i'm sorry, did an edit
Neil Gaiman: The scene with Drunk Crowley seeing the disembodied Aziraphale was, in the shooting script set at night in St James' Park and had no alcohol in it. Aziraphale was a reflection in the water. A day or two before we were due to shoot it we found that we couldn't shoot in St James' Park at night and I was asked if we could relocate it to a cafe. But we couldn't find a cafe at short notice -- we could, however find a pub. So I rewrote it to occur in the day, with alcohol, in a pub. (x)
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Ingmar Bergman’s original shooting script for 'Persona' (1966)
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You just know they went and dug up the Charlie Got Molested script when they wrote Frank Shoots Every Member of the Gang
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Do you understand, do you see my vision
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[[ All Croissant Adventures (chronological, desktop) ]]
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Though he is busy with farm work, Kit always has time to fuss over Daisy.
[Daisy starts fussing]
Meg: Just a minute, sweetpea.
Kit: It's alright, I've got her.
Kit: What's the matter, flower?
Daisy: Coo!
Kit: Yes, cow!
Kit: And those are chickens!
[Daisy giggles]
Kit: You like the chickens, hm?
Kit: Shall we go and see your Ma?
Meg: Hello, sweetpea!
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It's funny how like a solid 50% of the gay shit is absent from the IASIP scripts and appears to have been added during filming. The actors/showrunners personal commitment to gaying it up delights me
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re: artimators ep 14 i still think the arrow bit from the sand castle part is so fucking funny. i completely forgot about it until i went back to editing
fucking up my one and only job, nobody on either team noticing, getting not one but two more chances by sheer luck, then getting praised by my team for a job well done might be the most me thing to ever happen. sums up my character in 60 seconds i think
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you can take the boy out of pennsylvania but you can’t take the pennsylvania out of the way he says coffee
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You mean to tell me that the line "And therefore I request you put me in confinement... securely. Where I can neither see nor be seen by anyone." was cut? A line that signifies not only Spock's shame at anyone seeing how he is unraveling but how he literally cannot face seeing anyone else, lest he either compares his state to them or finds himself needing the one who does see him.
And that we could've had a close-up on Kirk's nervous hands! An establishing shot using them! In an episode where Leonard Nimoy made the point of conveying Spock's inward state through his hands given what hands can signify as a normal part of the body but also a means of connection with another, be it through violence or love, in the very episode that deals with the barriers imposed by denial! In the episode that purposefully staged the fight to be read as erotic, as a stand-in for sex! Come on!
Link here.
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