#so i'm giving him a better character arc

[noperopesaredope]

So as some of you can see, I may have been thinking about Rhombulus (SvtFoE) a lot recently. I will admit, I only decided to check out the show in the middle of the fourth season’s airing, and so my relationship with it is pretty weird. But after seeing his debut episode and the one with Eclipsa’s trial, I formed a bit of an attachment to the crystalhead.

He had a lot of potential as a character and a clearly set up character arc that I was slightly invested in. I like well meaning idiots with hearts of gold, and ever since the reveal with Meteora, it seemed like he was going to be the one with a redemption arc and would, like in his debut episode, learn how to be less judgemental of others and think before he acts.

He would probably be the most accepting of monsters, and feel really guilty about his past mistakes. I was going to love him. And then the show fucked it up and gave Hekapoo a half assed redemption arc instead!

I, pissed about the finale as a whole, purposely forgot about the show, instead using it as a cautionary tale in how not to write a show.

But recently, I was reminded of this disaster through the YouTuber Kitty Monk and their video on Rhombulus. I remembered how they did my boy dirty, and threw away a perfectly good character arc for no reason, and it made me mad all over again.

Look in the comments of that video, and you can see that I’m not the only one who feels that way. Heck, look at a few of the comments on their video on Hekapoo, and some people will be pointing out that the writers probably gave Rhombulus’ arc to Hekapoo.

In those comments, I saw a lot of interesting ideas on all the other things the writers could have done with Rhombulus or how his arc should have gone.

This gave me an idea: why don’t I just rewrite Rhombulus’s arc? I can get a variety of ideas I’ve seen as inspiration, I can just use the show but change some stuff (particularly the direction he goes in Season 4), and I can write whatever feels like it would be the most fun for me to write.

So I’m doing that. In a different post because this one is slightly too long. But don’t worry, I will be working on this and will add links when finished.

Note: I will only be making a few posts on this concept and not a huge thing out of it unless I’m having fun just making some casual stuff. It will not be like my Celestial Garments AU where I make a whole sideblog/series out of it. I might make a more official tag for it though in case I make too much for it. So there’s that. Also, most of my ideas will be written out in a series of bulletpoints rather than completely concrete thing.

Anyways, that’s it for now.

(Pt. 1)

(Pt. 2)

(Pt. 3)

(Redesign)

(Pt. 4)

(Pt. 5)

[lucy-ghoul]

why are you, as an adult in 2024, still hung up on reylo. why are you still mocking the shippers. why do you believe yourself to be superior only because you dislike a stupid ship from a fucking space fairytale. girl (gnc) get a grip

[sysig]

Anime good :) (Patreon)

[antiquarianandunusual]

I don’t want Aziraphale to be betrayed/hurt, but I want Gabriel to be redeemed even less. I hope he either stays a goofy little guy forever or gets his ass absolutely pummeled by A+C when he gets his memory back.

[kaidanalenkosprmanager]

THE BEST OF PRIORITY: TUCHANKA (PART 2)

Featuring: Cmdr. Sophie Shepard, Lt. James Vega, EDI, Urdnot Wrex, and Dr. Mordin Solus With: Urdnot Bakara And a Special Guest Appearance by: Kalros, Mother of All Thresher Maws I MADE A MISTAKE! I made a mistake... big picture made of little pictures- too many variables. Can't hide behind statistics... can't ignore new data- my responsibility. Need to go- running out of time. Not your work, not your cure- not your decision. Had to be me- someone else might have gotten it wrong... Mass Effect 3: Legendary Edition (2021)

[sskk-manifesto]

(*・ω・*)b♪

[mrs-gauche]

Reading this part of a recent interview with DA4′s creative director John Epler as a fan of Solas’ character

[menstits]

fontaines archon quest is probably the first time in genshin that replaying it gives you a new context of how furina acts like its crazy...watching my oomf play when i finished and seeing furina almost on the verge on a breakdown even on the first acts when most people thought she was just the typical chuniibyou ojousama in charge...crazy.

YEAH like... god it's really crazy especially with furina's initial approach at trying to be the archon like... What could have been her own way of doing it if the crowd hadn't immediately shot down her attempt at being genuine . Like how different that was from the way she had to act for the following 500 years... Man.🧍‍♂️

[hamletshoeratio]

Officially gatekeeping Ben Hope from people who think Charlie should've forgiven him. Charlie doesn't owe Ben shit, especially not after everything Ben did to him.

[likeabxrdinflight]

I know the morality play of the Raphael/Atem duel gets...weird, a little bit. There's a bizarre emphasis on how Raphael believes it's selfish and wrong to carelessly send monsters to the graveyard and that gets played up in this duel, but...many, many previous duels have showed how sacrificing monsters and having them in the graveyard can be a good strategy, and work to one's advantage. It isn't always such a terrible thing. Atem using catapult turtle to win a duel is not exactly a new strategy for him, he's done it before, and it's far from the worst thing he's ever done if we consider season 0 canon. and yet the episode frames that as the big indicator of Atem "giving into darkness" which.........eh?

But. There is something deeper at play in this duel that goes far beyond how people treat their trading cards. The real problem here- and Yugi will spell this out later- is that Atem struggles a bit with empathy, but he especially struggles with it when his pride is on the line. This duel really had no stakes in it- Raphael tells him the professor is fine, and he states point blank he isn't going to use the Seal of Orichalcos- there is nothing to lose here.

But the two of them bet on their "sense of justice" at the start. To Atem, this is a very black and white morality. Atem's sense of justice tells him that Doma and any working with it are wrong (objectively true) and therefore anyone working with them is also evil (less objectively true). He can't quite see that the enemy in front of him might not be Bad with a capital B. Good is good, bad is bad, so if you're doing bad and working with bad- you're bad. Even if he respects you as an opponent. But what he can't really see is that Raphael is, fundamentally, a good person making bad choices because he's been hurt. Raphael basically spells it out for him, and he still can't see it.

So in many ways, this is the world view that Atem is betting on in this duel- Raphael is working with the organization that's trying to destroy the world, therefore he's evil, and Atem is good. And Atem has to be good, right? He's fought evil, he's won, he's not bad, he's not dark like the others who use milliennium items, he's not the "evil intelligence" Pegasus warned of in the manga and he definitely couldn't possibly have been an evil Pharaoh when he was alive...right?

And that's the other thing Atem can't admit, and it's what Raphael calls him out on most directly- Atem can't admit to his own darkness. He can't acknowledge the darkness in his heart, the potential for evil in everyone. Things have to be black and white for him, because if not...what is he? And it's so easy for Raphael to dig into this insecurity, it is so easy for him to make Atem doubt his own goodness- because he doesn't know who he was, does he? But he can't believe it, can't make himself believe he was a bad person before, and he definitely can't believe that he could be now. This is what's at stake for Atem during this game- it's his entire sense of self, really.

And this logic is actually deeply consistent with the earliest version of Atem- season 0/first manga arc Atem, and I'd argue, the morality play of this duel only really works when you consider that first arc/season 0. Stay with me now.

In season 0, Atem challenged "bad" people to shadow games with the intent that the game would decide who was right or wrong based on the outcome. The losers of his earliest shadow games usually lost because they couldn't follow the rules based on some character flaw. The games exposed their weaknesses and they paid the price for it. This was why he was always so confident- he was acting based on his sense of justice, and was absolutely certain in the correctness of his position (which, to be fair, was usually "save Yugi and/or his friends from literally dying), so...it wasn't necessarily an incorrect stance. Atem was doling out some pretty harsh penalty games, but he wasn't wrong about the flaws of these people he challenged.

What we never did was consider whether or not these people really deserved the punishments they were given. Did a high school bully really deserve to be tortured into insanity? Did an escaped criminal deserve to be burned alive? All justice, no empathy. But is that really justice at all? Now to be fair, with Yugi's influence Atem does calm down a lot over the course of season 0 and into Duel Monsters canon. He becomes a much better person. But we never exactly see him express remorse for the penalty games he inflicted, either. We never see him question his choices, or whether he was right or wrong.

Games are form of justice to him. To lose a game is to be in the wrong. He never lost, therefore, he was never wrong.

This inability to question his own beliefs and actions, to consider his own capacity for darkness, and to truly empathize with the person on the other side of the field, is what leads to him losing the test Raphael gives him. It is why he can justify playing the Seal himself- the methods don't matter to Atem in the moment- if he wins, he was right, he was good, and he's always been right and good, and that is all that matters because his sense of self is actually really fucking fragile if the outcome of a card game can shatter it- so he plays the Seal.

It reminds me of a quote from Avatar- "Pride is not the opposite of shame, but it's source." Atem is someone with an enormous amount of pride- and an equal amount of shame lingering just under the surface. Because I think that question Pegasus first posed to him- that question of evil- has been festering for a long time. I think Atem knows, deep down, that his early shadow games were wrong, they weren't that different from Pegasus or Marik or even Doma themselves- but he cannot go there with it, cannot let himself question it. I'll get into this more later, but Yugi will later tell him that in his doggedly stubborn sense of pride and honor, he can't hear others' pain or suffering. And I think this stubborn clinging to his sense of pride is a way of masking his own pain and suffering too, his own deeply felt shame- because Atem can't really hear that either.

Until he loses the game. Until he loses Yugi, and it shatters his pride completely, breaks him wide open.

[aberooski]

Do I need to have a talk with Japan about all the Atticus erasure that's been going on for nearly 20 years, literally since season 2? Because quite frankly it's unacceptable and I'm sick of it.

[99probalos]

little update on 70s GI... ive got a pretty good outline up n going and i have a definite vision for the vibes i want it to give off. that being said i think i'll be writing this as a novel before i write it as a script— leaving little notes for myself along the way if a scene is particularly inspiring enough to invoke an idea for a Scene, of course...

i've worked out some of the pretty big kinks in this version of the story that i had going in and hopefully as i fill out the outline the writing process will be easier. winter break is ending soon though so im gonna be really busy again :( but my schedule this semester is super flexible so hopefully ill be able to squeeze in a bunch of time for writing. wish me luck

[catcatb0y]

The thing that really gets me with people who say that they enjoy the leaks/spoilers/current canon is that.

Like.

I dunno man, it sounds so fucked up to say, "Yeah, I like this kid but I want them to die-" and I say that as a wholehearted 'sir, that is a fictional character' person, but I mean like. How are you going to say that you support a character, that you like a character, and then actively stop them from reaching their ONE GOAL.

Like Bakugou has been training his ENTIRE LIFE to become a Hero- even assuming that his death was somehow the epitome of sacrifices, the beau of death, contributed to every thing in the plot, especially given the blatant show of him AS A CHILD in that chapter!!

You're really going to say 'yeah, I think his death adds to the narrative, so I want it to happen/stay canon- even if that means that Bakugou will never become a Hero, never reach the goal he was striving for, never be able to reap the benefits of being a better person-"

Like

That sounds so anti-ish for one, but also it's such a huge disservice to his character. I wanted to make this post less mean than my asshole postings but I am so fucking tired from zoning in and out of reality all night on this stupid eleven hour shift.

I dunno, my main points were:

- It's reslly hypocritical from fans (especially BakuDeku fans) who have been talking about how intertwined Bakugou is with the narrative- only to all of a sudden completely flip switch and say 'yeah, no actually, the Heroes could afford to lose him just like that, and his death adds to the manga' (bitch where??? Like not even in a mean way but fucking where???)

- It's really, really shitty to Bakugou, who is a WHOLE ASS CHILD. What about his dreams? His aspirations? His hopes? His goals? Can you really say 'yeah I'm a big fan of this character, but it doesn't matter to me if they never get their own thematic ending, if they never have the chance to be a better person, see a better world, or accomplish the things that they've been going after'. Especially not when Bakugou has been training since he was a literal child!! He's one of the most phyisically fit characters, has the best hold over his quirk as a whole, and the dude can mauever mid air- like that alone shows you just how much he has put into his training.

Only for what? For him to do his absolute best and fail. Somehow manage to scavenge up even more power than THAT only to die in vain-

And I was talking with someone (not meant as like a vauge, I genuinely can't remember who I was talking to) that said 'I don't think his death (should it be permanent) is in vain' and not to the fight, yeah, not to the war.

It's anticlimatic as all fucking hell, so I really don't understand people who like/support/want it to be permacanon but still claim to like Bakugou- because wow it's just so shitty to him, specifically. Even if he is the driving force of the future narrative, even if his death is the thing that sparks the change in the war, like.

His character arc is dying in vain. All of the work that he put in to be a better person, to be a better Hero, to train harder faster swifter- everything he's done up until now... For what?

How can you support a character's growth for years- honestly even just for months- and think "Yeah, I would love to see all of his efforts wasted as he dies a brutal death; ending up nothing more than a pawn to move the narrative forward"

Which he HAS been!! Epsiode one, his Sports Festival ceremony, Kamino- like. The kid has already suffered enough. He cannot catch a fucking break and it's ALWAYS at the negligence of Heroes and (almost) ALWAYS due to failed teamwork!!

You guys just want. One last shitty hurrah? Bakugou's only point to be how Heroes fail the people they claim to protect?

Not only does it just. Erase all of Bakugou's hard work, but it makes him nothing more than just a reoccuring theme. Is that. Is that really what people want nowadays?

Like. I'm just baffled. It's disheartening and annyoing and whatever, but it's also just. Confusing. Why even say you like the character when you just like the plot. The kid hasn't even gotten a fucking hug from his goddamned mother and one of her only lines is calling him weak for not being able to stand up to grown adults when he was caught off guard.

*And BakuDekus especially, when you guys end up boiling every thing Bakugou does back down to Midoriya- I don't even want to hear the "I know Bakugou isn't dead, because Midoriya-" right as you may be, he is his own character.

His "death" is so sad to me. I truly feel no joy from the way he calls out to Midoriya (partially because of the fandom completely sidelining Bakugou as "Midoriya's closest person"), but because he has spent literal years comparing himself to Midoriya.

"I tried to show superiority over you, but I always lost-" those words probably mean so much to Midoriya, who never saw his own worth; but to Bakugou? They're heartbreaking. I dunno maybe it's finally going off the deep end and getting fed up with every goddamned BakuDeku derailing conversations/theories/posts about Bakugou's death into his worth according to Midoriya. But like.

This kid has spent years comparing himself to Midoriya, years of hatred and anxiety and self doubt- and his main climax, his final moment is "Yeah, my insecurities were right all along."

I still kind of do want an SPOP CatraDora ending, but at the same time... I really don't. Because it every turn this poor kid has been watered down to just. The way that Midoriya sees him, his importance to Midoriya- and he deserves better than that. I'm glad that he did everything he could to make it up to Midoriya, but I don't want this groveling shit either. This bland comparison. Like I have feelings about Midoriya and his input, but I still do want to keep this as nice as possible, so I won't. I won't get into that.

But honestly? I genuinely don't get how you can call yourself a Bakugou fan and be okay with- dare I even say enjoy- how shit of an ending this would be for him. How underwhelming his entire prescence has become. How downplayed his stregths are. How disregarded his goals and hopes and genuine drive has been and all for what?

I still really don't see the side of anyone arguing his death has "narrative merits" other that like. Antis. Who have and continue to make all of these arguments, and yet people who claim to be fans are making the same ones, like.

The rude thing to say would be 'do you have no self awareness?' which truly, like. How. How do you have to genealize this in your head, how did you get from genuine meta and well thought out headcanons and presictions into. Anti takes, "but better," because you say that you like the character.

But it still really begs the question, like what?

Anyways, I will go to sleep and Tumblr will give me my two notes while I am gone. I will wake up and hopefully just. Get a better interest. Even if the people this is targeted towards would happen to see it, I'm pretty sure I blocked them already so it doesn't matter.

[forbidden-sunlight]

yandere! literary agent with fem!reader scenario

warnings: implication of obsessive thoughts or love.

There might be potential triggers in this story. If you do not feel comfortable venturing any further, please hit the 'back' button on your mobile device or computer and read something much more pleasant.

You are responsible for your Internet consumption!

Hey guys, welcome back to another yandere fic, introducing Yulian Prescott. I'd like to give a big shout-out to my dear friend @deathmetalunicorn1 for helping me write this and finding the perfect likeness for my character, especially when this idea came to me all of a sudden on a Sunday night when I should be sleeping instead of staying up an ungodly hour.

As always, bullying on here will not be tolerated. If it does happen, this scenario will be taken down. I'm not sure if this will be a series. At the moment, this is just a scenario.

With that being said, sit back, relax, and let's dive into the cutthroat world of publishing.

PART TWO

Yandere!Literary Agent is a man who prides himself on being very good at his job. He represented one of the best publishing houses in the country. Anything less than what he expected from his clients was unacceptable.  

If the manuscript arrived in his inbox exactly two minutes past the promised deadline, he would not look at it. If his client is acting like a stupid moron at a function or royally fucking up their reputation by posting something inappropriate on their social media account, he is not cleaning up their mess. He is not their babysitter. They are full-grown adults. And if one of them is not able to produce another book that will actually sell past the number of copies slated to be printed, he will let them go. Call him cruel if you want. Yandere!Literary Agent is simply being pragmatic. He wasn’t cheap. He only wants the best of the best.

So imagine Yandere!Literary Agent’s surprise when a particularly difficult client sent him a completed manuscript. He planned on writing her an email that after much deliberation, it was time for her to find another agent to represent her. The client, Abigail Crowley, had written an adult dark academia trilogy and a feminist retelling of the myth of Theseus, told from the perspective of his lover Adriane. The manuscripts following the conclusion of her last book, however, were complete shit. Her royalties were nearly gone, having squandered them on a penthouse in a high-end neighborhood, the latest clothes, and a wine fridge. You heard him. A fucking wine fridge when she could have replaced that shoddy laptop of hers with something better so she could keep writing books and not have it crap out on her. 

Half-amused and half-annoyed at this pathetic attempt to keep her contract with the publishing company from being null and void, Yandere!Literary Agent clicked on the attachment and read it. One page became four, then fifty. He had to force himself to stop when it was lunchtime and he was already at the mid-way point. 

This story, it was…good. No, it was more than good. It was absolutely fantastic. And Yandere!Literary Agent did not compliment his clients’ works very often, which meant he believed at this very moment, this manuscript will most definitely become Abigail’s comeback to the literary industry. Book sales would go through the roof, A Netflix deal was also possible. But the first hurdle he had to overcome was pitching the manuscript, and making sure the query letter was at least consistent with the story that Abigail was trying to sell to him.

And he’ll make it happen. He is very good at his job, after all. 

Once he had successfully pitched it with a bit of extra charm, he contacted Abigail. She was over the moon, promising to make any necessary edits to the manuscript and it will be sent to him on time. From there, time fast forwarded. ARC books were sent out, Abigail selected the cover designs for the regular and special editions, and a tentative book tour was scheduled. Seven cities, and one international trip, maybe another in the future. Sales for this book were projected to exceed expectations. Yandere!Literary Agent was very confident things would go smoothly from here. At least he had thought so.

A month before the book was to be published, his secretary knocked on his door and said he had a visitor. They insisted on seeing him. Yandere!Literary Agent raised his brow, rising from his desk and stepping out into the hall and saw you. 

In the beginning, he will begrudgingly confess that his first impression of you was someone who is painfully average and out of place. A backpack slung over your shoulder, dressed in navy blue medical scrubs and looking absolutely haggard. Your eyes, though, shined with anxiety and determination. You inclined your head. 

“I apologize for the sudden intrusion, I know you’re busy, but I have some concerns about the book that’s going to be released soon by Abigail Crowley.” 

Yandere! Literary Agent’s gaze sharpened.. “And what, pray tell, are your complaints?” He crossed his arms. “Are you one of the people who had signed up to be ARC reader and didn’t get their copy?” 

You raised an eyebrow. “...No?”

“Then why -”

“Because it is my novel that is being published. Without my consent.” You sighed, running a hand through your hair. “Look, I know it is hard to believe, I get it.” You then swung your backpack around to your front, unzipping the larger compartment. You pulled out a large notebook, some papers, and a flash drive. You held them out to him. “But I think what I have here might convince you to allow me ten minutes, if not five, to hear me out. That’s all I’m asking. This isn’t about money, this isn’t about suing your company. I just want my story back. I’ve already tried talking to Abigail about it, and she isn’t picking up my calls. Please.” You said. “Three minutes.” 

His schedule was clear until the two o’clock meeting with another client on the other side of town. That was about an hour and half from now, as he had just come back from lunch. He supposed he could give you three minutes. Rolling his eyes, Yandere!Literary Editor swiveled on his heel. 

“Let’s see what you have. Melissa, please hold my calls until I’m done.” His diligent secretary nodded and went back to her desk. You followed him like a lost little duckling back to his office. Once the door was closed, you handed him everything. 

Yandere!Literary Editor went over the materials carefully, flipping through the pages of the notebook. The outlines and character designs were here, all written in excruciating detail and in such tiny print. He asked you random questions, going off of his memory from the manuscript and these notes. You answered him without hesitation.

“Yes, that’s correct. What? No, absolutely not. I would never have those characters be romantically paired up! Their relationship is too toxic, and wouldn’t set a good example to the target audience. I’m sorry, what? No, that isn’t her name! It’s Cristabel, not Anastasia! She’s supposed to be assisting the Night Emperor with collecting intelligence via the gossip of salons under her alias, not swooning over his brother when he’s already happily married to his wife! Good God, no. That scene should not even be there! That’s filler content and makes the character growth of the protagonist seem like the pay-off wasn’t worth it, or that he didn’t learn anything at all since the beginning of the book!” 

Yandere!Literary Agent grounded the molars of his back teeth, inhaling slow, deep breaths through his nostrils. Keeping his emotions in check is one of the reasons why he has survived in the publishing industry for this long, and he’s such a successful man. 

But hearing you speak about the characters, perfectly recalling the manuscript’s themes and looking back at the notebook in his hand, seeing the colorful  sticky notes with edits and improvised scenes written on them…he couldn’t deny it any further. You were the real author of the book he’s representing, and Abigail Crowley played him like a goddamned fiddle.

 If this wasn’t enough damning evidence of his client’s plagiarism, you had shown him an original illustration of the world you had created. It was done by an artist you had commissioned on Etsy, with proof of purchase for their services and a timestamp. Three years ago. That was when Abigail’s last best-selling book hit the shelves, and when her creative well began to dry out. 

You must have caught on to his irritation, because you told him that you weren’t here to intentionally stir up any trouble. A coworker had told you about Abigail’s newest book coming out, and the premise was exactly yours, at least what was advertised in the BookTok and Youtube trailers online. You’ve been searching high and low for your manuscript, and the only other person who has been in your apartment and knew about your creative endeavors has been Abigail. She wasn’t really your friend, per say. You took some of the same creative writing courses. You eventually found another career to pursue, and you kept writing as a hobby. She went on to become a professional author and never missed an opportunity to show off her success whenever she invited you out for drinks at an upscale bar or went to fancy dinners. 

Why would Abigail steal the book you’ve been working on for three years when you work a full-time day job, you had no idea. She’s living the dream that she’s always wanted, defying her mother’s wishes to get a normal job because writing is everything to her, and she would never give up on it. But if you were to be hypothetical, it might be another attempt to somehow get one up on her self-proclaimed rival, Cindy Chen, who is an even bigger success than her. 

You then rubbed your eyes. “Sorry, it’s been a long day.” You murmured, standing up from your seat. “Keep the notebook, the maps, whatever you want. If you could return them to me when you’re done, that’s all I ask. And an apology from Abigail, if you’re able to get one out of her. Like I said, this isn’t about money, royalties, or fame. I just want my story back.” 

Yandere!Literary Agent immediately stood up, his eyes slightly widened in fear. “Wait, please, just a moment! I know you’re tired, you want to go home…but I need to set things right. If I had known that this manuscript, your story, had been stolen, I would have never spearheaded its  publication.” And he wouldn’t have. Not only would it affect his reputation, but the company’s too. Stocks would plummet, and there would be a feeding frenzy on social media with #abigailcrowley, #plagiarism, #sailboatpublishinghouse. 

When you looked at him, his heart lurched uncomfortably at seeing your lips fall into a crestfallen expression. You looked so tired, so done with everything, and oh god you looked like you were about to cry shit. Walking around his desk, Yandere!Literary Agent eased you to sit back down and quickly prepared an espresso, possessing a machine to make it in his office so he did not have to walk down five flights to the break room. 

You thanked him for the drink and took a sip, wrinkling your nose slightly, no doubt surprised at the taste. You must not be a regular espresso drinker, or prefer how you made it. Either way, he was grateful that you did not bolt out of the office. Picking up his office phone, he dialed Melissa’s number. 

“Call all of the heads, including the marketing and social media departments. This is an emergency meeting. Now!” Bless Melissa, she did not ask him questions and said she would get on it immediately, hanging up on him. The next person he called was Abigail fucking Crowley. He sweet-talked her into coming to the office, apologizing for interrupting her ‘creativity time’ and promised it won’t take long. She swore to be there in a half an hour, so long as traffic didn’t back up. Yandere!Literary Agent played the understanding card and hung up, his smile being replaced with a smirk. Hook, line, and sinker. He scoffed. He then turned to you. 

“Everything will be resolved soon.” He promised. 

“Sir -” You began. 

“Yulian, please.” 

“Mister Yulian, I understand that you want to make things right, but…can you really get Abigail to talk? She blocked my calls, and the book is hitting the shelves in a month, maybe less than that? How are you going to recover the money that has gone into getting it published, the fees for the printing companies, and the marketing? Correct me if I’m wrong, I’m not too familiar with how publishing works these days.” 

You weren’t wrong, at least in the aspect that the company has put a significant amount of money into the publication of the stolen manuscript, your work, he added mentally. It was too late to stop the printing, and the final draft would need a significant amount of changes. Unless…

“Abigail is a plagiarist, and you are the rightful creator. The way I see it, we can salvage the financial loss by putting your name on the cover, and fixing the glaring omissions as well as other scenes you claim shouldn’t even be there.” He sighed, pushing his glasses up the bridge of his nose. “Of course, we would need to have a press conference and explain why we are changing authors, and what she has done. Considering the timetable and coordinating with the printing companies, it will be cutting it close.” 

You stared at him silently for a long moment before placing the espresso cup back onto the tiny saucer with a soft clink, releasing a heavy sigh. “If I agree to do this, to help with the edits, probably fuck up my sleeping pattern and might potentially be fired from my job unless I can use some of my PTO, what will I get in return?” 

He smiled. “Abigail will be the one to pay for publishing and marketing fees. I can extend the deadline for the revisions by a week. And you will be paid for your time, of course. There will be no need to come here to drop off revisions either. All correspondence will be through email. As an agent, I am qualified to be your representative during press conferences, so you will not have to be present. All I would ask of you is to turn in the final manuscript on time and not say anything on social media until our legal team is fully prepared.”

“No need to worry about Twitter or Facebook. Haven’t logged  on to my account in years.” You raised the espresso cup to your lips. “Too much politics.” You tilted your head to the side, a puzzled frown stretching across your face. “Any chance I could get all of this in writing? I might need to get a lawyer if Abigail tries to take it to court and sue me for defamation.” 

Yandere!Literary Agent nodded. He opened up a blank document and immediately typed up the contract, including everything that you have discussed and a few other variables. Once he finished, he printed it out, handing it to you. You read through the contents carefully before handing it back to him.

“It looks good - it’s all here and I’m agreeable to the terms.” You said.

Humming under his breath, Yandere! Literary Agent signed the bottom. You signed your name next to his, with today’s date and the time. 

He ignored the tiny tingle that crawled up his spine when your fingertips brushed against his as you gave him back the pen. You agreed to stay until the matter with Abigail was over, and he would email you the manuscript so you could go through everything when you get home. 

As it turned out, you did not have to wait much longer for the best-selling author to make her entrance at Board Room 3. Exchanging numbers with Yandere! Literary Agent you would wait in the adjacent room until he sent you a text to make your entrance. Melissa escorted you to said room when he received a message from Abigail that she would be here in ten minutes. 

It’s time. That was the message he sent you. When you opened the door, revealing yourself to the staff and the flustered Abigail…she snapped. 

She rambled how she needed a book, just one more successful book, and she would be set for life. She wouldn’t lose her penthouse, she would still be considered a worthy rival to Cindy Chen, and above all else, she could still write as she had always wanted to do since she was a teenager. You already had a normal job, you had a steady income, you weren’t even a writer. Being a hobbyist writer did not count. Yes, she took your manuscript, but it wasn’t a big deal! You could just write another book when you had time between shifts at the hospital, right? 

The look you gave her…it was resignation. Hopelessness. Disappointment. 

“Abbie…it wasn’t just a story I wrote. You should know that. Writing is so much more than that. I’ve tried to be nice, to talk to you but you wouldn’t listen. I’m sorry it’s come to this, I really am.” You said. That was the last thing you said before you were escorted outside of the door. Seeing your part in this is over, Yandere! Literary Agent took control of the room. 

“Whether it is a hobby or professional writing, it doesn’t change the fact that you stole someone’s work and tried to pass it off as your own.” He pushed his glasses up the bridge of his nose. “You are a thief, nothing more and nothing less.” Then the lawyers approached Abigail, presenting her with the fees she will need to pay. If there was an issue, going to court would not be an issue as he had all of the evidence needed to ruin the once best-selling writer Abigail Crowley. 

Her reaction was….amusing. 

After security had escorted the screaming woman off of the premises, Yandere!Literary Agent went to search for you, thinking you had gone back to his office to wait for him. You weren’t there. Melissa said you did stop by her desk, only to leave a message on a sticky note that you needed to go home but promised to get the revisions done as fast as you could, and thanks for the espresso it was really good. 

Yandere!Literary Agent smiled softly at the hastily written chicken scratch, pocketing it in his trousers before going back inside his office. You weren’t like any of his other clients. And he would like to get to know a bit more. Who knows? Perhaps….he could persuade you to sign a contract with him, be your agent. You shouldn’t hide your talents from the world. There were people who would love to read your stories, and he had no doubt that the company would benefit from it too. 

But there was no need to rush. There was a month until the book was to be released. That was more than enough time for him to work his magic. He is good at his job, after all. 

Taglist

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©️do not repost or use any of the characters depicted here without the author’s permission. forbidden-sunlight, 2024

[sunderwight]

Scenario where PIDW Bingge had something like the fucked up baby dimension from Fire Emblem: Fates for handling his kids.

For those who haven't played enough Fire Emblem games: in Fates you can hook up various characters who will, once they've bonded sufficiently, get married and have children. Because there is a dangerous war on and nobody has time for childcare, these babies get sent to various pocket dimensions where time moves differently, where they are raised by servants. They then reappear in the story as adults (mostly) who are also just like, barely younger than their own parents. This is of course hilariously fucked up, for even more reasons than what a simple overview can convey, and it's also just kind of shrugged off by the narrative despite the many, many bewildering implications involved.

So I'm imagining Airplane stealing this whole concept and sitting down to write about Bingge sending all of his children away in order to protect them from his enemies or whatever other excuse, creating special nursery dimensions with Xin Mo only to not really spend any time with his offspring at all, resulting in a lot of them growing up extra fast and reentering the story as adults at wildly unpredictable intervals (i.e. whenever Airplane feels like it without having to remember the timelines involved because *waves hand* time passes differently in the different dimensions too). For the daughters, this just gets them married off into alliances (if they're even mentioned at all, because Airplane doesn't want to write incest and there's basically only one reason female characters get mentioned in this story), but for the sons, this usually has them showing up as upstart challengers to their father's throne. With a conclusion, generally, of them getting their asses kicked and then being sent back to their pocket dimensions with their tails between their legs (Binghe killing his own kids would be too reprehensible, after all). Sometimes (rarely) they become loyal generals. One or two have died to fuel revenge arcs. The protagonist halo extends only limited benefits to his kids.

Anyway, Shen Yuan of course reads all of this and absolutely hates it. What do you mean Binghe doesn't even raise his own kids?! What do you mean even their mothers don't?! Shen Yuan understands that Luo Binghe is an important guy with important things to do, but handling it this way makes it impossible to even consistently visit his children on their birthdays! They'd be having birthdays every day because they're all on freaking Narnia time! And of course his sons keep growing up and trying to overthrow him, surely Binghe himself should appreciate that under these conditions, his children are going to see the servants raising them as parents more than some distant emperor they've never met...? Not to mention, if time moves quickly in these dimensions, theoretically Binghe could just stay there with his kids himself and not have to worry too much about things changing in his realm, because only a few months would pass there! He could have it both -- spend plenty of time with his kids and not worry about neglecting his responsibilities! So why doesn't he do that?!

The answer (never actually provided by Airplane) is that Bingge doesn't really feel a strong connection to his children, and because of his reverence for his adoptive mother, he thinks that giving them peaceful lives with simple people to raise and love them is the kindest thing he can do for them. If he could have had an idyllic childhood with his mother in a place where nothing could harm him, he would have never sought power at all.

But of course, Binghe's kids aren't thinking "oh gosh yeah my humble childhood in a magic dimension was much better than starving on the streets!" because that wasn't ever going to be their fate in the first place. Instead they all develop varying complexes about being sent away by their impossibly remote father and his giant harem.

Possible fic ideas involving this setup:

-Bingyuan where Shen Yuan transmigrates into the intended tutor of one Luo Binghe's most troublesome sons. SY arrives in the baby dimension and immediately bonds with the little Luo, gets really mad about the whole situation all over again, and when Bingge shows up for a rare visit, rips him a new asshole about it. Romcom shenanigans ensue.

-Scenario where SV's Shen Qingqiu and Luo Binghe decide they're ready to adopt, and SQQ figures out a back door into PIDW Binghe's baby dimensions and just sort of, ehm, borrows some of the children he knows had really bad times in the novel (not all of the idyllic upbringings worked out, there were instances of the dimensions being attacked and the servants there being killed and etc). Bingge eventually finds out. Dramatics ensue.

-When PIDW Binghe tries to summon a Shen Yuan of his own to the PIDW world using Xin Mo, it accidentally creates some stability issues with the baby dimensions. Shen Yuan get teleported in and out of these dimensions instead, bonding with the kids there to various degrees, only to be swept away every time Bingge tries to use Xin Mo to find him again. A handful of years later, a bunch of new Heavenly Demon scions emerge as adults with the Luo family's Shizun Complex in full swing, right around the same time that Bingge finally captures Shen Yuan. Hijinks ensue.

[pennyblossom-meta]

Analysis of the romance in Death Note's Spiraling Trap game.

EDIT 02/03/2024: minor edits and fixes, added a few imgs and extra content.

A huge thank you to the folks over at agtteam who translated L - the ProLogue to Death Note: Spiraling Trap into English! Now we can all date L become FBI agents after hours.

I've been playing the game recently and one of the features I love the most is the L Communicator, which allows the main character (referred to as MC henceforth) to take a break from adventuring and listen to L talk about whatever is on his mind.

There's around one hundred different lines available as the MC develops a relationship with L and they paint him as such a sweet, attentive and thoroughly unique individual that I was surprised by how detailed it was. If you're thinking about playing, then this part is definitely worth putting effort into.

The mechanics of the dating sim are relatively simple: during the adventure, you'll pick up a number of recipes hidden among traps and tools. Then, Watari will provide the ingredients and you can give L whatever sweets he specifically craves. These recipes and cravings depend on the time of day and can be season specific.

Character analysis

As stated in-game, giving L sweets causes his appreciation for the MC to grow. However, L being L, means that he craves different sweets throughout the day. He's definitely very specific about what he likes and what he wants for his sugar fix.

However, if you give L something he isn't craving at that specific moment, he will sulk. The way he expresses his displeasure varies according to the depth of the budding relationship he has with the MC.

L: To tell you the truth, there are many other things I would have preferred. L: [F/N], I hate to say this, but I really would have preferred something else. L: F/N], you must know that I was hoping for something else, right? L: [F/N]… It’s not my favorite but, it made me really happy.

Note: Given that the books in the expanded universe (Another Note and L: Change the WorLd) came out before this game, I think some of the quotes further ahead might be a subtle nod to how L is perceived by the police forces as the "creepy murder detective". However, references about his piece of mind lead me to believe that L craves some respite from the burdens he carries on his shoulders — burdens so strong that they managed to curve his spine.

Note: I'm unsure how the system here works, as the MC also gets points for gaining L's trust in the actual adventure when they a) agree with his observations and b) find key objects hidden in unsuspecting places. It might affect the available lines through the L Communicator.

L: Today is going to be a better day… Let’s think positive. L: I wonder what kind of morning this will be. L: It seems the air outside is crisp this morning.

L: I want to finish what I need to get done before night falls. L: It’s nearly sunset. Time for children to go back home. L: If you just stare into space, night will be here before you know it.

L: It’s already evening… Time keeps passing me by. L: There’s something different about the air at night. L: Night-time, dusk… It’s the witching hour.

As a naturally introspective individual, L observes the world around him and draws conclusions. To my surprise, the game actually managed to capture how observant L is about small, unsuspecting details of daily life and give him a slightly poetic side laced with a hint of wistfulness that suits his character well.

This is a side of L in his private life that I personally wish we had been able to glimpse during the Kira investigation. Though, at the time, L was busy trying to prove that Light was, indeed, Kira. It left him little to no time to enjoy the world around him. During the brief time that L could have had a semblance of rest right before the Yotsuba arc, he was depressed that his deductions were "wrong" — though I could see him musing about some of the above, equal parts whimsy and sulking.

L: If I start to lose my touch… I guess I’ll retire. L: Another day, another mystery… L: I have a lot of thinking to do. L: I feel like doing some capoeira… L: I haven't played tennis for a while. L: The weather today is… Well, it matters not. L: I, um… No, ignore me. L: Am I reading too much into it…?

As a thinker, L has a lot of unfinished thoughts he says out loud. Some border on cliché, others are musings about things he'd like to do or that he's missing.

I wonder if some of his thoughts end up trailing off because, suddenly, he catches himself and believes they're not important? Or that he doesn't think the MC would be interested in what he has to say beyond work matters?

L: “In spring one sleeps a sleep that knows no dawn.” Though, too much sleep isn’t good for anyone. L: If you think about things persistently, noticing all the sides to them will come naturally. L: Strawberries… Despite the name, they aren’t actually berries. How berry disappointing. L: The one who has thought it through wins. It’s true for chess, and for deduction. But in the case of love… I don't know.

He's also a philosopher at heart, always thinking about the human condition. In these we can also witness his dry humour, silly puns along with a subtle desire to share his thoughts on the world and give helpful advice.

As for love, L is cautious but willing to learn. It's a topic where he's out of his depth.

L: Um, Watari is… L: I wonder if Watari’s asleep? L: What could Watari be up to? L: Today is Thanksgiving Day. I am truly grateful to Watari for his diligence.

I found it interesting how L's thoughts eventually go back to Watari and what he's doing. He's the one person that L relies on and whom he interacts with the most. Other people are passing acquaintances at best, who show little interest in L beyond work.

Notice how he mentions diligence? Although it is a utilitarian consideration, it also reveals a thankfulness for the comforts of familiarity and the peace of mind that trusting someone close brings. This is a topic we'll explore better at a later stage, i.e., how trust and acts of service work as a relationship builder.

Romance

Neutral stage

One of the first things I've noticed is that, during the early stages of the relationship, L is still very formal and quite a bit dismissive — even borderline rude. As his sugar fix gets sated by the MC's keen suggestions (Watari provides the ingredients, of course), L grows gradually more fond of them and wants to include the MC in his life with an enthusiasm I can only define as endearing.

L: Aren’t you bored? You don’t have to check in on me. L: Don’t you have stuff to do?

At the beginning, L is still wary of the MC on a personal level as they have absolutely no rapport beyond a partnership of circumstance and usefulness in the name of justice. He's quick to get bored and doesn't take it very well when he's given sweets he isn't craving. A bit childish, one could say, the way he sulks when the MC errs by not reading his mind.

L: Did I enjoy it? Let me just say “no comment”. (about sweets that weren't quite to his taste)

It's also very in-character for L to feel both annoyed at someone who is randomly calling him and be suspicious of their motives.

Growing interest

L: Spending the afternoon with you isn’t so bad. L: Even though it’s late, you’re not going to bed, huh? L: You must be a night owl, [F/N]. L: I’m a little curious about you, [F/N]. L: Are you having a good time? I’m just curious. L: You’re kind of… Ah, no, forget I said anything.

He starts addressing the MC by their first name as he becomes more enamoured. It's very sweet. I was pleasantly surprised at how attentive L becomes as he gradually comes to the conclusion that this is a person who understands him.

Mind, due to game mechanics the MC gains approval by giving L sweets, but from a narrative perspective what's really happening is that L not only feels seen and understood, but also accepted. And when that happens, he starts lowering his walls and relaxing.

As a plot device, I would say these are defining moments within L's thought process here; he's curious about the MC, finds them interesting enough to want to know more them and pursues that curiosity to see what they might have in common. It seems he's both a little baffled and content about this development.

L: [F/N], what do you think of when you see a sunset? L: What are you doing this afternoon? Oh, should I not have asked? L: Are you a night owl? Oh, you don’t have to answer if you don’t want.

It should also be noted that L is very mindful of boundaries. There's a tentative, almost shy attempt to connect. He's determined to indulge in his curiosity since the MC's attentiveness towards him shows an opening for closeness he's unused to (but is happy about) and to tend to his more immediate needs (i.e., food cravings), which in turn shows a genuine concern for him. Aside from Watari, I doubt anyone ever extended L similar kindness.

And it is in this determination to get to know the MC that I also find Mello's words (AA: LABB Murder Cases) that L is actually a very active, aggressive individual with absolutely no interest in social conventions perfectly represent him this game, as he navigates a growing fondness with expectation, curiosity and caution — on his own terms, while minding that he doesn't overstep.

L: Staying up late talking to you… It makes me feel calm.

I find it particularly heartbreaking how this confession of L unknowingly makes it more transparent how burdened he is. The spine curved by burdens unseen, the addiction to mind games and sweets; all of these point to stress factors which isolate him further, increasing the loneliness and lack of affection in his life.

That L feels the need to mention the MC makes him feel calm seems telling.

L: We’re both late workers, huh? That makes me happy. L: [F/N]… You’re pretty formidable. L: It’s reassuring to have a partner like you. You’re someone I can trust. L: Your feelings have been received. (Valentine's Day) L: The fact we’ve become so close was an unexpected development on my part.

And here it is, the acknowledgement just as L enters the highest stages of approval, where he expresses admiration and happiness at the close bond he developed with the MC.

"An unexpected development on my part" is quite the turn of phrase. One can only wonder, but I'd make an educated guess that L didn't see this coming because:

a) no one showed feelings towards him before. In his line of work, hidden behind a screen there is no time to indulge or get attached to anyone (he would mistrust their intentions anyway) and so L keeps everyone at arms length, sharing little more than a professional side of himself and fostering utilitarian relationships that help him win "games". L ultimately carries various burdens the average civilian would never be able to understand, all due to the pressure of his job. When failing at the "game of cat and mouse" means being responsible for the likely deaths of dozens, perhaps even hundreds or thousands, the stakes are up in unimaginable ways. What started as a thrill chase can have catastrophic consequences should L fail. That in itself alienates him from society at large. It's a game that L plays well and absolutely profits from, but it is also an indicative of two major flaws: his addictive personality and how he suppresses his emotions to carry on. Coincidentally, it's the expanded universe, in particular Another Note: LA BB Murder Case and L: Change the WorLd, that give us the best insight into this. This isn't too dissimilar to the struggles policemen face in high risk jobs or technicians who have to flag and delete sensitive content from online platforms. These people end up changed from what they see — and some carry traumas for the rest of their lives. That's not to say that L doesn't feel for others. He respects people whom he considers good or morally upstanding (Soichiro Yagami), who are competent in their line of work (Naomi Misora, Mogi), worthy of a second chance (Aiber and Wedy), who speak their minds, unafraid (Aizawa) or who are reliable, loyal to him as a person and not just his cause, in whom he can place his trust and feel secure won't betray him (Watari). The MC seems to fall mostly in the last category, though the relationship is rather precocious — and there seems to be a fair amount of wishful thinking and even projecting on L's part, since communication happens over a device connecting two people remotely. He falls both for the idea of the individual and their attentiveness towards him. When L mentions that they make him feel calm, I'd argue it comes both as a surprise to him and a confession of a closeness and safety he intimately craved — though I personally view L as someone who feels lonely and wanting healthy human contact, even if his social skills might not be the best (worsened by his distrust of people as a whole). Someone who ultimately is willing to adapt to him but whom he can adapt to, as well. Someone who sees him as a person and not an unfeeling robot. It's a POV that certainly challenges certain aspects of DN: Vol 13. I would further argue that L's portrayal has evolved significantly beyond the manga, and that his subsequent humanising is partially a result of the creative liberties the English translations took, as well as a more empathetic view of the character and hidden struggles. Each medium displays a separate iteration of L, with common variables.

b) L fosters distant relationships with others as a safety measure. Aside from Watari, L's contact with other people had always been distant, work-focused, perhaps even tainted by notions of his supposed creepiness as a kinky detective "who relished bizarre murders" (L:CtW). He's useful to the police because he achieves favourable results, though L is still viewed as "a human computer, capable only of measuring mass murders in terms of cold numbers, a reclusive sociopath" (L:CtW). He isn't necessarily liked; in fact, I would argue he rubs people the wrong way most of the time — as we can see during his interactions with the Task Force, during the events of Death Note. L is tolerated, a useful asset who is both mysterious and a pain to deal with. However, he's also put on a pedestal due to his status (i.e., Relight, the children at Wammy's). For the latter, he purposely shatters their idea of L as this unbeatable, paragon of justice by defining himself as a monster (anime), a dishonest cheating human being who hates losing (manga). I do share in lux-mea-lex's perspective on L doubting his own humanity and how it fuels a certain self-hatred for distrusting everyone around him. As lux mentions, "love comes with trust" and L is an excellent detective precisely because he questions everything and everyone — but it comes at a cost: his own loneliness. To draw a parallel, L's ultimate flaw — and that which makes him great at his job — is not unlike what we see during the moments of extreme anguish that Veronica Mars goes through in her personal relationships and which draw people away from her when she oversteps boundaries to prove she's not being lied to. That mistrust comes from experience, for people burdened with having seen too much and it's not unlike a kind of paranoia acquired when one has to deal with the worst of humanity on a daily basis.

Full reciprocity

L: [F/N] you’re the light that illuminates the dark night. That’s an exaggeration of course, but… L: What I need to live is glucose… and to talk to you. Nourishment for my brain and heart. L: When we’re together, I feel like there’s no problem we can’t solve. L: The afternoons I get to spend with you are precious to me.

When the MC achieves the stage of full reciprocity with L, he's very open to showing vulnerability and lowering his emotional defenses. I found this to be particularly sweet, as L is such a secretive man with so many hidden layers that him being willing to show such honesty with that one person he holds dear is incredible character development.

Beyond the game, I would say that achieving this stage with L would be much more difficult and, naturally, would involve going beyond picking the best sweets for him.

Something important to keep in mind is that L seems to value acts of service, as the people who interact with him more closely have some utility value and aid his work. However, L's life revolves around his work; he lives and breathes his detective work, which is why having a partner who brings him peace would be so important.

L: The time I spend with you is as important to me as the sweets. L: Good morning. It makes me really happy to see you here. L: For your sake… I’d think of a way to get through anything. We share a bond. L: When you have time, I’d like to take you to a shop that makes the best sweets. L: When you’re free, how about we play tennis together? I will have Watari reserve a court. L: If something were to happen to me… I want you, as the person I hold dearest, to carry on the L moniker. L: When my thoughts hit a dead end late at night, I feel like I’m stuck in a maze. But, having you here makes me feel reassured.

I also found it very sweet how L takes the initiative to plan for activities to do together with the MC. And how their presence, their reassuring words make him feel at ease. It seems that a loving relationship would give L a goal in life beyond his work.

Carrying on the L moniker... this quote might be the result of L's trust in the MC growing during the events of the game, or a sentiment L nurtures due to the MC being attentive enough to understand his specific cravings. But being able to read L and having the mental dexterity to become him are different things, as the latter involves a lifestyle that few would want and a complete focus on work. Even FBI agents have lives beyond work.

L: I learned from you that sweets are the bond that brings people together. L: You give me true peace of mind. No one could ever replace you. L: The way I am now, I… I can’t think straight when you’re not around. L: Being able to share this sunset with you, I couldn’t ask for anything more. L: You understand, don’t you [F/N]? What my heart so strongly desires is something more… L: When I talk to you, I feel like my senses are sharpened. Thanks to that, my radar has become more sensitive.

What a sweet guy. I love how L focuses on the little things and just wants to spend time together with the person he holds dearest. It's almost as if he daydreams a close, loving relationship — a trait that clashes with L's logical side.

This game and the expanded universe of Death Note have convinced me that there are many more layers to L than what we can see in the main story.

As Fu Takahashi, who plays L in the 2020 Japanese version of the musical, said:

“(...) A common thing about L among these versions is that, despite his superficial image as a smart guy who hates losing, he actually feels lonely and needs affection, I imagine. Perhaps he is an orphan – his character suggests so. He tries to control his emotions, like the feelings towards his parents, or romantic feelings; that’s why he is sort of dependent on games or battles of the mind. So I want to play L while thinking about the foundations on which his personality has been formed.”

I think this quote and the game are actually very telling of L's core personality and how it moves beyond that cold, calculating persona that defines him in the manga. It's also more in line with the characterisation that we see in the anime and the books, which help humanise L.

As I mentioned elsewhere, learning how to trust and be comfortable around someone else would do L wonders. Though that person would have to accept him for who he is and help him learn how to navigate a healthy relationship.

Perhaps the true test of love, for L, would even be for him to be confronted with someone who knows who he really is and, is not only kind to him, but also sees the best in him — regardless of his flaws. I think that we've had a glimpse of it in this game and it's a breath of fresh air.