#so consider this the 1st set i guess?

[lipstickontheglass1985]

honestlyyyy i lowkey need to burn down my smartphone

[lilacstro]

how to manifest with your jupiter sign

this post feels long lost due, I had many asks on this so I will make a post on this one <33

support me on ko-fi :)

Jupiter is a planet of faith, and optimism and abundance. However, you don't really have a planet specifically made for "manifestation", but if you think you had to guess one, I am guessing it would be Jupiter. Even in vedic astrology, people with strong brihaspati or Jupiter are considered lucky. Someone who was reading palms for me and my sister the other day said the first thing we do to see luck through hands is the Jupiter and Venus mount. But Venus is luxury you have in life and Jupiter is the fortune, I hope I am making sense. But otherwise, I have often seen 11th house be associated with manifestation

this post definitely checked my creativity and the methods of manifestations im aware of lmao. I have not taken this from any book but rather its mere observation of the charts I have seen until now, and asked my family to see if it worked for them and it made sense so its again a my theory kinda post lmao. I hope it is able to help y'all too <33 I was refraining from making a post on this one but it had a LOTT of asks so I decided to do it :) Let's gooooooooooo

use a combination of your sign, degree and house to find common grounds<33

Jupiter in:

Aries/1st house: First of all, be precise and extremely clear about what you want. If you need to put the work or you believe in taking inspired actions, please do! I would also suggest concentrating/condensing your energy in your 3rd eye through meditations. Believe in yourself and also, don't jump 10 places. I have often seen people with Jupiter in 1st house have kind of a scattered energy, to put it correctly, not really laidback, not really fierce, and I think this should be fixed. I would suggest people with this placement to work with their chart ruler and Jupiter along to find a best method that could suit them, the best one I feel like suggesting for everyone, is meditation.

Taurus/2nd house: I think people with this placement should definitely use affirmation tapes/affirmations. I would suggest methods that make you feel at peace and calm, and relaxing. Use aura meditations/ocean music before bed and calm yourself down and focus. Speak your desire into existence, using affirmations in front of mirror could be one thing you can do. If possible, make a vision board or buy a small manifestation souvenir suggesting your desire is complete. If possible, write your manifestations on a white sheet and bury them under a plant or soil in your garden.

Gemini/3rd house: Write. Journal your desires, write them down, clearly. If you guys have things like a feng shui crystal turtle, write your desires on a paper and put it under that turtle. I would also suggest using affirmations, to people with this placement, be optimistic and say good things about your manifestation. Use the law of assumption. Listen to subliminals, it may really help as well.

Cancer/4th house: FEEL your manifestation. Use music that makes you feel as if, evokes such emotions you know. Use the moon cycles for manifestation. Have you guys heard of Moon water manifestation? Basically, in a glass put some water and set intentions of your manifestation and put it under the full moon. Next day, drink that water. If you used a bigger bottle, then drink that water every time you set intentions of your manifestations. Use visualization

Leo/5th house: Have fun with your manifestation. Enjoy what you are willing to manifest and feel the vibes coming in. Be confident that yes, it is coming and it would happen. Be creative about your manifestation. Try drawing your desires if you guys enjoy arts. Create beautiful DIYs like creative vision boards while blasting music, or pretty photo frames or phone wallpapers that would suggest completion of your desires. I would also suggest using heart chakra meditations, lifting your spirits up.

Virgo/6th house: Create a manifestation routine. Something that locks you in and also, dont be too fixtated on when will it happen. Create a routine you enjoy and it can be absolutely anything. I however feel like suggesting 369 method, 55X5 method or things like so. One other thing I will say is, don't be afraid of helping someone if your boundaries are not crossed, and you may actually find that you have coincidences that lead you to what you had wanted. I would say, be open minded as well. Release pent up energy in your body time to time. I have often seen people with this placement are already very helping/people like to ask them for help.

Libra/7th house: I would suggest talking about your manifestation, in a journal, to someone you trust or even to yourself in a positive, loving way! Enjoy talking about what you want, talk about it with love, faith and optimism. I would suggest using a sigil, especially near your mirror or when you are getting ready. Use a pretty paper, and make it super cute and to your aesthetic. If its possible, clean and program the ornaments you wear, or even if its a hair tie you wear daily. By program I mean, meditating on it and setting a vibration/energy that corresponds to your manifestation. pretending as if can help too.

Scorpio/8th house: Don't talk about your manifestation until its complete, don't tell much people about it until you are close with them. Use sleep meditations (I would suggest Edward Art's sleep meditations) and please, believe in your manifestation but yourself first, that you can attract what you want. Use the law of attraction. Even though I suggest being on high vibrations, I would still say, let yourself feel your emotions, its important to feel yourself. Don't get too attached, fearful or desperate for what you want. Pray to whoever you believe when you're sleeping. Often seen people with this placement/8th house moons or stelliums have some kind of divine intervention with the things they desire. Be open to change in paths, if it is possible.

Sagittarius/9th house: Be optimistic about your manifestation. Pray if you believe in a higher deity or power. This is a very lucky placement in my opinion and you have the power to achieve whatever you want, just desire it strongly and in a positive way. Use frequency meditations, and if possible. Have faith and patience and don't be in a rush for anything. Use manifestation journals if possible. I feel people with these placements are already quite spiritual or at least aware of such topics. Use affirmations/ religious affirmations if you believe in one.

Capricorn/10th house: Talk about your manifestation, don't lie about what you want when asked, say it if its not violating your boundaries and if not, just say something neutral. I feel people with this placement, often manifest what they show, even if they are trying to be private or pretentious, its just weird. Act as if, and have some confidence. I feel people with this placement appear lucky to people so I would indeed suggest protecting your energy. This placement should also somehow be ready to accept the challenges that will come along when they ask for what they want, because these people often dream big but this placement again feels brings unpredictable things on your path. So, be open and flexible is a suggestion. But be assured, the rewards often exceed expectations!!

Aquarius/11th house: USE PINTREST BOARDS IF YOU DOO. Use subliminals, Create a manifestation journal with affirmations and pictures. Use manifestation meditations. Experiment with your manifestations, let it be, and let it go. Don't obsess about what you're manifesting. Have a positive self talk. Your manifestation is actually likely to appear when you least expect it/don't bother about it much. Random but write yourself messages/emails or success stories as if you achieved what you want, this is a very good placements for strong manifestors imo

Pisces/12th house: Use visualization, SATs coming to me specifically. Sleep in the state of wish fulfilled. Be helathy-delusional, and use crystals if you have one or are willing to use them and even better if you can charge them near ocean. Use water meditation, water-manifestation methods. Have strong faith :)) Use spells and charms. program your crystals and journals.

EXTRA: Jupiter in air signs or degrees: Watch your thoughts and words, speak your desire in existence Jupiter in water signs or degrees: Watch your feelings, feel as if and don't let your feelings consume you eitherways. Beware of extreme delusion and mark a line on reality Jupiter in fire signs or degrees: Watch your actions and impulses, take inspired actions as needed, feel the excitement but don't get reckless or mindlessly impulsive. Know the line between what you feel like doing because of an intuitive nudge, and where you are being stupid or over faithful/risk taking.

btw paid readings are open:)

support me on ko-fi :) that's it. I hope I was able to help and this post brought some clarity. I hope you liked this post. All the best :)) i love you all <33

[ginnsbaker]

fic: if i bleed (you'll be the last to know) (12/?)

Part Summary: You know Leigh well enough to recognize that she never acts without intention. She must have agonized about this too—about that kiss, about you. And she's making it difficult for you to guess just what conclusions she had come to in the time you were apart.

Pairing: Leigh Shaw x Fem!Reader | Word count for this part: 6.500+ | Warnings: Smut | Author's note: I honestly don't know what else to write in the summary without giving too much away, so without further ado… P.S. No cliffhangers this time ;)

Masterlist | Part I Part II | Part III | Part IV | Part V | Part VI | Part VII | Part VIII | Part IX | Part X | Part XI

-

A week after Thanksgiving, as the icy Maine wind whips across the tarmac at Rockland Airport, you find yourself holding a container of lobster cakes—your mother's way of sending a piece of home back with you. Despite her protests about you cutting your visit short, she spent last night in the kitchen, crafting your favorite dish, the smell of butter and ocean filling the house. “Eat these when you miss home,” she had said, pressing the container into your hands with a sad smile. The decision to leave early was anything but easy.

You initially planned to stay five more days in Camden, but Leigh's radio silence prompted you to book a direct flight to Los Angeles. It was eating you up inside; you had to go back. The familiar dark screen of your phone kept you on edge; you hadn't expected Leigh to strictly follow through on her promise not to contact you. She had a way of doing the unexpected. Or maybe you've been so wrapped up in your thoughts that you underestimated how deeply she wanted you that night. And perhaps you've overestimated your own anger, believing it would even slightly lessen your feelings for her.

Sitting in the window seat with the whole row to yourself, you stare at your phone as the flight attendant's voice crackles over the intercom, signaling it's time to switch to airplane mode. Impulsively, you tap out a text to her.

Belated Happy Thanksgiving, Leigh. If you’re free tomorrow evening, maybe we could talk? Perhaps over dinner?

It’s straightforward, maybe too much so, but it’s sent before you can overthink it.

The flight attendant's voice fills the cabin once more, reminding everyone to switch their devices as the plane is about to take off. You comply, toggling the setting and sealing off any immediate replies. The engines roar to life, and as the plane ascends, you try to push away the knot of apprehension tightening in your stomach.

As you wait to fall asleep, you think about Leigh—whether she’s seen your message and what she might be feeling. You wonder about the time apart, recalling the old saying that distance makes the heart grow fonder.

Or does it make it forget instead?

-

You touch down in L.A. just as the date ticks over to December 1st, the clock a little past midnight. The moment the plane reaches the gate, you grab your phone and switch off airplane mode. There's a message from your mom, checking in to see if you've landed safely, and you text her back to let her know you did. Suzie has also texted, saying Foreman called in sick and asking if you can cover at the clinic later. You shoot back a quick reply, saying you just landed, you'll catch some sleep, and might be in late in the morning.

But there’s nothing from Leigh. No text, no missed call, nothing to indicate she received your message or is interested in meeting.

You sigh and, without thinking, tap her name on the screen. The call goes through, and the phone rings as you make your way through the late-night crowd at LAX. It continues ringing, unanswered, until it finally clicks over to voicemail. You mutter a soft curse under your breath. Of course, she's not going to pick up—it's 12:30 in the morning. You consider sending a quick apology text but then reconsider, figuring you've already pushed enough boundaries by calling her this late.

Instead, you slide your phone back into your pocket and head toward baggage claim. You weave through the half-awake travelers and the sterile glow of the airport lights, finally spotting your suitcase trundling along the carousel. You heft it off and make your way through the automatic doors. You glance one more time at your phone, half hoping for a notification, but it's blank. With a sigh, you head for the exit, feeling the exhaustion settle in.

-

You check your inbox first thing in the morning, but there's still nothing from Leigh. You don't have time to overanalyze this again because you're already running late for work.

-

The whole day is swamped, with emergencies piling up alongside a packed schedule of immunizations and follow-ups. Suzie mistakenly booked an entire week's worth of scheduled vaccines for today, a Saturday. She explains that the clients requested to move their appointments to the weekend, adding, “We're closed on Sundays, so I thought today would work.”

You try to hide your frustration, not wanting to lay the blame on her. Your nerves are already frayed, and every hour that passes without a word from Leigh has you feeling more on edge.  As you tend to your patients and give instructions to the staff, you feel the pressure building, a headache beginning to throb behind your eyes. The never-ending stream of clients leaves you with no time to catch your breath. Between each appointment, you plaster on a polite smile, but inside, you're counting down the minutes until you can check out of, well, everything.

As the clock hits seven, you can't take another minute. The clinic has been a madhouse since the doors opened. You barely glance at Suzie as you callously tell her, “Close early. I'm tired.” Without waiting for her response, you trudge straight to your office and slump into your chair, eyes closed against the harsh fluorescent lights. Resting your head back, you exhale slowly, letting the tension drain from your shoulders. The fatigue wraps itself around you like a fog, and for a moment, everything falls away.

A few minutes later, you hear a gentle knock. It's Suzie, standing in the doorway with a paper in her hand. Without opening your eyes, you mutter, “What is it?” Your irritation seeps through, but you’re too drained to rein it in.

Suzie hesitates before stepping into your office, her expression unreadable. She extends the paper towards you. “It's my resignation letter,” she says quietly.

Your eyes snap open, and the paper feels heavier than it should as you take it from her hands. You’ve been nothing short of awful to her all day, snapping at every turn. 

“Is this about today?” you ask. 

She gives you a small, weary smile and points to the date on the letter. “I wrote this last week, right after you left for Maine.”

You glance down at the letter and see that it’s dated exactly a week ago. “Why didn’t you give it to me sooner?”

“I didn’t want to ruin your vacation,” she says softly. “I know how much you needed that break. And honestly, you’ve got enough on your plate right now without me adding to it.”

You can feel the burn of frustration and shame behind your eyes. “You’ve been a rock here, Suzie. I don’t want you to go. Please reconsider.”

She shakes her head gently. “I’ve thought this through. It’s time. I care about this place, and about you, but I need to move on.”

You let out a long breath. “I see. Still, I'm sorry today was so rough,” you say, looking up at her wistfully. You try working your puppy eyes, and for a moment it seems effective as her expression softens into a frown. 

But then she says, “It’s not the clinic or the work I do here. I got an offer for a research position; it's something I've always wanted to try.”

That makes you smile. If that’s the case, then you’re truly happy for her.

“I understand. I wish you hadn't felt the need to keep this to yourself, especially with everything else happening today,” you say, still clutching the paper tightly in your hand, crumpling it slightly.

Suzie shrugs. “I didn't want to add to your stress. Don’t worry, I’ll count the 30 days' notice from today, not the date on my resignation, so you have time to find someone to replace me.”

From that, you know her mind’s already made up. As you read her letter again, your eyes start to sting. You glance back up at her, your vision blurring. “Suzie, thank you,” you mumble thickly.

“Hey, it's okay,” she says gently. “I'm not leaving town. We can still grab lunch whenever. I know how glued to your desk you get, so I'll drag you out for a bite now and then.” You let out a shaky chuckle, wiping your eyes with the back of your hand.

“It's just—I’m going to miss you, and I don’t know how I'll replace you,” you say with a sniffle.

“Missing me is a given,” she says, leaning against the doorframe with a smirk. “Actually, I might know someone interested in my job.”

Your ears perk up at that. Good help is hard to find these days, especially with more demands from applicants and a tight job market. “Who?” you ask, curious.

Suzie turns around as if she's going to leave without answering, but then she glances over her shoulder, her smirk widening. “Sara.”

-

A little while later, you catch Suzie just as she's finishing up in the lobby.

“Don’t worry about it. I’ll lock up. You’ve done enough today,” you say, sending her home. She gives you a grateful smile, slings her bag over her shoulder, and wishes you a good night before heading out.

Finally alone, you take a moment to decompress. Clasping your hands behind your back, you stretch, trying to release the day's tension. A dull ache climbs up your spine, reminding you how tight your muscles are. Unable to hold the position for more than a few seconds, you relax, the discomfort too much to bear. It's hard to tell whether it's from the long-haul flight yesterday, your age creeping up on you, poor posture, or all of the above. 

On a whim, you book a late-night yoga session at the Beautiful Beast, hoping to relieve the tightness in your back. It’s been a while since your last visit.

Afterward, you head to the small bathroom in your office to get ready. It's basic, not meant for much more than washing hands and changing scrubs, but it’s all you've got. Stripping off your day's clothes, you step into the shower, letting the hot water beat down on your back. The steam fills the tiny space, and the heat melts a bit of the stiffness away. After a quick rinse, you towel off and slip into your yoga gear. The stretchy fabric feels liberating after being in stiff work clothes all day. You roll up your yoga mat, tucked behind the office door, and switch off the bathroom light.

As you're about to head out of the clinic, you check your phone, hoping to see something from Leigh. There's nothing—she hasn’t even read your last message. The stonewalling feels all too familiar, and you're tired of it.

You slide into your car, letting out a weary sigh. As you start the engine, thoughts of Suzie's suggestion to hire Sara sneak back into your mind. You can't help but chortle at the idea—it’s so unexpected, almost comical, considering how you know Sara and her standing friends-with-benefits proposition. It feels far-fetched, and knowing Suzie, she was likely just teasing.

The drive to the fitness studio is as mechanical as it gets. You're hardly aware of the turns you take until you park in front of the building. You step out, mind still elsewhere, and open your car door—right into someone walking by.

“Ow!”

“Shit, I’m so sorry, I didn’t—” you start to say, cutting yourself off when you see who it is. 

Leigh, of all people, is rubbing her elbow, wincing. Her hair is tied back in a ponytail, and she’s wearing a plain white shirt under a jacket, paired with simple black tights. 

“See me? Lovely excuse,” she quips, her eyes fixed on her arm rather than you. Her expression is primed to unleash more frustration when she finally turns to meet the source of the blunder.

 “I—” Leigh stops, visibly surprised to see you. Quickly, her face smooths into something more neutral. “Y/N. You…you really should watch it.”

“Yeah, sorry about that,” you say, rubbing the back of your neck. “Are you alright?”

She rubs her elbow once more, then nods slowly. “Just startled me a bit, but I’m fine.”

Once you both regain your bearings, you unconsciously begin rocking back and forth on the balls of your feet, hesitating despite the things you’ve rehearsed in your head all week. Your text message inviting her to meet tonight lingers at the forefront of your mind. But before you can bring it up, Leigh catches you by surprise.

“So, you’re heading in for a class?” she asks casually, as if the last time you saw each other didn’t end with a kiss and a confrontation that put the aforementioned kiss on hold.

“Uh, yeah, yeah, I am,” you reply. Then you remember Leigh doesn't work here anymore, but with her mother owning the place, it's no surprise to see her around occasionally. 

Still, you ask, “How about you?”

“You mind if we walk while we talk?” Leigh suggests.

You nod, a little thrown off but managing to say, “Sure, just let me grab my stuff.” 

She waits a few seconds as you gather your belongings, and then you both start walking toward the building. Leigh sets a brisk pace, always a step ahead, and you find yourself almost hurrying to keep up with her.

“I just got back to working here again,” she says after a beat.

Surprised, you ask, “Oh, how did that happen?”

“Long story,” she replies with a slight shrug, her eyes focused ahead.

Unsatisfied with her vague answer, your eyes drift to her lips. Memories of that last kiss flood back—their soft, velvety feel and that distinct taste that’s all hers, like fresh water after a long, grueling hike. It's a taste that's unmistakably Leigh, nothing else like it. As you walk together, you struggle to stay present. This isn’t at all how you pictured your reunion with her would go. Not by a long shot.

“Leigh,” you call out, stopping abruptly. Your voice comes out higher than intended, quivering a bit. You clear your throat and try again, “D-Did you get my text yesterday?”

Leigh glances back over her shoulder, her expression unreadable. “No.”

The bluntness leaves you momentarily stunned. You wait for her to follow up, to ask about the text, but she doesn’t. As you both step into the Beautiful Beast studio, you start to ask if you can talk later, but Leigh gets there first.

“We can pick this up later, Y/N. We should really get to class,” she says, heading into the room full of waiting students without waiting for your answer.

You're left more stumped than ever. Last time, she was almost on her knees, begging for forgiveness. Now, she's acting like nothing happened. How did everything change so much in just a week? With a head full of questions and doubts, you roll out your yoga mat and try to focus on the practice ahead. You can't help but wonder if the kiss you shared with Leigh really happened or if it was just a mirage of your desires.

You struggle through some of the poses, wobbling and nearly toppling over more than once. Leigh, however, doesn't chide or correct you as she used to; she mostly leaves you alone, focusing instead on helping others who are struggling more than you. It makes you feel strangely isolated, even though you know she's just fulfilling her role as an instructor and there are plenty of beginners in tonight’s session.

As the hour winds down, Leigh's soft “Namaste” signals the end of the class. She bows gracefully to the students, and you don't waste a moment, rising immediately to make your way to her as she rolls up her mat.

“Leigh.”

“Hey,” she responds breathlessly, not looking up. Other students pass by, thanking her, and she responds with smiles and cheerful “see you next times.” You stand there, feeling awkward as you wait for a turn.

When the last person leaves, Leigh finally looks up at you. “What's up?” she asks.

You find yourself stuttering, still fixated on the text message. Feeling a bit pathetic about how much it’s affecting you, but you shake it off, remembering why you cut your visit to Camden short. It was because of this—because of her.

“Leigh, can we talk? About... you know, how we left things that night?”

Her face remains jarringly impartial as she wipes down her mat. “Talk? Here? Right now?”

You quickly shake your head. “No, I don't mean right this second,” you clarify, watching her closely to gauge her reaction. Are you the only one feeling like you're on a tightrope? 

“You haven't had dinner yet, right?” You try to sound nonchalant too, but it's a struggle.

She looks around the emptying studio as if she needs a moment to consider. After a few beats, she nods. “Sure, why not? I’ll just change and meet you out front.”

You can't help but smile, mainly out of relief that she said yes. “Great, see you in a minute,” you say, realizing you need to change into drier clothes too.

Fifteen minutes later, Leigh steps out, looking refreshed as if she didn't just burn through a few hundred calories leading a rigorous yoga session. She's wearing a cozy gray sweater and cargo pants, a much more laid-back look compared to your jeans and cardigan.

As she draws near, she tilts her head slightly and says, “I actually brought a car. Have you thought of where we're going to get dinner?”

You scramble to think of a suitable place. In-N-Out pops into your head—quick, easy, but completely wrong for the kind of talk you need to have. You can't imagine hashing out your feelings under the harsh lights of a fast food place, over burgers and fries.

“Um,” you stammer, looking around like inspiration might hit you in the face. 

“How about we head to your apartment?” Leigh suggests out of nowhere. “It's closer, and we could grab some drive-thru on the way.”

You blink at her suggestion, surprised she'd even consider it after everything that went down last time at your place.

“There's only one parking spot,” you say blankly. “And the street has no parking after 10 p.m.”

Leigh seems unfazed, offering a quick solution. “Then we’ll just take your car. I can leave mine here.”

Your nerves flare at the thought of having her back in your apartment. Your tongue feels heavy, and you can't think of a single reason to tell her why it’s a bad idea.

“Okay,” you say slowly. “Let's do that.”

You head to your car together, fumbling with the keys as you unlock it. Leigh slips into the passenger seat, and you take a deep breath before starting the engine. You pull into a drive-thru of In-N-Out and Leigh scrolls through her phone, picking out what to order. 

You know Leigh well enough to recognize that she never acts without intention. She must have agonized about this too—about that kiss, about you. And she's making it difficult for you to guess just what conclusions she had come to in the time you were apart.

-

The takeout is spread across your dining table, a small feast that Leigh ordered for the two of you. Boxes of fries, nuggets, and burgers crowd the surface, enough to feed a group. You barely nibble on a fry while Leigh is already finishing her cheeseburger, wiping her fingers with a napkin and eyeing the remaining food.

“You weren’t hungry, huh?” she asks, raising an eyebrow.

“Guess not,” you reply, wiping away the residual salt from your fingers.

Leigh takes a sip of her drink, washing down the last bite before looking at you with purpose. “Mind if I go first?” she asks.

You narrow your eyes. So, she's eager to dive right in. “Sure, go ahead,” you say. You observe Leigh closely for the first time in what feels like ages. Concealer cakes beneath her eyes, settling into the natural wrinkles there. She’s still undeniably beautiful, but there's a tiredness to her now that’s hard to miss. Her cheeks, usually lifted by her prominent cheekbones, seem hollowed out more than usual.

“I guess I want to start by saying that I'm…” Leigh trails off, her eyes darting around as if the right words might be hidden among the packets of ketchup and silverware. “...a horrible person.”

You open your mouth to protest, but she cuts you off smoothly.

“No, listen. You were right. I ignore you out of nowhere. I take advantage of your kindness. And it’s not just you—I’ve been doing this with everyone around me for a while now. I haven't cared about what others think or feel because I was focused on being true to myself, always playing the ‘dead husband’ card. I’ve taken everyone's patience and understanding for granted, and I’m really, really sorry.”

You sit back, stunned. The whole evening, you'd braced for a different kind of conversation. You expected Leigh to say the kiss was a mistake—just a result of nerves or a lapse in judgment driven by jealousy. You had been so sure she'd shut you down, just like all the other times. 

“You're sorry?” The words slip out unbidden, tinged with surprise and skepticism.

“Yeah,” she says, looking you square in the eye. “I know it's hard to believe, but I really am sorry for how I've treated you.”

It’s going well—too well. Your mind struggles to accept it, but your heart?

“I thought you were going to say that night was a mistake. That the kiss meant nothing,” you whisper so faintly, almost as if you don't want her to hear.

“It kept me up for nights,” Leigh replies just as softly, “and that doesn’t usually happen to me over a simple kiss.”

Your heart soars.

She doesn’t regret it. She’s sorry. This is all going too well.

“It was on my mind the whole time, even when I was all the way across the country,” you whisper wantonly. 

The corners of Leigh’s lips twitch upward, and you can't tell if it's a good sign. Her saying she’s just as affected blinds you to any other cues that might suggest otherwise.

“There’s something else I need to tell you,” Leigh says darkly, leaning back into her chair with a weary slump. “Because I’m done living in half-truths and half-realities. I can’t handle any more surprises.”

You feel a flash of confusion, trying to stitch together what Leigh might say next. She knows about your cheesy alter-ego on her advice column, the details of your past with Matt. But half-truths? What does she mean by that?

Leigh meets your gaze, and there’s something about her stare that tells you she’s coming apart, yet she's clenching every muscle to keep herself intact. You want to reach across the table, to offer a touch that might steady her, but her hands are hidden, clenched in her lap beneath the table. Her shoulders hunch, making her seem smaller, as if she's trying to fold into herself.

“Leigh, just tell me,” you urge, though not impatiently.

She exhales slowly, the breath you hadn’t realized she’d been holding. “I broke up with Danny,” she finally says, and for a brief, absurd moment, relief washes over you. 

That's…it? 

Your smile starts to form, naive in its inception, but it’s quickly stifled as Leigh’s voice drops lower, and her next words cut through the nascent joy. 

“And then he said something I didn't think could drive the dagger Matt left in my heart any deeper,” she says slowly, like she’s having a hard time dragging every syllable.

Leigh takes a deep breath, her chest rising and falling deliberately. “He told me he was pretty involved when you and Matt got together. That you first knew him as Nick, and he helped Matt reach out to you.”

Your heart sinks. You had almost forgotten that night with Danny when you discovered his real identity and how he fit into everything. He'd begged you to keep quiet, and in his desperation, you agreed—not because he pleaded, but because you believed Leigh was happy with him. It wasn’t your secret to reveal, not then.

You've known this all along and never said a word. Your throat tightens as panic sets in, your heart racing with the implications of having kept this from Leigh. Guilt pricks at you, cold and sharp.

“I…” Your voice falters, and you swallow hard, thinking, This is it, this is how I lose her. 

“I didn’t think it was my place to say anything,” you say. “I thought you were happy with him. I didn’t want to be the one to—”

“Y/N,” Leigh interjects softly. Her tone stops you cold—it's not angry, just… defeated. Which, somehow, feels worse. She looks down, twisting a napkin between her fingers. “I’m telling you this because I’m finding out that secrets can be just as hard to handle as loss.”

You nod absentmindedly, still processing, and move to clear the table in a daze. Wrapping up the leftover food, you tuck it into the fridge. The mundane task doesn't ease the tightness in your chest, but it gives your hands something to do.

“You’re not upset I didn’t tell you?” you ask, like you can’t believe you’ll come out of this conversation unscathed.

Leigh takes her time to answer. With your focus on tidying up, you miss the way her hands ball into fists. When she finally speaks, her voice has a steely edge for the first time this evening.

“At first, I was livid, of course. But Danny bore the brunt of it. He claimed he wanted me, but he was never on my side. If he were, he would’ve never helped Matt cheat on me.”

You finish tucking the last container into the fridge and lean back against the counter, your eyes on Leigh. She's staring out the window. How is it that she’s telling you these things, yet it still feels like she’s not revealing anything at all?

“I should’ve told you sooner,” you say softly. “I’m sorry.”

Leigh gets up and walks toward you. She stops so close that your breath catches. You remember the last time she was this near, how the world blurred, and how hard it was to think clearly. You can see the way her jaw tightens as she takes a breath.

“It wasn’t your secret to tell,” she says.

“But—” you start to say, though the thought fizzles out as she steps even closer.

“You're okay in that regard,” she murmurs, her voice low. 

In that regard? 

You want to ask what she means, but Leigh shuffles nearer still, her eyes searching your face. She's so close now that you can see the faint reflection of the kitchen light in her eyes, specs of yellow in darkened green. It’s nothing short of dazzling.

“Do you forgive me for last time?” she asks quietly. 

A lump forms in your throat, and all you can think about is how desperately you don't want to mess this up. You had forgiven her long before stepping onto a plane back to Maine. It happened as soon as you let her walk away that night, but you just couldn't accept how easy it was. 

You nod, unable to trust your ability to speak. 

Leigh's eyes soften as she watches you. Her fingertips brush against your jaw, her touch feather-light. 

“Is it okay if I kiss you, then?” she asks, both careful and seductive.

Your resounding yes comes in the form of you closing the gap, your lips meeting hers like an arrow striking its target. Leigh’s arms wrap around your shoulders instinctively, her fingers brushing the back of your neck, and you pull her in even tighter, deepening the kiss. Her breath mingles with yours as she sighs softly against your mouth, and it’s only then that when you feel all of her that Los Angeles starts to feel like a second home.

There are still questions, an unending list that always surfaces around Leigh, but they evaporate one by one when her tongue flicks out, seeking entrance. You surrender, lips parting, allowing her to taste you. The kiss grows with a messy urgency in seconds. Her hands roam down your back, gripping tightly as she presses in, as if trying to melt into you. You draw her nearer, your chests flush together as the kiss becomes wet and breathless.

Your apartment is silent except for your soft pants and the slick sounds of your lips meeting.  Doubts about your ability to please a woman creep in after such a long hiatus. But before these thoughts can take hold, Leigh takes charge. She grabs your hips and gently guides you backward toward the bedroom, cutting off any chance for you to slow things down.

She breaks the kiss just long enough to slip your cardigan off your shoulders and whisper, her breath warm against your lips, “Should we take this somewhere more comfortable?”

It seems almost unfair for her to pose that question while simultaneously moving to your neck, drawing a soft groan from you. Her teeth gently graze a sensitive spot just below your clavicle, applying pressure that promises to leave a mark, then soothing it with her tongue.

Leigh smirks when she feels you struggle for breath, much less for words. Your knees buckle slightly, but she holds you up with a firm grip, guiding you back until you bump against the edge of the bed. 

You know you're on the verge of something that might change everything, but right now, you're entirely Leigh's. There's no space to consider the implications, to remember that she was Matt's grieving widow just months ago. Right now, she's just the girl who holds your attention completely, the one who couldn't get rid of you even if she tried.

Leigh tumbles with you onto the bed, her thighs straddling your hips. With practiced ease, she removes her shirt and bra all at once, leaving her bare above you. The sight strips you of any last coherent thought. She isn’t the image of perfection peddled in glossy and well-curated social feeds; her body is beautifully real. Her tits look heavy and asymmetrical, round as grapefruit; her nipples pinkish-brown, pebbled and inviting. There’s a soft fold in her belly, and an overwhelming desire washes over you to kiss it. You think you might die just from looking at her.

You look up at Leigh and tell her, reverently, “You’re so devastatingly beautiful.” 

Leigh's cheeks flush as she tries to hide her smile behind her hair. “You don't have to tell me that,” she whispers. “You already got me into your bed.”

You chuckle, nerves still humming under the surface. “You were just as beautiful when devouring a cheeseburger.” Both of you laugh, the sound light and easy, allowing some of the thick sexual energy to dissipate slightly. 

You find yourself relaxing just enough to admit, “I'm not sure how to touch you right, but I want to make you feel good.”

“Just do whatever feels good for you,” she suggests, her expression softening further.

You scrunch your face a little at her, letting out a small chuckle. “That’s the thing—I haven't been getting much action myself.”

Leigh’s smile spreads wider into something mischievous and you swallow dryly at the sight. She shifts off your lap and settles at your side, propping herself up on one arm to look down at you. “Let me help you with that,” she murmurs, her voice low.

You're no longer smiling, feeling your face flush as you ask, “What do you have in mind?”

Instead of answering, Leigh’s fingers trace down to the button of your pants, deftly unfastening it. She gently scratches the skin beneath with her fingernail before sliding the zipper down. You watch as she bites her lip at the sight of the wet patch on your underwear before glancing back up at you. Her pupils are wide, the deep green of her irises barely visible in the surrounding darkness.

“Take them off,” she instructs softly.

You swallow heavily and do as she says, trying not to cover yourself despite feeling incredibly vulnerable. You haven't been naked in front of anyone in so long, and you're embarrassed by how exposed and wet you are right now.

Leigh watches you closely, and you can see the desire burning in her gaze. With her free hand, she reaches for you, her touch gentle, coaxing your thighs open as she trails her fingers up your inner thigh. You draw a sharp breath and close your eyes, expecting her fingers to graze your wetness next.

But Leigh surprises you—and herself—by guiding your right hand just below your navel, her fingers warm and sure on your wrist. Her times with Danny were about dominating and taking, but with you, she wants to give, to watch, to soak up every moan, every breathy reaction, every shiver. She wants to see you take pleasure for yourself, deriving her own pleasure from it.

“Start there,” she murmurs, her breath hot against your ear. “Tease yourself.”

Your hand hovers there, and she gives a slight nod of encouragement. As her touch slips away, you begin to explore the softness of your own skin, tracing light circles below your belly button. You utter a soft, “Fuck,” when your fingertips graze your slick, discovering just how turned on you really are. The filthy noises it creates make you whimper.

Leigh watches you hungrily. “You should be doing this more often,” she murmurs, eyes tracing the movement of your fingers now glistening with your own arousal. “You're so fucking hot. It's such a shame.”

The sound of her voice makes you arch your back further, hips bucking as you start a wide circular motion against your clit. Exerting every ounce of control not to come right away, you focus on the sensation of Leigh's eyes on you and the stimulation from your own fingers. You want to hold out, to let her watch you teeter on the edge. Your teeth dig into your lower lip, trying to curb the wave of pleasure building inside you.

Leigh's voice is a soothing command, whispering, “That's it, be patient. Don't rush it.”

“Fuck, Leigh, I’m—” Your words die in your throat as she lifts your shirt slowly, exposing your nipple to the cool air for a brief moment before her mouth engulfs it. The sensation of her sucking, then laving your nipple with her tongue, circling it, mimicking the motion you're doing on your clit, sends a jolt through you. Little flicks of her tongue to the tip of your nipple drive you crazy, and you gasp, your body responding eagerly to her touch.

Your rhythm stutters as she discards her pants and panties in one swift motion, leaving her gloriously bare. The sight of her naked body ignites a strong wave of desire to touch her instead, but Leigh pins you with a warning glare, silently telling you not to stop.

She straddles one of your legs, and you gasp when you feel her warm, wet pussy against your knee as she starts rocking against it. You position your leg to give her better leverage, and she starts sliding against you, her tits bouncing with each motion. Leigh's sucking on your nipple becomes sloppier, more frantic, until she can no longer concentrate and releases it with a wet pop.

“Oh, fuck, Y/N—” 

Leigh’s face contorts in pleasure as her drenched folds meet your thigh over and over, sweat dripping down between her breasts from the strain of holding herself up above you. The sight of her fucking herself against your leg is nothing short of mesmerizing. You increase the movements of your fingers, rubbing harshly at your clit as you watch Leigh, her breath coming in short gasps. Her eyes flutter closed, and a soft moan escapes her lips. The sound drives you wild, and you curve your spine, lifting your hips to meet your own hand.

Sex with anyone else has never felt this good before, and she hasn’t even properly touched you yet. It’s intoxicating, the way she takes her pleasure and gives it to you all at once. You’re lost in the haze of it all: the smell of Leigh’s arousal, her sweat-soaked skin, the sight of her tits bouncing and her face flushed with desire.

With your free hand, you grab the back of Leigh's head, guiding her down towards you. “C-Come here,” you manage to say, your voice breaking with need. 

Leigh obeys, her mouth meeting yours in a frenzied kiss. You swallow each other's moans, the taste of her lips sending a fresh wave of desire coursing through you. It's this simple, sweet connection of lips that utterly dissolves all your defenses.

A keening moan escapes you as Leigh slides a finger inside you, pushing deep to the third knuckle, causing your head to tip back and break the kiss as the tightness in your belly becomes too much. “Leigh, can I—” Your voice is a mere whisper, your body trembling with the effort to hold back.

Leigh's eyes meet yours, and she nods vigorously, her breath coming in short gasps. “Yes, come. Come with me.”

It's too much—the sight, the sounds, the feel of her—it’s all too much. With a final, shuddering whine, you let go, your orgasm crashing over you. Your body convulses, muscles clenching and releasing as you ride out the intense pleasure. Moments later, Leigh follows, her body shaking as she comes, her moans mingling with yours. Leigh’s face is a picture of bliss, her eyes half-closed, a satisfied smile playing on her lips. You try to memorize it before she collapses on top of you, a sweaty mess of tangled limbs and satisfied sighs.

Blindly, you stare up at the ceiling, trying to catch your breath, feeling Leigh's hot puffs of air tickle your neck as she catches hers. Slowly, you circle your arms around her waist, keeping her on top of you, acutely aware of every point where your skin meets hers, the warmth spreading between you. 

You bury your nose in her hair and breathe in deeply. This act feels more intimate than anything you had done moments ago. The simple closeness, the quiet afterglow, the way you can actually feel her heart beating steadily against your chest.

Minutes pass in comfortable silence, your thumb tracing lazy patterns on her back. Her breathing gradually evens out, each exhale growing softer and deeper. Realizing she's fallen asleep, a contented smile spreads across your face. You press a gentle kiss to her temple, letting your lips linger there for a moment. Carefully, you reach for the covers and draw them over both of you. You hold her close until your own eyelids grow heavy, and you drift off to sleep as well.

[shiny-holographic-star]

Sirene asteroid (1009) observations

Sagittarius Sirene people appeal to others when they're fulfilling their purpose or having a clear direction in their lives. For example, my cousin has this placement, and she's able to appeal to others when she's so sure about being a dancer, believing that she was made for that, following the direction set by her heart/intuition without questioning it.

I have this placement too, and I think people come to me a lot in search for answers, to understand themselves better since Sagittarius is all about expanding ourselves.

Sirene in the 5th house is about mesmerizing people when you're in the spotlight, being confident and letting yourself shine. Also when performing, so this is a good placement for celebrities. My cousin has this, and she grabs everyone's attention when dancing, plus her personality (5H) is very charismatic.

I also have Sirene in the 5th House, and I'm not so comfortable in the spotlight which to me comes from the Capricorn degree (10°, 22°). This brings delays and challenges when it comes to you expressing or getting used to this alluring energy. You have lessons to learn before you're able to own this energy.

A Leo degree shows that you're confident to use this energy, you were born to be seen and to shine under the spotlight! Guess who has this. Yes, my cousin 💃🏻⭐️ It's worth noting though, that she has insecurities and suffers from anxiety, but she still loves the spotlight and wants to shine.

Libra Sirene attracts people when they show a chill attitude, by wanting to make everyone feel comfortable or included, by using a soft voice and having a great sense of aesthetics. My dad, for example, uses a soft voice when he wants to be polite or liked by others, and shows a super chill attitude with my sister and I's friends. A couple of my girl friends simped for him 😷

My sister has this placement too and she's the type to try and include everyone in the conversation, plus she too softens her voice when being polite or wanting to be liked? She also has a great eye for fashion. And with her friends she appears more chill than how she really is (she's crazy, your honor - in a good way).

Jungkook from BTS has Libra Sirene and his singing voice is very soft compared to what I thought it would sound like at first.

He also has Sirene in the 9th House so he might drawn in more foreign fans than korean. This placement could indicate being alluring when you're open to learn from other cultures or expand your understanding of things. Think about ambiences like college, school, foreing countries.

Scorpio Siren could be appealing when they're intense, reserved, observant, alert. Also, when they're being toxic (controlling or uninterested) or give off that aura of bad boy. For example, one of my exes has this, and he pulled me in with little to no effort, he used to take his time replying to my messages and I waited for him, thinking about what he could be doing and wishing for his attention. 🤢

A high school friend has this placement too, and he had this air or mystery when he actually was doing nothing? He has Scorpio Sun conjunct Sirene, and he wasn't easy to get close to at first. It's like he gave off an air of "I'm on my own, don't bother me", and some girls pinned after him.

Virgo Sirene people are alluring when they keep a humble attitude, lending their attention to you and recognizing they can learn something from anyone. My grandma and two friends (a guy and a girl) sometimes would ask me for advice, to explain something to them or to give them my opinion about something, and as I reply they'd look at me with the utmost attention, not wanting to miss any detail. They look at you recognizing the value of your words and that's so wholesome, it makes you feel heard and appreciated.

Sirene in the 1st House might give a great first impression considering it's the house of beginnings. They might be the person people notice or get curious about first in a group, and nobody knows why; it's unconscious. They also might atract people when they take initiative, which movilizes or motivates others. They seem like they would do good in a leadership position, people would be drawn to listening to them (especially when they're in the energy of the sign their Sirene asteroid falls under).

For example, a Virgo Sirene in the 1st House person might drawn people in by taking iniciative and assuming the role of a leader in a humble way, paying attention to everyone's input and striving to reach their ideal.

[itsmarsss]

Scandalous (Blitzø x Fem!Succubus!Reader x Stolas) [Helluva Boss] pt. 7 - Ozzie's

How the mighty do fall. (Getting into a weird three-way situation with an imp and a succubus isn't exactly considered classy, Stolas)

It's a date! (But is it really?)

pt. 1 | pt. 2 | pt. 3 | pt. 4 | pt. 5 | 1st bonus | pt. 6 | pt. 8 | pt. 9

Word count: 5,212

Warnings: you ask blitz to not be a dick and what does he do? yeah he's a bit of a dick. a big reveal abt reader's past (will be explored more in depth later), terrible just awful communication skills.

Alright, however much blood you got on yourself, business today was kind of pretty fucking awesome. 

The four of you walk through the portal, all still riding high on the adrenaline rush the day’s kills provided you. Blitzø’s the first to set foot back into the office, throwing his head back and brandishing his new axe around. “Woo! That was a fuckton of lumberjacks!” 

There were eleven of them, to be exact.

Moxxie walks in right after him, looking a little too excited as he held up a chainsaw, still on and rumbling.

Millie’s next, covered in more blood than anyone else, as usual- clearly in a great mood, going as far as biting the wood handle of the axe she was holding in half.  “Ahh! I’m still so jazzed up!” 

You walk in last, examining the huge new knife you got for yourself, pleased. Nothing like putting down five huge-ass dudes on your own and getting a cool new knife for your collection to get you in a good mood. 

Moxxie discards the chainsaw into the portal, and Loona closes it off. “Well, you better stay jazzed up, babe,” he tells Millie, shooting finger guns at her. “‘Cause guess where I’m taking you tonight?”

“Don’t you dare finish a filthy pun in my presence, Moxxie! Besides, drinks are on me tonight! Let’s hit up the new drive down the street,” Blitzø suggests, excited.

Moxxie looks down to the floor, then back at him. “Actually, sir, it’s our one year marriage anniversary, so I’m taking Millie to Ozzie’s, all the way down in the Lust Ring!” He announces, proud of himself. 

Millie’s eyes immediately light up, and she gasps in excitement at the revelation. “Ozzie’s? No way! That place is always booked.”

Yeah, you should know that. In fact, you already knew Moxxie was taking her there, too- he’d approached you the previous week, asking if you could do him a ‘big favor’. You didn’t know what to expect of this supposed big favor, but when he asked if you could maybe call Ozzie personally and arrange him and Millie a reservation for their anniversary, you let out a laugh.

“Oh, that’s it?”

“Well, yeah.”

“Of course I can, Mox, are you kidding?”

“That’s awesome!” He’d hugged you tight. “Thank you so, so much, y/n!”

You smile, pleased with Millie’s reaction. You knew she’d love it. Moxxie had mentioned he’d tell her you’d helped, but you’d told him not to, leaving all the credit for him. He deserved it. 

He sends you a thankful glance when Millie squeaks out his name and quite literally jumps on him, kissing him all over. The scene is so sweet it’s almost gross. 

“Ugh, can you two not?” Blitzø complains.

Moxxie’s out of breath when he pulls away, looking a little high-headed after the distraction. “I’m sorry, sir. Maybe another time!” 

“Oh, it’s fine! I- I can come with the two of  you, help you celebrate your boring-as-fuck-monogamy.”

There’s no way he just seriously suggested that. “What? Dude. No.”

Moxxie matches your tone. “Yeah. No.The reservation is for us.”

“Uh-huh,” Blitzø agrees, nodding, as if that changes absolutely nothing to him. Did he genuinely not get the hint or is he playing dumb at this point?

“Just. Us. Millie and I.”

“Uh-huh,” he repeats, still nodding as if he doesn’t see the issue. 

“Without you there. Explicitly without you there.”

He completely disregards Moxxie’s words. “I’ll wear something nice. It’s a big deal after all.” Ah, got it. Playing dumb.

Moxxie’s left eye twitches at his attitude, but, in turn, he just turns around, walking towards the door. “You want a ride or not?” He turns back around to ask you, and you try to shoot Moxxie a reassuring look that’s meant to say you’ll get some sense through his skull before you follow him out. “See you lovebugs later!”

You start scolding him as soon as you get to the parking lot. “Could you be any more inconvenient?”

“The fuck do you mean?” 

“The fuck do I mean? They don’t want you there, Blitz. It’s their anniversary. Whatever fantasies you have about them don’t make you a part of their relationship, you realize that, don’t you?” The two of you get to the van, and he unlocks the doors so you can get in before he says anything in return.

“Fuck you, I made that couple happen, bitch. I deserve to be part of this ‘anniversary dinner’. And you do too, I know there ain’t no way Moxxie got that reservation without your help.”

“Yeah and that one-hundred percent does not give me any right to crash their date. Don’t you fucking go to Ozzie’s tonight. You hear me?”

“Ohh keep talking dirty.”

“I’m so serious right now.”

Blitzø scoffs at your threatening tone. “Don’t remember you being the boss of me.”

“I am telling you, as a friend, that you’re being inconvenient. They’ll get pissed at you and they’ll be right to.”

“Yeah well I don’t fucking care.”

“Come on Blitz, just give them a break. I’ll even go with you to that place you wanted to go!” You try. 

“Really?”

“Yeah! It’ll be fun. And very far from Millie and Mox so they can enjoy their night out alone,” you make sure to point out.

“Fine. Whatever.”

Blitzø drops you off at your apartment so you can get ready with a yell of ‘be quick we don’t have all night!’ as he drives off, going home himself to shower and change too before he’s back to pick you up. 

“If I didn’t know you I’d think you’re dressing to impress me here,” he raises an eyebrow suggestively as he gives you a very exaggerated once-over.

“Yeah in your dreams maybe,” you retort immediately, used to his comments by now, as you get into the passenger seat.

“Oh my dreams about you don’t have any clothes involved.”

“Gross.”

He shrugs. “Ready?”

“Sure. What’s the place called again?”

“Uuuuhh, don’t worry about it. We’re going somewhere new.”

You notice he’s extra chatty during the ride, talking your ear off and turning up the radio so the two of you can sing the songs out. You realize why he was going out of his way to distract you when suddenly you take a look out the window and recognize the neighborhood. 

He’s taken you to the Lust Ring, and it’s not very hard to imagine why when he parks just a couple blocks from Ozzie’s. You feel disappointed, and honestly a little naive, to have thought he’d take you to a fun night out instead of just doing whatever he wanted to do. 

“Are you fucking kidding me right now? This is the one place I said, repeatedly, that we couldn’t go!”

“Oh, boo-hoo, so I’m taking you out on a nice fucking fancy-ass dinner, what a terrible fucking thing to do!”

“Except you’re not taking me out, you just don’t know your fucking boundaries and you wanna spend your sorry-ass night spying on Millie and Moxxie.”

“Eh. Potato, potato.”

“You pronounced it the exact same.”

He shrugs. 

“We’re leaving.”

“What? No!”

“Well I am. And you don’t have a reservation,” you point out, trying to make it clear he’s not getting in. Did he only bring you out with him in the hopes you’d manage to get him a table by pulling some strings? “And you can’t get in without a partner so sucks to be you.”

“Well I’m not taking you anywhere,” he crosses his arms over his chest, matter-of-factly.

“‘Course you’re fucking not. We were supposed to just have some fun tonight. I can’t believe this. You’re a fucking prick, you know that, right?” You let your frustration spill out in your words, and you pull your phone out to see if you can find a ride on Reaper, not in the mood to be out anymore and desperately wanting to get back home at this point.

“Yeah, yeah, and you’re a whiny bitch but I don’t keep telling you that, do I?”

You send him a dirty look, sitting on the curb as you wait for the app to find you a car, and he fucks off to the alleyway behind you to do Satan-knows-what. After a while, still down on your luck with the ride, you’re startled when a portal is opened only a couple feet in front of you, and it takes you a couple seconds to register the fact that it’s Stolas who walks out of it. 

“Stolas?”

“Stolaaass!” Blitzø calls out, as if already expecting him. Was he already expecting him? Is this what you thought it was- you telling him you wouldn’t get into Ozzie’s with him and him just calling Stolas up, simple as ever, to fulfill that role instead?

“What are you doing here?” You ask the prince, not really meaning to sound rude, but it comes out demanding of an answer regardless, and he tilts his head to the side, as if confused by the fact that you apparently didn’t know he’d be coming.

“Wow. Outfit’s a little overkill, don’t ya think?” Blitzø tells him, and you resist the urge to pettily flick at his forehead at the lack of common sense. Why the fuck would you say that?

Stolas looks down to the floor, embarrassed. “Did you… not know I was coming, y/n?”

“No. Did Blitzø call you here?”

“Yes, I- I assumed-” He looks at Blitzø, now referring to the comment about his outfit as well. “I wanted to look nicer for you. This is our first real date, after all… right?” he explains himself, motioning between the three of you.

“A date?” You whip your head around to look at Blitzø. That’s what he told Stolas this was?

“Surprise! We’re having a date!”

“Blitz I swear to Satan, this is so out of pocket-”

“Is something not right, y/n?” Stolas asks, and it completely disarms you. He seems so genuinely excited about this ‘date’that you can’t get yourself to ruin it for him by revealing what only you knew- that what he thought was a date was just a selfish ploy for Blitzø to spy on Millie and Moxxie for whatever fucking reason he had.

And so you find yourself reassuring him. “No. Not at all.”

“Ya still wanna leave now?” Blitzø whispers, all cocky and annoying and- fuck, he can just be so stubborn it’s insufferable sometimes.You grit your teeth but say nothing in return, and the three of you walk up to the stairs by the entrance. 

You don’t recognize the incubus who greets you. Must be new. He eyes the three of you up and down, as if trying to gather how the fuck this whole thing happened. “Y’all three together?” He asks, an eyebrow raised.

“Yes,” Stolas tells him. 

“Alrightt, that’s fucking hot! Y’all got a reservation?”

Before you can even think of telling him to talk to Ozzie, Stolas speaks up again. “Do we need one?” He asks, glaring at the man, as if challenging him to say no. The man gulps before opening a smile and bowing at him. “No! Uh, shit, my apologies, Your Highness. Right this way.”

You feel the ever-growing urge to facepalm as hard as you possibly can the very second you enter the lounge, because Blitzø immediately starts sneaking around the place like he’s a character in some low-budget spy movie. 

Stolas looks around the place, mesmerized. “Oh, my! Oh, no! No, but also yes!” He’s been there countless times (you should know), but only then do you realize he’s never stayed or even visited for matters that weren’t aligned with his royal duties. He’s stupid rich and he’s never dined at Ozzie’s?

Oh.

He’s only ever been with that wife of his before you and Blitzø happened. And his own marriage was merely another one of his royal duties. And- oh, fuck. Was this his first ever date? Shit.

You pull Blitzø down to whisper to him as you walk to your table. “Blitz, you’re gonna be fucking nice tonight, alright?”

“Hey I’m always a fucking delight!”

“I’m serious. I think he’s never been on a date before.”

“What? That’s not true.”

“Look he’s clearly excited to be here, please don’t be a dick, okay?”

“You calling me that for free?”

“The outfit comment was not cool.”

“Oh you guys are so fucking sensitive.” He dismisses your words, sitting down on the chair that had been arranged for him, a couple books placed on the seat so his height could be aligned properly with the round table’s.

Stolas is beaming as soon as the three of you sit down. “Oh, how romantic is this? I have never stayed here longer than I needed to. It’s so charming!”

“Yeah, it sounded like- I just thought we’d have a blast here,” Blitzø tells him, barely present in the conversation as he pulls out his goddamn fucking binoculars out of his pocket, surely trying to find out where Millie and Moxxie were seated. 

“Uh, yeah. It’s lovely, right? And it’s where I met both of you! Isn’t that so nice, Blitz?” You kick him under the table, and he shoots you a dirty glare before turning back around. 

“Yeah, yeah, I’m a real romantic- oh gotcha!”

Stolas tilts his head to the side, trying to figure out what is happening. “Uh, Blitz, what are you looking at?”

“I’m looking at nothing. How about that?” So much for not being a dick. Luckily, a server approaches the table just then, averting Stolas’ attention from Blitzø. 

“So, can I get you three off?” She takes a long pause before ‘correcting’ herself. “I mean, start you three off with some drinks?” It actually was normal taught practice for the ‘slip-ups’ to happen- you should know, you trained countless servers during your time there. It still makes Stolas blush out of embarrassment, caught off-guard by it.

“Yes! Um, perhaps some… wine, to share?” He glances at you, and you smile at him, nodding in agreement. “Blitz?” 

“What?”

“Would you like some wine, too?”

“Yeah why not?”

“Do you prefer red or white? Or perhaps some champagne?”

“Yeah, whatever,” Blitzø replies dryly, very clearly barely paying any attention to what was said to him as he didn’t even bother turning around to face the two of you.

“Uh- I- uh-”

“What if we-” you begin, trying to help Stolas not freak out.

“Perhaps we should order all three! Ha! Why not?” He suggests, and it sort of sounds like he is sort of freaking out, but you don’t argue. 

“Yeah that sounds good.”

“So! How was the day at I.M.P.?” Stolas tries. 

“Oh? Uh, it was good, I guess. We killed a bunch of weirdos. She can tell you about it,” Blitzø tells him, this time sparing one single glance back and pointing vaguely at you. How thoughtful.

“Oh?”

“Uh, business was pretty good today. What he meant with killing a bunch of weirdos is that we had more targets than usual, which is good. But I’m sure you don’t wanna hear about us killing people, right?”

“No! It sounds like fun!” It definitely didn’t look like he thought so, but rather that he was desperately trying to build a connection. One that Blitzø currently didn’t seem to give a flying fuck about. “Uh, how did you kill them?”

The question at least seemed to pique Blitzø’s interest, as he actually turns around and puts down the binoculars to answer it. “How? I mean, there was a lot of ‘em, so… bullets?”

“Right! Right. So… what made you decide to plan a date after all this time?”

Shit. “Uuuuuuhhh…” Blitzø scratches the back of his head, trying to think of what to say. Fuck, don’t be a dick, don’t be a dick, don’t-

Thankfully, for all of you, you’re sure, he doesn’t get to finish whatever he was about to try and say, as the lights dim and Fizzarolli’s voice sounds through the lounge. “Ladies and gentlemen! I see some sexy faces around here tonight.” He descends down the pole right in the middle of the stage, and you notice his greeting routine sounds different. It’s a weird feeling to see so much change since you left. “Welcome, welcome to Ozzie’s, Lust Ring’s number one place for all kinds of sick, twisted fantasies, put on display for all you sleaze and sleazettes, the gem joint of Asmodeus himself. Come on, give him some love!”

“Did he just say Asmodeus?” Stolas questions out loud.

“He likes to make an appearance sometimes,” you explain, but, internally, it made you nervous. You did not need Ozzie to see you on a date tonight.

Stolas nods, and Blitzø lets out a groan. “Oh, no fucking way. Not him!” He hides his face behind the menu that had been placed in front of him, and he’s still never told you what happened between him and Fizz, but that has to be a bit dramatic, doesn't it? 

“I am the one and only Fizzarolli.” The clown continues, pulling up a Loo Loo Land flyer with his robotic version, ‘Robo Fizz’, on it. “Some of you might recognize this dashing clown face from my numerous replicas across the rings of Hell, gloriously designed by the big man himself, and uh,” he traces his hand up his own robotic arm in a rather suggestive way, “ribbed for your pleasure tonight. We have a great lineup for you tonight: Verosika Mayday, Wet Dream, and The Squirters!” 

The lights shine on them, and suddenly you understand Blitzø’s need to hide. “Shit, she’s here?”

“Do you know her?” Stolas asks you, and you don’t reply.

“But as everyone’s warming up, I got a funny one for y’all!” Fizz keeps on. “Did any of you hear about the batshittery that happened at Loo Loo Land?” He laughs. “Oh yeah, I’ll tell you what, I’d sure love to shake the hand of the crazy son of a bitch who decided to burn down that off-brand shithole, and then slap a fat subpoena in it, ‘cause I’m very much looking to sue. That robo-me made us more money entertaining those kids than the ones we sell to get you freaks off, if you know what I mean.”

Someone in the lounge stands up from their seat, waving their hand around. “I know! I know what you mean! I have four of ‘em!” They announce, loud and proud, and you realize their date is one of those. It’s freaky enough for you to know security’s sure to keep an eye on them for the rest of the night to make sure they stay far away from Fizzarolli.

“So! Without wasting more time! Our little opening act is a fresh one, coming at us from a little imp from the Wrath Ring. Give it up for… Moxxie! With no creative stage name whatsoever.”

Moxxie stands up, taking his guitar with him, and kisses Millie before taking Fizzarolli’s place on the stage. That he hadn’t told you about, and knowing it was probably because he wanted to keep that moment to themselves makes you feel shitty about being there. He taps the mic before speaking. “Hello, everyone. Um. Hi. Thank you for letting me be here. It’s an honor to play.” Someone yells at him to hurry up, and he looks a bit nervous at it before he keeps on. “This song is for my beautiful wife, a surprise for our first anniversary. I love you, Millie.”

I love you More than the brimstone loves the fire, more than beelze loves her bub, more than a maggot loves gangrenous stubs You make my spirit sing Yeah, you make me glad I live in Hell Our love is a story sweet to tell Yeah, you cast a special Satanic spell over my heart Love is a journey we decided to start Yeah, I hope we’ll never, ever be apart I love you, I love you, I love you, I love you, I-

Shit, Moxxie. If he had told you about this, you would have warned him Ozzie’s was not the right place to perform a love song. But he didn’t, and so… “I love you, I love you, I love you, I love you,”, Ozzie and Fizz sang along, making their way onto the stage, very clearly mocking and laughing at him. 

Who’s singing love songs in my lustful lounge?

So Ozzie was performing tonight, huh? Must be in a good mood. 

Ozzie’s ain’t the place for sentimental sounds!

What’d you expect from a proprietor like us?

Your demon host, Asmodeus, the embodiment of lust…

Give me a thrust! Show me some lust! From the groin to the bust, in desire we trust, in the House of Asmodeus

Trumpet! Gah!

Little imp, you came here to sing your serenade Perform your feelings in the velvety stage Well, we got a saying that’s popular in these parts

‘Only little bitches strum the strings of their hearts’

You wanna hang around this lustful town? Ditch the lovey-dovey before we knock you around

How hypocritical.

In here we sing about wants and desires

Depravity, savagery, loins hotter than fire!

So give me a thrust Show me some lust From the groin to the bust Little imp, you just must In the House of Asmodeus Come on, sing us a song! Make sure the subject is getting it on Make it graphic and tactfully long

Make sure to rhyme ‘thong’ and ‘schlong’!

Go ahead, the mic’s on!

After a good while of tossing Moxxie around as Ozzie and Fizz sang, they set the mic in front of him once again. He takes a deep breath before strumming his guitar and giving it a try.

I want to 

Yeah, what do you want? Butt stuff? Piss play? Bondage?

Make gentle love to you

Oh, Moxxie. 

Ugh, what a limp-dick imp, you’re really killing the vibe Get a load of this dweeb and his unsatisfied bride!

Blitzø stands up from his seat. Why the fuck is he standing up from his seat? 

“Hey now, I’ve watched those two pork many times, and, honestly, they make missionary look relatively exciting!” 

You should have known he’d feel the need to try and defend them in some way, but this was really, really not a good idea. If you didn’t want any of your friends to see you there up until then, now he’d managed to basically call out for their attention. 

“What? Blitz!” Moxxie yells out, as if he can’t believe he’s actually there. His eyes find you too, and he furrows his eyebrows together. You feel ashamed that you ended up there, and even more so that his moment was getting ruined in so many ways.

Fizzarolli opens a grin. “Is that Blitzo? So you’re showing your face?”

Hey, everybody!  This guy’s a total disgrace Some nerve you got to comment on a relationship Last I checked, your love life is a pile of shit!

As if things couldn’t get any worse, Verosika stands up, the lights immediately panning to her, and she joins in. 

Oh, Blitzo? I used to date him 

“Oh, Verosika, you’re here.”

I’d stroke him, I’d fellate him But when it was my turn He did no reciprocating  A selfish imp in the sheets  And just as bad on the streets A reckless, heart-breaking freak

You silently pray to Lucifer for her to not see you, or just not mention you, or-

“Oh am I interrupting your date, y/n?” She spits out. 

I should have known it I should have guessed you’re not above it  How long left till they’re abandoned? Do they know they’re not your standard?  The prince would better watch out Just get too close and he’s out Give it some time, she’ll flake out

You look down at your hands over your lap and you wish the ground would just swallow you whole. Stolas looks between you and Blitzø, trying to assimilate what just happened. “Did the both of you date her?”

Who’s that at your table? Is your date a demon prince? Stolas, is that you?

Are you sleeping with an imp?

My dark lord, how the mighty do fall! You used to have a smoking wife, a kid, you had it all! I hope you didn’t give it up so they could help you get it up…

Stolas hides his face behind the menu, not unlike Blitzø had done earlier, like he’s… embarrassed to be called out for being on a date with the two of you. It feels like a gut punch, to come down to the realization that, yeah, of course he’s embarrassed, he’s a prince, for Lucifer’s sake. 

Your eyes feel like they’re burning, and you have to hold back tears from streaming down your face. 

You sold your life for a thrust! Now that’s the spirit of Lust Grab your groin or a bust You better get your hair mussed Pretend you don’t see that crust Hump ‘till your junk turns to dust In the House of Asmode-

You stand up in preoccupation for Millie when she simply knocks Fizzarolli down to the ground. 

“Hey!” Ozzie exclaims, helping Fizz get up. You see the rage in his eyes- Millie was crazy to have done that- and he looks back at you. The worry in your expression and the furious shaking of your head, wordlessly asking him not to do anything, are accepted, and Millie is left unharmed purely for the sake of you. 

“I think you were tryin’ to sing somethin’ for me, Mox.”

“Yeah, I was.”

I love us I love us just the way we are Don’t have to pretend to like to do things we don’t I’ve always got you around to laugh at my stupid jokes I’ll never take you for granted I’ll always give you my best If you can offer the same thing we’ll handle the rest ‘Cause I love you ‘Cause I love you

Blitzø looks undoubtedly hurt and undeniably uncomfortable and, shit, it was very much warranted. You felt the exact same, ashamed of getting called out by Verosika, hurt by having Ozzie of all people put you all on blast, feeling stupid for feeling hurt by Stolas so very clearly looking embarrassed to be seen on a date with you. 

Stolas looks worried, but doesn’t get to form any words before Blitzø speaks up. “You know what, this was a mistake, alright? Let’s just- let’s just leave.”

For the first time the entire night, you agree with him. “Yeah. We should go.”

“Oh. Right. Of course,” Stolas agrees, and the three of you get up, making your way to the exit. You didn’t even get to try the fucking wine. 

You glance back at Ozzie on your way out, and he raises his eyebrows in concern when his eyes meet yours. You know that face. He only just realized he hurt you with what he did, and you know he’ll let you be for the rest of the night, but you’re sure to expect him to show up at your place tomorrow to apologize. 

You also take a glance at Millie and Moxxie, still on the stage, and mouth an ‘I’m sorry’ to them before exiting the place. 

The drive to Stolas’ place is quiet and uncomfortable and it makes holding yourself back from crying much, much harder. You’re not even sure why Stolas is getting a ride, as he’d portaled himself to Ozzie’s and could very much just portal himself back home, but it’s not like you’re gonna bring that up. 

Much too tall for the I.M.P. van, he’s crammed in the backseat, and struggles a little before managing to get himself out of the car. 

Before leaving, he leans on the passenger’s window, facing you and Blitzø and nervously trying to get himself to say something. “Thank you, for… inviting me out tonight.” Blitzø turns away to face his other side and you keep your eyes glued to the windshield, both unable to look him in the eye. “Despite everything that’s happened, I… I enjoyed spending time with you.”

“Yeah,” is all Blitzø says, and you simply nod.

“You know, I have some more wine in the house. Octavia’s with her mother this weekend, so we could…”

“I’m not fucking you tonight, okay? I’m really just… I’m really not in the mood, alright?” He nudges you with his elbow, and you swear you see him wipe down a tear. “If you wanna take this one go ahead.”

“I-”

“We could just… talk. Or… watch a movie? Or maybe… cuddle?”

For the first time since leaving Ozzie’s, you manage to properly look at Stolas. Was he serious? Would he genuinely be okay with that after what just happened? Could he genuinely be okay to be in your presence without sex involved? 

“Stolas, don’t act like what we have is anything but you wanting us to fuck you, okay?” 

“Blitz-“

“No. You too. Are you actually falling for the shit he says? Fucking watch a movie and cuddle? You know exactly what he wants from us. He just says what he thinks he has to to get in our pants. I thought you weren’t that stupid.” 

You scoff at his words and get out of his car silently, as you can’t believe he just said that to you.

“What, you’re not coming?” 

Tears are threatening to roll down your face again, and it makes you angry. “Do you ever think about anyone’s feelings other than your own?”

“Fine. Stay with him then. Congrats to the fucking happy couple!” 

With that lovely yell, he takes off. 

“Are you alright, dearest? You can come in if you-“ Stolas reaches for you, but you can’t help but back off, not allowing him to touch you. He lets his hand fall back to his side. 

“Could you just send me back to Ozzie’s? Looks like I don’t have a ride anymore.”

“Are you sure you want to be there? What he did was-“

“I- I’ll talk to him. They won’t poke fun at you because of us again, Your Highness. No need to worry.”

He grimaces at your words, and you’re fully aware why.  You haven’t called him that in a long time. In fact, you realize you did it to be cruel. To hurt him. 

To hurt yourself into remembering your place in relation to him. You almost want him to argue with you. To understand what you meant and tell you he doesn’t look down on you, that he doesn’t feel ashamed. 

And yet he only accepts what you say with a nod.  “Good night, y/n.” 

Maybe Blitzø isn’t wrong.

You nod once instead of saying it back- you don't trust your voice to come out.

He seems to want to say something else but refrains from doing so, only waving his hand to cast the spell you requested him to. In a mere second you materialize back at Ozzie’s, but not in the lounge, thankfully- in the waiting room in front of his office. 

You break down crying the very moment you gain bearing of your surroundings. 

A/N sorry for the shitty lyrics i added to house of asmodeus it was sadly necessary lmaoooo

[amiizuki]

watched the pilot storyboards, albeit only 3/4 of it, and I like how the pilot made Luz seem more like an outcast eccentric weirdo, which is what she's supposed to be, rather than an ignorant asshole who is borderline terrorist

instead of her waltzing into school with dozens of spiders, snakes and fireworks, that she all planned to use INSIDE the building with a smile on her face and not a care in the world, here she instead only brings one snake to school and that's it. a snake that stays with her and her only, doesn't bite anyone, and whom she also later sets free OUTSIDE school. sure, she mentions that Azura is going to "explode out of the snake's stomach", but I heavily doubt it meant that, if the teacher hadn't stopped her, she was gonna pull out a big pack of fireworks, like the ones she had in the show, stuff them inside the snake's mouth and blow it up, especially considering she called the snake "friend" and seemed to treat it like an actual living being, instead of a book report prop, since she had a bag of food for it in her locker.

honestly they should've kept this scene in the 1st episode, at least partially.

like, the start of the episode would play out the same as in the pilot, except Amity isn't here and doesn't stand up for her, so Luz just quietly sits down at her desk in embarrassment and maybe pets the snake while looking upset or something. it then continues the same, up until she opens her locker.

(by the way, I feel like this scene would work better to show the audience that Luz is a nerd, by looking at all those things in the locker, that are usually considered as either nerdy, childish or both, rather than having Luz herself just tell us that she likes to do nerdy things)

in the pilot, that's where Amity walks by and Luz tries to talk with her, but since she wouldn't be able to be here in the actual show, instead Luz would hear an announcement from the principal that he needs her to go to his office. cut to her sitting in the office with her mom already there, and then it generally plays out the same way it did in the 1st ep – the principal says that Luz's been disrupting classes often and have been making her classmates weirded out and disturbed by her antics, which also simultaneously lead to her having no friends. no spiders in class and fireworks inside building – only her acting overly eccentric and weird, to the point where she might accidentally ignore some of the social norms, like with that book report in the pilot and the school play in the show. then the principal mentions today's geometry class that Luz interrupted and says that this was the final straw – not only because something like that happened however many times before, but also because this time she brought a live snake to class, and while it didn't bite anyone (unlike in the show, where her snakes bit MULTIPLE people, and Luz was just like "oops, guess that's where the backup snakes went haha lmao"), it was still a very dangerous thing to do. Camila would react to it in surprise and ask "Mija, where in the world did you even get a snake?" or something like that, with Luz just kinda awkwardly shrugging in response, while looking down at the floor. after that, the principal offers for her to go to a summer camp, to "get her head out of the clouds", and everything else plays out the same way it did in the actual 1st episode.

if it was like that, then, once again, it would actually make Luz look like just an eccentric nerd, who doesn't actively try to harm or disturb anyone, and just does things that she thinks are cool or fun. sure, she might come off as a bit ignorant, with her occasionally ignoring classes and social cues, but it would be just because she's too passionate about the things she likes and gets so much into them, that she might forget the real world in the process.

but uh... the 1st episode Luz isn't exactly that

letting dozens of small spiders inside class, while not giving a shit about people who are scared of those is not cool or fun.

letting however many snakes roam free and bite everyone, while, again, not giving a shit about them being bit is not cool or fun.

and, fucking hell, setting off fireworks inside the school without a second thought is NOT cool or fun

so yeah, that's all I've got

also I wish the "Why would anyone throw it away?" moment with Eda was somehow kept in the show, because it's honestly beautiful and I love it. I don't know how they'd be able to pull it off in the actual show, since Amity was never able to go to Human Realm there and thus Luz wouldn't be able to make that drawing of them, but oh well, it's good that we're able to see this scene at least in the storyboard form.

[teriri-sayes]

Reactions to Crazier Bastard's Chapter 299

New title - 38. I'll Bet On You

Brief summary: Great elder elf gets scared of Clopeh's expressionless eyes. Clopeh carried Cale on his back as the butler guided them to a room. Clopeh asks Mold to send the video he took to Cale's group. Unconscious Cale finds himself in a dark space and then suddenly enters the game world.

===========

Today's Clopeh was his serious self. His expressionless eyes even scared the great elder who felt that Clopeh was a dangerous madman at that moment. He only smiled once before carrying Cale on his back, not caring about the blood still dripping on his back. And when he met eyes with Exion, he told the dragon that when Cale wakes up, they would have to give whatever Cale wanted.

As for his legend-spouting self, he did tell everyone, "It would be foolish, indeed, to turn away from this marvelous sight." This referred to the wondrous changes Cale had done to the WT. But afterwards, he muttered softly, "A hero's sacrifice. It's not a legend, it's just a tragedy."

I guess Clopeh still had some sense to consider Cale's sacrifice as tragic, and not praise it as being legendary. However, this die-hard Cale fan also noticed that 1st Bishop Mold had secretly recorded a video of what happened. And guess what he asked Mold to do? He asked Mold to send that video to Cale's group, namely CH and Raon, and to the people in the black castle... What? Why would you do that, Clopeh? Do you want them to wreck this place? 🤣🤣🤣

As for what happened to the WT, it seemed like what happened in the mindscape was also seen outside. Everyone felt Cale's nature APs and the power of the saint's golden eye. They also saw the water circling the tree and rising to the sky, and got a glimpse of the source of the world appearing in the sky. And all the flowers in the back garden withered before blooming anew. It was the WT's death and rebirth.

So it was no wonder that everyone was shocked. 1st Bishop Mold became hopeful that Cale could save this world from destruction and also change the pope's mind. Erza was too stunned to speak. The great elder was in awe. And 3rd Star Exion seemed to have made a decision. His actions afterwards seemed to imply that he had chosen to side with Cale's group.

Cale wanted to be a slacker, but even in his rest time, he had to work. 😂 Just like the past times when he fainted, he woke up in some kind of space. It was a dark space where a lone single light shone. The light was the golden eye of the saint, so Cale understood that this was how the "digestion" worked.

But a strange thing happened when he touched the golden eye...

A bright light washed over him, and soon, Cale could see the darkness disappear and a new space appear. And then he froze. [Raise your own precious Absolute God!] [Welcome to New World, the new world!] [Would you mind telling me your name, you who took your first steps on this land?] "Eh?" [Tutorial Quest 1. Set a nickname] Cale was genuinely puzzled. …Did I just suddenly, out of nowhere, enter the game world? "What the hell?" [Are you going to use the nickname "What the hell?"?] Damn it. Cale felt his irritation begin to rise.

HAHAHAHA 🤣🤣🤣🤣 First of all, that game world was really named "New World"? 😂😂😂 And then that nickname... 🤣🤣🤣 But why did Cale suddenly enter the game world? If Alberu used Taerang as his medium to enter the game, was Cale's medium the golden eye of the saint? Why was that? Was the saint from Earth 3?

Ending Remarks Clopeh's seriousness was nice to see, and Cale's sudden entrance to the game world was surprising. Now I'm excited for Cale to join Alberu in his game quests. I guess Cale would be the hero in the game too, huh? Raise my precious absolute god? Nah, Cale would be here to kill that absolute god. 😂

[rainy-astrology]

BTS Jungkook Birth chart analysis

Based on my opinions and observations. Not an expert. May change later.

September 1st, 1997

Busan, South Korea

3:25 PM

☀️♍️, 🌙♍️, ⬆️♑️

Sun, Moon, and Mercury are in Virgo, giving him a Virgo stellium. He is detail oriented, helpful and reliable, and incredibly hard working, not a slacker at all. The downsides are that he's likely very critical on himself and others (but more likely on himself; Virgos are just...a little too self aware lol), perfectionistic, nitpicky, and can be an overthinker. E.g the time he was crying about a small mistake he made on stage that the other members hadn't seen at all. They all sit in the 8th house as well and form conjunctions to each other (sun conjunct moon and mercury, moon conjunct mercury)

Virgo Sun in 8th is very private and maybe even shy. Jungkook's not really an extrovert tbh, he has a small circle and is often seen hanging out with the same few friends. This placement is quite picky with who they choose to let into their life - they have to be extremely sure they can trust you to completely let you in their inner world.

Moon in 8th is an intense placement. Very strong feelings here. Having a Virgo moon though should help calm the intensity a little or at least help him navigate his feelings in a more structured way. Virgo moons tends to analyze and rationalize their thoughts and feelings. This could explain why Jungkook's never been the type to openly show his deeper feelings. This house can be transactional and Virgo is a sign of service, so he may find security in helping/servicing others. And people like to reciprocate the helpful energy for him too.

Mercury in 8th is a deeply curious and investigative placement. Virgo mercury is especially detailed - nothing gets past Jungkook. It's known he lurked around in fandom space on tiktok and twitter, so he most likely knows all the jokes and other things the fans talk about. This placement wants to understand things deeply.

Neptune, Uranus, and Jupiter are in 1st house. Neptune (illusions) and Uranus (unpredictable and constant change) can make a person chameleon-like in terms of appearance and Jungkook is versatile in fashion. It could explain why it was a bit confusing to guess his rising sign.

Jupiter in 1st - puts in a lot of effort into everything he does, may sometimes overdo things. Tries to be optimistic and upbeat, wants to enjoy life to the fullest.

Libra Venus is domicile and in 9th. Curious and knowledge seeking, especially curious about new cultures and places

Mars Scorpio in the 10th is very passionate and ambitious. Very determined to succeed in his career and reach all the goals he sets for himself. His motto "I would rather die than live without passion" is a perfect example of this placement.

Saturn in 3rd - some sort of challenge with communication. This placement can be very shy and maybe even a bit self conscious, socially anxious. Jungkook was incredibly shy when he was younger - iirc he would even cry when asked to sing and used to be so shy around the members predebut in general.

Pluto in 11th - a strange tense relationship with the idea of friendship. He didn't have much close friends when he was young and going to a whole new city made him even lonelier. However meeting BTS gave him friendship, which helped his loneliness a lot. They even helped him get over his shyness and support him with anything he does. He cares very deeply about them, even crying when they were talking about the struggles they were going through. He considers them his family, which makes sense since he was basically raised by them. He himself is quite influential as well (a given as he's a huge celebrity though) and can pretty much make anything he likes and anywhere goes become very popular.

Chiron in 10th - worried about how his image and reputation is perceived by others. Considering how incredibly shy Jungkook was when he was younger, it's not surprising he may have had a lot of self doubt about his journey to being an idol (along with the very self critical Virgo stellium. Chiron in 10th + Virgo stellium is careful and perfectionistic in order to have a good image). There may be issues of self esteem and power (mainly with authority and/or with himself) within his life.

With North Node in 8th though, it pushes Jungkook to be more open to create relations with others. He doesn't have to do everything alone - he should learn to rely on others and be comfortable being more open, both mentally and emotionally.

Capricorn rising is a little surprising ngl...However, I think it explains his physical features well. His eyes (I've noticed many Cap placements have big eyes), his face structure, and especially his hair. Capricorn rising hair is always very noticeable considering Capricorns rule hair. And like most earth risings, he can be down to earth and reserved - he keeps to himself a lot. Definitely very hard working like a Capricorn, ambitious and strives for success.

His Libra MC could be why many people thought he was a Libra rising. It is at 29°, a Leo degree, so that could also explain why people thought he could have been a Leo rising too. Libra mc is artsy and creative, which shows in his art skills in drawing, photography, and editing. Obviously his singing and dancing as well. It's apparent in his fashion too: experimenting with his hair styles, his sleeve tattoo, his piercings, and darker yet neat clothing style.

___

Other analysis:

MBTI | Enneagram

___

Kpop astrology list

___

[henrysglock]

Local Man Uses The Cyclical 27-Year Torment Nexus To Try And Change His Fate [EPIC FAIL COMPILATION]

You probably guessed that this is the time-travel post I've been slaving over. You'd be right. This is the newest and most formal iteration of my long-standing time loop theory (I have drafted flowcharts back from February that actually predicted a dimension/time fuckery event in 1943 in relation to Brenner, which was made canon by TFS). So...Let's just dive right in. Note: I'm planning to keep calling TFS Henry "Henry" here just for simplicity's sake.

Now, fair warning: There are a few big "bear with me"s in this post. I promise they make sense, I just need you to hear me out.

It all started with Henry's self-proclaimed superhero name: The Stardust Spider.

Some of you may have seen my original post about The Rise and Fall of Ziggy Stardust and The Spiders from Mars (here).

Before anyone says "Oh, but that album didn't exist yet", a reference in 1959 about a Bowie album that wouldn't be recorded until November of 1971 is in keeping with TFS's habit of directly referencing things from the '70s that "don't exist yet".

However, all that aside, there's a specific piece I want to return to, because it bugs the living daylights out of me.

There was a cut song that was meant to go on the album The Rise and Fall of Ziggy Stardust and The Spiders from Mars titled "Shadow Man":

For obvious reasons in relation to Henry in The First Shadow, this song already stuck out.

Specifically, though, these few stanzas hit me weirdly:

You should call and see who answers For he promises to come running Guided by the truth For the Shadow Man is really You Look in his eyes and see your reflection Look to the stars and see his eyes He'll show you tomorrow, he'll show you the sorrows Of what you did today You can call him foe, you can call him friend You should call and see who answers (see who answers) For he knows your eyes are drawn to the road ahead And the Shadow man is waiting 'round the bend ('round the bend) Shadow man is waiting up ahead

The Shadow Man is you from the future. He's waiting up ahead to show you the the truth/the consequences of your actions.

Considering that the TFS version of Young "Henry" has a direct connection to both the Shadow and Dimension X from a young age, and he also experiences what seem to be Vecna-type visions, this becomes particularly interesting to me...Especially seeing as said fates are not only possible for future "Henry", but also canon for future "Henry". (See: Vecna guy vs Mindflayer guy)

So, when I see an almost comical number of lines in TFS relating to rewriting known, undesirable endings (here are a few of my favorites):

And when we revisit some of the on-film classics:

I start to think it's time we revisit the concept of time-travel and trying to change your own fate.

It's always hard to know where to start with posts like these, so I'm going to kick things off with the technical aspect: The Cycle.

Something I've talked about in the past year, mostly on Discord, is this concept of a time loop. Not just any old time loop, though. A 27 year cycle, specifically.

Not 20, not 30...

Now, we all know the TFS timeline is messy as hell and doesn't actually align with anything that's possible in filmed canon...or within its own time span, even.

For example, the attack on Mr. Newby happens both some point after October 1st, 1959 and before November 20th, 1959...but the papers for the incident report it on March 20th, 1958:

The timeline we're given also largely fabricated, as I pointed out in relation to the newspapers with dates that don't actually exist.

However, much like NINA, the sequence itself being fake doesn't mean the events didn't happen. It's just not happening in the time frame we're told it's happening in:

It's a set of real events, just portrayed on a different time scale.

So, with all that in mind, I want to lay out a timeline, starting from Season 4 and moving backwards in time:

— Vecna opens the rifts, and El opens a gate to Dimension X in NINA, both in 1986. The March 1959 Creel Murders occur exactly 27 years before the Rifts and NINA's Dimension X gate open in 1986...at which point the Mindflayer is shown to be active.

— Mothergate opens through to Dimension X at some point between November 1983 and October 1984, this being somewhere between 16-28 months prior the Rifts opening. The paper about the attack on Mr. Newby, dated March 20th, 1958, is released exactly 610 days, or 20 months, prior to the Creel murders on November 20th, 1959. It's not necessarily the exact dates that are important here (again, these dates are relatively unreliable), but the gap between the dates.

When put in accordance with filmed dates (i.e. setting the release of this paper exactly 610 days prior to March 22nd of 1959), the paper for the attack on Mr. Newby would have been released on July 20th, 1957. This would be in line with Edward Creel's move to Hawkins in the spring of 1957...while also occurring 27 years before July of 1984, at which point Mothergate is open, and the Mindflayer is active.

This July date is especially funny to me considering we get "throwaway" lines like this...with shots in filmed canon from summertime:

Top: Joyce and Jim beginning their investigation into the attic attack. Hopper Sr. is questioning why Joyce and Jim are investigating, rather than attending school. Bottom: Alice and Henry with the rabbit death scenes in filmed canon, the setting showing full foliage and both children in summer clothing. "Is it summer break?" I don't know. You tell me, Chief.

Per TFS, Henry went missing in a cave system near his home town of Rachel, Nevada (hold that thought) at some point in the year prior to the attack on Mr. Newby. We've been told that Dimension X was involved in this event in Nevada, something happened there that left "Henry" altered physically. He was also flayed at some point around this time.

This all coincides with Henry's dramatic mood shift from a "normal and good" boy to one suffering from Mindflayer-induced psychosis. This change happened in tandem with the Nevada incident, dating back 10 months prior to the attack on Mr. Newby:

If we set Henry's initial disappearance in line with filmed canon like before, it becomes September of 1956, which is just over 27 years before Will's disappearance in November of 1983, at which point we know at least one gate is open.

We also have 1952, at which point TFS Henry would be 7 per his age as a 14 year old/freshman in play canon. This exists in a 27 year interval against 1979, when El opens the original gate that sends One to Dimension X, where he subsequently shapes the Shadow into the Mindflayer.

Here comes the first "hear me out".

My questions are:

Since Henry/Vecna/The Mindflayer/etc. in general don't show any capability for opening gates before 1986, then how the hell is the Mindflayer possessing anyone in 1959?

How did "Henry" get involved with Dimension X in Nevada in the 1950s?

Unless, by some chance:

Dimension X exists all the time simultaneously (i.e. it's a space outside time)

The gates exist simultaneously across time and space in the Right Side Up in 27 year intervals. By which I mean: A gate that opens in, say, 1983 would exist simultaneously in 1956, so on an so forth.

There's the disappearance of Captain Brenner and the USS Eldridge in 1943, which would, interestingly enough, align with 1970, the supposed year of El's conception.

Then, 1952. Now, I'm not sure what's special about 1952, when TFS "Henry" was 7, because they don't actually say what happened to make that year important! They make a point to show it to us, though, meaning something happened...we just don't know what. All I can say is that 1952 does exist in a 27 year interval against El's 1979 gate. Hold that thought.

Those addressed, let's fast-forward 4 years: 1956/1983.

Now, to be fair, there is some uncertainty in my mind about whether this specific gate incident stems from Brenner's involvement with Project Rainbow in Nevada pre-1957*, or if it stems from Mothergate in 1983, or if they created some kind of wormhole between the two locations 27 years apart...but that's a concept I need to explore more thoroughly in a another post.

In short, though: Did a singular El open a singular Mothergate? Did El open mothergate? Did Mothergate actually open on November 6th, 1983...or are we just supposed to assume it opened the same night Will went missing/the demogorgon came through? We're never given a concrete date for when Mothergate actually opened.

* In TFS, Brenner claims he's dedicated his life post-1943 to Project Rainbow with the goal of finding Dimension X, and that he's doing so in pursuit of knowledge regarding the circumstances of his father's death in connection with the Philadelphia Experiment. The USS Eldridge, Brenner Sr.'s ship, disappeared into Dimension X briefly on October 28th, 1943. "Brenner Sr." was the sole survivor. "He" returned to the Right Side Up with a completely unique blood type, supposedly altered by his travels into Dimension X. This is what ultimately led to him succumbing to his injuries, due to his body rejecting all forms of blood transfusion. Brenner Jr. tells us that about 10 months prior to Henry's first stay in HNL, a scientist from Project Rainbow escaped Brenner's lab carrying a container of a dangerous material, and ended up near the same Nevada cave system Henry disappeared into. We don't know how or when this material was collected, or what it was, but we know they found Henry's Captain Midnight spyglass next to a body (identity unspecified) with no trace of that dangerous material. We get no further detail about the Nevada Disappearance.

Anyway, someone opens a gate in the fall of 1956 and/or 1983 (my money's on it being directly linked to an El in 1983 either way). No matter who did it, though, someone opened a gate at both time points, showing us this 27 year link between the 2 dates, 2 key locations.

"Henry" goes missing in Nevada in 1956, and ends up involved with Dimension X...Which aligns with the choice of song surrounding this version of the Creel family while they move into their new home:

Coincidentally, 27 years in the future, so does Will, in Indiana. Their experiences are linked across those two spaces via that 27 year period.

We know that regardless of the gate in Nevada...Mothergate, at least, stays open until from fall 1956/1983 to fall 1957/1984. That covers exact time frame that the adjusted dates for both Henry's accident with the boy in Nevada and his accident with Mr. Newby fall in (as well as Will's time between his disappearance and his flaying).

The closer we get to Will's flaying in 1984, and the closer the Mindflayer gets to crossing through Mothergate, the more TFS Henry sounds like One (post-1979) while he's possessed in 1957, the more strangely he behaves in general (almost as though the Mindflayer is more enmeshed in his everyday life/closer to the surface), and the stronger the possession attempts seem to become overall. He begins giving nightmare visions to other people, namely tormenting Virginia with spiders and her past. He has his final and most powerful "Vecna" vision on the night of the attack on Mr. Newby.

Any kind of reciprocal gate irt Mothergate in the '50s would have gone unnoticed, since the papers in TFS indicate that HNL wasn't established until Brenner showed up to take Henry in.

Mothergate closes briefly, only for a gate to open in July 1958/1985 in the underground location of the future Starcourt Mall. This, in 1958, is during our unaccounted-for 20 months between the attack on Mr. Newby and the Creel murders. (Something rattles about this and the scene where Henry nearly makes full contact with the Mindflayer, when he has a handful of duplicate lines re: his 4.07 monologue self, but I don't have sufficient evidence to make that claim with any certainty.)

That gate closes, until Vecna opens gates in Hawkins in March of 1986, and El opens a Dimension X gate briefly and simultaneously in both Hawkins/Nevada in September of 1979 (September of 1952) and Hawkins/Nevada in March of 1986 (March of 1959) during NINA, concurrently...at least one of which may have gone unnoticed, since the Rainbow Room and the surrounding labs seems to have been abandoned entirely after 1979, and HNL as a whole has once again been abandoned after the events of 1984 ("unnoticed" and "abandoned", I say as if the building isn't still being surveilled by Brenner/Owens et. al...I just mean that the building isn't in use by the government at that point in time.)

We're shown the Shadow activating all the way in Russia due to one or multiple of these events. 27 years earlier, in March of 1959, the Mindflayer once again becomes active, per TFS's adjusted dates. Chaos ensues.

At this point, "Henry" starts swapping between sounding like his young self and sounding like his 4.07 Monologuing Adult self again, doing that kind of "I've seen the future" foreshadowing talk with Joyce that his visions did with him:

Here, he also sounds distinctly like ST3 flayed Billy, specifically in the way of the scene with El in the cabin when "Billy" outlines the Mindflayer's plans for her, her friends, and all of Hawkins while crying.

The rest is, well...history. Whatever fuckery went on, it doesn't seem to have made much of a difference. After all, TFS is a "canon event", meaning it had to end the way it did.

Remember those thoughts I asked you to hold?

TFS being a "canon event" means it had to end with Henry in the lab alongside baby El...thus completing our loop, which starts again with the events of 1979/1952. A 27 year loop. TFS may be indicative of a time loop.

Hence:

Out of place dates from the 1970s start to bleed into the 1950s: - A town like Rachel, Nevada, which wasn't established until 1978, now exists circa 1952-1959 after El opens a gate to Dimension X circa 1979 in Nevada circa 1986 via NINA, which exists...about 40-50 miles from Rachel.

- An album like Ziggy Stardust and the Spiders From Mars (November, 1971) or a song like "Chuck E's In Love" (April, 1979) gets referenced circa 1957-1959. - An article about a "younger, more handsome" alien clone of Elvis appears in a 1959 Weekly Watcher paper about the Creel murders, despite Elvis having been 24 at the time...making this an article more likely to have appeared in the '70s or later, likely sometime around Elvis' death in 1977.

2. The Shadow is always depicted as the fully formed Mindflayer circa 1956-1959, despite the shaping event happening in the 4 years between 1979-1983:

3. Henry has Vecna-type visions, despite being the only vision-giver we know of circa 1957-1959.

4. 6 different guys later in the HNL massacre: 2 with the original baby El, 2 with teen El via NINA, and 2 in an as-of-yet unseen product of NINA's Loop (see: the final scene of TFS).

All this laid out, some questions remain:

Why do Henry's visions show him the genuine, terrifying reality of his future?

Why are these visions generally lacking in coercion?

Why are Vecna chime sounds heard before the major supernatural events that deal with visions, even though we never actually see the clock? (They're heard before Virginia in the attic, before the attack on Mr. Newby, before the Creel murders, and in the basement when Henry monologues at Joyce while viewing the corpses of his family.)

Why don't these chimes play when the Mindflayer alone is present, e.g. when no visions occur? (See: Henry contacting the Mindflayer in the lab)

And we don't really get an answer to any of these. Not an easily spotted outright answer, anyway.

But what's really fascinating, which I mentioned just a second ago and takes me back to the top of this post, back to the "Stardust Spider" and Shadow Man, is the fact that despite occurring concurrently with the possession attempts...none of these visions contain an ultimatum. There's no "If you don't obey me, I'll hurt someone you love", no "I'm showing you what's going to happen if you don't obey me", nothing of the sort.

The closest we get to coercion is the bathroom vision, when Henry fights off a possession attempt in the school bathroom and ends up in a vision regarding Patty. When "Patty" starts to talk to him about his future, about how Henry's going to kill her and so many others, Henry says "you're not Patty...what are you?" Then he gets into a physical brawl with her, which is surprisingly well matched. Vision Patty encourages him during that fight, saying things like "That's it!", "We want the same thing!", and "We can have her!"

Those seem like pretty straightforward "the Mindflayer's encouraging Henry to kill" encouragements, right?

Yeah, at first glance. However...lets read that back right quick, but with Moral Objectivity Goggles on this time. Henry openly, verbally identifies that Vision Patty is "not her, not Patty", but is, in fact, something else. He does this multiple times before he lunges at "not Patty", and he is subsequently encouraged by not-Patty...who tells him they want the same thing. That's not suspicious at all. The motives here are definitely crystal clear and totally aren't conflicting in any way.

There's the straightforward surface aspect, and then something else piggybacking on it, complicating it. Hold that thought.

Other than that instance, the negative parts of Henry's visions are all just...information. They're showing him what will come to pass...almost like they're motivating him to fight the Mindflayer. Hold onto that thought too, it buddies with the previous one.

Henry's freaking out about Prancer because he's getting close with Patty, and he's worried he'll hurt her?

His vision informs him that he's going to kill more, that he's going to hurt things, that he's going to kill Patty if he stays around her and/or gives into the Mindflayer's desires. And then it happens. All of it. He kills more animals. He hurts things and people, the pets and lab animals, Mr. Newby, and Inmate 58361 being prime examples. He gives in to the Mindflayer's desire to kill and kills Virginia. He does, by the extent of his perception, kill Patty in the accident.

The same goes for his vision in the attic. Henry's up in the attic using his powers to find someone/snoop on them, fearful of opening himself up for a possession attempt?

The vision version of Patty's mother catches Henry and tells him she "wants to tell him a secret" while his body is being puppeted to attack Mr. Newby. The next time the curtain rises to show us the inside of Henry's mind, he's seeing himself as Vecna, strung up on the tentacles and strangling people with them...just like the end of Season 4. Once again, he's seeing the future that will come to pass...should he fail to fight the Mindflayer off.

We can tell it's a vision, not what's physically happening in reality, because: a) Henry's watching himself in the attic from the stage below. b) It's got the messed up red lighting c) They show us reality just moments before, not a tentacle in sight and without Henry on the stage there observing:

d) The ending of the vision doesn't match with reality:

At the end of this vision, Henry passes out both in the void and IRL, while the vision version of Henry remains crouching. That is a different guy, entirely separate from IRL/Void Henry. There is at least one other person in the visions who is not a product of the vision itself.

Remember those thoughts from a bit ago that I asked you to hold?

Well. This also happens to be the sequence where we not only get Vision-Patty repeating Henry's own words from just after Prancer's death ("It's not real. It's not real. It's a nightmare") back to him, a phrase IRL Patty has never heard, but we also get:

Visions Patty telling Henry how to fight and evade the possession, as if she knows what she's doing ("It's your dream, remember? Anything is possible").

Vision Patty telling Henry she loves him as the last-ditch effort when his "good dream" memory of the real Patty fails to save him from the possession.

These are both things IRL Patty wouldn't know or think to say, since IRL Patty fully believed that Henry attacked her of his own volition out of malice, and she needed to be shown a drawing of the Mindflayer by Mr. Newby in order to abandon that belief.

IRL Patty's behavior is not the behavior of someone who a) knows the ins and outs of Henry's situation with the Mindflayer, and b) coached him through overcoming a possession attempt a little while earlier. It's just not.

Just like before, we're seeing contradictions and complications between vision-selves and IRL selves, along with a sense of piggybacking within possession attempts, wherein the vision serves as motivation for Henry to fight harder in resistance to the Mindflayer...while the Mindflayer is possessing him.

It's starting to become my favorite thing in the world: A pattern of behavior.

In summary:

Henry's are visions are visions of his future, and they're being shown to him by someone.

They are separate from, but piggybacking on, the Mindflayer's possession attempts.

The purpose of the visions isn't solely to torment Henry or coerce him into doing the Mindflayer's bidding. In fact, the content of the visions seems curated to make Henry fight harder in resistance to the Mindflayer.

So if, for example, Vision Patty ≠ IRL Patty, but she's acting against the Mindflayer's best interest/in support of Henry...then...

I think my answer to the questions of "who", "when", and "how" should be at least somewhat clear by this point:

Someone...from the future.

Specifically, someone from 1979-1986 who has access to the gates from the Dimension X side, someone with both vision-giving and time-related abilities who's directly connected to the Mindflayer/the Hive Mind, but who has a vested interest in countering the Mindflayer, saving Henry Creel, and trying to change the course of the future.

A traitor. A spy, if you will.

"A spy...from the future?"

[gestures at the Signs] Yeah, you heard me.

A spy from the future.

So, on that note: The point in this section wherein I ask you to hear me out.

I get the feeling TFS Henry is being told and/or shown what will come to pass in the future by himself...the Mindflayer.

And you're probably going "How do you figure that one, James? Isn't the Mindflayer a villainous force?"

I mean, yeah. Of course it is. However...

There are clearly multiple forces at play within the Mindflayer (hive mind!), and TFS shows us that Henry Creel wouldn't choose to be a villain.

Thus I think the visions in TFS are situations where, as in the 4.07 rabbit scene, things look really damning on first view. They play on our empathy using small, visibly-frightened, helpless victims and shocking, violent circumstances to guide us into making the assumption that everything about the situation is inherently malicious.

We're shown this poor little guy, "Henry". He's 14 years old, he clocks in at 5'5", he's skittish/scared of (ha) his own shadow, and he's geeky to the nth degree about comic books (just LOOK at that Captain Midnight salute? What an cute little nerd). He's immediately lovable. He's also, we find out rather abruptly, plagued by horrific visions and murderous fits of possession.

The immediate response is to go "He's being psionically tortured by some sick, sadistic son of a bitch who hungers for nothing but blood and control", just like Nancy and the ST fandom collectively did with Young Henry's rabbit scene...only to be proven wrong about Henry's intentions via TFS.

I mean, does anyone (anyone who's able to read this post, anyway 🤭) look at TFS Henry, filmed Young Henry, or even Orderly Henry and go "Yeah. He totally wanted what he got, and if he had the chance, he definitely wouldn't try to save himself from that fate"?

No.

TFS Shows us that "Henry" was a terrified, traumatized boy who wanted it all to stop. He's kind, brave, and stronger than he seems. We're also shown that he's capable of overcoming the Mindflayer to issue warnings to people he cared about (i.e. telling people to run, or prophesying dangers he'd seen via the visions). He was trying to survive with next to no help while causing as little harm as possible. He was a good kid, and he certainly wasn't evil.

So, all that said...I think that, via the Shadow's hive-mind capabilities, Henry's "fronting", in a manner of speaking, in order to show this version of himself the future. Probably as a warning, probably as motivation to fight the Mindflayer, and all with a nice side-dish of "here's how you fight this thing off so that my current future doesn't become our future" before someone else tapes over the figurative laptop camera.

[coughs, drops this Brenner-Mindflayer collage on the table in front of you, and then scurries away]

With that said, I'd like to loop all the way back to the top of this post: The "Shadow Man" may be Henry from the future. He's waiting up ahead to show his younger self the true outcome of his choices.

We all know how TFS ends, though. Hence:

[EPIC FAIL COMPILATION]

This brings me to my final "bear with me" point: The matter of the strange double-agent vibes from the UD in every season.

I'm not sure if anyone else outside the unholycule has noticed this, but in every season there's at least one instance of the UD just...offering up information.

"It does?"

Yup! Let me explain.

On first glance, we look at things like Nancy's vision and even El's vision with Billy in the cabin, and we go "Oh, it's because [insert "the bad guy's cruel/he wants to scare her/his hubris will be his downfall/all serial killers want to be known for their crimes" etc here]"...but maybe that's not the case.

For example: Vecna told Nancy his backstory, and then he immediately went

"Oh hey, so not only am I revealing my identity (Which may help you find out more about me via lab records later on, things like...maybe a list of my abilities, or my weaknesses, like the fact that I have a nut allegry. Allegedly.), but I'm also gonna give you a sneak peek of my apocalypse plans. For free. As a treat. Don't use these to prepare or anything. I'm totally not giving you a head start".

Terrifying, yes. A taunt and a threat on surface view, yes...but also showing his hand. "I want you to tell Eleven everything you see" Why. Why would he want that. He may be confident in his plans, arrogant, even...but he's not that stupid.

I'm serious, though. Check it out in comparison to Henrys visions of the future. The pattern is patterning:

We can track that back to El's cabin scene with Billy, wherein he tells her she shouldn't have looked for him, warns her that they all can see her, and that they're going to be coming after her...and he cries about it. That's vision Billy. That's someone else who piggybacked into El's mind from Billy's mind. That's not real Billy, just like how Billy in Max's vision wasn't the real Billy. The person giving El that vision warns her. Why on earth would he tell her that they can see her, that they're coming for her? That's sensitive information! It would be smarter to let her think she's safe and use that false sense of security to catch her off guard.

In fact, this pattern patterns so well that I'd like to argue this: Henry's TFS visions, Nancy's vision, and El's vision are all the same type of behavior displayed in NINA's chess scene, just in different contexts.

Henry ("Henry") gives some kind of scary prophetic information ("He and the others are going to attempt to kill you", "I would very much like to show you where I am going", "You're going to kill me, aren't you?"), and then we're left to question if it's a scare tactic, manipulative misinformation, or helpful inside information.

It's not that the Mindflayer or Vecna can't hide things from people (see: "Somewhere he didn't want me to see")...like, say, the fact that the Mindflayer is now able to see El, or that Vecna's planning to open 4 gates with his 4 kills.

It's always this miraculous "Huh! Weird info-dropping behavior from the UD's side. Shouldn't look that gift-horse in the mouth though. It's probably just a writing oversight or a shoehorned exposé, so really there's no need to question it." situation where it's just...information that's offered up with no real explanation.

Some of my favorite examples:

...and it's all topped off with Max's line:

"He's been telling us his plan this whole time".

That is to say...You're telling me:

The first message from the Upside Down isn't any of the messages that are concretely Will's, but instead it's the one that's a repetitive Henry line...and it's conveyed in a distinctly not-Will style? A message that saves Joyce, something that's definitely not in the UD's best interest given her tenacity in finding her boy...but is definitely coming from the UD nonetheless?

Will, who fell total prey to the Mindflayer in less than 3 days, was not only able to figure out how to defeat the Mindflayer, but was also strong enough to convey it in Morse code? The Mindflayer, who is able to keep secrets (see below), just...let that information slip?

El, who acknowledges that the Mindflayer is more than able to hide things from her, is suddenly released into Billy's memories and allowed to find the source unimpeded?

The Mindflayer, as Billy (Remember: not actually Billy, because Billy can't give visions or invade minds), is telling El that because he's able to see her now, she shouldn't have looked for him? The Mindflayer, which was supposedly building the Fleshflayer to track El down and kill her? Suddenly he's telling her she shouldn't have done the thing that allowed him to find her more easily?

Vecna's giving up all the information about himself and his plans before he's even gotten the 4th gate open, despite him being so secretive about it up until that point?

Henry's visions in TFS are going to scare him into resisting the Mindflayer, making it less likely that he's going to upgrade to killing humans, i.e. the very thing the Mindflayer wants him to do?

None of that makes any damn sense...until we hit this last point:

Orderly Henry is known for giving inside information about "Papa" to El with no clear motive other than getting her to leave the lab.

Now, if you know my page then you know Em's been talking about double meanings in phrasing recently (see: this post about "who"s and "what"s).

So, with that in mind, I'd like you to chew on this:

"He's been telling us his plan this whole time." vs "He's been telling us His plan this whole time."

By which I mean: "He's been telling us some other man's plan this whole time."

[Mike voice] Superspy.

As a parting thought, I made it all into a nice, neat set of collages:

Not to mention this final, parting bit:

[ameliawarnerr]

POV: MC is drunk at Aurora and she texts Jake. 

One-shot (but with two parts. Two-shot? Maybe I'm drunk)

Part-1

Background story: When Jake could finally get free of the dark-web world, it was too late. MC told him that she'd moved on and it was best for both of them. But she confuses Jake again, texting him after she gets wasted. And Jake is confused and not at all happy about her recklessness. 

—Jake—

I stare at the screen, eyebrows creased in confusion. My mind is debating if her phone got hacked or it's with the likes of Dan. But then I reread the message, using more of my intellect and pausing the emotions at war. 

MC: IM AT AURORAA AND IF U DONT COMW AND GET ME I WILL SLEEP WITJ THE 1ST GUY I SEE! 

MC: bringg moneyyy some bitcj stole mine

No, it's definitely her. There's no debate about that. I barely pay any attention to the second message. My mind is still stuck on the first one. It's really unsettling. Despite how I've been upset with her, hardly seen or talked to her the past few weeks, still I want to get there as fast as I can. I cannot bear the image of the otherwise scenario. 

My emotions resume the war. I've never understood her entirely before but this is simply beyond my understanding. She went into heavy details explaining to me how she has gotten over me while I was away and how my barging into her life again isn't good for either of us. While I was on the run, making a new identity for myself, cutting ties with anyone who could pull me back into that long stretch of ruin I've been living in, I considered many outcomes. This is one of the more unlikely ones. Or maybe I didn't want to think about it so I didn't consider it fairly. 

She was already having a hard time telling me all the reasons I didn't want to hear, so I left. Ever since then, I've stayed at Lilly's place and it's a relief that her friends usually hang out at Cleo’s or Jessica’s. I haven't seen her or talked to her since then but I couldn't help asking Lilly how MC was doing every once in a while. Lilly would always tell me that MC felt like a different person and that I should talk to her. I refused. I simply couldn't bring myself to. 

I can't understand if she doesn't want me anymore then why am I the one she's texting when she's wasted at a bar. I guess I’d have to wait until she's sober. I feel a ting of hope and my mind calling me an idiot. 

I stop my car in front of Aurora’s front door. Usually, people are entering and exiting at every hour but as the street gets darkened, no one is seen around. Of course, it's 2 am. Why would anyone be here at 2 am when only a month ago a girl was abducted and another was found dead? And obviously, that anyone has to be MC. 

Sometimes her recklessness throws me over to the edge. 

I rush inside. All lights are shut down, only two of them shine at the counter. One male waiter cleans up the leftovers on the tables while another walks to the kitchen, loosening the knot on his apron. At the counter, MC is seated on one of the high stools, her head resting on the counter while her hands move above her head as she's explaining or complaining about something to…well, to the bar owner. Phil Hawkins. 

He's bent over to the counter, his arms set on the counter as he's nodding while grinning. His eyes fly to me as I near them. I notice that her phone is left unlocked on the counter with our chat opened so Phil isn't surprised to see me here. I have only met him once and let's say that didn't change my dislike for him. 

“We’ve only met once. And it feels like I've known you for years.” He says, straightening. 

I raise my eyebrow at him. “I don't return the sentiment.” 

Then as I stride to the counter, beside MC, I understand what he meant. 

MC is wasted, talking about me while being totally oblivious of my presence. “And I told him, Phil. I told him. You know what I said?” Her hands are moving vaguely, her voice is uneven, getting high randomly. It's sort of cute. “I said,” Her voice becomes a bit stable as she tries to deepen it. “I will know your identity soon.” 

I can't believe she's with a… decent looking guy, somewhat and she's still talking about me. I don't know how to feel about that. But I guess this just reminds me of what we could've had, could've been.

“And you know what he told me then? I remember it as clear as the day as we speak.” She moves her hand hysterically. I bite back a laugh and I look at Phil doing the same. 

Then, he says, “What? What did he say to you?” 

I would not be a part of this if I didn't want to hear her complaining about me. It's surprisingly funny and adorable. I don't use words like ‘adorable’ to describe anything else. I think I can't anymore– she's set the bar too high. 

She clears her throat, raising her head slightly, pointing a finger straight at the wall. “You can't. I am the hacker everyone's after. I'm unbeatable.” She pretends to be me, making her voice rough and deep but fails adorably. I couldn't help it anymore– I broke into a grin.

I decided to intervene. “I certainly didn't say anything of that sort.” 

Her pointed finger freezes at my voice. She slowly turns her head towards me as I try not to smile. But as soon as my eyes meet her, there's an effortless smile on my mouth before I can even begin controlling it. She stares at me for a moment. Her hair is a little messy, eyes squinting at me. Then she brings her hands to her mouth. “Oh my god, Phil, I summoned him.” 

I take a step forward. “Yes, you did.” I take another step forward, sliding into the stool next to her as I sweep her phone from the counter. I hold it up for her to see. “By texting me. With an awful amount of typos.” 

She snatches her phone from my head. “That wasn't me. It might be the owner of the bar– Phil.” She blames as if she doesn't see him standing two feet away from the counter. “But anyways.” She puts her phone on the counter. “You look too hot to be sent back now.” She places a hand on my chest. 

Phil coughs. “Alright. That's my cue to leave.” 

MC’s gaze follows his figure as he leaves. Then, she leans towards me and whispers, “You know, although it was true but I just said that so he'd leave.” 

I lean forward and whisper back, “Excellent plan. Next time, include me as well.” 

She nods several times. “For sure.” 

“Are you ready to leave?” I ask her. 

“Did you bring the money?” She questions. 

“Depends. How much do you need?” I place my elbow on the counter, supporting my head as I look at her panicking. 

“Well, w-well. It's about 300$.” She scratches her neck. And this time I am the one panicking. Not because of the money, of course, but because— 

“You drank 300$ worth of alcohol?” 

She blinks. “No. I broke three bottles. Phil told me he'd go easy on me so I have to pay for just two of them.” She shows two fingers, smiling. 

I try to look stoic. I look at her finger with the same grim expression and she lowers them awkwardly. I straighten, removing my elbow from the counter. I clear my throat, lowering my head, trying not to show her my smile.

I return my gaze to her. She asks, hopefully, “So do you have 300$?” 

I do. But I put my lips into a thin line, shaking my head as she frowns. “I don't have the money. But you know what? I have nothing to worry about since you're one who needs to pay.” I return my elbow on the counter. “All I'm saying is that it's not my problem.” 

Her mouth slightly opens and closes. She looks around, fidgeting a little. Then, she looks back at me. “So, you are going to leave?” Her voice is small and I almost give in. 

I shrug. “I can leave and come back with the money.” I offer and notice the immediate refusal on her face. “Do you want me to come back with the money?” 

She looks down, at her hands. “Don’t do that.” 

It takes me a moment to recover from the vulnerability in her voice. I realise as cute as she looks right now, but I still don't want her to be in his state when someone trusted isn't around her, someone who can protect her. That's when I promise to lecture her about this once she's sober. I don't care if we haven't spoken for weeks or where we stand right now. 

But right now, I'm calm, knowing she texted me and that I am here with her. 

“Why?” I ask. “Weren’t you planning to sleep with the first guy you see here? Once I'm gone, you could do that.” I do my best not to process my own words. 

She's still looking at her hands. “No, I only said that so that you'll come and get me. But it's fine if you don't want to pay for me. You can leave—” 

The last word stretches as I pull her stool closer to mine. Her legs stumble together between mine. Her head turns upwards as her eyes dart to different parts of my face. 

“You think I'm going to leave you here? I am here to get you and I would've come even if you hadn't sent me that threat of a message. Even if you had sent me a made-up word or merely just one letter or just my name, I would've come for you.” I affirm here, speaking very softly but ensuring my words hold the right heaviness for her to believe. 

“Even if you didn't know where I was?” She asks. 

“Even if I didn't know where you were. I'd find you.” I answer. 

“Even if I make you pay a huge debt and ignore you the next day?” 

“I’d be hurt if you ignored me. I don't care about the money.” 

“Even if I hurt you?” 

I hesitate. “Doesn’t matter. I'll get over it.” 

“And even if I make terrible jokes?” 

“Especially when you make jokes. Terrible or not.” 

She eases into a smile. I raise both my hands, fixing her hair with a smile. At last, I rested them on her shoulder. “Let’s go?” 

She nods. I nod back. “Just so you know, I’m not saying anything right now because you're too drunk to remember but once you get sober, I'm giving you a lecture about this stupid thing you did.” I can't help but to think what if I didn't see the message, or she couldn't find her phone. I don't particularly like Phil after tonight but what if he wasn't here or she had gone to some other place. 

“Good luck to her.” She says. And I laugh out loud, grabbing her phone and shoving it in my pocket. I put the money on the counter and turn to her. “Are you cold?” I ask her as I stand. 

“Cold? No. I'm extremely hot and a warm person. You were cold when we first talked.” She points a finger at me, accusingly as she tries to stand. 

“I’m sorry. Forgive me. If it makes you feel any better, I don't know who that person was anymore.” I put a hand around her waist as she leans into me. We walk towards the exit. 

“Really?” She asks, looking at me. 

“Really. He was so reserved and guarded.” I say, matching her accusing tone. 

“I know, right? He would ask me about all my findings on the case and wouldn't tell me anything he'd do all day.” She threw her hand, expressing her annoyance. 

I grin. “Really? He did that to you? That's so unfair. If I were you, I would never work with him.” We reach the door. I hold her with one hand as I opened the door. 

“Well, I wouldn't do that.” She says, unsure. 

“Why not?” I ask as we walk towards my car. It's been a long time since I've talked to her. I can't stop myself. I don't want to waste any second being silent. Turns out, I really don't know who I was before I met her. 

“Well, he would say ‘good job, MC’. I liked that.” She says, mimicking me. 

We reach the door to the passengers' seat. I hold it open for her as she stumbles onto the seat. She wriggles a little until she's comfortable. “Finally.” She eases back into the seat. Then, she looks at me. “I knew texting you was the right thing to do.” 

“Good job, MC.” 

She stares, processes, then she blushes. I close the door, smiling in an idiotic manner. When I enter the car, she removes her shoes. She sits comfortably putting her leg on the seat, looking at me, expectantly. 

“You want something from me?” 

“Say that again.” 

—To be continued—

Part 2

[coffincestuous]

the progress report!! #3

happy march 1st!! kit9’s third progress report dropped today with a special bonus from nemlei!!

firat things first, we have The Entity in the thumbnail!! are they a little bigger to anyone else..? just me? anyways, the lights are a fun addition to the demon/dream world. i’m sure this has no importance whatsoever (lying)

next, we have… this. our dear protagonists caught in a compromising position, oh no!! seriously, though. what are they doing here? were they going to fuck in the car? good for them!! they don’t look very pleased to be disturbed by whoever this is, or disturbed at all. hopefully this isn’t anyone they used to know.

here, we have… the chapter two decay route vision area. you know, the one where andrew is chasing down ashley to murder her or get murdered.

yeah, that one.

it’s very interesting that we come back here. i wonder if this is still the decay route? also, why are we only seeing andrew’s little pixel sprite here? is she on one of the other sections? is this her vision or andrew’s? it seems to me that it’s ashley’s, considering we’ve been here before, but who knows!! there’s an axe and a signpost missing, and the tone of this preview reads a whole lot differently than the vision did at the end of chapter two.

i wonder what has prompted ashley to ask andrew what he wants? i wonder if he’ll be honest? i wonder if this is an important moment, or if it’s just them fucking around? god, i’m SO excited

little andy spotted!! and mrs graves. she is clearly unhappy about something, and i’m thinking it has to do with leyley. doesn’t it always, when it comes to mrs. graves? my guess is that she’s asking him to keep her out of trouble, but it’s just a guess. we’ve seen before that he only curls up in a ball like this when he’s really upset (and still does it as an adult). poor thing.

here, we see andrew with the entity in the thumbnail area, with the lights and everything. shout out to the little darkened souls in the far corners of the picture. our dear andrew is trying to negotiate with the demon.

i think that this is a huge moment in the game and the plot going forward!! assuming this is the burial route, ashley’s been asked to bring him along, AND he has that hex mark on his hand!! this demon is going to steal his soul!! ashley’s gonna be mad.

this could potentially happen in the decay route, too. if we assume the earlier dream/vision sequence is decay, this could be decay. maybe he’s going to meet the entity on his own regardless of what happens with ashley. again, who knows!!

[id: a screenshot of steam. the text reads “Next Episode. From the work completed so far, this episode will be the longest yet. Even in its unfinished state, it is roughly the length of both previous episodes combined. / Once finished, this episode will be released as a major content update, and work on the final episode will begin. / It is still too soon to give any release dates.” end id.]

before, nemlei had said episode three will be split into two separate chapters (one for each route), but maybe this has changed!! the length is… beyond my expectations, truthfully!! it’s longer than both episode one and two combined. holy shit??? that’s So Much Content. i think i will officially be losing my mind upon its release, and even more so when the game is finished. omg!!!!!!

finally, we have THIS!!!!

thank you nemlei. she knows what her fans want to see :33

(i think i need to set this as my phone background or something. it’s SO CUTE!!! i don’t even know where to start expressing my absolute JOY with this image!!!)

[chcrryade]

  ⠀ര ( ˶°ㅁ°)⠀UNWRAP...⠀DOUBLE DIP! ⠀01082021⠀❘❙❚❙

Saccharin, a sound that suited the hot summer it was released in, and a colour scheme so bright it could make your eyes water, ‘DOUBLE DIP’ was simultaneously all and none of what the masses were expecting from CHERRYADE. Released on the 1st of August 2021 (digitally, that was, with physical versions only becoming available a few days later on the 5th), most look back on CHERRYADE’s debut mini album and consider it a success; remembered through smoke clouds, artificial flavouring, and a surprising lack of infighting allegations, as well as JAGUAR CEO Ae Seungdae’s reassurance through a short interview held a week before release that it would “leave a sweet aftertaste in the mouths of all who listen”—even if creative director Choi Eunhee seemed to disagree, if the hastily-covered scoff that left her lips was any indication.

⠀ᝪ  .ᐟ⠀⠀▬ ▬ ▬⠀⠀the  stats

RELEASED⠀01 & 05 / 08 / 2021

PROMOTIONAL PERIOD⠀5 WEEKS

UNITS SOLD⠀990K

WINS⠀3

⠀ᝪ  .ᐟ⠀⠀▬ ▬ ▬⠀⠀the  tracks

FUN⠀LEAD⠀WRITTEN 도연 & 대진 PROD. 대진

DANCE!⠀WRITTEN 해일 & 주순 PROD. 대진

FLAVOUR⠀PROMOTED B-SIDE⠀WRITTEN 하선 & 잘렌 PROD. 주순

SUMMER NIGHT⠀WRITTEN 잘렌 & 대진 PROD. 대진

ALL DAY⠀WRITTEN 宜君 & 잘렌 PROD. 주순

FlipSide⠀⸻⠀the  following  overviews  have  been  outsourced  from  various  netizens.  general  consensus:  ★★★★☆

ഒ⠀from  user  haeilade⠀06082021

so what did this sort-of-anticipated debut consist of, I hear you asking? well, first up is ‘Fun,’ a pretty straightforward anthem about enjoying some time in the sun to the fullest, and the track I expect will be the most performed on the various music shows the group are set to be appearing on in the coming weeks. next up is ‘DANCE!’—a song that seems to be becoming a fan-favourite b-side, in which they compare the feeling of falling in love to dancing, to flashing and falling lights, to a very summery feeling in general. it makes you want to get up and do exactly as the title tells you, and I can see why it’s climbing the ranks in the favourites department. third on the mini album comes a slight mood shift in the form of ‘Flavour,’ a bouncy and enjoyable experience no doubt hiding a number of sex innuendos in the form of the many food-and-drink-related lyrics (I mean, what are we letting ‘swell up a bit more,’ boys?), and what I predict to be the companion performance song, along with ‘Fun.’

second-to-last is ‘Summer Night,’ an upbeat affair speaking of dreams, of flying, of coaxing the listener to ‘have some fun,’ and and, on a less upbeat (but very brief) moment in the bridge, their fear of those aforementioned dreams ‘disappearing.’ and, last but not least, we have an even more noticeable shift in both mood and in tone, a much more direct attempt at a sensual (but still very enjoyable) anthem: ‘All Day.’ it doesn’t take a genius to guess at what they’re referring to. still, the delightful performances of the group and somewhat addictive whistling built into the instrumental makes it just as loveable as any of the others—in fact, it’s my personal favourite from the project as a whole, followed by ‘Flavour’ and ‘Fun,’ and I hope we’ll get a peek into the behind-the-scenes for it (and, really, all of the mini album as whole). credits-wise, all members bar gogo and jaehee contributed with lyrics, but personally I wouldn’t have cared if none of them put a pen to paper anyway.

ഒ⠀from  user  letsgogo⠀23082021

I’ve seen many people questioning the sudden flip in mood song-wise at the very end of the mini album, but as it usually is with JAGUAR, very little of those queries were answered. some have been calling it poorly structured and lacking in consistency, but some have thought up a theory for themselves (and whether they’re onto something or are just trying to make excuses to comfort themselves, at this point it’s a case of only time being able to tell)—that the change was intentional. that ‘All Day’ was setting the foundations for their next release, sort of like leaving a story on a cliffhanger; in order to get listeners intrigued enough to stick around a while longer for whatever may happen afterwards. but even if it isn’t, most of us are just happy to take it as it is, not minding the differing energy one bit—undoubtedly a positive.

another one of those was how well the seven look like they’re getting along. seeing as they’ve been stitched together from the members of past failed groups (and hand-picked from the companies those groups had been under), a large majority of people were eagerly awaiting their non-music related content (interviews, behinds, general extra things) to try and get a gauge of how they were getting along—because put-on acts of professionalism can really only work so well before someone or other starts to see through them. however, despite how hard many have been looking, not much has been found. there has been, of course, notable tension between yijun and jaehee (which hasn’t been so much of a surprise to anyone, considering their past), but the rest all seemed fine. friendly, even, if I dared to go that far. shocker!

ഒ⠀from  user  jaleon⠀25082021

past all of the apparent amicability between them, though, this debut era hasn’t been without its downs. first came the standard smoking allegations, grainy photos showcasing the smoke clouds leaking from their mouths or noses as one or two of the group huddled together round the back of the building after dark, laughing while caught up in whatever conversation they were having as they did so. longtime fans of most JAGUAR groups haven’t been deterred at all by this—most of them are just.. used to it. a nicotine addiction on the side has almost been written into the company’s contract at that point—and so these didn’t haven’t made much noise. some saw it as another good thing, if anything—they liked one another enough to hang out outside of work, so it must’ve been a positive.

there has been, however, a more serious issue that arose out of this promotional period. shortly after their first appearance as a group on inkigayo, whispers began to generate, centralising around yijun and seven, a member of senior boy group S(O)UL. the story was that an argument went south backstage, and the two parted on less-than-good terms. neither company has made any move to address it, though, and so the rumours are starting to die down—even if I doubt the feud will, and not for a while at that. I’ve heard similar whispers of mutual dirty looks also being exchanged between him and a member of group MELIORA, but even less has been said about that, so I know as much as everyone else does—pretty much nothing.

ഒ⠀from  user  hasunshine⠀06092021

styling (the outfits, as you’ll probably come to learn, are really only ever I want to talk about) this era was exactly as you’d expect something named ‘DOUBLE DIP’ to be. outlandish, bodacious, overly colourful, and with so many accessories plastered all over them it was a surprise all of their vocals during performances weren’t interrupted by the jingling and jangling of their jewellery. clunky rings, bedazzled sunglasses (and faces, and shoes, and hair.. bedazzled everything), fur hats and big caps and denim on leather on denim. you sort of just have to imagine someone’s thrown everything they can find in a vaguely-2000s second-hand store at them, and then said ‘break a leg!’—but, to their credit, they pull it off pretty well. maybe it’s just their faces.

and after that, we’ve reached the end of all I was ever intending to cover within CHERRYADE’s debut era. all that was bad brought in as much attention as any one of their performances (quite fitting with JAGUAR’s age-old motto of “all press is good press”), and overall it was very successful for the seven. I hope it’s just one of the (maybe) many more fruitful eras to come.

(¬_¬) ⠀at  a  glance  ⠀𝄂𝄂𝄀𝄁𝄃𝄂𝄂𝄃⠀  doubledip.jpg ⠀(  OO3  )

[raymondepines]

-: As good as this one :-

Keep reading for a small fic

You can also find the fic from AO3!

Please check it out and leave kudos and feedback! As good as this one is 1st part of a TFE fanfic series I have, called -: family :-

“Hey, Optimus! Happy Father's day!” Bumblebee’s voice rang to Megatron’s audio receptors. Optimus had received a video over to his communicator, and it was from Bumblebee. 

“Happy Father’s day!” Arcee greeted on the video as well, she made a brief appearance behind Bee. 

“I’m sorry for a late greeting, I’ve been stuck at Malto’s the whole day. The Maltobots needed my help to make the day perfect, so I stayed to help. But I will never forget to remember you on this day! See you tomorrow, Prime sir!”

Before the video reached to end, the voices of the Terrans and their human family shouted and greeted Optimus happy father’s day. Bee knelt down to Mo, who was apparently signing him to kneel down for her. Mo appeared on the video.

“Mom said we can say that, even if you’re not our dad, but you are still a dad! At least to Bee!” Mo said with a wide smile.

“Bye, Mr Optimus!” with that, the video ended.

Optimus chuckled to himself. He replied to Bumblebee’s video with a brief text message, thanking him, Arcee and the whole Malto family. Megatron walked over to Optimus’ right side; “Cutting it quite close this year. The day is almost over.” 

Optimus sent his reply and facing Megatron he said: “It doesn’t matter. These things are something you know, even if no one says anything.” 

“Actually, I, too.. received a greeting today”, Megatron mumbled, trying to appear cool about it, but Prime saw the glimmer in his optics. 

“Oh?” Optimus asked, tell me more, and Megatron answered; “Young Twitch called me earlier today. She… told me, happy father’s day, even if I am far from being one to her.”

“You may not be a father to her the same way Alex Malto is, or even as far-fetched as Wheeljack. But those bonds also prove to us that being family doesn’t mean biological connection”, Optimus explained, and Megatron hummed thoughtfully. 

“Yes, I understand that. I guess… I never expected to mean this way to anyone”, Megatron confessed. 

Optimus smiled for him. Megatron had come a long way from when he was still a Decepticon leader; back in those days, he would’ve never thought the way he did now, never admitted those kinds of feelings out loud. Optimus felt joy in his spark. 

Megatron and Optimus both turned to look at the beautiful scenery that opened in front of them. Witwicky was a beautiful place, and the sun setting painted the world purple and pink. Both of them took a deep breath and let their optics rest on that beautiful view. 

“I also consider you family, Megatron, and I-”

“Don’t say it, Prime, or you might grow on me.” 

Prime chuckled; “I already have, old friend. I just wish to remind you of how much I cherish you, and what we have.” 

Megatron averted Prime’s gaze for a moment before he looked at him from the corner of his eyes. Megatron was struggling with words, he still wasn’t used to being treated like Optimus spoke and thought of him. 

“I… can’t say it back yet”, Megatron admitted, defeated, and looked down at his feet. Optimus smiled dearly to him; “I know. It is okay.” 

“But-” Megatron added, lifting a hand on Prime’s shoulder.

“I… you know.”

“I know”, Optimus hummed. 

Megatron didn’t need to say it back. Actions spoke volumes, and Megatron was shouting to Optimus the same words he just said to him. Optimus and Megatron shared eye contact, and both of them smiled. There was still much healing to do, and not only for Megatron. Optimus would wait for him for all of eternity, and even longer.

“Megatron? I often find myself thinking of how wrong we could’ve gone, had we not stopped the war.”

“Why waste time on something like that?”

“I can’t say. Maybe it is the fact of how good things are, and how bad they could be. Maybe the idea that in the countless other universes, things are far, far worse. Do you think that, maybe, there are more universes like ours? Where we do not have to fight? Where we are brothers and sisters, not divided by factions or anything else?” 

“Like you said, Prime… There are countless universes. Some ought to be as good as this one.” 

Optimus smiled and sighed contently. He narrowed his optics and hummed; “Yes. Some ought to be.” 

[garf-lover96]

oh my god i literally wrote this in like an hour while watching fleabag because i got an idea for something like this in the shower. it's a short Rowan x Julian fic but there's honestly so little information about the 1st person that it can be treated as an imagine. there could be mistakes because i wrote it in an hour. i had to get it out before i forgot about the concept so i didn't want to put it off for the morning. i'm going to sleep soon, this is a very goodnight fic :)

———

"Would you love me if I were a worm?"

The question makes me stir from my shallow sleep. I rub my eyes open to look up at still wide awake Julian.

"...Could you repeat that, please?"

I angle my head from my spot on the bed to see him better. Truthfully, I heard what he said but I think I just need a second to get my full consciousness back.

"I asked 'Would you love me if I were a worm?'"

I squint at him a little, trying to see his face more clearly in the dim candlelight. He has such a thoughtful expression while he speaks those bizarre words. I feel like I'm still dreaming.

"Did Portia tell you to ask that?"

"Huh? Of course not, why?"

"It just... Seems like something she'd come up with, I guess."

"Ah, no, I just overheard it somewhere. And I wanted your honest opinion."

He raises his eyebrows, trying to coax an answer out of me. I just stare at him for a moment longer before zoning back in and trying to think of an answer.

"Uhh... Let's just set the scene here, this is a lot to consider... So do you mean to ask me if I would've still fallen in love with you if you were born a worm or if I'd still love you if you happened to be turned into a worm in this moment?"

I'm actually proud of myself for making that sound comprehensible. Then I see Julian's eyes wander in thought.

"I suppose the latter would make more sense."

"Would it still be you in that little worm body? I mean, would you be aware that you were transformed into a worm?"

"Yes, let's go with that."

"...And how long would you remain as a worm anyway?"

"Sayyy... A week. A week of your lovely partner as a slimy little critter. Wriggling around and... Eating dirt. Consciously, of course."

Of course he plays along. I'd expect nothing less from him. I shift a little again, hugging a pillow to the side of my face.

"Let's see... I'd have to get some sort of comfortable enclosure for you so that your body doesn't dry out, I imagine. So you would probably have to sleep in there... Ah, but if I got something mobile enough I could just place it on your pillow so that you'd be close to me anyway. Hrm... How distressed do you think you'd be upon finding out you're a worm?"

I trailed off of the original topic a bit there, but he doesn't seem to mind.

"I'm not sure what spectrum of emotion a worm has... But the highest possible worm anxiety level seems accurate."

I nod thoughtfully. This is turning out to be a quite interesting late night improv session. It's probably worth being a little more tired than usual in the morning.

"Ohhh, then I could stroke a finger over your little slimy body so that you wouldn't be so miserable..."

"You'd touch me? You hate touching bugs."

"To be fair, worms are invertebrates. Anddd... I guess my distaste for insects could very well be overriden by my love for you."

Ah, he's melting now. I accidentally said something unbelievably romantic. It always seems to happen at the most unexpected times... I wrinkle my nose playfully at the kiss he presses to my lips.

"Did that answer your question?"

I don't know why I even asked that. He clearly looks positively lovestruck, his tired gray eyes looking at my face with reverence.

"I expected nothing less from you, my love."

I lean forward to place a small kiss on the bridge of his nose.

"I could also probably leave some coffee beans in your dirt. You know, for enrichment."

"You're so lovely and thoughtful..."

He buries his face in my shoulder and wraps his arms around my waist. That's when I finally close my eyes again. I rest better knowing that my ability to make him swoon doesn't disappear even when I'm half asleep.

[sirenjose]

Kurt's Diary - Thoughts and Theories

(Including crack theory Naib didn't kill Murro)

1) Emily's (first aid kit?)

2) Wu Chang's umbrella is still here, and NE is making sure we know this. That means either Jose did leave but didn't bring the umbrella with him, or he didn't leave

If he did win, was he put into another game like Emma and Murro (Emma's letter did mention her being with others her 2nd time around)?

Orpheus did say he "treasured" the opportunity to include Jose in his experiments, which could mean he'd want to use him as long as he could?

* Michiko's mask is still here too.

3) The "guy" Murro would rather "freeze to death" than encounter can't be the Hullabaloo group (Murro the only survivor). Likely Naib, who's chasing Murro based on Naib's 1st letter (only other possible option is the manor owner)

4) HA! I WAS RIGHT! THERE WAS SOMETHING SECRET ABOUT THE FROG AND ITS GOLD BALL! (I'm sorry, I've been focused on that stupid thing since I first joined IDV and saw the diaries.) Question now is what it does... (secret exit?)

We know the gold ball was in Murro's room based on William's diary before he returned it to the statue. Maybe Murro knew its secret. But for what purpose? Did Murro hide something there, like how he used apple juice to write secret pages in his diary? Or something else?

5) Pretty sure the "explorer" isn't literally Kurt here. The one who "refused to trust his allies" and was "brutally slain by a wild beast" should be Murro, based on Murro's diary page Kurt finds, and Kurt may assume Bane killed Murro for now and thus Bane is the "beast"

Though considering the other letters, Naib is another option, but Kurt should have no reason to know that (if Naib did indeed kill Murro), so at least in this context Kurt says "wild best" to refer to Bane.

I've always had 2nd thoughts/doubts about the idea Naib wants to kill Murro. We know Naib works for Arthur Russel, who we know is a detective. Arthur is currently the one investigating both the Hullabaloo tragedy and Lakeside Village.

We know Arthur cares about his investigators as he pulls them out of the investigation when he believes a "crime syndicate" is involved with Lakeside. We haven't seen anything yet that implies Arthur also has his men do assassinations though...

Not saying that can't be the truth but I want more info before jumping to any conclusions, despite whatever the manor owner says, especially as we know even the manor owner isn't all-knowing (like with the people who only leave puddles behind, or Naib managing to disappear).

It's hard for me to say, but it is possible there were multiple sets of footprints belonging to more than 1 person, aka maybe Naib's was 1 of them (if not Bane's, if Bane only stays in his cabin in the forest).

Seem to be maybe 4 sets of footprints

1 set

2nd set

3rd set

4th set

But if Naib can disappear from the manor owner's sight, maybe he can also help other people to disappear too? If Arthur wanted to find the culprit of the Hullabaloo deaths and they discovered someone else from the circus had survived, they may have wanted to find him to help solve the mystery of the circus murders, which could be why Naib went after Murro as we saw in his 1st letter.

As an investigator, a new witness could be the key to solving the whole mystery (maybe that's just me as someone who reads/watches/plays too much detective stuff)

Naib obviously knows how to be stealthy/sneaky considering he has to do the same for himself to hide from the authorities, since Naib is a deserter, and desertion is a serious offense.

Murro's smart too considering the sort of invisible ink he uses.

So I think it's possible...

Maybe a good question to ask is “Why”? Why would Naib want to kill Murro? Mike is friendly with Murro, who Mike helped fake his death for, so he’s not the reason. And Naib isn’t just a brainless killer, since he deserted after refusing to kill his comrades, so he’d need a reason.

I guess you could say he might if he was paid to do so, but who’d ask to kill Murro? I doubt there are too many people that know too much about him enough to either hate him or have a reason to kill the person Bernard labeled as a “wild child” for his circus.

Different note, but the hole is gone in Servais' diary, but the boars are now in that same area that 1 set of footprints led to. It's also where Naib leaves the dead boar, which has a section of it torn open.

Still no idea what might've been inside.

Too many questions...

6) Info about Kurt's 2nd letter

"tree cave" = Murro's room

William and Kurt were awake in the evening due to the "awful weather". Nothing about sounds of "wild beasts"

Kurt thought they should do more than sit in their rooms, which is why he had Will help gather Naib and Murro. This was when Kurt went to look for Murro, found Murro not in his room + door locked, then went outside, where he saw footsteps, a (freshly dug?) hole, and Bane. He didn't see a "corpse", any heads being "bit off", or it being dragged off

Last thing Kurt says is to ask Naib to look at his new "work" based on his "experiences". This may be, at least in part, related to the work "Kurt Frank's Travels" from Kurt's 4th letter that he writes to Blackett Publications to get published. But nothing, at least from this yet, about telling Naib about seeing "a wild beast dragging his corpse into the shrubs. It bit off his head". Doesn't mean he didn't tell Naib this, but based on how much of the previous stuff was true, it's at least doubtful this is the full truth

[helslastangel]

Amerie Wadia (Heartbreak High) - Astro Character Theory

Right so judging from Reddit, Amerie is no one's favorite, but I don't really care.

I kinda like her and I think people are way too hard on her compared to the others. She's a selfish brat half the time-but so are the rest of her friends and nearly everyone in that school except for Ca$h and usually Quinni.

At least, as far as I've seen for now.

I've got one episode left in season 2 though, so I'm pretty sure of my position lol).

But that's not my fight today

I just want to analyse her potential sun, moon and mercury based on an (unconfirmed and hypothetical) chart.

The only character (tmk) in Heartbreak High with a fully confirmed birth date so far is Harper (Nov 21, 2005).

Amerie's sun sign (Virgo) is confirmed but there is NO CONFIRMED birthdate. I repeat: WE DONT KNOW ANYTHING. Everything I'm about to say is just speculation based on clues and hunches. Save the tears for another day.

We can reasonably guess that she's the same age as Harper, +-1 a year.

Someone put forward a theory that her birthday is September 4, 2005 and I'm going to roll with that one for two reasons.

Beyonce's birthday is Sept 4th and, to me, Amerie has the same preoccupied, "in my own world" energy that Queen B does.

As a Virgo myself who has been close with Virgos of all decans, I would not put Amerie in the 3rd decan at all if I had to guess. 1st could work-maybe. But the 2nd makes the most sense to me, as it influenced by Saturn & Capricorn, which I see a lot of in her approach and response to certain things (like trying to head out and work through moments that she should ABSOLUTELY spend resting. I'm not spoiling THAT scene, but IYKYK). She seems to deal with a lot of karmic stuff too, so there is that.

Again: there is no confirmed birth date. I hate when people don't read and jump to lose it in the comments, so I'm emphasizing that this is all just for fun. Amerie is a fictional character.

The actress herself (Ayesha Madon) is an Aquarius. But it's acting. Acting professionals are literally masters of not acting like themselves if they want to.

Speculations

Virgo Sun (11°)

With her sun at an Aquarius degree, Amerie identifies with her friend group and social communities more than you might expect from a stereotypical Virgo. She strives to develop the humanitarian side of her character.

She also makes an effort to get better at considering the big picture and the wider impact of everyone's actions, despite her natural tendency to get bogged down in the weeds of whatever she's involved with or working on.

Virgo Moon (14°)

While Amerie seeks emotional fulfilment in being useful/valuable to the people around her, with her moon at a Taurus degree she also holds a phenomenal amount of space for others, both emotionally and in a practical sense too.

You see this in how quick she is to set up a comfortable environment and make lots of room for her friends, especially if given the opportunity to help them in some way.

Leo Mercury (28°)

Amerie speaks in a direct and simple manner-she doesn't really mince words or try to present herself as someone she's not. Whatever she says is either exactly what it sounds like, or not to far from it. But we notice that she has a way of being blunt yet also compassionate, especially towards those who actually need it.

With her Leo Mercury being at a Cancer degree, some of her fire is watered down which can make her appear to second-guess herself or lack conviction at times. Mostly it works to make her come across as more likeable than she might be otherwise.

Maybe I'll look at the other placements later, but I'm curious about what others think about this.

𓆩♡𓆪

↤ go back to the masterlist