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ferritins · 3 months

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TOO HOT TO HANDLE (HOT TO GO!) | J. TODD

“I don't care how many years I've known you and how goddamn hot it is; we have not been friends for long enough to excuse you wearing short shorts in my home.”

“Short shorts?” Jason splutters. “They’re not fucking Daisy Dukes! These are US Army issue nylon tricot weave PT shorts! The Marines wear these!”

Yeah, you think, but I strongly doubt the Marines make them look borderline obscene.

Your eyes keep tracking to the thick, corded muscle of thighs, the ochre-gold of tanned skin cut through with dusk-rose scarring, the way the hems of his shorts strain against the sheer bulk of him.

(You’re ogling him. Knowing that doesn’t make it any easier to look away.)

“Actually, they phased silkies out of Marine PT uniform issue in 2011.” You say, mouth dry. “The US Armed Forces is responsible for many atrocities, but your slutty choice in shorts is not one of them.”

Realisation of what you've said strikes like a meteor through marzipan. You start throwing silent prayers to every god you can think of that Jason doesn’t pick up on a particular detail of your response.

You can practically see the moment that any divinity that exists in the universe decides to spite you, and the second half of your comment registers in Jason’s head.

He blinks hard, mouth dropping into a comedic little ‘o’.

“Wait a minute. You think my shorts are slutty?”

"...I think that if you can look me in the eye and tell me that three inch inseam shorts aren't a questionable choice when you're packing heat like that, you're lying to both me and yourself.” You reply diplomatically, tearing your eyes away from those delectable thighs.

Jason's ears flush crimson.

“Oh, like your shirt is so much better with that many buttons undone.”

You start, glancing down at yourself. Sure, there's more décolletage on show than you'd perhaps feel strictly comfortable with in public, but your shirt is hardly indecent. You look back up to find Jason's eyes trained on the hook of your collarbone, right at the point where it dips into the suprasternal notch; his eyes flit up to meet yours, pupils blown, as a patchy flush floods his cheeks.

“Wha— are you a bloody Victorian? Is showing a little bit of collarbone in my own apartment really scandalous enough to make you blush?” You ask, laughing a little with incredulity.

“Nothing Victorian about either of us, if the way you were staring at my legs is any indication about how your mind works. ”Jason retorts. Your jaw drops, and Jason snickers. “Yeah, sweetheart, I noticed.”

You feel your blood rush to your face at a frankly mortifying speed, Jason's smirk turning distinctly wolfish at your clear embarrassment.

“Okay, so we're both godless slatterns. Good chat. Glad we can end this here before I die of embarrassment.” You mutter.

Jason quirks an eyebrow.

“Slattern? Why, was ogling my thighs doing it for you, sweetheart? Thinking about how one of them would feel between your own?”

Jason's voice tips into a baritenor rumble at the end of the sentence, the sound sending heat dripping into the pit of your belly.

You can see that goddamn smirk on his face, caught somewhere between teasing and a flash of teeth, clearly enjoying every second of your fluster.

You've got to get your lick back.

“Depends. What was it you were thinking about, Jay? How pretty my collarbone might bruise after you sink your teeth into it? Or is touch more your thing, huh? Wondering about my skin under your fingers?”

The sound that leaves Jason is punched-out, his pupils blowing out to the size of dinner plates.

Your lips quirk up, something like victory in the corners of your smile.

Before you can gloat, you find yourself pressed up into the back of your sofa, Jason we'll and truly in your personal space.

Hovered over you, he’s all supposition; unyielding muscle and sharp lines, hard planes to your soft curves, flooding your nose with the scent of cologne and gunpowder.

You find yourself blinking up into a pair of ink-black pupils, ringed ever so faintly by teal.

“You are playing,” Jason murmurs, “a very dangerous game.”

“Am I winning?” You laugh.

“Fuck.” Jason mutters, husky and emphatic, then; “if you knew how long I’ve wanted—“

He breaks off, a savage huff of breath leaving him.

“Look, if you’re just teasing, I need you to say something now, before—“

With a roll of your eyes, you press your lips to his in a brief, close-mouthed kiss. When you pull back, Jason looks sun-stunned, hope and disbelief warring in his eyes.

“Idiot.” You snark fondly. “You didn’t answer my question. Am I winning?”

A moment, then two, then he’s brushing butterfly kisses to your cheeks, temple, the tip of your nose and the soft hinge of your jaw before, finally, finally, his lips press to yours, close-mouthed and chaste.

The two of you trade slow, shy kisses, soft and sweet until you catch Jason’s full bottom lip between your teeth, tugging slightly.

You hear his breath catch, and the kisses abruptly turn filthy; Jason licking at the seam of your lips until you open up for him, the electric pressure of his tongue against yours, sharp, incisors nipping sharply at your bottom lip.

You could die happily like this, you think; Jason’s hands rucking up your shirt, his mouth on yours, the knowledge of how he tastes burned into your synapses.

When you part, your chest is burning with air hunger, and your lips are spit-slick and puffy.

As much as you’d like to continue, you’re desperate for a cold drink, and only some of the sweat at your hairline is courtesy of your marathon make out.

You say as much to Jason, who groans, full throated, and sucks a savage mark into the side of your neck.

“Okay, you absolute menace. I’ll go grab you a coke, and as soon it gets below 95 in the shade, I’ll show you just how much of a winner you are.”

wallahi england is a godforsaken nation and not just because of r*shi s*nak and k*ir st*rmer. how is the humidity 81% at 11pm at night??? “marley aren’t u african and from desert country” YES. WHERE HOT ALSO MEANS DRY, AS GOD INTENDED.

at least desert country is arid heat.

anyway: Jason Todd good hot, England bad hot (and also a failed state run by cartoonishly corrupt devils, but enough abt britpol).

this one goes out to my fellow Jason Todd apologists @sems-diarie and @stars-n-sweets !!!

#jason todd #jason todd x reader #red hood x reader #jason todd x you #jason todd x gn!reader #dc x reader #red hood x you #red hood x gn!reader #marley.txt #my writing #jason todd fic #jason todd fluff #this fic sponsored by England Being Too Fucking Hot

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renard-dartigue · 5 months

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Hi now i'm curious what is the beef with the rappers

Man this is going to be long so I'll try to keep this simple and entertaining. I hope this comes across as clear cause I'm shook right now.

Here is a glossarie to break thing up:

Prologue (The Spark 🔥)

Round 1.1 (Physical Education 💪🏾)

Interlude part 1 (Roots 🏠)

Round 1.2 (2 Warning Shots 🔫)

Interlude part 2 (Pusha the Seer 👁)

Round 2.1 (Knifes Out 🔪 )

Round 2.2 (The Nuke 💥)

Epilogue (All eyes on him 👀)

My Theory 🤷🏾‍♂️

Highly recommend checking out the tracks yourself while you read along.

Prologue (The Spark)

Let it be known that I am a neutral party and that I don't take sides when it comes to rap beef. I was here for the music and creativity. I am just trying to recount events to the best of my knowledge. Sorry if some details are inaccurate.

Okay so basically, Drake, J Cole, and Kendrick Lamar are the Big 3 of the rap world right now.

A month ago, Future and Metro Boomin (two rapper who supposedly don't fuck with Drake anymore) released a song with Kendrick Lamar called "Like That". In the song Kendrick took a shot at Drake and J Cole, saying there isn't a big 3, its only him on top.

4 weeks ago J Cole dropped a track called "7 Minute Drill" that is dissing Kendrick. However, in a move that is very uncharacteristic of J, he took down the official track and formally apologized to Kendrick. Thus signaling his exit from the rap battle.

ROUND 1.1 (Physical Ed)

Drake on the other hand dropped "Push Ups" 2 weeks ago, a diss track that went after other rappers he doesn't like but mainly Kendrick. In it, he made fun of Kendrick's height and his contracts. He then ends the song with "I was really try'n keep it PG" meaning he has a nuke on Kendrick that people don't know.

Not long later, Drake dropped ANOTHER diss track "Taylor Made Freestyle" with Ai voices of Snoop Dog and fucking 2PAC! Kendrick has stated before that 2pac is one of his idols so this must have been a deep cut. In the song Drake claims Kendrick doesn't write his own music and uses the writers of Taylor Swift. Relating a rapper to pop music is seen as disrespectful.

INTERLUDE PART 1 (Roots)

Before I continue, I want to give a brief run down on how the public perceives these two rappers.

Drake portrays himself as a superstar, he's always on social media flaunting his success and partying with other celebrities, seeing alot of women and living a lavish lifestyle. His music is catchy, something you put on in the club. Most of his fan base praise him for his sick beats and witty lyrics. He's been in the music industry for a while and is no push over.

Kendrick Lamar is a very private person, doesn't expose anything about his personal life unless its on a track. He almost never gets into fights with anyone. He is a family man, stressing the importance of being there for his wife and son and encourages other fathers to do the same. His fan base praise him for his creative lyrics and highlighting the black American condition.

ROUND 1.2 (2 Warning Shots)

2 Day ago, Kendrick Lamar came back with his first official diss track on Drake called "Euphoria". In this song, Kendrick goes in on Drakes fake personality. Drake has always been known around the community as a bit of a poser, he grew up in Canada and was raised by his white mother, a relatively comfortable childhood. He was a star on the popular show Degassi when he was young. garnering him a fan base early in his career. Kendrick doesn't approve of Drake appropriating black American culture and acting like he some tough guy. When in reality he is a Canadian nerd thats disrespectful to 2pac. All throughout the song, Kendrick hits at things that many people have know about Drake, such as his behavior around underage girls. He also called Drake a deadbeat father who isn't in his son's life, even referencing his lost battle to Pusha T. Then Kendrick finally warns him that he has more dirt that he is willing to share if Drake takes things further.

Similar to Drake, Kendrick dropped another track called "6:16 in LA" later that day. This song focuses on Drake's environment, specifically the people he hangs with. Kendrick implies that Drake paid people to dig into his background and when they didn't find anything, Drake made up stuff instead. Kendrick then says that someone in Drakes group is leaking information to him about something even more serious. Also planting a seed in Drake's mind that his supposed friends don't actually like him, just like the clout from hanging around him.

INTERLUDE PART 2 (Pusha the Seer)

Taking a quick break again, we need to discuss something that occurred long before Drake's battle with Kendrick.

5 years ago, Drake was in a rap battle with rapper Pusha T, someone who was smaller than Drake at the time in terms of popularity. Pusha dropped a song called "The Story of Adidon" where he dropped a bomb that Drake had a kid and wasn't taking care of him. Drake initially denied it but it was later revealed to be true.

Since then Drake has never responded to Pusha T's diss track, making Pusha the current winner. And Kendrick is bringing it back into the light.

Round 2.1 (Knifes Out)

Around 2 am EST time of May 4th, Drake drops his diss track, "Family Matters" one of his strongest songs, switching his flow 3 times in the span of 7 minutes. In true Drake fashion, its a club song with a catchy beat. Like his previous diss, its aimed at multiple people but the main focus is on Kendrick, even bring up "I was really try'n keep this PG".

Drake doubles down on his black identity and mocks the fact that Kendrick and other rappers are saying he isn't black, (incorrectly assuming that they are coming at him for being mixed when the real issue is that he is appropriating black American rap culture as a Canadian mixed man who grew up in a safe environment) Drake not only calls Kendrick a fraud who only raps about black issues for attention, Or that his activism is performative. He makes a shocking claims that Kendrick is a wife beater. Then Drake says that Kendrick's son doesn't belong to him and implies Kendrick's producer was the real father.

The track caused an uproar. But only for the span of 15 minutes. Because Kendrick did the unthinkable.

ROUND 2.2 (THE NUKE)

Almost as if expecting Drake's move, Kendrick Lamar did what no one saw coming. He dropped his diss track "Meet The Grahams" about 15 minutes after Drake released "Family Matters".

This time around, in a fashion almost unheard of from him, Kendrick strips all the usual metaphors from his lyricism and structures his track like he is speaking to Drake and his family, 4 parts per individual.

Kendrick begins by speaking to Drakes Son, Adonis, the same son Pusha T exposed Drake for neglecting 5 years ago. He's apologizing to him for his father's behavior. Kendrick speaks to him softly but sternly like a mentor, telling him not to be like his father. Kendrick tells Adonis all the things Drake did and warns him not to do them too: involved with escorts, plastic surgery to appear more black, surgery to look more muscular, hiding a kid. (Kendrick stresses that Adonis is black regardless of being mixed, further highlighting that he isn't discrediting Drake's blackness because he's mixed but because he isn't being himself.) Finishing of by telling the kid to be proud of who he is.

The second half is Kendrick addressing Drake's mother and father, Sandra and Denise. Kendrick speaks to her like he's revealing tragic news, explaining to her that her son is involved in disgusting things. He goes down a list of things, his tone growing more intense and angry. Kendrick then claimed that Drake is employing and enabling pedos in his group, and hopes they die. Even implying that his group is going to be raided by the feds some day.

The third half is the MOST shocking of all. Kendrick begins talking to an unnamed individual, simply calls her babygirl. Similar to Adonis, Kendrick takes on a somber tone and apologizes to her for Drakes behavior. He says its not her fault Drake abandoned her, says that she is deserving of love. He warns her not to become a target for people like Drake to pray on and says she has so much to offer the world.

Kendrick revealed Drake has ANOTHER kid and isn't in their life! (Allegedly)

To close of, the fourth half is Kendrick speaking directly to Drake, his tone tired. He tries to reiterate that he doesn't have hate for him. However, Kendrick says Drake was the first one to go after his family and he couldn't let it slide. He once again calls for Drake to take the mask off. Then says this isn't a rap battle anymore, tells Drake he is fighting himself.

Epilogue (All eyes on him)

And so here we are, waiting for what will happen next.

Drake posted an Instagram story denying the claim he has another kid. But given what happened with Pusha T, we can't quite take his word for it yet. We should wait a bit to see if anything comes out.

Kendrick hasn't put out a statement on Drake's claims about him but given the recurring theme of Drake being a manipulative lier, Kendrick clearly denies it. Given how private he is, its difficult to prove or disprove it. Much like Drake's claims, we will have to wait and see if any evidence comes out about it.

Drake and Kendrick stans are at eachothers throats right now, arguing over who one and whats real or fake.

Right now everyone is looking to see if Drake is going to continue the battle or stay silent like he did with Pusha.

My Theory

Personally as an outside observer who only followed the beef for good music. I think this goes beyond a simple rap battle.

Here is my theory: Someone from Drake's clique told Kendrick that Drake and his producers were writing something about him. Real or fake, Kendrick was pissed. And so he drafted 3 tracks, dumping everything he hates about Drake into them. And then, with the leaker's help, Kendrick baited Drake into a battle, goading Drake to drop the "Family Matters" track so he can shut the battle down with "Meet the Grahams". Or maybe his first 2 tracks were a warning to Drake that if he released a track with lies on him he would reveal he has another kid.

I do think Kendrick initially had good intentions in trying to help Drake be a better person. But maybe the more he learned about Drake the less sympathetic he felt.

But I don't know thats just how I see it.

Thanks for reading my essay. I hope it made sense heh. I encourage healthy discussions in the comments and reblogs please. But everyone agrees that Drake is inappropriate with young girls. We won't argue over that.

#Will you have no idea how bad i needed to do this #pusha t #drake #kendrick lamar #i finally have my thoughts in order #i recommended listening to the tracks while reading this just for more context #im worried i look biased toward Kendrick here because i break down his lyrics more #but i swear that isnt the case #drake spent alot of time calling other people out #meaning less lines for him to go in on kenny

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just-some-little-lads · 2 months

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A Late Night

Summary: You come back home after a long day only to find Sylus waiting for you, acting a bit differently than normal. Word Count: 1.1k SFW, Second Person POV, GN MC.

Being a Hunter was good work; you knew that. However, heroism or not, long days could still have you cursing under your breath, dreaming of living in isolated peace by some lakeside. Dragging your feet, you contemplated calling in sick tomorrow. The key to your apartment flailed clumsily on it’s ring before finally turning in the slot. Shoes kicked to the shadows, work bag abandoned on the floor, you didn’t even bother turning on your lights before flopping on your couch. With your eyes closed, you were two alluring seconds away from drifting off… Till the hairs on the back of your head prickled. A sixth sense blared warnings of danger throughout your body, urging you to fly up in enough time to grab a figure approaching the back of the couch. Tact and grace were not your close friends tonight. Amidst the self-defense, you threw yourself off the couch to tackle your intruder to the ground. If you could call it a tackle, anyway. More like keeping them pinned with your collapsed body.

Before you could fully enter “interrogation mode”, a low chuckle stopped you in your tracks. Which emotion would your tone land on today? Surprise, confusion, irritation? “Sylus?” All three, apparently.

“Do you know how long I waited for you?” Despite the words, he didn’t sound irritated, just amused. He wasn’t even pushing you off of him.

After a moment of consideration, you graciously removed your knee from the middle of his back. A subtle groan suggested that your frantic maneuver had affected him more than he would ever like to admit. Step, flick, and a mellow light illuminated your living room. Sylus had pushed himself up enough to sit on the floor, his back leaning against the sofa.

“How many times do I have to tell you to not break into my apartment? Not only is it an extreme breach of my privacy, but it is also illegal!” You found yourself hissing quietly as you scolded him, worried that shouting too loud would reach the ears of curious neighbors. Neighbors who also happened to be Hunters. Hunters who would not treat the company of the most infamous N109 Zone boss so casually. “If you’re so determined to treat this place like your own, maybe I could consider making you a spare key but—“ You cut your own lecture off, noticing the distinct lack of attention of this particular criminal. “Are you listening to me? Sylus.”

A humph left his chest as he lifted himself up to his feet, needing to use the furniture for leverage. Not a detail left unnoticed. Suddenly you were worried; after all, this wouldn’t be the first time he had come to you to wounded. “Are you—“

“I can listen to you and ignore you at the same time, sweetie. And as for the moment, I don’t have a key. How else was I supposed to welcome you home after work, hmmm?” His hum dragged out longer than usual.

“—okay.” You finished your question from earlier. “I was going to ask ‘are you okay’.” Without waiting for a proper answer, you approached him, taking his wrist in your hand and observing his body for any clear wounds. He smiled down at you while you did so. Nothing…obvious, but a gut feeling was still telling you that something was off. Wrist in hand, you dragged him to the other side of the couch and shoved him into a seating position.

Another stern line of questioning was about to leave your mouth, but it never came. A soft kiss pressed itself against the back of your hand, Sylus’ head slightly lowered. A move straight out of some knightly romance. Your heart fluttered, your face flushed, yet you wouldn’t let yourself melt so easily. Yes…affection amongst other things had started to blossom between you two; however, Sylus’ demeanor always had you thinking that this was another game of his. But this… He had never been so open like this before.

The man in question raised his head, looking up at you with another grin on his face. Only, this one didn’t have that edge of haughty aloofness that typically painted his expression. He was…genuinely pleased. Should you be worried? Something else to note was the subtle tint of pink in his cheeks and the tips of his ears. “No…” you ended up stating aloud. “You? Drunk?”

Sylus’ hand waved in the air, like he had to physically bat away that accusation before it stuck. “I don’t get drunk, sweetie.”

“But you have been drinking?”

Keeping your hand still in his grasp, he idly brushed a finger up and down your wrist. The motion sent a shudder down your spine. “Maybe that…exchange I told you about went very well today.” His words went hush, a deep purr in his throat as his face came close to your hand again. His breath warmed your skin. “And maybe I celebrated another resounding success with a bottle of wine I’ve been saving for a lovely rainy day.” The anticipation for him to kiss you again ended with him pressing a cheek to the back of your hand. Sylus’ face was heated. He glanced up at you through the fringe of his grey hair. Apparently, he caught that little glimpse of eagerness in your eyes.

Slowly, he guided you down onto the couch. You swallowed something building up in your throat as he began to lean over you till your back was against the armrest. “So, you came all the way out here while tipsy?” The pounding in your chest now was obvious.

Once more, he raised one of your hands. “I wanted to see you, is that such a crime?” Voice soft and low, he pressed the back of your hand to his forehead, dragging it down to his cheek, and then finally right before his mouth. If you closed your eyes and drowned out the slight condescending hum in your ears, you'd have a hard time believing that this was the leader of Onychinus. The touch was that of an entirely different man. At least one you were not well acquainted with. Maybe Sylus was the evil one in a set of twins and you got sent the benevolent one by mistake. The gestures were gentle, tender, pleading. Pinkies intertwined while his wine-tinted lips pecked different promises on the backs of your knuckles. “Can I stay tonight?”

The word ‘yes’ kept echoing in your mind at a disturbing pace, but you wouldn’t let him win with just sweetened words and some sudden puppy-dog eyes. You weren’t even aware his face could do that. “Say please.”

Sylus practically giggled, propped up by an arm next to your head. His posture lowered till his forehead pressed against yours. The tip of his nose rubbed against your own as his whisper was as quiet and needy as you were wishing it would be. “Please?”

#love and deepspace #lads #love and deepspace sylus #sylus x reader #lads sylus #sylus x mc

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