hey have we considered the possibility that the reason ivan specifically choked till was because he was mimicking what mizi did to luka in round 5
Yup, pretty sure that's where he got the idea. Ivan got to witness exactly what the consequences were in that kind of situation. He became aware of the near-immediate death sentence, a way to eliminate yourself before the scores are even tallied. Ivan was desperate, and this seemed like the only sure-fire method to ensure Till's survival since he was underperforming. It's most likely thanks to Mizi's outburst in ROUND 5 that Ivan was able to pull off this sacrifice.
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Yall,,,,,,,,,, im modding my pc copy of p4g to hell and back bc ive finished the game 3 times and homies,,,,,, some of the comments on these mods are sending me.
(On the gay romance mod) "this mod is incredibly creepy, this chara is a minor and we shouldnt be modding in dating options for them. Probably best to report this"
Bruh. One its cut content still in the game files, and just made active again. Two look me in the eyes and tell me word for word what the canon lovers romance flag is. Tell me exactly how the 16yr old protag starts dating rise. Ill wait.
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Volunteering at a lure coursing trial this weekend.
Kermit has decided that racing and lure coursing are not his things. We gave him the chance to do a practice session, and while he declined to run, he had a really great time playing tug with the bags while I brought them back to the start line.
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really think it's important to not only have queer spaces outside of internet circles, but to also actually GO to them, because if you spend all your time learning about and interacting with other queer ppl on twitter/tumblr you end up with serious, dangerous and wrong opinions of "trans men are oppressors" and "lesbians are te/rfs" instead of getting to go out and meet all sorts of people in the community and get to know them and become one big family
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Article | Paywall Free
"A bid to break up Alphabet Inc.’s Google is one of the options being considered by the Justice Department after a landmark court ruling found that the company monopolized the online search market, according to people with knowledge of the deliberations.
The move would be Washington’s first push to dismantle a company for illegal monopolization since unsuccessful efforts to break up Microsoft Corp. two decades ago. Less severe options include forcing Google to share more data with competitors and measures to prevent it from gaining an unfair advantage in AI products, said the people, who asked not to be identified discussing private conversations.
Regardless, the government will likely seek a ban on the type of exclusive contracts that were at the center of its case against Google. If the Justice Department pushes ahead with a breakup plan, the most likely units for divestment are the Android operating system and Google’s web browser Chrome, said the people. Officials are also looking at trying to force a possible sale of AdWords, the platform the company uses to sell text advertising, one of the people said.
The Justice Department discussions have intensified in the wake of Judge Amit Mehta’s Aug. 5 ruling that Google illegally monopolized the markets of online search and search text ads. Google has said it will appeal that decision, but Mehta has ordered both sides to begin plans for the second phase of the case, which will involve the government’s proposals for restoring competition, including a possible breakup request.
The US plan will need to be accepted by Mehta, who would direct the company to comply. A forced breakup of Google would be the biggest of a US company since AT&T was dismantled in the 1980s."
-via Bloomberg, August 13, 2024
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But what’s happened now is that this has happened so often with so many shows, that Netflix has created a self-fulfilling loop with many series that probably could have gone on to become valuable catalogue additions otherwise.
The idea is that since you know that Netflix cancels so many shows after one or two seasons, ending them on cliffhangers and leaving their storylines unfinished, it’s almost not worth investing in a show until it’s already ended, and you know it’s going to have a coherent ending and finished arc.
So you hold off watching new shows, even ones you might otherwise be interested in, because you’re afraid Netflix will cancel them. Enough people do this and surprise, viewership is low! And the show ends up cancelled. The loop is closed, and reinforced, because now there’s yet another example cited, causing even more people to be cautious the next time around. And now we’ve reached a point where unless a series is some sort of record-breaking fluke megahit (Wednesday) or established super franchise (Stranger Things), a second or third season feels like not even a coinflip, but more like 10-20% shot, at best.
Netflix’s cancelation policies have informed its viewers that if you want a show you like renewed, you need to watch it immediately, you need to tell all your friends to watch it immediately, and you need to finish all episodes in a short period of time. Anything less than that will result in likely cancelation, with the problem being, of course, that this runs contrary to the entire promise of a streaming service like Netflix in the first place. The core concept of “on demand” streaming was that ability to watch what you wanted, when you wanted to. But now binging a series in its opening weekend isn’t just an option to have, it feels almost mandatory, lest the negative data reflect poorly on a show you might otherwise like.
Something has broken with this model. It’s now created a system where creators should be afraid to make a series that dares to end on a cliffhanger or save anything for future seasons, lest their story forever be left unfinished. And viewers are afraid to commit to any show that isn’t a completely aired package lest they spend 10-30 hours on something that ends up unresolved, which has happened dozens and dozens of times, creating a vast “show graveyard” within Netflix, full of landmines viewers are going to be discovering for years.
More at the link.
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I've wondered if it's driving creators to their competitors too.
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