#she is so interesting I love her character!

[chloesimaginationthings]

The death of Vanessa and the birth of Vanny in FNAF

(Inspired by this art by Yuto Sano)

[sourcherryandsprinkles]

Aegon has been in love with reader for years but she got betrothed to Aemond. She finds Aegon drunk at her door and she takes him in. He tells her he loves her and make smut happen please

I've been on a roll with these request this week! Only three days until the start of Season 2 *screaming*

Question: Should I add Cregan Stark to my character list? If yes, please send requests for him <3

Warnings: 18+, smut, drunk!Aegon, unprotected p + v, cheating (on Aemond)

my taglists are here + you can send requests here at any time

—

When the news dropped, Aegon was devastated. He had always known his feelings for you ran deep, but hearing that you were to be betrothed to his own brother made him regret not asking for your hand sooner. The thought of losing you to Aemond gnawed at his heart.

In a fit of fury, Aegon stormed into Aemond's chambers, his eyes blazing with anger. ‘’You knew of my feelings for her, how can you do this to me?’’ he spat, his voice trembling with a mix of rage and desperation. 

Aemond looked up from his book, his expression calm and composed. ‘’Father wanted to unite our families. I’m only doing my duty,’’ he replied, his tone measured and devoid of emotion.

Aegon’s frustration boiled over. He slammed his fist on the table, making the goblets and plates clatter. ‘’Fuck duty!’’ he shouted. His voice broke as he continued, ‘’I just…I just want her.’’

Aemond sighed, placing his book aside. ‘’I was asked to marry her, not you. You already have the throne.’’

The throne was given to him because he was the first son. Aegon never asked for it, never cared for ruling or showed interest in politics. He would rather spend his life with you and Sunfyre than sit on the Iron Throne. 

‘’I would exchange my birthright for her in a heartbeat,’’ he confessed, his voice unwavering.  

Later at dinner, Aegon didn’t come down to eat. He couldn't beat the idea of seeing you sitting beside Aemond during a meal. So, he stayed in his chamber, drowning himself with wine. His goblet wasn’t even empty that he would fill it up again. 

He drank until the sun went down and his pitcher was almost empty, and fell asleep on his couch with his goblet in hand. It wasn’t surprising considering how much he had drunk. 

When Aegon woke a few hours later, the castle was sleeping under the cover of darkness. He stood and found himself stumbling through the corridors. His feet carried him to your door in the guest wing, having been many many times. You always took the same chamber when you visited King’s Landing. Aegon raised his fist to knock, but before he could, the door creaked open.

You expected to find a servant with your tea, but instead found your uncle Aegon. A frown of surprise and concern creased between your eyebrows. ‘’Aegon? What are you doing here?’’

He swayed slightly, leaning heavily against the doorframe with his undershirt untucked from his breeches. His eyes were red, his expression a mixture of anger and sorrow. ‘’You can’t marry him. Please, don’t marry him,’’ he mumbled, his words slurred from the wine.

You should have walked him back to his chamber or alert the Queen of her son’s state, but instead you stepped aside and gestured for him to come in. 

Aegon stumbled through the doorway, and you came to his side, helping him sit onto the bed bench. He leaned forwards as you let go of him, resting his forearms on his thighs and his spinning head in his hands. 

You watched him with a heavy heart, guilt knotting your stomach. ‘’I’m sorry for the betrothal. I wanted to tell you myself, but our parents sent the ravens before I could.’’ 

‘’Don’t marry Aemond.’’ Aegon grabbed your wrist, pulling you to him. ‘’Don’t do this to me.’’ He looked up at you, his eyes pleading. 

You stayed silent, looking down at him. There were a hundred reasons you should put a stop to this right now. Aegon was drunk. He wasn’t in his right mind. And yet, seeing him like this, vulnerability written all over him, made your heart ache for him. 

‘’You’re drunk. This wasn’t a good idea. Let’s get you back to your chamber.’’ You reached for his arm to help him up, but grabbed your wrist. ‘’Aegon…’’ you sighed.

He pulled you closer to him, but you remained standing. Aegon’s voice was barely a whisper, his words more a plea than a demand. ‘’It’s me you should marry, not my brother.’’ 

You pulled on your wrist, but his grip only tightened. ‘’Aegon, let go. You’re drunk. You don’t know what you’re saying.’’ 

He shook his head, his eyes fixated on yours with an intensity that sent a shiver down your spine. ‘’I know exactly what I’m saying. I…I love you. I always have. And I can’t bear the thought of you marrying him.’’ 

Your heart was racing in your chest. 

Despite the feud between your mothers, you and Aegon had always been close. He was there when you claimed your dragon, took the blame when you got caught stealing lemon cakes in the kitchen, and always invited you to dance at gatherings, even though he hated dancing. He even exchanged letters with you when you moved to Dragonstone, secretly writing back despite his terrible handwriting and his mother's interdiction. You were his favorite person, the only one he felt truly cared for him.

And now, he was sitting in your chamber, confessing his feelings to you out of pain and desperation.

You wanted to scream. 

At yourself for not recognizing his underlying feelings. At him for not saying those words sooner. At your mother and grandsire for arranging a betrothal with Aemond. He was closer to you in age, mayhaps it was the reason for their decision? And most of all, at the cruel twist of fate that had kept you blind to what was right in front of you.

You opened your mouth, but no words came out. Thoughts swirled chaotically in your mind, overwhelming you. You needed time to think, time to process everything. 

But time wasn’t in your hands, it was ticking and passing fast, so you crashed your lips on Aegon’s. He brought you down to his lap, deepening the kiss as his hands roamed across your hips and thighs and everything he could get his hands on in a desperate attempt to bring you closer. You could taste the wine on his lips, the bitter alcohol still lingering in his mouth. Your hands tangled in his hair as a moan left his throat, igniting the fire between two dragons.

Impatient, Aegon pulled at the laces of your nightgown while you discarded him of his undershirt and threw it on the floor. Your nightgown found the same fate, goosebumps rising across your skin from the cool air or the room. 

His hands skimmed along your sides, coming to rest on your hips as he rocked against you, his body betraying his need. The rough fabric of his breeches brushed against your bare cunt, sending a jolt of pleasure up your spine. 

Your lips moved from his lips to his jaw, trailing a path of kisses along his jawline and down to his neck. His breath caught in his throat as your lips and teeth found the sensitive spot between his collarbone and throat. Aegon let out a soft moan, his hands gripping your thighs tighter. His fingers dug into your skin, leaving small imprints that would surely turn into bruises come morning.

His hands continued to roam, exploring every inch of your body that he could reach. He moved his lips down to your chest, his teeth nipping at the sensitive skin of your breasts. You arched your back in response, the feeling of his lips leaving a trail of fire wherever they touched.

What you were doing was wrong and breaking many rules, but you couldn’t stop. It felt too good. 

Aegon pushed you back onto the bed, his body hovering over yours as he found your lips again. His hands fumbled with the ties of his breeches, desperately trying to undo them while keeping the kiss going. A soft groan escaped him as he managed to push them down, freeing himself from the constricting material. 

The feeling of his bare skin against yours sent a shiver down your spine. His body was hot and demanding as he pressed himself closer to you. A gasp left your lips when you felt the head of his cock against your folds, surprised by how warm it felt. 

You gripped his shoulder as Aegon pushed himself inside, your walls closing around him in a snug grip. Aegon’s breath hitched from how tight you felt, his eyes closing briefly as he sank deeper. The sensation was overwhelming, a mix of pleasure and pain as your body adjusted to him. 

When he started to move, you felt like he was splitting you in half…but in a good way. You clawed at his back, soft little sighs spilling from your lips as Aegon thrusted into you. 

Unfortunately, the pleasure didn’t last long. You were so wet and squeezing him too good that after only a few thrusts, Aegon spilled inside you. 

In his defense, he was drunk and not entirely in control of his cock. 

The sunlight coming through the large window woke you up. You turned away from the window and buried your face into your pillow, trying to fall back asleep, but your arm came into contact with something — someone. 

You opened your eyes, the late events of the night surfacing, and saw Aegon lying beside you. He was still fast asleep, his white hair tousled and messy. His face was relaxed, a stark contrast from his drunkenness. For a moment, you just watched him. He looked so peaceful and calm when he slept.

The light streamed over his face, illuminating the sharp planes and angles of his features. You reached out, gently brushing away a strand of hair from his forehead. 

He stirred at your touch, but didn’t open his eyes. ‘’What is it, Mother?’’ 

You chuckled softly, watching as Aegon stirred in his sleep. 

He mumbled again, shifting under the covers. His eyes still closed, he reached out blindly and brushed his fingers against your waist. The contact startled him, not expecting to find another body in his bed, and he opened his eyes. 

A mixture of embarrassment and confusion flickered across his face, remembering his drunk stumble into your chamber. 

‘’I’m sorry for last night,’’ Aegon apologized, his voice strained and hoarse because of how dry his mouth felt. ‘’I made a fool of myself, didn’t I?’’ 

You decided against mentioning his short sexual performance. ‘’More than usual? No.’’ 

He laughed, then groaned as his head pounded. 

‘’Aegon?’’ you said quietly. He hummed. ‘’Why didn’t you say you have feelings for me?’’ 

‘’Because I enjoy self-sabotaging my life.’’ 

You swatted his arm. 

‘’I need to speak to my mother,’’ you declared after a moment of silence. 

The hour was early, but she should be awake. 

You climbed out of bed, your naked body exposed in the bright light of day as you moved around your chamber. There was an ache between your legs, reminiscent of Aegon’s passage inside your intimate part. 

‘’I do not wish to go through the same suffering she endured in her first marriage.’’ You grabbed a dress from the wardrobe and dressed yourself. It was more difficult without the help of a handmaid. ‘’And I know exactly how to convince her to call off the betrothal. I broke my vows to Aemond, I let you take my maidenhood. They will have no choice but to let us wed.’’

—

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[fujoshimenacecw]

A conversation between Moto Hagio, Hideaki Anno, and Shimako Sato

In our first ever translation work we share a riveting conversation between Moto Hagio, Hideaki Anno, and Shimako Sato! Read on our wordpress or keep reading on tumblr under the readmore

For the 189th issue of the Magazine House publication Hato yo! published January 1st 2000, movie director and screenwriter Shimako Sato leads a three way conversation between herself and her acquaintances, the anime and live action movie director Hideaki Anno, and manga artist Moto Hagio. Together they discuss their respective admiration for each other’s work, Anno’s past statements on otaku, their takes on parent-child relations, how to escape puberty, and why Anno finds it scary to be around children. 

To Me, There is 5 Ways To End a Story

Hagio: I got really into Neon Genesis Evangelion after it finished airing (laughter). I had been told by an acquaintance that Eva was a work that had “fans who were looking forward to watching the series so enraged by the developments in the final episode that they broke their TVs” (laughter). I wondered what could a work that evokes such strong emotions be like? I was really interested, so I borrowed the VHS tapes from a friend of Shimako-san’s, then I started watching.

Anno: I’m a big fan of Hagio-san’s manga, so when Shimako-san first said she could introduce us and arrange this meeting I was truly happy. The fact that you took an interest in Eva is an honor but… When I first heard “to me, there are five ways to end a story” I thought “as expected; amazing!” So after several twists and turns I finally reached a conclusion

Sato: Anno-san, when did you first encounter Hagio-san’s work?

Anno: The first one I read was They Were 11! during its serialization. In elementary school I read it at the Ear-Nose-Throat Doctor. I generally read manga at the waiting room there or at the barbers, since I didn’t really get any manga to read at home. When I read They Were 11! back then I was blown away. After that I read Hyaku Oku no Hiru to Senoku no Yoru [trans: Ten Billion Days and One Hundred Billion Nights, original story by Ryu Mitsuse]. My favorite work is Half-god [Hanshin]. The fact that such a meaningful story could be told in only 16 pages is amazing. I think Hagio-san is a genius storyteller, but her art is amazing as well. In middle school I thought that if I copied Hagio-san’s art I’d become better at drawing.

Sato: If you had also imitated her storytelling would that perhaps have changed Eva’s final episode? (laughter)

Saving the world, love and hatred

Anno: You know, I don’t have much interest in concluding a story.

Sato: Do you hate wrapping a furoshiki? [trans note: a traditional wrapping cloth]

Anno: No, it’s that I think you can do more with a furoshiki than tie it up pretty. Like break it or tear it to shreds, all kinds of things.

Sato: If we include all that, isn’t that still doing the act of wrapping?

Hagio: In your case Anno-san, I find your way of grasping the world unique.

Sato: For both Anno-san and Hagio-san, even with the differences between manga and anime you’re making a serialized work, right. When you make a long-form work, is the ending something that is already decided? Or is it something that changes?

Anno: For me it’s something like a live performance, and ends up gradually changing as I create the work.

Hagio: I’m a bit too careful, so I can’t draw if I haven’t thought of the ending. An exception is when I made Star Red. Otherworld Barbara which I made later also ended up becoming an exception 

Anno: Star Red’s ending was magnificent. I was also influenced by Star Red. Actually, I’ve written some dialogue similar to the one in Star Red’s ending 

Sato: Which of the characters do you like?

Anno: Well, the protagonist.

Sato: I like Elg. At first I thought he was a rather unreliable person, but he gradually came to play an active role. By the end he revived a dead planet through love.

Hagio: I also like characters like that!

Sato: When I watch Anno’s works like Eva I feel like you are more the kind of person who saves the world through hatred, what do you think?

Anno: I don’t know 

Hagio: That feeling of uncertainty becomes the foundation of your storytelling doesn’t it? I come to think that that feeling is something so overflowing you can’t tie it all together. 

Sato: It seems you have some differences when it comes to making a story, but I think one thing your stories have in common is perhaps parent-child relations?

Anno: That is true, Hagio-san. Your relationship with your mother appears in your work…

Hagio: When I was a child, my older sister was my mother’s favorite, I was always compared to her. It seemed my mother thought that compared to my sister I was unreliable so she always worried about me, even when I was into my thirties she’d tell me to quit making manga.

Sato: And that was during The Poe Clan’s heyday wasn’t it?

Hagio: (laughter) When I was watching Eva, something that really caught my attention was Shinji-kun worrying about whether or not he was useful to his father. Yet there was a distance from his father. During that time I was very interested in, to put it into words, “broken relations.” 

Otaku Are Generally Uncool

Sato: Anno-san, in your work I think father-son relations is something that makes an appearance. Are there any real experiences behind that?

Anno: My family was normal. If I have a complex it would be that we were a poor family rather than a just normal one, and my father has only one leg. Regardless, I think stories about parents are the simplest to make, it’s easy. 

Sato: So since Eva is a parent-child story it ended up like that?

Anno: What makes it easy is that we have some preconceived assumptions about [parent-child relations], “have you argued with your parents?” and such.

Sato: What appears in your work isn’t those things, but your own internalized problems don’t you think.

Anno: That appears to be it. As for my family we truly were the archetypical lower middle class household. My father was a good person. A sensible man. When you’re under circumstances like my father was you have to live sensibly or else you’re excluded.

Sato: So in opposition to that, you became an otaku.

Anno: That might be it. Your most important model for what normalcy is is your family. But I have a younger sister and she is exceedingly normal. She doesn’t read manga, there is nothing twisted about her at all.

Sato: And by twisted you mean?

Anno: That she’s not an otaku.

Sato: Anno-san, you’ve said that you hate otaku, haven’t you.

Anno: It’s not hate. It’s just that I think otaku are uncool. To otherwise not notice that you’re uncool or purposefully suppressing that fact makes me feel disgusted.

Sato: What about The Matrix? Isn’t that a cool otaku movie?

Anno: That one is also uncool.

Hagio: Even though Keanu Reeves is cool.

Anno: Keanu is cool. Because he is not an otaku. The otaku are the Wachowskis. They can’t get out of the confinements of their otaku-ism. So for example, even if they make something cool, part of it will for certain be otaku-like Even though I say this I don’t hate it. If I truly did I’d quit being an otaku.

Sato: Hagio-san, would you say your family was normal or was it perhaps affluent?

Joh (Hagio’s manager): Hagio-san and her mother actually have a similar biorhythm. It was perhaps due to that fact that Hagio rebelled by pursuing the path of becoming a manga artist. 

Hagio: I might have been running away by drawing. But, if I had rebelled by becoming a delinquent I think it perhaps might’ve been more enriching to me as a person.

Anno: To become a creator is not something I think is a happy path to go down. In order to not be unhappy you have to work for dear life. At the very least create works as if you’re going back to zero [from the negatives].

Hagio: Is it a negative? Because you are an otaku?

Anno: Being an otaku is a huge negative. You make up for it either by relying on others or by producing creative works. With that said, I think my generation has it easier than yours, Hagio-san. This is an era where even old men read manga. My parents even now have no issues with my line of work. I appear in Asahi Shimbun, I appear on NHK, they have nothing to worry about. That is also why I will try not to ever refuse any coverage from my hometown newspapers.

Hagio: But don’t you think parents don’t truly understand? Even if I become famous, my parents will say; can’t you quit drawing manga? And just appear in the newspaper? (laughter)

Sato: But if you quit drawing manga you won’t appear in the newspaper. (laughter)

Hagio: In that context, a part of me still expects too much affirmation from my parents. Not externally but internally. Even if I appear in Asahi Shimbun I still end up thinking it’s not good enough.

Sato: The fact that you still worry so much about what your parents think at your age Hagio-san, it’s so strange.

Hagio: Yes, I think so too

Anno: Could it be that you have to become a parent to change that part of you that worries so much about what your parents think?

Sato: I don’t worry at all about what my parents think.

Anno: I also don’t care even a little bit. As far as I’m concerned, I’m bored if I get my parents’ approval. When I did Nadia: The Secret Of Blue Water for NHK I felt that feeling.

Sato: Do you have a replacement parent figure?

Anno: Well, a man without imaginary enemies is no good. For me right now, I think I want to make works that have Hayao Miyazaki beat.

Sato: Hagio-san, your worries might also be what gives birth to your works.

Hagio: That might be the case.

Sato: Anno-san, earlier, you said “you have to become a parent to change.” I personally don’t think if you don’t have children you can’t become an adult. I think that being an adult is being independent in everything you do. That’s why I think marriage or having children doesn’t change anything.

Anno: You can become a parent without being an adult. At 17 or 18 you could become a parent. To become a parent without even being an adult, that is the problem I think. 

Sato: Do you consider yourself to be an adult, Anno-san?

Anno: I guess I’m a child. 

Sato: I don’t consider my parents to be adults.

Hagio: I’m very discontent with the fact that my parents aren’t adults.

Anno: I’m not discontent.

Sato: For me realizing that my parents aren’t absolute adults was a relief during my middle school years. Until then I had played the role of an exemplary student, but when I realized that fact I stopped playing that role. 

Hagio: So you’re a child who didn’t fit into your parents’ expectations. I was also a child who didn’t fit into my parents’ expectations, but the fact that they didn’t shrug their shoulders and say “that’s fine,” filled me with anxiety. I thought that if I become an adult I’d lose that anxiety. But I want recognition from people. I continue to request affirmation. 

Sato: Anno-san, in Eva you portrayed children like this, but are you like this yourself?

Anno: The affirmation? Hmmm. That kind of thing changes with the project.

Hagio & Sato: ?

Anno: I don’t believe in the supremacy of the director of a work, but rather the work itself. What would be best for the work, I only base my judgment on the total. Although I won’t hand over the executive decisions.

Hagio: Manga is a one-man job, but with a movie there’s the director, the scriptwriter, the actors, etc. Each of them sees themselves as a leading part. Furthermore as living beings the things we do will sometimes diverge from the plan we made in our heads. The fun of living is discovering what those differences will be.

Is Eva The Rite of Passage That Will Get Us Through Puberty?

Sato: The movie Love & Pop that you directed Anno-san, the original creator Ryuu Murakami-san and yourself are both men, yet the story is about high school girls. I found that interesting.

Hagio: I thought that both of you wanted to be very similar to an archetypal girl. You said you wanted to see a part of puberty, and girlhood that you couldn’t control. After all, men aren’t just made up of boys. I believe that femininity and masculinity is something we have combined within us. Sort of androgynous.

Sato: The boys you create not having that vivid true-to-life quality to them I think is a representation of that. Anno-san, as a man, what do you think of the boys in Hagio-san’s manga? 

Anno: I think they have empathy. I think what I like the most is that all the characters are smart. Because they have such a high intelligence it feels good to read.

Hagio: Like a washing machine right at the peak of its cycle, I want to leave my characters on the verge of that kind of critical point [of merger]. To be honest, the idea that once you’re past 30 you’ve become an old lady, that sense is something we’ve left behind.

Sato: I’ve found that when men become old they lose their ability to be nihilistic in their work, is it the same as that?

Anno: In the case of men, as you age, the world view [of your fiction] rather than your characters come to reflect your nihilism. You don’t aspire to be nihilistic, you yourself are becoming nihilistic. Your world view is what gradually utilizes nihilism. Isao Takahata, for example, is a nihilistic person. Nothing is born from being nihilistic. As nihilism is Plus-Minus-Zero, eventually your heart can’t be moved.

Hagio: A world that doesn’t change, isn’t that comfortable? 

Sato: Even though in order to grow you have to fight. By asking like this, Anno-san, did you not experience puberty?

Anno: That might be it.

Hagio: I thought you were right in the middle of puberty.

Anno: I thought I’m losing it, but it might be puberty. Generally speaking, otaku don’t go through puberty.

Hagio: I thought otaku went through a prolonged chronic puberty.

Anno: It’s not what society ordinarily calls puberty.

Hagio: A never ending puberty, in this age, could it perhaps be because there are no more rites of passage? 

Anno: Sure enough, you have to bungee jump. (laughter)

Hagio: A ritual to let your childhood die and then replay it, such a thing doesn’t exist now. Taking entrance exams may be the closest to [a rite of passage].

Sato: Don’t you feel like lately that age around 30 is when the coming of age ceremony actually happens?

Hagio: For that part, that’s when the stories takes on that role I think.

Sato: As a ritual?

Hagio: It’s not a ritual, but perhaps more intuitive? A trial run on a mock life. By that definition, I noticed Eva is just like that. I had an acquaintance who is a teacher from the Kyoto Steiner school. They saw the Eva movie in theaters. At that time they found the reactions of the people watching to be more interesting than the story. They had thought, isn’t it like we’ve all come to see the rite of passage which we all failed? I thought so as well “that’s right, that is interesting.” The rite of passage to become an adult after entering puberty, be it Gundam or Eva those stories put people in a position where they are observing the world, observing themselves, experiencing war and such.

Sato: Anno-san, were you considering all this…

Anno: I didn’t make it like that. But when I was making the movie I was thinking of this a little. 

Hagio: When I watched Eva it ended up overlapping with the book Childhood [by Jan Myrdal]. It’s a book about a mother who can’t love her child. She thinks “I have to take care of this child”, but even so she can’t love him. I wonder what happens to children raised like this. Children learn from their parents. In truth there will be consequences for the parent, but the question on my mind was children who can’t find their place with the parent, where can they find their place instead? Although I thought you were such a person when you were making Eva, Anno-san. (laughter) 

Sato: Speaking of, the other day you were on a TV show teaching grade schoolers about anime, Anno-san. What do you think of children?

Anno: I was scared of being in contact with children. I don’t understand the appropriate distance to take. I believe even the most casual thing an adult says mustn’t traumatize them, I end up becoming oversensitive. In grade school during still drawing class, I’d draw roof tiles and other detailed things, but humans moved around and I found it annoying, so I never drew people. Because of that my teacher said “this isn’t a child’s drawing,” which deeply hurt me. In the end, from that experience I think it was a part of the reason why I decided on working with drawing. Even though I opposed standardized education, I really felt the difficulty of dealing with not having a basic manual.

By the way, how much longer until Zankoku na Kami ga Shihai Suru [trans: A Cruel God Reigns] ends? I made a mistake. I wanted to read it all at once, right, so I refrained from buying it but… when volume 6 came out I ended up buying all of them. 

Hagio: Oh yes, right. July next year I think. 

Anno: Understood. Then the final collected volume will be out in the fall of next year. Hmm well that means I can enjoy it for another year. Understood. 

Sato: Isn’t that great.

------------------------------

Translated by mod Juli, with assistance from two financially compensated native speakers.

A scan of the full interview raws will soon be added for posterity.

[st4rtar0t]

Describing your love trope with your future spouse as a writer

Pick a picture

MASTERLIST ☆ PAID SERVICES

LONG POST AHEAD!

Pictures belong to their rightful owners, I only own the content of this post.

Picture 1

Arranged blind date

I stared at my reflection, the dress clinging to my frame in a way that was both flattering and unfamiliar. It had been months since I’d worn anything other than sweatpants and old t-shirts. My heart pounded as I thought about the evening ahead. What had I let Emma talk me into?

“Trust me, y/n,” she had said, her eyes sparkling with excitement. “You deserve someone who treats you right. This guy is perfect for you.”

I wanted to believe her. After all, Emma knew me better than anyone. She had seen me through the worst of my relationship with Adam, watched as I shrank into myself, convinced I was unworthy of love and respect. She had been my rock when I finally walked away.

Now, she was determined to help me move on, even if it meant dragging me into the world of blind dates.

“You look stunning,” Emma said, stepping into my bedroom. Her smile was warm and reassuring. “And you’ll be fine. Just be yourself.”

I nodded, trying to steady my breathing. “What if he’s... I don’t know, another Adam?”

Emma shook her head firmly. “He’s not. Trust me. I’ve known him for years. He’s kind, funny, and he’s been through his own share of heartbreak. You two will understand each other.”

Taking a deep breath, I followed Emma out the door and into her car. As she drove, I gazed out the window, my mind a swirl of anxiety and hope. The city lights blurred past, a cacophony of life that felt distant and unreal.

We arrived at the restaurant, a cozy little place with warm lighting and the comforting aroma of home-cooked meals. Emma squeezed my hand. “He’s waiting at table five. Go on, I’ll be right here if you need me.”

I hesitated, then nodded. “Okay. Here goes nothing.”

As I approached table five, I saw him. He was looking down at his menu, but there was something about him that immediately put me at ease. He had an air of quiet confidence, and when he looked up and our eyes met, he smiled. It was a smile that reached his eyes, genuine and warm.

“y/n?” he asked, standing up and offering his hand.

I took it, surprised by how natural it felt. “Yes. And you must be Michael.”

He nodded, his grip gentle yet reassuring. “It’s really nice to meet you. Emma’s told me a lot about you.”

I laughed nervously, taking my seat. “All good things, I hope.”

“Only the best,” he said, his eyes twinkling with kindness. “She’s very fond of you.”

As we started talking, I found myself relaxing. Michael was easy to talk to, his sense of humor lightening the mood. He shared stories about his work as a graphic designer, his passion for painting, and his dog, Max, who sounded like a real character.

“So, Emma tells me you’re quite the photographer,” he said, his tone genuinely interested.

I blushed slightly. “I dabble. It’s just a hobby, really.”

“From what I hear, you’re pretty talented,” he replied. “Maybe you could show me some of your work sometime?”

I nodded, feeling a warmth spread through me that I hadn’t felt in a long time. “I’d like that.”

The evening passed in a blur of laughter and easy conversation. For the first time in what felt like forever, I was enjoying myself. Michael was attentive, respectful, and genuinely interested in what I had to say. It was a stark contrast to the indifference and criticism I had grown accustomed to with Adam.

As we said our goodbyes, Michael looked at me with a hopeful expression. “I had a great time tonight, y/n. Can we do this again sometime?”

I smiled, feeling a lightness in my heart. “I’d like that very much, Michael.”

As I walked back to Emma, who was waiting with a knowing smile, I realized something. Maybe, just maybe, I was ready to open my heart again. And maybe this time, I’d find the love and respect I truly deserved.

⁠—⁠☆

Emma hugged me as soon as I reached her. “See? Told you it would be fine.”

I hugged her back, gratitude welling up in my chest. “Thank you, Emma. For everything.”

She grinned. “That’s what friends are for.”

And for the first time in a long while, I felt hopeful about the future.

Picture 2

Friends to lovers

I stood outside y/n’s apartment, nervously shifting from one foot to the other. The city was quiet tonight, the streetlights casting a warm glow on the sidewalk. I had been here countless times, but tonight felt different. Tonight, everything was about to change.

Taking a deep breath, I knocked on the door. Almost immediately, I heard her footsteps approaching. The door swung open, and there she was, her smile lighting up the entire hallway.

“Hey! Come on in,” she said, stepping aside to let me pass.

I walked in, my heart pounding in my chest. “Hey, y/n. Thanks for having me over.”

We settled on her couch, the same spot where we’d shared countless conversations, laughter, and even tears over the years. She handed me a cup of tea, her eyes sparkling with the warmth I had come to cherish.

“So, what’s up?” she asked, taking a sip of her own tea. “You sounded a bit urgent on the phone.”

I looked at her, really looked at her, and realized just how much she meant to me. Her kindness, her strength, her infectious laugh—all the little things that made her who she was. It hit me like a tidal wave. I was in love with her. I always have been.

“y/n, there’s something I need to tell you,” I began, my voice trembling slightly.

She set her cup down, her expression turning serious. “What is it? You know you can tell me anything.”

I took a deep breath, gathering my courage. “y/n, you’ve been my best friend for as long as I can remember. You’ve been there for me through everything, and I don’t know what I’d do without you.”

She smiled, reaching out to squeeze my hand. “I am your best friend. I will always be there for you no matter what happens. Now tell me, what is bothering you?”

I swallowed hard, feeling the weight of the moment. “But that’s the thing. I don’t just see you as my best friend anymore. Somewhere along the way, my feelings changed. I’ve fallen in love with you.”

Her eyes widened, and for a moment, there was a silence that felt like an eternity. My heart was in my throat, fear and hope battling within me.

“oh…” she whispered, her voice barely audible.

I pressed on, needing her to understand. “I know this might come as a shock, and I don’t want to ruin what we have. But I had to tell you. I can’t keep pretending that what I feel for you is just friendship.”

Her eyes searched mine, and I saw tears forming. Panic surged through me. Had I made a terrible mistake?

But then she smiled, a radiant, beautiful smile that took my breath away. “I’ve been waiting for you to say that for so long.”

Relief washed over me like a flood. “You... you have?”

She nodded, tears spilling over her cheeks. “I’ve loved you for years. I was just too scared to tell you. I didn’t want to risk losing you.”

I reached out, brushing a tear from her cheek. “You’ll never lose me, y/n. You’re everything to me.”

She leaned into my touch, her eyes filled with love and vulnerability. “I love you.”

The words were like music to my ears. I pulled her into my arms, holding her tightly. “I love you too, y/n. More than you’ll ever know.”

We sat there, wrapped in each other’s embrace, the world outside fading away. All that mattered was this moment, the love we had finally confessed, and the promise of a future together.

As I held her, I realized something. Love had been right in front of me all along, in the form of my best friend. And now that I had found it, I was never letting go.

Picture 3

Opposites attract

I watched him from across the room, the way he moved with such effortless grace and confidence. The party was in full swing, laughter and chatter filling the air, but all I could focus on was Ethan. He was the epitome of extroversion, charming everyone around him with his easy smile and quick wit.

I, on the other hand, was more comfortable in the shadows, observing rather than participating. I preferred a good book to a loud party, a quiet evening at home to a night out on the town. Yet, here I was, drawn to someone who was my complete opposite in every way.

Ethan caught my eye and waved, making his way over to me. My heart skipped a beat, a mixture of excitement and nervousness swirling inside me.

“Hey, Y/N,” he said, his voice warm and inviting. “Why are you hiding over here all alone?”

I shrugged, trying to appear nonchalant. “Just taking a break from all the excitement.”

He laughed, a rich, contagious sound. “You know, you’re the only person I know who comes to a party to take a break from it.”

I smiled, feeling a little more at ease. “Well, someone has to keep an eye on things from the sidelines.”

“Mind if I join you?” he asked, his eyes twinkling with that mischievous spark I was starting to adore.

“Sure,” I said, surprised by how much I wanted him to stay.

We sat down on the edge of the patio, the cool night air a welcome contrast to the warmth of the crowded house. For a moment, we just sat in comfortable silence, the sounds of the party fading into the background.

“You know, Y/N,” Ethan said, breaking the silence. “I’ve always admired how you can just... be. You don’t need all this noise and attention to feel happy.”

I looked at him, surprised by his honesty. “And I’ve always admired how you can light up a room just by walking into it. You make everything look so easy.”

He smiled, a softer, more genuine smile than I’d seen before. “It’s not always as easy as it looks. Sometimes, it feels like I’m just playing a role. But with you... I feel like I can be myself.”

My heart swelled at his words. “I feel the same way, Ethan. With you, I don’t feel like I have to hide.”

We continued talking, sharing pieces of ourselves we hadn’t revealed to anyone else. I told him about my love for painting, how it was my way of expressing emotions I couldn’t put into words. He opened up about his fear of being alone, how he surrounded himself with people to avoid facing his own insecurities.

As the night wore on, I found myself drawn to him in ways I hadn’t expected. Despite our differences, or maybe because of them, we fit together in a way that felt right. His outgoing nature balanced my introversion, his confidence bolstered my shyness, and his warmth melted my reservations.

Ethan reached out, taking my hand in his. His touch was gentle, yet it sent a jolt of electricity through me. “Y/N, I know we’re different, but I can’t help how I feel. Being with you makes me want to be better, to be more.”

I looked into his eyes, seeing the vulnerability and sincerity there. “I feel the same way, Ethan. You make me feel... alive, like anything is possible.”

He leaned in closer, his gaze never leaving mine. “So, what do you say we give this a try? Us, I mean. I know it won’t always be easy, but I think it could be something amazing.”

I smiled, my heart full of hope and excitement. “I’d like that, Ethan. I’d like that a lot.”

As he pulled me into a gentle embrace, I realized that sometimes, the most unexpected connections can be the most beautiful. Despite our differences, or maybe because of them, we were falling for each other, and I couldn’t wait to see where this journey would take us.

[meraki-sunset]

This is a long letter of gratitude. Embrace my endless words of pure gratefulness.

Dear Autor of the most amazing thing I've ever read.

I was writing this letter from the moment I reached the middle of your Crow Strider AU fanfiction. There is so many things I want to say and I'm so happy that I can say it to you all here without words limit. Forgive me for exuberance, I'm squeezing out all my abilities to express what I feel in this foreign language that's not of us first language.

Let me list all the things I'm grateful for, because I'm autistic and I love listing:

1. Crow Strider

The arc of Davesprite you created is masterpiece of writing. The process of deconstructing his personality, forgiving and letting his part behind as well as embracing his new identity and new body is written so thoughtfully with such a care of details. I love how you made him so different from Dave as well as still kept his Daveness in full glory of Striderness. You made him happy and more emotional available and open, at the same time it felt so natural for him to be that way because of the proper build up you gave him. Thank you so much for creating Crow Strider and letting us read his well written arc.

2. There's a Dave for everyone

THERE'S LITERALLY DAVE FOR EVERYONE. You have no idea what struggles I went through trying to understand what person Dave ended up with in canon, and then being sad of what happened in epilogues. I wanted Dave for Karkat. I wanted Dave for Jade. I wanted them to be happy. And you did it. You made it possible. You made them all happy. I love it so much. Thank you so much for making them happy. You even gave Teresi one Dave for her. I can't believe it. It's so beautiful it's unreal.

3. More Davepeta

This part is simple, I simply love Davepeta and you gave me a lot of good Davepeta content. Thank you for that.

4. You made me like characters I didn't like

I wasn't big fan of Tavros. I got tired of Vrisca by the end of Homestuck. I didn't really see Hal as an interesting character. I honestly hated Gamzee. And Jasprosesprite squared was so annoying for me

Well, not anymore! You somehow managed to write these characters more compelling for me than Hussie did. Now I love Tavros and Hal, I mean, cat Hal? Is there anything more cute and cool at the same time?

And NGL I genuinely wanted Gamzee to die and I can't believe that now I'm not, because I just read a very good redemption arc of this clown. I also love the way you dealt with Vrisca. Heck I love all characters written by you!

5. God tier Karkat

I've dreamt of seeing a good piece of god tier Karkat. I was so curious how does it even work to be Knight of Blood, we didn't see any version of Blood god tier in canon. I'm big fan of your version, it fits the character and the aspect so well, and the execution of his arc as he is chosen to open the door... Honestly? I prefer that over canon, though it wouldnt make as much sense as in your fanfiction. It just feels like you took a much better care of Karkat than official ending of Homestuck. Don't get me wrong, I love Homestuck an it's ending, your fanfiction wouldn't exist without it. I honestly think that Hussie didn't really have as much time and space to give his characters as extended arcs as you gave them without losing the dynamic of his story. But you could. And you did. Thank you so much.

6. So many people got better, more extended arcs

Like above. You made Jas much better. You gave Nanna much better, more compelling arc than she had in canon. You made Hal and Tavros much more relatable and gave them very well character development plot, even if short. You took your time to write very needed and wanted dialogues between characters than didn't have their time to interact in canon. Like Jake and Dirk (ESPECIALLY THEM OMG). Like Erisol and Feferi. Like Jas and Rose. And I didn't even know that I needed the last one. Thank you so much.

7. You made ships that I didn't know where even possible and I like them????

Seriously, Tavros and Jane?? Erisol and Arquius??? Josh and Dirk??? I love how your brain works

8. You absolutely nailed the delicate topic of transgender

I used to not be a big fan of June, because there were no realistic signs of John having any kind of thoughts or doubts about his gender in canon. You made a very much needed and really great thoughtfully written arc from June and Josh, even caring about the topic of transition and executing it really great. Thank you so much for yet again being so good at writing arcs.

9. Eridan and Sollux

I love them both and their weird toxic rivalty, and I absolutely love that you gave them some attention and let Eridan grow and try to redeem himself while also helping Sollux with hii2 p2iioniic problem2. I download almost every single frame of it.

10. YOUR ARTSTYLE

You're artstyle. I don't know where to begin with that. It's so amazing. Expressive, dynamic, cute, beautiful, colorful. I love every line of your comics. Your style is the way I always wanted to draw. It's just perfect. And also perfect for Homestuck fanfiction. It's just so similar, yet gives it a bit of softness as well as the kind of expressiveness I love, that makes every single shot more appealing. Warm scene are so warm, sad scene are so sad, dynamic scenes are so epic, it's like so delicious. Yes, I just ran out of words. Let me grab a dictionary...

Your style is outstanding. It gives me this feeling of familiarity, it's similar of Homestuck style, yet so different, its fresh and new while also feels like home.

I wish you have a printed version of your fanfiction (but I probably can't afford it sadly). There is something so soothing in this simple colors, it's not too loud, not too many colors, yet so many and smooth colorful lines. I will learn to draw like you, I'm sorry for adapting your style, but I really want to draw like that and you even posted some tutorials how to draw like you.

Thank you so so much that you put so much time and effort into making this wonderful comic and then share with all of us completely for free. You drew so many expressive pages, sometimes even 10 pages per static dialogue, which means you officially outbested the master of overdoing Andrew Hussie himself, that did maximum of 3 pages per 1 static dialogue scene. I noticed you slowed down a bit at the end and drew much more simplified panels as well as you started using same panels many times. Good. It's okay to go the easier way. No one wants you to overwork yourself and burnout. No one wants you to have trauma with drawing and not wanting to draw comic ever again. It's extremely generous of you that you posted for absolutely free such a wonderful and huge piece of art. I'm endlessly grateful.

11. The plot

I love how you started from one simple idea of giving Crow more arc, and then gradually extended it into a whole huge fixfiction. It went so smoothly it looked like really one different decision of one person can change the whole timeline. It went so naturally, it felt so realistic as if I read something that Andrew Hussie wrote as a coexisting canon.

I have to admit, the whole idea of not doomed and not canon timeline is pretty ridiculous, and I love every bit of it. Paradoxally, it sounds so much like something that could actually exist in Homestuck canon. I love it

A few little things I didn't like that much

I wouldnt be myself if I didn't comment on some stuff that wasn't perfect. I'll be bery brief with that, because these things didn't really bothered me that much, I just want to share a little bit of criticism I have.

I hope it won't sound rude when I say that I didn't really felt like you understand the character of Nepeta very well? She didn't felt that like Nepeta in your fanfiction, at least for me. I felt like some stuff were explained a bit too many times. I know that characters needed that, yet we as viewers already know some stuff and didn't need to read it again. Also, I really missed the type styles of characters. I know how hard it is to keep it through entire fanfiction, especially writing some of the characters with quite complicated type style. I just missed it a bit. On the other hand it made a few characters much more comprehensive.

I hope I didn't hurt you with this few words of critics. Now I want to share a few of my favorite pages, I hope you don't mind if I end this letter with fangirling over your drawings. I actually wanted to do a lot of comments during reading your fanfiction, but the website didn't let comments. Sadly. That's why I'm writing here. And now is time I will do what I wanted to do back then:

This scene, my fav scene in Homestuck, got so extended in your fanfiction, I felt so gifted and it wasn't even my birthday

I cried.

This. Made me laugh so hard. And it's even funnier without context.

I just reached photos limit. Sadly. I'm so grateful for your comic. I love it so much. Thank you again for making it. You're a wonderful person

Hey there! Thank you so much for the letter, and for taking your time translating it to English for me to understand. Since it’s in a list format, I guess I’ll answer as list as well! So:

Crow strider

It was challenging writing Crow because I needed to basically write Dave but with a twist in his personality due to living with the Harley-Egberts and their grandma, in a very cozy and caring environment.

Honestly I don’t think I managed to portray enough Daveness, his personality is very particular and difficult for me to replicate, but I did the best I could and my friend and editor will help me reach the right amount of striderness in the epilogue

2. A Dave for everyone

Indeed, there’s Dave for everyone. The homestuck epilogues made me realize how lonely Jade ended up, and I always loved Davesprite and jade, but with one being human and the other one a Sprite the relationship was bound to fail, and even tho I wasn’t fond of JadexDavepeta, still i would’ve prefered it to jade being all alone and Davepeta dying fighting Lord English. So now, not only Jade has Crow, and they’re happy, but the Karezi – davekat – daverezi mess all got fused into one, because I love them and their trip was a Little different from in canon. And also Davepeta is around, I don’t think they’ll end up with anyone, but they’ll vibe on EarthC.

3. More Davepeta

They’re alive, and I like showing the craziness that comes from them knowing all timelines but being above them and detached from them. 

4. The characters you didn’t use like

I like exploding underused characters. Because with them, you’ve only seen the Surface, but at the same time you have info about them that can be used to make them more profound. If Tavros got revived, why isn’t he mad at Vriska? What was he doing those 3 years in the bubbles? If Jasprose is a seer and has knowledge of all timelines due to being ultimate self, doesn’t that make her the ultimate clairvoyant? Doesn’t that mean she’s the key to winning? Does she miss the mother like rose does? If there’a already an Arquius, why make another? Why not have just Hal as a Sprite and have him figure out what being alive is actually like?. You get the Surface of the characters and knowing what you know about them, you dig deeper, until you find their humanity and write about it.

5. Godtier Karkat

I love Karkat on Homestuck, but I feel like the character lost weight towards the end of the story, he stopped being the leader and while everyone went and fought someone important like the Condesce, the jacks, the dogjack, or Lord English, he was just somewhere else doing whatever. I wanted to give him his hero moment that closes his development.

As for the door, I feel like in canon john was the right choice to open the door, he’s the hero and the leader, not to mention it’s a human session, it makes total sense and I wouldn’t change it

Every story has things that don’t get to be explored, because that would make them too long and cut the flow, making it unreadable. That why we love fan fictions and AUs so much, they take the pieces and reassemble them into something new, filling the empty spaces.

What makes the events on AUs fun is that they didn’t happen in canon. So if John opened the door in canon, and it was right, then Karkat can open this one, and it can be right on this specific timeline. He gets closure from the door he never got to open, and takes back his role as a leader, even if it’s just for a moment, since the battle is over by now. He’s the leader once again, but this time he understands the weight of it in a way he couldn’t grasp when he was 13, claimed he was in charge and let everyone down. He now understands it’s not just something you ask for, it’s something you earn, he’s now the Knight of blood, god of bonds, he took down the Condesce in the name of his species, and will open the door for his peers to enter the new universe they created together where they’ll create a free society, he became what the signless predicted, his rightful successor. His arc is completed.

6. Extended arcs

Jas was planned since the beginning to close crow’s arc about his rose and his regrets about leaving her behind. It’s only when he’s made peace with losing her, has left his old self behind and is ready to face the battle and his future, that he gets his reward. He gets her back, in the strangest way

With Nanna, i just though nobody ever focused that there was an actual adult around during the whole adventure, Nanna would’ve spent a lot of time around john and jade, them being each others remaining family. So I tried to give her the role of a guardian, breaking a Little with this “orphaned children on their own” that all characters have.

Honestly I tried to make it as interesting as I could, sometimes I would take characters that didn’t have any screen time and think, what can they do? What’s in their mind at this moment that they could tackle in conversation? And with whom? Who else needs screen time?. And that’s how you get, Jake and Tavros bonding, Nepeta, Fefeta, Davepeta and Feferi ship-chat, Arquius telling Terezi and Karkat about Erisol, Hal comforting Eridan, ect.

It’s actually a really cool writing exercise I do sometimes. I grab two characters that have nothing in common, and write a conversation between them. What’s the common ground? Are their stories alike in some way? Do they have a common hobby or worry? It’s really cool because you find stuff about the characters you never paid attention to before

7. Unlikely ships

Tavros and Jane came from me wanting Tavros to be more assertive. In canon Vriska instructed him to not interact with the Alpha kids during those 6 months, but since this Tavros doesn’t listen to her because he took self-esteem lessons from Rufioh, I felt like he probably spent that time actually being a guide to Jane and then becoming Friends while solving puzzles, Jane being a fan of mysteries and Tavros probably missing his flarp days. Also theres a funny thing about Tavros and Jane, and it’s Tavros is supposed to represent Peter pan, while Vriska is supposed to represent both Tinkerbell (she dressed up like a fairy for him and later became an actual fairy) being attracted to him but being short fused when rejected, and also represent Captain Hook, Peter pan’s enemy (with her flarp persona and her ancestor being a pirate), but she’s not Wendy in any way, and I feel like Jane is, she’s the homeschooled girl, with blue eyes who looked through her window waiting to be free because her father wouldn’t let her out (also Wendy’s brother was named john who used big glasses). She’s a normal girl coming in contact with this fairy boy from a world of only children. Idk, makes sense to me. (besides, Wendy darling’s daughter, who Peter pan later takes on adventures too was named Jane, who also has blue eyes)

Erisol and Arquius was a crack ship that suddenly made sense, because it’s one-sided, and I feel like arquius is a caring person, he just has a difficult time socializing like a normal person. He’s just really happy to be a sprite and is pissed by Erisol’s insistence on wanting to explode.

Also, Arquius promising Fefeta that he wouldn’t break Erisol’s neck unless he had a good reason ( he kinda wanted to) and eventually having to break his neck for the good reason of god tiering him (he now doesn't want to and feels bad about it) was something I planned for months

Josh and dirk, i think it’s funny. Dirk wouldn’t have dated jade because she’s a girl, but Josh is a boy so it’s good, AND, he’s like a more direct, version of Jake who takes no bullshit.

8. The topic of transgender

Originally the second spaceship post retcon was supposed to arrive empty, or with only Davesprite, but I saw an opportunity to solve a division in the audience. Some people were interested in John remaining as he was, while others wanted to see June. Since John never showed any doubts about his gender in canon, it wasn’t in my original plans for June to make an appearance during CSAU, because the comic only covered the same period of time as canon. But when it came time to write the retcon I realized I had an opportunity to make them both coexist, making a shift in the timeline, but said shift being there both since the beginning and for the purpose of surviving the recon. Making June and Josh a reality since the beginning, so the timeline would survive the consequences of the two Egberts crossing paths post retcon.

It’s nice to hear you liked it, I know not everyone did. I tried to be respectful but at the same time be true to the nonsensical nature of canon Homestuck that makes timelines twist and change to the story’s convenience, making the events real but chaotic. Also since i knew John’s dad wasn’t coming back and Jane’s dad wouldn’t make it, June would be the last remaining conection to John’s old home and so John would be June's, relying on eachother for comfort when it comes to the loss of their father and home.

9. Eridan and Sollux

I want to cover Eridan’s redemption in the epilogue, since all we know is he grew as a person during his time in the bubbles, leading to his change of heart interacting with Sollux and Kanaya

10. Art style

Thank you! I like to give the characters a full range of emotions and for the surroundings to accompany that

No need to be sorry for learning through my art, in the end my style, like everyone else’s, is bits and pieces from other artists we’ve seen, admired and/or learned from. Just make sure to add your personal touch to make your artstyle trully yours

It’s true that by the end I reused more static panels for dialogue, both because there was a lot for the characters to say, not that much action left, and my battery was running low haha

11. The plot

I tried my best for the story to be a big butterfly effect steaming from crow’s decision to ascend, working towards the most possible outcomes like Crow getting grimdarked by the Condesce too, the sprites surviving because of Nanna and so on

I wanted this timeline to coexist with canon because I don’t like the idea of overwriting it, canon happened and was important, CSAU just happened to be taking place close by

12. Things you didn’t like

I do in fact not understand the character of Nepeta very well, I reread Homestuck in order to get the original troll's personality better, but Nepeta is a character I don’t get. On top of that, she doesn’t appear much in CSAU so didn’t have much time to develop her.

I do struggle with over explaining, I think is stems from not wanting the reader to be confused (it has happened on discord that people come and ask me what was going on in the story when i thought I had written it in a way people could understand with no problems), which leads to me explaining everything too bluntly sometimes, so the characters sometimes ramble TOO much, and I wish I could go back and reduce the dialogs, but that would involve going back to the page’s codes to delete certain pages and replace others, and also changing the programming for the page’s backgrounds, not to mention my computer crashes when I try to modify pages too far back, since they’re 4000 of them. It’s one of those things I can only learn from and try to do better in the next project

The character’s typing was a core part of Homestuck because it was mostly portrayed as blocks of texts and the quirks made it easy to know who was talking even with people having the same typing color. The reason I didn’t use them it’s simply because I could barely write good enough in English, let alone add quirks. My friend offered me to add the quirks at some point when we were revising the dialogs, but I declined because some people found it easier to read without them and I didn’t want to add another step to the render of the pages.

13. Favorite pages

I also cried with that Gamzee panel, I planned it for months and i waited a long time to draw those last panels, I’m glad they made people laugh

Haha, also yeah, the Strider reunion got really extended with so many extra striders. Davepeta, Crow and Hal making the reunion complete

Thank you for this message! i'll do my best to write a good epilogue (which by now is actually a secuel) and i hope you have a great day🌻🌻🌻

[milolovesbmc]

Genuinely don't get how people forget about Trina so easily or undermine her in favour of literally anyone else. Like have you seen this woman. I'm a gay man and I would beg and plead for a chance with her oh my god. Smash.

[blackopals-world]

When a story only describes the male love interest in detail but deprecates the female because she's "not pretty like other girls because she had brown hair or eyes":

When a book only describes the male lead but leaves the female vague so you can imagine her as yourself:

When the writer is clearly thirsting for both leads so much you have bi panic:

(I'm a simple woman. I want both characters to be hot and treated as such. Is that so much to ask for?)

[mossterious]

I really think it is actually such a disservice to Katherine’s character for her to fall in love with Jack. Like, it just makes so much of her character, growth, personality, and screen time all devoted to Jack. She’s a rich, privileged woman meeting a bunch of Newsies from a much different life than hers, and she’s a woman journalist! Her dad is the one doing all of this and she must feel so conflicted!!! She had so much to play with and overcome and yet the thing that gets the most attention is her relationship with Jack. And I don’t hate them as a couple, either! I just think that it limits her as a character to be stuck as a love interest, and there was a lot more that could have been done with her using the time that is currently taken up by her love story with Jack.

[mariasont]

I'm so glad you love writing for bimbo reader x Hotch because i love READING them so much 💕

What about reader getting jealous a witness or unsub is flirting with Hotch? Kinda like how the prostitutes are always flirting with Reid but this time it's Hotch getting all awkward and reader misreading it and thinking he's interested back?

Love your stuff!

JEALOUSY, JEALOUSY - A.H

a/n: hi so im so glad you love bimbo reader 🫶🏼🫶🏼🫶🏼 that literally makes me so happy, thank you sm for requesting i hope you like that <3

masterlist

pairings: aaron hotchner x bimbo!assistant!reader

warnings: reader being jelly, kind of out of character for bimbo reader honestly, she’s also a little flustered in this fic which also feels out of character but i kind of like it idk lmk what yall think

wc: 1.2k

The space between her hand and Hotch's bicep was dangerously narrow. She was saying something--something that was way flirtier than the situation required. Matter of fact than any situation required. Your pink nails, the same shade as your favorite bubblegum lip gloss, dug into the flesh of your palm, your lips forming a tight line as you fought the green jealousy that bubbled up like champagne.

It was fine. You were fine.

Until it wasn't.

She flashed a smile at Hotch, one that was undeniably pretty which only served to make your blood boil a degree hotter.

She was stunning, black hair, red lips, perfect skin. You loved yourself, obviously, but it was not in your character to deny that this woman was gorgeous by nature and she was edgeding her chair closer to him.

"Thank you so much for your help today, Agent Hotchner." Her voice had climbed a few pitches in comparison than when she was talking privately with you. "Is it okay if I give you my number, just in case I think of anything else?"

"Of course." Hotch was smiling-- no beaming--at the woman, reaching into his pocket to grab his business card.

Your lashes fluttered up and down is disbelief, jealously rolling off of you in category nine waves. You folded your hands on top of your skirt, cleaning and unclenching until you started to lose feeling in your fingertips.

You're fine, just take a deep breath. Hotch was simply being polite. That's it. But the rationalized thoughts in your head did not match the quicksand feeling in your stomach.

Unfortunately for you, showing and expressing your feelings in an appropriate manner had always been a struggle. Articulating when things were bothering you was a foreign language to you. The other side to this was you had no logical reason to feel the way you did. He was your boss, and you were his assistant. He wasn't your boyfriend. But that fine distinction did nothing to dampen the primal impulse to reach across the desk and drag the woman by her hair. 

That was dramatic, really. It was unfair to project your ugly feelings onto her when in all honestly, in her position, you’d be doing the exact same.

As much as you loved your job and adored your boss, sometimes you wished you didn’t work for him so you could push the boundaries just a little bit when it came to flirting with him.

Thankfully, for the sake of your career, the woman gone before your rash instincts could manifest into action. You needed to get a grip and possibly go reapply your lipstick.

You spent the majority of the day, from that point, avoiding Hotch like the plague. You weren't quite equipped to sift through the emotional chaos brewing inside you, especially when your focus needed to be on getting your tasks done, not on who Hotch might be interested in. It didn't matter if he liked that woman. You could cope. Maybe.

When you did have to come into contact with him, you found yourself acting like a wounded animal. The sight of his face only served to replay that stupid smile he flashed at her. He was probably already in love, daydreaming about their shared life ahead. Their three kids, the white picket fence, maybe even a dog.

You flipped open your makeup mirror, dabbing powder on to your nose and forehead while mentally reminding yourself to pull it together and behave like the grown-up you were supposed to be.

No sooner had you left the bathroom had you crashed into something, legs betraying you as you lurched forward, nearly spiraling to the floor. Your hands shot out, closing around the nearest object which felt to be the lapels of a suit. 

Your gaze snapped into sharp focus. Yes, definitely the lapels of a suit, and not just any suit--It was Hotch's.

Fantastic.

You quickly retracted your hands, letting them hang limply by your sides as you took a cautious step backward.

His brows furrowed, lips tipping downward as he absently adjusted his watch. "You okay?"

"Peachy!”

That was too much.

You attempted to sidestep him, but he anticipated the move. His arm reached out with surprising speed, fastening around your wrist to keep you in place.

"Hey." It was funny how a single word in that deep voice of his was enough to make your heart beat a little faster. "You've been avoiding me all day. I don't want to pry, but if there's something I've done to upset you, I'd like to know so we can clear the air."

"What?" you responded too quickly, avoiding his gaze as your hand went to your neck. "Oh, no, no, it's not you, sir. I just... I think I might be catching a cold or something. Just feeling a bit woozy."

You were definitely coming down with something—it was a green, nasty disease that had your judgement in a clouded haze.

He smiled, making your heart go into overdrive. "You're a terrible liar."

"No idea what you mean." Your voice went up an octave too high. "But, um, there's a bunch of witnesses I need to follow up with. There's this one who was... really eager. Maybe she'd respond better to you?"

There was a pause before Hotch spoke, his voice low and certain. "I've seen many reactions from you, but jealousy? Is that what's happening here?"

You blinked rapidly, heat rising to your cheeks. "Jealous? That's... that's ridiculous."

"I'd like to think I know you better than that." He gave you a deadpan look. "You've been avoiding eye contact, you've been unusually quiet, and I didn't necessarily miss that look you gave her."

You swallowed hard, proving him right and looking anywhere but him as you fidgeted with the hem of your sleeve. 

"It's not... it's just, you know... I don't know, the smile you gave her, it seemed a bit unprofessional to me."

Your words tumbled out in a flustered rush, not capable of taking them back as you realized the absurdity of it all.

Hotch's eyes crinkled as he smiled. "Unprofessional? Did it look like I was flirting? Because that would be a first."

"No, I don't think you were flirting, not exactly." You should stop yourself while you're ahead. "But she was, and you didn't exactly shut it down."

Hotch's face was unreadable. "Honestly, I didn't even realize she was flirting with me. Even so, I'm curious—why would that bother you?"

"Well, I mean, I... It doesn't, not really. I just think we should all be focused, that's all," you managed, voice faltering as you tried to be convincing.

"I assure you, my focus is on all the right places," Hotch said, taking a step closer that almost felt invasive. His gaze dropped to your lips momentarily before snapping back up to your eyes.

"O-okay."

The closeness of him was sending your body into overdrive, the room suddenly feeling too small, his presence way too intense.

"And just for the record," Hotch said over his shoulder as he turned to leave. "If I were to flirt, trust me, it would be with someone who already had all my attention."

taglist: @hotchhner @khxna @readergf @sarcasm-and-stiles @edencherries @aurorsworld @princess76179 @malindacath @freyy253 @broadwaytraaaaash

[winters-rose-daughterofcain]

I've been trying to phrase things eloquently and I really can't so here you go. Part two really felt like it was trying have its cake and eat it as well in a lot of ways, and it really didn't work.

You give Cressida a whole redemption arc and friendship and put her in an impossible situation and humanise and make you sympathise with her, then want me to hate her again?

You show how Pen uses LW as a coping mechanism and how it's not good for her or those around her and not have her drop it?

You want LW revealed to the ton but no real consequences?

You double down on how Pens family treat her only to have them all come together and be forgiven at the end?

You sideline Colin in his own damn season and butcher Penelope so badly I almost wanted less of her as well?

You can't have everything. Not in such a short time span at least, and it really suffer from it. If you wanted to give Cressida more depth and expend on her role why was she tossed away like nothing at the end? Why did Eloise abandon her? Why was she treated as awful in part two after being put in an actual horror show of a situation? I know they needed the blackmail plot but you can't just give her depth, make her the antagonist and then drop her storyline in the drain that's not how that works. That's not complexity that's laziness, and laziness they created mind you.

They didn't have to write Cressida the way they did this season, if they wanted to make it easy they could have had her marry off screen between seasons to a rich man, they could have had Eloise befriending her be a mistake and had a different arc there, they could have had her LW claim be for any number of reasons, and her blackmail because she still has it out for Penelope. They added this to the story, and as much as I was sceptical at first (I have seen far too many botched bully redemptions) I was glad they did it aded a lot of depth and character interaction, it created some interesting parallels between Cressida and Penelope and seeing Eloise in a different, less intimate friendship with someone who, ironically, is a lot more open with her was interesting. Incomplete, but interesting. It was good, or it could have been. But you can't just turn like that and have it still work. You can't just have Eloise abandon her and have it treated as the right thing to do. You can't leave her with that ending and consider it a happy one. You can't have your cake and eat it too. You didn't create a complex antagonist, you created a scared lost girl who was cruel because she was taught to be and you left her to burn.

You could have had Penelope and Cressida talk to each other, could have explored the ways the mirror and the ways they differ. You could have had Penelope struggle, but untimely empathise with Cressida and help her out, she could have forgiven her for her years of torment because she of all people understands why she did it. You could have had her forgiveness mirror Colin and Eloise forgiving her for LW. You could have looked at how Cressida's openness helped her friendship with Eloise and how Penelope might start to incorporate it. About how by nature of Cressida's openness Eloise is learning to see other perspectives and listen more even if she still has work. You could have done so much with female friendship and camaraderie and empathy and you just... didn't.

The Lady Whistledown this season was just... I think I have a thesis which is most of my thoughts on Polin.

Whistledown was meant to be the subplot to the Polin storyline, not the other way around.

Putting aside my own wishes to have her end Whistledown for her character and for her and Colins relationship, and her love of Colin, her continuing it isn't unexpected I was afraid of this and thought it might happen even if it's lazy. If that was it and if it was handled better I think I could begrudgingly live with it. But it's not. Not only was it handled so so poorly it was the whole second part and for what? Part one was Polin. Part two was Lady Whistledown drama with some cute Polin moments sprinkled in-between with some mandatory angst. Tell me the resolution to Colins arc now. Quickly. You can't he didn't have one, we barley even saw him through Episode seven and eight. There is so much romance in your purpose being the person you love, IF and only IF, it's reciprocal. Penelope literally says in season two, when she has been Whistledown for over a bloody year that she hasn't found her purpose yet. They were meant to find each other. To both have their writing as their passion and creativity and fulfilment, not Whistledown, but her manuscripts, his stories from around the word their joint and secret words. But their centre, their purpose, their guiding light was always meant to be each other. It's what kept Penelope sitting at that window, it's what draw Colin to her at every ball. They had all the potential and set up to be the most beautiful, genuine, heartfelt relationship. But no.

Colin deserved to be angry. The woman he loves has lied, has hurt him, has his from him after all the times he was venerable with her and so, so much more. They deserved to argue. Penelope deserved to be more upset over this than crying in the moment and walking past him later. That's the man she loves, who she thinks hates her, who she know if he did hate her she would deserve it and she wouldn't blame him for a second. They deserved time and space and Colin deserved explanations and apologies. They deserved a later, happier wedding, they both deserved to have their feelings heard and said and listened too. Is that not the core of their relationship? Listening to and seeing each other? Would that not lay the groundwork for some really good well earned conflict and a really rewording resolution? The groundwork was all there that's what's killing me. The set up was all there for something so good which is why I was excited. I know screen time is limited, I know there is only so many emotional conversations you can have on screen, but Bridgerton primarily just people talking on conversations, when it's there bloody season surely they can space out the conversations that need to happen in a way that works with pacing. And to be honest, the screen time defence only works when the screen time that they did have was allocated well. And I'm not taking subplots. Even if I think a few could have been trimmed, the screen time Polin did get was just used so so badly. Colin got dust and that didn't even feel like Penelope had the time, just a mouth piece for the writers.

Rapid fire stuff because I need to expand on the above in more detail later lol.

The acting was flawless give everyone on that set their flowers.

I really like the Mondrich's and seem to be the only one who likes seeing them lol, their sweet and always a good time they just need a better storyline, or you know, one that actually has a resolution.

Not what I would have done for Benedict and I still want to see him look at art again but let's hope season 4 is better lol.

Don't like the way Penelope's family stuff was done, specifically Portia but it is what I thought would happen. Disappointed but not surprised. I'm biased tho so I won't speak on it too much. I lose too much objectivity.

Hate hate hate the baby thing tho, it was fine as a subplot with her sisters but her having the boy was predictable and also dear god the girls nineteen for fucks sake. No. Hated that.

Francesca the absolute love of my life. I adore her and John, I liked the conflicted with Violet, loved everything about her storyline this season she was perfect, my favourite part honestly lol. Also Michaela Stirling get behind me NOW. Sapphic Bridgerton fans truly are the bravest soldiers cause istg. Also I don't trust this fandom with any actor or actresses period but especially not a Black actress who's "ruining" your favourite storyline. So I will be greatly enjoying everything I see of all three of them Francesca John and Michaela, while watching with a sharp eye for any bullshit.

Kate, also the love of my life it was so lovely to have her back even if just for a bit. Wish they did more with Anthony especially him and Colin tho, but again, wasn't expecting much more. I do wish they would write them out with a bit more subtly tho it's getting almost funny how obvious it is.

The Violet, Marcus, Lady Danbury plot I didn't actually mind. Could have been trimmed a bit but it was good seeing the adults in more depth, I haven't watched queen Charlotte tho so I kinda feel like I missed some things.

Overall, I liked certain parts of this season I really did, especially if I fully ignore the context, and I'm happy for everyone who enjoyed it truly, but it was have an entirely different ending in my head. I'll definitely write about at some point but who knows if anyone wants to see that lol.

[waitmyturtles]

Have you read any of the Thai academic papers regarding MAME's work? sometimes I feel like fandom at large has a very strong western bias towards her that borders on xenophobia in review of anything attached to her unless it's more low stakes gmmtv style stuff like wedding plan was which suits western sensibilities more.

Hi, Non! This is interesting framing you've put forth here. I want to note that I'm close with some folks, particularly @bengiyo and @lurkingshan, whose critical tastes I trust, and I can assure myself that they would not call Wedding Plan low stakes. During my Old GMMTV Challenge project, I promised myself that I would not watch another MAME show after Love By Chance and TharnType, and I've taken Ben's and Shan's urging to chuck that aside to add Wedding Plan to my OGMMTVC syllabus, which I'll get to after my summer travels. Let me take a second to sort this all out in a more sensible and chronological answer to touch upon what I know about MAME now that I'm much more read into Thai BLs and the history of the genre.

Regarding academia and MAME, I have not read Thai source material on her start and her legacy in Thai Y novel writing and Thai BL/Series Y television productions. What I am in the midst of reading at the moment is Dr. Thomas Baudinette's Boys Love Media in Thailand (Baudinette hailing from Australia), and he does get in depth with MAME's beginnings, which for me was the first primary source material that I have encountered about her background. To summarize quickly, MAME (along with individuals like INDRYTIMES/Kwang Latika, who wrote the original novel for Love Sick, and others) was part of the first crop of young middle-to-upper-class female college students who became enamored with Japanese BL/yaoi manga, as well as (in many cases) K-pop idols, and began writing fan fiction about and/or in the styles of these interests, which led to the development of the unique Thai Y novel genre.

It does seem to me, at least on Tumblr, that a good chunk of Western fandom here has written off MAME. I'm Asian-American, and I come to my hesitation about MAME from a particularly Asian perspective, so I really can't speak for the non-Asian fans about what they're rejecting. Let me at least explain what I'm rejecting, and how I've engaged in dialogue about it with critical friends here.

LBC did not have as much of what I will attempt to describe as I saw in TharnType, something that I might now call collectivist homophobia or collectivist bias. But LBC had a smattering of it, something that I smelled early on in that series. In both series, MAME seemed to approach her characters, to me, with a distanced hand of judgement that, to me, recalled the kinds of biases that my Asian parents tried to implant in me in my childhood, that I rejected throughout my young years. Queer material is so very often not good to its queer characters, and it seemed to me through LBC and TT that MAME intended to gild that lily to channel a populist homophobia that she seemed to know would resonate with a broader fanbase -- which it did, in part, because TharnType in particular was the first Thai BL with heat in every episode.

(Two things to note about my review of TharnType that I penned last year. First item to note is that Boys Love Media in Thailand had not been published yet, and I had not read primary source material about MAME. I was enraged at the time about fan theories that MAME had been a victim of sexual assault, and had therefore written her queer characters with the biased vitriol that I perceived coming from her because of that theorized past. I still think these theories are equivocating and problematic. Second item is that I heavily recommend reading the reblogs of my TT review, tags and posts and all, to see literally the spectrum of commentary of the MAME fandom/anti-fandom across Tumblr. Writing that post and reading those reblogs was a hell of a great experience.)

Just to summarize this, then -- I choose to not engage with MAME because I see under- and overhanded bias in the work that I've watched, with my Asian eyes; and I just might assume that many Westerners see the same thing. But I don't really know, because I haven't talked to that many Western fans about the depth of this.

So what does this mean for this moment in time? I understand MAME's Love Sea is airing, which I'm not watching, and I missed the boat on Love In the Air -- so I think I'm missing some critical and/or catty chatter about those two shows from the fandom because I don't have context.

But I do know there are folks out there that either write MAME off wholly, likely for similar reasons that I've listed above, and/or hate-watch her shows and post about it. To each their own.

I would not have considered Wedding Plan if Ben and Shan weren't screaming about it. I'm happy to have fewer shows on my plate, I got no time. However.

Nothing in this world exists in a static vacuum. If MAME is experimenting with tone, approach, style, and even taste regarding her shows, then more power to her. @bengiyo's post linked above about Wedding Plan is important for me to see, because I see that he's noting that parts of the fandom may have actually demonstrated real homophobic dialogue about MAME's fictional characters, which, to me, I'm like, what? Really? You got time for that? But also:

If MAME, back in 2019 with TharnType, picked up that her Thai and global fanbases were more inclined to check in with collectivist homophobia, as I'm calling it.... and now, in 2023-2024, has noted that her fanbases might be far more inclined to support real queer equality and overtones in shows, and is including those themes in her work -- can we not welcome that change in? That's why I'll give Wedding Plan a shot.

Let's be sassy and ironic for a second. Could she be making this change for da money and the fame? Sure. But -- capitalism unfortunately rules this world. Car commercials in the States have interracial queer couples parenting children nowadays. If equality talks to money, then content makers will take note. I think I'd be a hypocrite to say that MAME shouldn't make her dollar, all while she's experimenting with more equitable stances.

Last note. There's been quite the dialogue simmering these past few weeks about GMMTV's We Are, and whether or not GMMTV is stepping away from a past where many (not all, but many) of its shows explored queerness in depth. He's Coming To Me, Bad Buddy, Dark Blue Kiss (yes... the first three shows I listed were Aof Noppharnach shows, fuck), Theory of Love, 3 Will Be Free. The major GMMTV BL/GL shows that have aired recently that have made huge waves on social media -- Only Friends, 23.5, Last Twilight, and now My Love Mix-Up -- were/are helmed by branded (capitalism, hello!) pairs, and three out of four of them were flops, with MLMU already treading that territory in EPISODE TWO, for heaven's sake. (Y'all, read the reblogs on this post. Wow.) I finished a rewatch of The Eclipse weeks ago, and I'm dragging my feet on my review, because of what I think that show represents for what branded pairs end up doing to otherwise original content.

I want to posit a theory, that I'll work more on when my OGMMTVC is over, that we have living, real-time proof that the branded pair system is failing good content -- because these shows have to produce engagement snippets of these pairs, instead of more broadly penetrating artistic content. GMMTV's one-off shows with non-branded pairs, like Be My Favorite and Wandee Goodday, are FAR MORE INTERESTING content-wise, varied and inquisitive in their artistic takes on queerness. Even Cherry Magic, featuring the long-awaited return of TayNew, felt fresh, because we literally hadn't seen TayNew in FIVE YEARS. Tay actually KISSED ANOTHER DUDE, shocker!, in 3 Will Be Free. I want to go back to those days, where the pairs could act well outside of their range and their business partners, instead of being limited to the same tone and style that their pairings and their fandoms demand.

I say ALL OF THIS, because isn't it interesting that GMMTV seems to be reverting on a scale of inquisitiveness about queerness -- and MAME seems to be going in the opposite direction?

I would not have expected it. But I have found, lately, some of GMMTV's "takes" on "queerness," as in Only Friends, to be outright offensive. This corporation has become far more gunshy to let their branded pairs just be fictionally gay. If MAME wants to take on a healthier stance of equity, and to play around with more realistic depictions of what it means to be queer in Thailand, then go for it, girl. I will admittedly be watching Wedding Plan with my Asian side-eye and my smell tests for bias, but I look forward to being proven wrong about my suspicions. I want to be a responsible fan here, open to MAME's changes.

This ended up being a lot, but thank you for provoking these thoughts, Non.

[gleefullypolin]

Stacy's Tipsy Musing's - Colin Bridgerton Hot Takes - Part 4

Ok boys and girls, we need to have a little chat about Colin Bridgerton.

Part 2 has been out now for a couple of days and there have been a lot of hot takes to come out of the season. A LOT of hot takes. I’m going to break this down into 4 parts. 4 questions that I'm seeing really bad hot takes about Colin.

Now none of this is new, I gotta say before Season 3 aired Colin was a hot button topic anyway. He seemed to be the Bridgerton brother that lots of people love to spew hate takes on anyway. But damn I gotta say its painful seeing the Polin fandom have so many bad takes falling from their lips.

So, I figured...having a little drink tonight, sitting down for Father’s Day (Happy Father’s Day, Colin) I’d give you the opinion on some of these takes that you didn’t ask for...Mine!

Last time we talked about Colin’s entrapment statement to Pen and if he truly meant it.  Question 1, Question 2, Question 3, now lets get to Question 4:

How could Colin refuse to listen to Pen and just jump in to fix the situation with Cressida?

Colin “Hero Complex” Bridgerton to the rescue! This one is the easiest to answer because it has been coded throughout all 3 seasons to his character.

Season 1: Needed to save Marina from ruin. Even after finding out that she lied to him, tricked him, was pregnant with another man’s child, he STILL would have married her if she had told him she loved him. Like the boy had hero written on his chest and wanted to rip his shirt and fly into the sky to save her. He was the star of his own action story until it all came crashing to the ground the moment the damsel told him she didn’t love him. She thought him a foolish child.

Season 2: We have a couple of hero moments in season 2. He’s still stuck on there being a chance at redeeming himself at saving Marina, visiting her to see if she is happy, if there is anything he could have done differently for her. And once again he is told to stop living in a fairytale. The damsel is not in distress.

Our second hero moment comes in Jack Featherington. This time he gets to be the hero; he saves the ladies Featherington from his schemes. He proves him to be a fraud and runs him out of town. He has no idea that Portia is actually in on the scheme or that it has put the Featherington house into its own ruin at this point, but he rushes in to save the day without thinking ahead of anything else. Damsels in distress, Colin to the rescue.

Season 3: Ok, Pen needs to find a husband, Colin to the rescue. Balloon in Pen's path, Colin to the rescue. Pen is in danger, the Queen has advanced on her, and now Cressida is threatening. Colin does not even hear Pen the moment she speaks, all he hears is danger and he begins to act. His wife is in danger, and he will protect her. Hero mode activated. Again, Colin does not think ahead, he only thinks that his purpose is to protect. So he does not stop to listen to reason, he doesn’t hear Pen’s words or even sense, he just takes action.

The action at hand was apparently to go have a therapy session with Cressida Cowper, because that is what he did. A passionate plea with a woman who had no empathy. It was one of the best scenes however, because it was interesting to me that Colin was unable to tell Pen how he was feeling, but he opened up to Cressida and spilled his thoughts. Why? Because he did not care about her judgement, he did not care about her feelings toward him.

He admitted to feeling loss when Pen did not respond to his letters, he admitted to becoming a fraud, a shell, a person who closed himself off to feelings because he lost the person who opened him up to that piece of himself. He spoke of Pen’s treatment, he also tried to separate her once again from Lady Whistledown as if Pen was simply working for the woman and not actually the person holding the quill.

But Cressida was quick to pass her judgment, she clocked his jealousy immediately. He tried to appeal to her about love, family, fairness, and loneliness. Things he incorrectly assumed she would understand, but Colin, just like Eloise, is a sheltered Bridgerton’s who do not always understand how lucky they are, and he misjudged her reaction.

And our hero returned defeated by our villain. He faced the consequences of rushing in without listening to his wife. She thanked him for his counsel and his heart sank. Once again, the damsel did not need him. Once again, his purpose was gone.

It is only when she tells him she does not need him to be her hero, she simply needs him by her side that he understands his purpose. He doesn’t need to rush in to be her hero. He simply needs to love her. Sometimes the damsel saves herself. Colin truly is that wonderful romance hero I dream of.

Stick around for a bonus question....

I can’t believe Colin was going to just take 20,000 pounds from the Bridgerton funds, he doesn’t even have a job to take money from the family?

[greenqueenhightower]

ls it just me, but despite the fantastic fantastic acting from Emma D'arcy and Harry Collet, I couldn't cry? And if there were any tears welling my body wouldn't let them out because I felt like I was being to forced by the writing to care about them? And usually I cry super easily, I'm a sensitive baby. But like I'm just utterly bored of everyone on TB!!!

People compare them to the Starks but I don't see it? The Starks were incredibly interesting! Rhaenyras sons seem to be just culled from a Disney Family Movie.

I initially started leaning TG only because I couldn't find any ounce of sympathy or understanding for Alicent's situation that much, I didn't really even care for her. Now I just can't stand how obviously biased the show runners are with how they fucked up blood and cheese. It also ruined the opportunity to make TB actually interesting! Why are they so afraid to make the greens sympathetic?? I'm sooo utterly bored of TB!!!!!!!!!

Rhaenyra is a plain Mary Sue, I hate when people compare her to Daenerys. None of her children are interesting and I just absolutely despise Daemon and have NO idea why women simp for him.

Every time Alicent and especially her children come up on screen I'm just extremely intrigued. I cannot say the same for any character on TB. The only saving grace for TB is my love for Emma D'arcy but that's about it.

Anon, you expressed my exact thoughts!

I love Emma and Rhaenyra's character could have been so interesting if it was not framed as the character you should be rooting for "just because". Her narrative as a rightful ruler of Westeros is skewed and uninteresting because everything was handed to Rhaenyra on a silver platter.

I ADORE the greens because they are fighting tooth and nail with themselves, their imperfections, their outside influences, society's norms, pressures from centuries of indoctrination, and others' manipulation. Rhaenyra is fighting against what exactly? She would be more interesting to me if she was more flawed like you said, more eager to go out there and claim her rights, and less keen on being miss-goody-two-shoes for the viewers. Daemon is interesting because precisely he is so evil and horrible.

I also did not cry at all at this episode which is a shame because B&C is one of the worst, if not THE WORST event that GRRM has ever written and we got a minute of some reimagination of it. I wasn't at all pleased with how the writers and producers treated it and I was so disappointed at how they portrayed Helaena and did not give way to her grief and suffering. Let's see if they do so in episode 2.

TB are definitely not the Starks, and I'm glad the show does a poor job with TB's revered and immaculate portrayal because it would upset me if they tried to replace or replicate the Starks.

I'm also extremely intrigued by Alicent, Aegon, Aemond, Helaena, Otto, Larys, and Criston, and they are the main reason I will be watching S2 this summer.

[utilitycaster]

Hope I can phrase this in a way that makes sense but—

What well-known actual-play cast member is your favorite for each of the core D&D class? Not necessarily a specific characters, but I’m interested in which players you think brings the most to each class.

This is a very interesting question! It's a hard one to answer for some classes and very easy for others so bear with me; also there are a couple where I could not pick just one.

I'm sticking to the PHB 12 for, as you said, core classes:

Barbarian: While Travis did give us "I would like to rage," I think Ashley and Taliesin get to share this one for me. I think they both really explore what rage means to someone and while I love a good "I'm a tank because I can take the hits and that's what I do and what I'm good at" story, I also think Yasha's messy relationship with her feelings of guilt and grief, and Ashton's chronic pain, are both incredible ways to play with the barbarian archetype.

Bard: much easier. Sam Riegel and Krystina Arielle. I'm a sucker for someone who actually sings even as I don't think you have to (and have played bard without doing so). It's both clearly a class they each love dearly and it shows, and they're incredibly musically talented performers to boot.

Cleric: Lou Wilson. Especially since I didn't like Fantasy High season 1 Fabian until the end of the season Kingston blew me away. I would love to see him explore cleric again, though it's exciting to see him as a paladin on WBN.

Druid: Emily Axford as Moonshine. Emily as a rule understands D&D classes very well anyway, but I think the culture of the crick and the ways that Moonshine must grow as a character while being a druid take it to the next level. (Also I prefer a caster-heavy druid to a shapechanger-heavy one; that's just me).

Fighter: Back to NADDPod because literally who could I say other than Jake Hurwitz, the man who only plays fighters. People who are new to D&D when they start actual play can be hit or miss imo; some pick it up and some lean harder on being showy to make up for it and it doesn't play well for me personally, but Jake is the greatest hit.

Monk: Marisha Ray; Beau is just generally a great character, and I think Marisha's own experience with martial arts informs the way she plays her; monks can be kind of repetitive in combat even with strong players and she manages to avoid this through her description.

Paladin: This is actually super hard because people don't play straight paladin a lot. This is incorrect of them, but it is an intense class. I think Luis Carazo and Zac Oyama are like...the duality of paladin (and indeed, redemption paladin). The tragedy and the comedy.

Ranger: Laura Bailey, natch; it's funny because Vex is in many ways not the archetypal ranger due to having high charisma, but she is simply my favorite and that's that on that. Sorry the mechanics were so bad; I would love to see more rangers in D&D even though Vex will be hard to dethrone. I promise Tasha's fixed them!

Rogue: I think I'm actually going Murph on this one. I like when rogues are more of the detective/spy type than the assassin/criminal type [obligatory "of course that's what you'd say you stupid paladin stan"] and inquisitive and arcane trickster are probably my two top rogue classes so Riz it is.

Sorcerer: I do consider PF1e cheating here because it's technically a different system that also imo addresses a lot of the weaknesses of sorcerer/makes it way better, but Bryn Monroe of RQG did play a great sorcerer. In D&D? Giving Emily Axford a second spot here for Saccharina. I'm going to talk about this for warlock, but I think sorcerer is a class you don't have to justify but if you don't it's a little unsatisfying. Sorcerer really shines in the Crown of Candy setting, and metamagic often doesn't live up to its reputation but Emily makes it work for her.

Warlock: Travis Willingham. I think there are classes that are kind of self-explanatory, for lack of a better term; you can play a fighter or rogue or even a bard or druid without going super deep into why the character is this class and still be an incredible character (though a good backstory never hurts). But there are others where you really need to be engaging with the class at all times to make it work, and warlock is one of them, and Fjord explores the warlock pact and what it means like few others.

Wizard: Aabria Iyengar. NO ONE gets wizard hubris as a player like Aabria. Knowledge is power and boy do wizards love knowledge. I especially like that most people in 5e play wizards as genuine adventurers because it feels very easy to play them as old guy in robes swept up in events beyond them; Aabria plays wizards who are combat ready with the humanity and backstory to make the difficult decisions sympathetic and meaningful, and I think that's how you have to play it.

Note: I want to specifically call out Liam O'Brien and Siobhan Thompson as "people I trust in basically any class or system and just didn't happen to hit a favorite here due to sky-high competition/personal preferences". They are both very close seconds for wizard.

[sepublic]

Given Luz’s arc in the Boiling Isles was about expecting fantasy only to encounter reality underneath, I find it fitting her villain follows a similar trajectory. We are introduced to the enigmatic Emperor Belos, a strange and mysterious villain wielding arcane magic. Many of us understandably speculated that he was some sort of lich or other type of demon, and in the end…

He’s just some guy; Just another bigoted human. Even with his human persona Philip Wittebane, he attempts to frame himself as some tragic character unfairly hurt by society…

But again, there’s the simpler truth; He’s just an immature jerk. That’s why he’s disliked. And it’s interesting, how instead of the romanticized, sympathetic, larger than life villain, we have one closer to reality, and accurate to the actual people in power that Belos is based off of; Entitled (wo)manchildren with delusions of grandeur. It’s fittingly mundane and literally what Luz struggled with back home.

Belos is every conservative politician who thinks he’s been deeply wronged by minorities, and blames them for “taking away” a loved one who clearly made their own choice and was happier for it, because self-perceived victimization provides a handy excuse for their banal actions. They say they’re maintaining the sanctity of society but really they just want to control their perfect little worlds, and have more than enough devil’s advocates. Think of guys like Elon Musk; Some mediocre white dude who thinks of himself as particularly exceptional and self-made, when really he just stood on the shoulders of others and stole, and throws a tantrum whenever he doesn’t get his way.

He’s a mundane bully with no greater reason than that it’s easier to hurt others and put them down to make himself feel taller by comparison; Not so much because he’s been hurt (if at all), but because he doesn’t care. He’s the bully who cheers for Dumbo because he lacks the self-awareness to realize he’s the villain onscreen. And people like that often don’t accept help, and sometimes they never needed it to begin with because their issues don’t come from a lack of compassion from others. You should try to understand others, but sometimes all you’ll find in some is banality. Belos isn’t some type of made up creature, at his core he’s the exact kind of person you’ll encounter in real life, hence his mundane parallel in Jacob Hopkins.

And this is all very fitting for Luz’s arc; Luz went to the Boiling Isles expecting some form of escapism, but in the end, the exact same problems she encountered at home followed her there. The same type of person that contributed to Luz being deemed deviant in the U.S. also plays a role in Luz feeling unwelcome in the Demon Realm; A Puritan white man, one of the progenitors for the founding fathers of America, and its evangelical culture.

The friends Luz meets, and the people she resolves conflicts with (some of whom do fulfill the sympathetic antagonist niche), are just like you and I. There’s no real difference between witches/demons and humans. What Luz learns in the Boiling Isles still applies to her human life; She didn’t succeed in running away, but actually unwittingly grew to handle it and meeting new people. She developed the self-awareness needed to avoid becoming like those who originally hurt her, and after helping so many others was allowed to realize she was also entitled to setting boundaries and prioritizing her own health.

Luz finding the isles is fundamentally no different than a person in real life moving somewhere else, and/or finding a community of other humans like them, with the presence of kids like Masha and their friends displaying how that applies in real life. Luz still learned how to deal with reality, she had it in herself all along. She didn’t ignore her problems in the Boiling Isles, she faced them there with support. The Demon Realm and Luz’s problems h there aren’t all that different from her ‘real’ life, they’re just as real and that’s why they still matter and are good for Luz. It’s all one big metaphor and Luz figured that out like the audience did.

[mot-hesbian]

Why are we complaining about season 3?

Like, my issue is the neverending threesome. That's it. Why was it still going??? Why was it so long???? I love them exploring characters' sexualities, but ffs.

Other than that, part 2 made me really like the Mondrich storyline, still don't know how they did it. Like, it felt so unnecessary but then suddenly within their first scene in part 2 I suddenly enjoyed it??? What did they put in the water for part 2 to be this good?!

I liked getting more Danbury backstory! I enjoyed Violet starting to find love again!! I loved John and Francesca (because yes, they did have to show their story with their changes to the timeline!!! I love Mikaela and am so excited for their story!!! I just wish that Frannie didn't have an interest in her yet, in the books she didn't love anyone but John until after he died. I didn't like that so much.)

I love the nuance of Polin's story!! We needed a love story with more nuance and, honestly, they wouldn't have been able to tell their story without it! Colin had every right to be as upset as he was and to take his time to forgive her and move past it in his own time!! Penelope was allowed to be upset with how he was handling certain things and take control of her own story!!

I think people forget that even in the book it is, in many ways, PENELOPE'S story we are reading. Yes, Colin has his own storyline, but it doesn't take the precedence that hers does. I love her calling him out for his white knight thing and telling him she doesn't want that (something I wanted to see in the book).

I wish they kept in his speech about loving her, but making it more personal and not in front of the ton. She deserved to disclose her identity herself and I love the show for that!

The evolution of the Featheringtons is gorgeous and I love it!!!

All in all, I really love part 2 and wish it wouldn't get so much hate