#so perhaps I'm getting it wrong

[bookwyrminspiration]

I've been "the smart friend" for so long that I never considered I could be more but recently I've been facing the fact that I think I might also be the "full of energy silly friend". not like a jokester but just endearingly earnest, energetic, and child-like in my joy that just has and exudes fun

[booasaur]

Monarch: Legacy of Monsters - 1x04

[justanotherwriter140]

Kung Fu Panda 4 - The Movie

The last really, really long discussion post (for now).

Major spoilers ahead!

This review is full of spoilers, so please refrain from reading through it until you've watched KFP4. I would highly suggest doing so, as I want everyone to form their own opinions without my influence. The movie has its flaws (some of which admittedly being a bit distracting), but it's a fun film that has things to offer.

Kung Fu Panda 4 is a fun movie (take that as you will) that takes its audience on an action-packed, surprisingly funny, yet relatively contained adventure on which Po doesn't really do much. It's an inconsequential, safe sequel that doesn't really hurt the franchise but adds close to nothing.

I had a good time watching the movie. It was obviously produced with its theater experience in mind and the action scenes especially reflected that priority. The humor was actually funny sometimes and I enjoyed Po and Zhen's dynamic. During the film, I was able to put most (most!) of my grievances aside and take the movie for what it is. I've discovered that the best way to watch KFP4 is with low expectations and an open mind.

I have a lot of things to say about KFP4, both complaints and compliments (though the former might be taking the forefront in this review), and I hope this review can help those of you who have seen the movie organize your thoughts. I've been having a lot of trouble with that specific aspect of things myself. Those who get it get it.

With that said, let's get into my full review of KFP4! I've been waiting for nearly 2 years to write this and I'm so excited to share every single thought.

I'm going to follow the format of my first discussion post and curate a bulleted list of my thoughts, followed by an analysis of each of these points. Keep in mind that everything I say is IMO and this is more of a rant post than anything else.

Here are my main points:

The Furious Five's role is comically minuscule in the context of the film. Their actions are inconsequential and add nothing to the plot (a confirmed last-minute add), and they have 30~ seconds of screen time. Shifu is also largely irrelevant.

Mr. Ping and Li's presence has little to no effect on the movie (though I won't complain too much because they were pretty fun to watch and this movie has bigger problems). In almost any scenario, I am adamantly against having characters present that don't add anything to the narrative; however, Mr. Ping is an exception. I love Mr. Ping. James Hong is a gem.

Zhen's screen time is not utilized well and her character is underdeveloped. She definitely wasn't annoying, but I didn't find her either compelling or funny enough to warrant the screen time she was given, especially considering it wasn't used to establish a backstory/strong motives. This makes me feel bad for the character because the movie kind of screwed her out of any substantial development.

The Chameleon, while complimented greatly by Viola Davis, is an underwhelming villain. Viola Davis is amazing in this film and I would suggest watching it for her performance if for nothing else, but the Chameleon is underwhelming considering the super cool concept behind the character.

The film feels very rushed. Apologies to those who disagree, but I think the pacing is atrocious and the final fight is anticlimactic. The movie felt like a word-vomit with no discernible intermissions that stops abruptly when the film ends.

I felt as though Po didn't change/grow as a person and the audience never had a chance to either bond with or relate to his character. His internal struggle is kept to a minimum and we don't spend a moment alone with him as an audience, which is disorienting and distracting. Watching the film felt like running into an old friend at the store who's too in a rush to have a real conversation.

The action scenes were strong with few exceptions. Creative art direction was utilized and I thought the martial arts choreography was entertaining and dynamic. I love the color palette of the film and many scenes were very impressive visually.

With my main points established, I do believe it's ranting time. Strap in, folks.

Let's start strong with the Furious Five: I'm gutted. Chagrined, despondent, crestfallen, etc.

The lack of the Furious Five negatively affects KFP4 so much, because not only does their absence hurt the atmospheric integrity of KFP as a franchise, it also forces KFP4 to bring in a slew of different characters—all while still noncommittally including the FF at the very end because I believe the marketing team required it—that clog up the cast a bit. It all goes to show how important strong, established side characters are.

The Furious Five are side characters, but the role of "side character" does not equate to being irrelevant, expendable, or exchangeable. I recognize that the Furious Five aren't super developed as characters beyond a handful of lines that allude to traits sprinkled sparingly among the members; however, I believe that the tiny bits of development we have been given have proved impactful in the past. Tigress's development in KFP2 is a prime example of how much narratively conscious changes (however small they may be) can positively affect these movies.

Because of limited runtimes, the Furious Five often operate as more of a singular unit than five individuals. Even so, I don't think discarding them is valid. They're so important to the KFP universe (to Po's universe!) and not having them with him feels so wrong. The Furious Five are fully integral to the heart of Kung Fu Panda, which is why I believe a lot of those who have seen the new movie have expressed something feeling "off" or something being missing.

I agree with this sentiment. To me, KFP4 didn't feel like a KFP movie. I don't need a Furious Five spin-off movie and I can be fully content with a KFP5 centered around Po's journey as an individual as was intended from the beginning, but he can't carry an entire movie on his back. As strong as he is in every sense of the word, he is only one character. He's the centerpiece of the franchise, but a centerpiece can only go so far without the rest of the design, so to speak.

For me, the Furious Five's absence is one of this film's biggest faults. It's huge and glaring. I know I'm not the only one who feels this way, either, because the friends with whom I saw the film refused to talk about any other aspect of the movie after seeing it. Seeing them at the end was better than nothing, of course, but it was a disappointing culmination after eight years of waiting.

That all is to say I feel robbed. Despite all of this, though, I understand that there were reasons why the Furious Five weren't included in the movie. I don't believe the production team would exclude the Furious Five unless they weren't given a choice.

Shifu and Po's dynamic continues to be thoroughly delightful but their interactions are short and simplified. I would have loved to see more of them in this film, especially considering the extreme relevance of teacher-student relationships in KFP4. I (somewhat) digress, though, because the idea of Shifu having to live at the Jade Palace with only Po for an extended period of time is hilarious enough on its own. Maybe that's what the short film is about!

The comedy is odd but has some jokes that stand out. Po maintains a healthy relationship with his inner sass, which I think makes him more fun to watch and kind of eradicates the man-child verdict. Some jokes don't land, of course, but I genuinely thought KFP4 had some funny moments. Mr. Ping was consistently awesome and Po had some good lines sprinkled throughout the film.

As for Mr. Ping, he and Li Shan are the subjects of the film's B-plot as they follow Po to Juniper City out of shared concern for their son's safety. In my mind, they don't add anything to the story that couldn't have been brought about by other characters, but they had their moments of being entertaining. I enjoyed their silliness and thought they had a cute dynamic if nothing else.

Speaking of other characters, I want to discuss KFP4's deuteragonist and why I genuinely feel bad about the way her character was treated.

I want to let it be known that I'm still not on board with Po passing the Dragon Warrior torch to another character. While I agree that his arc is now calling for him to have a student, I disagree with the notion of him retiring from his DW role.

As I stated in my first discussion post:

Didn’t the initial significance and nuance of the title come from the fact that there is only one person who can be the Dragon Warrior, because the concept of the “Dragon Warrior” isn’t so much a title as it is Po himself? The universe (Oogway) must choose the Dragon Warrior because they are a singular being of legend. It is one person, and that person is Po. Wasn’t the point of the first film that the title ultimately doesn’t really matter because there is no “secret ingredient,” so to speak? The title doesn’t actually give Po anything. “It’s just you,” Po says, and that was the resolution.

When it comes to Zhen as a character, contrary to what I predicted I would think of her, I thought she was okay. While I was still a bit distracted by how out-of-place her design looks, I wasn't truly annoyed by her at any point and she and Po had some cute moments. Even so, I think their relationship could have been a bit more refined and developed.

While it's evident that Po and Zhen are meant to have a teacher-student/mentor-apprentice dynamic, I think their relationship feels half-baked. There were parallels that contradicted one another and ended up being confusing come the film's conclusion, and the nature of their relationship seems to vacillate depending on the scene. Additionally, the strength of their bond goes from zero to one hundred within thirty-ish minutes and left me with a bit of whiplash.

We're shown that Po and Zhen care about one another, but we're never shown why. They have a brief conversation during which they bond over being orphans, and Zhen says at one point, "You're actually a good guy," but that's it. This obvious lack of development is a bit disorienting because we're later led to believe that Zhen and Po care very deeply for one another when there's almost nothing to back it up.

A scene that sticks out to me when discussing this is when Zhen attack-hugs Po in a way that explicitly mirrors Tigress's hug from KFP2. This happens around the beginning of the third act, and while it had the potential to be an endearing moment, I think it fell flat.

The impact of Tigress's hug was brought on by her character's hardcore nature and reputation of being heartless, further strengthened with the knowledge that she was hugging Po (which was obviously way outside her comfort zone) as a show of companionship and fundamental understanding. Tigress hugged Po because he needed someone to recognize his strive for closure.

Zhen's hug had little to no impact because she had no reason to do it and it didn't indicate growth. She hugs Po because she's sorry for betraying him and doesn't want him to be killed by the Chameleon, but neither of these things are newly-established via this hug; we have already gathered by now that Zhen regrets betraying Po and doesn't want him to get hurt.

The hug is far from the movie's weakest point, but I think it's unnecessary given the context. I'm big on hugs in movies (an underutilized form of platonic affection, in my opinion), but it didn't fit here. I don't hate it, and I see it as an honest effort to bring emotionality to Po and Zhen's relationship, but it seems arbitrary.

Zhen and Po's relationship has a lot of potential and I'd be open to seeing more of them in the future, but I think some more thoughtful development needs to occur before I can humor it further. Even so, I can see myself featuring Zhen in some future post-KFP4 one-shots—sparingly, of course, because we have a lot of Furious Five content to compensate for.

Overall, they had a cute dynamic and some sweet moments but I'm not attached. I'm on board with Po having a student but I think their relationship needs a lot more development, something that this film unfortunately didn't give them time to either accomplish or earn.

Now, onto the Chameleon!

The concept of the Chameleon's character is admittedly super interesting. She's the deuteragonist's fastidious mother figure who feels that Zhen owes her a debt and as a result holds her to an impossible standard. That dynamic had the potential to be so interesting but I didn't think it was explored at all. There is no indication of Zhen having any internal conflict about fighting the Chameleon, no emotional complexity between them at all; it's disappointing because I think it would've added a bit of earnestness to the film.

Additionally, the idea of a shape-shifting villain is versatile. A shape-shifting villain gives those telling the story a lot of room to experiment with the protagonist and different ways in which the main character can be challenged and tested. It's yet another good idea utilized poorly. Just one idea: the Chameleon could have disguised herself as one (or several) of Po's family, friends, etc. and brought to fruition a new arc with his character (seeing as he arguably doesn't have one in this film), but she only disguises herself as Zhen very briefly in the movie.

Furthermore, the Chameleon completely relies on the powers of previous villains to pose any sort of threat to the main characters. She summons Po's former nemeses from the Spirit Realm (despite there being little logic in doing so considering Kai's literal evisceration) and takes their kung fu abilities for herself.

An excerpt from my first KFP4 discussion post that I think is relevant to the point I'm trying to make:

I don’t think it would be in the best interest of anyone if the past villains were to come back in any way that’s not a flashback (even then, I’m not sure I’d see the point). In all honesty, I thought that the whole point of the villains was that they died and stayed dead. They were defeated by Po once and for all as a testament to the idea of establishing Po's character growth and journey as a person through the bad things he’s able to overcome. It’d be highly contradictory to the messages of the other films if these villains were to suddenly come back.

While there was an honest effort made to portray the Chameleon as intimidating, I never felt as though any of the characters were endangered by either her or her army of lizard henchman. She's a visually appealing character (aside from her eyes, which I thought more resembled those of a gecko than a chameleon) and I greatly enjoyed Davis's performance, but overall I don't see the Chameleon as a notable villain.

The return of Tai Lung (had he been on his own) had the makings to be an excellent story, especially considering the importance of teacher-student dynamics in KFP4. To see him interacting with Shifu would have been incredible and could have led to further closure on Tai Lung's end (because I think that's kind of what the team was going for anyway), but it didn't happen.

It was nice to see Ian McShane reprise his role, but I wish Tai Lung's characterization had been more reminiscent of the way he was in the first film and more complimentary of his overall character arc. Tai Lung isn't a one-dimensional villain with a singular goal and motivation, and I couldn't help but feel as though the complexity of his character was simplified for the sake of KFP4's narrative.

Tai Lung's presence in KFP4 may be odd, but Shen and Kai's appearances are even more so. Kai, if I remember correctly, was fully obliterated by Po, reduced to literal particles on screen (which is kind of wild now that I think about it). Shen being in the Spirit Realm makes sense all things considered; however, Po and Li had no visible reaction to his presence, which seemed a bit unlikely considering Shen's deeds. This plot hole can likely be attributed to the fact that Shen and Kai's cameos (to my knowledge) were last-minute additions to the movie.

I have to talk about the pacing. I have to. I'm sorry, bear with me.

To me, the film's pacing is erratic and disconcerting. While I can appreciate a quick-moving narrative that doesn't dawdle on storylines that aren't interesting/important, KFP4 kind of flings itself too far in the opposite direction and ends up being frighteningly fast-paced. Once the credits began, I felt like I had been holding my breath for the entire movie.

KFP4 is confusing because while the runtime is standard for a KFP movie, it feels incredibly short. At the same time, the film's story moves at a breakneck speed and leaves little time for heart and development. These things culminate into a barreling boulder of a movie that simply doesn't have time to let its characters, story, or audience take a breath.

A fast pace is not inherently negative, but I don't think it worked in the favor of KFP4. The KFP franchise has always been very emotionally grounded (and just very grounded in general), so to see a film in which emotion/heart takes an aggressive backseat in comparison to action and comedy is jarring. While I think it's unreasonable for fans to expect the same emotional integrity as the original films to be present in the current and upcoming ones, I still think there's room for Po to grow and I felt as though the notion of him developing further was brushed aside in this film.

As for Po's growth, I felt it was nearly nonexistent. The previous trilogy wrapped up his character's journey beautifully and I know that KFP4 was bound to struggle with this particular aspect of making another KFP film; however, just because the strongest pillars of Po's character are established doesn't serve as a valid excuse to reverse his development and repeat what he learned in KFP3.

In KFP3, Po learned firsthand that he is capable of spreading wisdom and teaching kung fu. He also learns that he is constantly growing and that change is inevitable; there is always something more to learn.

"If you only do what you can do, you will never be more than you are now."

"I don't want to be anything more, I like who I am!"

In KFP4, Po pushes against this narrative despite fully accepting it in KFP3, actively reversing crucial parts of his character development achieved in the latter. KFP3 was non-ambiguously about learning to cope with change and responsibility, and I can't help but feel like KFP4 is simply copying this message while not adding anything to it.

Additionally, I felt that KFP4's Po generally felt less personal than he has in the past. In every KFP movie up to the franchise's most recent addition, I felt very connected to Po as an audience member. I felt like I was truly seeing the world of KFP through his eyes. I consider this to be one of the franchise's most impressive feats; it's incredibly difficult to build a universe around a character without making the audience feel limited to one perspective and one part of the world.

With KFP4, I felt both limited and disconnected. The world didn't feel as vast and all-encompassing as it has in the past and Po didn't seem fully like himself. This could be me nitpicking (as I'm prone to do), but I can't recall a single moment in the movie in which Po was alone on screen. Scenes like these are crucial for me because I see them as a meet-cute between the character and the audience, a moment for us to cross the bridge into their world in a way that's silent and intuitive. These little bonding moments are absolutely integral to feeling connected to a character.

Po's dream sequence in the first KFP movie is one of the best examples of this. It presents his aspirations, alludes to his way of life up to the point of the movie, and showcases his personality. During Po's dream sequence, the audience is quite literally inside Po's mind; we're there with him, seeing what he sees, subsequently feeling what he feels. Po is a dreamer at heart and makes the audience feel like dreamers, too.

In KFP4, I felt like I little to no point of reference when it comes to how Po was feeling. I didn't feel immersed in him and his world.

I know I've been very "doom and gloom" throughout this post, which is an exhausting mindset for everyone involved. I want to end my critique with something positive because I think some praise is deserved. Let's just say the movie could have been a lot worse, the details of which I'm sure you're all well aware.

The color palette of the movie is beautiful and somewhat reminiscent of the first film. While the animation style of KFP4 is far more simplistic than its predecessors, I was very impressed with its use of shadow and light. Po's many faces were also hysterical, props to those who helped make him as expressive as he is.

Additionally, the movie's action sequences were clearly thought out and discussed in great detail. The experimentation with camera angles was really fun to watch and I enjoyed the majority of the film's fight scenes. They were fun, bouncy, and entertaining, and quite likely reinstated audiences's love of watching a cuddly panda kick butt.

Congratulations, you've reached the end! Thank you so much to all of you who took the time to read this unnecessarily long and detailed review. As long as I help someone translate their conflicted feelings into coherent thoughts, I'll call it a win.

I want to reiterate that I don't hate Kung Fu Panda 4 and I had fun while watching the film. It has its flaws and there are a lot of aspects that I dislike, but the effort of the crew is obvious and I greatly admire and respect the hard work put into the film by those who worked on it. This does not at all excuse my issues with the movie, but it's worth saying.

As for the future of the series, I only hope that the next installment is more considerate of the franchise's origins and why Po's story is being told in the first place. I fully believe that another sequel could be good given a strong, passionate crew with a great understanding of the characters and world (and I wouldn't be averse to some previous directors returning, just to put it out there).

Thanks again to those who took the time to read this crazy excuse for a movie review. Feel free to either disagree with me or add things in the replies/reblogs, I'm always looking for more thoughts to think.

Until next time!

[mulders-too-large-shirt]

s2 episode 8 thoughts

tears. in my eyes. shaky breathing. oh. okay.

well. no place to start but the beginning.

stares at my laptop screen for a long, long time before typing. give me a minute. allow to me collect myself.

okay. we start with scully's mom narrating. and we learn, thanks to the subtitles, that her mom's name is margaret. this is information i will also be storing in my useless scully facts book.

so we knew she had two brothers, but a sister is also mentioned, named melissa. and we get this story from her childhood, about how dana- which feels wrong for me to type, but i will- was given a bb gun by her brothers, and she joined in with them shooting a snake. but then she realized it was bleeding and she cried as it bled out in her hands and held it while it died. which is already So much to handle. and her mom is saying that she feels how her daughter felt that day watching the animal die.

the next thing we see is mulder is there, and. he's saying it's still too early to know if she's gone. but. well.

we see a gentleman bring something out. and it is a gravestone with her name carved into it.

he turns away like he was burned from even looking at it. and man. that hurt. very badly.

we see that her middle name is katherine. and we learn this because we see it on her gravestone.

he goes back to his place (where he still sleeps on the couch) but then he gets a phone call that they've found her. and he busts into the door when the nurse says he can't go in there. that's our man!

he's screaming at these poor healthcare workers, somewhat rightfully suspicious they're involved with the government who took her, but also man. they don't get paid enough. however, i understand the emotional explosiveness this had to have provoked. so he is really just screaming, at the nurse, at the doctor, demanding to know what the hell happened, where she came from, and he says "i swear i'll do anything, i'll find out what they did to her" while being escorted out

then there is a very tense conversation between the doctor and her mother and him. the doctor must have already have been in quite a state, because mere minutes ago a raving angry man accused him of stealing his friend, and now he's sitting with said angry man explaining that they genuinely have no idea how she got here, and that she has no indication of injury.

we also learn that she had no desire to remain on life support past a certain point. and mulder knows this because. he. he. he uh. well he signed her will.

now i think maybe that's just something you have to do at the fbi and i can see them making a little joke out of it- a nice little trip to get each other's will signed, make a day of it, keep it light and funny- but man. man in this context. oh i'm gonna be Sick.

so we see a woman holding a crystal over her body and we learn it is her sister melissa!!! she's really pretty. she tries to show mulder that you can feel her energy by holding his hands over her but he gets angry and leaves.

(i love this dichotomy here, that somehow the ultra skeptic has a sister who is into talking about spirits and crystals. truly i feel this is what happens to people raised catholic)

at this point i wrote "girl i'm stressed tf out" and yeah. kinda the whole mood.

melissa is saying that his anger and fear is blocking the positive emotions she needs to feel, which echoes my statements about how he has been too cranky this season. but i can't even laugh because the man is in Distress.

he goes back to his place after saying he needs "to do more than just wave his hands", and he's bouncing a basketball and putting tape on his windows. i get it. that oppressive feeling of being unable to sit still. every moment dragging like a lifetime. bounce bounce bounce. he wakes up and rips the tape off his windows.

and back to attending to her bedside. i do not think this man has been clocking into his shift at the fbi.

we see a fellow enter wearing a suit and carrying flowers and i was like oh shit is it last rites time? um. so maybe i don't know what gets worn to a last rites event. i realize my weakness in this area and will do some research when we're done here.

but it's not anyone here to do that- it's frohike, the guy from the lone gunman who was making weird comments about scully! he must have come to pay his last respects. he picks up a clipboard and i thought oh my gosh he's gonna start reciting poetry- but he notices something weird on her chart and sneaks it out

it seems the whole thing was orchestrated, because mulder goes back to the freaks at the lone gunman, who invite him to come over and watch earth 2 and point out the factual inaccuracies- which, all things considered, is very sweet- but they send her blood data to a hacker that uses a richard nixon persona and he says that yeah, her blood is weird. and mulder's like, is she gonna make it, and they say no. it got very somber.

in terms of scully view, we see her on this dock of a boat between life and death. i thought that was nice imagery, and extremely eerie. those around her bedside are on one side of the dock, and it looks like the rope could snap and drift away at any moment.

the nurse comes in to do some blood work and i have another "augh blood" moment. so i look away. and mulder is REALLY pondering her blood. i thought he was honestly gonna take it for himself, maybe bring it in for testing or keep it like an emo.

but no! a strange man in a suit STEALS the blood!

so mulder is back into track star mode and is SPRINTING after this guy. i always forget that he is a runner. and he is RUNNING around this hospital and makes it to the parking lot until...

he is stopped by deep throat 2.0, a man for whom i realize i have no other name. but you know who i'm referring to, right? so i guess that name will work for now. deep throat 2.0 says that mulder needs to stop NOW, and that HE got deep throat 1.0 AND scully killed by looking into things too hard. which is an absolutely awful thing to say btw. deep throat 2.0 has a gun to mulder's head and says to stop searching.

mulder proceeds to run after the blood thief despite these warnings. can't say i blame him. he finds the blood thief!!! and they have a bit of a fight until...

deep throat 2.0, who earlier said he wanted to remain out of this mess, rolls up? so we're getting mixed messages here. and he says i'll take care of this and SHOOTS THE BLOOD THIEF?????? in the head.

back to the hospital. mulder is not pleased about the prospect of life support being removed but melissa says he has to honor her wishes. and he's going on about the blood protein and the doctor is like "why do you think this has anything to do with blood protein" and he Does Not Explain

her mom calls him "fox" again and says this is a moment for the family, but he can come too. and he won't come in. he's the wettest and saddest a man has ever looked as they go in there. and then the rope holding her to the dock of the afterlife is severed.

man. if i had been a contemporary viewer i would have been sobbing. thank god i've seen gifsets that prove this wasn't the end for her. because if i hadn't, i would have been in shambles. i mean i Was in shambles but like i would have been bawling on the floor.

cig man is with skinner. i honestly didn't think we'd get up to any sort of fbi related tasks in this episode, but he hands skinner a report and leaves. and then mulder comes in and denies being involved with the shootout at the hospital

(it's worth noting that he is doing all the denying to be an ass to skinner, and yells about "how does it feel, all the denial")

and he says that it was "cancer man" who took scully. i had been calling him cigarette man, but cancer man is very comparable.

the next thing i wrote was "SKINNER IS A BITCH????" this was because he said that mulder is "just as responsible" as cancer man for scully's situation if he knew the risks of this line of work and didn't warn her.

skinner baby YOU CAN'T SAY THAT? seriously i cannot figure this guy out. every time i think i have a read on him he does something like this that shifts my interpretation. what a horrible thing to say to someone.

cut to scully cam. she's on a table in metaphysical land. and her dad is there. he calls her starbuck and refers to himself as ahab- so the first mate and the captain. and he's monologuing about how he never knew how much he loved her until he realized he could never be with her again, and he says they'll be together "soon", but not now. so i'm wondering if she can hear all of this going on. i would guess so.

mulder is in the cafeteria with melissa and she is trying to talk a bit of sense into him. she says "you could spend the rest of your life finding every person that's responsible and its still not gonna bring her back" and he replies "including myself?"

now usually i would say that mulder taking the blame upon himself is tragic and typical, but here, having it also been implied by skinner AND deep throat 2.0, i am thinking, man, he's got to really believe it, even more so than all the other times he couldn't save everyone. which is. fucked up. so immensely fucked up. i'm sorry you pissed me off last episode baby but we can go to the zoo again like i planned. let's go see some tigers and cheer you up.

a woman walks in and asks him for change for the "cigarette machine", which was the first time in my life i have ever heard the term "cigarette machine", so maybe the earth really is healing

but he finds a pack with an address in it, and then, straight from my notes:

"CIG MAN'S HOUSE. OH MULDER IS THERE AND POINTING A GUN AT HIM. AND ALSO SCREAMING. "why her" oh his finger gets very close to the trigger"

cig man says he likes her and mulder, and. wow. what a despicable human being. he says that he likes mulder more for showing up to his place with a gun. says he's playing the game. mulder seems to have a realization he is acting just like those he swore to destroy and puts the gun down. cig man says it'll be their secret. and also that he was the one that told skinner that mulder shot the guy in the hospital even though he didn't think it was true.

we next see mulder sadly tapping at his computer. he prints a one sentence resignation letter "effective immediately" NOT even a two week's notice, that's how bad they fucked this man up

skinner comes by and says it's unacceptable while mulder is packing all of his things. and mulder says:

"i hate what i've become"

man. fuck. he hates the rage he has been driven to. the loss of control. the way he sees himself as being responsible for deep throat and scully. and all of it stemming from his need for answers, to track down his sister. he hates what that feeling of insufficiency has led him to and the path he now walks upon. hates it. hates his situation and himself and the world.

skinner decides to share some personal story time: he went off to vietnam- willingly enlisting on his 18th birthday. and then while he was there he shot a kid who was covered in grenades. the camera glances back at mulder occasionally, who, despite all of his grief, seems to be consulting his oxford training to try and remember what you're supposed to say to a guy who just told you he killed a child in vietnam.

and then he says he watched all his friends die and that he almost died- he was put in a body bag, and was in a coma for two weeks- and he was too scared to learn what happens next. but mulder isn't. and that's why his resignation is unacceptable.

mulder adds things up and realizes that it was skinner that gave him cancer man's location. again. complicating the vibe i get from skinner in doing something positive now. he says that every day is a risk.

deep throat 2.0 rolls up, saying that the people who did this to scully are going to break into his apartment tonight, and he'll have to kill them. he looks displeased by this- aversion to taking any sort of lives- but resigns himself to it.

so he's in his place in the dark ready to start blasting, when he gets a knock on the door. and it's melissa.

this is where we get the iconic exchange "why is it so dark in here?" "because the lights aren't on" which made me laugh so thoroughly seeing it out of context before i ever decided to watch this show

and melissa is MAD. scully is weakening, and she came to get him to say his goodbyes, but he won't go because. well. shootout is about to go down. this is his ONE chance to learn who did this to scully. but she doesn't know that is why he won't leave, so she YELLS at him, about being in a place even darker than her sister, and asks "why is it so much easier for you to run around trying to get even than just expressing to her how you feel? i expect more from you. dana expects more from you"

and man. those words are heavy. he locks the door, knowing that his place is gonna be robbed, and that he'll never know who hurt her, and comes down to see her.

and he's talking to her. holding her hand. saying he's here. he doesn't know if it'll change anything, but he's here.

when he goes home, his place is entirely ransacked, and he falls to the ground crying. fuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuck. i can't even put into words how bad this broke me. big strong mulder weeping on the ground, his career in shambles and his best friend dead.

i feel like i need to pause there just for how heavy it was. like this was his lowest low. lower than even vampire sex.

but he soon gets a call and he smiles so wide!!! and we learn her eyes are open!! it is the sweetest smile i have ever seen!!!!!!

he gets down to the hospital and she's awake and talking- but she doesn't remember anything- and he, being the insufferable man that he is, says the following:

"i brought you a present (holds up a vhs tape) superstars of the superbowls"

man. man. man. man. she deadpans so quickly. "i knew there was a reason to live"

he must have grabbed a random tape off his shelf and brought it to her with the express intent of antagonizing her back in the realm of the living. and he thought of something to say along with it on the car ride down, his hands shaking. something, anything to make her laugh. a stupid vhs tape. his constant sports references. her quick tongue. oh dear lord help me these two have ruined me.

he gives scully her necklace back, which i wrote about in all caps, while her mother and sister watch

and then we learn that the nurse who was taking special care of her was never actually there when scully wants to thank her and the other nurse is like "um no one who works here has that name" so. SCULLY PARANORMAL EXPERIENCE (POSITIVE)??!?!?!?

overall. man. i am experiencing such a volume of emotions. what the hell. she's back, though. and we saw how much she means to him. and i feel like i could type a million words on the subject but i don't even know what to say because they're still all stuck in my chest. they love each other sososo much.

will he ever tell her what he did in her absence? how he tried to quit? how he broke every rule trying to save her? how he screamed at the doctors, how he broke into cigarette man's house, how he almost pulled the trigger? how he watched a man die when deep throat 2.0 shot him? how he was blamed for her condition by himself and by others? how he left his apartment to be ransacked, giving up his one chance to catch whoever did this to her, to try and let go of his grief and be with her instead? or will he keep quiet except for the latest witticisms and frequent visits and presents and stories by her bedside while she gains strength and recovers?

and how he left, too, when he knew she was okay. how he must have wanted to be there more than anything in the world, but knew she needed to rest, so he left her with her family. how he could breathe easy again. how he had to make it seem like it was cool, and everything was contained.

man. this tv show. i just typed all of those words out and i still feel like i didn't even begin to cover the things i'm feeling. i feel like i need to shake them up and down.

but this should be good, because the x files are reopened... so are we seriously, as the kids say, so back? only time will tell!

[figmentof]

thing is, taika isn't doing anything a white man isn't doing

going from indie/low budget film making to blockbuster hits/superhero films: several white directors have done that. but taika's a sellout that is greedy for money. but it's not because he's brown and jewish hahaha no!!!

coming off as arrogant: wow. the number of pretentious white directors we can name here... hmm. however taika must be humbled, who the fuck does HE think he is acting like he's good at what he does. how dare a brown man have the equal amount of confidence as a mediocre cishet white male USC/Tisch film grad

the man has said stuff that's out of touch, yet that's almost standard for every single "popular" mainstream actor/director that is living a certain lifestyle, but it's silence on those fronts a couple weeks after they've made their stupid statement while taika's being held accountable for every little thing he does. it's not wrong to hold him accountable but it's very weird when he's the only one being held accountable when people who have said and done far worse than him are off the hook and their statement forgotten by the next month

the man doesn't even plaster himself on social media all that much, even when his wife posts on tiktok or ig with him it's scarce. yet the reaction when he pops up for one week to do promo for his new project makes you think he's taylor swift levels of inescapable or he's personally broken into people's houses and murdered their pets

[bougiebutchbitch]

every time I see a take that flattens Ed's character into this boring perfect angel who can do no wrong and has 0 agency because literally every choice he makes is determined by the actions of white men, I add another sentence to my stories where he's a sympathetic, complex and multifaceted trauma victim - but also an abuser who made terrible mistakes of his own volition, who seriously hurt people he cares about and left them traumatised, who feels crushed beneath the terrifying hypermasculine persona he built for himself (which he is still figuring out how to escape/incorporate into his new self/define himself around). A desperate, affection-starved, suicidal man who struggles hugely with his mental health, who deserves a loving support system (just not from his victims unless they want to be a part of it), who can grow and change and do better, who can work on himself and explore himself and find love and happiness.

but y'know, maybe I'm the one who 'hates his character' lmaoooo

[jichanxo]

probably going to be less active for about a week or so cause i'm going to sydney (and attending smashcon).

[longagoitwastuesday]

I have learnt things about Geto that I wish I could unlearn

[averlym]

" just...come here. just sit here with me" (...that one scene from princess momonoke, click for better resolution)

[rexcaliburechoes]

does anyone else find it fucked up that moon's friends protect themselves from her with the skyfire at the end of moon rising?

[hunsa-jars]

Dread be dreading

[gen-is-gone]

hrgh every time I think I've come close to forgiving lance fucking parkin I skim the gallifrey chronicles. and then I remember the Horrors.

[paimonial-rage]

hi! i'm the anon who requested for tighnari and "would they fix you". i like your answer, and it made me wonder... would tighnari let us fix him?

[Character Analysis Ask Meme]

Will Tighnari let you fix him?

Though many would argue with his way of going about things, let it be said that Tighnari is nothing if not purposeful. Even when he yells at the idiotic tourists gallivanting around foolishly in the Avidya Forest, indulging in his temper is not due to a loss of control. No, it is always a calculated decision. Sad to say, some people need a brutal shock to get things through their thick skulls, and if that's what it takes to save lives, so be it. Why mention this first? This is because all of Tighnari's actions are made with thought. To insinuate he needs to fix something about himself ignores the reasons why he chose to go that route in the first place.

So would Tighnari let you fix him? Not without a lot of grumbling on his part. If he cares about you enough, he will attempt to make the changes. But please expect much sarcasm muttered under his breath as he "fixes" his mistakes.

[brinnanza]

I think it's important to resist the urge to pathologize ultimately harmless behavior like maybe you can trace it back to its parent disorder but if it's not harmful to you in any way that isn't a symptom it's just a trait

[supercantaloupe]

@widevibratobitch @verdiesque

can y'all either @ me or block me already this is getting exhausting

[medicinemane]

I don't know... horrible things happen all around the world and it's not a competition

Atrocities are committed against multiple groups in multiple parts of the world at the exact same moment, and none of them erase each other. They all matter, all the people in this world who are being brutalized matter. There shouldn't be any line you draw where one group doesn't actually matter as much as another

You're welcome to prioritize your energy towards helping one group or another, but what's not ok is invalidating or dismissing people who are actively being harmed

Same goes for trying to figure out which social group has things worst (and lets be honest, always using a US lens)

Like... maybe the important thing is to prop each other up and help everyone get on their own feet rather than trying to... pick fights about if physical disabilities or mental illness are less respected (I'm trying to pick a more absurd example but sadly I've seen exactly that argument happen before). Maybe it doesn't really matter and what matters is helping who we can when we can

I'm tired of it, I'm just fucking tired of it. Support people, champion them when the world is just brutalizing them, but you don't need to throw a single other person under the bus to do that

Which seems to be an absolutely impossible lesson for people to learn