#so many great covers too

[haemosexuality]

[show's outfits] [marcy's main comic outfits] [PB's main comic outfits] all of their outfits from the Marceline and the Scream Queens comics!! theyre so slay <3

[sysig]

I think the world is so wonderful... (Patreon)

[gofancyninjaworld]

OPM Volume 29 Covers and Illustrations

Outer covers

Inner covers

Inner material

All translations in this section courtesy of u/Diego-Aguilar35

Translations:

Author page: "I'm currently undergoing special training to get used to working on several works in parallel."

Disclaimer page

Volume title: Rejuvenated Offence

Synopsis: The leader of the Monster Association, Gyoro Gyoro, is revealed to be a female psychic named Psykos. Psykos fuses with Monster King Orochi and gains even more power, gaining the upper hand on Tatsumaki... At that time, Drive Knight and Genos join the battle and support Tatsumaki. Seeing this, the other S-class heroes became inspired and began to fight in a coordinated manner for the first time to make up for their inferiority. Meanwhile, Saitama and Flash discover a huge dark space in the underground labyrinth...

Index: Ch. 144: Abyss Ch. 145: Stones and Diamonds Ch. 146: Rejuvenated Offence Ch. 147: How to Behave. Ch. 148: Jupiter, the Bringer of Jollity. Ch. 149: Silver Fang. Ch. 150: The Black Shine

Bonus images

[a1sart]

Blue Diamond Miss Trixtin and Pearl Philza for @chrisrin 's gemcyt au!!

[nosferatufaggot]

In the universe in which Bruce Wayne and Joker are in a public relationship and are a power couple, I gots some thoughts.

So, Bruce visits Joker in Arkham or whatever. Like brings him flowers or something, I dunno. And someone says something about how they cannot BELIEVE billionaire Bruce Wayne would spend his time with someone who is mentally unstable enough to be in Arkham. Well, said someone's buisness suddenly fails when for some unbeknownst reason, Wayne Enterprises stop financially supporting said buisness.

Some time later, Joker and Bruce are at a gala. Bruce Wayne expierences autism 100 moment and someone goes ableism about it. Just a passing comment. And then after the rich socialite party, maybe two nights after, Joker doesn't kill them, but he sure does psychological torture.

[wonder-worker]

Margaret of Anjou’s visit to Coventry [in 1456], which was part of her dower and that of her son, Edward of Lancaster, was much more elaborate. It essentially reasserted Lancastrian power. The presence of Henry and the infant Edward was recognised in the pageantry. The ceremonial route between the Bablake gate and the commercial centre was short, skirting the area controlled by the cathedral priory, but it made up for its brevity with no fewer than fourteen pageants. Since Coventry had an established cycle of mystery plays, there were presumably enough local resources and experience to mount an impressive display; but one John Wetherby was summoned from Leicester to compose verses and stage the scenes. As at Margaret’s coronation the iconography was elaborate, though it built upon earlier developments.

Starting at Bablake gate, next to the Trinity Guild church of St. Michael, Bablake, the party was welcomed with a Tree of Jesse, set up on the gate itself, with the prophets Isaiah and Jeremiah explaining the symbolism. Outside St. Michael’s church the party was greeted by Edward the Confessor and St. John the Evangelist; and proceeding to Smithford Street, they found on the conduit the four Cardinal Virtues—Righteousness (Justice?), Prudence, Temperance, and Fortitude. In Cross Cheaping wine flowed freely, as in London, and angels stood on the cross, censing Margaret as she passed. Beyond the cross was pitched a series of pageants, each displaying one of the Nine Worthies, who offered to serve Margaret. Finally, the queen was shown a pageant of her patron saint, Margaret, slaying the dragon [which 'turned out to be strictly an intercessor on the queen's behalf', as Helen Maurer points out].

The meanings here are complex and have been variously interpreted. An initial reading of the programme found a message of messianic kingship: the Jesse tree equating royal genealogy with that of Christ had been used at the welcome for Henry VI on his return from Paris in 1432. A more recent, feminist view is that the symbolism is essentially Marian, and to be associated with Margaret both as queen and mother of the heir rather than Henry himself. The theme is shared sovereignty, with Margaret equal to her husband and son. Ideal kingship was symbolised by the presence of Edward the Confessor, but Margaret was the person to whom the speeches were specifically addressed and she, not Henry, was seen as the saviour of the house of Lancaster. This reading tips the balance too far the other way: the tableau of Edward the Confessor and St. John was a direct reference to the legend of the Ring and the Pilgrim, one of Henry III’s favourite stories, which was illustrated in Westminster Abbey, several of his houses, and in manuscript. It symbolised royal largesse, and its message at Coventry would certainly have encompassed the reigning king. Again, the presence of allegorical figures, first used for Henry, seems to acknowledge his presence. Yet, while the message of the Coventry pageants was directed at contemporary events it emphasised Margaret’s motherhood and duties as queen; and it was expressed as a traditional spiritual journey from the Old Testament, via the incarnation represented by the cross, to the final triumph over evil, with the help of the Virgin, allegory, and the Worthies. The only true thematic innovation was the commentary by the prophets.

[...] The messages of the pageants firmly reminded the royal women of their place as mothers and mediators, honoured but subordinate. Yet, if passive, these young women were not without significance. It is clear from the pageantry of 1392 and 1426 in London and 1456 in Coventry that when a crisis needed to be resolved, the queen (or regent’s wife) was accorded extra recognition. Her duty as mediator—or the good aspect of a misdirected man—suddenly became more than a pious wish. At Coventry, Margaret of Anjou was even presented as the rock upon which the monarchy rested. [However,] a crisis had to be sensed in order to provoke such emphasis [...]."

-Nicola Coldstream, "Roles of Women in Late Medieval Civic Pageantry," "Reassessing the Roles of Women as 'Makers' of Medieval Art and Culture"

[devilsskettle]

i feel like i’ve been WAITING for the other shoe to drop wrt people’s opinions about watcher for this very reason. not that i think the reaction is completely not understandable but the greater the parasocial relationship, the greater the fallout as soon as public opinion shifts. you don’t have a relationship with these people they’re just content creators, chill

[rtnortherly]

Zilvra and Rhuna meeting the Blade of Frontiers together—it’s a good thing the ever nosey and sociable Rhuna invited herself along on Zilvra’s adventure is travelling with Zilvra, or else Zilvra would not be interacting with the plot much at all 😂

[zrllosyn-art]

Fake magazine cover with an OC Kanami [they/them]

[goldendoodlerlockerlove]

So, a super long time ago (like, maybe a few years ago) I began making a cover of Sincerely, Me from Dear Evan Hansen (one of my favorite musicals, which I was somehow lucky enough to see on Broadway in March of 2022!) with the same friend I made the Bikini Bottom Day cover with, who ended up voicing Connor (he has an awesome voice, by the way), and I sang Evan's part. I tried getting one of my other friends to voice Jared, but plans fell through with that, so I ended up recording myself as Jared as a placeholder.

I wasn't satisfied with how it ended up sounding as Jared, though (man, his notes are high!) and I never ended up sharing it anywhere. It just kind of sat in my downloads, gathering dust, never being able to see the light of day... (There was even a point where I re-recorded some of my vocals for Evan to sound nicer, but I lost all of that progress because my old account associated with the program my friend and I used to record this got shut down).

I did still have an older version saved in my downloads, and after such a long time, I wanted to revive this cover! I ended up using this lovely person's voice to be Jared, which was honestly a godsend. I don't know why I didn't think of doing this earlier:

Also, to go along with it, here's a super old sketch I made of a deleted line from this song that I feel they should have kept:

[kuroshirosb]

Thinking

[being-of-rain]

pretty covers!

[kingspuppet]

Hmmmm. Kinda, sorta, really bummed to see confirmation that Goro is DLC in P5T. Not unexpected (because why would they actually give him anything) but still extremely disheartening. I genuinely can't tell if it's just because they actually don't give a shit about him or if it's because they know he's popular so thrusting him into DLC hell means more money for them, or perhaps it's some combination of both. But I'm just....really tired. Either way I'm a dumbass and will buy the game because I am genuinely curious and would like to experience it for myself. I'm also an even bigger dumbass because I will gladly beg for any crumbs they can give us of Goro (as long as they don't destroy his character). Still, I just feel really drained after the last few days since the leak happened. Between people taking advantage to come out of the woodwork and harass/hate on Goro to the people that enjoy him and the fact that Atlus constantly treats Goro as if he doesn't exist half the time I'm so damn exhausted.

[mayoiayasep]

i love finding out the voice actor for a character i like has a youtube channel where they sometimes do song covers its my favorite thing ever

[dailyeca]

whiteboard fox my worst enemy,,, but yet,,,

[celeryw]

i am going through it . tonight has been bad but today has been good