#so i just did a messy one instead

[mamawasatesttube]

timcassie is so compelling to me. they were not into each other even a little bit. it was such a messy coping mechanism fuelled entirely by grief. they were making out with each other because they were both substituting each other for kon. cassie was far more aware she was doing this than tim was. unironically, dating a girl here is one of the gayest things tim has done

[b4kuch1n]

yay! I drew these quite literally three years ago. dragonheart!milo and raihan! a knight on a doomed dragon hunt being lifted out of his station by a small village medicine man. together they become magic lawyers and overthrow the government

the main details in these do survive into the iterations I’ve drawn (instead of these actual designs I spent time to make el oh el): the “leaf” diamond quilt/gambeson and the plaited coattail for milo, the “atypical” weapons, long coat, and large number of scattered fake gold trims and accessories for raihan. I think I lost raihan the hat and added a cape for milo further down the line because like this their general silhouettes are too similar for my liking lol

[tequatls-favorite-spoon]

my art from the na vs art party!! took me a lil bit cuz i wanted to color it and that meant cleaning up the sketches and then i wanted to shade them and hajsksldhaflk

the characters from left to right:

Quinn Teeling - @sunsrefuge

Ambrose Wolfsbane - @commander-gloryforge

Finnegän - @pinecone-enthusiast

Astrëllä - @ohpollenpowder

[epicdogymoment]

[todayisafridaynight]

At which point did you realise that the plot of IW is ass? I've seen people complain only about the ending or the halfway point where the teams separate, while I was already actively rolling my eyes like four-five chapters in

i think the moment i fully accepted that IW's story was. Definitely A Story was the moment ebina announced 'bleach japan'. like i think leading up to that point i was thinking to myself 'oh i hope i see X happen' or being like 'i wonder where this is going' and that sort but the proverbial bucket of ice was definitely that moment

[buhbyebabyblue]

nobody robined more than tim drake. R.I.P to the others (literally and also not literally) but he is just so Robin™️ they just can’t compare

[selfinflictedgunshotwound]

i'm kind of amazed how most of the stardew marriage candidates just want you to be their manic pixie dream whatever by agreeing with everything they like and plying them with compliments or praise or whatever (which is fine but a bit. Much) but for shane his romance is just you being there for him while he figures his own shit out... dunno why i never wanted to romance him before he's so good

[maliciousalice]

How the hell did Acensia get back to the Delta Quadrant / Solum with no warp and only a coffin sized vessel? Ain't no way she authentically beat Gwyn there who was equipped with a warp capable vessel**

So now there are two things that sort of call into question the integrity Janeway's worries in Voyager. 1. If a robot can zoom from the Alpha Quadrant allllll the way back to Solum in the Delta Quadrant no fucking problemo, then what was Janeway sooking about in Voyager. 2. If a man and his hologram can survive alone for 10 years, then why was Janeway so lonely during her 7 year long journey with an entire crew compliment. Gosh. **I'm not looking for a hackneyed answer, like 'maybe Acensia's robot used the transwap hubs'' Oh, did she? Was her coffin equipped for that? Or ''maybe she stole a ship'' When? Where? ''The Vau Nakat's technology is superior maybe--'' Nah, nah, nah they couldn't even leave their own orbit let alone utilize wormholes. Ain't no way. Make it make sense!!!!!! I understand that not everything has to be shown but sometimes it should be. They should have taken their time with things like this because it accidently has dire ramifications.

[stellarsightz]

What is the flavor of fear?

Sublime, my Brother.

(Alternate version under the cut)

[blue-bird-lamentation]

Looking at some screenshots from accomplice vs golden ending (or bad vs good endings, in general) I noticed that in the first case Yosuke is the last element in the group to speak, while in the second case he is the first one (and he really does not have much to say cause he knows they’ll meet in the future):

In bad endings, Yosuke is the last person to speak. He thanks the main character for the help, yet the vibes are just depressing and sad. The fog wasn’t lifted, the real culprit wasn’t caught (or they believe they caught him but it wasn’t the right person. tbh it gets more disturbing in the accomplice ending case, because the main character found the truth, but he decides to hide it from the others and to reject it (by burning the piece of evidence), and, Yosuke’s words will hit harder “You really helped us out with lots of stuff. Thanks, partner.” <- Yosuke always there, making me feel bad every single time i try to reach Adachi - rightfully tbh), no Dojima nor Nanako nor Teddie there at the station. It’s all gloomy, everyone is sad...because of Nanako’s situation, because of their own actions (if they kill Namatame they kinda do the same he did, manipulated by the killer, and in the name of self proclaimed “Justice” <- Nanako’s arcana, which is just revenge and has severe consequences), and/or a feeling of uselessness because the mystery wasn’t solved. No one runs for the train (the mood is really heavy, and the fog also reduces the visibility).

In the good endings, Yosuke is actually the first one to talk and... he does not even have much to say. He had previously said that he wouldn’t even saying goodbye, cause Yu/Souji would be probably come visit them soon. The mystery was solved, the sky is clean, Dojima Nanako and Teddie are there too, and even if saying goodbye is hard, they all feel like their bonds are strong and that their friendship is stronger than ever. It’s a sad moment but with happy tones, and they will surely meet again (the same won’t probably happen in the bad endings, because even if not revealed to them, the fog will spread and everyone will become shadows).

Yosuke’s expression is kinda similar in both cases, but knowing what has happened in the bad endings gives another meaning to his expression in the bad ones (it also makes me think about the scene where he catches Yu/Souji coming from the TV at Junes, after visiting Adachi, because it begs the question of how much does Yu/Souji trusts the team).

Yu/Souji’s stare is a bit different in both cases, looking more relaxed and calm in the good scenario, although in the bad ending he seems to be staring with some kind of affection (like, appreciation for their friendship and for believing in him, even if, in the accomplice ending he basically fucked everything up).(well, truth be told, they decided to recycle this part for every bad ending, so Yu/Souji will always look like that, being it his belief that Namatame is the killer or his hidden secret about Adachi. And the team looks the same, be it because of the unfortunate circumstances, or because they may feel Yu/Souji might have been hiding something <- which also reminds me how in many game options Yosuke keeps reminding him that he should not be the one carrying all the weight of the investigation and he should trust the team too)The accomplice ending final scene even adds an Adachi roaming aimlessly (or purposely crossing the line when the train Yu/Souji’s in is passing), and it is terrifying, kinda creepy (tbh it felt like he had became a shadow at that point and that he had been able to cross the line without being caught by the train because of that...at least it was what i felt first time watching it).He is waiting for the world as they know to simply end, and even if Yu/Souji decided to burn the piece of evidence, he does not even care about him as a person.On the other hand, completing his social link in a good ending route rewards you with a letter from him (and he calls Izanami bitch in the final final final final battle <3 certified Adachi moment).You can take his words however you want, but it feels like he truly appreciated the times he spent with Dojima, Nanako and Yu/Souji, even if he would still rather see the world burn than try to improve as a person. It does not mean he becomes a better person afterwards, but i guess he understands the concern some people still had for him, which is something he does no feel with Yu/Souji betraying everything he fought for until that moment (also cause going accomplice route is giving up the world, basically).On a final note, I also love how Dojima’s dialogue at the end (before leaving the house) changes depending on which bad ending the player gets, and how his questions are so on point, as if he was acting like some kind of conductor for the player to reflect on their choices.

[qveerthe0ry]

:(

[girlyliondragon]

Real talk the thing about making extremely complicated/complex and flawed characters (especially those greatly based off yourself to the point they're your self-created comfort character) that you've grown to be extremely proud of thinking of their stories, is that you also know that there are people out there that will absolutely villainize the fuck out of them or try to 'reason' that they are completely irredeemable even in instances where they have no control over their life and act accordingly or even are pushed into situations where they didn't want to be to begin with or are even trying to be better than they were before even when they have gone through and still go through moments of relapse like any troubled character would in an attempt to make them feel real and it actually really fucking scares me.

I can't give details, but it's like. It's obvious they, the character, aren't a good person, not as a whole anyways and aren't meant to be, in fact said character sees themselves as the worst to exist because in their eyes they deserve every bit of punishment after everything they've done because they are forced to be stuck in the past and mask themselves unhealthily due to repeated mistakes and not wanting to do them again despite making achievements to move on and be happy and despite some telling them that they're doing a good job despite everything and that they deserve to be happy and meaning it rather than trying to placate them, it's obviously up for people to decide their own perception OF that OC from what they read of their story bits to decide whether they like the character based on what they read of them or not, because flaws and shit like this is very compelling to many, myself included.

But at the same time I'm super nervous about the idea of expanding on said character and showing their maladaptive coping mechanisms and behaviors and bad moments alongside their good moments because a lot of people on the internet, especially the very loud ones have no fucking concept of the varying shades of grey morality in the slightest. Even in cases where they are in fandoms with characters with many different forms of grey morality, like it terrifies me that someone could potentially misread everything and ruin my desire to make this OC I'm vagueing about want to not only move on and be better, even if they have to start from the bottom again sometimes, but redeem and even forgive themselves in their own eyes in the process and start anew, just because people have a black/white mentality that they force onto at the expense of others doing so. It really ruins character exploration and growth.

[fingertipsmp3]

Last night’s dream was the first one I’ve had in a long time where I wanted to fall back asleep and stay in it/experience it again

[yoohyeon]

My body went numb a little and I’m stressed, cause I hope everything is not coming back and I’m afraid to go to sleep (cause you know I’ll feel it more since I’m not distract and I will panic) but I have to wake up in 2 hours for Puppy’s pills so I have to so sleep now 😭

[brittlebutch]

have been thinking about Until Dawn again -- do we ever like, fully understand what Josh had planned for Matt and Emily? Like, did he steal/hide her bag or something to get them out into the woods? Or was that just some kind of coincidence that played out like he hoped it would?

[painted-bees]

A quick, sloppy little comic about Magritte

[OC's]

(image description under the cut)

[Image Description: It's a vertical comic strip of 14 panels arranged one under the other. The style is realistic, done with sketchy lines in a dark burgundy. It is not colored or shaded and there is no background. The comic features the interactions of a couple, Magritte (also called Margie) and Rafael (also called Raf). Magritte is a young woman, she is wearing a baggy armhole tank top with a tight fitting black top underneath, shorts and boots. She has a messy bun and a small messenger bag slung over her left shoulder. Rafael is her partner, wearing baggy pants, sneakers, fingerless gloves, V-neck t-shirt and an open button-up jacket with a hoodie and the sleeves rolled up to his elbows. His hair has short side with long top bangs and a short goatee.

 (First panel): There's only Magritte visible from the waist up. Off screen, Raf says to someone else: “Magritte has our tickets.” Magritte is excited, looking straight forward. Her left hand in on her bag's strap, her right hand rummaging inside her bag. Magritte says: "Yeah! Even made sure to put them in my wallet so that I wouldn't- uh..."

 (Second panel): She is beginning to look concerned, now with her face turned to her back, both left hand holding the lip to open the bag wider and her right hand still rummaging inside. Magritte says: "wouldn't forget.... Hang on, it's not on it's usual pocket. Haha." The last is a nervous laughter.

 (Third panel): Magritte is kneeling on the ground. Rafael is standing to the side and behind her, only his feet visible. Magritte looks frantic, searching inside her bag. Her right arm is forearm deep digging in her bag. Magritte says: "It's definitely here-! It's the one thing I never forget 'cus I never take it out of my bag!" Rafael says, firmly: "Margie, when you took it out to put the tickets in, did you put the wallet back in the bag?" The letters are bolded, with the word "back" underlined for emphasis. Magritte says: "Give me some credit, there's no way I'm that stupid." The last three words are underlined for emphasis.

 (Fourth panel):  The scene has changed and now Magritte and Rafael are in a car. We see them from the passenger's side. Rafael is driving, looking straight ahead at the road. Magritte is hunched forward, hugging herself with the left hand. Her right hand is holding her head. She is looking out the passenger window, avoiding Raf.

 (Fifth panel):  Rafael turns slightly to look at Magritte.

 (Sixth panel):  The point of view is now a side profile view from the drivers side. Rafael has his left arm leaning on the open window, his right hand on the wheel. Magritte is hunched over facing the passenger window. Rafael says: "I'm not mad at you, if that's what you're worried about." Magritte says: "I can literally feel your disappointment."

 (Seventh panel): Back to the passengers side, Rafael is looking at the road. Magritte is frustrated, no longer leaning her head against her right hand and instead her hand is palm upwards. Rafael says: "Well, yes. It is a disappointing situation, but-" Magritte interrupts: "You'd think I'd be able to do the one thing I was asked to do-! That I'd at least learn from the last billion times I forgot shit. Rafael says, quieter: “that's not where I was going with this...”

(Eighth panel):  Magritte has her right hand holding her face with the palm on her cheek, left hand placing the tips of her fingers on her left temple and eye brows. She is frustrated and angry. Magritte says: "It's not like I've got anything more important rattling around in my brain.  But, for some reason, if it's not my music, or like.... food or something, then it's just not a priority. I can't make myself care enough to make it a priority!"

(Ninth panel): She now has both hands in front of her, elbows bent, finger extended in a vague hand gesture as if there was something in front of her. Magritte says: "I'm an adult in my 20s and I still manage my responsibilities like a child. I'd be more dependable if I could just stop and think for a second, but I'd probably forget to even breathe if it weren't for the..."

 (Tenth panel): Her frustrated expression turned to confusion. Her hands are still in the air in the same position as before. Magritte says:"... why are we parked?" Her noticing this stopped her rant.

(Eleventh panel): Magritte straightens up and faces the window entirely, left hand crossed over her body to lean on the car door. Rafael, off screen: "Margie." Magritte says: "Oh." Magritte's inner thoughts are written around her. "He stopped the car to scold me. No, not ‘scold’. Don't be a child about this. He's disappointed and just needs to make sure you understand so you can do better next ti-"

 (Twelfth panel): Magritte is still looking out the window, but now with a shocked expression. Rafael reached with his right hand, and its now resting gently on her upper back. Rafael interrupts her inner monologue with "I need you to stop repeating the shit your parents and teachers and such yelled at you growing up. They were wrong, and nothing you just said makes sense."

 (Thirteenth panel):  The perspective switches back to the driver's side profile. Rafael says: "A poor memory isn't synonymous with poor priorities. Nor does it speak to a lack of maturity. The priority was there, we just have to build a better habit of checking things before we leave the apartment. Both of us. It's gonna take time. You afford everyone else a ton of patience, all the time. Can you please afford some for yourself? The situation sucks, we were both looking forward to this. But it's not the end of the world. We didn't forget things on purpose. So let's take it easy and try to end the day on a good note. Alright?" Magritte says: "Okay... c-can we um...."

 (Fourteenth panel): Magritte has turned to face Rafael and her eyes are filled with tears and they're running down her cheeks.  Rafael looks startled, lifting his arm off Magritte's back. Magritte says: "Can we get some ice cream on the way back?" Rafael says: "O-of course!" End of description.]

This description was written and provided by Hiwi.