it’s the sound that tips him off.
it’s late, half-past hell by his last count, and mactavish knows there shouldn’t be a single soul in the showers this time of night. though he’s sure if he asked, he’d be told a soul isn’t in there.
just a ghost.
he almost chokes on the thick steam filling the locker room; humid and hazy and the perfect cover. or it would be, if the man collapsed in the far stall cared about hiding.
mactavish hates himself a little for the low sigh that falls from his lips. he wishes he wasn't so disappointed; that the promises he's heard over and over and watched be broken as many times hadn't wedged their way into his heart and convinced him that maybe, maybe this could be the time it sticks.
he doesn't know what's worse; the disappointment or the lack of surprise.
he holds his breath through the steam and leans over the limp body; stinging hot water hitting his back, instantly soaking through his clothes and already starting to burn. he flicks the tap enough to take the bulk of the heat out and straightens; a groan startling out of the man beneath him at the sudden lash of tepid water.
mactavish crouches, knees clicking and hooks a hand under his bicep to pull him up straight against the wall. if there was any vomit on his skin, it's been washed away by the pelting stream and he supposes he can count himself lucky for that. he tilts his limp head back and slips his fingers into his mouth; holding down his tongue and ignores the way it lazily jolts under his fingers to check his airway.
clear.
another small victory.
mactavish pulls his fingers out and cups his chin, keeping him tilted up and moves in the way of the water again so he can pull at his eyelid.
the eye he's met with is cloudy, so dilated there's hardly a ring of blue left.
he sighs again; hand falling away and letting his eye fall shut. "god damnit, riley."
riley moans, all his weight resting on the hand holding his jaw.
"aye, 'm talking ‘bout you," he grunts tiredly.
he lets riley's head fall forward to grab his arm, pulling him away from the wall to sit behind him; propping his body up against his chest. he leans his head back over his shoulder, keeping his face out of the water and his airway open just in case he hasn't actually finished throwing up.
he takes the rag riley'd half-managed to soap up and mechanically runs it over him; cataloguing new bruises and cuts and checking if the old ones are healing. sickly yellow fingerprints ring his hips, red splotches paint his ribs; too new to have settled into the deep purple he knows they’ll become.
riley slowly makes more noise as he rubs life into his body; still lying limp against his front but his head's starting to roll restlessly on his shoulder. he swipes between his legs and carefully doesn't think a single thing about what he finds.
"sean?" he rasps and mactavish's hand stills; eyes falling shut. he bites his check, hand clenching around the rag tight enough to shake and breathes hard out his nose.
he doesn't say a word, just forces himself to go back to cleaning.
he's not sure what would come out of his mouth if he did.
riley isn't conscious enough to hear him anyway.
he runs his fingers over his inner elbows for tracks and manages to muster some relief when he doesn't find any. seems to be a pill and booze night; far from the worst condition he's found him in.
he rinses him off, running a curtesy hand over his shaved head only for it to fall back to his jaw; his thumb stroking over the thick scar carved into his cheek.
"you gotta stop doin' this," he whispers.
he isn’t sure if he’s talking to riley or himself.
mactavish gathers up riley's too-light body into his arms and turns off the shower. his head lolls into his throat and he throws a towel over his dripping body and another over his shoulder. it doesn't stop him from tracking water all the way to his quarters but he'd like to see someone try to put in a complaint about it.
he lays out the other towel on the bed and sets riley down; moving his body into the recovery position in an all-too familiar routine. he dries him enough that he won't soak the covers as he pulls them up to his chest and kicks the waste bin within grabbing distance of the bed.
he goes to pull off his sodden clothes when a different noise makes him freeze.
a low sniffle.
mactavish slowly turns back to the bed to find riley's eyes squinting open; glazed with tears as he kneads at the covers.
he stares at him for a moment as he looks around the room and those hazy eyes lock on him for the first time. "cap'n?"
he swallows. "aye; s'just me, riley."
his hand pokes out from under the covers and for all the promises he's made himself - all the “never again”s and “this is the last time”s - at the end of the day, he's weak.
he sits on the side of the bed and takes riley's hand in his; already so cold after nearly boiling himself alive.
"y' mad a' me?" he sniffs.
mactavish runs his tongue over his lip and slowly shakes his head. "no, i'm not mad at you."
"prom'se?" he pushes.
he reaches out and caresses his temple with his thumb. his hand almost covers his head and it cuts like a knife to remember just how small riley is. "aye," he says, hushed. "i promise."
riley's eyes fall shut, voicelessly murmuring 'promise’ to himself over and over.
"I’ll ge’ bett'r," he slurs and between one breath and the next, he's out.
mactavish sighs, running his hand in a final pass over his head and stares at a face that looks so much younger in sleep; bruised and sallow skin hidden in the shadows. "i know you will."
he presses a slow kiss to his forehead, shutting his eyes against the grief that wells in his heart and gets up to pull a chair over to the bed; settling in for another long night's vigil of watching his broken lieutenant sleep, ready to tilt him over if he throws up, eyes locked on the slow rise and fall of his chest fearing tonight may finally be the time it stops.
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Something rubbed against his leg beneath the table. Jon saw red eyes staring up at him. “Hungry again?” he asked. There was still half a honeyed chicken in the center of the table. Jon reached out to tear off a leg, then had a better idea. He knifed the bird whole and let the carcass slide to the floor between his legs. Ghost ripped into it in savage silence. His brothers and sisters had not been permitted to bring their wolves to the banquet, but there were more curs than Jon could count at this end of the hall, and no one had said a word about his pup. He told himself he was fortunate in that too.
His eyes stung. Jon rubbed at them savagely, cursing the smoke. He swallowed another gulp of wine and watched his direwolf devour the chicken.
Dogs moved between the tables, trailing after the serving girls. One of them, a black mongrel bitch with long yellow eyes, caught a scent of the chicken. She stopped and edged under the bench to get a share. Jon watched the confrontation. The bitch growled low in her throat and moved closer. Ghost looked up, silent, and fixed the dog with those hot red eyes. The bitch snapped an angry challenge. She was three times the size of the direwolf pup. Ghost did not move. He stood over his prize and opened his mouth, baring his fangs. The bitch tensed, barked again, then thought better of this fight. She turned and slunk away, with one last defiant snap to save her pride. Ghost went back to his meal.
Jon grinned and reached under the table to ruffle the shaggy white fur. The direwolf looked up at him, nipped gently at his hand, then went back to eating.
Jon I, AGOT
It's interesting that GRRM would dedicate several paragraphs to a seemingly unimportant exchange between a boy, his wolf, and an unfriendly third party. But there's just something about this passage that has continued to nag at me for years since I first read it because, considering how heavy handed GRRM was with the foreshadowing in AGOT, this feels important.
Jon is sitting at table full of squires - aka would be knights. We don't really know who they are or what families they belong to, but it's safe to assume that they come from a certain level of privilege; this is considering the fact that it cannot be financially easy to be a squire. And these boys already have a slew of tales detailing all their previous knightly exploits regarding "battle and bedding and the hunt" which suggests that they have some capital. So you have boys who will soon be men. And they will, presumably, become men of some power.
These lads eat their fill of the chicken until only half remains, which Jon then gives to Ghost. The direwolf's name is not so important here but what he represents is. Throughout the series, we're told that Ghost is reminiscent of the weirwood trees (because of his red eyes and white fur). He's stated to be of and from the Old Gods and since he's a personification of the weirwoods, he might as well be one of them. It's almost as if Jon is presenting whatever is left on the table to the Old Gods (Ghost). He lets them devour his offerings while he silently watches. And the motif of watching is so interesting here because it's kind of like Jon takes on a stewardship role - to watch over land/people/etc. He oversees Ghost eating the chicken, so he's overseeing whatever has been given to the Old Gods. This is not new imagery to his arc. As a brother of the Night's Watch and eventually its leader, we have several instances where he leads people to adopting the Old Gods in some fashion. In ADWD, several recruits swear their vows to the Old Gods while he watches on as their Lord Commander. The Old Gods are also primarily of the North and we're told that Jon has more of the north in him than his brothers; interesting that this also includes Bran. So perhaps whatever is being offered to the Old Gods relates to the North.
We must also note that Jon initially thinks to give only a small portion, a leg, before pivoting and providing the entire thing. It feels to me a bit like the process of carving up a kingdom or something similar. The lords (represented by the squires) take what they want and leave aside what they don't; or perhaps they have eaten to their fill and can take no more. Then when his time comes, Jon first considers a small piece of land/group of people before eventually absorbing all of whatever is left behind. The concept of carving up a kingdom rings harder considering that we have several callbacks to the ideals of kingship in this chapter. Robert, Jaime, Tyrion, and even Mance though we don't know it yet, all play into this. And then there's the aspect of Jon letting the chicken slip between his legs which evokes birth/fatherhood, a very curious choice when GRRM could've just had Jon place the chicken on the floor. So land/people are carved up and Jon then uses whatever is left to birth his own type of kingdom. And this kingdom is one for the Old Gods.
This also touches on something that has been quite prevalent throughout Jon's arc. It's the concept of accepting the "others" or "those left over" who live apart from the accepted social norms. Arya (a tomboy), Sam (a gender non-confirming boy), the Night's Watch (criminals, extra sons, and men who have no future left or place to go), and even the wildlings are all examples of this. And Jon takes on a leadership/paternal role to every single one of them. He looks after them as a leader would/should. Sometimes, in the case of Arya and the wildlings, he's equated to a king. He's a steward/shepherd/king. There's messianic undertones to this:
Come unto me, all you who are heavy laden, and I will give you rest.
Take my yoke upon you and learn from me, for I am gentle and humble in heart, and you will find rest for your souls.
For my yoke is easy and my burden is light." (Matthew 11:28-30).
If you're familiar with Judeo-Christian tradition, you'll know that Jesus is often personified as one who spent the majority his time among the outcasts. The idea is that he came to save them too and that anew kingdom (or new earth depending on your translation) would spring up after the end of the world where he would forever rule as king; which presents the idea of a final king after the earthly ones are done away with. Now GRRM isn't so heavy handed with Christian allusions as other authors out there, but he does have a Catholic background and Jon is so overtly a Jesus figure. And in Revelation, Jesus is king and god at the very end....
One last thing: the mention of the mongrel who challenges Jon has always been rather interesting but confusing to me. A mongrel doesn't really relate to one specific type of dog. But it's interesting that Jon notes several roaming about where he is. They follow the serving girls who carry the food to be offered. Mongrels are used to describe antagonist/villainous groups in ASOIAF. Sometimes, they're used to describe slavers in Essos. But what's interesting is that most of the time, they're used to describe Euron's Ironborn especially in Victorian's POV. So I don't think the mongrel who challenges Ghost is a supernatural threat of death (i.e., the Others) but rather a human one. They represent those who are called to the scene once the lords have finished playing their games. It almost feels like a feast for (carrion) crows....
But it doesn't really matter because this mongrel isn't much of a challenge for Ghost. Though the mongrel is much larger, the direwolf is able to fend her off very effortlessly. Given that "mongrel" is used to describe Ironborn raiders, could this exchange between Ghost and the mongrel point to reavers or sea raiders who rise and fail challenge Jon kingdom? There is a historical King Jon Stark who did this....
When sea raiders landed in the east, Jon drove them out and built a castle, the Wolf's Den, at the mouth of the White Knife, so as to be able to defend the mouth of the river.[1][2] His son, Rickard, followed him on the throne and annexed the Neck to the north.
ref.
So this might shed some light not only on Jon's already published arc, but also on what we can expect in the future. We have some foreshadowing through Jon's ADWD dream that he will not only rise with the dawn (thereby live through the Long Night), but will be in a position to lead people (wildings in that chapter) to a new peace after a hard fought war. Also remember that the wildlings, rather enthusiastically, swear oaths to him as if swearing oaths to their king. In this instance, the supernatural (a dream of the war for the dawn) is followed by the natural/human. So perhaps this particular passage (and Jon's dream) can be used to predict that Jon comes out on top, and quite effortlessly too, as a leader. And he becomes a leader who rules by association with the Old Gods; or rules a kingdom for them.
To end, I think it's of note that this passage immediately precedes Jon's conversation with Benjen where he voices his desire to go out on his own - the hero's call to action. This is the adventure that's going to kickstart his growth as a man, warrior and most importantly, a leader. So it looks like before we even began, GRRM telegraphed how it would all end in just three short paragraphs.
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