the day I was reading some fanfiction in AO3 and stumbled across one about them. I then found out they were the guys behind “Let it be” and “Here comes the sun” so I decided do dig even deeper..... (Now I’m here simping and crying to their music at 2am) 🙃

 Favorite Beatle: Used to be Paul (man got a charm) but when I better discovered George as a hole human being, and not only a Beatle, I went 💥. Tho, sometimes I do get frustrated with him and stay on John’s side cause he was lowkey relatable and a big bi-disaster mood. (I suddenly feel bad for Rings.... srry bro ) 

Favorite era for music: At the beginning I didn't like the mop top era and practically only listened from Help! to then end, but now I appreciate each period as a part of the band’s musical history and can’t help to fangirl to most songs. (Tho I’ll always have a soft spot for 1966)

Favorite era for lewks: Each Beatles had its own I think. Ringo as a teddy boy (he looks like the bad boy of your dreams), George in 65` (longer hair but not to long and just overlay hotness) and Paul/John in 66`. (The perfect balance between early and late looks)

Favorite song: Guess it depends on my mood, but it’s surely a tight between “Strawberry fields forever”, “Happiness is a warm gun”, “Lovely Rita” “While my guitar gently weeps”, “Don't bother me” and “Across the universe”. (This is such an unfair question xd)

Favorite album: Honestly I just can’t decide.. Its prob either “The Beatles (aka white album)”, “With the Beatles” or “Revolver” 

Unpopular/Controversial Beatles opinion: “Revolution 9″ is not an unlistenable song and has an actual artistic value. I mean, I don’t think is a song meant to be listened during a car ride, but I do think it encapsulates pretty well the chaotic and changing vibe of the late 60s. This song makes you feel unwell because it’s meant to. Despite that, I do believe it should not have been included on the album, but rather as a John/Yoko project. (Ik Geo had a input though)

A song everyone loves but you dislike: Never was the biggest fan of “Come together” or “With a little help from my friends”. They are not necessarily bad, but rather average for me

A song everyone dislikes but you love: “Run for your life”... I know the lyrics are quite nasty but its so catchy and I love George’s guitar in it. I also really like “Dizzy Miss Lizzy”, but I don’t know if it really is that unpopular among people

Your fantasy involving The Beatles: The PG one or the ??.. 

JK, but I would have love to meet them during their cavern/casbah days. Like about 1961, just to chat with them about rock n roll and even jam some songs. (Even if I’m not sure that I would love to do that as a girl or a guy). And I sincerely wish I could just have some deep conversations with George and John while we share a joint . I just wish I could have known them better... 

Tell us about the moment you knew you were a fan: When returning home after a long school day I decided to look after some live material (At the time I only knew like 4 songs). I put YouTube on my tv, and found “She loves you” . I was not the same girl after watching that video. If I could explain how I suddenly felt so much joy and excitement looking at them that I even started singing and dancing. The rest is history 😉

Did you ever have a genuine ‘The Beatles suck !’ phase before becoming a fan?: Because their music was not around me 24/7 growing up, I never got fed up with their music. For me almost everything was new and interesting, so I never had a hater phase 

Favorite Beatle’s book: Have not read any for the moment, but I’m dying to buy Cynthia’s and May’s books. (Also the autobiography “I me mine” by George) 

Thoughts on the old generation of fans: Even if the few experiences I’ve had with them have not been good, I know most of them are chill people. I also love some podcasts made by first or second gen fans. The only thing that I dislike, is the average boomer who will claim they know more than you cause they were alive at the time, even if the only song they know its “Hey Jude” . (Or those who treat John as a saint, and blame the hole break-up on Paul... smh)

If Hollywood were to make a high budget Beatles biopic, what is one thing you desperately hope they include?: I wish they wont do it (We already got enough movies), but if they do something, it would be better if it was a series and not a film. If it had to happen, they better not forget how young the guys really were and how they were actual people. I know they were ground-breaking in so many ways, but they were also human beings with many defaults and even a bit naïve in some aspects. If you only give me a wife-beater (nasty) John, delicate flower Paul, silent George and dumb Ringo, the cartoon series has done a better job than you. 

Do you read/write fanfic: One word.... Yes... *Hides her unfinished drafts*

Are you the only one in your family/friend group to enjoy them?: Sadly yes. I have to force my dad to play some Beatle music while driving cause most of the music he plays is raegetton, and even if I’m proud of my Latino roots.. I’ll do salsa or merengue anytime but not some Bad Bunny ok. 

Are you a shipper?:  Yup

Favorite movie starring/made by them?: Help!.. I mean I also love AHDN, but it’s just so funny to see them run around being high af as they play music despite Ringo being in mortal danger. (Also the visuals we get each song just give me such a MTV vibe. Its genuinely beautiful)

Do you believe in McLennon?: *smirks at the camera*

General opinions on McLennon?: Oh boy. The Lennon/McCartney relationship is one that seems out of my grandma telenovelas. From Paris to the breakup, their story is one of up and downs, but they never really stopped loving each other. Not even death could stop their link as Paul still dreams of him and thinks about John when composing songs. I understand that not everyone may be convinced that something really happened, but I think we all should be open to the possibility. 

If you got to change ONE thing about their history, what would be and why?: Brian’s death. The beginning of the end was the moment he passed away. With Brian the band would still have broke up (All things must pass, even the good ones), but it would have been less messed up. No Paul trying to take the lead a bit too much, Apple Corps probably being better handled and no Allen Klein messing up everything. (And probably no Yoko in the studio but that may be a bit of a stretch) 

What song has the best vocals?: As a group, “Because” it’s probably the one. Such a simple, yet perfectly well put vocals. The peak of their talent for harmonizing in my opinion. In another side “Oh Darling!” is prob Paul best and John’s voice in “This Boy” always get me

What song do you feel had no effort put into it?: Prob an unpopular opinion but “Eight Days a Week” is such a basic song. It’s not innovative, it just uses the formula, and I feel like around this time the guys were kind of tired and just fabricated the song to be a single. It simply not feels genuine, and for me it shows the biggest problem from the “Beatles for Sale” era. 

What is a well talked moment in Beatles history you genuinely believe to be false?: The way Yoko met John. The most known story is that they met each other at a Yoko art gallery, but many sources (such a Cynthia or Brian personal assistant) tell us a complete different truth. I do believe she knew the band, stalked John and force herself into his life, despite of the romantic tale she keeps repeating. 

What is something you KNOW to be true, but often gets erased in their history: John. So many things about John. Many see him as only a funny character and ignore so many cues that he was a man struggling with his own self esteem to the point of having eating disorders. Not forgetting his fluid sexuality, the fact that many think that as house husband all his problems went away or that he was a wife beater. John was more than the “Imagine” martyr or  monster so many people (even some fans) make out of him.

Least favorite look from a Beatle(s): Ringo in the Help! movie. Horrible mushroom hair 😂

Favorite look from a Beatle(s):  George Harrison in the “Hey Bulldog”/”Lady Madonna” videoclip. (I also want that cherry SG Standard so bad omg)

I really don’t know how many others have done it but here are my tags 

@rocknroll-imagines @moreofthatdrowse @cultofbeatle @joan-deserved-the-silver-hammer

Thanks a lot guys !! ❤✌🥦🐘🎵😎

[redshirtgal]

“Space Seed” is one of the few episodes where Sulu is not manning the helm as usual. In his place is Lt. Singh who appears to be every bit as grim-faced as his colleague, Navigator Lt. Hadley. He appears to be every bit as competent as Sulu is as well. It is Lt. Spinelli Kirk orders to lock on the unidentified earth vessel with the tractor beam.

But Lt. Spinelli has a more social side too. Look at this guy, sidling up to Miss Uhura and finagling a way to sit beside her at the dinner in honor of their new “guest,” who just happens to be named Khan Noonien Singh. No relation, of course. And we know what else happens... Khan and his “supermen” take over, the Captain is thrown in a decompression chamber while Spock, McCoy, Scotty, Spinelli, etc. are forced to watch... but then McGivers frees Kirk, who in turn rescues Spock before he is thrown to the same fate, yadda yadda. But then, you get this great shot....

“Hey, they MADE me eat those beans, Spinelli!”

Tsk, tsk Doctor.  No wonder Kirk was going to give Spinelli (among others) a commendation before he passed out. He knew Bones had brought his famous Kentucky bourbon beans to the table. But all ends well, although after this incident Lt. Spinelli evidently asks for a transfer since we no longer see him after this episode. There’s only so much an officer should be made to endure.  However, we soon learn that Spinelli has a cousin from India who works down in the Auxiliary Control Room.

You can tell Lt. Singh is related to Lt. Spinelli - they both have that very intense look/scowl when either something is wrong or when concentration is needed. In “The Changeling” Lt. Singh doesn’t appear to be that thrilled when Captain Kirk leaves Nomad in his care.

That stare gets REALLY intense as Nomad starts to move around the Auxiliary Control Room. I mean, look at that crease going from one eyebrow over to the other via that deep crease across the nose. Now that’s some kind of scowl he’s got going on there.

Then Singh comes mighty close to getting a Nomad probe... just kidding. Actually, Nomad has just activated itself and Lt. Singh, as requested by his captain, asks it what it needs.  But later, when he realizes Nomad is headed in Uhura’s direction, he decides to call Captain Kirk.  At least his facial muscles seem to have relaxed. He’s not going to meet the same fate that some of his redshirt buddies will endure later in the episode.

But let’s back up... just who was this actor with the smoking hot stare and that razor sharp jawline? His birth name is Makee Kalaikinipeapal Blaisdell , but he was known by multiple variations of that name. Memory Alpha has him listed as Blaisdel Makee. Yet he also appeared under Makee K. Blaisdel, Blaizdel MaKee, Blaisdel McKee, and 6 other similar credits.  And as you may have guessed, he was a native Hawaiian. As the newspaper story above indicates, he graduated from Brigham Young University with a major in theater arts. Before that, he was a star athlete in high school as well as a swimmer and a surfer. But it seemed to take Makee Blaisdell a while to find steady work in acting. Glancing again at the newspaper article, we can see he was working as a salesperson while acting both in community theater and on television.

One of Blaisdell’s first television roles was that of Sgt. Alika in Hawaiian Eye. He appeared in several episodes before moving onto roles on other shows such as I Spy and Star Trek. But sadly, he seemed to be often cast as either a Native American or an Hispanic, such as in the role of Romeo Sangria in the Ironside episode titled “The Sacrifice” or as the soldier seen above at the checkpoint in the pilot episode of Mission Impossible. 

Hey, his buddy from “Space Seed,” Eddie Paskey shows up in this episode too. It’s one of the few acting roles Eddie ever had outside of Star Trek.

But does this guy ever smile?  Actually, you get the best Makee Blaisdell smiles ever in the following production.

Blaisdell did have one outstanding although not well known film role - that of Johnny Lingo in the short film (23 minutes)  of the same name. Financed by the Church of the Latter Day Saints (of which Makee and many Hawaiians are members), it tells the story of a successful trader who also happened to be a highly sought after bachelor and a quite handsome one at that (who oddly also has an intense stare). One day he shows up at the hut of a poor farmer named Moki to bargain over how many cows he will offer in exchange for Moki’s daughter Mahanna. The villagers are amazed because everyone knows....

And that’s Moki saying that about his own daughter. So the villagers begin to debate just how many cows (or how few) Johnny will wind up paying. Because everyone knows he is a shrewd bargainer. The top price for a bride appears to be around about...

And then her friend just has to mention that her husband paid five for her. Oops. But that does establish the top price. Anyway, Moki is concerned he may be lucky to get one cow. And then Johnny Lingo arrives. The villagers all gather outside the tent while Johnny and Moki go inside to bargain. Moki opens with three cows and Johnny counters with...

Whoa... it turns out Johnny Lingo has been in love with Mahana since they were children and is not about to let anyone think she is not worthy, despite what they see when they look at her. So how well does this work out? Pretty well, actually. Before the couple left on their honeymoon, Johnny had ordered a rather ornate hand mirror for a wedding gift which the local trading post owner had to special order. When word spreads that the Lingos have returned, the merchant decides to bring the mirror to their hut. Johnny is quite pleased with the mirror and calls for his wife to come greet their guest. The merchant turns around and .... surprise!

Mahna has been transformed into quite a beauty. Or maybe she was actually a beauty and no one else saw it. This is the end result of Johnny Lingo being willing to build up her self-esteem by treating her as if she were beautiful all along despite what everyone else sees. As terribly dated and possibly culturally insensitive as this movie would be seen today, it does teach a good lesson in a charming way. And Makee Blaisdell turns in a very nice performance as the lead character. If you care to watch it, here is the YouTube link. https://youtu.be/pfahoLfrddU The movie has been remade into a feature length film with a slightly less offensive story but film critics still seem to think the original gets to the point a lot more clearly. And if you bother to look up the new version, its lead is nowhere close to being as handsome as Blaisdell. Plus FINALLY - we get to see that beautiful smile is its fully glory. Unfortunately, this was his crowning achievement in the movies. He managed to land the lead in one last movie based on the Charlie Manson cult murders.

(Poster courtesy of Duffy Films Limited) Many movies tried to cash in on the La Bianca/Tate murders committed by Charles Manson and his followers. The Cult is a soft porn version of the events with Makee Blaisdell (credited as Blaisdell Makee) as Invar who was plainly meant to represent Charles Manson. One third of the movie is devoted to Ivor picking up girls to be part of his family. The few bits of originality in the plot are 1) besides knives, the girls employ whips and medieval torture devices in the murders and 2) while the murders are going on, Ivor is lying inside a coffin in a hearse outside in the driveway and 3) Charlie...er, Invar.. is the way he is because of an earlier incestuous relationship with his mother . Yeah, it’s that bad.

The film is known by a host of other names, including the misleading title The Manson Massacres. Other names included The Love Cult and The Together Girls. It’s known in Germany as Töchter des Satans (Daughters of Satan). Oddly, the only way you can find this gem today is as a German dubbed version with no English subtitles. Yeah, it’s that bad. If you want to see how bad, be my guest.  https://youtu.be/aFXiSEI5B6o By the way, take a good look at the above publicity photo. That’s Makee Blaisdell as Ivor on the left, but do you recognize the only other male in this photo? That’s Sean Kenney who played both the disfigured Captain Pike in the two part episode “The Menagerie” and navigator/helmsman Lt. DePaul.

Unfortunately, this seems to have been the end of the road for Makee’s career in the film industry. It’s likely he continued acting in local community theater but there does not seem to be much on him after his last film in 1971. According to several sources he died in Ventura, California at the young age of 57 in 1988. No information can be found on a cause of death.

Two final interesting pieces of Star Trek trivia.  First, a piece of background to Makee’s role as Spinelli in “The Changeling.” This episode was taped before the appearance of Chekov. Makee had heard George Takei would be gone for many weeks during the taping of his part in The Green Beret. This led him to believe perhaps he might be hired as Takei’s replacement during that period of time since he had already filled the navigator’s chair before in “Space Seed.”Sadly, he found out that was not meant to be. Walter Koenig was waiting in the wings to appear as Chekov in the next episode to be filmed, “The Apple.” But that didn’t mean Blaisdel had not made a good impression on the production team. Several sources say that Makee was one of the people along with  Lawrence Montaigne who was considered as a replacement for Leonard Nimoy in case Nimoy made good on his threat to leave after the second season. And take a look at those faces above. Could even Mr. Spock sustain a stare that intense?

[d00dt00nz]

Obligatory promo stuff at the top because it sucks and I hate it and let’s get it out of the way! follow me on twitter where I’m active, check me out on spotify for music, or like my facebook for sparse updates on music stuff. Thank you. The Cover art is by Ellie Tison

Okay!! Last song!!

Well, I say last song, but it's more like “last song”. There is one more song that I used as an epilogue, but I'm not going to get into that, and honestly if you've listened to 13 tracks without being sold (why would you do that?) one more track isn't going to sell you on it.

And would you look at that, the last song is a reprise of the first song. Wow, it's like Sgt Pepper... that's so cool. Now it makes sense why I didn't bother talking about that first song right? Not planned btw.

This song was one of the first songs I wrote for this album. I said this for a few. Truthfully I did four or so around the same time and they were all great. I had a few more tracks in the oven as well. Everything was going great. I was like “wow this album's gonna be done in no time!” Anyway that was like three or four years ago. I guess that's how these things tend to go.

This is back when I was trying to make a bit more of a straight ahead rock/indie rock sounding album. I'm pretty sure I wrote this song on guitar, lyrics and all, which is honestly (and sadly) pretty rare for me these days. I had this idea for repeated backing vocals and a call/response sort of song structure. I'm pretty sure this more energetic version of the song came first. I originally wanted a sort of Lou Reed feel to it, but once I wrote that groovy dancy bass riff it immediately lost that feel. Once I started recording electric guitars I accidentally did a grungy “brrroww” at the end of the phrase and really liked it. I replicated it throughout the track and in turn lost even more of that Lou Reed feel.

In my original recording process I had a damaged patchcord. I didn't realize it at first because I was trying out some new equipment. I just thought it was really quiet. That being the case, I had to turn it up way loud to get a good volume and that's actually where some of the guitar tone you can hear (mainly in the one playing a melody-line during the chorus) comes from. I actually really liked it, I thought it sounded like Pavement. Actually, my Tiff did too and that's probably the nicest thing she's ever said about any of my music.

At some point I added more guitar tracks to the track to make it sound fuller, and also replace some of the ones recorded with a broken patchcord. I honestly kinda liked the original tracks, which still had a little bit of that 70s glam grittiness to them, but I'm far too neurotic about this stuff to really sit with that. In the end it sounded less 70s and more mid 90s. It had a sound that I've actually been trying to get for a while, though not on this track – the sort of fuzzy swirling guitars with a groovy beat and bassline to it. Tiff described it as being “Like those music videos where everything is blue and everyone's got really baggy pants”, which, again, big compliment. I don't know if that one was actually a compliment, but I'll take what I can get.

The song had its genesis at that same party I mentioned last time. There's nothing specific really. We had my album on and it's got a pretty fun cool first half. The people there were enjoying it, but then it gets to the second half and it's a little bit more mopey. It's also completely sexless and uncool throughout. That being the case, one of the guys there was like

“Sorry Con-dog, the vibes are just not working with this right now,”

and I was like,

“Oh don't worry about it, I understand dude,”

And then he was like, “Right on man. I’m getting fucked vibes from those guys over there. Here, hit this for me.”

And then I did some coke off a Pulp Fiction VHS tape.

I thought to myself, “man it'd be nice to have music that you could put on at a party”. Which basically was the whole idea behind this album, conscious or not. I don't really know if it succeeded, but there's definitely a certain kind of party where this would play, and honestly I don't think I'd mind being at it.

The album was originally going to be more centered around the idea of the character described in this track. I mean, obviously he's me, but I'm trying to detach myself and make things a little more universal. I wanted to explore all the different traits and behaviors that this one person has. Some of them being mine, and some of them being not. Honestly, it didn't really pull through to the end. There's a little bit of that in here, but it's mostly just songs. I'm okay with that. They have some thematic cohesion. It's got this song bookending the album. Wow, it's like Sgt. Pepper.....

The ending is a little bit embarrassing for me because I do a bit of a scream voice, which, honestly I don't think there's anything actively wrong with it, I just cringe when I hear myself doing it because it's like “ah oh god I'm doing that”. I don't know. There's also the fact that, well, one of the things I yell is the word “Wasteman”, which is a little bit of an outdated slang right now, but when I actually recorded the song it wasn't. Whatever, this is an insanely white album from a white kid. I figure a lot of people who enjoy this type of music haven't actually heard that word. I wouldn't have, but I hang out with Tiff's cool friends sometimes. Honestly I think it's a cool term. I think the most embarrassing part though is I copy-pasted it so it repeats twice because I felt like I wanted more intensity. I don't think it's super noticeable, but the idea makes it a little disingenuous. During the outro I wanted to add a little more of that “90s blue and baggy” feel, so I plugged in a keyboard and freaked out on the organ setting. I think it really adds a lot.

The slower version of the song was written afterwards and I actually cheat because it uses some of the same midi tracks. I was super torn between the more exciting sound that I had and my original “vision” for the song, which was a bit more downtempo Lou-Reed inspired. I figured, why not do both?

There's not a whole lot to cover here that I haven't already covered. Mostly the backing vocals, but only because I think I did a worse job with them than the other version. There's nothing outwardly wrong with them per-se, but I think the blend is not good and that's gonna immediately stick out to some people. The middle section just kinda came about because the other version doesn't really have a proper chorus. It just has some guitar noodling. I played around with the chord progression of the middle chorus in the fast version and made something that was a bit more structured, then adapted a melody around it. Harmonies grew out of the melody. I felt like something was missing, so I took that same call and response idea from earlier and applied it here too. I really liked the interplay between the two vocal lines. The “Purify me” line was originally supposed to come up again and again throughout the album. One of the tracks that ALMOST made it would have been the song it was from, and then there would be callbacks to the melody throughout the album. It was kind of like a motif. That was unfortunately completely scrapped and this is the last trace of it. Maybe I'll work the idea into something I do in the future.

I like this song. I realized way too late that it massively rips off The Velvet Underground's Sweet Jane. I guess that “Lou Reed inspired” idea was a little bit too literal. Fortunately I would say the middle section saves it from being too much of a copy. I think it's a good way to start and finish the album. I also like the thematic notions of this album starting with the same track it ends on. Like these things work in cycles and you're never truly free of your own quicksand. Like an Ouroboros eating its own tail, like Sgt Pepper's Lonely Hearts Club Band. When one cycle ends, a new begins. The same, but slightly different – until it is completely undermined by the epilogue track that says “no this is actually the end”.

Hey congrats on making it through all of these entries! You may have only read this one, or even skipped to the end. If you did that, disregard that previous sentence and go back to read them. This album was the culmination of a lot of work and thought. 13 of these writeups was nothing compared to probably hundreds of hours spent working on this album, and probably thousands of hours thinking about it. I'm aware few people are reading these writeups, but it's honestly mostly my own indulgence. I gotta decompress this stuff and be free of this album. I can finally get rid of all this useless crap in my brain. I'll probably enjoy being able to go back and read this stuff once I've forgotten most of this, and once I've become a more mature person. I'll probably go “wow this shit is cringe. I can't believe he posted like 22 pages of cringe” but that's okay. The album's okay. I made for certain it was not, in fact, cringe before releasing it. And honestly I enjoyed writing these.

A part of me wants to get back to the freakish pace I had in like 2011 where this blog was nonstop content. I don't think it'd work so well in 2020 Tumblr because who even uses this site anymore? I think it's a little sad because it's pretty much the death of long form posting. Twitter is great because people pay attention to you, but sometimes I just want to write like two thousand words and have some psycho actually read them and respond to it. I think we've lost that on the internet. Sometimes I think of making youtube videos, but I'm no good in front of a camera. Sometimes I wonder, couldn't I just read something like this TO the camera? The answer is no, I can't. That'd be boring. I'm completely convinced nobody would watch that. I sometimes think that if I could add some editing and some visual component though, it'd work out. Some sort of... video essay. Some kind of... man with facial hair and left leaning politics who enjoys media and talks about both... Wow I wonder if that niche has been filled at all?

[harrisonstories]

RTE Radio 2 Ireland - BP Fallon interview with George Harrison (18 Oct. 1987)

Photo by: Brian Roylance, Genesis Publications

This is an interview I’ve edited and uploaded to youtube because it’s quite long, and it was in two parts, so I’ve combined them together. You’ll notice at about 14:52 there’s a slight jump in the conversation which is where the second part begins. 

I really love this interview. It’s one of - if not my favourite interview he ever did. I strongly suggest you give it a listen. Similarly to the Swedish Fan Club Tape, George is extremely calm and open, and Irish DJ BP Fallon asks refreshing questions. BP Fallon has himself had an interesting life, and at one point worked at Apple for Derek Taylor (You can also see him miming the bass in the Instant Karma Top of the Pops video). I’m guessing this related to why George felt relaxed. I hope you enjoy it.

Below I’ve included the written version of this interview by BP Fallon for The Sunday Tribune. It has some information not available in the audio (not sure if it simply wasn’t recorded, or if there’s another version which includes the full conversation):

"Sometimes it feels like another world, another life, some previous incarnation," George Harrison says. "I view it a bit through a haze but, y'know, people don't ever stop talking about it so it's hard to got too much distance between myself and The Beatles." 

George Harrison doesn't mind that, not anymore. "I used to," he admits. "I used to not like it at all. I wanted to be free of it. Now I've learned to live with it. And also, don't forget, there was a period when The Beatles split up and there were all kind of court cases and bad vibes and stuff and that left a bad taste in the mouth for a while but after the years it's all cleared up, everybody's friends again." 

He's sitting in a little office in the house owned by his company Handmade Films, just off Cadogan Square in Knightsbridge in London, a few streets behind Harrods. Fourty-four-years old this man is, he has a bit of a beard and his shortish hair is swept back and there are new lines on his face. He drinks coffee and smokes ciggies and when you sit talking to the geezer you can't help but feel warmth for him. 

As one of John, Paul, George And Ringo, The Fab Four, as a member of the most popular, the most inventive, the most influential rock group of all time, he has gone through one of the strangest trips ever. They were Gods once, The Beatles. And sitting here now, George Harrison comes across as a normal bloke.

He was born in Liverpool, the fourth child of Harold and Louse Harrison. George's father was a bus driver - before that, he had been a ship's steward on the White Star Line for ten years and from one of his travels in America had returned with an old wind-up gramophone and records by bluesman and yodeller Jimmie Rodgers and country singer Hank Williams. Young George was smitten. He listened to skiffle, people like Lonnie Donegan and songs about the Rock Island Line. And then he heard Elvis Presley singing Hearbreak Hotel. "It came out of somebody's radio," George Harrison says, gazing out the window at the autumn light fading behind the trees, "and it lodged itself in the back of my head. It's been there ever since." 

At the age of 13, for £3, he bought his first guitar. Two years later, Paul McCartney introduced George to his friend John Lennon (George - "this snotty-nosed kid" as Lennon recalled). George joined John and Paul in their skiffle group The Quarreymen. In 1962, when George was 19, John, Paul, George and their new drummer Ringo Starr made their first record together. It was a fresh-sounding bluesey pop record called Love Me Do and they now called themselves The Beatles.

They changed the world, these four Scouse moptops making new noises and singing about wanting to hold your hand and about walruses and about revolution and all you need is love. 

And for eight years The Beatles were bigger than Jesus.

For a while, The Beatles - at very least by example - endorsed smoking dope and taking LSD. John, Paul and George were each busted at least once for breaking the cannabis laws. "A lot of the stuff that happened..." - and then George brings himself up to the present tense - that happens, it's just like when Prohibition was on. If they make a big deal about stuff it becomes bigger than it actually is. In moderation... you have to have moderation in everything. The worst drug of all is alcohol... it actually kills more people then heroin." He says he was fortunate as a kid to see a film about the trumpet player Chet Baker, about Baker's heroin addiction, "and that and maybe something else made me aware that this thing was just too much. 

"Of course, the other things, the psychedelic drugs, are much different because they don't put your body in a stupour, they sort of..." and now he's laughing... "they sort of catapult you out into the universe. It's a totally different perspective." Then his voice is serious again. "These things obviously can be very dangerous too. I'd hate to have some right now because I don't think I could handle it. It just gives you too many things to think about all at once."

Love and peace went out the bathroom window when The Beatles split in 1970, with Paul McCartney publicly announcing he had left. George says he realised The Beatles weren't shaking a couple of years before that. "Everyone was just getting all uptight with each other. The new wives were coming in and, y'know, living under the piano and there was no privacy anymore for us as far as the group was concerned in what was normally the only privacy we ever had, the four of us when we got into a studio. And we'd just grown away from each other. One time or another every one of us left that group before we finally stopped." 

George left during the making of what would be Let It Be. Ringo left another time "and went on holiday, and John was always wanting to leave and Paul too. You know, it was too much pressure and we'd been through those years. It was just too much.”

He emphasises that the remaining three Beatles are good pals, now. "Paul and I went through a shaky period but we're okay, now. All the old aggravations have passed a long time ago. There's no reason not to be friends."

By 1971 George Harrison was the most successful solo Beatle, with his triple album All Things Must Pass and the enormous hit My Sweet Lord. Four years later his single Ding Dong Ding Dong - a record even worse than McCartney's Mary Had A Little Lamb - was the first release by a solo Beatle to fail to enter the charts. Several years later a court ordered him to pay £260,000 damages for plagiarising the Chiffons' song he's So Fine with My Sweet Lord. That Harrison had modeled My Sweet Lord on another song, the gospel Oh Happy Day by the Edwin Hawkins Singers, was bad enough. That he had to pay the money to his former manager Allen Klein - "a looney who didn't take care of business" George describes him now- because Klein had scooped up the publishing of He's So Fine... that rubbed salt into the wound. 

His career and also his marriage to his first wife Patti Boyd were in pieces. Patti had gone to live with George's close pal Eric Clapton, who had written Layla about his best friend's wife. George started drinking heavily, contracting a serious liver complaint that his friends feared might be the end of him. 

George's chum Eric Idle had found it impossible to raise the necessary finance to make the Monty Python film Life Of Brian, so George chipped in with half the required money, £2,250,000. It turned out to be one of the best investments George had ever made, reaping a profit of more than £30,000,000. Since then, Harrison and his film company Handmade Films have scored with another Monty Python film The Meaning Of Life - banned in Ireland - and delivered films like Time Bandits and Mona Lisa as well as Shanghai Express, a disaster for its stars Sean Penn and Madonna and its producer Harrison. But what the heck. George isn't short of a few shekels.

In 1978, George married Olivia Trinidad Arias, a 27-year-old who had been born in Mexico and had been working as a secretary in A&M Records in Los Angeles. George's health had been desperate. He was fading away. Olivia contacted the Chinese acupuncturist Dr. Zion Yu and within weeks of treatment George had regained his energy and his spirit. 

They have a nine-year-old son named Dhani - the Indian for wealthy - and the other day he asked his father to make him up a cassette of Chuck Berry songs. After George appeared at the Prince's Trust concert in London five months ago with Ringo, Eric Clapton and Elton John, Dhani came backstage. George had sung his own Beatle compositions While My Guitar Gently Weeps and Here Comes The Sun. "I asked him 'What did you think?' and he said 'Uh, you were alright Dad, but why didn't you do Chuck Berry songs like Roll Over Beethoven and Johnny Be Good and Rock'n'Roll Music?'" 

He has a new LP out any day now, his first in five years. It's called Cloud Nine. "Have you heard the album?" he asks solicitously. "No? I'll see if someone's got a copy." George Harrison wanders off, and returns with a young woman who says "It's a bootleg I taped from the CD." George flips the cassette into the music system and spins it through, looking for a specific track. "I think you might like this one," he says in his dry Liverpudlian drawl, settling himself into another chair as he watches for reactions. 

Ringo's drums with cellos straight from Lennon's I Am The Walrus lead into George singing with fondness for former Beatle times. It's a track that could fit on a Beatle record and it's called When We Was Fab. "Fab... but it's all over now baby blue" George sings, and at the end there's sitar sounds like George cosmicing out on Sgt. Pepper. It's... well, fab.

When John Lennon was murdered in 1980, George Harrison didn't suddenly lock himself away from the world in his Gothic mansion. Near the riverside town of Henley-On-Thames, this bizarre 70-roomed palace called Friar Park was remodeled a century ago by the eccentric Sir Frankie Crisp and is set in 33 acres of parkland with three lakes with secret stepping stones so one can appear to walk on water, underground caves linked by a river and a reproduction of the Alps that includes a perfect 100 foot high replica of the Matterhorn. George was already in hiding.

"I was already trying to hold onto some sort of privacy. I think everyone needs to have a bit of space, y'know. I mean, if you were just being mobbed and on the TV and that all your life you just turn into a loony, and long before John got shot I was already just digging in the garden, planting trees and just trying not to go on television, just having a bit of peace. 

"But what it did, it affected me probably like anyone who loved John and who grew up with him and his music. And it was a very sad thing and, um, it didn't make me feel..." Harrison's voice trails off, and for a moment his eyes look away and he's lost in private thoughts. He looks back. " It made me wonder about ever gettin' into situations where there's fans, although at the time you can't blame fans for that. There's one loony in every crowd, I suppose. But I go on living normally. I don't panic unnecessarily."

There was talk that for Live Aid Paul, George, Ringo and Julian Lennon might let it Beatle together, but George dismisses any idea of reunions. "I don't think we'll play together. The Beatles certainly can't play again and I think it's best left as it is, y'know." 

Long before Live Aid, George Harrison's Concerts For Bangladesh raised £45,000,000 for the starving. He didn't appear at Live Aid but says if he'd known more about it "maybe I would have done it but they did alright without me." George talks at length about the planet, his concerns about destruction. Last year he participated in an anti-nuclear rally in Trafalgar Square, and he's a member of the ecological organisation Greenpeace. "I love those people because they go out and actually do it. I mean, if it wasn't me that's the kind of thing I'd like to be, out there on a ship getting harpooned by Russians and Japanese."

At the turn of the Seventies, George became a benefactor to the Hare Krishna movement. He not only made records with them and talked about them publicly but also forked out a quarter of a million pounds to buy them a 15-room Elizabethan mansion with 17 acres of land. 

Since then, George's friend His Divine Grace Guru Bhaktivechanta Swami, the leader and founder of the International Society For Krishna Consciousness, who was 77 when they met, has died. George feels that some of the remaining Krishnas have at times abused his patronage, and he cites letters from people who wrote saying that they were hassled at airports by devotees using Harrison's name. 

Nevertheless, he still subscribes to "the Swami's ancient Vedic way of having God consciousness. The technique of chanting, just like the monks and Christians, they do it too really but it's just using beads and chanting these ancient mantras... they do have great affect. I wouldn't knock them at all. I am always a bit dubious about organisations and since the swami died it does seem to be chaotic, with all kinds of guys thinking they're the gurus. To me, it's not important to be a guru, it's more important just to be, to learn humility." And George still chants. "I've still got my bag of beads and they're really groovy now, all polished up."

Is he a happy chap? "Yeah, I'm okay. Sometimes I get depressed. It's a constant battle, isn't it? You have to consciously make an effort to be happy and considering everything, I've come along quite nicely. There's always room for improvement but, um, I have a laugh and I feel quite good about things." He believes in reincarnation. "The only reason we're actually in these bodies is to learn and develop love of God and liberate our souls from this round and round, the Memphis Blues." He reckons he'll come back again. "Well," he says laughing, "by the look of things I'll probably have to... but I'd like to give it a pass one of these incarnations!"

And, George Harrison, what would you like to be remembered for? 

He pauses. "I don't know... I don't know." And then he smiles and looks you directly in the eyes and you see the face of a man still searching, still looking to extend his gentle vision for all time. He'd like to be remembered, he finally says, "just as somebody who's not bad, not that bad”... 

"That'll do, yeah."

Fair play to you, George.

[lapdropworldwide]

9 Dead After Bus Carrying University Golf Team Crashes in Texas

9 Dead After Bus Carrying University Golf Team Crashes in Texas

YouTube/KHOU 11/University of the Southwest Nine people, including six University of the Southwest golf players and their golf coach, have been killed after a fiery head-on collision between their mini-bus and a pickup truck in West Texas on Tuesday night. According to the Texas Department of Public Safety’s Sgt. Steven Blanco, “for unknown reasons” the pickup veered into the opposite lane,…

[csdsqa]

Lucy In The Sky With Diamonds (Remastered 2009)

Lucy In The Sky With Diamonds (Remastered 2009)

Lucy In The Sky With Diamonds (Remastered 2009)

Provided to YouTube by Universal Music Group Lucy In The Sky With Diamonds (Remastered 2009) · The Beatles Sgt. Pepper's Lonely Hearts Club Band ℗ 2009 Calderstone Productions Limited (a division of Universal Music Group) Released on: 1967-06-01 Producer: George Martin Composer Lyricist: John Lennon Composer Lyricist: Paul McCartney Auto-generated by YouTube.

DS team - UTC - 187801

[huayangstuff]

Lucy In The Sky With Diamonds (Remastered 2009)

Lucy In The Sky With Diamonds (Remastered 2009)

Lucy In The Sky With Diamonds (Remastered 2009)

Provided to YouTube by Universal Music Group Lucy In The Sky With Diamonds (Remastered 2009) · The Beatles Sgt. Pepper's Lonely Hearts Club Band ℗ 2009 Calderstone Productions Limited (a division of Universal Music Group) Released on: 1967-06-01 Producer: George Martin Composer Lyricist: John Lennon Composer Lyricist: Paul McCartney Auto-generated by YouTube.

DS team - UTC - 187801

[akanshastyle]

टिड्डियों  के आतंक को लेकर  SGT University का एक्शन प्लान |  कुछ इस तरह करें  बचाव ...   In the midst of the Coronavirus pandemic, which has created havoc in our country, a swarm of locust,(known as Tiddi Dal in Hindi) has marched into the northern parts of India and is rapidly moving towards southern as well as other parts of the country.  Faculty of Agricultural Sciences - SGT University in its initiative to tackle this problem discusses the features related to the locust's army and how to tackle this menace. In this video, various methods of fighting these locust armies are discussed. I hope this video provides necessary information and is useful to the people, specifically the farmers in combating this problem! which was already in practice with SGT University awareness programmes in nearby villages of Gurugram. (via YouTube)

[cool-awesomeme]

Lucy In The Sky With Diamonds (Remastered 2009)

Lucy In The Sky With Diamonds (Remastered 2009)

Lucy In The Sky With Diamonds (Remastered 2009)

Provided to YouTube by Universal Music Group Lucy In The Sky With Diamonds (Remastered 2009) · The Beatles Sgt. Pepper's Lonely Hearts Club Band ℗ 2009 Calderstone Productions Limited (a division of Universal Music Group) Released on: 1967-06-01 Producer: George Martin Composer Lyricist: John Lennon Composer Lyricist: Paul McCartney Auto-generated by YouTube.

DS team - UTC - 187801

[ahainesmajortwo2021]

(YouTube Link - click to watch)

Thinking about potential ways in which I could create and play with visuals through this project I thought back to the Beatles film Yellow Submarine from 1968. I haven't watched the film since I was a child but I’ve watched it again now and I think the limited animation technique and the combination of still and motion is really interesting, and also the crossover of different visual styles. I think something like this could work for my own project and adding animation/movement to only certain parts of a still image.

In the films ending (video linked above) they use a combination of live action, still images and text to illustrate a shortened version of their song All Together Now. It’s quite simple but feels quite similar to my current experiment 1, so its interesting to see how they created something similar back in 1969.

still from Yellow Submarine

In the Lucy In The Sky With Diamonds section the character of Lucy is animated in a really interesting way. She is clearly line drawn and filled in with bright colours that keep changing which help to create the sense of animation. I think this could be an interesting technique to visit through my experiments.

still from Yellow Submarine

During All You Need Is Love there is a strong utilisation of text. Obviously its used in a much more animated way and it exists within the universe of the film for the characters to physically interact with it, which isn't how I plan to use text. But its interesting to see how they define specific words and how they fill the space as the song is being heard.

The Beatles generally feel relevant to this project as an interest in their music is something I share with my dad (having been forced to listen to them since I can remember), generally their music and films are very nostalgic for me and have become synonymous with my dad. I was listening to Revolver and my boyfriend commented on the album artwork which he said he really liked. The artwork is so familiar to me at this point that its not something I think i’ve ever really looked at properly. I decided to do some research into it and actually looked at it properly for the first time.

cover art for Revolver

It’s a mixture of line drawing and collage which is really visually interesting. The black and white was a deliberate choice of defiance against the preference for vivid colour but I actually think it contrasts really nicely with the bright colours associated with The Beatles generally especially with Sgt Pepper. Overall the aim was to demonstrate the newly experimental direction of the Beatles music with Revolver especially Tomorrow Never Knows. I think merging of materials and visual methods is something i want to experiment with through my experiments in this project.