#sing the theatre troupe

[hoperays-song]

More Bad Sing Memes (Mostly Sing 2 This Time)

[prcphetofprofit]

// i was like ‘when im a voice actor im going to do things like this’ and then i look at myself nad realise i am .im already a voice actor.i can do this

[tobbogan-13]

why is my drama teacher giving me mixed signals 😭

[wileycap]

Things that definitely happened Post-War in ATLA a.k.a. assorted headcanons that really boil down to "wouldn't it be neat/funny if...":

Zuko fought an inordinate amount of Agni Kais, to the point that some of the junior officials ended up thinking that it's custom to fight the Fire Lord every once in a while. He was notable for both never losing, and never seriously injuring his opponent.

Aang and Katara helped with the reformation of Ba Sing Se. They became friends with Joo Dee. Katara helped her regain her own memories, and her own name. Some of the women formerly known as 'Joo Dee' formed a theatre troupe, which produced highly subversive counterculture plays. Their anti-authoritarian nonconformist plays became a huge cultural movement, though they did face a fair amount of criticism from the more traditional groups. Aang loved them, and the patronage of the Avatar definitely helped them grow. They also produced a play on the history of the Air Nomads, at the request of Aang. Aang, of course, helped write it.

Sokka once hit his thumb with a hammer. This led to the invention of the nail gun, powered by pressurized air. Aang spent over four days bending air into canisters and pressurizing them. The invention never saw widespread use. The day after it was complete, Sokka drove a nail through his thumb.

That one old guy who ratted out Haru for being an earthbender stubbed his toe every single day for the rest of his life.

Lieutenant Jee resigned his commission. He requested that Zuko accept his resignation in person, and Zuko was happy to oblige. The moment his resignation was official, he went on a 45-minute tirade attacking the Fire Lord, which was never written down in its' entirety, but was described as "extremely vulgar, even for a sailor" by attendees, and mostly had to do with their time on Zuko's ship.

Toph actually ended up having a great relationship with her mom after a long and harrowing process. She competed in a couple more Earth Rumbles, and her mother was in the audience, cheering. She never really got along with her father, after the whole "hire two guys to kidnap her by any means necessary"-thing.

Momo started several diplomatic incidents. Future historians would forever puzzled by the many mentions of this mysterious 'Momo' in official documents, with the theory that Momo was the Avatar's pet being dismissed by the leading historians. Clearly, Momo was some sort of rebel leader - perhaps a Water Tribe extremist?

[m0chisenpai]

Louis x reader x Armand

The reader is a witch and she meets Armand and Louis and Claudia when going to watch a vampire play. They are mesmerized by her enchanting presence, wondering what and who she is

superstitious

˚｡⋆ louis de pointe du lac x black!fem!reader x armand

˚｡⋆ platonic!claudia x black!fem!reader

in which the missing piece fills the gaps

author note: We're gonna play with the idea that Louis has somewhat integrated into coven life

Another night of plays. And a new role for Claudia. A nod to the past, Claudia plays the maid to Marie Antoinette who witnesses both affairs and murders of the king and queen.

The role is silent, but it is better than falling out a window every singe night.

As always, Louis assumes his usual spot, watching his sister perform while his companion sits above. There is peace between all three. And at the same time, a feeling of lonesome resides. Like there is something missing.

Until that evening when she enters.

Armand smells her before she even steps foot intot he theatre. It is rich, it is new. It almost smells familiar of his previous years abroad. Whoever os here, their blood sings to his dead heart. It begs for him to consume it, to be bathed in it.

Had an ancient one found their way back? He looks down into the seats. Soldiers, husbands and wives, students fill the house. But he sees nothing.

Louis catches Armand's gaze, he sees his gaze, 'what is it?'

'Something is here. An ancient thing or being. i don't know what it is. But there is power in it.'

"One ticket please." the dressed up vampire hands the young woman her ticket which she holds between gloved hands. She feel out of place in her softer colors against the dark theatre, but she alwayd did stick out.

"Vampires pretending to be humans pretending to be vampires," you whisper to yourself in awe finding your seat. "How dramatic, Prudence was right."

The act begins. Murder marks the end of all the scenes and your laughter is like a bell in the vampires ears. Armand searche but cannont find you nor can Louis pinpoint your presence. But it is intxoicating.

Then the final act happpens. The vampire troupe feast on the woman and silence fills the theatre. But you stand in loud applause shouting your praise in french. And it is as though the world ends when all three look upon you.

How your eyes shimmer in praise, how your pearly white smile lights the room. Claudia freezes witht he blood dripping. Trying to remember your face as the curtains pull shut. Armand watches as you look up, nodding your head giving your appluase to him now.

But Louis, oh he wants you then and there. But the crowd keeps him from meeting you in the aisles as you file out.

"Oh sisters it was wondrous as you said!" you whisper in awe as you tie your scarf looking in to the mirror of your flat.

"Did I not tell you it was a delight, though in their early days they were more shakespearean I suppose they choose to cater to their English crowd now."

"And did you see the leader? is he not handsome!" Your fellow sister Urydice exclaims moving Prudence aside to stand in front of the mirror.

"He was..beautiful." you shyly whisper and the girl squeals.

"Oh you must approach them! you must!"

"Enough girls return to your chambers."

"Yes Mother." you whisper your goodbyes to all the girls until she sits in front. Your leader,t he mother of your group. She is old and wise, but no age touches her compexion. Her hair large and thick is braided back and you realize how much you miss your mother.

"My darling," she whispers with a smile on her lips. "Be safe. These vampires have power. and they have numbers. Until we have arrived you are to not engage them."

"Yes mother," you bow your head and press a to your pointer and middle finger pressing it to the glass and as soon as she does the same all that is left is your reflection.

You should listen to her, but you don't.

and as you shed your robe to slip into your bed. The golden eyes that watch from your balcony disappear into the night.

That next night you sit at the cafe writing letters to your scattered sisters. Some in english, three in french and the one in italian.

"You're not from here ma'am? Haven't heard italian before," the young girl sits in front of you.

"No, I am not. But Italy is not my home." You sip from your glass of coffee.

"I must say you are an exceptional actress. The breath was taken right out of me."

"Thank you, years of practice led me here."

"From...America?" you guess.

Her eyes widen as does her smile, "how'd you know?"

"Southern accent. Heard it growing up."

"Claudia, what'd I tell you but disturbing folks?"

Yiu hate to admt how the man who joins you both at the table makes your eyes widen. Your cheeks feel hot as his gaze settles upon you. You seem to have som eaffect because he is no longer chiding at the girl.

"No, she is fine sir. Just some simple conversation is all" you tilti your head "your daughter I am assuming?"

"Ah well...yes" he fumbles his words.

"How sweet," you smile at the two now bundling your letters to drop at the post. "I should be taking my leave now. It was lovely to speak to you both."

"Claudia," she quickly shakes your hand.

"Louis."

They wish you could stay. But you toss the necessary amount by your cup and leave the two behind to watch you walk down the stony path.

One night turns into two, then three when you return again it has been a week. A week of you tryig to avoid that theatre, but they calll out to you at night. "Come, come to us." But the leader requests your presence tonight.

One of the women leads you to where he sis. The only empty seat beside him is where you situate yourself.

"When did he turn you?"

"Don't have a creator." you whisper, eyes remaining on the stage. They flicker to Louis who looks up, giving you a smile which yu quickly return along with a wave.

"You know we are not human, yet you yourself are not one ofus," now his head turns to look at you. "But you do not smell like one. And your presence..it is unusual."

"I smell?"

"Nothing like the boys of war I can assure you, it is not unwelcoming" Armand can not help the smallest of smiles when he hears your sigh of relief. "But I must ask you again. What are you if not human?"

You hesitate, remembering the words of your mother. "We are not human. In the past humans maddeneed by thoughts of God and satan killed us one by one. They stopped it from being publicized but they still hunt us to this day."

"You're a witch?"

"We refrain from calling ourselves that," your hand rests against a necklace. The very one all of you share. "We are scattered across the world to avoid any more unnecessary murders."

You pause to clap for Claudia smile as she grins up at you at the end of her act.

"Will you be in France for long?" Armand asks once you sit back down.

"I would like to be. Rome was for a moment. And I am not sure I wish to return again to Greece." Armand returns his gaze down to Claudia and Louis both steal glances at him. Anticipating.

"If you stay here, I can gurantee your safety."

Claudia adores you and spends any moment she can. Taking you to Madeline's shop and around the city and theatre while Louis walks around the city with you, taking shots of you facing the moonlight or along the river.

Armand shows you artwork from the world.

Each of them can not help but feel you fill the gap in their hearts.

They feel dizzy just being in the midst of your presence.

Then one night, as you sit atop Armand's lap. Louis hand settles at the back of your neck to look up at him. Your bare chest heaves as Armand lays kisses upon it. There is somethign electric in the air, something magical,

The candles burn brighter with each kiss. Flickering with your breathing, as though they are breathing with you.

"Stay with us," his voice a whisper. Your eyes remain on his. He whispers it again, "join us."

Your mothers words are drowned from the two.

"Yes, please." Armand lets a soft hiss as he bites into the juncture of your neck while Lousi bites into the other side. And it is liek liquid fire fills your vein and fills theirs.

It is as though you are bonded to them in that moment.

Theirs for an eternity.

[luckyarchivist]

Touchstarved LIs and Fanfiction AUs They Should Be In

Haven't been able to stop thinking about the people who said Ais is "always the tattoo artist in tattoo shop/flower shop AU". I don't even like tattoo shop/flower shop like that but it was such a correct thing to say and I have to acknowledge that. So here's that plus AUs I've seen that I think the LIs should be in.

Ais

Flower shop/tattoo shop, as mentioned. This one is TOO good. Come ON. Ais as the hot-ass owner of the local tattoo shop? Him listening to your idea for a tattoo and then smoothly and easily inking it into your skin and telling you you're good when you don't cry? I don't even need to explain this one. It makes sense in like every way.

NASCAR/Formula One AU. The idea of him getting out of that car sweaty as hell in the full racing suit after crushing a track record? Like, taking off the helmet and shaking his hair out and looking like he couldn't give less of a shit about winning first place? Yeah. I am not immune to vroom vroom

Mermaid AU but he's a bull shark or an octopus, not a fish. IDK if I want his claspers or his tentacles more, but either way he should be lurking in the briny deep and protecting me from the real ocean monsters and threatening to eat me even though he probably doesn't mean it, probably.

Vere

Magic/Witches AU. - C'monnnn, he's already so witchy! He's got the sleeves and everything. And yes I know TS already has magic in it, but you know what I mean. He, like, lives in the spooky forest and the people of the village are deathly afraid of him, but you need his magical help, so against the wishes of family and friends you seek him out. And he forces you through a series of dangerous illusions as a trial and, when you successfully pass them, finally agrees to help you for a price...

Royalty AU as either the capricious king of a powerful nation or that king's advisor, formal or informal (smart concubine). I've never seen Game of Thrones but that kind of castle politics, shadowy backstabbing shit seems right up his alley.

Modern AU as an artist: I already talked about this with Vere as an artist and game dev, but I think it'd be so funny if Vere was just sitting in a coffee shop (local, Starbucks is below him) trying to finish his commissions in peace because his roommate(s) are annoying and/or distracting. Honestly, Vere would also rock as a modern AU witch, like urban fantasy type.

Leander

Barista/Bartender AU. He's so extroverted and congenial I have to put him in a drink service AU. He definitely has a "time to mix drinks and save lives" type of work ethic behind the counter. He remembers regular customers and their drink orders, he is LIBERAL with discounts, and he leaves little notes to the people he thinks are cute.

Serial killer AU. I am so basic and even though I have no desire to watch or listen to true crime now, I was raised on the Investigation Discovery Channel and I've never lost that. Look at his fucking face. He's asking for it to be covered in blood. Even better if this is combined with the above AU and he's a sweet server by day and a ruthless murderer by night but he keeps the same wide, pleasant, and genuine smile on because both things are things he loves to do. Even BETTER if he has an obsession with one of his regulars and starts killing people around them in an attempt to get closer with them.

Theatre AU. Siiiighs. Yeah, I'm a theatre kid. And I just know this guy would be one of those actors who wants to be a mentor/older brother figure for any new troupe-members. He's walking you through all the vocal warmups. He's offering to help you run lines. He's driving you home after rehearsals. He is a triple threat, but he doesn't prefer musicals because he doesn't like singing in front of an audience (even though he's an amazing singer). And I just know props absolutely hates him because he keeps touching shit that isn't his.

Kuras

Hospital AU and Angels/Demons AU is too easy. Instead, I'm giving him the flower shop owner in flower shop/tattoo shop AU. Anyone here like KurAis? Anyways, I think it would be sweet to have him be the super-tall, kind but a little awkward and very knowledgeable owner of a flower shop. He probably enjoys crafting bouquets that have meaning in flower language. And yes, he knows about the nice meanings and the rude meanings, so you can get a "fuck you" bouquet from Kuras.

Detroit Become Human AU as an android. I barely remember D:BH but it was one of the first things that occurred to me when thinking about AUs for Kuras. Maybe because he'd be the kind of android who was like, "Don't worry, I'm not a real person, it's okay if I get shot repeatedly," and wouldn't understand why someone would be concerned about him anyways.

Elementary school teacher/single parent AU but I don't know if I want him to be the teacher or the parent. Do I want him to look after a group of children, making efforts to understand their silly little words and communicate with them so they learn and feel cared for? Or do I want him to be the struggling single parent who is so happy to see their child finally getting the attention they deserve outside the house? IDK, but I'd be happy either way.

Mhin

Superhero AU. They're kinda already halfway to superhero gear with the hood and the cape and the tight pants, but I think it be cool for them to dart from rooftop to rooftop, saving civilians and fighting crime. IDK if it'd be cooler if they were half-hero half-villain (controlled by their bird-monster side and wreaking havoc) or if it'd just be nice to have a crow hero motif. Anyway they save me and I'm a reporter who uses my reporter contacts to try and track them down not knowing they're actually my upstairs neighbor who I bring shepherd's pie and strawberry cupcakes to sometimes.

The other tattoo artist in tattoo shop/flower shop. You know how there's always some other character working in one or both of the shops? Ayeah that's Mhin. Number one, I think it'd be hot if they had tattoos. But even if they don't they're still hot when they give the tattoo because focus and skill are attractive. They're talented enough that Ais keeps them around even though they hate him. They never talk to him even though he's their boss. Over the course of the fic Mhin and Ais get closer b/c Kuras is friends with both of them and he wants them to like each other.

Angel/Demon AU as an angel because I want them to be corrupted :) I want them to be forced to submit to their own worst impulses :) and eventually realize that being evil makes them feel good and more importantly liberated and in control :) also maybe they can get wrecked by a demon please :)

Aaaand the DLC cast gets one as a treat!

Sen

Pacific Rim AU but PLEASE don't ask me why. I don't even REMEMBER Pacific Rim. But the clarity with which I could imagine Sen in a Pacific Rim AU is startling. She's gruff and she doesn't want to partner up with you, a rookie, but somehow you have perfect chemistry in the mech she doesn't want to acknowledge. She's too reckless out of disregard for her life, and you reel her in; you're inexperienced, and she fixes your mistakes. Then one day she starts to notice that she's guarding her own life more fiercely than ever before...because of you.

If that's not what Pacific Rim is about shhhh don't correct me /j

Elyon

Easy answer is pornstar/industry AU or camming AU but I'll never take the easy way out. And I know we don't know shit about the guy but I think reincarnation AU would kinda hit with him. His promo talks about wanting things money can't buy? Like possibly the ability to save his soulmate from dying and forgetting him over and over while he retains the memories of every life they've both shared and lived separately, as friends, lovers, enemies, and strangers? That would go hard imo.

If you read all of that, thanks! I hope you enjoyed~

[satoshi-mochida]

Revue Starlight: El Dorado launches August 8

Gematsu Source

(Possible spoilers for Revue Starlight below)

Visual novel Revue Starlight: El Dorado will launch for Switch and PC via Steam on August 8, publisher Bushiroad Games and developer Frontwing announced. It will support English, Japanese, Simplified Chinese, and Traditional Chinese language options.

In Japan, it will be priced at 3,980 yen for the physical standard edition, 14,980 yen for the Starlight Edition, and 39,800 yen for the Super Starlight Edition. The digital standard edition will cost 3,300 yen on Switch, with the PC price still to be determined.

The contents of each edition are as follows:

Standard Edition

A copy of the game

Weiβ Schwarz PR card

Raffle ticket for the stage to be performed in November 2024

Starlight Edition

A copy of the game

Blu-ray disc of Revue Starlight Re LIVE Reading Theatre Part 4 El Dorado – Includes performances of the reading stage performed on December 16 and 17

Weiβ Schwarz PR card

Raffle ticket for the stage to be performed in November 2024

Super Starlight Edition (limited to 999 copies, sold via Bushiroad Online Store raffles)

A copy of the game

Copy of original drawings with serial numbers

Blu-ray disc of Revue Starlight Re LIVE Reading Theatre Part 4 El Dorado – Includes performances of the reading stage performed on December 16 and 17

Weiβ Schwarz PR card

Raffle ticket for the stage to be performed in November 2024

And here is an overview of the game, via its official website:

About

The vast ocean sings to me. I must go and conquer it! Our last summer at Seisho Music Academy… With the 101st Seisho Festival “Starlight” coming up, we the students of the 99th class take up the challenge to perform “El Dorado,” an oceanic epic that Japan is proud of, for our summer performance. The exiled admiral, Salvatore Guglie. The heir to a royal Spanish family, Alejandro Javier Cavallero Cruz. Who will “we” choose… between the “two protagonists” of this story?

Characters

Karen Aijo – “No matter what waters I have to cross, I will… definitely reach you!” A Stage Girl who traded fates with her childhood friend Hikari to “stand on that stage together someday,” after being entranced by the stage play “Starlight” she watched as a child. She gave her all in performing “Starlight” with Hikari, and now begins to walk towards the “next stage” by herself.

Hikari Kagura – “I don’t need destiny or oaths anymore!” A Stage Girl who has loved stage plays since she was a child, and was led into the world of stage plays after watching “Starlight” with Karen. After performing the “fated stage play” with Karen, she has currently returned to studying at London’s Royal Institute of Dramatic Arts. She is striving towards becoming a stage actress while dreaming of the day she reunites with Karen on the stage.

Maya Tendo – “May my revenge shine beautifully as my fuel.” She is the top student at Seisho Music Academy. A thoroughbred, with both parents being prominent figures in the world of theater. Despite overflowing talent in acting, singing, and dancing, she is a proudly independent Stage Girl who has never become conceited and continues to aim to be the best. Aiming to join the New National First Theater Troupe, she imposes strict lessons on herself even today. Maya-sama continues to be Maya-sama even in her third year.

Junna Hoshimi – “I myself emit glimmering lights… A lighthouse star on the Evening Star!” A Stage Girl who keeps taking on stage plays with her vast amount of reading and solid knowledge, she is the most talented girl since the inception of Seisho Music Academy. She was once desperate to catch up with the frontrunners of the scene, but now aims to be a “dazzling protagonist” and sets her eyes far ahead in her own future. She is the former 99th Student Council President of Seisho Music Academy.

Mahiru Tsuyuzaki – “I will decide my own drama… burning myself like the Sun!” Karen and Hikari’s roommate. She is a cheerful Stage Girl with a vast range of expressiveness, and is looked up to by her juniors, but can get extraordinarily scary when angered. She gave Hikari a push of motivation and sent her on her way to share the fated stage play with Karen. She aims to join the New National First Theater Troupe, in order to become a Star who brings smiles to everyone.

Nana Daiba – “I’ll… go slicing for a bit.” She is Junna’s roommate, and at the same time, a Stage Girl with extraordinary talent in both performing and stage creation. She often has the chance to bake together with Mahiru, and she is affectionately nicknamed “Banana.” She loves everyone who helps to create the stage together, and that is the reason why she sometimes shows a ruthless side.

Claudine Saijo – “Thanks to you and my unjustified resentment!” She is a former child actress who has starred in numerous stage plays and movies from a young age. A pure-hearted and highly experienced Stage Girl who knows the ropes of a stage play. Although she honed her skills against Maya as her greatest rival, she returned to her roots in France after graduation and is slated to join a revue in Paris.

Futaba Isurugi – “I don’t want to see a version of you who’s good-mannered and runs neatly!” Unmatched when it comes to sword fights and action. She is a Stage Girl with great expressive power hidden in her small frame. She and Kaoruko have been stuck together since young. They both enrolled in the same school, and she drives them both to and from school on her motorbike. However, she has decided to walk her own path by accepting the challenge of the New National First Theater Troupe, and has entrusted her beloved bike to Kaoruko.

Kaoruko Hanayagi – “A competitive performance between the top stars of the Senka-ryu School and New National… I’d like such a stage play, someday.” The granddaughter of the head of the family that runs the Senka-ryu School of Japanese Dance. After graduation, she returned to Kyoto. She is a Stage Girl who lives a life of history and traditions, and will succeed the name of the 12th Head of Family, “Suisen Hanayagi.” After a huge quarrel, she accepts Futaba’s chosen path and sends her on her way. She is currently considering what to do with the motorbike that Futaba left behind with her, while grumbling that it is “a bother.”

Kiriko Masai and Shion Amemiya – “We are from the Stage Play Creation Program, in 99th Class Group B!” “In order to create an even stronger, even better Position Zero, become even greedier!” From the 99th Class Group B Stage Play Creation Program. Amemiya writes scripts with all her body and soul, while Masai flutters around controlling the stage. The two are also roommates. They stand at the forefront of Group B, having worked on many of the 99th Class’s stage plays, taking on hardships even while clashing and arguing. Before their final summer in the exchange program, they challenge making a stage play with a certain resolve in their hearts.

Judy Knightley – “If you seek a new universe… tear apart your wailing, and overcome the sea of blood!” A Stage Girl who boasts having top grades at London’s Royal Institute of Dramatic Arts, a school that is renowned for being the hardest in the world to get into. With outstanding acting skills and expressiveness that has been lauded even in the British theater world, she is a professional stage actress with a promising future. She has arrived at Seisho Music Academy for an exchange program, and stands in the way of the students in the 99th Class with her overwhelming brilliance.

[Update: Added the opening movie.]

[sirensong-productions]

[Well, damn it, it seems an ominus sounding theatre troupe is their last hope. Even if he has to get onstage and sing, maybe whoever runs this can help]

Can I knock?

[Ted inhales deeply, then nods]

[Rose knocks on the door with her little hand]

Another one? Damn…

[Hidgens picks up his shotgun and stands near the door.]

Who is it?

[rdbrainz]

Info and oc related stuff Characters in the following order: Ikkon, Turzo, Zanni (in his Resurrección form, you can find his regular outfit somewhere on here wink-wink), Kenpachi Ryuya, Betsuyaku Taisuke Their stories take place in an au btw

Ikkon "Capitano" Agreda Refused his number Zanpakuto: Tiamtum. Doesn't look like a katana at all, it's a silver brass knuckle knife Resurrección: Orca. However, no special form is obtained when activated Other: h-207cm, w-about 130kg

Ikkon's animal prototype is orca, the most fearsome sea predator. I wanted to give themes to the members of my Arrancar troupe (aside from literally being inspired by theatre, circus, etc.) and settled on self-destructive attitudes and relationships☝🤓 So his theme is anger, resentment and revengefulness. Many in the troupe call him by his nickname, "Capitano", but Ikkon is not a Spaniard who came from far away like his theatrical counterpart, he has no army and in this respect, he resembles Captain Ahab who blindly hunts for his own death with his decisions. Incredibly and sometimes unreasonably vicious and cruel, firmly believing that if the world and its creatures have treated him with nothing but cruelty since his birth, he shouldn't treat the world any differently. He has no sporting interest in violence. Ikkon can have fun in the process - even dance as a mockery - but he is not interested in fair fights purely for the sake of finding a worthy opponent, so he hates when opponents try to initiate small talk during encounters. He would be much more happy if his prey would just shut up and die. Ikkon is dismissive towards everyone around him and keeps them at arm's length even when he seems to like someone, and he is more than happy with his position as a "hired force" since he refused to play a role in the troupe and kinda sticks around to find himself new things to kill time with or, well, kill. He has murdered a great number of Arrancar either for fun or because of some quarrels and dug himself an even deeper grave. Despite actually having some semblance of self-awareness, he always finds someone to blame. Technically, he's just a big, angry kid who's lucky enough to have a huge power advantage over literally all of his kin and who's is so stuck in his own anger, so limited by it that he's unable to change at this point. His views have gotten him nowhere but to an aimless, stupid and painful death, which he'd always predicted for himself, but even then he's managed to do his own thing and took the shinigami who fought him out in the process. "If I go down, you go down with me." He mainly relies on his immense physical strength, size, and good fighting ability, but he also uses Sonído, Cero, Bala, and other delights of the Arrancar form. His personal ability is blowing bubbles filled with compressed spiritual energy hundreds of times stronger than when it's just surrounding him. When they burst at his command, they release it in the form of powerful waves that, depending on the opponent's spiritual energy, can either blow their head off from the pressure or just topple them over. His Resurrección doesn't give him a cool orca-man form but works kinda like a Domain Expansion. The lack of any new physical abilities or a new form when released is paid off by the fact that Ikkon's Reiatsu at a large radius from him is so intense that it creates a pressure similar to that of being submerged deep underwater. It's called Hadal Zone (Ultra Abyssal) because of it. He can easily tinker with this pressure and change it back and forth with various rapidity, so he can give his enemy either a decompression sickness or an instant death from rupture… of pretty much everything… It's up to him, but he's more fond of killing shinigami, humans, and his kin with his own hands rather than standing aside while it's happening.

Ikkon's far more cool and talented in all sorts of things than people give him credit for. He has a very strong singing voice and sometimes sings to himself when he's alone. But nothing more than that. He's not ashamed of his talent, in fact, he takes pride in it but being the object of attention of the troupe is worse than death itself to him, so it's kinda his fault people tend to overlook things abt him. He actually finds most of the members annoying. Especially their voices thanks to his extra sensitive hearing. It gets so bad that if he were to fight shinigami in the world of the living he'd probably bawl his eyes out due to the noise pollution and not be focused enough to do anything. He also lives on the outskirts of the cathedral-like building, where the other Arrancar reside, in a cave of some sort. Not because he's not a part of the whole mess but because he feels safer and calmer in the place he's been living alone in for a couple of hundred years now, even in his hollow form. Named after two musicians - Federico Augusto Ágreda Álvarez (Zardonic) and Niko "Ikon" Lehdontie (Oranssi Pazuzu). Theme songs: Twelve Foot Ninja - Coming For You, Staind - Change, Combichrist - Throat Full of Glass, Seether - Pride, P.O.D. - Listening For The Silence, Найк Борзов - Слышу Тьму. Heavily lyrics-oriented I guess?? Whatever… Tbh he's grown on me over time and the more I think abt him the less I wanna kill him off (and Ryuya too) but for the sake of keeping the story intact, there's an alternative route where he almost dies but doesn't. Maybe I'll write it down later but first I need to tell you about Volto so ehh… We'll see I guess.

[project-sekai-facts]

The profile cards for WonderlandsxShowtime's first live feature short interviews, with MEIKO and Len asking the members what their most memorable moments have been so far.

Tsukasa picks his performance as Torpe in the show Torpe the Pianist (On the stage of dazzling light), because it was the first time he played a character who was the complete opposite of him, but he found that if he perseveres, he can find a way to connect to the character.

Emu starts to list off moments from all of their shows. Before getting cut off, she mentions when it started snowing during A Merry Christmas (otherwise known as Smiling Christmas) (On A Holy Night, This Singing Voice), and the Night Show which made everyone in the park smile (Wonder Magical Showtime!).

Nene picks her ad-libbed performance from The Adventures of the Mermaid Prince and Mermaid Princesses (Mesmerised by Mermaids). Although she was nervous, she was able to save the show with her singing, and even got praised by her idol.

Rui picks The Travelling Troupe (otherwise known as Pegasus Odyssey) (Main story chapter 18). Despite him not being a part of WxS at the time, it was the show that Tsukasa, Emu and Nene performed to get him to join, and it marked the start of their journey together.

Question for all: What has been the most memorable scene in a show so far?

Member 01: Tsukasa Tenma

Tsukasa: Hmm. It's hard to pick just one scene. After all, I put my all into every show! MEIKO: Indeed, you always pitch with all your might, don't you! T: Yeah. Although... Let's see... The first show that comes to mind is Torpe the Pianist. M: That play was wonderful! Your performance also had a different feel to it than normal. T: Mhm. I learnt from that role that even if a character seems to be the complete opposite of me, I will be able to understand them if I persevere. M: Being able to play someone different from you is one of the best things about acting! T: Yeah! I wonder what sort of role awaits me next... I'm looking forward to playing it already!

Member comment: I hope you enjoy the story we're telling!

Member 02: Emu Otori

Emu: Mmm~, there was the time when it snowed during the Christmas show! That was super Wonderhoy... Len: It was amazing! It was like the sky saw everyone's show and decided to help us out! (Translator note: I don't think this is translated correctly) E: Yeah, yeah☆ Also, there was the story about the wizard from the Night Show! The magic of smiles made the park light up and sparkle... hehe, I still smile even when I look back on it now ♪ And then there was- L: Ah, Emu-chan... it's almost time to go... E: Eeeh, already~!? I wanted to tell everyone about all our shows so far~! L: Y-you were going to tell us about everything!?

Member comment: Let's go on a Wonderhoy adventure together!

Member 03: Nene Kusanagi

Nene: A scene that left an impression on me... I have to say my ad-libbing during The Mermaid Prince, even though it wasn't in the original script. MEIKO: The show we did at the beach. You ran into a problem and had to solve it, right? N: Yes. I was a bit nervous... but my singing was able to help. M: You were able to turn the disaster around! N: I guess so. ...Thanks to that, I got some nice words from the person I admire. M: Hehe. Well, if anything happens again, maybe something good will come of it as well! N: I-I don't want that much trouble...

Member comment: I'd be happy if I could sing a memorable song.

Member 04: Rui Kamishiro

Rui: Well, I would like to say a scene from a show that I directed myself, but actually the scene that left the biggest impression on me is something else. Len: Really? R: Yes. If I had to pick one scene, it would be the scene where a lonely alchemist is invited to join a travelling theatre troupe. L: What show was that? R: Before we formed WonderlandsxShowtime, Tsukasa-kun and the others created that show to get me to join them. L: Eeeh~, so it's the show that started it all for you guys? R: Yeah, that's the moment when our journey began... I don't think it's an exaggeration to say that.

Member comment: Let's surprise everyone with the performance we've prepared for today

[lizzaneia-elizalde]

Yandere! Theatre actor x gn! Technical team! reader

GOD I MISS WRITING Also, I'm going to put names now. It's going to be confusing if I only used pronouns (just for me though, dunno 'bout yall!) Yandere! artist name: Arlen Yandere! dragon name: Vincent TW: Your usual yandere stuff, suggestive tones.

The actor lived for most of his life being praised for his talents. He's a talented man who can act, sing, and dance. He can memorize scripts as easy as breathing. He yearns for the spotlight, for the attention. He wants everyone's eyes on him.

Ignatius always heard of how stereotypical he was as a theatre kid, but he didn't care. All he wanted was to relish in the praises that was given to him as he entertained them with his genius. At first, he didn't care on who gives him attention. As long as he gets it, he's good. It was like his food and water, his sustenance, his reason to live. After all, being ignored by his parents all his life was enough of a reason to find attention from other people, right?

But his life shifted once he met you.

You're from the IT department in your University, then heard that the Theatre troupe needed a technical team asap. So you, with your friends, decided to apply for the job since it's extra credits and there's actually money from it. You're not one for theatrics, so plays didn't really interest you. You prefer movies really.

So because of this, you didn't give Ignatius the attention he wanted.

At first, Ignatius was okay with this. I mean, there's tons of people who can give him what he wants. He has a lot of loving and adoring fans after all.

But he's so bothered by the fact that you clapped a decibel or two lower than others, cheered softer than the others, and your eyes didn't shine with absolute adoration.

It was eating him alive.

Why was he so bothered by it? He wants to lash out at you, to shake your shoulders and to take you to the optometrist to get your eyes checked. Why weren't you cheering for him?!

You did, you absolutely did. But it's not enough for him. It's never enough.

Lights blinding, music so profound as it pounded away at his ears. Then with an inhale of oxygen, he started to sing. Ignatius' voice reverberated around the stage and into the audiences' heart as he sang a ballad disguised as a lament. His character was singing of a life could have been outside of his boring life before he died, about a life where he was Monique Gibeau, a hooker with heart of black charcoal. Ignatius embodied the character so well that people felt sentimental about their own lives of what could have been. He was that good of an actor. Yet, Ignatius' eyes only zeroed on you as you made sure that the instrumental didn't go wrong, or the spotlight remained on him, or that the lights didn't suddenly go off.

He wanted your gaze on his body as he danced on stage seductively, acting like a lustful hooker who always have something eventful happening in their life. No, in that moment, he is one, and he's craving one person and one person only, like how he craves opium.

Yet that person won't give him the time of the day, and the thought made him shiver. In excitement? Anger? Who knows what's going on his mind as he swayed his hips and his singing voice hit a note he usually finds difficult, with ease. And then, your eyes met him.

He shivered once more, biting back a moan as he finished his piece. Everyone erupted in great applause, including you. Yet, still, a decibel or two lower.

When did Ignatius get this needy? He doesn't want your attention, he needs it. Desperately.

And as he let the pleasure of having your attention on him sink in, he swore he'll do anything to get you to cheer for him, and only him.

I'm gonna do this right Show you I'm not moving

Your legs desperately pushed itself beyond its capabilities as you ran away. Your sweat marring your face as your heart pumped frantically. Your heartbeat overwhelmed you, but despite that, you can hear Ignatius' sweet voice sing a song from a recent role he got.

Wherever you go, I won't be far to follow Oh, I'm gonna love you so

Your loud breaths that your lungs produced from gulping air that it desperately needs echoed through the theatre hall. Your back was wet from sweat, and your front was wet with tears as you held back hiccups. You couldn't tell where Ignatius is at all. But your senses drank the affectionate words Ignatius is singing. It's supposed to be sweet, until you remembered how he killed half of the theatre troupe and landed half on the hospital from food poisoning.

It was a humble pie, deep dish even. To celebrate the new play they adapted. But they don't know he put an ungodly amount of Thallium in it. You didn't get to eat at all since you reasoned you were allergic to the pie. Of course Ignatius knew this. How could he not?

He needed to know who he was dealing with, of course. Whose attention he was desperate for.

You'll learn what I already know I love you means you're never, ever, ever getting rid of me

He didn't like it when you didn't praise him, or didn't fawn over him like others. He absolutely hated it when you're so amicable towards others. So he had to do whatever it takes to solo your attention. He was so desperate for it.

When did his desperation turned to love? Even if you ask Ignatius, he won't know the answer at all. When was the line blurred? He also doesn't know. Not like you can answer him when he's desperately chasing you with chloroform and rope in his hands.

You slumped down in the Technical booth up top the theatre. The key to the door was clutched tightly in your hand. Grazing the palm and cutting it. The blood trickled down to your arm, making a faded red stream as your other hand covered your trembling mouth.

You can try, oh, but I I love you means you're never, ever, ever getting rid of me

You suddenly got aware of how much of a bad idea it was to be locked up here in the booth. You have no exit, just the stairs that you swore creaked in all its metal glory. As if heavy footsteps stomped on it. He was close.

The door rattled for a bit, before it was kicked open. You screamed in terror as Ignatius obsessed eyes landed on yours. He grinned widely as he stalked towards you.

You cannot escape.

I can try, but I I love you means you're never, ever, ever getting rid of me

Just give him the attention he desperately needs.

You don't have a choice.

[hoperays-song]

Small Things That Could Have Been Added For Character Development

Have Johnny pickpocket or somehow take the id card of a Crystal Theatre employee to help them get back on set after they got fired (their ids wouldn’t have logically worked and it would hint towards Johnny’s past).

A scene of Ryan giving Johnny a fist bump or hug when the dancers arrive on set as well as Johnny texting Ryan to come to set (now marks them as on friendly standing).

Add Marcus stepping between Johnny and Jimmy when the cops are dragging him out and/or covering his head when the helicopter is above them in Sing 1 (shows that he is protective of his son).

Have Jimmy interrupt Porsha or correct her harshly when she makes a mistake when talking (now has their relationship be a bit more clearly rocky and a reason for Porsha to rebel).

Add more of a reaction from the younger troupe members (Johnny, Meena, and Ash) to things in Redshore like the buildings and decorations (it’s unlikely any of them have been in somewhere quite as expensive or elaborate before).

When Ash is trying to convince Buster that something is a bad idea, have her clearly nearly slip up and say dad instead of Buster (shows how close the two are).

Add scratches or tears in the wallpaper and paint to Ash and Lance’s apartment and it’s decorations in Sing 1 (shows how much they were realistically struggling with being able to find gigs and get money).

A hug between Johnny and Stan and Barry after Johnny hugs Marcus (now we know that Johnny is close with them as well and solidifies them as being uncle figures at least to him). 

When it shows Marcus and the others watching Johnny’s performance in Sing 2, have Stan be holding Marcus back a bit (Marcus and the others would have realized something was wrong by Johnny’s expressions alone and would show the gang’s dynamic a bit).

[olympic-paris]

THIS DAY IN GAY HISTORY

based on: The White Crane Institute's 'Gay Wisdom', Gay Birthdays, Gay For Today, Famous GLBT, glbt-Gay Encylopedia, Today in Gay History, Wikipedia, and more …

September 22

1939 – Bette Bourne, born Peter Bourne, is a British actor, drag queen and equal rights activist.

Born Peter Bourne in Hackney, east London, he made his stage debut at the age of four as one of the members of Madame Behenna and her Dancing Children. Encouraged to take part in amateur dramatics by his mother, he chose a career in the theatre at 16, working backstage at the Garrick Theatre, London.

He studied drama at Central School of Speech and Drama in London and went on to act on stage and on television throughout the 1960s. He appeared in TV series such as The Avengers and The Prisoner, and in 1969, he appeared alongside Sir Ian McKellen in a touring double bill of Christopher Marlowe's Edward II and Shakespeare's Richard II.

In the 1970s, he put his acting career on hold to become an activist with the Gay Liberation Front, becoming part of a gay commune in London. It was during this period that he started wearing drag and changed his name to "Bette".

In 1976, he joined the New York-based gay cabaret group, the Hot Peaches, performing with them in Europe, culminating in a show at the Institute of Contemporary Arts in London. When this group went back to New York, Bourne formed his own troupe, Bloolips. Featuring songs such as Let's Scream Our Tits Off, the shows were mostly written by playwright John Taylor with titles like Lust in Space and The Ugly Duckling. He toured the UK and the rest of Europe throughout the 1980s and early 1990s, winning an Obie Award (Off Broadway Theater Award) for the New York production of Lust in Space.

1953 – Richard Fairbrass is an English singer and television presenter, born in Kingston upon Thames, Surrey and raised in East Grinstead, West Sussex. He is the singer with the band Right Said Fred alongside his brother Fred Fairbrass, who became very popular for a short time in the UK in 1991 with their number 2 hit I'm Too Sexy, which they followed with Don't Talk Just Kiss and in 1992 Deeply Dippy, which was a number 1. Since then they have only occasionally troubled the lower reaches of the charts although they have had success in Europe and elsewhere.

I'm Too Sexy has entered popular culture and is often spoofed or parodied in shows like The Simpsons and Family Guy.

In April 2007 Fairbrass was reported to be planning to run for Mayor of London in the 2008 election. Shortly after, during a gay rights rally in Red Square, Moscow, on 27 May 2007 commemorating the 14th anniversary of the decriminalisation of homosexuality in Russia, Richard and Fred Fairbrass were assaulted by members of a counter-demonstration staged by ultra-nationalists. Richard Fairbrass sustained a cut under his eye. Speaking about the incident upon his return to the UK, Richard Fairbrass commented, "When it was over I actually felt more sorry for the guy that whacked me than I did for me ... How threatened can he be, how insecure is he to be threatened by a bisexual pop singer who's most famous for singing "I'm Too Sexy"?".

He is very open about his sexual orientation (bisexual) and once co-hosted (with Rhona Cameron) a TV series aimed at a lesbian and gay audience called Gaytime TV on BBC2. Richard had come out as bisexual in 1991 to The Sun. Richard's long term partner, from the early 1980s until the early 2000s, was Stuart Pantry, a BBC make-up artist. At the end In 2007, Richard said to the Metro: "My last relationship was with a girl, so I am on the cusp. I have never described myself as completely gay". Fairbrass has also said he appreciates "pretty guys who look like girls and girls who look like pretty guys."

1958 – Tim Miller was a little-known performance artist until he came to national attention as one of four people denied grants from the National Endowment for the Arts because of homosexual content in their shows. Since then he has built a reputation for his witty and engaging performances that are both poignant and politically acute. Miller's performances are rooted in his own life experiences, but they are also a form of glbtq activism.

Miller, the youngest of their four children, was born in Pasadena but grew up in nearby Whittier. As a youth Miller read the works of Walt Whitman and Allen Ginsberg and always felt a sense of otherness. In Boys Like Us, he wrote:

I was seventeen going on eighteen and I was desperate for love and dick. I searched everywhere for it. I hung around the Whittier Public Library, leaning suggestively against the stacks in the psychology section, waiting to be picked up by some graduate student. I leaned too far, once, and almost knocked over an entire row of bookshelves.

He had an epiphany while watching a PBS show about Oscar Wilde, Feasting with Panthers (directed by Adrian Hall and Rick Hauser) in 1975. As he recalled in a 1992 interview, "It was like a lightning bolt from Zeus or Diana or somebody came right into our living room in Whittier, California. It was like I watched it and I said, 'Oh, OK. I'm gay, just like Oscar Wilde, just like Socrates.'" He shared the revelation with his family, all of whom were very supportive.

Miller's interest in performance began in high school, where he took classes in theater and dance. At nineteen he moved to New York and studied dance with Merce Cunningham.

Two years later, in 1980, Miller joined with Charles Moulton and Charles Dennis to found P.S. 122, a space for performance art. The name derives from the former school building that houses the project. After seven years in New York, Miller returned to California and founded another performance space, Highways, in Santa Monica.

Miller developed shows based on his personal life as a gay man and also as an activist on behalf of the glbtq community. As a member of ACT UP and other organizations Miller has participated in numerous demonstrations to call for funding of AIDS research and treatment and to promote equal rights for glbtq people. His civil disobedience has led to his arrest on several occasions. He was beaten up by police when he protested at the Republican National Convention in 1992.

Supported in part by grants for the National Endowment for the Arts (NEA), Miller staged his autobiographical shows before small houses until May 1990, when he suddenly found himself at the center of a political maelstrom. In the wake of the controversy over NEA sponsorship of a Robert Mapplethorpe exhibit, Republican Senator Jesse Helms of North Carolina led a campaign to prevent the NEA from funding "obscene or indecent" art.

In September 1989 a congressional committee adopted language to prohibit federal grants for art that "may be considered obscene, including, but not limited to, depictions of sadomasochism, homoeroticism, the sexual exploitation of children, or individuals engaged in sex acts and which, when taken as a whole, do not have serious literary, artistic, political, or scientific value." On the basis of this amendment, in June 1990 NEA chairman John E. Frohnmayer denied four of eighteen proposed grants despite the unanimous favorable recommendation of a panel of artists. Three of the artists—Miller, John Fleck, and Holly Hughes—are openly gay or lesbian, and the fourth, Karen Finley, deals in her work with various aspects of sexuality including homosexuality. All were previous recipients of NEA grants. The NEA Four, as the group came to be known, sued the agency and Frohnmayer in federal court on the grounds that political rather than artistic motivations had led to the rejection of the grants.

"There is no question that the work of these artists is considered excellent in the arts community," stated Ellen Yaroshefsky, one of their lawyers, adding, "The works talk about the victimization and powerlessness of women in our culture, the victimization of gay people, and the victimization of people with AIDS, and all of them express the views that heterosexuals and homosexuals should be treated equally."

The case was eventually settled out of court in June 1993. The four plaintiffs each received their original grants and also $6,000 to compensate them for invasion of privacy because of alleged leaks of information about them by the NEA. The case cost the NEA over $200,000 in compensation to the plaintiffs' lawyers and also cost Frohnmayer his job after he admitted that he had departed from regular procedure by rejecting the panel's decisions on the NEA Four and by not permitting them to appeal his action.

Despite the settlement, however, the Clinton Justice Department appealed to preserve the "decency clause." After a trial court and a court of appeals declared the clause unconstitutional, the Supreme Court agreed to hear the case. In 1998, the Supreme Court ruled that the NEA could use "general standards of decency"--a decidedly vague concept--in making funding choices.

1959 – Mark Patton is an American actor and interior designer, known for A Nightmare on Elm Strret 2: Freddy's Revenge.

Mark Patton was born in Kansas City, Missouri. After graduating high school, Patton moved to New York City to pursue an acting career. Within a few months he landed the role of Joe Qualley in the 1982 Broadway production of Come Back to the Five and Dime, Jimmy Dean, Jimmy Dean. Patton reprised the role in the 1982 film of the same name. Although his character in the play and film was gay, Patton was not allowed to do an interview with the LGBT-interest magazine, The Advocate. Patton identified this as an early indicator of the homophobia in Hollywood at that time.

He is perhaps best known for his role in the 1985 horror film A Nightmare on Elm Street 2: Freddy's Revenge as Jesse Walsh, a teen whose body becomes possessed by Freddy Krueger. Critics and audiences noted the gay subtext of the film, something deliberately inserted by screenwriter David Chaskin. Chaskin initially blamed the subtext on Patton's portrayal of Jesse.

Patton says he gave up on his acting career following being cast in a planned CBS series in which he would have played a gay character.

"They began to ask me if I would be comfortable playing a gay character and telling people I was straight if they began to question my sexuality?...All I could think about was how everyone I knew was dying from AIDS and we were having this bullshit conversation. My heart just broke and that was the line for me. I knew I would never be able to do what they were asking, so I walked away from Hollywood and decided to move on to a place where it was totally acceptable to be gay."

In 2004, on his 46th birthday, Patton was diagnosed with HIV along with pneumonia, thrush and tuberculosis. His medications interacted badly and he was hospitalized. Upon recovering, he moved to Mexico, where he met and later married Hector Morales Mondragon. The couple owns and operates an art store in Puerto Vallearta.

Patton appears in the A Nightmare on Elm Street documentary Never Sleep Again: The Elm Street Legacy, directed by Dan Farrands. In the documentary screenwriter Chaskin acknowledged that he was responsible for the film's gay subtext. Following his appearance in the documentary Patton began touring horror conventions where he is lauded as mainstream cinema's first male "scream queen". He donates most of his appearance fees to HIV treatment groups and charities benefiting LGBT youth such as The Trevor Project.

In December of 2015, it was announced that Patton was cast in the independent paranormal horror film, "Family Possessions", which is written and directed by Tommy Faircloth of Horse Creek Productions.

1972 – Matthew Rush is a bi-racial American gay pornographic film actor, magazine model, and a bodybuilder and personal trainer. He has competed at the Gay Games in Amsterdam and Sydney, Australia.

Rush was under a lifetime exclusive pornographic career contract with Falcon Studios that ended in 2009 so he could pursue other projects in the pornographic industry. His first post-Falcon project was a pornographic video and photo shoot with photographer Jon Royce on January 22, 2009.

Rush is a powerful top in many of his film roles, but he can also perform as a vocal bottom. His first post-Falcon porn shoot was with Pantheon Productions in San Francisco on January 23, 2009. In the film, titled Brief Encounters (Real Men, Vol. 17), Rush played a nasty son that "flip-flopped" with hairy daddy Tim Kelly. Rush's career was revitalized when he joined the website MenOver30.com in 2009. His easy going attitude and versatility has resulted with him receiving the 2010 Grabby Award and GayVN Award in the category "Best Versatile Performer".

Rush has appeared in the TV detective film Third Man Out, starring Chad Allen, and in the motion picture Another Gay Movie. From 2002 to 2005, he acted in a traveling stage production of Ronnie Larsen's Making Porn.

His retirement from the pornographic industry, announced in October 2011, was short lived when he returned to making pornographic films in January 2012.

1975 – On this date Oliver Sipple saved President Gerald Ford's life.

Sara Jane Moore attempted to assassinate U.S. President Gerald Ford outside the St. Francis Hotel in San Francisco, just seventeen days after Lynette "Squeaky" Fromme had also tried to kill the president. Moore was 40 feet away from Ford when she fired a single shot at him. The bullet missed the President because bystander Oliver Sipple grabbed Moore's arm and then pulled her to the ground, using his hand to keep the gun from firing a second time. Sipple said at the time: "I saw [her gun] pointed out there and I grabbed for it. I lunged and grabbed the woman's arm and the gun went off."

Sipple, a decorated Marine and Vietnam War veteran, was immediately commended by the police and the Secret Service for his action at the scene. The news media portrayed Sipple as a hero. Though he was known to be Gay by various fellow members of the Gay community, Sipple had not made this public, and his sexual orientation was a secret from his family. He requested the press did not report this. Several days later Herb Caen, a columnist at The San Francisco Chronicle, exposed Sipple as a Gay man and a friend of Harvey Milk.

2003 – John Alcorn has a role as a jazz singer in Timothy Findley's The Piano Man's Daughter. John Alcorn is a Canadian jazz singer who is active in the Toronto jazz scene.

Born in Toronto, Ontario and raised in Trinidad, Nova Scotia, New Brunswick and New Hampshire, Alcorn returned to Toronto as an adult and began performing in jazz clubs. He released his first album in 1999, and was named Male Vocalist of the Year by the Jazz Report Awards. He also earned a Dora Award in 1997 as music director and composer for Theresa Tova's play Still the Night.

Alcorn has also acted in a number of television films, including Must Be Santa and The Piano Man's Daughter.

Alcorn is the partner of puppeteer and dramatist Ronnie Burkett. His daughter, Coco Love Alcorn, is also a noted Canadian jazz and pop singer.

[coffin-ramblings]

Phantom of the Opera/TCoAaL AU

I have made this blog because I am so sad to no one thought up anything this

-Possibly took place in early 1900s? Can still take place in the late 1900s

-The Graves are still poor and living in an apartment

-When Ashley was born, her face looked like a skull much like Erik, and Renee hated her immensely. As soon as Andrew was able to, she handed her off to him and made Ashley wear a mask

-Andrew took care of her like canon and Ashley grew very attached to him. He sang to her a lot, and even though she was bad at it, they had a lot of fun singing together. Ashley cherished those memories a lot.

-Andrew had a lot of high hopes by his parents for being a talented singer, so they tried to get him to sing as much as possible.

-Andrew tried to give her friends through Julia and Nina, who were his choirmates, but they weren't very good at it due to being creeped out by her. It got worse when Ashley took off her mask one day and they screamed and ran away.

-When Andrew was 12 and Ashley was 10, the apartment burned down while Andrew was out with Julia, with both their parents dying and Ashley missing. Andrew became extremely heartbroken and depressed, with Nina and Julia helping him through it.

-However, Ashley didn't die, having fled the apartment and picked up by a circus to be part of a freak show. She was very heartbroken feeling abandoned by Andrew, but couldn't dwell on it because of having to work. To cope, she tried to learn the circus arts (though she is by no means a master like Erik) and improving her singing to hopefully be a better performer.

-Eventually she got tired of the abuse and summons a demon out of desperation to escape. To do so, she sacrificed several of the troupe members and went to hide in a newly built theatre where she pulls some pranks to get what she wants, sacrifices a poor soul now and then, and create the most delightful, macabre show for the demon so it can remove her disfigurement.

-Andrew, Nina, and Julia happened to join that theatre as regular singers, though not as good as the more well-paid competition. When Ashley saw him, she didn't know that was Andrew, thinking it's someone who looks a lot like him older and has the same name as him. Lonely, she talks with him in his dressing room while hidden.

-Andrew recognized Ashley's voice though, even when she's older and worn down by life, but doesn't say anything because he's afraid she'll get mad at him for seemingly abandoning her and leave him too. It gets awkward when he starts developing feelings for her.

-Ashley sabotages the male lead role for Andrew to get the role and starts showing herself to him after he nails it. They have a somewhat sweet and a very angry reunion, but then it gets ruined when Andrew returns to find out Julia overheard their conversation. Things go downhill from there.

-Nina gets sacrificed at some point, and most likely Julia too at the end, as Ashley wants to change her deal with the demon to both remove her disfigurement and bind Andrew to her. However, the demon is not happy with that, which leads to both Andrew and Ashley having to fight it.

-After it's all done, Andrew decides to run away with Ashley, not caring how she looks or what she did in her desperate attempt to keep him. He loves her no matter what, and nothing will ever change that.

[ace-and-the-rpg-horrors]

infodump about my unit swap AU!! mainly how the units formed :>

the idol group: Shizuku (leader), Ena, Tsukasa, Minori

Ena's photos on social media led to her being scouted by the same modelling agency that Shizuku worked for. they become good friends and both end up as idols at Cheerful Days. Shizuku quits earlier though, because Ena saw how the other members were treating her and almost immediately was like "err no, i'm not having that" and they both left, believing that their idol days were over

meanwhile, Tsukasa has decided to take a different path to stardom, aspiring to be a world-famous idol instead of an actor, somewhat inspired by his childhood friend. however, he isn't as successful, and similarly to Minori, many of his applications have been rejected. after Shizuku left Cheerful Days, learning of his bad luck, she tries to cheer him up by suggesting he join an unofficial group with herself and Ena. he accepts reluctantly, though insists it is temporary and that he will make it to a "real" idol group one day

Shizuku begins her second year of high school like Haruka in canon, going as a normal student. one day, she finds Minori on the rooftop practicing and is reminded of the most fun parts of being an idol. she offers to help Minori improve, and- having been missing Ena and Tsukasa since the two, while still friends, weren't able to talk as much once school started- contacts them to see if they'd like to help Minori out. Minori and Tsukasa, with their similar ambition and upbeat personalities, get along instantly and Minori is now the fourth member of their group

the online indie group: Kanade (leader), Saki, Ichika, Nene

the same circumstances led to Kanade starting to compose. one day, while bored and surfing the internet in hospital, Saki came across her music and started to write lyrics for it since it has resonated with her. she eventually decided to send her lyrics to this K person, who, to her surprise, responded, and even offered that Saki join her as a lyricist

once well enough to start high school, Saki excitedly tells Ichika all about her new hobby. Ichika still longs to bring their band from their childhood back together, but with little luck talking to Honami and Shiho, eventually joins Saki and Kanade's little group. she uses her guitar to add to Kanade's music and sometimes sings Saki's lyrics

Nene was still very much affected by what had happened in her middle school performance. yet, her desire to sing remained, even though she felt she could never face an audience again. one day, as she was listening to random music while gaming, a piece from K's group turned up. she stopped what she was doing and tried singing along to it- it fit her voice perfectly, as if it was made for her. with some encouragement from Rui, she made up her mind and asked if she could be a singer for their group. the other three, impressed by her clear skill, accepted

the theatre troupe: Emu (leader), Rui, Mizuki, Airi

Emu and Rui's meeting goes similarly to canon. desperately searching for cast members, Emu catches one of his illegal shows at PXL. she sees the park security before he does as he's distracted with his performance and whisks him away to the Wonder Stage, where she asks him to join her troupe. of course, he has no reason to refuse- and in addition, he has another possible member in mind. his old friend Mizuki, who would be great help with costumes, making the stage "cuter"- and something tells Rui that they'd make for a good actress too

the next rare occasion he sees them at school, he asks them to join. hearing of the state of the stage, as well as wanting to repay Rui for his company back then, Mizuki instantly agrees

meanwhile, Emu is on the hunt for more members at her own school. Airi, having quit her old work at this point, runs into Emu at one point. Emu recognises her from TV and excitedly tells the older girl that if she joins her troupe, she'll get the chance to make many people smile and spread hope. although it isn't exactly the idol future she wished for, Airi is convinced by Emu and becomes the main singer of the troupe whenever they do musicals

the street musicians: An, Akito, Haruka, Shiho

once An and Akito found out they had the same goal, they teamed up from the start and became a duo, so An didn't try to find a singing partner and Akito never ran into Toya singing, though i think they would still be decent friends through school, but not as close as canon

Haruka went through the same situation with Mai that led to her quitting as an idol. one day, wanting a change of scenery, she decided to meet up with An at Weekend Garage and when she arrived, she was greeted with her and Akito bickering over how they should sing lines in song. Haruka stepped in with her suggestions and the pair took a liking to her singing voice and asked if she wanted to join them. for a few days, Haruka was reluctant, but eventually gave into An's pleas and started singing with them on Vivid Street

while headed to the Miyajou music room to practice her bass, Shiho walked in on Haruka practicing her singing and was impressed by her work ethic. for a few weeks, they would practice songs together, Haruka singing along to the music Shiho played on the bass. eventually, after talking to An and Akito, Haruka invited Shiho to their group

Shiho was sceptical at first, and a bit put off by An and Akito's personalities when she first met them, but once she saw how serious they were about their goal, she felt she could relate to them a little with how driven they all were. Akito, inspired by Shiho's ability to both sing and play an instrument, decided to start learning the guitar

the band: Honami, Mafuyu, Kohane, Toya

Honami, even though she feels like it's a bit pointless since Saki, Ichika and Shiho have found different music groups, as well as not having the confidence to reach out to them all again, still continues to practice her drumming, even though she doesn't really know what her aim is

Mafuyu, not having ever come across K's music, hears Honami play one day as she walks past the school's music room. she senses a fellow person who doesn't really know what they're doing with their life and wordlessly enters and begins playing the piano in the room along with the drumming. Honami is surprised but doesn't stop. that is their routine for a while, simply playing the same song together without exchanging many words, but there's a silent understanding between them

Kohane did run into An's group practicing at Weekend Garage, but didn't return after running away the first time. however, her newfound interest in music remained and she visited the music room one day as Honami and Mafuyu were playing. she recognised the song and absentmindedly started to sing it as she stood by the doorway, accidentally catching their attention. however, Honami quickly stopped her from walking away and asked her if she'd like to continue singing along to their music

the three of them eventually became a band, but it did feel like something was missing. i'm going to say that in this AU, Mafuyu and Toya's parents are friends, so they know of each other. although Toya didn't particularly want to continue with classical music, he figured playing with people he could potentially befriend was much better than complete strangers, so when Mafuyu offers him a place in their group, he accepts. he becomes best friends with Kohane and agrees to become the violinist for their band. they often play at the Aoyagi house since it's got the most space

cross unit relationships

Rui and Nene: as childhood friends and neighbours, they are still extremely close despite not being in the same group. Rui is often in the background when Nene's on Nightcord calls. they share ideas with each other- though Nene does feel slightly down when she hears about everything Rui gets up to in his new theatre troupe as she somewhat wishes she was still able to join one

An and Kohane: never fear, Anhane will still occur despite them being in different units. Toya and Kohane head to Weekend Garage one day because Toya heard that their coffee was good and Kohane gets the opportunity to actually speak to An. they agree to stay in touch

Shizuku and Airi: they briefly met while they were both in the idol industry and remained good friends. Shizuku takes Airi's advice regarding being an idol and Airi is often inviting Shizuku to come see their shows. however, Shizuku always ends up lost, especially with the Wonder Stage in such an obscure location, so Airi has to send Rui to go looking for her- since he often plays the villain, he tends not to appear in performances until a bit later, giving him the time to go searching even when the show's due to begin

there are others but i am soooooooooo tired. this ended up well longer than expected

[meenawrites]

Spider Modern AU cause I can't help myself

I've seen so many people doing this and I love so much so I shall be participating as well. I'll also be doing other characters but this post is dedicated to Spider rn. I should really be working on my finals rn but here I am.

Spider is 100% a theater kid. Like no question about it. This kid can sing, he can dance, he can do gymnastics. He's the theatre troupe's pride and joy honestly, he's always pulling big stunts that wow the audience. This also ties into his love of storytelling in general so of course he's a theatre kid. Which ALSO means a lot of his playlist is musical songs cause.. ya know, obviously. I'd imagine Kiri actually secretly gave him access to her Spotify so he'd got access to premium (secret meaning everybody but Neytiri knows tbh). 

I think Spider actually does pretty well academically. He's a fast learner and his brain absorbs things like a sponge so once he understands a concept, it's all A's for him. It kind of pisses Kiri off how smart he is without trying sometimes, but she's also super proud of him for proving his haters (and her mom) wrong. 

This kid is the Anti-Bully of the school. He sees anyone bullying anyone and he's already aiming a punch at their face. Because of that, he's kind of seen as the protector of underclassmen and targets in general so he's pretty well liked generally, except for by the traditionally popular kids. Also not super popular with parents cause all that really sticks in their heads is violent Tarzan kid. He kind of stops with the physical violence once Kiri expresses her worry for him and how she doesn't want him to just blindly resort to violence all the time. But then he starts making comments to bullies that piss them off equally so there's no real winning for him here lol.

I think Spider likes working with his hands a lot so on top of acting in theatre, he also comes up with and constructs a lot of things for set and they always look incredible. 

Also, inspired by @be-the-glenn-to-my-maggie 's latest post, he joins the cheer team in solidarity with Lo'ak because he wants to get close to Tsireya. Refer to her post for more detail on that, I reblogged it if that helps. 

Despite being a year older than both Neteyam and Kiri, Spider and Neteyam actually share a lot of classes because Neteyam is a star student and skipped a grade. Kiri could probably also skip a grade if she wanted to, but her head's a little too in the clouds during classtime for any of her teachers to recommend it, even if she does get good grades. 

Spider still has his hair long, though I'm not sure if he would let it just endlessly keep growing or he would trim it here and there to his shoulders just to manage the curls a bit. I imagine his hair grows pretty fast so maybe once a year he chops it back to his shoulders and in like three months it's already almost to his elbows. He's gotten pretty good at braiding though, so when he can't be bothered to put effort into maintaining his curls, he just brushes his hair violently and braids it all in like dutch braids or other complicated hairstyles. The girls' soccer team probably starts recruiting him to braid their hair before games (based on my own experience lmao).

On a more serious note with his home situation... I think as a kid he was probably passed through multiple foster homes and all of them kind of said that he's too much for them. Then he ends up with the McCoskers and while they're not ideal they never say anything like that or try to get rid of him (yes they neglect him but seeing how he was treated before and they're not kicking him out, he's okay with them just giving him a place to stay). At least I'd imagine until maybe something big happens like he overworks himself or something and who notices other than the new family in town? The Tonowari family. And then they swoop in and are like 'mine now' and Spider's just like what? Unconditional love? A home where they notice I'm gone? Where I don't have to find my own food? What is this?

BUT IF TRUDY LIVED: so I imagine as a kid he'd still maybe be passed through the foster system a little, but Trudy is invested in his well-being, she's just still convinced there's some couple out there who'd be better for Spider overall until she sees all of them rejecting this perfect kid and she's like screw it and screw my own problems, I'll work through them for this kid but I'm taking him. And he's a happy boy thank you very much, loves his mama to death. 

I'll probably have stuff to add eventually but take this for now.