#so much for the city

[poorly-drawn-mdzs]

Dog Meshi.

[reasonsforhope]

Sometimes you just have one of those moments where the progress we've made as a culture get thrown into stark relief. You look at something and go "Holy shit, that would never have happened when I was a kid."

Today, I had one of those moments when I realized that the teenage boys I'm working with are just. genuinely, openly enthusiastic about going to Build-a-Bear for their outing.

These are sixteen and seventeen year old boys! They just had a whole conversation about what to name their "cute", mostly new squishmallows! They're genuinely excited that they're going to Build-a-Bear this weekend and asking other kids to pick up specific accessories for them!!

Holy shit, that never would've happened when I was 16. None of the boys would have dared to be visibly interested - and neither would most of the girls! There would have been a million gay jokes and "Haha, you're a girl" jokes and "What are you, a baby?" jokes. Teenagers weren't even supposed to care about anything back then!

Less than 15 years later, and I'm watching three 17 year old boys treat all that as not even worthy of comment.

So let's call that a reason for hope. Even when the kids aren't alright, in some ways apparently they are alright. Go Gen Z, honestly. It's so lovely to watch you guys just openly doing and saying stuff that, when I was a teen, would've been a social death sentence.

[mwagneto]

sorry idk but the way the world is so fast and the people in it still want it to be faster is sooo annoying to me. people groaning while standing in line for 3 minutes people being mad the train ride is gonna take 2 hours people complaining that the bus is a few minutes late people being angry that construction work is taking months even though it used to take decades. don't you see the world is already so so so fast in every single aspect can't you understand that being mad will do nothing and just make your mood worse. enjoy the moments of stillness you're given. just stand in line and look at the people around you. sit on the train and watch the scenery. you'll get there.

[uncanny-tranny]

This might seem like an "old man yells at cloud" situation, but it's just wild growing up and being told how dangerous distracted driving is - how, at highway speeds, you can traverse the length of a football field (100 yards, 91 meters) in a matter of seconds - how one split second sending a text while driving could result in a potential fatal crash, and then getting on the road as a driver and being surrounded by billboards. Their entire purpose is to catch one's attention, so they're lining major roads, which tend to be highways. How is it that you're told how important it is to never be distracted while driving, but still being advertised to?

At best, this type of advertising is an eyesore to pedestrians and motorists and a general waste of electricity to light it, and at worst, it is an active danger considering they are there to advertise and therefore, must catch people's attention.

I'm not even against advertising in theory, but this particular mode bothers me so much and I hate how pervasive it is - especially in large cities or highways.

[puppyeared]

littlest furth shop

@laikascomet

[catmask]

this particular design for the meowth-protag of pokemon city (default name is sprout) is one of my favorites and becoming my warmup drawing subject lately

[communistkenobi]

something I don’t see people bring up a lot when talking about worldbuilding, especially when you’re creating cities, is wind. prevailing winds in many places in the northern hemisphere blow from west -> east, and because industrial production tended to take place in the centre of cities, workers would live downwind of factories while the wealthier classes would live on the other side, away from air pollutants, which is why a lot of cities have a poor east-end and a rich west-end, a spatial configuration that persists in many places that are now post-industrial

and in general the built environment has a durability to it that persists far past the historical moments that produce those configurations. this means that the stated aims of a city via a vis city planning are frequently at odds with the physical layout of the city itself. so if you want to create a city that feels like it has a long history to it, working through its earlier stages of production can help with decisions you make about its layout, and also allow for weird spatial contradictions in a city that has to constantly fight against its own physical history

[artist-rat]

my sister's tav's gang + aylin, lol (i think this just started as a cat AU because cat AUs never stop, but we keep on adding) <3

[hungerpunch]

timestamp: 11/6/23 @ 11am CST

in st. louis, missouri protesters have shut down a boeing factory today. employees have been told to not come in and that deliveries are being stopped for the day. [source and updates here]

[cemeterything]

saw bird spikes on a roof today and got mad about it

[poorly-drawn-mdzs]

Get Their Ass.

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[rhinexstone]

I think one of the many reasons Clark likes Bruce so much is because the only being capable of killing Superman at any given time without any prep (partially because it’s already been done) is a human without any powers or special abilities

[palskippah]

Hi!

I drew this because I was feeling really sad, but it works as a Bowser's birthday thing too woooo!!

[calumfmu]

i could send you a million requests!

having an affair with your divorce lawyer steve 😏

HIII HUNNNN. Thank you for your patience love <3 Here it is in all its glory, smut, smut, smut oooo Divorce Lawyer!Steve x Reader (2.3k+ words of pure smut) cw: 18+, mdni, smut, riding, unprotected sex, p in v, cream pie, dirty talk, ugh, all Steve goodness, set in NY, famous!reader,

Three drinks down, adrenaline pumping through your veins, you only had one thing on your mind. Freedom. It was seven months into this divorce--if you could even call it that. A messy separation, public legal dispute that was plaguing the city's newspapers, headlines screaming about the famous ex-ball player's divorce with New York's once most eligible bachelorette.

Hitting the town three days in a row seemed like a good idea in retrospect, but it was really starting to get to you and your reputation. But as you chased that sixth tequila shot with lime, it was the last thing on your mind.

"Hey, isn't that..." your friend's voice trailed off as she pointed her beer towards someone across the bar. You followed the point of the bottle, gaze focusing on a tall man--Steve.

A Cheshire grin spread across your face, eyes widening as you recognized him, his mole dotted face, thin wire glasses framing his face as he laughed with a group of other suits, those you knew as his colleagues.

"Oh my God," you whined, immediately downing the shot that was supposed to be for her. She protested, hands throwing up around her as she watched you finish it with a grimace. "What is he doing here?"

She shrugged, swigging out of the glass as she eyed him down. Her bobbed hair swung in the air as she tilted her head down to fully drink him in.

"You know if I was straight I'd be all over that," she replied, turning around to face the bar. Your eyes remained on the older guy, tongue darting out to lick at the corner of your mouth.

"Robin!" You squealed, swatting at her arm. She giggled in response, arm waving to capture the attention of the bartender.

"I'm just saying," her tone was suggestive, eyebrows wiggling with her words. "You should just get after it, I mean... see what Harrington & Partner really has to offer."

You considered her point, your own head tilting down to observe him as his head tilted back with laughter. From across the bar, you could see the stretch of his neck, the expanse of skin being exposed to show more moles, disappearing behind the fitted collar of his dress shirt. The dark bar lighting did wonders for him, highlighting the amber high lights of his hair, showing off the small gray wisps that poked out at his hairline, a testament to how men age like fine wine.

"I've already seen what it has to offer," you said under your breath, grabbing her beer out of her hand. She whined again as you finished it off, slamming it on the counter behind you. "And I want more."

Her jaw dropped, eyes widening as she took in your words.

"What do you mean you've already seen it?"

Laughing, you took a step away from her, bag fitted over your shoulder as you adjusted the dress you wore. "Long story. Late night. Tedious divorce papers. Did I say that out loud?"

She reached a hand out to you, but you dodged it, backing away from her as you made your way over to his group. Her eye roll was enough for you to know you were making a bad decision, but you couldn't care. Your mind was set on one thing only.

"Steve!" You cheered, waving at him as he looked at you confused. Immediately, his gaze dipped across your figure, dress hugging your curves in all the right places.

He covered it up with a cough, eyes widening as he suddenly realized he was in the presence of those he worked with. The sound of your name rolled off of his lips, a surprised cackle of speech.

"What are you doing here?" It was less of a question and more accusatory.

Your mouth dropped open in a wide smile as you held your arms out. "Celebrating my separation, freedom."

Realization crossed his features as your words slurred, the intoxication becoming clear as you lingered a little too close for comfort. The men he surrounded himself with eyed you as well, eyes flickering over you as you teetered on the heels in your feet.

"Ah," he muttered, tongue smacking against his teeth as he took a step back. His hand came up to adjust the tie that was fitted around his neck. "I see. Just a few months away from that."

The suits laughed, deep chuckles of laughter that screamed money. Old money, New York money, jurisprudence, whatever you wanted to call it. Rolling your eyes, you felt all the confidence of the tequila shots you took, pressing a hand to his arm. His eyes dropped to it, slowly dragging away to peer down at you over his wire frames.

"Excuse me," he said to the group, placing a hand to your lower back to drag you away from them. He lead you through the crowd, pressing you into a dark corner of the swanky bar. On the way, you had seen Robin, her thumbs up thrown in your direction.

"What are you doing?" He whispered again, backing you into a wall. He towered over you, immediately, you were weak in the knees, this interaction normally being behind the closed doors of his 30th story office.

Your hand found his arm again, trailing up the expanse of it as you craned your head back, a soft bump against the wall.

"Having fun," you sighed, biting your lip as he took a step closer to you. His scent overwhelmed you, warmth beginning to pool into the pit of your stomach as you rested a foot up against the wall.

"This is a bad look," he suddenly grew professional, straightening up as your hand left his arm and began to trail down his abdomen.

You rolled your eyes, dragging out a groan that bordered childish.

"You're a bad look," you retorted, reaching up to grab the lapels of his suit. Tugging him closer to you, you pressed your lips to the side of his neck. "You're wearing too many clothes."

He pulled away from you again, clearing his throat as he urged you from the wall. Fast in his movements, his hand was at the small of your back, pulling you towards a back exit, one you were unaware that was even there.

A black Lincoln sat in an alleyway, the door opening as he threw you in the backseat. You rolled your eyes as you sat up, pulling down your skirt as he slid in behind you. He muttered something to a driver, the car already moving as the world began to spin around you.

"You can't have people seeing you like this," he muttered, shaking his head as he pressed the back of his hand to your forehead. Leaning into his touch, your eyes fluttered shut.

"Relax, nobody saw."

"Hmm," he was annoyed, the tone of his voice short. "You don't know that for sure. There's too much at stake right now, especially with the way his side is going."

You groaned, leaning fully into him as you began to trail a hand over his body. Touching any skin you could get was the only thing you were focused on, hastily unbuttoning his shirt as the car began to make turns throughout the city. He didn't oppose, only settled into the back seat of the vehicle even further.

"I don't want to talk about him."

You climbed into his lap, squeezing in the small space as you pressed your lips to his. His hands found your ass, squeezing as he ground you down into him. The stubble on his face scratched at yours, your jaw rubbed raw as the two of you made out, tongues fighting against each other.

"I think you're," he muttered in between kisses, his hands beginning to lift your skirt as your hands found his belt buckle. "The worst client I've ever had."

"Mmmm," you groaned, pulling his belt buckle loose. It clanked in the air, followed by the sound of the driver sliding the separation window closed. "Talk dirty to me, Harrington."

He laughed into the kiss, lips slotting into yours perfectly as you freed him from his pants. His cock was angry red, swollen through its length as you briefly looked down to grip at him. The girth of it alone had you watering at the mouth, wishing you had the freedom to sink to your knees.

You pulled away from him, pressing him back down into the cushion of the seat as he chased your mouth, leaning up as he wanted more. He groaned at your touch, his head leaning back against the headrests.

"Need you to fuck me," you whispered, adjusting so the cave of your pussy sat right over him. A pant escaped him as he felt your wetness, encasing him as you grinded down on him.

"You're gonna get me fired, hun," he moaned, teeth digging into his lip as you lifted off of him, angling him so his head pressed at your entrance. The small stretch of his tip had you mewling, the intoxication of the alcohol leaving your body as you got drunk off of a new feeling.

"We've barely left Manhattan," the grunt of words only worsened as you pressed lower, his length stretching you wide. His hands found your hips, guiding you lower.

Your knees sat on the sides of his hips, locking him in as you stopped half way, hovering above him. With your head tilted back, staring up at the ceiling of the car, your eyes watered, the heat of the moment making you so caught up that you cursed at your previous idea of skipping the foreplay.

"You talk too much," you whispered, pressing all the way down. Stretched down to the hilt, the both of you sat in silent groans, his hand finding the back of your neck to press his forehead into yours.

From this angle, you could see the chocolate brown of his eyes, sunken with desire, his lids hooded in pleasure.

"fuck." The hand that never left your hip raised you, a soft squelch filling the back seat as your wetness dripped around him.

As you began to bounce on his cock, his moans began to grow louder, fingers digging marks into your hip. The press of his cock deep inside made you feel weak, that spongy spot not being granted mercy as he drove into you.

"Steve," you groaned, swirling your hips as he mouthed at your neck, deep colored marks being left in his wake. The heat of his touch added to the fire pooling in your belly, eyes squeezed shut in pleasure.

Look at my dirty girl.

His words could've gotten you right then and there, if it were not for the alcohol in your system prolonging your orgasm. You loved it when he called you names like that, claiming you as his even when you both knew you weren't.

Such a bad girl.

That one had you squeezing your eyes even tighter, your hands resting on the tops of his shoulders as you rode him, bouncing in a frenzy that he had yet to see. The scratch of his suit pants against your ass was oddly soothing, distracting you from the white hot feeling building faster and faster.

"Need you to fuck me harder," you whimpered, reaching a hand up to tug at his hair. The sounds he made to the yank on his scalp had you pulling closer to your orgasm, legs shaking as he began to match you half way, hips lifting off of the seat.

A ring of white began to form at the base of his cock, wetness from your pussy building into a thick cream, your release teetering on the edge. He was close to his own release, his breath coming short as he fucked you, hips moving into an uneven pattern.

"Gonna cum all in you i-if you keep talking like that," he tried being strong in his words, but his voice failed him, cracking in the middle.

A small smile ghosted your lips, knowing exactly what it would take to get him to paint you white, release deep inside of you.

"Cum inside me," you whined, sinking lower as you pressed your lips to the shell of his ear. Your voice was low, scratchy from the frequent moans, borderline shouts he drew out of you.

"Make me yours, Steve."

He groaned, hands locking behind your hips as he began to drive into you, slapping sounds filling the air. Your hand snaked down to circle at your clit, tight circles around the nub that had your eyes rolling back.

"Show everyone who's pussy this really is."

With a low groan, he came inside you, fucking you through it as you found your release quickly after. It was the loudest one you had experienced, legs shaking as explosions tingled up your spine. His hips never slowed, riding out both of your highs.

You pushed off of him, collapsing into the empty leather next to him, legs sprawled wide open. Your chest heaved with exhaustion, yet adrenaline still coursed through you, tequila urging another round already.

"How soon do you think is too soon for me to marry my divorce lawyer?"

He laughed at your words, tucking himself away as he peered out the window. The city lights were far in the background, familiar streets nearing his home coming up in the distance.

"Let's not get too ahead of ourselves, dear," he shook his head, leaning down onto you to press a kiss to your forehead anyways. You beamed at the press of his lips, tilting your head closer to him.

The look in his eyes that he gave you was sweet, something that you had once yearned for from your now-ex. You knew it was wrong, to be this smitten over your divorce lawyer, but God, was he beautiful.

Masterlist. Inbox and requests are open! <3

also--not proofread, but should be in the next week or so :)

[dragonpropaganda]

The Architecture of Rain World: Layers of History

A major theme in Rain World's world design that often goes overlooked is the theme of, as James Primate, the level designer, composer and writer calls it, "Layers of History." This is about how the places in the game feel lived-in, and as though they have been built over each other. Here's what he said on the matter as far back as 2014!

The best example of this is Subterranean, the final area of the base game and a climax of the theme. Subterranean is pretty cleanly slpit vertically, there's the modern subway built over the ancient ruins, which are themselves built over the primordial ruins of the depths. Piercing through these layers is Filtration System, a high tech intrusion that cuts through the ground and visibly drills through the ceiling of the depths.

Two Sprouts, Twelve Brackets, the friendly local ghost, tells the player of the "bones of forgotten civilisations, heaped like so many sticks," highlighting this theme of layering as one of the first impressions the player gets of Subterranean. Barely minutes later, the player enters the room SB_H02, where the modern train lines crumble away into a cavern filled with older ruins, which themselves are invaded by the head machines seen prior in outskirts and farm arrays, some of which appear to have been installed destructively into the ruins, some breaking through floors.

These layers flow into each other, highlighting each other's decrepit state.

The filtration system, most likely the latest "layer," is always set apart from the spaces around it. At its top, the train tunnels give way to a vast chasm, where filtration system stands as a tower over the trains, while at the bottom in depths, it penetrates the ceiling of the temple, a destructive presence. (it's also a parallel to the way the leg does something similar in memory crypts, subterranean is full of callbacks like that!)

Filtration system is an interesting kind of transition, in that it is much later and more advanced than both of the areas it cuts between. This is a really interesting choice from James! It would be more "natural" to transition smoothly from the caves of upper subterranean to the depths, but by putting filtration system in between, the two are clearly demarcated as separate. The difference in era becomes palpable, the player has truly found something different and strange.

Depths itself is, obviously, the oldest layer not only of subterranean but of the game itself. The architecture of Depths has little to do with the rest of the game around it, it's a clear sign of the forgotten civilisations that our friend Two Sprouts, Twelve Brackets showed us, there's not actually that much to say about it itself, it's mostly about how it interacts with the other layers of subterranean.

That said, Subterranean is far from the only case of the theme of layers of history. It's present as soon as the player starts the game!

The very first room of the game, SU_C04, is seemingly a cave. It is below the surface, the shapes of it are distinctly amorphous rather than geometric. (well. kind of, it doesn't do a very good job of hiding the tile grid with its 45 degree angles.)

But let's take a closer look, shall we?

See that ground? it's made of bricks. The entire cave area of outskirts is characterised by this, the "chaotic stone" masonry asset is mixed with brickwork, unlike the surface ruins which are mostly stone. This, seemingly, is an inversion of common sense! The caves are bricks and the buildings are stone. This is not, however, a strange and unique aspect but a recurring motif.

This occurs enough in the game for it to be clearly intentional, but why would materials such as bricks be used in otherwise natural looking terrain?

The answer lies in the "Layers of History" theme. This is in fact, something that happens in real life, and it's called a tell

To be specific, a tell is a kind of mound formed by settlements building over the ruins of previous iterations of themselves. Centuries of rubble and detritus form until a hill grows from the city. Cities such as Troy and Jericho are famous examples. The connections to the layers of history theme are pretty clear here, I think. Cities growing, then dying, then becoming the bedrock of the next city. The ground, then, is made of bricks, because the ground is the rubble of past buildings. The bones of forgotten civilisations, heaped like so many sticks!

[tampire]

City of the Wolves