#so I can not care quite as much….

[bluesadansey]

remembering on my circa 2017 booklr I used to tell people to read Gemma Doyle by describing it as trc but with an all girls boarding school / all girl group in a historical setting… I was trying to do the lord’s work she deserved tumblr fame

[vaguely-concerned]

sometimes I think of all the on-the-surface warm, well-meaning but deeply ineffectual advice and attention john gives harrow through harrow the ninth (make some soup and get some sleep! get a hobby! don't be so hard on yourself! self care harrow! as long as I need take no actual responsibility in this relationship whatsoever I would have loved to be your dad!) set up against the stark truth that with his other hand he has been staging her attempted horrific murder again and again and again like a living nightmare on the logic that it will 'put her down or fix her'. and then I find that I wish there is a hell. a special hell where twitch streamers turned necromantic death emperors go

[obsidianbit]

I love this gay ass show with its literally life ending injuries that heal immediately, but only when convenient to the plot, and its ridiculous use of modern phrases, and its laughing in the face of historical accuracy, and its kissing the face of the fans instead of trying to outwit them, and the way everyone involved in the show seem to go 'I KNOW RIGHT! I'M EXCITED TOO!' instead of mocking the fans

[carnivalcarriondiscarded]

thinkin' about Bardaby and his illusion smoke...

[treasureplcnet]

assorted bodies doodles (transcript of that messy relationship square under the cut due to my handwriting/incoherency)

TAKE THESE W A GRAIN OF SALT i am like 90% joking:

hillinghead -> hasan, and vice versa: immediate mutual respect

hillinghead -> whiteman: he's incredibly smart, deceptively cunning but very kind. but he is also so annoying oh my god--

hillinghead -> maplewood: "please someone explain science fiction to me"

whiteman -> iris, and vice versa: two friends secretly think of the other as the sidekick

whiteman -> hillinghead: annoying him is quickly becoming a favorite pasttime

whiteman -> hasan: will not admit it but he wants parenting tips from her

hasan -> whiteman: has slipped a parenting book to him

hasan -> maplewood: deja vu about their future weirds her out a little, but she trusts her

iris -> hillinghead: fond of him from the time they spoke in the prison. enjoys fucking with him

iris -> hasan: SHE'S THE GOAT

[uncanny-tranny]

The bourgeois or "exploiting class" doesn't inherently include the person who gets their nails done biweekly, or the disabled person who has a carer, or the guy who got a $70 video game for full-price, or the person who relies on medication (yes even the ones you don't think they "need"), or anything else like this. None of these people will, on average, have the ability to exploit workers by means of ownership or whatever.

While you are busy fighting with fellow workers, you are still being exploited by your boss, by capitalism, by (potentially) not having healthcare, by being overworked and underpaid, and so are they.

[beatriceportinari]

Another year, another outfit to die in! Happy birthday again Izuna!!!!!!

Like last year, I played with someone else's lines for these charming patterns, thank you so much Lena @elhnrt ! I had a ton of fun :D

Check the readmore for pattern references and explanations, there are some easter eggs in there :)

(x,x,x,x)

My goal for this piece, in addition to playing with patterns and textures and adding some Naruto references, was to add as many death flags as possible.

The idea of having Izuna in a fireman's coat is obviously not from me. I've always like the idea of Uchihas in fire resistant clothes, and the opportunity for a thick texture alongside a reversible double pattern is very appealing. I used the image of the second reference as a base, with skulls on one side and stylized lightning patterns on the other (visible inside the sleeves and collar). Both were common immagery of firemen coats.

The actual skull pattern is taken from the third reference. I'd seen this one before and before even learning anything abt it it was too beautiful to pass up. Those white and navy gradients are absolutely delightful and I enjoyed using my gel pens for them very much.... This particular type of imagery with skulls and bones in a field is called Nozarashi, inspired by Buddhist representation of death and transience.

The lightning pattern itself is a reference to water and lightning dragons :) Like Tobirama's iconic jutsu, it's one of the hints of what's abt to happen to our little guy. The scabbard is also decorated with dragon motifs for the same reason.

The background pattern is taken from the first reference, another fireman's coat with an illustration of Raijin, the thunder god. He is often representated with drums decorated with tomoes. It works nicely as a standard looking sharingan illustration, with a reference to Tobirama's hiraishingiris with the thunder imagery, like the thunder patterns inside the coat.

If you're interested in this I recommend the book linked in the second reference! It is entirely about skeleton motifs in japanese clothing of the early 20th century.

[robinfollies]

smth smth arthur gets sleepy when it’s cold…

[wis-art]

Women, so pretty, so shaped, i am so lesbian,,,

[jasontoddenthusiastt]

The compelling thing about Jason as a character is that I never doubted that he cared about the world just because there weren’t panels of him being overly zealous about “restorative community care”

I’m not coming after anyone who wants to see that kind of stuff, but I do think seeking | that | as confirmation that Jason cares about the world is pretty narrow

[chr0n1c-ag0ny]

Kunidazai reunion sparking them finally, actually, truly getting together (cause they're idiots who have essentially been and old married couple for years and were the last to notice)? I think yes.

kunikida offering his apartment to Dazai, as his partners was in no shape to be lived in, after all the time that had passed with no upkeep and the time it spent in police custody, being milled through for any potential evidence. there was no way he could let him go back to it, not now, not tonight. Kunikida needs him close tonight.

Dazai takes him up on his offer. he doesn't want to be alone. he won't admit it, but he can't be alone, he doesn't know what it would do to him, what he would do to himself if he was left unattended. so he gratefully, while making jabs and cracking jokes at his partner, follows him home.

their night proceeds as normal, as it had for years of Dazai crashing with him. Kunikida cooks while Dazai sits up on his counter, rambling on and on about anything he can think of. Kunikida never realized how much he missed Dazai's voice until the relief of not cooking in silence hit him.

when they eat Dazai drags his partner to sit on the couch, even though Kunikida hates eating on the couch, knowing he would make an exception for him, just for tonight. they sit too close to just be friends, coworkers, partners even. their arms touch, their knees lean into one another.

when Dazai's finished with his dinner he lays a head in Kunikida's lap, turning on the TV, flipping through all of his partners recorded media until he finds the show they had been watch together, every episode that aired since he was arrested is recorded and unwatched. with blurry eyes he hits play. Kunikida's hand is in his hair and it doesn't leave.

they don't talk, they don't have to, they've talked enough. for now they just want to sit and feel each other's touch and hear each other's breathing. it's all they need.

its nearly 3 in the morning when Dazai finally starts to doze, he'd curled up into a ball, halfway in Kunikida's lap at that point, holding onto one of his partner's hands. Kunikida knows he should get them both to bed, he should offer Dazai the room and take the couch, that he should have the man some space after all he'd been through. but he aches at the thought of leaving his side, at being separated again.

but he doesn't even have to say anything, should have known he never had to, Dazai's always been sharp as a tack, his intuition, almost terrifyingly, even sharper.

His partner turned lazily in his arms, looking up at him with tired but knowing eyes. let's go to bed, they say. you don't have to go, you can stay, they assure. please don't go, they beg.

Kunikida breathes a long, heavy, sigh of relief.

"ok," he answers, before finally getting up after hours laid up on the couch, watching as Dazai continues to doze.

his heart aches with feverish heat. he'd missed him so much he had begun to go mad, had gone mad really, and now his partner was back, he was back and alive and mostly well, and now he was so relieved it ached in its own right.

he went about making up his bed for two, for Dazai, knowing he needed enough pillows and blankets for half a dozen people, but kept stopping to look over the back of the couch to make sure he was still there, still with him, that he hadn't been taken away again. by the time he's done he's probably crossed his apartment two to three dozen times, from his room to the couch again and again, before he's finally decided the room was good enough, there were enough blankets for Dazai to cover himself with and pillows to hide in.

when he goes to Dazai this time around, he kneels in front of him, carding a hand through his hair, tracing a thumb over his brow, to his nose, and then his cheek. his partner's eyes flutter open, a smile graces his lips.

"come on," he whispers, worried too loud a voice would shatter the delicate air of safety and comfort around them, "time for bed."

Dazai hums, getting up with a stretch and a yawn, much like a cat, before gingerly hopping off the couch and into Kunikida's arms, a false smile and air of cheekiness to him, hiding the ache Kunikida knew all too well resided in his partner's heart as much as it did his own, if not more. he holds him for a moment, savoring the feeling of him in his arms, before taking his hand and leading him to their room.

Dazai knows the drill. he goes to the other man's dresser and picks out a pair of his own sweatpants, ones he kept here for nights like these, and as per usual, one of Kunikida's shirts, gliding across the room, out into the hall, and into the bathroom.

Kunikida crawls into bed, feeling like he's been hit by a bus by the days events, and ends up half asleep by the time he feels Dazai crawling into bed next to him.

he expects to see bandages peeking from the borrowed nightshirt, to watch Dazai shield himself from the world, from his partner's touch, with a swarm of blankets, for Dazai to lay on his back, staring up at the ceiling, waiting for him to fall asleep first.

but tonight's different, so different.

Dazai's skin is bare where the shirt doesn't cover, his scars on display, each and every one of them, the burns, the cuts, the bullet wounds, the ones Kunikida has never one been able to decipher the story of. they're all bared to him, with no visible hesitation on Dazai's end.

when his partner climbs into bed he neglects the pile of blankets laid out for him, the pillows too. instead he lifts the comforter that's draped over the entirety of the bed, Kunikida included, sliding beneath it like it's natural to him, like he'd done it every night for months, years even.

he looks at Kunikida for a moment, silently asking for permission, which Kunikida cannot give fast enough, and then Dazai's in his arms, his own wrapped around his neck, nothing between them but the clothes on their backs.

Dazai pulls away, just a bit, Kunikida almost cries out, almost pulls him back in, but knows better. he lets dazai go, but he never leaves. he's moved just far back enough so they could both look each other in the face.

"I missed you," he spoke softly, his hands shifting to hold the blonde's face.

"I missed you too,"

there's a moment of silence.

"I love you." the words are hesitant, skittish even, like he's unsure of how Kunikida would take it.

"I love you too," he replies without a second thought. he loves his partner, he loves him, more than he knows what to do with, so much it drives him mad and makes him ache.

Dazai nods. he's thinking, Kunikida can see it on his face, his mind is going a million miles a second. worry flashes on Dazai's face, and Kunikida panics, goes to pull away, goes to give Dazai space, even if his own skin burns at the thought of parting with Dazai's.

but Dazai doesn't let him, he clings to him, "Don't go, please don't go, please," he begs.

his voice is desperate, so Kunikida doesn't. he watches his partners face twist and turn, watches as fear spreads across his brow and tears gather in his eyes, and he doesn't know what to do because this has never happened.

but than Dazai leans in, slowly, tugging Kunikida closer so they can meet in the middle. Kunikida feels his partners lips on his. he kisses him back. he can't decide if that was a foolish decision or not. It's soft, softer than either of them knew they were capable of, it's gentle and earnest and good.

Dazai stops after a moment, lingers in Kunikida's space before looking him in the eye once more, he doesn't speak, they don't need to. Dazai looks at him, tears running down his face, but he's smiling, he's ok. his thumbs wipe away tears Kunikida hadn't realized he'd shed. they're ok.

"I love you," Dazai mutter's again, speaking again before the other man can answer "Kunikida?"

"yes, Dazai?"

"don't go."

"I won't."

"promise?"

"I promise." its a foolish thing to say, but Dazai needs to hear it, hell, he needs to hear it, "I'm not going anywhere, so long as you promise me the same."

he hesitates, his eyes avoid Kunikida's for a moment, before returning from their shared gaze, "I'll try, I promise, I'll really try this time"

Kunikida nods, slowly moving to kiss Dazai's forehead, the brunette leans into it.

"I know you will," he whispers into Dazai's skin, "and I'll always be here when it's too hard to manage on your own."

there's silence again, but it doesn't feel wrong or heavy, its soft and warm and it feels right.

"I love you," Kunikida finally returns.

there's more silence, Dazai just looks at him, just watches, fingers playing with Kunikida's hair and drifting over his face until something clicks into place in the other man's mind, something nobody but Dazai could ever understand.

he leans in once more to kiss his cheek before he settles against Kunikida's chest, letting out a pleased huff as he curls himself into a ball, "goodnight," he muttered, almost instantly going still with sleep.

"goodnight," Kunikida replied, knowing Dazai wasn't going to hear him, pressing his own goodnight kiss to the top of Dazai's head before burying his face in the other man's hair (Dazai doesn't smell like his shampoo anymore. it makes something in him cringe. he tries and fails to ignore it).

it takes Kunikida a while to fall asleep, he's too busy running the night over and over and over again in his mind. he holds Dazai close and lets his fingers trace over scars, feeling over his too-thin frame, feeling each bone beneath his skin. there's so many thoughts rushing through his mind, to many fears, worries, anxieties, what ifs. what if I hurt him? what if I break him? what if I ruin this?

his thoughts are only stopped when Dazai gently nudges his head into his jaw, hands pulling Kunikida's off of him, holding them gently in his own (he should have known sleep wouldn't come that easy to Dazai).

he takes a deep breath, steadying himself and his mind, his partner's hands squeeze his gently, good, they seem to say, and sleep finally starts to pull at him once more.

he lets it happen, let's his eyes close and his mind go blank, knowing Dazai is safe, he's safe in his arms, he won't be taken away again. he sleeps knowing Dazai loves him, that he kissed him, that tomorrow they'll wake up like this, and maybe, just fucking maybe they can finally have this one happy ending.

[donut-entendre]

I say a lot that Wash isn't empathetic when talking about people giving him Carolina's personality, but I don't think that really explains my thinking. Empathy is too vague of a concept in discussion of character.

Wash cares a lot about people. Wash cares so much it hurts. He trains the Chorusans without being asked, on his own initiative. He doesn't leave the reds and blues at the first sign of trouble. He's traumatized by violence by his own hand that he still agrees with the logic of, he remembers what he's done to people and while he doesn't regret it, it still haunts him. He doesn't want to care so bad but he does, he cares so much that violence against relative strangers hurts. Even if it was his best choice. Even if it was his only choice.

Carolina doesn't want people to know violence like she does. Carolina wants to tackle the whole world to keep it away from the ones she loves. Carolina wants to be the one to handle everything, to keep war off the doorstep.

Washington knows violence, and well. He thinks it is something that sometimes is the best option. He knows how to make the people he loves capable of protecting themselves. So he does.

Carolina is someone who wants to protect. Washington is someone who wants to teach people to protect themselves. Carolina wants to be the one to offer shelter in the rain. Washington wants to burn the fire so hot and so bright the rain evaporates before it can ever touch them, so hot it never even comes down, so bright no one could ever get lost. And he wants to teach everyone he cares for just how to do it, too.

Just in case it ever rains.

[lakesbian]

imnot reformatting this into a coherent post but do you hear me. is this thing fucking on. is this any thign.

[skeletoninthemelonland]

Do you like all the Springtraps 🤨

Or Just springtrap :^

Ofc there are a few exceptions, but in general- Yes, I do like all the Springtraps!!! :O

[finexbright]

.

[the-hilda-librarians-wife]

I was rewatching The Stone Forest and I really like to think that Hilda had to pass by the Bell Keeper’s outpost on her way out of the city limits. I like to think that idiot looked at what was happening, shrugged, and said ‘eh, she’s the scariest thing out there’