#should try to make this into a comic one day

[wajjs]

If Hal were to get a happy ending, do you think he’d ever settle down, get married and have kids? I don’t know much about Hal, but it dosent seem like something he’d do. ( Despite some comics giving him that ending)

Off the top of my head, 3 writers gave him that ending: Geoff, Venditti (sorta) and, surprisingly enough, Miller.

Geoff and Venditti went the Hal/Carol route, with Geoff making it a certainty and Venditti turning that certainty into a possible outcome/prediction for the future.

On the opposite side, Miller in the Dark Knight universe gave Hal an alien wife and an alien kid, and Hal himself uses the ring to change his appearance so he can look just like his wife does. He also doesn't live on Earth, having ditched everything there after everyone turned on the heroes and started hunting them down, so to speak. This is a Hal who is a) disillusioned with humanity and b) also disillusioned with heroes, yet c) he still has hope and leaves a way to be contacted and to return to Earth.

And personally I think Miller's approach is the only one that would actually work long term for Hal. Because if we leave everything as is within the main Earth/universe, I do not think Hal would ever be happy settling down.

Geoff and Venditti write him as though he does want that ending for himself: the white fence, the house in the suburbs, a wife, kids. But if you pay attention, that's quite a generic wish coming from someone with such a wild imagination.

The way I see it, and this is headcanon/personal opinion, I believe Hal bought into that idea of settling down because it's what his parents did, what his brothers did, what everyone around him did. But I don't think he actually, deep down, wants that for himself.

He wants to fly, to be in space, to travel through and among stars. He loves his freedom a little too much to ever truly be content putting down roots that will keep him anchored to a place. He would feel suffocated, stagnant.

I mean, Convergence: Green Lantern Corps (2015), tackles this issue: Hal does actually marry Carol, and he lasts six days until he up and leaves. Guy hunts him down only to find Hal going crazy trying to find a way back to space.

He only married Carol because what he really wanted was taken away from him. His freedom to fly and be among the stars was gone. And he does love Carol. He does! It's just that his love for his freedom and his ability to fly is much, much stronger and important to him.

So yeah, that's my take. I think he doesn't actually want that for himself, but he also thinks that he should. Except that the only way it'll truly happen is if you take everything away from him and make him have an identity crisis, OR if you make the entire world and all of humanity turn against him to the point he literally quits Earth and quits being human to transform himself into an alien.

[hulloitsdani]

What do u think Kiran is

How do u think the order sees kiran

*slowly sits up in my chair*

I think Kiran is a very normal person. This is someone you and I have met before. Be that from the other side of grocery store cashier, waiting in the same elevator, or walking by on a crosswalk. Kiran is a civilian from our world trying to roll with the punches of being warped somewhere completely alien. And you can see it in how they conduct themselves.

I always have a lot of fun writing Kiran’s dialogue because their casual modern speech almost feels like a dialect in comparison to the more formal fantasy tone everyone else speaks with. An “ain’t” will never exit Alfonse’s mouth, you know? And there’s a difference in “Do you have gold?” vs “You got gold?” To me, this gives Kiran an air of unfamiliarity to anyone they interact with. Let’s use Grima as an example, because it doesn’t sound like this grammatical change would make much of difference until Kiran has the audacity to hit Grima with a bro mid sentence. But that’s just how they talk. And as sweet and friendly as they are, there’s always moments like that to remind that no one has the cultural context to fully understand Kiran. Except for the audience, who can realize that Kiran let the customer service voice drop to talk to Grima like he’s an actual person.

And that’s just about how they talk! This view is only emphasized by every other thing about them! They’re a lovable goof, which is normal chill person behavior in the audience’s eyes but feels REALLY ODD to the characters of FE’s medieval fantasy war setting. There is this air of unknown about them that the more socially perceptive will pick up on and will try to come to a conclusion about. Example, I imagine Soren would interpret a lot of this as a dangerous and deeply annoying lack of intelligence from someone he has the displeasure of sharing a tactics table with. Or looping back to the Grima example, he would totally think Kiran has greedy ulterior motives behind that pleasant facade. It takes a lot of work for those types to realize that the discrepancy present isn’t really any of those things. But I also wouldn’t be too surprised if Kiran doesn’t try to directly prove any of those assumptions wrong unless they have to.

Why? Well now it’s time for the implications! Oh how we love the implications.

Because the Summoner is a different story. No one has any fucking clue what that is.

I can tell you what Kiran has pieced together so far. Summoning people from across time and space is apparently not easy. It’s not some school of magical study that some mage could pull off with enough time and research. Trust, Eitri tried. It’s a lot of complex moving parts. For example, the contracts. The contracts Kiran automatically binds their summoned to don’t even compare to the ones Veronica used in book 1. They are far more intense and infinitely harder to break. The only way out of them is if Kiran wills it so. Not even death is an option, because Kiran can come in for the revive. If they had to guess, it’s an older, more completed version of the art. Something lost to time. But no matter the case, Kiran has the ability to take full control of whoever they manage to summon. From a lowly farmer to the divine. And their power only grows.

In a similar vein, if there was any character to canonically see the hud, I think it would be Kiran. It’s genuinely part of their power set. I have previously described Kiran as the party mage until Veronica shows up to be the actual mage, but it would be way more accurate to call them a mystic/seer. They see the map, everyone’s stats, and is doing a fast amount of math to give the combat forecast. Then, upon processing all this information their enemies couldn’t dream of having at their disposal, Kiran can telepathically communicate any change in plans to anyone under contract. Kiran is not inherently some great tactician the moment they touch ground in Askr; they simply can do things no one else can. They’re learning the actual tactics part on the fly. This makes them simultaneously the largest ace up the Order’s sleeve and potentially its biggest liability. If they fall, it could cause a whole system cascade. By that same token, some of the biggest threats the Order has faced are the ones who do their research and rightfully target Kiran.

Now. Thinking critically about all that. That’s downright terrifying. A ridiculous amount of power has been dropped callously into Kiran’s lap and they have to work extremely hard to be moral with it. It’s terrifyingly easy not to be. It would actively take less effort to ‘take the reins’ as it were. But in order to be able to sleep at night ever again, they go the extra mile to not invalidate the will of their summoned. To take over like that. To make a colony of worker bees out of people. Because oh dear god they just summoned a child and the fact that they could easily force them to fight and die for them, only to be revived and do it all over again, is HAUNTING. No. No the Order has an in house orphanage now. This kid is getting adopted and cared for god damnit or Kiran might just pop a blood vessel. And sure that child is going to be a child and there will never be a world where they get along with everyone else, but that’s just going to need be a problem they address when they get there and not an excuse to use Hubris; the power set. Now replace the word child with everyone they ever summoned and you have the wider philosophy they apply to the entire Order.

They’re hyper aware of the power imbalance. They hate it with every bone in their body. They work really hard to correct it in whatever way they can.

So Kiran might not jump on the opportunity to correct those who think lesser of them. It’s… oddly comforting to know someone is keeping a critical eye on them. Holding them accountable. Especially since so much of the order just thinks of them as this quirky yet well meaning host. And, really, what can they even do about that? They have gone over the contract with every hero they summon and despite that they still choose to stay. So, what, do they try to inspire more mistrust? The problem with that they would have to actually do acts that intentionally inspire mistrust. And even if that was successful they can’t just waste the extra man power because every other month there’s some new divine asshole who wants them all dead. And if they fail that means they have to start their life from square one and god they can’t do that again so—

Just breathe Kiran.

It’s fine. You’re fine. Just breathe.

You have work to do.

[motleyfam]

PLEASE COULD WE MAYBE GET LIKE A VIBE OF WHAT THE NEXT INSTALLMENT OF SETTLE OUR BONES IS GOING TO BE ABOUT NO PRESSURE JUST CURIOUS

The vibe is it’s kicking my ass 😂

[sysig]

Somebody ordered Sushi Beefcake (Patreon)

[kideternity]

A side effect of getting into digimon is that it’s like. Really made me appreciate Mechas more and robot designs? Combined as well with reading comics like Atomic Robo and then last week watching bang brave bang Bravern. For years my interactions with mecha media was like, Trying to force myself to enjoy transformers, and unfortunately I just don’t think it’s a media franchise for me and it really stifled my ability to enjoy mecha as a genre because of trying to pigeonhole into that. I suppose this is a very roundabout way to say that if anyone has any mecha recommendations hit an ant up about this. And that I've also started getting into gunpla/mecha model kit building- I've made two so far (: and I have another kit I'd like to make soon. If you wanna see pics send me an ask and ill dm them

[theunconcernedembalmer]

Mr Gatto, do you like doing your job? Is it something you enjoy doing?

(Also take care of yourself Mun! :D)

Even after everything... I don't think I will be changing my job anytime soon.

[papaiyatree]

tbh in a the batman world the only version of babs that makes sense to exist is oracle <33

[troonwolf]

TWD truly fell off when it started dedicating arcs to Negan’s poor wittle man guilt at brutally murdering dozens of people and started to redeem him. all because gross men will see an actual caricature of toxic, racist, violent and shitty masculinity and be like “HAHA BROOOO HE’S SO COOOOL HE’S MY FAVE NOW HAHA HE’S JUST SO MISUNDERSTOOD YKNOW.”

keep in mind in the comics his introduction is beating a smaller POC guy to death with a baseball bat in front of his family and friends, for no reason, and then he threatens to have Carl (who is like 10 at this point) gang-raped in front of them too if they don’t cooperate 

he’s legit as bad as the Governor but he appeals to some sick power fantasy ideals a lot of people absorb from society, so then when they introduced him in the show they even toned him down for the wider audience

always found that really fucked up tbh. big reason I don’t fuck with TWD or TWD fans anymore

[asjjohnson]

I just had the thought of making a future fic updating schedule of 'once in a blue moon'. (Partly for the pun.) ...But then I looked up how often blue moons happen, and it's only about once every two years. So... that's probably not a good updating schedule. :(

(I have an existing fic with an update schedule of 'Friday 13ths and Halloween'. I like the semi-randomness. I would like to think of similar schedules. ...Though I'd missed the last two update dates.)

[arolesbianism]

Sorry for failing to post more than once every 3 am anyways more stalien icons 👍

[inkoutsidethelines]

Thinking about how I would write an adult Scooby-Doo series, because I think it can be done.

The first thing I’d do is make the characters actually be adults.  Still young, but adults, in the mid to late 20s range.  Mystery Inc. is a private detective type business that they run together.  In this universe, the supernatural/ghosts/etc are real, but not necessarily common, so when they take on a case, the culprit might be a person disguised as a monster, or it might actually be a real ghost.  The stakes can be higher; sometimes a bad guy is legitimately trying to kill them.  Sometimes the mystery they’re trying to solve is a murder.  Sometimes they actually get hurt on their cases.

Fred: the core of Fred’s character should be that he’s incredibly kind.  Like, give a stranger the shirt off his back kind.  The “Fred can’t talk to potential clients because he might take a case for free and we need to eat” kind.  He’s an honest and good person and sometimes gets himself into trouble because he assumes other people are too.  While he’s not very good at reading people or noticing ulterior motives, he’s brilliant when it comes to mechanical or engineering type stuff, so he’s the one who keeps the mystery machine running, builds their gadgets, and of course, designs the traps.

Daphne: she comes from old money, and her parents absolutely despise her life choices, to the point where they haven’t officially disowned her, but they have basically cut her off, so she doesn’t actually have access to any family money.  Growing up wealthy has granted her a variety of skills, including speaking multiple languages, horseback riding, and fencing.  She’s very into fashion and jewelry (even if she can’t afford it anymore) and has extensive knowledge of both that can occasionally provide a vital clue in a case. And even though her parents have cut her off, Daphne still has a wide network of contacts she can ask for favors sometimes, because she’s personable, and people tend to like her.  Daphne is also very emotionally intelligent, and is usually the one who can spot when someone is lying to them.

Side note - I ship Fred and Daphne, so I think I would start them off as an established couple for this universe.  Dating, engaged, married, I don’t care.  They are stupidly in love, ride or die for each other.  There’s no will they, won’t they, no worries about cheating.  They are in a healthy, happy, loving relationship, and no one (not even Daphne’s disapproving parents) are going to mess that up for them.

Velma: she is the forensics nerd who sometimes gets super excited about the wrong thing at the wrong time (”He was mummified in seconds? That’s so cool!” “Velma!  His wife is standing right there!” “Oh.  Sorry.”).  She’s not purposely insensitive, she just gets laser focused on her work and forgets to filter herself sometimes.  She’s also the one who can get so fixated on solving whatever mystery they’re working on, she’s willing to bend or maybe break laws.  Is breaking and entering really so bad?  Not if it gets them answers.

Shaggy: he is still the comic relief, but he’s the comic relief by being the only person in the group that actually has common sense.  He manages the business’s finances, he’s the only one who knows how to cook, and the others tease him for being a coward sometimes, but Shaggy maintains that if a ghost with an axe is coming for you, running is the only sensible option.  He should also have a range of random knowledge that sounds useless, but sometimes saves the day (ex ventriloquism, origami, the history of spoons, etc).

Scooby: as this is a universe where supernatural creatures exist, Scooby is an ancient eldritch type being that took a shine to Shaggy when he was a kid, and took the form of a talking dog to befriend and hang out with him.  Aside from the talking dog bit and not aging, he never uses his powers in a way that anyone notices.  The audience is not told upfront that Scooby is an ancient eldritch being; it should slowly be hinted at throughout the series so the audience put it together, but the characters never realize it.  Scooby genuinely considers Shaggy to be his best friend, and cares about the rest of the gang too.

[genericpuff]

Tbh at this point you should just make your own webcomic app/website because it would probably be 100 times better than whatever going on with webtoon right now.

hahaha it wouldn't tho, sorry 💀

Here's the fundamental issue with webcomic platforms that a lot of people just don't realize (and why they're so difficult to run successfully):

Storage costs are incredibly expensive, it's why so many sites have limitations on file sizes / page sizes / etc. because all of those images and site info have to be stored somewhere, which costs $$$.

Maintenance costs are expensive and get more so as you grow, you need people who are capable of fixing bugs ASAP and managing the servers and site itself

Financially speaking, webcomics are in a state of high supply, low demand. Loads of artists are willing to create their passion projects, but getting people to read them and pay for them is a whole other issue. Demand is high in the general sense that once people get attached to a webtoon they'll demand more, but many people aren't actually willing to go looking for new stuff to read and depend more on what sites feed them (and what they already like). There are a lot of comics to go around and thus a lot of competition with a limited audience of people willing to actually pay for them.

Trying to build a new platform from the ground up is incredibly difficult and a majority of sites fail within their first year. Not only do you have to convince artists to take a chance on your platform, you have to convince readers to come. Readers won't come if there isn't work on the platform to read, but artists won't come if they don't think the site will be worth it due to low traffic numbers. This is why the artists with large followings who are willing to take chances on the smaller sites are crucial, but that's only if you can convince them to use the site in favor of (or alongside) whatever platform they're using already where the majority of their audience lies. For many creators it's just not worth the time, energy, or risk.

Even if you find short-term success, in the long-term there are always going to be profit margins to maintain. The more users you pull in, the more storage is used by incoming artists, the more you have to spend on storage and server maintenance costs, and that means either taking the risk at crowdfunding (ex. ComicFury) or having to resort to outsider investments (ex. Tapas). Look at SmackJeeves, it used to be a titan in the independent webcomic hosting community, until it folded over to a buyout by NHN and then was pretty much immediately shuttered due to NHN basically turning it into a manwha scanlation site and driving away its entire userbase. And if you don't get bought out and try your hand at crowdfunding, you may just wind up living on a lifeline that could cut out at any moment, like what happened to Inkblazers (fun fact, the death of Inkblazers was what kicked off the cultural shift in Tapas around 2015-16 when all of IB's users migrated over and brought their work with them which was more aimed towards the BL and romancee drama community, rather than the comedy / gag-a-day culture that Tapas had made itself known for... now you deadass can't tell Tapas apart from a lot of scanlation sites because it got bought out by Kakao and kept putting all of its eggs into the isekai/romance drama basket.)

Right now the mindset in which artists and readers are operating is that they're trying way, way too hard to find a "one size fits all" site. Readers want a place where they can find all their favorite webtoons without much effort, artists wants a place where they can post to an audience of thousands, and both sides want a community that will feel tight-knit. But the reality is that you can't really have all three of those things, not on one site. Something always winds up having to be sacrificed - if a site grows big enough, it'll have to start seeking more funding while also cutting costs which will result in features becoming paywall'd, intrusive ads, creators losing their freedom, and/or outsider support which often results in the platform losing its core identity and alienating its tight-knit community.

If I had to describe what I'm talking about in a "pick one" graphic, it would look something like this:

(*note: this is mostly based on my own observations from using all of these sites at some point or another, they're not necessarily entirely accurate to the statistical performance of each site, I can only glean so much from experience and traffic trackers LMAO that said I did ask some comic pals for input and they were very helpful in helping me adjust it with their own takes <3).

The homogenization of the Internet has really whipped people into submission for the "big sites" that offer "everything", but that's never been the Internet, it relies on being multi-faceted and offering different spaces for different purposes. And we're seeing that ideology falter through the enshittification of sites like Twitter, Facebook, Instagram, etc. where users are at odds with the platforms because the platforms are gutting features in an attempt to satisfy shareholders whom without the platforms would not exist. Like, most of us aren't paying money to use social media sites / comic platform sites, so where else are they gonna make the necessary funds to keep these sites running? Selling ad space and locking features behind paywalls.

And this is especially true for a lot of budding sites that don't have the audience to support them via crowdfunding but also don't have the leverage to ask for investments - so unless they get really REALLY lucky in EITHER of those departments, they're gonna be operating at a loss, and even once they do achieve either of those things there are gonna be issues in the site's longevity, whether it be dying from lack of growing crowdfunding support or dying from shareholder meddling.

So what can we do?

We can learn how to take our independence back. We don't have to stop using these big platforms altogether as they do have things to offer in their own way, particularly their large audience sizes and dipping into other demographics that might not be reachable from certain sites - but we gotta learn that no single site is going to satisfy every wish we have and we have to be willing to learn the skills necessary to running our own spaces again. Pick up HTML/CSS, get to know other people who know HTML/CSS if you can't grasp it (it's me, I can't grasp it LOL), be willing to take a chance on those "smaller sites" and don't write them off entirely as spaces that can be beneficial to you just because they don't have large numbers or because they don't offer rewards programs. And if you have a really polished piece of work in your hands, look into agencies and publishing houses that specialize in indie comics / graphic novels, don't settle for the first Originals contract that gets sent your way.

For the last decade corporations have been convincing us that our worth is tied to the eyes we can bring to them. Instead of serving ourselves, we've begun serving the big guys, insisting that it has to be worth something eventually and that it'll "payoff" simply by the virtue of gambler's fallacy. Ask yourself what site is right for you and your work rather than asking yourself if your work is good enough for them. Most of us are broke trying to make it work on these sites anyways, may as well be broke and fulfilled by posting in places that actually suit us and our work if we can. Don't define your success by what sites like Webtoons are enforcing - that definition only benefits them, not you.

[foone]

There should be a comic or manga about a maid who is very annoyed with her coworkers because she's trying to clean the mansion and make sure dinner is served on time and all the linens are put away, but she's the only one who is here to do all that. She's an actual Victorian-style housemaid, but the rest of the maids are maids in the hentai/erotica sense.

So she's going to check and see why the paintings in the east wing haven't been dusted, and walks in on the maid responsible getting eaten out by a scullery maid on a pile of dirty laundry. She's like "sigh, just try to do your duties when you're done?"

She's having to work late into the night mopping the kitchen floors because the maids who are supposed to do that have been tied up in the dungeon by the lady of the house for like four days now.

She never gets involved in all this hankypanky. She's way too busy for any of that, since she's having to do all the tasks that are getting interrupted by all the damn sex.

She has to do the grocery shopping herself because everyone else she's tried singing just comes back with alcohol and whipped cream and condoms and that's not going to help with Thursday's lobster bisque dinner, now is it?

She did try to ask the head chef what ingredients they needed for the meal but he just listed off every aphrodisiac food he could think of. She sighs. "The French", she thinks while rolling her eyes.

She is very overworked and sighs a lot. I kinda love this character and she's only existed for the duration of this post. Ace maid!

[giamee]

𝐄𝐀𝐓 𝐈𝐓 '𝐓𝐈𝐋 𝐘𝐎𝐔𝐑 𝐓𝐄𝐄𝐓𝐇 𝐑𝐎𝐓!

╭─────────────────────── ( 🍭 )

he just can't get enough of your pussy !

› 〉 📂 .ೃ | 🚨🚨🚨SMUT !! (f!reader receiving oral & fingering), uhhh pussydrunk hsr men who are MUNCHES <3, i think this is the first time writing smut on this blog so hereee we gooo, uhh clit slapping (only once thanks blade), overstim, nothin toooo crazy, ever so slight dom!reader for sampo (that man needs to get topped so bad) + you call him a pervert idk, squirting (shoutout luocha 😙)

╰─➤ 💌 ₍₁₎ I HAVENT WRITTEN SMUT IN AGESSSS SO PLS BE NICE AND TO MY MUTUALS SORRY THT THIS SHOWS UP ON YOUR DASHBOARD LETS STILL BE FRIENDS PLS 😭

ᯓ ᡣ𐭩 JING YUAN.

this is a dangerous game when he's involved

as a general, jing yuan is very accustomed to being in charge, of taking charge and ensuring that things happen

and as a man who cares more about the hours outside of his work than during, who can blame him for wanting to commemorate each time that he comes home to you?

he's always been very giving as a lover, that much is true. and as a man with a tendency to be more on the... spontaneous side, you were no stranger to a quickie in a slightly less than convenient location. he just couldn't bear to leave you uncared for, after all.

so really, you should have expected that he would quite literally stoop to this level. one minute he was walking through the front door, you calling out a greeting to him from the sink as you washed some dishes.

and the next minute, he was on his knees behind you, your skirt flipped up over your hips and panties tugged to the side as he began to eat you out with some type of renewed fervour.

it had you slapping one hand over your mouth, the other white-knuckled as you hold on for dear life to the kitchen counter. your legs were very quickly turning to jelly due to his ministrations, the feeling of his tongue fucking into you rendering you unable to form sentences.

and even worse than the sensation was the sound of it- every lick and slurp reverbating through the empty room, every squelch of your pussy making you go a shade darker as jing yuan moaned, the bastard, and delved even further into your pussy. your hips pushed against him, his hands snaking their way around your thighs to keep you pinned in place while he ate you out like his life depended on it.

you bit back a squeal as you felt his tongue flick against your clit before running back through your folds, circling the hole before fucking back into you.

"fuck, i love this pussy so much," he moaned out, pressing a kiss to your inner thigh as he came up for air momentarily. "love comin' home to you every day- you taste so good, so good f'me-"

any attempts at muffling your noises were extinguished as you let out a sob, tears welling up from the pleasure, making you fold over so that your torso rested against the counter. your legs were spread wide by now, giving jing yuan all the access that he needed.

he relinquished one of your thighs in favour of using his fingers to pump into you, curling them just right against that spongy spot that had you shaking like a leaf, feeling the pressure build inside you much quicker than you anticipated.

"fuck- fuck- i can't, 's so good-" you were babbling now, trying in vain to break free or push his head away, the pleasure bordering on too much. it was comically easy how ineffective your attempts to hinder him were,

"you can." his voice was some soothing reprieve, and the warmth of his hands squeezing against your hips helped to ground you as he otherwise brought you to the edge.

your thighs were trembling, barely supporting your weight and you could feel your release fast approaching, though something was holding you back.

"cum f'me." jing yuan's rasped voice is what finally coaxed you to let go, to let that string snap with a final cry as you collapsed fully against the countertop.

always diligent, jing yuan continued to eat you out, making sure not to miss a drop as you spasmed against him, hips finally stilling after you ride out your high.

"bastard." your voice is muffled, head resting on your forearms as your regain your strength. jing yuan merely chuckles, placing a kiss with his wet lips to your inner thigh again, one last jolt of pleasure running through you before he stands, fixing your clothes for you.

"but you love it."

you give him a halfhearted kick in the shin.

ᯓ ᡣ𐭩 SAMPO.

he's the type of man who's best in small doses

the amount of times you get annoyed while he's on another tangent or trying to scam you sell you a product is..... a bit more than infrequent

but there's ways around that

"sampo, do you ever shut up?"

ironically enough, you asking him that made him do just that, pausing for a second to lick his lips as his smile widened, cheshire-like, as you watched the cogs turn in his head.

"no, but for a small standalone price-"

if youuu put a buck in my cup i will shut the fuck up (sorry)

"sampo."

the man cackles, slinging an arm around your shoulders, pulling you in to his side.

"sorry, doll, but a man has to make a living somehow."

you turn to glare at him now. you really weren't in the mood.

"either shut up or i'll make you."

you watch as his smile drops for just a second, his pupils dilating ever so slightly at the underlying hint of what's to come. and bless his heart, the man decided to push his luck.

approximately five minutes later, you were grinding on his face. the only noises that he really made now were occasional grunts and moans as you rocked back and forth, and you decided that you liked him much better when he wasn't talking.

the man with a silver tongue had his uses, after all.

he was so eager to please, too- from what you could tell with the way he was eating you out. if it weren't for the overwhelming pleasure you were feeling, you would be convinced that he was enjoying it more than you. his moans reverberated around your clit as his tongue flicked over and sucked it, leaving you keeling over and your thighs quaking against the sides of his head.

every moan you let out had him eating you out with a renewed fervour, almost desperate for you to reach your high. you let your hand snake into his hair, getting a full handful before yanking on it, hard. sampo whines from the sensation, and you almost miss the muffled plea for you to do it "again".

his fingertips are digging into your thighs almost painfully, keeping you seated firmly against him (not that you were going to move, anyway).

your eyes land on the tent in his boxers, and an idea pops into your head as you snake your hand past his abdomen to pull his waistband down, letting his cock spring free. it looked painfully hard, the tip already leaking pearls of precum, and you spat in your hand before starting to jerk him off, ever so slowly.

he whined again at the pressure, his hips thrusting up to meet your hand, desperate for any sort of friction.

"you're getting off to this, you pervert?" you laughed as he shook his head desperately, still plunging his tongue deep inside you even as his hips bucked wildly. he was already so close, it almost made you laugh.

you yourself were beginning to feel the coil deep within you start to tighten, a telltale sign that your own orgasm was approaching.

"so if i were to just... stop, you wouldn't mind?" to emphasise your point, you loosened your grip on him, grinning to yourself as he whined pathetically.

"hm... that's what i thought."

ᯓ ᡣ𐭩 BLADE.

blade's mean when he eats you out

he's one of those who eats it for his own pleasure, and whether it's until you orgasm once or multiple times, he's not stopping until he's satisfied, overstimulation be damned

"you still alive there?" the man between your thighs snickers at your fucked-out state, not even able to form a sentence to answer him.

how many times had he made you cum by now? six? seven? you'd lost count long ago, and you don't think it mattered much to blade. sometime after the second one, it began to dawn on you that his goal wasn't to simply make you cum then call it a day.

"c'mon, eyes on me." you squeal at the sensation of his hand slapping down against your clit, the raw flesh stinging for a few moments before his hand smooths it over, soothing the skin.

"you can handle one more, right?" you lift your head weakly to meet his ravenous eyes, somehow even hungrier than when he had first started peeling your clothes off. the look in his eyes made a shiver run down your skin, and you gave him a sheepish nod.

"attagirl."

blade's one to keep you on your toes, never knowing just what to expect from him. he ducks his head down, leveling it with your still pulsing hole, and you gasp as you hear, then feel him spit on it.

there's a blunt intrusion as he sinks two of his fingers into you, knuckles deep, crooking them just right to hit that spot inside you. your leg twitches as an automatic response, making the man snicker again.

"you're so sensitive," he coos, and you hide your embarrassed face with your arm. "i bet if i just..." your body seizes up as you cum, again, more sudden than you ever expected as blade presses harder against you. a strangled moan flies out of your mouth, writhing at the pressure.

he's nice enough to let you ride out your high, pathetically grinding your clit against his palm, whimpering at the tenfold sensitivity and the little aftershocks wracking your body.

and when you're finally breathing normally again, you hear his voice break you out of your stupor.

"one more?"

ᯓ ᡣ𐭩 GEPARD.

what he lacks in experience is made up for doubly in enthusiasm

because let's be real, this man is too busy with the silvermane guards to have enough time to be dating and fucking around

but for you? he'd make the time. and he'd learn how to get you off while he's at it, too

"so if you just, slide your fingers in, slowly." gepard follows your instructions dutifully, and even then you still winced at the feeling of his large fingers stretching you out, the slightest of burns already kicking in.

"like this?" he looks up at you, all puppy dog eyes, so eager to learn. his face was too innocent for what he was doing.

"mhmm." you smile down at him, his face rested against one of your thighs as his gaze returns to your cunt, glued to the way it stretches around his digits. he feels you pulse against him and he shudders, trying to hold back for your sake. he was here to learn what you liked, after all.

"and then you kind of... curl them a bit? and move them too." his ministrations are soft to begin with, and even there's still an unmistakeable squelch each time he pumps his fingers into you, the lewdness of it all making him turn pink.

"does that feel good?"

"y-yeah, so good, baby."

he's so close to your pussy, you can feel each time he breathes, his little pants hitting your clit, making you even wetter. the anticipation of it all had you practically squirming where you lay propped up on your elbows, watching him.

his eyes are still transfixed on you, mouth hanging open at the way your hips rolled ever so slightly, meeting each of his shallow thrusts.

"you see that bit above? if you lick it, it'll feel really good f'me." gepard nods, all too eagerly leaning forward, licking a thick stripe from your hole to the clit with his tongue, before starting to flick his tongue against it gingerly.

"yeah, fuck, you're good at this." he hums against you, starting to move his tongue with a little more fervour, his hand still pumping into you. he always had been a fast learner.

he settles into a rhythm, one that has you steadily building the pressure in your core, soft moans escaping your lips.

"just like that, fuuuck," you pant out, letting your head roll back and your eyes closed as you focused on the feeling. it's then when gepard decides to wrap his lips around your clit, sucking ever so deliciously to make your toes curl.

you let out a particularly loud moan at the sensation, one that your ever so perceptive boyfriend latches onto, increasing the pressure in a way that has your eyes rolling to the back of your head.

"geppie m'gonna cum- don't stop-" he obeys your every word, slurping at your cunt with a hunger that sends you over the edge. you convulse, hips raising off of the mattress to buck against his face, his fingers curling around your quaking thighs.

"use my face, darling," he murmurs into you, so eager to please. the way the ridge of his nose bumps against your clit helps you ride out your high, grinding against his mouth a few more times before you finally flop back down against, the bed, limbs turning to jelly.

"no fucking way that was your first time eating someone out." gepard merely grins, wiping some of your juices off of his face before crawling up the bed to meet you.

"'m sure it was, now give me a kiss."

ᯓ ᡣ𐭩 LUOCHA.

your life will be CHANGED after this man eats u out for the first time i just know it

like.. he's got skills. he's a certified munch i know this in my SOULLLLL

"just relax, honey, let me take care of you." his velveteen voice is what has you finally lying back, letting the tension in your body leave you as his nimble fingers hook into the waistband of your panties, sliding them off of your legs ever so tantalisingly.

he groans at the string of slick that stays connected to them- no surprises there as you had been sat on his lap kissing him for the past half an hour- and you covered your face in embarrassment.

"don't go shy on me now, hm?" you peek between your fingers, catching the glint of his emerald eyes, the way his smile widens when he makes eye contact with you from his place between your legs.

"hi, pretty."

"hi."

"we can go as slow as you want, okay? tell me what you're comfortable with." luocha's thumbs rub gentle circles into your thighs, coaxing you to open them and let him settle more comfortably.

"do you want me to touch you?" you nod, watching as luocha's smirks almost imperceptibly.

"use your words, darling." you whine, kicking at him lightly.

"quit teasing me."

"do you want my fingers or my tongue?"

"luocha!" he chuckles, pressing a kiss to the inside of your knee.

"i'm sorry, love, you're just so cute when you're flustered." he presses another kiss to your thigh now, lips inching upwards ever so slowly, holding himself back as he waits for your go-ahead.

"could you... eat me out?" your face feels so warm just from asking the question, but the nerves are quelled as luocha smiles brightly, shifting his weight on his hips to lower himself down closer to you.

"gladly."

there's a few seconds of anticipation, of his breath hitting your core before another entirely new sensation- something wet and muscled sliding against you as luocha licks a flat stripe through your slit. his tongue sharpens, flicking against your clit as he pulls away after his experimental first taste.

you're already feeling something inside you coil in anticipation, and it tightens even more at the blissed out expression on luocha's face.

"you taste divine, my love."

and then he's delving in for more. your usually so composed boyfriend lying flat on his stomach, buried facefirst in your pussy and eating it like a man starved.

the slurping and squelching noises are obscene, echoing off of the walls and filling up the room along with your wails and moans. your head was in the clouds right now, too fucked out to even scream his name. and he hadn't even put his tongue in yet.

as if reading your mind, luocha finally shifts his attention to your hole, his tongue circling it, teasing it open, before he plunges in along with his fingers, the size of them and his fingertips grazing against your g spot bringing you to the verge of tears.

everything just felt so good, and he was going to make you cum hard and fast.

the regular pressure of an impeding orgasm kept building up, more than it regularly would, until it became an entirely new sensation altogether.

"w-wait, baby, i'm gonna pee or something-"

luocha pauses, pupils blown wide with lust as he meets your gaze.

"you're not, honey, just trust me, alright?"

and because it's him, because you'd do just about anything for him right now if it meant continuing to feel this good, you lie back down, feeling him bring you back to that point again.

his fingers are drilling into you at an almost inhuman pace, the sound enough to make you cum, let alone the sensation. his soft lips suction around your clit, warm tongue flicking against your bundle of nerves repeatedly, making you squeal and throw your head back.

"'m gonna-" luocha nods encouragingly, his nose bumping against your clit in a way that has your vision go white as you writhe in ecstasy. there's an odd feeling, of something shooting out of you, and you look down to see a spray of clear liquid. luocha's fingers rub against your pusy frantically, making you writhe again, prolonging your orgasm as he milks you for every last drop.

you finally come back down to earth, vaguely feeling a warm wet cloth wipe away at you, at the mess you had made.

and luocha's gazing at you with nothing but adoration, a pussydrunk smile on his lips.

"aren't you glad you trusted me, love?"

𝜗𝜚 honkai star rail masterlist

[taylor-titmouse]

hey i want to talk about how you should be promoting your work as an erotic author/illustrator

i'm writing this up because the marketing aspect of my work as an erotic author/illustrator is a science to me, and also because i'm the guy who gets unreasonably annoyed when i see other creators not properly advertising their work. you presumably want to make money off your work. this post will be written under the assumption you want to make money off your work but are doing a bad job at it. it will be very confrontational. if you read this and feel attacked you're right and i am attacking you.

this is geared toward selling erotic comics/writing/books/art as products. i will probably write more than one post about this subject so if i didn't touch on something you want to know more about, comment/send me an ask and i'll keep it in mind for the next one.

i will start with my first and least specific but most important point:

DON'T GET FUCKING CUTE

hi are you paying attention. i'm gripping you by the sides of your face. do not get fucking cute with what you are trying to sell. you are not a big enough property to get cute, nobody LIKES it when big properties get cute, and you are selling porn. you have to own this. you have to be up front about this. don't be tongue in cheek, don't be all teehee i wonder what this could be~, don't be secretive. you are selling a product. you have to fucking act like it. you are an adult selling pornography to other adults. i am GRIPPING your HEAD you NEED to understand this.

and to be clear when i say 'cute' i mean coy. i don't mean cutesy, as in the aesthetic. you can be as hello kitty pastel ten emojis a post uwu as you like when you're building your audience and generating hype. but when you start trying to sell, don't be vague, don't be sarcastic, don't mislabel your work as a joke and assume everyone is on it. because they're not.

you must always assume 75% of the people seeing the thing you are advertising have no fucking idea who you are. and that includes a huge chunk of the people who already follow you. they do not know who you are or what you've been working on for two months or why they should care about it. they just got here. somebody just reposted it. they are seeing it for the first time. most people are only looking at social media for a tiny chunk of their day. they are not keeping up with you. you cannot get cute about what you are trying to sell because nobody knows what it is until you tell them.

okay are you still with me. we are going to talk about clarity now.

YOU GOTTA TELL ME WHAT IT IS

good lord the amount of times i have gone to buy somebody's comic or book and had no idea what's actually in it or what it's about. who are the characters? why should i care about them? what do they do in it? what is the premise of this thing you want me to spend $5 on? why would you not tell me? i'm shaking you again. please i have to know what i'm buying i only have so much money to spend on porn.

porn, arguably more than any other genre, relies on knowing exactly what is in it. you do not want to surprise your readers with a kink they were unaware of! and on the flip side, you do not want to miss out on your target audience! if your book contains a hot spider babe laying eggs in an elf, you have to say so. not just so people who don't want to read about eggs know it isn't for them, but so the people who are egg crazy can see that and go "oh fuck YES i love EGGS here is my $5 and an extra $2 tip for catering to me specifically". a contents/features list is as much an advertisement as it is a warning!

as for re: who the characters are and why should i care, i'm sorry but you need to learn how to write sales copy. you have to write blurbs. you have to get good at the shit that goes on the back of a book. we all hate it but we have to do it. i want to know who the characters are and what the context is. i, personally, am not interested in contemporary stories as much as fantasy and historical. please tell me what genre this porn exists in so i know if it aesthetically appeals to me. pull some books off your shelves and see how they do it. hell man go look at mine.

while you're there, note that every single book of mine has a sample of what's in it. this feels like such a no-brainer to me but again! the amount of times i have gone to buy somebody's work and they don't show me what their work looks like! you gotta give me the first page or two! just enough that i know if i like the way your writing sounds, or the way you draw your comics! i don't know you! i am not going to trust that you're good at what you do just based on a cover. the cover is to get me to this step, it is not the only step. you have to show me that you're worth spending my money on!

to put it less cynically, you want to catch my interest. you want me to go 'oh i want to see more of this', you want me to go 'ahh i want to know where this goes!' you need to get me invested and craving more. earn my $5!!!

YOU HAVE TO MAKE IT EASY TO GIVE YOU MONEY

hey go look at your bio right now. go look at your pinned post. do you have a link to your patreon there? do you have a link to your itchio/gumroad/whatever? do i have to click more than once to get to the places you want me to go to give you money? why? why are you making me click twice? have we learned nothing from every website making you click an extra time when they make some stupid UI update and how much it pisses us off? i have already given up, i have forgotten you, i am not giving you my $5 today. put your links in the easiest places to get to them.

god literally as i was writing this post i went to go find somebody's itchio to see how they described their work and it was not anywhere on their profile. grabbing you and shaking you PUT THE LINK WHERE I CAN FIND IT. don't make it hard! make it easy! i am a dickhead sitting on the toilet scrolling, saw your post, and was interested enough to read further. but you made me go to your bio to find your linktree and oops i have already gone back to my timeline to look at the boobies in the next post. stop wasting precious bio space on DNIs and put your fuckin links there!!!

this is more for the twitter people, but: just put the link in the damn post. just say the word commission. just say it's for patreon. "wuh wuh the algorithm" it is not the damn algorithm it's that everybody hates advertising and nobody wants to retweet ads. putting slashes in the words doesn't do anything and you look like a fool. i have posted so much art that says it's 'a commission for ___" and it did exactly as good as any other art despite having the word commission in it. and by doing the slashes you just made it impossible for anybody to search your account for your commission information (which should be at the VERY LEAST in a post under your pinned tweet if you're not actively posting about them being open).

okay that went on a tangent i'm going to back to the point of putting the link in the tweet. put it in the first post. not in the first reply. don't tell them to go to your bio. put it in the post people are actually going to share. it's fine to put more information in the thread but people are only ever going to share the first post. so put the link there. you have to make it easy. putting links in tweets can hurt you algorithmically, even in the replies. so you're better off having it in the post that actually gets seen and shared. i don't want to open the tweet and scroll to get to your sales page where i ASSUME you will have put all the information anyway. put it in the tweet that just got retweeted by itself onto my dash!

also you have to share it a ton of times. i repost my shit every few hours when i'm trying to push a new product. as i said before people are not 24/7 looking at their timelines. they missed it the first time. they missed it the second time. they didn't get paid yet that week but they were after the eighth time and you reminded them again so they finally bought it. that i will still get sales every time i repost a book ad weeks after release says there are always people who missed it, or who only just showed up.

abandon your pride and shill. shills pay their bills. anyone who gets annoyed about it isn't giving you money in the first place. don't worry about looking like a sell out. don't apologize for plugging your own work. post about it often, post about it in different ways. post about it. post about it. you are not going to make money if people don't know you have something to sell them. if you want to make a career out of it, you need to act like it.

I DON'T HAVE A FOURTH POINT

kisses your forehead. i'm sorry for yelling at you. i've been making and publishing and selling adult art for the past two-three years and have got myself to the point where it pays my rent, and i got there by paying attention to what does and does not work.

please do your best to make money. i want you to make money.

as i said above i plan to write more posts on this subject, such as cover design, how to actually write sales copy, and best practices with running a patreon, but if there's things you would want to hear more about leave a comment or send an ask! i will probably be less aggressive on future topics. these are just things that have grinded my gears for a grip.

[dogboycolumbo]

blah blah need to draw homoerotic jake and amir fan art theyre like destiel to me