#general vibes and how some character arcs may go

[99probalos]

little update on 70s GI... ive got a pretty good outline up n going and i have a definite vision for the vibes i want it to give off. that being said i think i'll be writing this as a novel before i write it as a script— leaving little notes for myself along the way if a scene is particularly inspiring enough to invoke an idea for a Scene, of course...

i've worked out some of the pretty big kinks in this version of the story that i had going in and hopefully as i fill out the outline the writing process will be easier. winter break is ending soon though so im gonna be really busy again :( but my schedule this semester is super flexible so hopefully ill be able to squeeze in a bunch of time for writing. wish me luck

[dokidokitsuna]

RWBY: Next Steps

This is just a design collection (remember when I used to do those? 'Winter Mission', 'Summer Tour'?? Fun times~)...and it may be my last. Its only real purpose is to give me something fun to draw for the NeverFell Projects wrap-up series. The recent Adam and Cinder designs are technically part of this collection, too. ^^

These were much harder to do than those two, though...I've spent ~2 months chipping away at this set, trying and retrying to address several different RWBY design criticisms while still making the girls look good. ಥ_ಥ I've finally begun approaching success, though, so I wanted to talk a bit about these ideas.

Ruby The only one I managed to design in one try. ^^; This was my answer to the question I felt was posed by Ruby's Vol. 7 design: i.e. "how do we do a new Ruby design that feels more 'mature'??" Because I never liked how the V7 design attempted to do that. :/

Between the new hairstyle and the new 'generic adventurer' clothes, it felt less like they were trying to evolve Ruby Rose and more like they didn't like her original design and wanted to get as far away from it as possible. V1-Ruby was such an iconic look (and STILL IS), and yet there's no trace of it in V7-Ruby. None of the goth-lolita style or playful edge that even V4-Ruby managed to preserve...instead they just scrubbed everything out to start from scratch, with a new design that's honestly 'meh' at best.

So what I did was stick closely to V1-Ruby, while adding just a few big changes to make the look distinct. You say a 'combat skirt' is too childish for an older Ruby? Well then we'll make it shorts...but shorts that are just as frilly and cute as the original skirt, with a similar overall shape. You say her original hairstyle is too boring and 'safe'? Well, then we'll change it...by simply shaving half of it off. It's a much edgier look that simultaneously preserves the original shape of her hair: from every angle except front and back, her silhouette will remain the same.

You say you want to give her new shoes, but don't want the fandom to make fun of you for covering them in dozens of belts again? Here's a wild idea: cowboy boots. ^^ A totally unexpected, unique item that still fits in with the antique-ish vibe of her goth clothes.

Basically, I just wanted to prove that you can do something dramatically different with Ruby without completely abandoning her fashion sense.

Criticisms: The details are still lacking; I think I should work some red accents into her corset and boots. Also, I originally designed this outfit with a white shirt, and I kinda want it back (she had the team colors! R, W, B, and Y! ;_;)...the problem is that it clashes with the sheer thigh-highs. One must go...I'm sure I'll figure it out

Weiss The toughest of the bunch: I did three different Weiss designs before landing on this one. ^^;;; The big epiphany came when I realized that Weiss looks her best when she mirrors Ruby. The girls' original design concepts share a lot of features; I feel like the characters were designed to look like they belong together, and figured I might as well honor that.

ALSO-- and this was the biggest priority for Weiss' design-- I firmly believe that she should not look like a princess anymore. From a character designers' perspective, it is ludicrous that they gave her the giant Disney ballgown in the same volume where they put classism at the center of the plot and have her send her bourgeoisie father to jail. That right there is the definition of mixed messages...

I thought the whole point of Weiss' character arc was to distance herself from the uber-rich parasites of her family and fellow 'Atlas elites'. I thought we cemented that when she officially lost her "heiress" title in V4. o_O I expected her next look to ditch the crown and visually show that she's past the point of 'rebelling'-- there's no more authority in her life for her to rebel against; she's free now! But alas...

So as usual, I had to do it myself. This Weiss outfit is definitely still fancy, with the coattailed vest and ruffled sleeves, but there's a lot less 'decoration'; fewer jewels, fewer details. The construction is straightforward and simple. And of course, no more tiara. Instead I decided to give her a li'l snow pea flower and ribbon, which ended up inspiring her new periwinkle purple-y color scheme. Like her original design, it's actually fairly colorful, but does its job and puts the emphasis on the white elements.

Criticisms: ...Not many, this came out pretty good. ^^ I might reconsider the black coattails, but if I do I'll probably just switch it out with the indigo inner vest. I like the idea of her outfit construction mirroring Ruby's, but her color scheme mirroring Blake's, since they have a closer bond in NeverFell.

Blake Blake designs are notoriously difficult; if you wanna hear some great reasons why, I suggest you check out this old Twiins iink RWBY design ranking video, which always helps guide me when I do redesigns for the main 4. Anyway, this phenomenon makes it hard to describe what I did...I guess you could say I tried to combine all the best elements of all her outfits, while clinging to the 'fancy action girl' vibe of her original design.

I'm most proud of her new hairstyle-- I dunno why, I just enjoyed working on it and making those decisions. ^^ It's hard to tell, but it IS shorter; now shoulder-length instead of back-length. We make up for this with additional volume, emphasizing the waves in her hair texture by pushing them outward. And most notably: she keeps the ribbon. She just wears it differently, using it to accentuate her ears instead of hiding them. This way, we keep the point of interest on her head while still showing her character growth.

Criticisms: Infinite, countless. This is a good look, but something is definitely still off. ^^;;; I think some additional detail in certain places (not sure where yet...) might help 'finish' it, so to speak. Maybe some extra yellow accents...? Also, the bow obviously gets lost in her hair this way. I've tried several color changes and don't like any of them; I think I may just have to texture it differently in the final product. Fingers crossed...

Yang Another tough one...I only made 2 design drawings, but the colors took several rounds of trial and error. I think my excitement over finally arriving at a good color scheme TODAY was what spurred me to make this post. ^^;

Anyway...there is a specific piece of Yang design criticism I hear fairly often that drives me up the wall: people commonly complain that she doesn't wear enough yellow; that she doesn't represent her character color well because all she wears is a yellow shirt. And the character designer in me wants to rip my teeth out whenever I hear this, because it blindly ignores the giant fairy-tale-inspired mass of yellow that is her hair, and the purposely attention-grabbing pops of yellow that make up Ember Celica. They're not "clothes", technically, but they're still part of the design! It's like saying a character with green skin can't represent the color green if all their clothes are black...without realizing that maybe their clothes are black BECAUSE they have green skin, in order to draw your attention to it...!! (╬▔皿▔)╯I just jifjkdsnfksahujknsjnfufh

...Anyway, anyway...the point is, it's difficult to take a character design with so much natural yellow in it and add yellow clothes and still have it read well. But because I like a challenge, I decided to take it on. I think the difference between the mustard leather and neon yellow hair is large enough to make it work, while still feeling casual enough for everyday wear. The champagne off-white she wears in her 'Hunter' outfit (which heavily inspired this) looks great, but it feels too 'classy' to me; like something specifically meant to dazzle the audience with her beauty for one special adventure, not for her to wear often.

On that note, my secondary mission with this design was just to make Yang look cute again, by following the structure of her V1 look, and even adding a little skirt on top of her battle shorts, which looks surprisingly natural considering she almost never wears one.

I don't know what happened in the canon to make the character designer forget the 'Yellow Beauty' part of her character concept; tbh even if her gender presentation gets more masculine she can still look pretty. Designs like Ozma, V7 Qrow and V4 Ren show that they understand this, but choose to cover Yang up in flavorless sheets of beige anyway. :T Making sure she always has a boob window isn't enough; the clothes themselves need to say something too.

Criticisms: ...Honestly, none? I think this might be solid. :> We'll see what happens when I draw it properly. I hope the white socks work out, because then she'll successfully be wearing the RWBY color scheme, which fits her (former, implied...) role as the glue holding the team together.

[fabrickind]

Finding Cosplay Photoshoot Locations: Part 1

📸Want to do cosplay photoshoots but don't know how to find that perfect place to shoot? This tutorial covers how to brainstorm a location for your shoot, logistical and cost concerns with shoot locations, and how to actually find your dream location.

📸This tutorial can be applied to shoots of all types, including but not limited to self shoots, shoots with friends, and shoots with hired photographers. Self shooting or shooting with friends only requires a camera (a phone works!) and possibly a tripod.

Part 1: Location Types

Coming up with the general type of location you want requires some brainstorming about what you want from the shoot. Think about your specific goals and types of photos you want and how certain types of locations would work for your goal. Remember you can always do multiple shoots for the same costume with different concepts!

For example, if you want big, sweeping shots, you will need a location that allows for wider framing and still looks good, while if you are primarily after shots with closer framing, you can go with a location with only a small usable portion. If you are looking to primarily showcase the costume itself or your posing, a flatter and simpler background works better than a busy background, but if you want cinematic shots or shots where you are existing in the environment as the character, somewhere that can show off the location itself as well as how you exist in it would work better.

Types of Locations

There are three main types of locations for cosplay shoots in relation to the cosplay itself. Of course, you can combine these types and there is a lot of overlap, but thinking of these three location types will help you conceptualize your shoot.

The first type is locations that are similar to something in the series, or an exact location from the series. My cover image is an example of this, where I took photos at the location of the climactic battle of the manga. Most fictional locations don't exist in real life so exactly, however, so think of locations that look similar to where this character might be found. The example on this slide shows a cosplay at a nature preserve with grassy fields and oak trees, which is similar to the locations the character traverses several times throughout the game she is from. This category can also include locations with similar vibes, such as a studio made up to look like a fancy European castle for a character from a series about European royalty, or a shoji screen backdrop for a character who lives in a Japanese-style house.

The second location type is locations with symbolic meaning. These locations showcase something about the themes or character arcs present in the series, and this can be accomplished with anything from specific props and setpieces to the entire background. One shoot I'd love to do with this concept is of Lady Blackpearl staring into a mirror -- this would symbolize her dual personality nature -- or of Lady Oscar wrapped in thorns, with the rose thorns symbolizing her glorious but fragile life. I chose to represent this location type with Ultimecia, a sorceress who wants to compress time so she is the only one who can live in the combined past/present/future, set among ruins. The ruins aren't accurate to the game, but show her crumbling reign marked by the passage of time.

The third location type is locations chosen for pure aesthetics. Obviously all locations are chosen for aesthetics, but these are locations with no deeper meaning and may not represent anything from the series at all. These can range from a simple colored wall backdrop to a sweeping landscape that simply looks good with the colors of the costume. Some examples are the Yasuho Hirose ocean shoot on the slide, where it doesn't represent a particular scene or location in the series but simply looks good with the cut and colors of the costume and the sailor theming, or my Princess White Rose milk bath photoshoot, where again the character never takes a milk bath, but a bathtub full of milk and roses shows off the detail of her floral hat and showcases the opulent nature of a rose-themed princess.

Requirements of your Shoot

Once you have a general concept, think of what is required to fit that concept. This can be as general as specific backgrounds or types of backgrounds to as specific as particular items at the location or particular lighting setups. Some shoots might need specific props, such as furniture to sit or lounge on, and props that won't work in a public location, such as realistic weapons that may cause panic or worse. Also keep in mind any accessibility needs, whether it is an accessible location in general to accommodate a disability or a need that is caused by the costume itself. Check not just the specific area you want to shoot, but how to get there from the parking lot or transit stop. Finally, keep in mind that unsecured outdoor locations, such as a park or beach, are locations where you can't change things about the location and you may encounter other people. Discussion of how to be respectful of such locations is in part 5.

Stay tuned for the rest of the parts~!

Links to other parts: 1 Location Types, 2 Discovering Locations, 3 Indoor vs Outdoor Locations, 4 Location Permissions, 5 Location Logistics

[mooncleaver]

how they would hold your hands

pairings: percy jackson, annabeth chase, leo valdez, jason grace, piper mclean; gn! reader

warnings: once again i am rambling. are we surprised

masterlist <3

#PERCY JACKSON

➵ percy is a physically affectionate boy!! he likes to hold your hand or any part of you really at every chance he gets.

➵ now don't tell me he wouldn't wear rings. i refuse to believe he doesn't. (LIKE OMG imagine him just doing his normal business, wearing the most gorgeous pinterest bf vibe clothing plus being laden with all sorts of accessories; vintage, gold, silver, turquoise/opal. what a concept. PEOPLE WOULD BE SCARED!) this man would have a generous collection of them and they're amazing fidget items. he also let’s you wear them and at some point you guys have matching rings <3

➵ i’m the number one (1) supporter of percy jackson being a vivienne westwood king. but feel free to comment on that my besties x.

➵ it becomes such a common thing that if you sit next to him he'll automatically grab your hands. its a subtle way for percy to show you he’s there and to make sure you’re safe.

➵ when he gets nervous he searches for you and 99% of the times ends up with your hand on his lap. (or vice versa, really)

➵ when i tell you he has grip that's so evident whenever you're holding hands.

➵ this is so genius to me wtf but you have a handshake that leads to hand holding. when it's been a thing for a really, really long time the two of you would probably start doing it subconsciously. in a cabin meeting? boom silent handshake. approaching him during a group conversation? boom absolutely soundless and flawless handshake. no eye contact was even made. it ends up with your hands intertwined behind your backs if it's not a pda kinda moment <3 i'm not gonna get into the technicalities of the handshake because i'd be damned, so you get to decide how you want it lovelies!

➵ likes to do regency-ball-type-beat-jane-austen-slay gentlemanly kisses to the back of your hand while greeting you. (ikyk) it's silly but it's a 10.

#ANNABETH CHASE

➵ i’m gonna base this off of like percabeth 2/4 romance arc so i think annabeth may be a little shy (sometimes prideful lol) to hold your hand at the beginning. it's not that she doesn't want to, but she's like um.. im kinda embarrassed,, so its a sweet and slow thing that you will have to initiate most of the times.

➵ my bestie definitely has other, more prominent love languages lawl

➵ finger holding is her get-go!! the type to drag you everywhere (gently) on dates. now it's guaranteed she'll do that if you’re going to a museum or a place with lots of architectural structures. you best believe she’ll be tugging you around explaining the origins of each monument to a t!

➵ overall, annie has loose and almost fleeting contact when it comes to hand holding. but it can be upped to like a 100 during distressing situations.

➵ sometimes when you're around, she'd start tapping or lightly pulling on your fingers in stressful situations. like when she's trying to decode or figure something out on daedalus' laptop and she feels too much all at once, the comfort of your hands may just be her anchor.

➵ i don't know why i’m imagining something so emotional with annabeth but when things get really bad; in the middle of battle.. or something tells the two of you that tragedy is over the horizon, she'll just grip your hands and look at you with the most vulnerable and intense—almost heartbreaking—look in her eyes. complete with the eyebrows furrowed and nostrils flaring in barely-subdued panic. you don't need her to say it to know that she loves you.

#LEO VALDEZ

➵ leo!! i think leo runs hot so he's like your cute little furnace. he would quite literally warm your hands up while cradling them between his. it's very convenient when you're sitting on his lap or leaning your back against his chest.

➵ this probably goes for all the characters that they can be quite fidgety, but leo does these.. strange positions when hand holding. very unorthodox ways to combine each other's hands but you'd go along with it anyways bc its cute and fun.

➵ for some reason he always has something in his hands like tools, food—yes food. snacks that are exclusively for the two of you to share—or smears of oil and ashes. (courtesy of the lovely festus) so you'd have to be particularly mindful about that.

➵ gosh he would be the type of person that twirls you around for a hug. i think it's just me being super cheesy and romantic, but just imagine... it's such a fun and carefree way of greeting each other. esp happens during joyful moments. so spontaneous and unexpected when you think he's only taking you by the hand but he actually spins your body towards his embrace :,,)

➵ also very accessible. literally will just hold his hand out in the air and there'd be a telepathic signal for you to plop yours atop his. people are staring at him like sir?? what? and then you'd come in and everything makes sense. (when you're more familiar with each other, this would def apply for giving him tools and scraps when he's tinkering and making things)

#JASON GRACE

➵ jason.. dude.. something compels me to say he would be kinda awkward. like partially bc of his strict upbringing in camp jupiter for idk 12? years of his life.

➵ but he’s SO SWEET like if you were the one to initiate it—smiling at him and taking his calloused hands in yours—he would blush like mad idc what anyone says. jason really has an adorable, jarring carmine blush whenever he feels flustered or embarrassed and it paints the tips of his ears too.

➵ definitely one for super subtle, pinky-to-pinky hand holding and fiddling with them whenever.

➵ sometimes when you two are alone he holds both of your hands and it allows for a more intimate face-to-face conversation/ moment. jason thinks doing all these gestures are very personal and.. sacred? almost. like, he treasures them a lot and it's incredibly heartwarming.

➵ there’s a really specific idea i thought with jason but you have this thing where you’d do the ‘measure my hands against yours’ gesture and turn it into hand-holding. i think that’s so cute.

#PIPER MCLEAN

➵ piper is a hand swinger ong. like yeah she's in a relationship and she's not afraid to flaunt it??

➵ piper has really beautiful, nimble? fingers. i don’t know how i can explain this without sounding weird, but there’s an unusual elegance to the way they move. it’s very distinctive to hold.

➵ she holds you by the elbows. so looping your arms together :)

➵ that opens the door for brushing her fingers atop your skin. but with piper, she tends to do so over your wrists, stroking the skin encasing your veins.

➵ she traces over your palms too; all the lines and jagged marks. dunno if you guys also did this, but when i was younger me and my friends would do palm readings to "predict the future". it's not actually true i think pls, but piper seems like the kind of gal who'd do it just for laughs.

➵ you obviously have matching charm bracelets. also lots of those diy friendship bracelets that decorate your wrists like rainbows.

🦋: ok so.. originally this was supposed to be hand holding only but i went a little bit off the rails

credits to original artists for the arts that i used! also, they're only references and i'm not trying to pertain to a specific gender :D

[ohnoitstbskyen]

one piece live action thoughts?

It looks very much like a live action adaptation of One Piece. For better, and very much also for worse.

I mean this in the sense that it's adapted to fit a form that helps it make sense 1) in live action and 2) to a general audience which isn't intimately familiar with manga or anime, and which a broadcaster or streaming service would want to reach.

Luffy especially, at least going by the relatively tiny snippet we have seen so far, seems to have had some of his more peculiar edges sanded off to fit more comfortably into the mold of a typical young adult protagonist, which includes the... I guess what people call "marvel speak" now? The little funny quips and asides and ironic saying-the-obvious-thing-out-loud beats, which are more Americanisms than Marvel specific but I digress.

In One Piece, Luffy is most often not the point of view character, especially early on. Luffy is usually observed from outside by other characters - Koby serves this role in the early chapters, and from then on usually we see Luffy through his crew, or through whatever secondary characters they're interacting with in that particular arc.

People have observed this before, but in the manga, we essentially NEVER get any internal monologue from Luffy, he always either SAYS what he's thinking, or he runs on head empty no thoughts just vibes instinct and gut reaction.

And that... probably doesn't really work with a typical young adult protagonist. If adapted faithfully to screen, I think a lot of audiences would read him as just a reckless, inconsiderate and kinda heartless asshole, because a framing and presentation of Luffy that makes sense in a manga or anime just doesn't read the same in live action filmmaking.

Like, One Piece opens with Luffy recklessly sailing off to sea despite having no idea how to sail, getting sucked into a whirlpool and surviving on sheer dumb luck, getting picked up by some pirates in a barrel. Then he meets an abused child named Koby who has been getting the shit kicked out of him daily for months and immediately calls him a clumsy, stupid, cowardly worthless loser to his face and laughs at him.

Like, if you adapted that faithfully, how would that come across to a general audience? Imagine this scene staged in live-action, with human actors having to portray this conversation rather than stylized cartoon people. It simply wouldn't come across the same way, Luffy would come across as an It's Always Sunny character at best. Why would a general audience sympathize with him? Why would they find him compelling or worth investing emotionally in?

And I'm not saying there aren't ways to adapt One Piece faithfully into live action, there absolutely are (much like the manga, I would make everyone ELSE the point-of-view characters looking AT Luffy rather than try and present him as a Likeable Protagonist, for example).

My point is just that in any translation into live action, there are going to be concessions to the medium, there are going to be concessions to film language, concessions to audience expectations, concessions to the market conditions, concessions to the studio funding the filming, and so on. That's just the nature of the endeavour.

When it's done well, you get an adaptation that preserves the spirit of the thing while fitting its medium. Lord of the Rings comes to mind, an adaptation which changed huge amounts from its source material, but preserved the spirit.

When it's done poorly you get... well, Cowboy Bebop on Netflix.

I don't know from the tiny trailer snippet we've seen whether this show will preserve the spirit of One Piece, it very well may not, and end up another victim on the pile of bad anime adaptations. But I don't think the fact that it changed the vibe of the characters or Main Character'd Luffy alone are reasons to dismiss it, at least not yet. Those might have been necessary concessions for the show to work in live action at all. We shall see.

I'm not super optimistic or excited (because, again, I remember Cowboy Bebop), but I'm not despairing of it yet either.

[eri-pl]

Lack of redemption arcs in the Legendarium

Surprisingly, I can't find many, if any at all.

I mean real redemption arcs ie character is evil / has done done serious evil at the start and they put actual work and things happen and at the end they're less evil and do less evil (or none at all).

(And ideally, they don't die at the completion of the arc but separately later or not at all.)

I don't mean things like "did evil things out of trauma it ignorance" (therapy or education is a different thing from redemption. All are great, but different people need different of those.) or "did one very minor thing and is sorry" (it's not an arc, it's something smaller). I mean the real deal.

There are implied redemption arcs (elves in Mandos in general), something that feels like a referenced arc but never described (Osse), a heavy edited story that at one point kind of feels like a redemption arc (Galadriel), failed attempts (all the baddies especially Smeagol and Mairon)...

I don't remember book Boromir well, maybe he... But he's not evil, just a little weak. He does very little wrong. He's more serious than makes bad choices.

Elu Thingol sort of has an arc on "don't be racist against humans" but then dies partially at being racist against dwarves so I'm not sure that counts either.

Lobelia Sackville-Baggins, whose greatest crime is being a mean relative. I guess this counts?

Even in Numenor, nobody gets it.

I know it's a modern trend to give everyone redemption arcs, but I would expect, with all the talk about mercy and pity, to see some actual results, more results than "yay, we got the evil defeated because we were good to the bad guy". With all due respect. That's a big result too. But anyway.

I suppose Tolkien just didn't vibe with bad people. He survived the war and I guess it needed more... How to call it? More thinking on terms of "if you cross this line, you're lost". I know theoretically he didn't see it like this. But in practice, you may only go so far (and it's not far) until you're beyond repair.

I don't like it. It's not how the world works. I went further.

Also, another thing that irks me tremendously, but it's an observable rule in all Legendarium:

When your aesthetic is dark or wrong, you are beyond salvation.

You like industry? Bye. You don't like light? Bye! You look ugly (not plain, just ugly)? There might be a few exceptions of Elves who went through Angband, but generally: bye. You don't laugh and feel uneasy in company? Out to the void with you, go join Morgoth. You are depressed and not in a nice (Frodo) way, but in a cold way that makes you feel cynical? Bye. You live at the East and like sun more than noon? You're probably evil too.

I may be oversimplifying a bit, but not by much. It is a thing.

That's not how things work!!!

Seriously. I was there. I was all those things. I am dinner if then still and don't consider it a problem.

I hate this in the books. I love Tolkien's work and what he tried to do, but I feel like I'm some places he failed at it dramatically and the general feel it's not faithful to his intentions.

I hope this rambling is understandable enough, I'm bad at English, especially when ranting.

Luckily, there are fanfics

[itmeblog]

Random Audio Drama Writing Tips

The more characters you add to a podcast the more time it's going to take to do anything.

Details: In order to make characters matter, people need to care for them. The more characters you want people to care about, the more people your audience has to meet, grow attached to, and fortunately (or unfortunately) people need time to grow invested. This means more scenes, more interactions, more information.

This goes twice as much for nuanced characters who aren't meant to be immediately likeable.

This is not mentioning that the larger the cast the more logistical issues you are going to face even if you are doing all the voices. Like... doing all the voices, or scheduling, stamina is a big one for me (After Keryth's voice I have to take a break). How much time can you demand of these people or yourself? Are you paying them or is this volunteer?

On a similar note, the more characters you have, the less nuanced you can make them, and the more important it is to give them distinct and memorable personalities.

If you are working on a time limit (due to budget, personal preference, or just how much time you can dedicate to the project) you should decide what story elements you want to prioritize.

Details: Plot, characters, personal arcs, worldbuilding etc. Are all important parts of a story, but they all take time to express. Now you can have a big cast in a limited series but know that you may have to sacrifice bits of lore for character moments (to show/hit emotional beats) , or straight up tell (rather than show) people what the characters are about, in order to move a plot forward. This tradeoff becomes less likely the fewer characters you have or the more episodes you can create. There's probably always going to be some sort of tradeoff somewhere regardless of the set up you choose (I am sitting on so much lore because I tend to prioritize character beats and plot... not necessarily in that order)

Decide how you're going to use sound! (preferably before you even put pen to paper but that might just be a personal preference)

Details: Of course sound is very important in audio drama but how you use it is going to impact your script and the descriptions you have to provide.

I use sfx to represent a set. As in my characters are there, they are interacting with the environment, I have floor plans and objects they are holding/fiddling with, I know the texture of the ground, I know if they fling their arms they might hit a wall, etc. This means that I can often get away with cursory descriptions in dialogue that can come across fairly naturally. "Oh look the beach!" I don't need to describe the way the waves hit the shore or that the sand looks like this or that, because in the background you can hear the waves, and hear the characters in the sand and I can let people fill in the blanks on their own.

Frankly, I'm an extreme case. This takes a ton of time and makes my podcasts a bit difficult for people with audio processing issues.

Other podcasts use sfx to direct listener attention to important objects or places in the story.

An important rattle, the sound of a body hitting the floor, the clicking of a keyboard, music to indicate emotion. It's less about setting and more about overall vibes and keeping track of plot relevant objects. These tend to require a little more description in the dialogue and there's usually some sort of framing device that facilitates this (they're talking over intercom, they're making captain's logs, they're describing something to a friend, they're making a podcast, they're three narrators in a trench coat, the character just likes to talk to themselves, etc.)

And other podcasts just use music, a set soundscape, or a tape recorder background

These tend to be single narrator and they tend to read like prose! Descriptions are often lush and in depth, usually limited POV. They generally have to describe or tell you everything you need to know!

Each one has its merits and there's no rule saying you have to stick to one for the entirety of a project, or that you can't land in between! And these are relatively broadstrokes.

[dazais-guardian-angel]

Okay, a good amount of time has passed, and after having seen this post by @weretiger-be-my-horse , I've been turning it over and over in my brain going absolutely feral over this concept. I need to expand upon my thoughts on this idea and all the evidence there is pointing towards it, whether that be actual tangible things, or purely strong vibes I have.

First of all, full disclaimer: I did not like the season 5 finale, and how it wrapped up the DoA arc. To say that I "disliked" it is putting it extremely lightly, in fact -- I absolutely hated it, and I am still, to a degree, in disbelief that I actually even watched those 24 minutes with my own two eyes, and that it somehow wasn't a complete fever dream. While I'm not going to go in long-winded detail into all the ways that I feel like the finale almost completely bastardized all of its featured characters and destroyed any and all buildup we've had going on in this arc for 50 some chapters now, because that's not the main point of this post, I will not make any attempt to hide the fact that the theory-crafting I'm about to pose here is partly influenced and prompted by how much I hated the finale, and how much I desperately hope that it will not end up being manga canon. Therefore, if you enjoyed the finale — and that's fine! — and don't want to read any negativity about it, then I would not recommend reading any further (I mean, you've probably already left by this point, which is fair lol), While obviously it's important that I be as objective and unbiased as possible when explaining my thoughts, some of my negative feelings about the writing will be a part of this analysis, even if this isn't going to be a full-blown rant. Just know that if you proceed.

With that out of the way, let me continue.

So. In the aforementioned post, the theory presented is that the anime may be operating on an alternate timeline, and that this will become evident once we read the upcoming October chapter, wherein things will go completely differently post-chapter 110 than they do in the final episode — probably for the worse, with the s5 finale intending to lull us into a false sense of security and make us assume that everything in the manga arc finale will wrap up as smoothly and consequence-freely(? lol) as it did in the anime one. It also suggests that the Fukuchi we see at the very end that sskk are fighting came from the manga timeline, where he won, and that he used the Book to jump to a timeline where he lost, the anime one, proven by the fact that this Fukuchi is wearing a mask with the same design on it as the mask Fukuchi is wearing on the chapter 110 DoA color spread/title page.

First of all, I want to note the fact that it's not just the mask design that's the same: the entire outfit is roughly more or less the same as well. It's not completely 1-to-1, because the anime can never fully match the intricacies of Harukawa's beautiful outfit designs, and the Fukuchi in this scene has the kimono half-off because of the... super saiyan mode he's in, but most all of the main pieces of clothing are there. Any small inaccuracies could also be attributed to the fact that Harukawa probably didn't have this finalized art ready back when this episode was being made, so the animators wouldn't have had the complete design to work off of. But in general, because it's all so similar, I think we can quite confidently say that the ending episode Fukuchi is meant to be the one from this manga art.

Also, people have pointed this out, but it's worth mentioning that the mask Asagiri wore at Anime Expo in July was referencing this Fukuchi. It's not a crucial detail, but it just proves more that Asagiri is a gigantic fucking troll, and that he clearly wanted to draw attention to this Fukuchi design. It's important. He describes the mask here as made in the motif of an ellipses inside a speech bubble... could that perhaps be referencing meta aspects, like the Book?

Next, I want to talk about the even bigger elephant in the room, which to me is the most damning and undeniable piece of evidence there is of the anime operating on a completely separate timeline from the manga:

This Fucking Hand™️

As we all know, in the anime, Fyodor injures his hand when the password input device blows up, and as we all know, this does not happen in the manga. In the last episode, Dazai claims that the final nail in the coffin of his impromptu plan to kill Fyodor relied on this hand injury: because Fyodor couldn't pilot his escape helicopter himself, he would ask one of his Meursault vampires to do it for him, unaware that Bram and thus this vampire was now on the ADA's side, and said vampire could kill him while his guard was down.

Ignoring how utterly stupid and contrived this plan is when you stop and think about it for more than two seconds, the fact of the matter is that something that initially seemed like nothing more than an odd but inconsequential anime original addition ended up snowballing into being the entire reason one of the big bads was brought down. If Fyodor hadn't hurt his hand, he wouldn't have needed another pilot, and so the traitor vampire wouldn't have had an opportunity to get near him and kill him without him expecting it even though said vampire was presumably with him as they were leaving Meursault, and was probably already a traitor by then, so there was plenty opportunity for him to still die. not to mention by Chuuya's hands at literally any time he wanted to, because Chuuya was coherent the whole time. Also there's absolutely no way Dazai could have known exactly what Ranpo would do, no matter how smart he is and how much he trusts him. idk it's fucking dumb, just roll with it. Therefore, putting aside all other variables for now, we can conclude that, on the most basic level, this signifies that no hand wound = no death.

And let me tell you, this hand wound bothers me. It really, really does. Because they focus on it a LOT — they go out of their way to draw attention to it MULTIPLE TIMES, from the moment it first happens to the end of the season. Fyodor even talks about it to himself, about Dazai being able to cause him tangible, visible, bodily harm, (something that, again, as far as we've seen, has never happened in the manga). Hell, even after Fyodor's death, they're still drawing attention to it, because his right arm is all of him that survives, and Dazai picks it up and gives it to Nikolai to do his hilarious sad little gay fondling of it played completely straight even though there's nothing straight going on here at all! It's like it's a big red flashing sign at all times going "you see this injured hand? This is important. Are you picking up that it's important? Are you taking note of it?" Why is that? Obviously, it serves to give us the lore crumbs about Fyodor and "that man", but that's hardly the main, much more glaring reason, as I've already mentioned.

Fyodor doesn't hurt his hand in the manga. Fyodor won't die here in the manga. I am so dead serious by this point about this, and it's not just simply the fact that this was absolutely not at all the time for him to die, or the fact that his hand is the reason for his death in the anime in and of itself, but how much EMPHASIS they place on this, and on the hand in general. What would be the point of adding something like this, if it's not meant to alert us to the fact that it has a major impact on how the story plays out? We all know Bones: they struggle to get right and include everything that's already there in the source material; they would never go out of their way to add something this noteworthy if there wasn't a very good reason for it, if it wasn't absolutely necessary. I've seen a few people bring up the fact that Fyodor gets shot in the shoulder by Sigma and that that could lead to the same outcome in the manga, but I disagree: although he has blood on his shoulder in the manga, it seems like the bullet just grazed the top of it, because his arm and hand appears completely functional afterwards (not hanging limp by his side or anything). But that doesn't even matter, because this isn't even about the semantics/logistics of how the hand wound caused Fyodor's death because again, it's a stupid outcome, or what could serve as a substitute in the manga — thematically, this is a textbook example of the butterfly effect. Countless parallel universes exist within this series, ones where even the most minute differences lead to a majorly different outcome: this just happens to be one of them. There's no reason to think it isn't, and there's no reason to not think that the anime wants us to clue into the fact that things only went as smoothly as they did on the Meursault side because of this wound; in other words, that things will go very differently in the manga thanks to the absence of said wound. They wouldn't have added it in the first place and put such clearly deliberate emphasis on it otherwise.

Things are going to happen very differently in the manga, at least when it comes to the Meursault crew (but then, if you assume that, you then naturally assume it all will be very different). This is the only conclusion one can come to with the presentation of this anime-only wound, combined with the fact that parallel universes are a very real thing in BSD.

I'm going to go on a bit of a tangent, so bear with me. I play a lot of visual novels, and although such concepts aren't really as original now as they were a while ago, some of my favorite and some of the very best VNs out there are the ones that break the fourth wall and make the visual novel branching route format directly intertwined with the story: you know, the ones where the characters go "if only I had done things differently, maybe everything would have turned out better...!" in a wink wink nudge nudge moment, and the ones where the characters are aware of the different timelines, even, or even have the ability to gain information from their selves in said alternate timelines to influence events in their current one (I'm intentionally not naming the games I'm thinking of for the sake of spoilers, but if you know, you know lmao). It gets very meta in this regard, and this is how I started viewing BSD through the lens of ever since I first learned about Beast: like a visual novel with many branching routes, and only a few routes that feel entirely "right".

When I first read Dazai's Entrance Exam, I was struck by how unnerving the ending sequence in the abandoned hospital felt. Obviously, Kunikida's internal struggle over Sasaki's actions and motives is him still desperately clinging to his ideal world that does not exist, but the specific type of phrases he uses — "who is wrong?" "[who is] the cause of all this?" "there has to be an ideal world" "there has to be something, I'm sure of it" "There must have been something we could have done!" — and the framing of the scene in general, is eerily reminiscent of a bad ending in a visual novel, to me. There's a haunting, looming, bleak sense that a different outcome could have been achieved, if different decisions had been made, or if things outside of anyone's control had been different... and we know that this is true, because in Beast alone, Kunikida never goes through the Azure Messenger incident, because Dazai doesn't have his entrance exam. Hell, you could even consider the anime's version of the Azure Messenger arc an alternate timeline in of itself, if you really wanted to, long before we even arrive at season 5.

When it comes to Beast, this timeline has almost the opposite feeling of what I described above, that I've also encountered in visual novels: the idea of a "good route" or "good ending" that still doesn't feel quite earned, or as perfect as one would expect. Beast is presented as the "ideal" timeline purely for one sole reason: Oda is alive. It is the only timeline where he's alive, and keeping Oda alive is the ultimate goal Dazai wants to achieve, the only reason this timeline exists; therefore, disregarding all else, Beast should be the best timeline, because Oda's death is the greatest devastation in the series to date. We all want him to live, so why wouldn't the timeline where he does be the best one? And yet... of course, it isn't. Dazai is alone, and steeped in darkness and loneliness without Oda, and dies by the end of the story for Oda's continued living. Atsushi has Kyouka still, but he's suffering and more traumatized, and unable to heal while stuck in the mafia, and neither can Kyouka. Akutagawa is living a much better life in the ADA... but without his sister, and without what he has from his bond with Atsushi in canon, that isn't replicated in Beast. And Oda... Oda is alive, and he has his children and his novel, but there is a feeling that he is aimless, that something in his life is missing. He has everything he ever wanted, but all that means nothing without what he truly needs: Dazai, and his time with Dazai and Ango at the bar. In this way, things going well and us getting what we want — in this case, Oda living — goes against how it's supposed to be, the natural order, which is why it feels so hollow. In the specific visual novel I'm thinking of here as a comparison (again, shoutout if you know), there's an alternate ending that involves you inputting information you gain at the end of the game very early on in the game, wherein the protagonist now has memories of the future and is able to bypass and prevent all of the events that take place normally. This means that people who die or are hurt somehow in general are saved from that fate, and nothing bad ever occurs; everything wraps up neatly and nicely... but again, there's an undeniable, unsettling feeling of emptiness, of a victory that rings hollow, because what's the point if everything is simply handed to you easily, where's the sense of accomplishment, without any struggles to achieve said victories, or any growth along the way? How can it feel earned if one doesn't have to, in Dazai's words, "scream within the storm of uncertainty, and run with flowing blood"?

You can probably already see where I'm going with this.

This finale feels weird. Really, really weird. It feels too cheap, too simple, too unsatisfying. So much so, in fact, that for almost the entire runtime, as I was bombarded with resolution upon resolution one after another, I kept thinking "There's no way this can be real. Where's the catch? When is the "gotcha!" moment gonna happen? The "it was all a dream" reveal?". And this isn't just because I hated the writing, and that it really did feel like a fever dream watching fanfic levels of bad (actually, that's an insult to fanfic writers, tbh; they could do better) — no, it genuinely feels so incredibly fake. Even upon rewatching it and already knowing what happens, my brain still naturally keeps expecting some kinda of "sike, you THOUGHT!" moment to suddenly appear. It just.... feels "too good to be true". Dazai and Chuuya come out unscathed, and it's revealed that they were never in any real danger to begin with. Fyodor, one of our biggest threats, is dealt with supposedly for good (I say "supposedly" only because of the Jesus line, but if anything imo, I think that's just a hint that this won't be the canon ending in the manga, so in a sense he's going to "come back to life"), and Nikolai seems somewhat at peace with his death. The other biggest threat, Fukuchi, is also dealt with, and he and Fukuzawa get their final moment together of closure. Yes, Sigma is left in Meursault don't even get me started on how angry this alone makes me, and Fukuzawa loses Fukuchi, but overall, everything is portrayed in a positive light, and any negatives or losses are quickly glossed over. Everything is tied up nicely, neatly, and smoothly. ...And that is exactly what makes it feel so wrong, and hard to trust in.

I'm not sure if this will make sense, but to me, the finale is so incredibly poorly written that it almost feels.... intentional. It's so bad to the point of feeling self-aware in how bad it is, how unrealistically happy and convenient an ending it is. It had to end this neatly in order to rush to wrap up this arc for the season finale and not leave the last episode on a cliffhanger — which imo is chiefly the main reason it turned out this way, and, if this whole theory is true, Asagiri just used it to his advantage — and I'm not saying this was probably an effect Bones had in mind intentionally, I'm sure they just threw shit at the wall and went with whatever stuck, maaaaybe with some suggestions/approval from Asagiri, but the result is that you have a conclusion that contradicts so much of what was set up before and goes against so many character arcs, making some characters so out of character and even regressing in their development Dazai. I'm talking about Dazai abandoning Sigma, because he would never; hashtag #NOTMYDAZAI. Also Nikolai, Nikolai for most of that is so ooc I can't even begin to describe it oh my god. Everyone is OOC to a degree though lmao, and opens so many plot holes, to the point that it's impossible not to watch all that and get the feeling that it is subtly saying to you "did you really think it could be this easy? It feels wrong, doesn't it? It doesn't feel satisfying. It feels unearned." I find it incredibly interesting and suspicious in particular that they confirmed multiple theories people had about soukoku in Meursault: that Chuuya slowed the elevator's fall so that Dazai wouldn't die from it, that Chuuya slowed down the bullet so that it only penetrated Dazai's skin and not his skull, and that the both of them used Fyodor's camera angle to their advantage because they knew he wouldn't be able to see certain things from his view. I'm not saying that Asagiri trawled BSD twitter and tumblr after those chapters dropped for the most popular theories before the final episode was made lmao, there was no time for that (imagine though lol—), but I do think it's highly likely that he already had in mind exactly what theories would be made about these parts (I mean, the evidence for the gun scene was all there), and that Dazai rattling them off in his long monologue to Fyodor at the end is essentially him speaking to the audience and going "yeah, that's what you would predict, right? Those are the clichés, after all", much like him suggesting earlier that he can maybe bring Chuuya back to himself with a few moving words and the power of friendship, and Fyodor using the split personalities trope to fool Sigma. We expect these tropes to be true. Of course we'd fall for them, as Fyodor tells Sigma, especially if the evidence is right there. But Asagiri himself has explicitly said that he likes doing the opposite of what people expect. And so just because people predicted correctly with the three things I mentioned in this timeline... doesn't mean they'll be true in the manga's. Things happened how we wanted and expected it to, and everything turned out happily. So we can relax now, right? Everything will work out just as easily in the manga, right? Or... is the reason most of this finale feels so fake and unsettling and unsatisfying because it's meant to lull us into a false sense of security before all our heroes lose in the manga? Because deep down, we don't want an ending that's this simple, because we'd rather have a conclusion where our characters have struggled more and grown more and come out the better for it, and we know it?

After rewatching the episode a lot, and watching some other videos, and doing a lot of thinking, I am pretty confident in suspecting that the only part of this finale that is actually from manga canon, aside from Aya jumping off the building of course, is Fyodor and Nikolai's exchange after Fyodor leaves Meursault — specifically, them talking about Fyodor leaving Sigma behind, and their "new game" and Nikolai being excited at the prospect of it. This little conversation actually feels in character for them, and it's easy to tell this when contrasting it with everything that happens immediately after, wherein Fyodor is fatally stabbed, and Nikolai, completely at odds with what he was just talking about, just... stands there and watches Fyodor die while Dazai monologues lmao. I'm not sure if the helicopter is still a factor, but I would bet good money on Fyolai getting out of Meursault being manga canon, and that Dazai and Chuuya getting out as well and killing Fyodor + everything with FukuFuku, is part of the anime original ending, in order to wrap up everything positively. It makes much more sense if you think about, in reality (aka in the manga), Dazai and Chuuya still being left behind in Meursault (where they can eventually try to get Sigma), because none of it was an act and things did not go according to plan, and Fukuchi having an entirely different goal that doesn't feel so stupid and contradictory to his character, and Fukuzawa possibly dying — everyone seemingly loses, with Aya still being the last hope, perhaps by awakening her ability like we all speculated.

There's a youtuber I watch who covers BSD in-depth, despite being an anime-only (she reads the respective manga content after each season, though). Going into this finale, she knew about the fact that the anime had overtaken the manga, though she didn't know where the cutoff point was; despite that, however, she made predictions about what was from the manga so far and what was anime original, and it was almost entirely spot-on, based mostly on what she basically described as "anime original dialogue." She talked about how you can always tell when dialogue is veering into the realm of anime-original, because the sentences are very short, choppy, and slightly out of character, but generic enough to not be TOO out of character, and so that anyone can easily write said lines, even if they're not extremely familiar with the character like the original author would be. And when I heard this explanation, everything clicked — because so much of this finale has dialogue like that. The Fyolai scenes just feel peppered with it, around the lines I mentioned earlier, the Dazai dialogue does too, and ESPECIALLY shit at the end like Fukuchi and Fukuzawa exchanging the cliche death lines to end all death lines: "Are you there? I'm a little tired." "Rest up." That just isn't Bungou Stray Dogs. That isn't Asagiri. BSD is cheesy at times, yes, but it isn't like this; it's smarter. The dialogue is smarter, the explanations/plot twists are smarter, Asagiri is smarter, and the aforementioned youtuber I watched agreed. She's a pretty casual fan of the series, so if even she could pick up on these things, I think it speaks volumes.

I mentioned this briefly earlier, but this theory makes sense if you consider that this situation probably came about because of Bones wanting two seasons back-to-back when they did, and this arc being as long as it is. Season 3 aired in 2019, and I imagine Bones would have wanted season 4 in 2020, and might have then been willing to wait a bit longer for season 5 in order for more of this arc's manga chapters to come out — but then covid happened. Because of that, season 4 was delayed to 2023, creating the longest gap we've had between seasons, and I wouldn't at all be surprised if the delay made them want season 5 right together with it, after getting so far "behind", so to speak. S4 was announced in November of 2021, and roughly around that time, Asagiri was finishing up writing the plot of the DoA arc. If Bones came to him sometime in late 2021 and said they wanted two seasons now (so basically, one giant two cour season), Asagiri would know that not only of course would this arc not be finished publishing in the manga for a very long time yet, but that roughly 20ish episodes would not be enough to cover it all to the end, with this arc being longer than any arc the anime has adapted to date. Because of all this, and the arc manga chapters being nowhere near fully drawn to completion, he'd have to make a decision about what to do, and what to give Bones. Without ending season 5 on a massive cliffhanger that wouldn't be resolved for years until an eventual season 6, the only other option would be to rush towards an anime-original ending for the DoA arc.... and for Asagiri to take advantage of that, and integrate it into BSD's lore. Thereby creating a truly unique cross-media experience that utilizes the different mediums to create multiple timelines, that could make both the anime and manga interact with each other and become part of a bigger picture (not that you'd need to see both to get the full experience, mind you, just that it'd provide a little bonus if you did).... and would without a doubt be Asagiri's biggest surprise yet.

...I feel like at this point I'm starting to ramble, and my evidence become more and more incoherent and less substantial lmao, so I should probably end this post. 💀 Thank you if you've read this far, and hopefully it made some semblance of sense, despite not being structured very well; I know I promised at the start to try to be as objective as possible and curb my negative feelings, but I'm not sure how well I succeeded in that regard. If it weren't for the Fukuchi thing and the Fyodor hand thing, I probably wouldn't take how wrong and strange and bad the finale feels to me as serious evidence about it being an alternate timeline, especially since I seem to be one of the only people who actually hates all of it.... but combined with everything else, I am just so convinced of this theory being true. It started off as pure copium, but as more time has gone on, I fully, 100% believe in my bones (ha) that there is no way that finale is the same Bungou Stray Dogs I know and love, for so many reasons. It just isn't. It can't be. I know BSD better than this, I know Asagiri better than this, and I know that it's absolutely in the realm of possibility for him to cook up this whole scheme to completely blindside us with in the upcoming chapters, because that's exactly the kind of shit Mr. "Please Be Surprised!" himself would pull. If I end up being completely wrong, I guess I'm wrong, and you can laugh at me all you want then.... but I just know that ages ago people were teasing the idea of the anime operating on a different timeline from the manga, and I truly do think that only now are we finally seeing that idea come to fruition, as a setup for Asagiri going full-bore insanity with the Book in the upcoming arc(s). if I and the OP of that theory end up right, this will be the wildest time in the BSD fandom's history.

Like. I cannot even emphasize how hard they are trolling us at this point. Something is going on. Something is being cooked over there, the likes of which we've never seen before... and I don't think any of us are ready for it.

Oh yeah, and one last thing of note: both Fyodor and Nikolai here have their right arms hidden from view. Is that alluding to anything? I'm not sure. I also think that since chapter 110 was so short, next chapter will likely be 110.5 instead of 111, and if that's the case, this title spread could still technically be associated with the next chapter... wherein we might see this Fukuchi, who ends up wreaking havoc, right before he jumps to the timeline in the anime, as we see him at the end of the s5 finale.

I guess we'll find out on Tuesday.

[gffa]

Kinda vibing off the other anon’s ask…how did you reconcile with Anakin’s portrayal in the clone wars cartoon? I keep trying to, but the movie version and cartoon version seem like completely different characters at times. Like Hayden’s Anakin is so emotional and reserved and idk, vulnerable? (also prettier lol) Just generally more relatable in his struggles with his fears, anger, etc. And the cartoon version is so…not. Just kinda feels like a generic hot headed, himbo protagonist. Which is weird since that’s supposed to lead to the man we see in RotS. (I have similar issues with Padme and Obi-Wan’s portrayals at times too. But that’s not nearly as bad as with Anakin) So like any advice  or words of wisdom would be greatly appreciated!!!🙏

This may not be a super helpful answer, but it's the truth of how I came to reconcile the two: 1. Trying to view Anakin's character through the lens of how the war changed him, how in some ways he was rewarded for it (because he's so good at killing things, he has a new confidence, ego in the stratosphere, self esteem still in the toilet, so he seems "settled" in his own skin at times, he gains a more confident demeanor, his issues manifest as the more traditional anger issues, etc.) even as it was slowly chipping away at his emotional foundations. I try to view Anakin (and the other characters) through the lens of how being in the middle of an active war zone practically 24/7 would change his day to day demeanor, even if I acknowledge that the real answer is "because they were trying to 'correct' Anakin's portrayal", this can pull the two versions a little closer together in my mind. 2. Focusing on the bigger themes, like rewatching the first season of TCW, I was struck by just how often Anakin was willing to throw people to the wolves to go rescue the ones he cared about. Like the whole thing with refusing to wipe Artoo's mission logs, so he's willing to risk his entire squad of clones to go rescue him, because that's what attachment is--the willingness to get a thousand people killed because you have been afraid to live without the one you love. Moments like that help bridge the gap a little further for me as well. Or the entire Mortis storyline is one I will defend as being a great look at Anakin's character and the themes of the Force (basically, it's the Force trying to get Anakin to get his shit together, that everything that happens in that arc is a reflection of Anakin's struggle as the Force tries to get him to face his inner self, because that's what the Force does) and that helps me with enjoying TCW, too. 3. Just giving it some time, not just since I first watched it, but settling into the idea that I will never fully reconcile it, it's just not possible for me, and that there are some ways I can reconcile it. Just... time to settle into the idea of its imperfections being okay and I still enjoy the good parts of it. 4. Maintaining my boundary of, "My foundation of understanding of Anakin's character comes from the movies, that is who the character is at his very core, that is the structure that everything else must rest on." and anything TCW adds on is still canon but is the layer over the movies. The movies/Hayden's portrayal will always come first for me, and anything that conflicts with that, I tend to view as "something else is driving the way he acts", "this is a partial layer, rather than a whole layer, like the movies are", rather than that it's a core component of who he is. That's pretty much it for me--I view TCW as part of Lucas' canon, but I also see it as connective tissue to Lucas' canon, rather than the foundation, which means that sometimes it feels a little off, and I can go, "Well, Anakin's acting like this because the war has made him appear more confident, but once that's over, at his core he would still have been that reserved, emotional, soft-shelled person we see from Hayden's performance."

[ddarker-dreams]

THAT GOJO FIC THOUGH??? an absolute masterpiece and soooo beautifully written. definitely felt super in character for him - equal parts eerie, entitled, and light-hearted? loved loved loved it.

i’m curious (not necessarily a request…unless?) just want to pick your brain about what that relationship between gojo and reader might look like as adults or a few years in the future. does his yandede tendency worsen? does reader ever try to leave or just accept how things are? what, if anything, would anger your interpretation of yan!gojo? how does he keep reader under his thumb for so many years? do others understand what he’s doing and what their relationship truly is? what even is their relationship? haha i’m so sorry i just loved your gojo so much and am foaming at the mouth for any more scraps you may have to offer

THANK YOU VERY MUUUUUUUUUCH there's something about questionable men that turns my pupils into hearts each and every time.

as for your questions, let's see... first and foremost, i've decided that the fic i discussed writing is like the 'baseline' universe with 'it's graduation, isn't it?' being a branching yandere narrative (or AU i guess)?? i came up with a backstory for the darling in IGII and thought it had enough potential to be explored further. so, all this to say that i'm working on the main story right now which will flesh out reader's relationship with shoko, geto, and gojo in particular. this'll give additional context to the relationship gojo and reader have in the yandere fic! for their time in high school, i've decided to split the story into three main arcs, each one taking place during reader's time as a first year, second year, and third year. (i have ideas for post high school-to the present day in when the main events of JJK pick up, but i'll focus on that later).

here's a general overview of the start of the fic. presently, its working title is 'golden girl.'

2005 — reader's first year arc.

takes place primarily from reader's perspective with the occasional shift to omniscient perspective. reader's from another country, so she's unfamiliar with all the politics/bureaucracy in japan's jujutsu scene. in-depth look at her first day at jujutsu tech, her initial impressions of shoko, gojo, and geto. gojo does something that reader views as irresponsible, kickstarting their decades long relationship with reader disliking him 😭

exploring the quintet's dynamic with one another. reader still thinks gojo is annoying, is okay with geto but finds something about him mildly unnerving, gets along best with shoko. gojo has intense 'kindergarden boy pulling the hair of the girl he has a crush on' energy. reader sloooooooowly warms up to him.

reader at this point has a rose-tinted view of jujutsu society. while she isn't ignorant to the reality sorcerers face when going about their jobs, she assumes everyone at the top must get along so everyone can best preserve the public's safety. can't fathom why it'd be any different. as such, the story's tone up until this point has a slice of life-esque vibe.

the first real conflict in this arc comes in the form of an assignment gojo, geto, and reader receive. a zenin sorcerer got whooped on what should've been an easy job, dirtying the family's image. to rectify this, the zenins pester jujutsu tech to send in the heavy artillery (aka gojo and geto) so it looks like the job was so difficult, some of the best sorcerers had to handle it. reader is also requested to join them for reasons that'll be revealed later.

(more under the cut because whewie this got long)

gojo and geto can pretty much see through the petty politics going on. they explain the machinations to reader, who decides to take the assignment serious regardless. gojo in particular is very blasé about the entire thing because one, that big ass ego and two, he's a teen. bad combo.

the assignment itself takes place in an abandoned nursery on the outskirts of nagoya. here, the three encounter the curse 'the caretaker' and its 'little ones.' now it's psychological horror time. gojo's arrogance exacerbated by reader's insistence on following protocol clash bad. the fight ends up not being so simple after all due to the curse's abilities. they eventually realize reader's cursed technique is Suspiciously best suited to work as a counter, but at grave risk and damage to herself. thanks zenins. ultimately, reader pulls it off, but receives heavy injuries in the process. gojo and geto are pissed about this entire thing. character development for the squad that'll play into their themes into adulthood (gojo's wish to upend the higher-ups, geto's disillusionment with jujutsu society, and a secret third thing for reader).

in what will serve as a parallel for post star plasma arc, the three are able to 'overcome' the event enough and grow closer for it. everyone's coping mechanisms kinda sucks but not to the degree it'll suck after the events of post star plasma arc.

reader's like oh boy, that was an eventful first year haha! i sure hope my second year isn't anywhere near as chaotic haha! :)

as for where the narrative would branch into a yandere AU, that'd take place mostly in reader's third year. personally, i think gojo would be a bit of an unhealthy weirdo no matter what in a romantic relationship, but just not to the Full yandere extent. so you'll see him up to some questionable shenanigans even in the main fic.

i apologize, i ended up laser focusing on gojo's relationship with reader so much that i didn't really answer your other questions GJSDKLFS i just feel like the events of the main story will go on to shape yandere and non yandere gojo's behavior with reader enough that without context, it won't make as much sense.

[aloneditee]

Sephiran and Zelgius Timeline UPDATED

Instead of just having a jumbled idea of the timeline of sephiran and zelgius's relationship I decided I was going to spend my day off writing up my idea of how their timeline works based on cannon information with my own little headcannon flair because i can and you can't stop me.

*THANK YOU VERY MUCH TO @theia-eos FOR COMMENTING WITH THE RADIANT DAWN ARTBOOK TIMELINE I HAVE USED IT TO UPDATE THIS TIMELINE WITH MORE ACCURATE INFORMATION* I also had to remove some sentences because tumblr gave me a fuckin character limit while editing this for some reason

Key:

Bold = explicit canon

unbold = rough estimate canon/ guess

italics = headcanon

urple = sephzelg highlight reel (gay thoughts)

red = year

Complete timeline after the keep reading thing:

625: Misaha’s assassination and the serenes massacre → lehran villain arc. Lehran presents the medallion to ashnard and enters daeins service under the guise of a “wise man”

626: “daeins sudden change” → this is likely when the bloodpact began its effects and the deaths of the daein royal family. I THINK THIS IS WHEN SEPHIRAN AND ZELGIUS MET

Zelgius was serving in the Daein army under general Gawain for a few years. While sephiran is serving as a wise man under ashnard's father he meets zelgius and zelgius confides in him and they agree to be with each other when zelgius eventually leaves the daien army.

Later that year Gawain dips out of Daein with Elena. Zelgius despairs that his Master left him. Zelgius would then enter sephirans service.

627: Ashnard becomes the king of daein, (This was originally when I thought zelgius joins sephiran but I found out Gawain actually left BEFORE Ashnard became king according to the radiant dawn artbook).

I assume Sephiran leaves Ashnards service after Ashnard gets what he wants. Seph doesnt fuck with his bad vibes.

627~635: Sephiran and Zelgius do a bit of travelling and make plans for big evil or something. Sephiran still being a travelling sage and zelgius being a knight not connected to any army until he joins the Begnion military perhaps a decade later

During this time sephiran scaffolds information about himself and his past to zelgius. I do genuinely think that sephiran eventually opens up about everything to zelgius (and vice versa) including him being lehran and the origin of the branded.

634: assuming ike is around 7 when his mom died, this would be around the time point where Gawain touched the medallion and lehran and zelgius saw the aftermath. 

The reason why I think ike is 7 years old here (*he's born in 628*) is because that is how old soren would have been too according to his own timeline (based on his support convos), and those two met the day before the gawain medallion shenanigan occurred

Idrk when seph and zel join begnion as dukes. Based off of the artbook zelgius was actually born into a begnion family before fleeing to daein so maybe he reclaimed the cador family name or something. Sephiran claimed to be from a long line of mages (Persis) and somehow become a noble through this so called mage lineage.

637: sephzelg 10 yr anniversary

635: Sanaki is born. Sephiran may or may not be a senator at this stage

Sephiran begins to rise up the senate ranks through rizz and zelgius rises up the army ranks

At some point between 635-640: sanakis parents are killed by the senate probably

640: sanaki (5 years old) becomes the empress of begnion and sephiran becomes the “senate leader” aka prime minister 

the event lekain talks about when sanaki would stfu during formal proceedings and they discover sephiran has insane babysitting skills occurs right after sanaki becomes the empress i think

645: beginning of mad kings war. At this point in time sephiran and zelgius would have been together for around 18-19 years

Black knight shenanigans. Sephiran travels tellius and gathers intel

Sepiran gets captured in crimea by daein military, probably waited for zelgius to go save him hence why he wouldnt fucking move when ike rescued him lmao

Black knight scraps ranulf, sephiran steps in and tells black knight to stand down

Sephiran eventually returns to begnion, tells everyone to get their fucking shit together, sends zelgius to go help ike (black knight still be existing). Zelgius’ group stays in daein while ikes group goes to crimea. BK does multiple warcrimes in the meant

646: Nados castle falls on the black knight. Sephiran rescues him and uses is epic healing skills to get zelgius to recover before the battle between ikes team and ashnard in the final chapter

646: End mad kings war. Sephiran annoys the shit out of ike by laughing at him for no reason. The black knight is “defeated”. Sephzelg 20 year anniversary aww

646-648: new evil world ending plan just launched

648: war part 2 electric boogaloo

Summer 648: Black knight return arc, sephiran is set to go to daein and tell jarod to stop being a cunt or something but gets thrown in jail before he got the chance to????

Autumn 648: Sephiran captured by the senate while zelgius is at war doing war stuff

Zelgius saves sephiran from jail part 2 electric boogaloo and the two of them start a cheeky uprising in bengion.

Zelgius and sephiran made a pact to die together in the tower. I think they made this agreement way in advance and they knew that was the end goal no matter what happens.

Winter 648: zelgius vs ike gay on gay violence. Zelgius dies. Sephiran either also dies or lives. pain and suffering

~1848: Ashunera returns. Lehran may or may not be there to greet her. Hope he dies soon

[fixaidea]

So at this point I think I'm deep enough into DMBJ to allow myself to have some Opinions, so here they are:

Books:

I'm only in the early chapters of Vol. 4 (basically the beginning of Ultimate Note) so a lot may change, but so far it's an enjoyable adventure series. It's refreshing that they're allowed to say 'zombie' and 'grave robber'. Also it makes much more internal sense than most of the dramas, not to mention the individual arcs get their proper mini-climaxes instead of leaving you with never ending narrative blueballs.

The consolidation of the Iron Triangle is a lot slower than in the dramas, but I know they'll get there, I've seen all the cute excerpts from the later books!

Also, I'm usually very wary of First Person narration, because the entire enjoyability of the book hinges on how entertaining the Main Character is, there's no escaping their head. Luckily Wu Xie is an interesting and fun head to be in. I cannot logically explain why he's giving me Rincewind vibes, but he kinda does. It's probably the constant internal screaming - though for him, when the 'flight or fight' instinct kicks in, he starts to bite.

Dramas:

The Lost Tomb:

The good: Say what you will, but I like the visuals. Also they were still allowed to say 'zombie' here.

The bad: I have nothing against Yang Yang, but the hair stylist obviously did.

The Lost Tomb 2:

The good: Cheng Yi and his ears.

The bad: ...So did we ever find out wtf was all that about Zhang Buxun? 'Cause if anything even remotely similar happens in the books, it comes up way further back, if at all. (If this thread DOES get resolved in 2,5 then I apologise, but pretty much everyone who mentions that drama warns against bothering with it, so I never did.)

Theirs is probably the least book-like Wu Xie.

Ultimate Note:

The good: Love this Iron Triangle, and generally I had more fun with this than the pervious two dramas.

The bad: I understand that if you don't have much of a budget quality soundtrack is probably the first to go, but I don't have to LIKE it.

Sha Hai:

The good: Man I love this one. Pretty self-contained, also one of the best production-quality-vise. Also all the thumbs-up to Qin Hao for pulling off this ruthless, bitter Wu Xie with just enough hints of the old Tianzhen that you can see this is still the same character.

The bad: Li Cu, my guy, I'm so sorry but I couldn't give a shit about awkward teenage love-stories when I was an awkward teenager and I'm not gonna start now.

Reboot (I'm only at ep. 14, so jury is still out):

The good: Definitely the best production, and I love the soundtrack.

The bad: Did the author fall out of love with Pangzi or...? In all other versions he's fun AND competent, here he's been relegated to a clown. :(

[fourteenfifteen]

may i request some friends at the table fic recs? i haven’t ventured really into the tag

HELLO ANON yeth you can.

i am not an expert and have not read everything but i have some faves! which i will sort by season for your convenience : ] also i have not finished sangfielle so i can't help you there lo siento. if you want more fics i would say a good place to start is @arwainian's fic marathon project. he has been reading everything in the tag and recommending things as he goes there's probably as many recs as u could want right there

ALSO stating at the top that i also write fic! not going to rec any of mine but i'm kind of a hottie i won't lie to u so that's there

OK recs under the cut

these are not in any particular order within seasons!

pzn/pld [at the top bc i have a palisade fic agenda]:

bad endings by elanoides

the stellar combustor arc but a time loop. amazing writing and an instant fave as soon as i read it. i mean come on dude it's a time loop fic come onnnnnnnn

i will reveal you by rozecrest

a recent addition to the tag that i really liked very fun brnine/gucci fic. where's that post about wanting every fic to also be a literary analysis essay that's me rn

use you as a focal point by joeysnowy

theeee crysanth/SI fic which ok it's a niche market but this is just a great one

party 2nite @ bc, rsvp capt. kb by fangirl_squee

VERY fun fic where the blue channel hosts a halloween party. i was giggling bro i won't lie to you

tm:

the cat who got the whipped cream by bluecloak

how often do you get to say that the most kudosed fic in a tag totally earns that in terms of quality? lovely and funny and absolutely gorgeously written

my place to land by lady_mab

yes it's the longest fic in the tag yes it's worth the time. total au that still manages to hit that tm vibe

as many times as it takes to get it right by theorangewitch

i just read this for the first time within the last couple weeks and oof it's a great one. very funny and creative and sweet reincarnation fic

excerpts/yours/beloved/signet.asmblg by kalcifer

signet and belgard twine fic!! great shit this one goes out to all the divine likers

c/w:

rising water by yellow

in lieu of a summary i'm just going to say that i'm actively not a cassmako person but i have read this fic a dozen times

light up the way by harpydora

damn i love these crazy kids. very good fix it fic for the ppl who cried at the end of counter/weight (everyone i assume)

hieron/marielda:

moving shadows / moving light by waveridden

uhh ok so do you know the reality show naked and afraid. ephrim and throndir on that. my secsam gift from last year which was a PRIVILEGE

champions of the world by fangirl_squee

an elaborate hieron hockey au longfic. very cozy and well-thought out

presque vu by fangirl_squee

ok this one is odd and hard to describe but very cool. genuinely have read very few fics like it. read if you like: hieron's tone, weird aus, and magical realism

and i follow just to find you by angstandcaffeine

oh my godddd i love this fic. the cw's supernatural WISHES

the killing of the king god's car by the traitor prince maelgwyn by thunder_rolled_a_six

a total classic that probably everyone would recommend to you. marielda high school au but ok i don't usually like that kind of thing so trust me on this one

fits and starts by luckydicekirby

augh. oh my god. does anybody else like crying. totally amazing samfam fic that really digs into god weirdness in a way that i love and also yeah it broke my heart

making something new by harpydora

love the samol characterization in this one also i just think it's fun

other?:

who put love in my head? by kaynara

does anybody else remember half past and flashback and absolute territory? no just me? ok well in any case this fic is so fun and the character voices are so great

ok that feels like a good list! i could absolutely generate a dozen more but i'll leave it there lol generally i will say the fic generated by this fandom is pretty high quality and you'll have a decent experience just looking around in the tag like there's some good stuff in there. worth taking a chance on things (esp recent stuff!)

[destinyc1020]

I loved your review of Challengers!!!! I watched the movie 3 times now and although I love the vibes the film gave me, I had big issues with the script and overall's Tashi's arc. I felt that the male characters were more interesting as ppl and their story of a close friendship turned rivalry to ending with both of them not speaking for years was quite compelling. I honestly just thought Tashi was a symbol for them tbh. this is where I blame the writer Justin cause the reason he made Tashi black was because he was inspired by Serena and Naomi Osaka however, this film is very apolitical. Outside of the mention of the alleged racist tennis opponent, her race is never mentioned. Her black father isn't even present in the older Tashi scenes. So what was the point of taking such good care of her white boys' line?

The last point is not going to be a point but a link. It discusses how Zendaya is the next leading lady of the generation. I have some thoughts but I hope you can read it so we can discuss. I do think that one critic has some inflammatory comments on Z that I feel are more personal than biased, but as a dark-skinned black woman, I can understand where that frustration comes from. It is tough because it is a lot and I appreciate if you do want to add any more discourse because I do feel Z sometimes is separated apart because she biracial black woman the bigger issue is Hollywood as an entity but using that white boy line kinda justify it for me.

https://www.vulture.com/article/zendaya-challengers-leading-lady-debate.html

Whew!!! Anon....this was a very deep and interesting read! Thank you for your kind words Anon about my review. Like I said, I'm always 100% honest on here about how I feel lol. 😄

I'll just say this, that overall, people are going to have varying opinions on someone's acting or just a film in general. I look at films and an actor's performance as just something that is subjective.... One person may LOVE a film or an actor's performance, and another person may think the film/acting was just "So-so". It's just like a piece of art. We can all have various different tastes, and I don't think there's anything wrong with that necessarily? Sometimes, our life experiences, exposure, and world view can shape how we view certain films or pieces of art. So, I am not even surprised that one of the critics in this article doesn't really care for Z's acting/films, etc... It's her personal opinion I guess.... 🤷🏾‍♀️

I'm a little iffy as well on Justin's writing tbh.... I remember when leaks of the script/screenplay FIRST came out, people were cringing lol. 😅 I'm glad that the film version wasn't as cringe-worthy as some people felt the film would be. I still would have changed some things about the writing.

But hey, sometimes, you don't need a picture-perfect film with picture-perfect characters. Sometimes, life is complicated, PEOPLE are complicated, and you don't need an ending that's tied neatly into a nice little bow with a "happily ever after" attached.

With that said, I'll comment and provide my reaction to some of the points in the article you just linked:

Whew... Welp...She made some interesting points. I know this will probably ruffle a few feathers here, but she's definitely coming in with some hard-hitting thoughts and feelings.

I've been saying this about Hollywood for years... The fact that monoracial, YOUNG, desirable, darker-skinned black women are basically ignored in Hollywood.... I do agree with her statements on this. I am a huge supporter of Z, and I love that she has the type of power that she has in Hollywood, but I do also feel for my darker-hued sisters as well. 😔

With regards to race.... Don't get me wrong, I don't need films where black people (black women especially) have to address RACE in every single role that is given a black person. Is it just me?? But sometimes, it's just REFRESHING to watch a movie, see a black person onscreen, and NOT have to think about race. 👀 We already have to deal with race and think about it just about every single day, 24/7... That can at times be exhausting. Sometimes, when you watch movies, you just want to ESCAPE...Escape your problems, escape reality, escape real life, or just escape what's on your mind atm, etc... You don't need a constant reminder of societal issues, and views of "blackness" in every single film that features a black person. At least, I don't feel that way.

But I do feel like certain elements and ways that woc (black women in particular) are portrayed onscreen DO play a huge role in how we are viewed in society, how we view ourselves, and how certain stereotypes are continuously perpetuated. 🤷🏾‍♀️

Anyway, I still hate that "white boys" line lol. It just seemed cringe to me, and totally out of nowhere lol. 😅 I'm like, do people even talk like that in REAL life? I doubt it lol.

Hmmm....interesting take.... 🤔

.

I meannnnn....I DO have to agree w/her statement on Timmy and Zendaya in the "Dune" franchise. I sense more platonic/"Friendship" chemistry btwn them, than actual sexual or sensual chemistry tbh. 👀

Whereas, I felt like she and Josh definitely seemed to have tangible sexual chemistry onscreen in "Challengers". Sometimes, you can know someone a little TOO well, that when you act with them in romantic scenes, it's not really believable because you two are like brother and sister vibes irl with each other lol. 🤣 I think that's the case w/Timmy and Zendaya onscreen.

.

While I don't agree with her that black people should ONLY work with mostly other black people onscreen lol, I will say that I agree with her part highlighted above. I've been saying for a while now that I'm really curious to see how Z would fare in a film directed by a black director, surrounded by a primarily black cast. 😊

.

With all of this said, I have to admit, this little part right here made me smile...

I can see it too! The Academy LOOOVES indie films like these. 😊😃

Anyway, great read Anon! 👍🏾 Thanks for sharing! It was good to get dual sides of the coin from their differing opinions.

[utahlive]

This ask isn't directly for Wilbur or the blog, but rather the person who runs this. A bit of an ooc ask about world building and expanding this universe since I'm invested

Are we as the audience perceived as people in this universe watching this show/documentary about Utah at our homes, sending in questions via telephone. Or are we just random people that show up in the gas station and keep coming back one by one at random times to talk about the "Dabi cosplayer". (I'd like the imagine the second one; just a but of faceless people pressed up against the glass outside asking the weirdest questions. Fits the vibe)

Do you, the owner of this blog, have a part to play in the universe? Are you the director to the show, a main camera man, or something else.

The fanart that's made for this blog, I'd like to imagine it's—again—just faceless people running up and slapping drawings they make on the convince store windows and running off, leaving the producers and Wilbur with it. Stuff like that :]

Im gonna be honest I said I was gonna do author q&a today specifically so I could answer this ask because I feel weird just answering it willy-nilly

I tend to be... pretty bad at storytelling. I always get wayyy too into my own head, and things get so complicated to a degree where only I can understand whats going on, which is something im obviously trying very hard to avoid. However I don't wanna sacrifice the story I want to tell, so I'm just doing my best here.

One of the biggest limitations right now is that I'm just struggling to explain exactly how the world works/the translation between "Utah" and irl/us. The biggest ones are time and what exactly is being aired, because obviously it doesn't take one whole day to answer two questions, but I don't have the energy to answer more than two q's per day. And of course the 'film crew' arent actually filming Wilbur while he's sleeping or anything like that, but it's hard to tell the story I want to tell without having scenes like that. Im hoping that things will get smoother as we go, but for now I've just been making it so that episodes that dont have 'transcript's in them aren't filmed (or have "artist rendition" notes), and lets say that even though its been over a month of answering questions for us, it's only been two or three weeks for wilbur.

As for what you guys are, you're viewers who are calling in from home! Kinda like a radio show. No one is physically showing up to the store or his house (that would be really funny though). I did have some scrapped ideas that I may bring back later about the film crew, but for now "they" dont have any deeper place in the story. I'm the camera man, I guess! I've been imagining it as just some guy with a camera in one hand, a headset to listen to calls, and a little paper pad to write down answers.

There are 886 asks in the inbox right now! Not all of them are asks, some of them are just comments about whats happening (which I love, I <3 hearing what you guys think) but unfortunately I can't answer all of them. I have a general outline so whenever I do pick story/plot asks, its ones that fit that outline, and every other time I just try to be funny.

nor/mal (jk. he/they/xe)

I was typing out the whole story and reasoning behind the pictures I chose but it was getting way too long (because I ended up going down a rabbit hole). Basically I found an old blog from 2010 where a girl had posted a picture of her room, it was a very positive post so I didn't think it would be offensive to use it (also there's a comment from 2016 on the blog post asking if the image can be used as reference, no reply, the author of the blog has not logged in for years). The bathroom was made in the Sims 4/I used pictures of my own dorm bathroom

smoked a blunt in the woods and thought about cwilbur's character arc a little too hard

im shy 👉👈

fucks me up that people continue to think about this blog after liking/reblogging

[abysskeeper]

What is that draws you to Ruby x Oscar? (I mean it on a 'pls infodump me' vibe.)

I enjoy committing to the bit of less popular ships in RWBY and suffering the consequences

@flytehwire Ok, seriously, to answer this properly I need to explain something about myself. When I am looking for character pairings, I am looking for, in order of importance: 1. Harmonious themes and rhetoric, 2. Character interactions, and 3. Other, extenuating factors. While other factors can sometimes determine how I view a pairing (romantic/platonic/friend/familial/etc) and character interactions can override the thematic element, I am primarily looking for those sweet, sweet story beats.

So, when you give me two kids carrying the weight of massive legacies they feel they have to fulfill, stepping into leadership roles neither were prepared for, and throw in a smattering of identity issues to boot? Yeah, I'm hooked 100%. These two are important to each other on a base narrative level, before even considering we see they're important to each other in their interactions throughout the show. Their arcs mirror each other, but are different enough that they compliment each other and are not going through the exact same thing.

By which I mean, both are struggling with the very same things listed above, but slightly to the left of each other to make them different enough that it makes them both unique and interesting in their own rights. For sake of time and ease of answering, I'm not going to fully cite my sources, but it became increasingly apparent (especially through v9) that Ruby's whole issue is attempting to follow the legacies of those from before her, starting with the general, Hunter/Huntress ideal and the heroes of stories in the early volumes, and then moving over to the SEWs and her mother in the later volumes. A lot of untangling in this personal arc for her revolves around reconciling the fairy tales she believed in and what is being asked of her in reality, and then determining who she is and what she stands for when it becomes apparent those ideals are more lofty dreams and reality is much more complicated. In essence, Ruby's arc is finding who she was when stripped of everything she believed as a child, and we saw that exactly throughout v9 ("What are you?" // "What is a Huntress?" ultimately boil down to "Who is Ruby Rose?")

Oscar, conversely, I would argue, already had some sense of who he was at the start. Sure, he may have wanted more and was unable to voice exactly what "more" was, but he's young...who honestly knew what they wanted to do with their life when they were 14? Regardless, his arc is less about asking who he is and is more about the fear of losing himself entirely now that he's part of the Ozcarnation line--and thus, it's also more about proving who he is to the world around him as everyone else assumes he's just another copy/paste of Oz. Oscar had to have a strong handle of his own identity at the start simply in order to beat the "he's just Ozpin" allegations, which he eventually did do (with some help from Oz's disappearing act).

And that isn't to say that there aren't echoes of each other's themes as well. Ruby very much does lose herself and must reassert who she is at her core (most evident in v9, but definitely starting in v7). Oscar very much does have to figure out who he is in the Ozcarnation line and how he specifically wants to handle situations (most prominent in the "Her name...is Jinn" decision in v6 and his actions through v7, but also metatextually hinted at when he talks to Ironwood at the end of v7 holding himself and acting like Ozpin, and then getting shot, and then in v8 when he tries to act like Ozma and Salem directly calls him out. It's almost like fate is punishing him because he's supposed to think and act like Oscar, and not try to be those who came before him...). And I think ultimately that's what makes them fun for me, they revolve around this overarching theme of identity in the face of legacies and destinies and leadership and each take a piece to compliment the other.

Of course, that doesn't mean they have to be romantic. And that's correct, they don't! Full transparency, I honestly wasn't fully onboard with Rosegarden until the end of v7/start of v8. Oscar's blush at getting rescued was the first time I felt fully vindicated over a ship, but the ending of v7 is really the beginning for the end of me I think. It was at that point where it became apparent their themes were merging and then splitting off again into the projected trajectories they're on now. And, in terms of interaction, throughout v7 and v8, Ruby and Oscar are shown repeatedly to be in sync with each other and trusting each other (even when they don't necessarily agree with each other!) All of those moments for me boiled down to one single, striking fact: because of what they're going through and how similar each struggle was, Ruby and Oscar to me are the only two characters in the show who could understand each other on a deeper level.

(And as an aside, the release of 'Until the End' and 'Fear' being the last two songs of that volume, and clearly being a Ruby song and an Oscar song respectively, completely altered my brain chemistry. That's a separate 3k essay, but the call and response between 'Fear's' "Who will you see there in the darkness? // When no one is watching who will you be? When you're afraid and everything changes will you see a stranger? // Feel proud or betrayed?" vs 'Until the End's' "I promise I’ll be here until...Our story has been told // 'Til our bodies break down every door // 'Til we find what we’ve been looking for // And stare with pride into the face of fear // In our finest hour, I’ll be standing here // And should we fall to darkness // This power, I will harness // I promise I’ll be here until the end" just does things to me on a personal level).

Others come close. Jaune and Weiss both have similar arcs about breaking legacies as well (Weiss with her family and Jaune with...presumably his family, if not his personal views on what he should be and on his promises to Pyrrha), but they're both on a far more personal and less world-shaping level than Ruby and Oscar. Blake as well, with reclaiming her identity, but that as well is a little more personal and also more about regaining what was "stolen" by Adam, so to speak, than finding herself altogether. And Penny is more about learning everything altogether and learning about who she can and cannot trust more than about who she is at her core. And, as an aside, I am a multi-shipper. I do like several of these pairings with Ruby, and Oscar and Penny is an utterly fascinating concept to me.

The reason why Ruby and Oscar come out on top for me is because at the end of the day, they're still the only two who can understand and empathize with each other on the deepest level. They're the two that appear to be entirely in sync with each other. And they're also the two currently slated to be running the show in the next generation. And if there's one thing I love more than seeing my power couple ships completely in love, it's seeing those two characters entirely and implicitly understanding and trusting each other.

This is of course glossing over a lot too. Their scenes together are often pretty striking: the dojo scene in v5 (Oscar admitting he's scared, Ruby for the first time really opening up about Penny and Pyrrha at The Fall of Beacon), the cane scene in v6 (Ruby being the only one to comfort Oscar and reaffirm that he isn't Oz), Oscar's panic during the fight with Cordo, like...every scene they had in v7, Oscar's blush in v8 and the almost hug that wasn't, and of course, THE scene in v9 (and another 3k essay could be written on why that had to be Oscar, though most of the starting points on my opinion for that are above). They also have some other dichotomies going on in their rhetoric, with the silver/gold symbolism and the sun/moon symbolism; and the extra info in the show with the "Warrior in the Woods" fairy tale and Oscar's allusion to the Little Prince. But several other people have written far better analyses on those than I could ever do currently, and this is getting long enough as is.

But yeah, tl;dr thematically and rhetorically complimentary kids just trying to do their best, figure themselves out, and save the world? Yeah, I wanna see them cuddle and comfort and rely on each other in the way they only can with the other.