I’ve been thinking about this scene from 1x02 a lot lately. I don’t know why. Maybe it’s the music. But the show does this really cool thing where they have Louis telling us about his shame in an act while actively romanticizing the act at the same time. The visuals, the score, the language used, even Louis’ tone of voice as he narrates all indicate the murder of the tenor as a love scene. Louis describes the killing as meditative, describes how he participated in it alongside Lestat for hours—only to conclude by saying he was only pretending to be enthralled because he was afraid of disappointing. And—
I don’t know. I do think shame is one of Louis’ defining characteristics. It’s what makes him so interesting. But shame is one of those things that tends to come after the act is already done. It tells us nothing of how Louis truly felt in the moment when he was actively participating. Actually—it feels to me like the shame is so intense only because he enjoyed it so much at the time. And maybe after everything he’s been through, after all the trauma and the grief, that’s not something he can bear to really look at now. The way he gave into his nature with Lestat in moments like this and how good it felt. How romantic it was. How it was a deep intimacy. How the feeding was the connective tissue of their love as vampires…
There’s also something else here about how this relates to his later rejection of hunting with Lestat being a rejection of their intimacy, but others have already talked about that at length and much more eloquently. I just think it’s really neat to get little moments like this from an unreliable narrator who tells us how he was feeling while the show is perhaps showing us something different.
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With today's entry, I was rather surprised and confused that Johnathan seemed to turn around so quickly from the absolute pit of despair he was in yesterday, having newfound determination and energy when he's seemingly been completely hopeless and inactive for weeks now (and for good reason). Not that I ever thought he'd completely given up, but there's definitely been a slow decline in how descriptive his journal entries have been to reflect his declining mental state (more robotic, less of his actual feelings about things), and today was a sharp contrast; it feels more like the early entries again. I thought, well, his mind is probably just so cracked at this point that he's looped all the way back around to being bold and energetic again, because by now he's desperate enough to throw caution to the wind: he either succeeds doing something extremely reckless to escape, or he fails and meets his end in a far better way than if he just waits for his fate by Dracula's hands.
...But having thought about it and reading other posts, I realized (probably stupidly obvious as it is) that his sudden change in mood probably has to do with what happened to the baby. Despite how scared he's been all this time, yesterday he didn't hesitate for a single second to try to save the baby once he realized from the previous incident what was happening, not thinking about his own life at all. And then he despaired when he couldn't save the child, the first time he's mentioned crying in the book at all, and then he had to witness the mother blaming him for her baby's death, and being killed herself for trying to rescue it. Now, the day after that horrific and heartbreaking failure, he's suddenly more determined than he's been in ages to escape. Maybe that was a turning point for Johnathan, and lit a fire under him... maybe he's clinging to the need to escape not just for himself and the people he loves anymore, but for the vain hope that he can put a stop to Dracula's schemes somehow once he gets out, because he doesn't want to let any more children die :' )
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Bro I literally obsessed with the casino quartet now plssssss tell us more
omg . actually a lot of my Thoughts about them r au based but ^_^ i think while i am here i might as well share that they're named that is bc the idea of all of them working in a casino 2gether rlly caught on!! (this was mostly brought up by thegalacticbucket and things just sorta snowballed from there .)
anyways the fun dynamic between them is that red's a dealer + deals with the finances with clown, clowns the owner of the casino and manages the casino, branzy is there as eye-candy branzy is the shill aka he gets the games rigged for him so people r more inclined to gamble more bc he's winning a lot + he encourages them, and ash is the bartender! he has arm garters and makes drinks for all of them after hours
so dats the fun history lesson 2 why the 2 fics of them atm have 2 do w/ them working at a casino and chilling w each other and why they're called casino quartet ^_^ hope u enjoyed the Lore
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I was feeling SUPER depressed today and I was planning on basically just playing Baldur's Gate 3 and surviving through the day. Well I foolishly decided to finally purchase and install the game on a day where the only thing I wanna do is play the game.
"7% done! 4D 5HR left! :D"
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today three years ago was the day my life changed for better or worse I remember very vividly the moment I was minding my own damn business in the living room and my dad booted up this godforsaken game and all I had to say was 'oh it's another persona game I like its music choice' and I looked at this idiot made up of three polygons straight in the eyes. theoretically. if he didn't wear a hat that obscured his face in every single ps2 limited camera angle possible. then felt something silently and so fervently change inside me like a bomb was planted in my brain that would not explode until a less than a month from that day
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because i am a boneheaded fool, i decided i wanted to learn how to do puppet/cut-out animation in toonboom for my current scene for @tailsylennon's project
aaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaa
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