#she just has a spot you know?

[spacedlexi]

"sounds nice... having a partner"

[yuviur]

Shot by Carol, on one fateful Saturday morning

[sysig]

“It could be that the loss of her children drove the Queen deeper into her darker desires...but, I don’t believe she was fighting against them that hard before that particular tragedy. No monster does.” (Patreon)

Bonus:

Hmm, wonder what he could cover those holes with :3c

[poorly-drawn-mdzs]

Broken Roofs and Fixed Perspectives

[First] Prev <–-> Next

[spotsupstuff]

a great advice for when you are afraid that your oc is too similar to a canonical character is to Take your oc and dump them directly into the place of the canon character to see how They'd react to the situations. they react too similarly for your tastes? edit them up.

example: it was worrying me quite a lot that Zephyr might be too similar to Moon. both an old female ("female"... it's supersized microwaves how female could it be /j) Gen 1 iterator that is the senior of her group that collapses and her absence seems to somehow both affect a lot and not at all the rest of the group, both are relatively kind as evidenced by their interactions with slugcats. alright, that's really similar- don't feckin like that! but big part of that is the inevitable fate of all iterators (all will one day collapse). you could call it a trope, cliché. tropes and clichés are tools for the story to take a root somewhere and then the characters themselves help develop it in an unique way

"okay, so i'm going to throw Zephyr into Moon's situation and compare how both of them (would in Zeph's case) deal with it to see if their personalities are too much the same." i say to myself result:

Key Element Discovered: Moon Does Not Possess The Will To Utilize La Chancla Within Five Seconds Of Being Confronted With A Bitchy Child. Let Us Build Off From That

[mortiscausa]

i can't stop thinking how funny it would be if gareth's brothers did in fact recognise him and were just like 'well clearly he has his reasons so let's all be good big bros and pretend we don't know him' and then spend the next few weeks before he goes off on his quest pretending extremely badly that they have never ever met this kitchen boy before nope not at all even while other knights are looking at them and looking at gareth and going 'hmmm'

[whetstonefires]

Do you have any opinions on Scholomance?

I do! I like it a lot. I really enjoyed all three books, blitzed through them easily and was much more excited to see how the plots unfolded than I'm used to these days, as a jaded adult, and I also really appreciated them as works of craft.

Especially the first one, I spent the whole time being all 'wow!' at how simple it was. So easy to read, but no waste. You really need to know what you're doing, to get that kind of pared-down elegance of form to work and still fit so much content in.

Like these are dense, there's a fantastic stylistic minimalism that allows El's character all the space it needs to breathe by making absolutely every other thing and person in the whole novel also do character work for her, which is exactly where the first person voice shines.

Also great use of character perspective to make the pacing feel really natural, so the fact that the first book takes three weeks, the second book takes one year, and the third book is like. Five or so incredibly stressful days spread out over the course of a few weeks? Doesn't feel imbalanced.

I actually got distracted from the story a few times by noticing the strength of Novik's technique. 😂 This is a me problem, in itself it's the opposite of distracting. Very low-profile.

I think the Scholomance is a great example of how far you can go in specfic when you aren't cringing from the label 'derivative,' because the Scholomance books feel very fresh ad clean specifically because nothing in them is concerned with standing out as 'original,' whatever that's supposed to mean, only with being well-executed and suitable to its task.

Hm, maybe that's where Liesel was born, the intersection of the efficient narrative style and the vast proportion of the story that concerns the maximization of utility and the instrumentalization of persons by themselves and others, and the forces that incentivize these behaviors. Or maybe she's just the narrative counterweight to Orion 'Head Empty' Lake lmao. How's that for a principle of balance, Galadriel?

I really did enjoy how beautifully it was laid out, over and over, in dozens of shades of humanity, how no matter where you go in an exploitative system almost everyone is being driven by the same survival instincts.

Because I don't think I've ever seen made so cleanly clear why you just can't expect any person or small group of people, no matter their level of goodwill or status, to unmake one of these systems from the inside; how it's not a matter of people being bad but of every single person being very...small.

And then not retreating into the idea of a person who is Big coming and breaking the cruel system from the outside as some kind of panacea, because 1) that is terrible, even if it's necessary and done in the best way possible and 2) that's not a sustainable answer to anything. Getting a balance between the protagonist being able to effect change and not subscribing to the great man theory of history can be really tricky!

Also did I mention, I love El, and I love most of the cast, even the dreadful ones. How am I going around with this many feelings about Li Shanfeng who doesn't appear until the actual climax?

The romance murdered me a bit, but it took up no more space than it absolutely needed to do its job, and I respect that. Also I appreciated Orion as a love interest; Novik has a slight record at this point of a version of that style of male love interest who's like a caricature of Mr. Darcy but old, which was shaping up to be my least favorite thing about her body of work.

...Orion is kind of like if you took the human king from Spinning Silver and gave him an alignment flip come to think of it, so he's not coming out of nowhere. Lmao.

Which reminds me (re: romance character typing) I've heard Novik didn't want it to be known she was astolat, which this series has renewed my sympathies if so. Because if I were a published novelist I wouldn't want people going 'you know, that resolution was really emotionally satisfying! reminds me of that fic she wrote where optimus prime and megatron get stuck in a hole underground and hatefuck about it.'

I don't even like Transformers. That fic almost made me cry. Actually I suspect it reads better if you don't like Transformers because I'm sure it does not give a shit about canon.

Anyway, whoever pointed out that one of the things El has going on is she's Enoby (and we're going to sit down and explore what the true reason to put your middle finger up at preps is, and what are some constructive ways to channel that socioeconomic wrath, and what it means that there is no ethical consumption under capitalism) was right and I'm not entirely over that either.

Fucking love El's mom as a character. Spectacular level of parent relevance and usefulness. A+.

Aadhya and Liu are also characters who fucking delivered.

Re: minimalism though, I laughed at the start of The Golden Enclaves when I realized that none of the enclaver characters who'd gotten development in the the first two books were from London, the enclave El was theoretically shooting for when we met her.

[berixblitz]

Woah pvz plant headcannon designs?!?!? (Sorta)

They're all pretty short because imagining most of them being average human heights is kinda scary. Also peashooter being short af is really funny

(Also I was just eyeballing the heights so I don't think they're very accurate. Just take it as approx and not the actual amount ig)

Bonus art I did on same canvas !!

[sctumsempra]

rip severus snape you would’ve loved being a barista at an indie coffee shop

[nyatbinary-81]

@vulpixisananimal sifstem art jumpscare!! more specifically i got bored and decided to mess around with sif and mal's outfits.

[stop-breaking-my-heart-telltale]

favourite twdg villain?

I'm a fond enjoyer of the St. John's as villains. I don't know if they're my favorite just because they're only in one episode, but I love the concept of this family almost immediately jumping into cannibalism toward the start of the outbreak, dealing in human flesh to bandits, and casually feeding this group their friend's legs.

Like... what the hell was this family like before the outbreak that all three of them were like, "Hey now listen... nothing should go to waste, the dead are eating people so why shouldn't we? We gotta survive and in our defense, we only target those who were gonna die anyway... like y'all."

Dude, Mark was shot in this shoulder with an arrow. He wasn't going to die from that injury. It's so fucked that these seemingly friendly people took the group into their home and then fed them Mark's legs.

If we take the idea that everyone is infected and have the capacity within themselves to become walkers, to become monsters, then the St. John's were infected long before the outbreak, y'know? Not literally, but something was wrong with them and the outbreak just further spread that infection and changed them.

But again, are they my favorite? I dunno if I can say that since I have a lot more appreciation for Lily now. Yeah, some of her writing gets a little wonky in ep3 of TFS when she goes on her monologues and shit, but y'know what? I'm into it.

You have to remember who we're talking about and the fact that she's the antagonist; Lily isn't some anti-hero in TFS who secretly has a heart of gold that's brought to light because she reunited with Clementine... she's a fucked up woman who did fucked up things in the name of survival. She's full of rot now. She sees kidnapping children and turning them into soldiers to protect her home as a means to an end, but she doesn't actually give a shit about the people she's taking. They aren't people to her, they're as the episode title suggests, toys in her game. The only one she sees as a person is Clementine, and while that makes her hesitate at first, she sees Clementine's a prize to bring back.

She remembers what happened in S1; her father had a heart attack and as she tried to save him, Kenny smashed his face in with a saltlick and then expected Lily to just stand up and help him get back to his family because "he did what he had to, he made the hard choice." Yes, Larry was a piece of shit. No one liked him, and you can even question Lily on him and she'll tell you that he has a lot of pain. Yes, it makes him an asshole, but he's still her dad and he's all she has. I mean... the simplification is daddy issues, but in all seriousness, I don't doubt for a second that many of Lily's issues stem from Larry being a shitty father to her.

Then everyone thought she was losing it when she insisted there was a traitor in the group, which she was right about, but she was unstable. She was unwell, but how do you help someone like that when you don't have training to go about it? Then Lily ends up killing either Carley or Doug and the group turns on her, and either she's left behind or she steals the van and runs away.

Then we don't know what the hell happened to her until we see her again in TFS, but like... a lone woman with decay festering inside of her joining the delta? Exposing her to their methods? I mean, what else did she have to lose? She had nothing, she lost everything, and she has a lot of issues. Survival is easy when you're numb, when you don't care about the individual; they're all just cogs churning to make the system run, and if a piece doesn't cooperate, you get rid of it and find a new one.

Plus I think there's something to say about Lily not wanting to be perceived as weak again. That whole display she put on in the cells? Telling the story of what happened to Minerva and Sophie? I get the criticism that it feels like Lily did a 180 between episodes but like... yeah dude, because it's a performance. It's not just her and Clementine anymore. It's a display of power and authority. She's playing the part and thriving in it as she ensures everyone else is terrified of her.

But then when Clementine and AJ get the upper hand? Again, she's not afraid to play up the pleading to earn enough sympathy to spare her- hell, just to let their guard down enough to strike and get the upper hand again. I mean, she's got nothing else to lose, right? If she doesn't go for it, she'll be killed and sure, you can kill her anyway but at least she tried.

Honestly, I look at Lily in TFS and still see that scared little girl playing the tough bitch, just like Carley said in S1. It's just now escalated from "tough bitch" to a downright vile person. She's so... lost? I suppose? Lost within herself and the monstrous means she's taken to survive.

I get the criticisms of how she was used in TFS, but for me, it's like when people complain about Minerva not getting the redemption arc she supposedly should've gotten, y'know? There's no saving her. Lily was never on our side, and there was no getting her on our side. She wasn't ever going to redeem herself. Even if you spare her and she drifts away on her raft, can someone like her actually find redemption? Or will she just find another group that'll feed into her rot?

Truly, I say let her be horrid. Let her be the piece of shit villain with a few fleeting moments of humanity. Let her drown in the blood she's spilled.

[spaciebabie]

shoutout 2 this person in my class who i can tell wants 2 talk 2 me really bad but instead of doing that whenever she has the chance she'll talk 2 whoever else is around and ignore me entirely unless im mentioned by name

[loving-jack-kelly]

i think. for spot being in love is the biggest and most unexpected thing in the world to him he didn't expect it he doesn't quite believe it's real he can't get over it. and for race it's another tuesday. and this means that race says I love you first because it's not hard for him and race says it more often because it's not hard for him and race says it more casually because it's not hard for him but spot says it and feels it from his head to his toes and there are not three words in the English language that mean more to him than "I love you" to say. or to hear.

[helpmyinterestsareverywhere]

My two favs are keeping me company at my desk <3

[starflungwaddledee]

which ocs in the fandom do you find the most interesting? also, which ocs do you think have the most aesthetically pleasing designs? finally, which ocs have you only heard of but would like to know more about?

ohhhhhhhhhhhhhhhhhhhhhh nooooooo ha haaa noooo i can't possibly answer this because it would be soooo unfair to have favourites wouldn't it's comet knight by @kittenvirus

[spotsupstuff]

watchin rw vids where they assign the iterators voices hurts my soul quite a bit cuz they basically always sound so so off.. like what do you mean Moon's an american woman who most likely uses Instagram, is full of herself and is working on her influencer career... (that should be Innocence, fight me on this) why the HELL is Pebbles' voice so deep and macho, that is Not the pink baby fail boy whom I love to go moderately mad over, please I'm going to die cuz of macho Pebbles nuuuuurgh

they basically already have canon voices please listen to em, Moon sounds like a glitchy Hatsune Miku. when she speaks there's always a ghost of a smile shaping her words. she sounds curious, wide-eyed- ready to wonder and dive into theories. she's so unbelievably soft and comforting and like she would teach through playing games with her students. she sounds like someone who would clap her hands alongside the beat even if she doesn't care much for music. she'd run into a field and twirl her dress and laugh all the while. she sounds Happy, she's glad to be alive Pebbles sounds like a suppressed nerd duck which speaks through its nose instead of the chest. he sounds like a tired smartass!!! there's this tiny rasp to his voice, but the kind I'd more blame on sadness than anything else. he sounds vulnerable!!! like he could be so easily hurt, like he's just a frail sprout but there's also a curt bite to it. he's like grass- thin, but that just means it can cut. he's frowning while he's speaking, he's exasperated, I can hear it in his voice!!!! get big macho Pebbles away from me he scares me