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tea-at-221 · 4 years

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The TJLC Debacle: 3 years out from S4 and counting; the copyright mini-theory; so much salt I’m bloated; but in the end, there is peace (I love you Johnlockers)

Ugh, don't even talk to me about Mary.

Don't even talk to me about the way Mofftiss have said they're sick of responding to fans on the subject of Johnlock. Of how they've said they're "not telling anyone else what to think or write about them" (as if they could stop us; as if they even own Sherlock themselves. Do keep reading, because this point becomes much more relevant and in-jokey later on). Don't even mention how they've bitched and whined incessantly because--god forbid--fans got *really really* into their show and emotionally invested.

They're so eager to discount all the beautiful little moments they wrote as accidents. And Arwel, who planted all those props, continually demonstrates that he's on their side (a not-very in-depth-analysis of his Instagram account and the way he interacted with fans towards the beginning of the pandemic showed as much, but I think maybe he’s grown a bit wiser and quieter since at least in terms of Johnlock and all things elephant-related. I don’t know for sure because I stopped looking.)

Anyway--they'd actually prefer for us to celebrate our own intelligence, is I suppose a charitable way of looking at it: our ability to make connections between things in the show; our metas on symbolism; our insightful fanfic; etc., and denounce them as the bad writers that they ultimately are.

More under the cut.

(This post may be of interest to you especially if you came to the fandom a bit later: multiple links to things of relevance/quotes/explanations appear both within and at the end of this entry.)

Because what makes a writer good?

Well, an ability to make people feel an emotional connection to their work, for one. I know this is just my own perspective, but if not for Johnlock, all my emotion about the show would evaporate. There wouldn't be much else there. Other people might get something, but I wouldn’t. Is some of the writing witty and entertaining regardless of any inferred/implied Johnlock? Yeah but, eh, a lot of shows have some good writing and I just don’t give a damn about them.

What makes a writer good?

Not making promises to the reader/viewer that they'll never keep. Plot holes, leading dialogue ("There’s stuff you wanted to say...but didn’t say it.” “Yeah”) never followed through on, puns that are apparently, I suppose, unintentional (e.g. "'Previous' commander?" "I meant 'ex'").

Uh, not writing continual gay jokes that aren't actually pointing toward the inference that people are making them because there's actually something going on there under the surface. (How about just don't make those jokes ever.)

Not being, apparently, oblivious (? questionable) to the queerbaiting they're engaging in *as they’re writing it.*

Acting like their LGBT audience is in the wrong/the bad guy, instead of choosing to remain respectful in the face of dissent. Instead it's just, "we never wrote it that way" / "We never played it that way."

A lot of those other mildly witty shows don’t actually blatantly drag their most passionate fans face-down through the mud the writers themselves created. Imagine that.

I'm not even a fan of Martin Freeman anymore, for the way he handled the whole thing (getting angry, the comments he made about how the fans made Sherlock “not fun anymore”...apparently Martin’s packing up his crayons and going home?)...no offense to anyone who is still a fan of his. I don’t make it a habit to drag him. I do to some degree understand his frustration with having the whole situation taken out on him--he’s just an actor in the show--but I simply wish he’d remained as cool and professional about it as Benedict Cumberbatch instead of pointing at the fans. You’re pointing in the wrong direction, mate.

What also irks me at the end of the day is this: the subsection of people who legitimately responded badly to the TJLC/S4 debacle and went above and beyond to harass the writers and actors/actresses on social media are *few and far between*, but we've been lumped in with them by what feels like...everyone, Martin included. TJLCers/Johnlockers (not the same group, but often treated as such) have been made to look like a bunch of rambunctious, immature, demanding children time and time and again in the wake of S4.

They'd rather, what, suggest John was so in love with Mary? THAT was the relationship they wanted to uphold in that show as so significant and...what, a demonstration of how honorable it is to respect your heterosexual relationship despite, you know...ANYTHING?

Yeah sorry, I don’t believe in that. John’s text-based affair, whether a disappointment for some as to his supposed character, was a very human reaction and I kinda sorta feel like I would have reacted MUCH more strongly than that had I been John. But nope. He stayed with Mary and was *ashamed* of his wandering eye. Ashamed that maybe he wanted to be admired by someone. I can’t think of a scene, off the top of my head, where Mary ever interacted with John without belittling him in some way--if not with words, then with consistently patronizing glances.

The message here is that heterosexuality is not just acceptable, but VALUABLE, however it manifests--but god forbid anyone see a queer subtext. (Why are lgbt+ writers some of the very WORST offenders where this is concerned? And they defend it! Is this childhood nostalgia/Stockholm Syndrome of the very fondest variety or what? Gay angst is all they got if they got anything at all, so it’s still good enough as far as “representation” goes?)

They really want to tell the story of John as so emotionally/mentally fucked up that he surrounds himself with unstable people time and again. They never give any reason *why* he might do that (which they could have done even soooo subtly), or delve into his past--just, apparently it's okay to assume that Sherlock's comment about "she's like that because you chose her" is exactly that.

No. Sherlock and Mary are NOT the same. Not...*remotely*!

Mary is underhanded and evil. She lies. She manipulates. She schemes. Her “love” is based on selfishness, and her assumption that John is a simpleton and hers to mold. She's in it for herself.

Sherlock hides. He prevaricates. He feels. He loves John. He does fucked up things in the name of love, but always for the benefit of those he loves. When he screws up, which he obviously does, it’s painful to us as the audience because we see that it is painful for him when he recognizes and regrets it.

I have never seen Mary regret anything. Those crocodile tears at Christmas? More manipulation. Inconsistent with anything else we were shown about her as a character.

To even think for a SECOND that people could ship Mary and John and mentally condemn John for cheating on Mary AFTER SHE SHOT HIS BEST FRIEND...as if marriage is the be-all-end-all free pass in which every sin must be forgiven until the end of time...as if John broke any covenant with his wife beyond those she broke from the very moment she walked into his life *with an entire fake past.* Is just. Well. It's asking us to accept gaslighting as healthy, loving, normal, *preferable* behavior, so...given the source that message is coming from, it's all a bit meta.

THAT. Is insanity. Maybe Mofftiss are the sociopaths.

How these men could write characters they themselves understand so little (or tell us they understand so little because their emotional maturity has yet to surpass that of the average three-year-old’s), I will never know. I can only imagine that they have absorbed, by osmosis over their lives, real and nuanced human behavior...then churned it back out again in their writing unaware, a bit like psychopaths who teach themselves what "normal" people do so that they can pass as psychologically sound in regular society.

Remember, we *are* talking about men who do these sorts of things:

Moffat says that Sherlock is celibate and that people who claim he's misogynistic when he does things like make Irene Adler imply she's attracted to the detective (even though she's a lesbian) are, ironically, "deeply offensive" (despite lines like "look at us both" in Battersea. We aren't your therapists, Moffat--we don't care what you meant, we care what you said, and what you *said* was clear. *Implying* it does not let you off the hook).

Gatiss has proclaimed that "I find flirting with the homoeroticism in Sherlock much more interesting" than the idea of ever making a show addressing LGBT issues. (That link is to a reddit forum, and I can't find the original interview anymore, but I assure you I had seen the actual article myself ages back and can't find it online again now along with some of the Martin quotes I wanted to link to. And nevermind what Gatiss has done with LGBT shows/issues since--my focus here is on what he has said, versus what he and Moffat have since claimed regarding their queerbaiting.)

Here’s a transcript of this screenshot:

"...many people come up and say they didn't realise." Despite this lack of public awareness, being part of the gay community is clearly important to Gatiss: "The older I get the more I want to give something back. I mean, I keep meaning to do something." When asked if he'd be interested in making a series about gay issues his response was enlightening:

"No, I don't think I'd make a kind of gay programme. It's much more interesting when it's not about a single issue. And equally, I find flirting with the homoeroticism in Sherlock much more interesting. Of course this reflects the grand picture of everyone's strange make-up; there are good gay people and bad gay people. I wouldn't like to make an issue film around the culture of being gay."

Instead Gatiss' interest seems to lie in making a drama where sexuality is, if not mundane, part of the wider framework: "I'd quite like to do something about a quite happy, ordinary gay person who's just incidentally gay. For example, a three-part thriller for ITV where the lead character just happens to be gay; when they finally go home, say 45 minutes in, and they had a same sex partner. That to me would be genuinely progressive. It wouldn't be a three-part gay thriller for ITV. It would be that this character just happened to be gay."

--End article quote.

And instead, who is canonically gay in the series? Well, Irene Adler. The innkeepers at the Cross Keys. And perhaps most notably, the *villains*, because that's a helpful trope: Moriarty and Eurus are, in S4, both implied to be at least bisexual.

Any character should be able to be any sexuality, this is true. But can we have some main characters, the good guys, give some good representation? Can't we start making that the standard, rather than the villains and the background characters? Because so far, that is the exception and not the rule.

Writers need to be aware of the damage they are perpetuating. We are not quite in a world yet where any character should be able to be any sexuality but isn't, yet we have no problem with saying the villain is LGBT+ or looks different/functions differently than much of the viewing audience.

"Male friendship is important and valid, not everything has to be gay"--this is a popular point with casual heterosexual viewers (and, to my chagrin, some of my LGBT+ friends) who don't fully grasp what "queerbaiting" is, often even when it's pointed out to them.

The lens of heterosexuality is real. My first time through watching BBC Sherlock, I didn't see the Johnlock at all. I had to look for it and read about it. When I saw it, the lens was lifted for me, and it changed my life and the way I view things forever (and for the best).

But back to my point about how little Mofftiss seem to understand their own story/most ardent fans, and then on to my other theory: in S4 it must be that they dropped their “psychopaths emulating empathy” act and indulged in their own "insane wish fulfillment" by doing away with all of the meaning, continuity, and sense. Right?

So, here’s the alternate theory. One which is not, please remember, in their defense.

Remember that S4 is what Mofftiss are *happy* to have us believe is what they'd do with these characters, given the chance to do whatever they wanted. I repeat, in Moffat’s own words: “Insane wish fulfillment.”

Okay I get it, this pasta has been over-salted.

Without further delay: MY COPYRIGHT RESEARCH THEORY THAT EVEN I DON'T PUT MUCH STOCK IN AND WHICH DOESN’T MAKE UP FOR THEIR CRUELTY EVEN IF TRUE

Part of me also raises an eyebrow at S4 as perhaps an example of the effect of the Conan Doyle estate on any modern production in the US. While it’s true that all of Sherlock is part of public domain in the UK and has been for quite a long time, Gatiss and Moffat still talk about it being partially under copyright. Specifically, the last 10 stories. I’m supposing that this means that because Sherlock airs internationally, or due to whatever contract the BBC has with the Doyle estate, they are still limited by the copyright as to what they can “publish”.

The Doyle estate is known for being a pain in the ass when it comes to abiding by copyright law as everyone else knows and practices it. They’ve tried to argue, for example (in 2013 and, much more recently, with the advent of Enola Holmes), that because Holmes and Watson were not fully developed as their final selves until the conclusion of all 10 stories still under copyright, then perhaps the characters themselves should still be protected, basically, in full.

It’s true that certain elements of the remaining stories are still under copyright here in the US (Watson had more than one wife--uh huh, we have that to look forward to, Johnlockers; the Garridebs moment is still under copyright--yeah, I’m getting to that too; and Sherlock didn’t care much for dogs til later so that’s not allowed either, fuck off Redbeard), but the estate’s problem in 2013 seemed to be based around a fear that *gasp* some day--if not right now!--anyone could write a Sherlock Holmes story in any way they pleased, changing the characters however they wished to and giving those characters “multiple personalities.”

See the following excerpt from the Estate’s case:

“...at any given point in their fictional lives, the two men's characters depend on the Ten Stories. It is impossible to split the characters into public domain versions and complete versions.”

(Click for full transcript.)

Obviously, by this point, that’s been done in multiple iterations. So I dunno. Their argument was *more* than muddy to begin with--they just grasp at straws to stay in control, it seems.

But okay. Backing up: wasn’t there sort-of a Garridebs moment in S4?!?? you cry. Yep. But imagine this: the Conan Doyle estate taking Mofftiss to court to argue that they depicted the Garridebs moment--a moment still under copyright--in The Final Problem.

Did they, though? Did they really?

The fandom cried out about the ridiculousness--the utter disappointment--of that moment when it was shown. It was not what we would have expected/wanted. We didn’t see John injured, Sherlock reacting with tender outrage to the good doctor’s attacker.

Instead we saw some ludicrous BS that was as bad as the clown with the sword-gun-umbrella. More of that.

I think Martin probably found that it was easy to produce real tears when he thought about how fucking terrible the S4 scripts were.

Ahem. Yet, this all seems very Mofftiss-flavored in terms of humor.

I can all-too-easily imagine them saying, “HA. We’re going to show some of these supposedly copyrighted things--and if they take us to court, they’ll be laughed out of the room.” Could that explain some of the overall S4 fuckery?

Sherlock wasn’t supposed to like dogs til later stories, as previously mentioned-- is that why Redbeard pulled a “Cinderella’s carriage” and transformed into a pumpkin (Victor Trevor)? Hmm. Sigh.

It...doesn’t actually appear that the estate has any qualms about taking laughable stuff to court, I mean...*shrug.* They have the money to do it, and money is the name of the game, because you’ve got to pay for rights (cha-ching sounds).

Yep, it does seem that the estate is open to the copyrighted materials being made reality, but who knows for what price or with what caveats. The BBC isn’t, so far as I’ve ever heard, known for throwing money around. Early Doctor Who would be so much less entertaining if they’d had any sort of budget. (And in fact, more of the older episodes would exist, but apparently the BBC--in part to cut costs--reused some of their tapes.)

My bottom-line bitter is this: Mofftiss do like to amuse themselves. To please themselves and no one else, as they’ve shown time and again. Sure, they could do whatever they wanted with S4...and they did...but they were also cruel about it, and that’s what I’ll never forgive them--OR the BBC--for.

A lot of fans gave up after series 4. I was very nearly one of them. I was angry, like just about every other Johnlocker and/or TJLCer, but I was really truly heartbroken. I couldn’t look at fanfiction. My days were full of bitterness and I keenly felt the lack of the fandom outlet that had become so essential to my mental well-being. I didn't know how to overcome the disparity between TJLC and what the show actually was. I didn't know how to separate the things I loved so much from the shitty writers and the way the BBC handled things with their whole response letter (that atrocious, childish blanket response they sent to everyone who complained about S4, not just the Johnlockers/TJLCers. Related to your complaint or not, if you filed one post-S4, this was the response you got). I still boycott BBC shows/merchandise, just by the way.

I tried to link to the blanket response letter but the link didn’t want to work (it’s an old reddit post; I had difficulty finding a copy of the letter elsewhere though at one point it wasn’t so hard...Google is weird these days y’all...tell me it’s not just me) so here’s a screenshot:

Transcript:

“Thank you for contacting us about “Sherlock”.

The BBC and Hartswood Films have received feedback from some viewers who were disappointed there was not a romantic resolution to the relationship between Sherlcok and John in the finale of the latest season of “Sherlock”.

We are aware that the majority of this feedback uses the same text posted on websites and circulated on social media.

Through four series and thirteen episodes, Sherlock and John have never shown any romantic or sexual interest in each other. Furthermore, whenever the creators of “Sherlock” have been asked by fans if the relationship might develop in that direction, they have always made it clear that it would not.

Sherlock’s writers, cast and producers have long been firm and vocal supporters of LGBT rights.

The BBC does not accept the allegations leveled at “Sherlock” or its writers, and we wholeheartedly support the creative freedom of the writers to develop the story as they see fit.

We will of course register your disappointment.

Thank you for contacting us.

Kind Regards,

BBC Complaints Team

So how about that? *Did* they “register our disappointment”? We can actually check that. The BBC’s website has a monthly summary of complaints received. So what did they receive in January 2017, the month S4 aired?

Huh, what do you know. Sounds like that blanket response was exactly the “fuck you” it came across as.

But the show--the FANDOM--had filled a need in my life, and so I had to own that and make it mine, or just...let something in me die: something that felt like an actual vital organ. I had to decide that these characters mean something to me beyond what anyone else tells me they should. I had to accept my own perceptions as truth, as I do with everything else in my life. I had to overcome the idea of canon as law (BBC Sherlock isn't canon anyway; ACD is canon. BBC Sherlock is, in the end, badly written fanfiction--or--worse?--decent pre-slash fanfiction distorted by consistent lies and the hazing of the LGBT audience, topped with the dumpster fire of S4′s incoherent nonsense).

I had to take the good and throw away the bad, just like anyone else who chose to stay. The good bits of the show...dialogue, yes. Plot points, yes. These awful writers did write some good stuff sometimes.

They just broke all the unspoken rules of what not to do to your audience. And then did and said everything they could not to apologize, and to justify their own failings. Which, in the years since I began shipping queer ships beyond any others, I have unfortunately experienced more than once.

So, my vulnerability has been yeeted into the vacuum of broke-my-trustdom: no one can tell me what things should mean to me. I will decide.

I decide that all of the FUCKING AMAZING writing in the Sherlock fandom is a staple in my life that makes it worth living. And that that's okay. And takes precedence over anything the writers or anyone else associated with the show could ever say or do.

Johnlock can not be taken away. It doesn't belong to them. It never did, even if they brought us to it. It belongs to us. To the group of amazingly creative, brainy, empathetic, resourceful, vibrant, resilient people who make up this fandom.

So thank YOU, all of YOU, for giving me Sherlock, Johnlock, and TJLC.

I am SO SAD for those who never found a way to make peace with this fandom again. Let me just say that I understand that inability entirely.

I am fortunate that I found the ability in myself to cling to the joy (something it has taken my whole life to be able to do). I hope others will who haven’t yet but wish they could.

Let Mofftiss and whoever sides with them stay angry and bitter and vicious, always looking over their shoulders for anyone who dares to whisper about subtext.

I’m proud to be part of what they’re whispering so angrily about.

Thanks for sticking it out if you made it this far. I know this was very self-indulgent and rambly.

Articles of interest:

A Study in Queerbaiting (Or How Sherlock Got it All Wrong) by Marty Greyson

“We never played it like that.” - Martin on Johnlock

Henry Cavill on the Enola Holmes lawsuit

More on that--and by the way Sherlock isn’t allowed to like dogs

The way Sherlock creators told fans Sherlock & John aren’t gay is so rude

Especially for those new to the fandom who may not know the distinction between TJLC and Johnlockers and want to know more about TJLC's evolution/what it is/meta through the years

Moffat's view on asexuality, offensive to me in particular *as* an asexual person (same article where he claims he isn't misogynistic): "If he was asexual, there would be no tension in that, no fun in that – it's someone who abstains who's interesting."

Yet he says Sherlock isn't gay or straight and that he's trying to keep his brain pure which is a "very Victorian attitude"

(Nice historical research there, Moff--actually the Victorians were sex-positive).

Sherlock fans were robbed of the gay ending they deserved

Benedict Cumberbatch has lashed out at his Sherlock co-star Martin Freeman over his negative attitude towards fans

BBC complaints January 2017

Martin Freeman: 'Sherlock is gayest story ever'

From 2016: UNPOPULAR OPINION: "Sherlock" Isn't Sexist or Queerbaiting; It's Actually Trying to Stage a Revolution

Queer-baiting on the BBC's Sherlock: Addressing the Invalidation of Queer Identities through Online Fan Fiction Communities by Cassidy Sheehan

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pan0ramy · 3 years

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re8 thought dump because YE

i feel like this was almost inevitable but idk where else to talk about resident evil village so i’m just going to rant about it here!!! i have,,,, a lot of thoughts on this game after being so excited for it for so long

obviously, massive spoilers if you haven’t finished the game. i feel like i have thoughts on pretty much everything so please please please stay clear of this post if you’re trying to stay blind

otherwise, let me just rant about this game for a bit - mainly the story and characters - because i have Thoughts™

(also i feel like it goes without saying but this will be probably be quite long, so. strap in, ig)

okay SO. the whole intro was pretty interesting - even though we’d seen bits of it in trailers, it was still pretty unnerving and felt like it came out of nowhere. but the first thing that really stood out was the first village section with the hordes of lycans; i didn’t expect this game to start freaking me out so quickly but JESUS my blood pressure went up fast.

there’s so many of them coming at you at once, and not only have you just lost half your damn hand, you’re not really used to the gunplay at that point AND you don’t have that many weapons at your disposal. so it’s basically just “hey we’re throwing you into this ring of death, good luck surviving!” which... now that i think about it, that really sums up the whole game lol

but for the most part, the early parts of the game are what we saw in the demos, so there’s nothing too new - it was nice getting to see the scene with all four lords and mother miranda, though. i wasn’t sure how the whole chase scene with the lycans would work - i thought heisenberg’s area was going to be some sort of mine, and that the chase would take place there - but it didn’t, and it was interesting regardless of it being so short.

but the castle. THE CASTLE.

i would be lying through my teeth if i said i wasn’t excited for dimitrescu like everybody else; i’m firmly in the camp of people who both meme about how attractive she is, and then also the people who legitimately find her attractive, soooo i kinda had high expectations going in?

and sure, the castle section is only part of the game, but if there’s anything that makes me nervous most, it’s stalker enemies. resi 2 remake was actually pretty tough for me to get through because of how anxiety-inducing mr x was, and even though i don’t feel like she was as present as mr x was, lady d was still great! there were a good few times where you could hear her walking around and you just knew she was searching for you, which was really damn cool.

also, i know capcom had a lot of hype to live up to with lady dimitrescu, but goddamn they did such a great job with her. she’s so imposing but badass and just... really damn cool? like i honestly found myself being excited for her to show up rather than being scared. i just think she’s neat! I MEAN LOOK AT HER.

(also yes i know the whole internet has talked about how attractive she is, but can we just. appreciate that for a second???? she’s gorgeous and yall can’t tell me otherwise. like. bro ik the pronunciation is wrong but the way she says dimitrescu made me GASP i love this powerful vampire woman)

if anything, though, i... actually felt really bad that her story ended up the way it did. i mean, think about it: you break into her house, kill the three people she’s grown to consider her daughters, rob her shit, and then kill her? she technically goes through the same kind of parental grief that ethan does, in a way, which is a really interesting parallel. grief seems to be a theme that capcom really pushed for this game, and it works.

also, her boss fight design is badass. she’s literally a dragon, how is that not incredible

so the castle was great, where could the game go from here? oh, i don’t know, how about gOOD OLD FASIONED FUCKING TRAUMA.

jesus christ the dollhouse GOT TO ME.

i’m pretty used to horror in general; i love horror games, movies, books, you name it. i’ve gone to horror movies where people have ran out because of fear all while i’ve sat there giggling the whole time. but the dollhouse? that dollhouse is FUCKED. i can’t remember the last time i watched someone play through a horror game and was so... on edge the whole time. the fact that they keep you waiting for so long with nothing happening just... makes the atmosphere incredibly uncomfortable, and then when shit does start going down, it goes down fast. in other words, jesus fucking christ that baby will haunt my nightmares until the end of time

basically capcom managed to make the n*zi baby joke from south park: the stick of truth legitimately terrifying, and i was glad to see donna die. moving on.

moreau’s section is the one i... actually don’t have as many thoughts on. it’s cool, sure, and the whole idea of him turning into a fish when he hits water is neat - it’s definitely a good callback to re4 - but idk, it didn’t really scare me that much. i can see it scaring those with a fear of water or the ocean, for sure, but eh. i thought the designs were cool, but i kinda tuned out a little here.

heisenberg, though, was anything but. the entire time leading up to village’s release, this guy has fascinated me for some reason. i don’t know if it’s because he’s the most normal-looking of the four lords, or the fact that he has telekinesis, or his amazing voice acting (seriously i know some people have shit on his VA but oh my god i adore it) or what, but this guy stood out to me from day one. i even went into the game expecting him not to die tbh. but no, he does, and his fight is pretty damn cool all things considered. only in a resident evil game could you have a mech fight and have it not feel out of place lol

also this line ^^^ legitimately made me laugh so hard i almost choked on my water. THE FACT HE TURNS AROUND AND APOLOGISES SO MEEKLY its fucking hilarious to me

but anyway.

similar to alcina, though, i was left with one big question about heisenberg - what did mother miranda do to him to get him to join her impromptu familly? he said himself to ethan that he didn’t want to join, so what did miranda do that didn’t give him a choice? did he have a family at some point? is he grieving too? what did miranda take from him? i can only hope this gets answered in the dlc, because it’s by far one of my biggest questions surrounding all of this. i may very well have missed it somewhere, and at least we know he has his telekinesis abilities thanks to miranda, but it’s a question that’ll definitely be on my mind going forward.

at this point, though, the story REALLY gets insane. it’s really nice how village decided to just continue on straight from what 7 did, and i’m very glad that everyone’s theories about chris being a werewolf were wrong - it’s a really nice spanner to throw in the works. if anything, the whole revelation of mother miranda disguising herself as mia the whole time since rose’s birth was really cool, and ethan being Mold™ the entire time was pretty neat too - it made a lot of things both in 7 and village make more sense.

what i’m still digesting, though, is the ending.

...man, capcom, you put poor ethan through all of that and then you have the balls to actually kill him? i mean shit, you made us think he was dead for a whole 20 minutes but then nope! he’s alive! but then nope! he’s dead again! i did see someone point out that at least ethan got to go out on his own terms, but dammit i would’ve at least liked for him to get to see mia one last time. i think it would’ve softened the blow a little more. but i guess that ties into the whole grief theming this game has going for it, and like i said, i probably just need some more time to digest it.

i don’t dislike the ending, it’s just a very big culture shock - it’s definitely a ballsy move, and i really respect capcom for going all out the way they did. they really held back on nothing in terms of this game’s story and i absolutely love it. it was so, so worth the wait in that regard.

and tbh that’s kinda how i feel about the whole game in general; it was super super good, very much worth the wait, and i absolutely cannot wait to see where resident evil goes from here. i have a gut feeling this’ll end up being one of my absolute favourites in the series, which i know is very high praise, but i really do love it that much. i wasn’t disappointed with much in this game, if anything at all. it’s just a super fucking good video game man idk what else to say at this point

#resident evil #resident evil 8 #resident evil village #if you read through all of this: first of all i love you. second of all i am so sorry lol

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innovativestruggles · 4 years

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TsukiYachi speculations, thoughts and theories based on canonical evidence

WARNING: THIS IS A LONG LONG POST!

So I wanna share my thoughts with everyone - especially ya’ll TsukiYachi lovers (notably @mimi-cee-hq) whoever that’s left (and clearly I should be working but doing this cause I apparently like to procrastinate)

Canonical Evidence

I want to reinforce the point here. When I write about character analysis and speculations, I base things on canonical evidence - that is - based on what I see and interpret from the manga and anime. I usually prefer to use manga as that is the ultimate canon but seeing as the anime is quite loyal to the manga, I’ll be using it too. Of course, this is all interpretation base (and maybe biased) which is why I will put forward evidence that I see so it helps people see where and how I got to my conclusion (instead of looking like I just made something up). Teehee.

So....HAPPY READING!

Manga Vs. Anime

I only recently started the anime and reading the manga (yes yes I am aware I am late to the party but I’m FASHIONABLY LATE) and it is amazing how loyal the anime is to the manga (so far) but I have noticed a few discrepancies. And because this is a TsukiYachi post I am going to focus on this.

The anime unfortunately toned down some of the interactions between Tsukki and Yachi, which is a huge shame - BUT it does make up for some parts by extrapolating and adding more cute details that was not seen in the manga. So I suppose there are elements of balance, although the details the anime omitted was important as it gave off more interesting vibes.

For example; this interaction below was downplayed in the anime. Yachi only talked of Tsukki’s liveliness and the flustered “he usually acts so cool” was left out. So sad, I would have totally liked to see a flustered Yachi talking about Tsukki <33

AND THIS ONE BELOW! THE MOST DISAPPOINTING OF THEM ALL! I was sooooooooo sad when the anime left this specific part out where Tsukki and Yachi were sitting next to each other. In the anime, Yachi was somewhere on the other side holding plates or something. LIKE SERIOUSLY? When manga panels are drawn, they usually draw who they would like to emphasise in the centre or draw them bigger. LOOK AT TSUKKI AND YACHI BEING THE CETNRE OF ATTENTION! LOOK AT HOW BIG THEY’VE BEEN DRAWN!! LOOK AT THEM SITTING NEXT TO EACH OTHER.

STUPID EFFING ANIME HOW DARE YOU DENY US TSUKIYACHI FANS OF THIS!!! *rant rant rant*

Anyways, one thing I did like about the anime was them extrapolating this scene. Teehee. Look at Tsukki just staring at Yachi even whilst Yamaguchi was talking. And then Tsukki continues to talk to Yachi as if Yama didn’t say anything at all. This scene was so adorable <33

So moving on

Interactions

I gotta agree with everyone here and the obvious is that the interactions between Tsukki and Yachi are minimal. It is so sad but you know, Tsukki is a side character and Yachi is like a side side character so I do understand why their interactions would have very little screen/page time. In saying that, whenever they do have their interaction, or when one talks of the other, it was rather significant. This was most notable in the Shiratorizawa arc. Let me explain;

Yachi is extremely caring of all her teammates and her interactions lie predominantly with Kiyoko and the four first year boys. Of the four, Hinata would be the one she interacts with most. I suppose this is because Hinata is the main protagonist so he gets thorough interaction moments with all characters. It is a given.

Kageyama’s interaction with Yachi was second in terms of screen/page time but I believe the vast majority of the time, it was together with Hinata (ones that are significant anyways).

Then there is Yamaguchi, who so adorably thinks she is cute. I am still unsure whether he actually likes her (maybe a little crush?). But I reckon Nishinoya likes Kiyoko more than Yamaguchi likes Yachi LOL. So it might just be a tiny crush, I don’t know. Anyways, YamaYachi have very little screen time as well and their direct and indirect interactions don’t particularly stand out to me. I mean, they do have their little fluff moments but nothing significant in terms of development.

Now we have Tsukki. In terms of screen/page time, Yachi and Tsukki, like I said earlier, have minimal interactions - but I mean this in a direct interaction kind of way. What I noticed were their indirect interactions! I’ll explain more later.

I went into watching Haikyuu with a very neutral standpoint and my TsukiYachi shipping did not start until quite some time later (most notable during the Shiratorizawa arc).

Shiratorizawa Arc

Tsukki underwent a major character development during the Shiratorizawa arc so this was a time where he shone the brightest. During this arc, Yachi had some of the biggest screen/page time - it was so awesome!

Aside from when Yachi was first introduced, we never really got to see much of her, but her screen/page time appeared a lot more during this arc. It so happens that this very arc was the most important for Tsukki. Three major things I noted from this arc,

1. Akiteru’s presence

2. Akiteru and Yachi’s interactions (direct and indirect)

3. Yachi’s commentary of Tsukki

Akiteru’s Presence

Akiteru, we all know, was Tsukki’s biggest influence when it comes to his ideas around volleyball, so naturally his presence there during Tsukki’s major development would be significant.

Akiteru and Yachi’s Interactions

These two have an absurd amount of interactions during this arc. Have a look below!

This was only a handful of times! There were so many more I couldn’t possibly add them all to this post! They only just met that day yet they talked so much to each other! And it wasn’t just all about Tsukki, it was about the game in general and I just love the friendly interactions between them. Like the most important person to Tsukki was interacting so much with Yachi <33 My heart...

Furudate could have made Akiteru interact the same way with any of the other three on the stand i.e. Saeko, Takinoue or Shimada but he made the focus on him and Yachi. And to have Yachi closely interact so much (and on a deep level regarding Tsukki) with someone so close to Tsukki, I thought this was so adorable!

Yachi’s commentary of Tsukki

Then we see Yachi’s commentary. FML don’t get me started on this. I don’t tend to be too observant with these kinds of things but I remember when I was watching this arc for the first time, the amount of times Yachi made some sort of comment about Tsukki was pretty much the only time she had screen time (aside from when Akiteru was talking to her).

I don’t know whether Furudate was being deliberate with this (he probably was), but anyone on the team could give the same comments as Yachi regarding Tsukki! They probably know his play a lot better as well, but then the audience were given scenes of Yachi commenting on Tsukki instead. ALSO, NOT JUST ANY COMMENTS, they were quite deep-seated ones too. Yachi was just so observant of him and she watches him so closely it was so sweet. She seems to know his state of mind really well <333333

So have a look at some of her comments

Of course there was the one panel earlier when she was talking about how lively Tsukki appeared. I won’t duplicate it. I really can’t help but notice how much she talked about Tsukki during this arc, and they were all mostly directed towards Akiteru as well! HOW IMPORTANT IS THAT? I gotta reinforce this but talking so deeply about someone to the most important family member of that person is so.....HNNNGGGG!! It was no wonder Akiteru was so surprised that Tsukki may have other friends other than Yamaguchi. Teehee.

Also note that Yachi has not spoken about Kageyama or Yamaguchi (or even Kiyoko) in such a deep manner. She has done so bits and pieces toward Hinata, but tbh not as much as this arc here re; Tsukki.

Below are some Yachi reactions specifically towards Tsukki spiking (first two images) and blocking (last two images) - I had to put these in cause it’s soooo cute!

Something extra for thoughts. I really love the below panel. Something about Yachi speaking of this was so sweet and tender. As if she truly knew exactly how much pain he was in. AAAAAHHHHHHH T____T My gorgeous babies.

Also this one below as well, which occurred earlier in the manga. I just love how Yachi looks out for everyone but she finds Tsukki just that much more challenging to decipher. It just makes it so great when she was able to tell the differing emotions from Tsukki later on in the series... even though he was so apathetic most of the time...

Finally this image below which I already posted above but would like to say a bit more about. So this scene occurred right after Karasuno beat Shiratorizawa. I just love it how with all the emphasis between Yachi and Tsukki during the entire arc, it was so beautifully wrapped up with them sitting next to each other <333

Extra Side Story

Right I ain’t gonna leave this one out. This panel below just goes to show that there was something going on here. Whether I have overanalysed it or not, on face value, it just seems a bit too different for me. What I mean is that Tsukki is a very apathetic, standoff-ish kinda person. If he is not being aloof, he is making some sort of snide and snarky remarks about someone. So Tsukki literally going out of his way to try and say something nice, to make Yachi feel better about her body and then getting a bit miffed because it didn’t get through the way he wanted, was very, very out of character for him. Which is why I just feel like he may have a soft spot for Yachi. Or maybe he is nicer to girls? Though I haven’t seen him saying anything remotely encouraging to Kiyoko.

Then I thought of what he said. As I mentioned in some other post (I posted heaps I don’t even remember where now lmao). “There are definitely people who like smaller girls...” If the translation was done correctly from Japanese to English (I can vouch for this as I can read a bit of Japanese), then the word ‘definitely’ he used was rather brazen. It just means he knows with 100% accuracy that there are people out there who likes smaller girls... And it’s normally a reference to the person speaking because they obviously know that they like the person hehehe.

Okay almost done with my thesis.

Star References

Yo this one is so fluff I fucking love it. I already made brief comments about this in some of my other posts and replies and Mimi (@mimi-cee-hq) has done an amazing job writing two mini fics on this for me (ILY MY TSUKIYACHI SOUL HAS BEEN FED). See Matching Stars and the sequel A Blue Star! Thank you Mimi you’re a legend <33

So I started watching it a little closer in the anime (and manga), and Tsukki really favours his star shirts a whole damn lot (like the whole moon and star reference probably re; play on his name). Yachi on the other hand favours her star hair ties, blue ones she wears as manager and black ones during school times. I mean come on! Subtle references much? Either I am overanalysing this way too much and Furudate was half asleep when he designed these accessories or he truly be putting in some sneaky TsukiYachi references <333

P. S. Couple accessories that reference each other in subtle ways are common in Japan.

Concluding Thoughts (this honestly feels like an essay fml)

So these are my evidence for this pairing so far. I may have overanalysed this and Furudate could be like “wtf this person be taking this whole thing out of context that was not what I intended” OR “yeah man she totally nailed it right on the spot. I’m surprised she could pick this up so well” HAHAHA.

Either way, this was my interpretation based on what I saw/read. As a long time manga reader, I know that manga artists portray characters and place emphasis on certain things in differing ways because the audience reading and seeing a drawing is different to them watching something. It’s a lot more difficult to portray your point across to readers than watchers. So that’s why when I read manga, parts such as drawing things bigger, more detailed and at the centre signifies more emphasis, as well as having certain characters together in panels.

At first glance, I actually thought this pairing would be like a crack pairing because there was no absolute way there could be anything remotely romantic about this ship. But the more I watched and read, the more I realised that this pairing does have some sort of potential. I mean, just because of all the direct and indirect interactions I wrote about them here, it does not automatically mean that there would be a romantic development. What I’m trying to show is that there is a lot more to this pairing than just thinking of them as a crack ship, b/c there are developments for these two. Furudate seems to make it so that these two know each other a lot more than what the audience is being given. Do I even make any sense? LOL

Feel free to refute every single thing I wrote here. I love a good debate. As long as you can back it up with evidence and keep things civil that is. It would be so nice if Yachi ends up with Tsukki but yeah who knows. I’d rather her end up with no one if she doesn’t get together with Tuskki (but that’s my personal opinion). Leaving things to interpretation can be a good thing.

BONUS

LMAO YACHI! HAHAHA! But I just love it how Furudate drew her close to Tsukki again <33 T___T so beautiful. And Tsukki in his giant star shirt...what’s new? lololol

BONUS BONUS

Nervous Yachi awaiting results of Tsukki’s injury. AHHHHHHHH LOOK HOW ADORABLE SHE IS! LOOK AT HER! I can’t make GIF but if you go and watch this scene she is literally shifting nervously on the spot. My precious gorgeous girl waiting for her man. I can’t, I just can’t ....

That’s all folks!

EDIT: I made a Part 2! Read it here

#okay who's gonna award me with a phd in tsukiyachi?#this is some damn long thesis #i still got more to write but i won't put them into this long ass post #i'm about 100 chapters away from the latest #if i see anymore interesting tsukiyachi interactions i will do a part 2 #but looks like the manga is finishing up soon #someone on pixiv did a mini comic of tsukiyachi in their college years #IT'S SOOOO CUTE #this might not be a popular post #b/c all them tsukiyachi fans have disappeared #except for a small minority #i'm doing this for the minorities!!#and to get all these tsukiyachi theories and speculations out of my head #yeah so furudate hurry it up and make these two canon #for me?#cause i am weak for these two #they are my precious babies #i should hurry and finish up my current naruto fanfic and join the tsukiyachi writing party #but i'm lazy #tho clearly not lazy enough to write a giant thesis #tsukiyachi #tsukishima x yachi #tsukishima kei #yachi hitoka #tsukishima akiteru #haikyuu #posts

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cruddyborderlandstheories · 4 years

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this DLC has me FUCKED UP and i keep screaming

spoilers for Bounty of Blood under the cut, keep reading at ur own peril. Also some Guardian Takedown spoilers for anyone who hasn’t beat it yet

tl;dr: a comparison between something taken from BL2 and a thing taken from Bounty of Blood. more spoilery tl;dr below the cut.

also the siren thing is not spoilers so i’ll share it here for anyone curious, it’s just this: siren tattoos are blue but when lily absorbs eridium in 2, they turn pinkish/purple. just like how vaults do from bl1 to bl2. they’re white/blue in bl1, then purple-pink in bl2 (and tps), y’know, after Eridium begins erupting from the ground. just a neat little detail i noticed that im not entirely sure was intentional but im gonna believe it is.

tl;dr: Gythian Blood = Core and the Ruiner is of Eridian Origin even tho everyone in the DLC likes to say it was created with Jakobs’ bioengineering. disclaimer: idk if I’ve found every hidden ECHO so I may be missing a few things but I have done every side quest and took ample screenshots of all important dialogue in the DLC : )

“man i just sat here for like 15 minutes staring at my keyboard mentally comparing core and eridium like the dumb bitch i am.

it's not like we can do an actual comparison because we have no idea what the natural fauna of gehenna was like before jakobs came and mutated everything with core unlike pandora where we know what skags and rakk and shit were like BEFORE the eridium crust erupted.

altho!!! there's a neat comparison between joey ultraviolet and rose. like obviously he wasn't getting tattoos and was just doing lines of crushed up eridium but the point stands they both have glowy eyes and unique powers so i don't necessarily think this means rose is a siren just because she has magic powers especially when we know she got the whistling passed down to her from her grandmother.

especially because we've never seen a siren interact with core before. altho that leaves the question we have seen core tattoos now what are eridium tattoos like? actually rose's tattoos were on her right arm obviously she isn't a siren as we know them right now (I saw a post on reddit where people thought rose was a siren)

of course that brings up the point perhaps siren tattoos ARE eridium tattoos. but then we hear the general's log about how the devil riders were tattooing a man with core and blood so obviously they're not ‘naturally’ occurring unlike siren tattoos. so odds are they're probably not equivalents but something interesting i thought of while thinking about this is how well siren tattoos compare to the Vaults from borderlands 1 and borderlands 2″

anyway. this is all ive been thinking about. yes yes i know guardian takedown post but! >:( im still salty even tho this update has been lovely (outside of Blane not getting his correct damage scaling ‘till today......). so i’ll do that at my own damn pace. now let me elaborate so i can sleep at night lmao

Eridium

refinement produces slag, which weakens people and can mutate things

has mutating properties, mostly with imbuing elements into shit- possibly causes insanity

seems to be connected to another dimension, likely the one the Eridians are from

Core

has a secondary form of Infused Core

has mutating properties, mostly regarding a thing’s body and mind

apparently radioactive

there are some things i wanna note

1) People throughout the DLC say the Ruiner was created by the Jakobs corp (the company) thru bio-engineering but I’m 99% sure that’s not true. The paperwork seems to me like they found the egg somewhere on Gehenna and decided to roll and experiment with it like all corporations do when they find weird alien shit. so maybe they experimented with whatever was inside the egg, but I don’t think they actually created it entirely

“Excavated from [REDACTED] ... Local legends speaks of a [REDACTED]. This theory is not endorsed by our research personnel.

2) The Ruiner’s design reminds me a lot of the Warrior.

3) Core immediately reminded me of Gythian Blood from Guns Love and Tentacles and I don’t think that’s coincidence to have 2 back-to-back DLCs where the big bad is focused on green death juice. I think Gythian Blood and Core are of the same stuffs.

4) Therefore, I think the Ruiner is (mostly) of Eridian origin (if you haven’t already guessed).

This gives us an amazing look into how the Eridians actually create their beasts!!! And I’m so happy they showed us this.

(side note, Interitus Regina (the long name for Ruiner) literally means Destruction Queen and I think that’s beautiful <3)

i mean the idea that they plunge them from orbit to create an explosion similar to a nuke is fucking horrifying (but holy shit I love it so much ahhh it’s so cool!!!!)

the one side line from Oletta about how the company couldn’t control the Ruiner deffo makes me double down on this theory. I’m not entirely sure how Rose’s grandma knew about the whistling (I don’t think I’ve found every echo log in that area YET), but I would bet it was part of the testing given how many fuckin’ tape players they have throughout the facility. The Warrior was controlled by verbal commands via Jack, so it’s possible that the Ruiner was intended to be controlled similarly, but Jakobs intervention (or something like the way Rose hatched it) fucked it up.

now we know the Warrior was created to protect the Vault of the Destroyer (hmm.) so what the heck was the Ruiner created for? Ruiner is a name given to it by Jakobs/the people of Gehenna so we can’t really assume, but then again the monster names are pretty apt in this series even tho they probably technically shouldn’t be.

it was only an egg, so maybe it was another test of Core? A Vault Monster incubating until it was ready to protecc and attacc but was never hatched because the Eridians ‘sacrificed’ themselves before it could? (I’m still not convinced the Eridians are the good guys. Listen. LISTEN. The guardian takedown is something to think about, BUT it doesn’t disprove that theory and I’ll stand by it because I 100% trust the Overseer more than bitchpants mcgee over here who thinks he’s soooo special for no reason fuck you and your dumb ‘I did what the Watcher could not’ bull you haven’t done shit.) ok sorry im done he just angers me. stupid guardian man. your whip is stupid and you should feel bad. oh also I totally called us actually being Guardians thru Guardian Rank before the game came out aha yeah.

I definitely think Gythian was a test/use of Core from the Eridians. We see in Bounty of Blood that core seems to mutate more the physical (and occasionally mental) parts of people, like with the crew challenges u do for Juno with all the weird hybrid people and whatnot. Gythian had the whole ‘the heart still beats’ thing going on (which is definitely a physical mutation if i’ve ever seen one), plus the whole, you know, mind control and shit. Which is p similar to what the menta gnats can do when charged with Infused Core. And keep in mind in BLaT we see DAHL notes on what happens to test subjects when injected with Gythian Blood. They mutated physically and went insane.

What im saying is Sirens and Eridium and Elements are connected, so what does Core equal? body/mind sure but are there unique creatures for core (yes holy shit I’m not talking about h2o au for once and FINALLY they gave us a canon name for the green stuff!!!). If not, I’d love to see a Siren interact with Core to see what it does to them. seriously why hasn’t tannis interrupted us yet. horrible excuse for a science lover (kidding kidding, I love her). I’d also really love a fuller rundown on what the hell Rose’s powers were. Because the whistling thing seemed to just be her grandma’s thingie passed down to her from her mom

but the core stuff

her gun seems to be infused with it. So did her sword thing. I didn’t really get a good look at it i was too busy trying to see thru my blurry tears of LOVE for this DLC.

Strangely while her tattoos are (mostly) green I actually don’t know if they’re core infused bc look at this

n look back at hers. hers aren’t very lime.

anyway

her eyes

I’d love to know if the core gives her immediate future sight or just increased perception or reaction times. there’s a huge difference but she seemed to be able to shoot the gun outta the sheriff’s hand near immediately and it seems kinda implied its because of the core (or at least because her eyes are glowing green)

there’s a possibility she has some unique core powers/possibly implants because of her relations to the project in the first place, or as leader of the devil riders after looting the facility. it’s really hard to say without more info and like i said im not sure if i missed an ECHO or two or not regarding her backstory :(

Her hair is also green which I just noticed. Maybe she has core powers bc her grandmother got suuuuuuuuper irradiated/influenced working on project horizons and it passed down thru her n Rose’s mom, to Rose. Tannis does have a line about Sirens having unique hair colors and, if Sirens are linked to Eridium, perhaps those linked to Core also have unique hair color. Could also explain why only Rose seems to have those whistling powers. That said we don’t really see anyone else trying that whistling thing out afaik and idk if it was, like, a special ability or a certain tone/ditty or w h a t.

i know being vague with everything gives them more creative freedom to create amazing characters and scenarios, but dammit I want A N S W E R S.

All THAT said man I’m so glad magic is real in the borderlands universe. oh, sorry, “magic”. It’s magic. Science it, tannis, I dare you. either way, I win. Either it’s magic and H2O AU is canon, or it’s science and I finally get my goddamn answers. Hey gearbox can you make a book just explaining all the science and eridian stuff. please. I’d love you forever. please. pleaheheheheaaasseee it’s all i’ve ever wanted.

oh also can i just say, suuuper disappointed we didn’t learn anything about anshin. Really wish non-fan favorite corporations would get the spotlight/lore for once. Like, I like Jakobs as much as the next guy, and I get WHY they did it (can’t have a corporation looking too good!!!) but they now have 3 DLCs (Jakobs Cove, GLaT, and Bounty of Blood) and also a hefty chunk of the main game. Like... we all know Jakobs fuckin sucks, look at what they did on Pandora. I really just want info on a medical corporation 😭 I have to do everything my damn s e l f. but SERIOUSLY IMAGINE the possibilities that could come from a medical corp getting its hands on eridian tech. like, yeah obviously the weapons corps are gonna use it for weaponry and stuff BUT WOULDN’T THE MEDICAL CORPS MUTATING PEOPLE MAKE MORE SENSE??? ldfhgldfshg I have to do everything my damn self...

anyway all that aside, this is definitely by favorite borderlands dlc by a LONG shot. Nothing comes close. Ahhh the lore, the nuclear aspect, the a e s t h e t i c (seriously, have I mentioned how much I adore Trigun???), the art, the music, the cryoslinger, the fact I can bust out going beeEEEEEEEEEEEEAAAAAAAAans like Ray Chase at any time and it will MAKE SENSE. I love all of it.

oh, also, Rose is totally not dead. C’mon, they couldn’t find her body. She pulled a Lilith. “Are you sure she didn’t just suffer a wound that LOOKS fatal, only for her to come back in a blockbuster sequel...?” is a line from mr Jones himself (the movie guy)

I just hope when she comes back she gets to meet Captain Scarlett. I’d love to watch their interactions plus pirates and or ninjas. That’s 2 DLC villains now that have vanished without a trace. And I like Captain Scarlett way more than Rose (seriously I spent the entire beginning of the DLC complaining about how her voice bothered me- I was so happy she was a villain, I was hoping that was the case).

oh yeah, reminder, the people of vestige were living next to highly radioactive egg for likely years. i feel really bad for them :(

also!!!

this made me smile

#im tired #good night #bl3 #borderlands #borderlands spoilers #spoilers #bl3 spoilers #borderlands 3 spoilers #bounty of blood #bounty of blood spoilers #dlc3 #dlc3 spoilers #dlc 3 #dlc 3 spoilers #i don't want to spoil anybody please lemme know if there's any tags i missed!!!!

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eirenare · 5 years

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“The Rise of Kylo Ren” + TROS theory (with TROKR pics)

I’ll probably look like a clown in 16-17 days when “The Rise of Kylo Ren” #2 releases but whatever lol—after TROS I believe even more that the former leader of the Knights of Ren (Ren) is Ben from another timeline or a future gone (more) wrong

Anyways, my thoughts on this:

1) remember the outrageous “Ben sets the temple ablaze and runs away” from the Visual Guide? I’m sure it’s probably just even more retconning (like a ton of stuff from the VD), but what if it’s literal—except it’s just that the Ben who does it isn’t the Ben we know, therefore making it true while retaining “our” Ben’s innocence. Another option (painful but, I think, absolutely plausible) is that Ben himself accidentally set on fire the temple with his rage and sorrow unleashing a Force storm. However, the way the “prologue” of TROKR #1 ends (I’ll talk about later on in this post) seems kind of like a foreshadowing that Ben (well, “our” Ben) didn’t do it...? Kind of interesting, and hopefully we won’t have to wait until issues #3 and #4 (february and march) to know about that important detail

2) this interview with Charles Soule (the writer) and Will Sliney (the artist) dedicates, curiously, the first 3-4 paragraphs solely to talking about Ren—and the article, which is from the official SW webpage (an article called “Introducing ‘Ren’ in Marvel’s The Rise of Kylo Ren”), starts like this: “they call him Ren, but that wasn’t always his name”. Which is also how the comic starts:

... Tell me this doesn’t sound suspicious as kriff and like foreshadowing

And the interview keeps going like this: “Born out of the flames,” as artist Will Sliney puts it, the leader of the Knights of Ren in the opening pages of the new comic Star Wars: The Rise of Kylo Ren #1, arrives battle-scarred and wearing a fearsome, featureless mask — a blank expression save for a smattering of claw-like gouges. Concealed within is a charismatic leader, the exact type of person who would be able to seduce young Ben Solo away from the path of the Jedi.” Then they basically proceed to spend the first 4 paragraphs talking a lot about Ren besides talking about Ben (and then, lastly, about Snoke—and, fun fact: they knew about the Snoke twist of TROS beforehand), although I think they talk less about Ben even

3) Ben being compared to Anakin while Ren is compared to Darth Vader, except Charles Soule wanted Ren to read “like a more charming Darth Vader. “A Vader who is charismatic and who is appealing. That’s why [Ren’s] skin is burned and he sort of looks the way that he does. He’s embracing the seductiveness and the damage that the dark side does. Darth Vader, as impressive and imposing and terrifying as he is, is remote and cold and distant because he has the suit surrounding him. Whereas Ren isn’t hiding behind it. He’s someone you could have a beer with, in theory.”

4) more interesting interview stuff. “Designed purposefully for the new comic series, with issue #1 out now, Ren feeds the evolution of Kylo Ren. “The entire seductiveness of the dark side poured into one character engineered for Ben Solo is Ren,” Soule says. “He’s sort of a charming evil rascal that can be really fun to write and I really like where he goes in the series. But if Kylo Ren is going to take over the Knights of Ren, which we know that’s what happens, there should be some transition.”

Also: “I think the key to writing Ben Solo is to write him as a lost teenager who is deeply in touch with emotions that teenagers often feel,” Soule says. “He feels like no one understands him, no one sees him the way he actually is, he’s utterly alone and there’s no one else out there in the universe. So when he sees Ren, he’s like, ‘Wait a minute — maybe there is somebody like me in the universe. Maybe there is a path for a guy like me. Look at the choices he’s made. I could make those choices, too, and I could be cool.’”

So... This is interesting. We have Snoke manipulating Ben to go to him, at first making himself appear friendly, while on some measure Palpatine’s pulling the strings from Snoke (I don’t think he would be like a puppet with Palps’ voice, though, given that chapter of the TLJ non-junior novelization that has a lot of stuff from Snoke’s perspective, but who knows). But then, Ben Solo’s basically obsessed with Vader... and, apparently, this Ren’s a walking dark side temptation for Ben. Well... We’ll see what happens, I guess

Also, crying inside at reading that “wait a minute—maybe there is somebody like me in the universe. Maybe there is a path for a guy like me. Look at the choices he’s made. I could make those choices, too, and I could be cool”. If Ren really was Ben from another time seeking to change things (probably something related to Rey): the implications that this has, the emotions that this has, the power that this has

Interesting, too, that it hasn’t been said if it’s Snoke who’s “the master” of the KoR (yes, they do have a master on top of their own leader), but that only gets weirder because the KoR were revealed time ago to be only loyal to their leader and to the “Ren philosophy” (which also makes possible ties with Snoke alone impossible)—so, if Snoke and the First Order aren’t, then who is it? Palpatine? Still, again, there’s the philosophy thing of following only their group leader...

Oh and: the Ren philosophy sounds very intriguing and I’m liking it a lot

(For context of the next pics: there are two brothers, being one of them Force-sensitive, and both the KoR and someone called SecSec are trying to recruit them—but the non-Force-sensitive one kills the other, which means the KoR doesn’t accept him, and Ren kills him)

5) just after that panel, in this pic below they talk a bit about “the master” here, being Ren who says it. Also it’s interesting that, after that happens, the KoR part ends with Ren saying "let’s go find something to burn”:

After that there’s a page as if this kind of prologue has finished, showing a page with the logo of the comic and all that... and then, next page it’s Ben standing in front of the fire and ruins of the temple all shocked (a note here: on that page it reads “now” and the name of the location, and the “prologue” happened “long ago”). I’d say that really looks like foreshadowing...

Now the thing is... If the KoR are not affiliated in any way with the First Order nor Snoke, and the KoR is only interested in recruiting Force-sensitives for their ranks, then how come they could’ve arrived in Luke’s Jedi temple... just at that right time to burn it down? I mean, right, there can be coincidences, but— uh, that might be a bit too much of a coincidence, perhaps? Who knows...

6) interview intensifies. “Born out of the flames”, is how Sliney describes Ren—well, thought it was worth mentioning this because guess what mythological being is born out of the flames too. Also, funny the parallel between that and the publisher’s summary of “The Rise of Kylo Ren” #3 (scheduled for February 12th): “Soon, BEN SOLO'S path will end in a place of fire and blood, and a shadow will rise to take his place. He is with the KNIGHTS OF REN now, and they will welcome him, if he can pay their price.” Well, given that “our” Ben starts becoming Kylo Ren after what happens at the temple, and that they describe Ren (referring to the former leader of the KoR) like being “born out of the flames”... this does nothing to deterr me from believing this theory, to be honest

7) more from the interview. “ The creative team engineered some surprises for this charming dark sider, a foil in many ways to Darth Vader hiding beneath his protective covering. “You expect the dude hiding his face under a mask like that to be all messed up, particularly with his body looking the way it does,” Soule says. But in issue #2 we’ll see what he’s truly concealing, a reveal that speaks to Ben on a whole other level” … This whole paragraph, I swear. Sounds like when they talked in the times between TFA and TLJ about Ben’s face behind his mask, and about his unmasking. Also, the talk about the face reveal…

What kind of “reveal that speaks to Ben on a whole other level” could it be? I don’t think they’d be referring to that with something more going on in his face, as in, scars or charred skin. In fact, it wouldn’t make sense for Ren to cover that up given that he shows with pride his scarred body

And faces of men he might know? The probabilities just lower and narrow soooo much here. We have yet to see, however, if Ben gets the reveal as a kid or an adult, which could make a difference. Still, back to “what man could this guy be”, I just can’t think of someone that he’d recognize and have this impact on him... ... And now it’s when it’s a Ben clone from another timeline, lol

8) that big panel on “The Rise of Kylo Ren” #2 where the KoR and Ren are facing Luke, Ben and Lor San Tekka, and Ben and Ren seem to mirror poses:

9) this is jut something that came to my mind, but… It still bugs me to this day the phrase “it is you” that Ben says regarding Rey on the TFA novelization (when she calls forth the Legacy lightsaber), because Ben didn’t know back then about them being a dyad, nor have we seen any mentions to him having dreamt of Rey before or anything—so maybe Ben’s encounter (encounters? Still not sure about it) with Ren involved Ren telling him something that will happen in the future? Something which could also tackle that random “which girl?”

The sad thing, if Ren was really Ben from the future? Like I said in my previous post about this teory (pre-TROS): ... that Ben would’ve literally killed himself, and therefore made true what he told Han that his son is dead and that he’d killed him (which then is reversed in TROS with that “Kylo Ren is dead, my son is alive”). That would be such a kriffing trauma for Ben that I don’t know if I could stomach it, after seeing Ben’s death in TROS... I mean, we would literally be seeing another Ben die... even if somehow his actions meant a worse future would have been avoided

Anyways my brain seems to find fuel in angst (why), because now reading “Ren” only makes me think of Ben’s name but taking on the “R” from Rey if in that future something happened to her... (Or that the Knights would be called “of Ren” in reference to Ben and Rey)

... And now it’s when we’ve been played like a fiddle all along and the novels, with their differences/expanded material as hints (like the “it is you” in the TFA novelizations), are but one of the timelines. Can you imagine? To cite the TLJ non-junior novelization: “time is a circle. The end is the beginning”. At this point I believe anything could happen, specially after seeing TROS and how wtf it’s all that surrounds it...

10) to finish the post, the thing that made me start thinking Ren could be Ben: the hair that peeks from below the helmet looks apparently like Ben’s both in shape and color (an interesting detail is how the color of their hair seems to match in tone: in issue #1 it’s brownish for the both of them even though one’s surrounded by fire and the other by ice, and on the preview pages of issue #2 their hair is shown black). And in a universe so diverse as SW, and given that Ren and Ben are characters so connected, that’s a pretty... interesting choice. Here are some more images for comparison between Ben and Ren:

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gogoseabrook · 5 years

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1000th post!🎉🎉🎉

We got there! We did it!

I want to say thanks to everyone in the fandom for making it such a welcoming space and making me want to make a thousand posts here. I wouldn’t still be here if it weren’t for how awesome you all are. This really is a family more than a fandom and I love everyone for that 💖

And all the questions I received up until now are right here below the read more, so let’s just jump into it:

From @kokinu09: F*ck, Marry, Kill: Zed, Addison, Bucky 😂

You would choose this for me!

Okay, so...first off this is an incredibly weird thing for me to do, but I'll try my best 😂😅 I am also going to use the whole 'Bed, Wed, Behead' rhyme because...well, PG blog trying to avoid that awful profanity (I kid, but y'know how it goes around here 😂) so:

Bed: I guess based on character *age* I'd have to go with Bucky, and actor age too, as I believe of the 3 available Bucky is the only one not supposed to be like...under the age of consent. And Trevor is the only one in his 20's of the bunch so...yeah 😂😂

Wed: ...I guess Addison? Is there a rule we have to stay married? If not, a quick an easy annulment and, if we do, it'll be a marriage of convenience and we'll both do our own thing without caring too much. A nice easy solution 😅

Behead: I mean...some hc’s are that zombies can detach body parts, right? So that means in theory you could remove the head and nothing bad would happen? 😂 even just kill...zombies are technically undead as is, so I wouldn't have to do anything. Long live loopholes! 😂😂

From @kokinu09: Favorite character in Mario Cart /Kart:

I...don't tend to play all that much, it's been quite a while since my last foray....but if I remember right I tended to go with Peach, Waluigi or Yoshi. Idk why, but those names stick out to me as memorable 😂

From @keepswingin: How old are you/when is your birthday (I am so interested by peoples ages because I enjoy guessing and I already guessed that you’re older than me soooo maybe 22/23ish?)

I am 22 and my birthday is in early October 😊 You were right on the money with that guess!

From @keepswingin: What is your favorite thing to write (fluff angst drama, etc)

Ooooh, that’s a tough one! Truthfully I enjoy writing all genres, and different styles too because part of what I love most about writing is improving my ability, which is why I love feedback so much (not so subtle hint that I’m always up for critique here 😂), and I think one of the best ways to improve is to keep a broad horizon, so I enjoy challenging myself with all kinds of types of writing!

I’d say my absolute favourite is probably...drama, though. I think one of the best elements of any good story is a great conflict that drives the characters through the plot, and drama’s one of the best ways to bring that out. Plus with drama you can play with other elements like angst, mystery, etc, so I love getting to try and throw that in!

From @keepswingin: Are you an only child? Do you have any siblings?

I am... not an only child! I have one sibling, so I come from a fairly small family 😊

From @keepswingin: Something you’ve always enjoyed (book, show, movie, etc)

Hmmm...it’s gonna sound cheesy, but improvement. I’m a perfectionist at heart, and part of just my personality is that I love trying new things. But at the same time, I want to be the best I can be at whatever I do, and really push myself in new directions and work as hard as I can to achieve whatever potential I have, and maybe if I’m really lucky I can push beyond that.

Of course, that doesn’t mean I’m always successful, or that life doesn’t get in the way, but it’s definitely something I’ve enjoyed ever since I was a little kid.

Also, the movie Stardust. It’s a go to and I love it. 😊😂

From @keepswingin: favourite hobby?

Well, I tend to keep up with a lot of hobbies, so it’s difficult to pick one...

Having said that, I’ve done horse riding ever since I was 3. I was around horses since practically birth, so I grew up as one of those horse girls way past the phase when it was considered acceptable, and was going to go into the equestrian business for a long, long time!

I have had a break from horse riding, but I’m going back to it again and it really brings me so much joy that, even though I adore my other hobbies, I have to admit horse riding is one that holds a special place in my heart.

From @keepswingin: Do you like video games/have you played any?

I’m not huge on video games, but I’m certainly not averse to them either!

I enjoy a good let’s play (cause I’m cheap and poor and it means I don’t have to buy a ton of games and/or consoles or ‘git good’ as it were) but don’t tend to play a lot of games myself, though I like watching stuff that’s either action, horror, or story-based, as those really do tend to appeal to my tastes.

That being said I am currently involved in a weekly gaming night regarding the game Danganronpa, which is a lot of fun and I highly recommend it, and I also dabble in the Sims from time to time, like a lot of people (ya girl basic 😂)

From @keepswingin: Favourite book?

Oooh, that’s hard! I have a nostalgic place in my heart for the Inheritance Cycle by Christopher Paolini as one of the first YA fantasy series I read at like...10/11, which were so much fun.

But, as I am now...I tend to stick to the classics, or non-fiction if I’m honest (I’m boring, I know, judge me 😂) so I’d say Pride and Prejudice, as well as the Picture of Dorian Grey, are also up there in terms of favourites. That and biographies on figures like Leonardo Da Vinci are just endlessly fascinating to me. Also just...anything by Shakespeare. Man was an absolute genius.

From @keepswingin: If you don’t have a favourite book, a favourite author & the last book you read?

Well, at the moment my favourite author is a four way tie between Austen, Shakespeare, Wilde and Kazuo Ishiguro.

Speaking of, the last book I read in regards to fiction is actually the Buried Giant by Ishiguro that I’m currently working through. Non-fiction, it is currently...The Art of War by Sun Tzu.

From @fist-it-out: I have a question, a burning question: do you have siblings? How many what gender and are you a middle child? Middle child’s rule (me and keeps are middle kids).

I have one sibling, as told to @keepswingin, they're a sister and they're older. But there's only 2 of us so I'm the baby of the family (at the tender age of 22 😂😅)

Aaaaand that’s it! I didn’t receive any more questions in time for this post going up, so from now on, I will be going back to being as reticent about info as I’ve always been! Any more questions you will have to hold off on, as whilst you are always free to ask them, my ‘open book’ period of time has officially been slammed closed!

Nevertheless, thank you for all the questions, and I hope the answers were interesting enough for everyone!

And now back to our regularly scheduled posting 😊

#my posts #1000 #kokinu09 #keepswingin #fist-it-out #disney zombies #thank you for your questions #and now #back to binge posting z2 content and all the fic that's come out recently #😂😂😂

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starbudspresents · 6 years

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DGM 231 - Panthaleia’s Translation Notes

Hello, dear friends and fellow fans! We return to the rubble of Tumblr you with DGM 231, the first chapter of this new year. Thanks for sticking with us!

Please see below the cut for my translation notes and reactions, as per usual. If you have any questions, do feel free to come say hi on Discord at Panthaleia#9705. :3

The Novel I'm Not Writing About DGM & Buddhism

Oooooookay, first things first! The four bubbles across Allen's collar on the cover page say 生々流転 seiseiruten. When spelled 生生流転 (homophonous), it simply means "ever-changing," but when spelled the way it is here (fantastic catch, thank you so much @togaochi ♥), it's defined as "all things being in flux through the endless circle of birth, death, and rebirth; the circle of transmigration."

That concept is much more succinctly described by the Sanskrit term saṃsāra. Now, to preclude confusion: yes, if you look up "samsara" in a Japanese dictionary, you'll get 輪廻 rin'ne rather than this. That said, this term is if anything more specific and descriptive than that one. See also 生死輪廻 seishirin'ne, which has the exact same definition as seiseiruten; think "cell" vs. “cellular phone” vs "mobile telephone." All words for the same thing, with varying degrees of descriptiveness.

The concept of samsara shows up in several religions (notably Buddhism, Hindu, and Jainism). The one most relevant to DGM by far is Buddhism, and this is far from the first time I've run into it in search of answers.

Crash course on some Buddhist jargon for those of you who aren't familiar:

The word samsara, meaning "continuous flow," describes the beginningless and potentially endless cycle of life and existence, through birth and living and death to re-birth and so on. It could also easily be pictured as a helix, if you'd prefer, and that could in fact make some of DGM a little easier to understand.

(If I may take a moment to get super self-indulgent here: a very related philosophical concept is panta rhei, "everything flows", which is what my "panthaleia" handle is mostly based on. This chapter very nearly literally has my name written on it. IT'S A SIGN. Of.... something. Not sure what, exactly, but IT'S A SIGN.)

Every living thing is trapped within this cycle by its attachments and its ignorance of the truth, which causes great suffering and generates karma, which then affects the shape of one's next life. (Yes, Alma's second name is that for a reason.)

There are a number of branching denominations of Buddhism, much as there are of Christianity, and while they mostly share certain core tenets such as the Eightfold Path, they vary widely in ideals and practice. The influences I see on DGM mostly come from a Japanese variant called Shingon ("True Words") and its predecessors: Shingon is a descendant of Tibetan Vajrayana, which is in turn sometimes considered to be part of the broader East Asian Mahayana umbrella.

I've talked a little bit about Shingon before, because all the chanted spells used throughout the series follow the pattern of Shingon mantras and Kanda's tattoo is written in Siddhaṃ (theorized to be the predecessor of both modern kana systems, by the way).

Shingon shares its overarching goal with its predecessors: rather than seeking to break the cycle just for one's own self and achieve individual escape from suffering (as in Theravada, for example), one should seek to become an enlightened being — a bodhisattva — and willingly continue to subject oneself to the cycle in order to help those who are struggling and thereby bring the whole world closer to moksha ("liberation") and subsequent/synonymous nirvana one step at a time.

Obviously, reincarnation and transmigration play a massive role in DGM. Let me list just a few of the ways in which this particular concept is a running theme throughout the story:

The Noah fragments being reincarnated into new bodies without also reincarnating the human souls they previously coexisted with;

The Earl's victims having their souls transmigrated in the bodies of their loved ones to rebirth them as Akuma;

The Third Exorcists, also transmigrated into new bodies to bring them back (Helix magic in general, really, including the Atuuda);

Nea's transmigration into Allen (not a rebirth, but an avoidance of death while waiting for a chance at rebirth), as well as Allen's regression to childhood via de-aging and memory loss;

The original Earl (Adam in my theories, fyi, in case I reference that later) deliberately rebirthing himself in smaller pieces for goals as yet unknown;

The Bookmen keeping records of each iteration of the repeating narrative, ever-changing but eternal themselves;

Even fukkin Komlin, lmao, constantly destroyed and improved and remade.

So many others? Soooo many others.

The eureka moment (for me): this chapter is subtitled "Curtain Rise," as in the beginning of a stage play when the curtain goes up. If you'll think all the way back to the very first chapters of the series, you may remember that the Earl's Scenario is meant to bring about curtain fall... on humanity.

Looking at that in the context of samsara, that whole thing suddenly looks very different. Our heroes assumed that the Earl's victory would result in the destruction of the world, the destruction of humanity, but I've never bought that idea from the very start. When the curtains finally close on samsara, the cycle of death and rebirth, humanity will not be "dead" in the tragic sense, but free. Nirvana =/= death. Nirvana is the peace of being one with all, knowing all, loving and being loved by all without the need for suffering. It isn't "heaven" in the Christian sense, but it is an end to suffering, without also being an end to existence.

Tragedy and suffering are the consequences of remaining bound to the cycle. Directly using the energy of them in order to break the cycle creating them, as the Earl claims to be doing with the Akuma, is a very very Vajrayana idea, and fits seamlessly into my existing suppositions as to what the Earl is doing and why. Here, have a relevant quote:

Negative mental factors such as desire, hatred, greed, pride are not rejected as in non-Tantric Buddhism, but are used as part of the path. As noted by French Indologist Madeleine Biardeau, tantric doctrine is "an attempt to place kama, desire, in every meaning of the word, in the service of liberation."

And another, from the Hevajra tantra:

Those things by which evil men are bound, others turn into means and gain thereby release from the bonds of existence. By passion the world is bound, by passion too it is released.

One more, same source:

One knowing the nature of poison may dispel poison with poison.

Bluntly put, I think the (original) Earl was an enlightened soul — a bodhisattva — who voluntarily returned to the cycle via deliberate rebirth into multiple ignorant beings in order to help heal the struggling world of its suffering via bringing about enlightenment viiiaaaa SUFFERING HARDER. Good Plan™?

Here are a few more related meta posts from a few years ago, just so I can find them again when I inevitably decide to delve deeper into this:

Helix magic will be the key to the plot

It's all happened before

Destroyer of Time

2.) I'm so delighted to see Mana as he was when Allen knew him before, genteel and whimsical and delighted with Allen's existence. It's easy to understand why Allen would become so attached to him.

3.) Raws for the "Therefore I write many of them, as if God can see me doing so. / As if He might find me" lines: こうして神さまに見えるように沢山書くんです　／　見つけてもらえるように These don’t sit well with me, so I’ll probably change them in the future. The gist is that he’s drawing them in order to draw God’s attention to him.

Raws for "Here I am": 私はここにいる。@togaochi and I concur that he uses watashi here instead of his own preferred boku because he's teaching it to Allen, and means it as a more general "I."

Anyway: hooooo boy, here's some more evidence for the Two Gods theory. And how!

It seems pretty safe to assume he's not calling out to the Order's God, since that god would pretty happily wipe him off the face of the earth. The Noah have called that god "false," though, and expressed their intent and desire to kill it, while still referring to a "God" entity of their own whom they regard as being on their side (or perhaps, they're on its side).

Mana calling out to the Noah god to come find him, without remembering why he wants that, is very interesting. I wonder if and how anyone answered him.

4.) I have a strong hunch that Mana's "secret alphabet" is also related to Siddhaṃ, but that language is written in such a complex way that it's actually impossible for me to be sure without just... learning it. Which! To be clear! I fucking well might. WATCH ME.

5.) This entire scene is so much to me. How furious they both are that the other won't just let themselves be saved/protected. Allen wanted to leave Kanda behind so he and the others would be safe from everything that's hunting him. Kanda wants Allen to stay put so they can save him from what he can't fight alone. All that rage and frustration, because they care.

Quick note: in the first draft we initially posted on Imgur via our Discord server, I had the subject wrong for one of Kanda's lines here, which I caught and fixed. Sorry for any confusion that may have caused!

5.5) ETA: Forgot to mention that I’m fairly sure the beautiful Grecian-style temple they’re hanging out in is referenced from St. Bernard’s Well, again in Edinburgh. Excuse me, “Edinston.”

Thanks to an enterprising anon, we have a much better match for that structure: the Dugald Stewart Monument!

6.) "maybe I'll go sucker-hunting" CARD SHARK ALLEN LIIIIIVES, where's Tyki when you need him (to lose his shirt again)

7.) fjkldjlkagd the turnaround where Allen finally cracks and is like "fine!! you want in?? IN YOU GET. no take-backsies! happy now???" and Kanda's like "yep, here I am" and neither of them have ANY IDEA how to deal with ANY OF IT. Kanda struggling to pull Allen's story out of him without throwing up his hands and quitting. Allen baffled and twice as guarded as before, put off by Kanda's uncharacteristic interest.

So beautiful, it brings a tear to my eye. (Actually, many tears. So... so many tears.)

8.) That apology, which I never thought I'd get, for Allen having seen what Kanda would never have consented to show him. It wasn't his fault, and they both know that, but the fact still remains that it was a violation, and I've always always wished for that to be addressed somehow and HERE IT IS. RIGHT HERE.

I want to tattoo that look on Kanda's face onto my brain.

9.) And then they're FUCKING INTERRUPTED, AGAIN

But Allen's "ask me again when we're done dealing with this" was such a promise of trust that I can't even be that mad, augh.

Onward to the bitter end, I guess!! Haha!!!! · ͜͜ · -

Thank you all so much for reading and following along! I’d like to tip my hat to Kougeki Scans, who love this series too and are helping us spoil the fandom rotten. :P Again, if you have any questions or comments, feel free to either find us on Discord HERE, find me on Discord at Panthaleia#9705, or use the comment box on MangaDex! I’m always happy to geek out with fellow fans. <3

#dgm 231 #dgm231 #dgm #d gray man #dgm meta #panthaleia

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soveryanon · 6 years

Text

Reviewing time for MAG127 /o/ (with rambling/pondering/speculating/ etc.)

- Albrecht Von Closen’s letter from MAG023 had been referenced twice in the series so far, and reminding myself of both gave me different kind of heartbreak. First… Tim mentioned it at the beginning of MAG033:

(MAG033) ARCHIVIST: [��] Was there anything else? TIM: Oh yeah, just one. ARCHIVIST: Good lord. TIM: So, in case 8163103… it isn’t clear if Albrecht’s wife is called “Clara” or “Carla”, ‘cause you keep switching back and forth… ARCHIVIST: Well, I’m sorry if I found it hard to read a two-hundred-year-old letter, written in cursive by a native German speaker. Who complained about that one? TIM: Oh, it’s, it’s not a complaint. Hum, I just noticed actually!

94 episodes later… Tim finally got his answer ;_; It was distinctively “Carla” in MAG127. Second thing: Martin came very close to destroying Albrecht’s statement in MAG118! It was actually the statement he was about to burn when Elias finally managed to unlock the door.

(MAG0118) MARTIN: Hello. ELIAS: What. Are you. Doing. MARTIN: That one… that one was Benjamin Hatendi. You weren’t fast enough for the key! ELIAS: What. Are. You. Doing. […] MARTIN: Oh sorry! Sorry, I’m not keeping you from the show, am I? Well, well you head back, I’ll keep myself busy here. Albrecht von Closen is next, I think. It’s quite an old one! Should go up very quickly.

I really doubt that Martin meaning harm to Albrecht’s statement made Elias try to go faster to stop him or anything – he was already seething and had already left to get the key, it was really a matter of Martin burning statements which, overall, made him unable to fully focus on the group’s expedition and why he snapped hard at Martin (all going according to Martin’s keikaku). I’m more curious as to whether or not Martin… picking up this one was a total coincidence, or something partially spooky (Beholding-related intuition or Web drawing Martin towards it), since we now have confirmation that this letter was one chapter in a bigger story intrinsically tied to the creation of the Institute, and that Jon was spookily redirected towards another chapter in MAG127.

- That episode was very packed in… almost all aspects? Characters-wise, we learned about Melanie’s current state, a bit more about Martin’s state of mind when he began working with Peter, and about Jon’s own situation; we also got to hear ~*Elias*~ which gives some more food to speculate about what the eff is happening… and the statement, hoooooly Mew, the statement. Offering us a follow-up on MAG023, giving us another peek at Jonah Magnus, giving us a reminder that HI? NO, NOP, BEHOLDING IS NOT A HARMLESS ENTITY. IT’S JUST AS TERRIFYING AS THE OTHERS., and giving soooo many bits to speculate here and there…

- Jonathan Fanshawe immediately secured a place amongst the (very restricted) club of statement-givers with self-preservation skills.

(MAG127, Jonathan Fanshawe) Jonah, I must first and foremost decline your generous offer of a medical position servicing Millbank Penitentiary. While the terms you’ve laid out are no doubt more than adequate, I have, over these last months, come to the unfortunate conclusion that our intimacy and friendship must cease immediately. […] In the light of what I have so recently witnessed, I can no longer in good conscience associate with any of your endeavours. Nor will I continue to collect or provide all those accounts of the esoteric and otherworldly, that you and your… Institute so eagerly require. Consider this the severing of our acquaintance. […] … Do I need to tell you what I found, Jonah? Do I need to detail what covered his organs? His bones? The inside of his skin? What clustered together in their dozens, and all turned as to focus on me as I opened his chest? Their pupils constricting in the light, with irises of every hue and colour. Because whatever it was that did this to him, I know in my heart that it is your fault. I’ve had the body burned. Please, do not write to me again. Your obedient servant, Doctor Jonathan Fanshawe.

He sounded so, so cold and rigid and deadpan and dry and accusatory, hhh… That was an excellent tone. Very satisfying. We tend to hear fear, despair, vulnerability; here, it was… covered up with a veil of unimpressed anger and resentment?

- Regarding Jonah Magnus: Jon had described in MAG041 how Robert Smirke took over the Millbank prison project in 1815 and finished it in 1821. Jon had already theorized that the tunnels under the Institute couldn’t be remnants from the old prison, but probably tunnels constructed below it (MAG041: “when it was finally closed in 1890, it was demolished. Flattened. Which meant that what I was in now couldn’t be the old prison itself. It had to be something built below it.”); we know that the Institute was founded in 1818, and though I think it’s still not confirmed whether Smirke was behind the building or not (I assumed he was but can’t find any mention about it anymore?), Leitner referred to its tunnels as part of Smirke’s work (MAG080: “Over the years I have found that it interacts with Smirke’s architecture, and those tunnels specifically, in a more predictable way.”). The whole… concept behind the Millbank prison already reeked of Beholding (MAG041, Jon: “First proposed and designed in 1799 by Jeremy Bentham, a philosopher who wished to test his theories of the panopticon prison, where cells would be arranged in a circle around a single, central guard tower, so all cells were observable at once. It was to have six such areas, arranged in hexagons, giving it from the air the shape of a vast, angular flower.”); with Jonathan Fanshawe mentioning Jonah’s offer of a job in the prison (MAG127: “I must first and foremost decline your generous offer of a medical position servicing Millbank Penitentiary. […] I do not know what interest you have in the poor condemned souls within those walls, nor do I care to guess.”), it sounds more and more likely that Jonah and Robert Smirke did actually collaborate? How did Jonah Magnus come to have such an influence in Millbank, and what was his aim, indeed?

- Chronologically, the few things we know about Jonah Magnus:

*Jonah was already known for his interest in the supernatural:

(MAG023, Albrecht von Closen) […] I recall that during your visit last spring you mentioned your… fascination with the macabre and strange, and pressed upon me as to whether there were any such lore or legends that I myself were familiar with. Wolfgang writes me that you are acquiring quite the collection, and I feel that I now have something that belongs with it, far more than any of the fairy stories or old maids’ tales that I told you before.

*On March 31st 1816, Albrecht von Closen sent Jonah a letter, describing his adventure and a book he had retrieved, promising Jonah to show it to him:

(MAG023, Albrecht von Closen) a book, perhaps fallen from the shelves long ago. It was in far better condition than the others, perhaps due to where it had lain, and I was able to very carefully open it. I was disappointed to see that was not written in German, or even French or Latin, but appeared to be in Arabic. It seemed to be an illuminated manuscript of sorts, produced by hand and utterly beautiful, though I could not for the life of me have told you what it concerned. […] The book, though beautiful, stubbornly refused to offer up any clues to its contents. With your permission, I’ll bring it over for your expert eyes next time I have the pleasure of your company. […] Still, I look forward to showing you the book I have acquired, and the revelations you will no doubt glean from it.

*Sometime in 1818, Jonah Magnus founded the Magnus Institute.

*On April 9th 1824, Barnabas Bennett, prisoner in Mordechai Lukas’s dimension, pleaded Jonah for his help by leaving his letter in the Institute. Jonah, according to Elias, only witnessed his demise and collected his bones. (MAG092)

[*One year prior to April 1831, Albrecht von Closen, who had previously acquired the books from the Black Forest’s mausoleum at some point, had them rebound. Jonah Magnus apparently exchanged them with fakes at this time.]

*On November 21st 1831, Jonathan Fanshawe sent a letter to Jonah about the illness and death of Albrecht von Closen, after they returned the (fake) books to the mausoleum. Albrecht’s body was filled with eyes; his wife was already dead, and he had sons at the time of his passing. What happened to the sons afterwards is unclear. (MAG127)

*On June 12th 1841, Sampson Kempthorne sent Jonah a letter about the workhouse architecture of George Gilbert Scott (Robert Smirke’s disciple’s disciple, who was a bit dangerous according to Smirke). Sampson mentioned Jonah’s state:

(MAG050, Sampson Kempthorne) Dear Jonah, It is my fondest wish that this message should find you in good health, as I have heard more than one mutual acquaintance remark on your current state of overwork. While I earnestly hope it is merely idle gossip, my knowledge of your character leads me to entreat that you allow yourself some respite, or at the very least take some further secretarial staff into your employ. Certain uncharitable quarters would have it that your life consists of little but rattling around in Edinburgh Townhouse, surrounded by piles of ghostly accounts and lunatic documentation. Piles, I am afraid to say, to which I am about to make an addition.

I’m not sure if Jon making his mind about Jonah Magnus is a Certainty (inspired by spooky Beholding magic) or an assumption:

(MAG127) ARCHIVIST: […] “Jonah Magnus”. I’ve never really given much thought to him. Not nearly as much as I should have. I suppose I had always hoped there was a chance he was… innocent, in all this. I know, I know! But I had… [EXHALE] I had just… hoped that maybe the founding of the Institute was in earnest. And not simply the foundation stone for all the terrible things that have happened here. … But no. Whatever is happening now… has its origins two hundred years ago. In the work of an evil man.

But if it’s the latter… I’m not sure that Jon is making a good decision by shutting down other possibilities: he’s absolutely following Jonathan Fanshawe’s opinion here, but there might have been other interpretations for what Jonah did and why? After all, he could have stolen the books in an attempt to protect Albrecht from their influence (while he had probably been heavily contaminated by them already)? I’m mostly surprised at the fact that Jon just went ahead and labelled Jonah Magnus an “evil man” and assumed that the Institute was founded for bad reasons, as if suddenly this statement was proving a point, when… it was the opinion of one person, who felt betrayed, hurt (and partially worried for) a(n ex)friend. And time had passed since the founding: maybe the Institute had originally been founded with better intentions, and maybe Jonah got worse and worse… just like Jon could. Maybe there would be more to learn about Jonah’s life, if it was a gradual descent into Beholding – maybe knowing a bit more about it could help Jon find counter-measures. But maybe it’s also an easier story for Jon to swallow, right now: to think that people don’t change, can’t become corrupted, can’t start out good and gradually lose their ability to want to protect the people they care about.

- And now, this statement put the damn books back at the forefront: indeed… where do they come from? … technically, Jonah Magnus here didn’t remind me so much of Elias or of an Archivist, but more of… Jurgen Leitner? (That’s mean, I know!)

(MAG080) LEITNER: I… thought that I could control them. That I alone had the knowledge to contain them. Back then, I believed they were simply books. Horrifying, powerful, yes; but with rules, limits that could be charted. … I was a fool. I had no idea what forces lay behind them, or that they had other servants that might come searching. I was ruthless, I will admit that. I don’t know how many assistants I sacrificed to learn the secrets of the volumes I collected. Dozens, at least. Only a few escaped with their life and mind intact, and even then they were deeply marked. But I was relentless. I saw myself as a guardian, a reverse Pandora, gathering the evils of the world and locking them away.

Accumulating statements (and books) like Leitner was accumulating books, in his own personal building constructed through Smirke’s principles? Leitner was even known for getting his books custom-(re)bound!

(MAG004, Dominic Swain) The last seller I went to did recognise the name Jurgen Leitner, though. She told me Leitner had been a big name in the literary scene during the 1990s; some rich Scandinavian recluse paying absurd amounts of money for whatever books took his fancy. It was said he’d often have books custom-bound after providing a manuscript, or even commission authors to produce works to his brief – although she didn’t actually know any writers who had worked with Leitner.

Jon had been suspicious of the amount of books in circulation, even before discovering that Leitner had only applied his seal on some but not all of them (and that he had absolutely no involvement in their creation):

(MAG070) ARCHIVIST: […] It seems to support the theory that, whatever these books are, Leitner is not entirely responsible for them. […] Books. Again and again it always seems to come back to those books. There are other artefacts that hold sinister power, certainly, but none of them seem to be quite so prevalent or… insidious as those damn books. But why? I had always assumed that Leitner had created them somehow, leasing parts of his own damned soul to give them power, or… some similar nonsense. But no. I’ve heard enough now to be sure that these books existed long before he managed to hunt them down. Not all of them, though, it would seem.

And it’s true that we only had questions in that regard. We know that the books can be anachronistic:

(MAG080) LEITNER: An unexpurgated copy of Ruskin’s The Seven Lamps of Architecture, published in 1845. Of course, Ruskin didn’t even begin writing the book until 1846, and the text of this one varies markedly from the version that was distributed.

We know that some of the books are old, written in different languages, and that a few of them must have appeared fairly recently (A Guest For Mr. Spider, and the one from MAG125 which looked like a paperback). We know that a few can write themselves (the unnamed Book of the Dead) or have new content added to it (Mary Keay’s book in human skin). We know that they can bind monsters (Ex Altiora). We’d already had one mention of a book that just tagged along or perhaps showed up out of nowhere and tried to read its reader (MAG091, Mike Crew: “I spent some time with a small grey volume, I think it was in Cyrillic, that decided it was at home amongst my bookshelves. I couldn’t read it, of course, but… when it tried to read me back, I buried it on a lonely stretch of moorland.”). Leitner mentioned that in rare cases, they can host multiple powers (such as The Key of Solomon) – in most cases, they seem to be tied to only one. Some of them can apparently be destroyed (Gertrude and Leitner managed it in the tunnels), though some could just shift or resist (MAG080, Leitner: “Many of them wouldn’t have burned, and some even liked the flames. And those that did, I now believe, would have been released to take a different form.”), but Jon discovered recently that some can apparently lose their powers:

(MAG125, Terrance Simpson) All I could see for certain… was that she held a book in her hands. It was a paperback, old and unloved, with obvious signs of wear long before it found itself in this chaos. The cover and title were unrecognizable, now far too soaked in blood, but it was clear that at some point the woman holding it had torn it, clean in two down the spine, and now held half in each of what was left of her hands. Ross told me later that she’d gotten a good look at the pages, and that every single one of them was blank.

(MAG125) ARCHIVIST: […] Another Leitner, obviously. Not one I can readily identify, though it sounds like it would now be… inert, anyway. Given the blank pages, I do wonder whether its destruction was a last-ditch effort to stop its effects, or the exact thing that released its power in such an… extreme way.

So where do they come from and/or how are they produced? Are they just… emanations, like the monsters? Are they purposefully created by avatars? Leitner told Jon that he had gathered 978 of those when his library was attacked; it’s… not that much – the Black Forest’s mausoleum could have contained more than that, and we even know that new books have appeared since then. … However, I do wonder if the books in the mausoleum weren’t rather a precursor/equivalent of… statements? I had already wondered whether “Johann von Württemberg” might be an ancient Archivist (especially after MAG053), and now that we’ve been told about the contents of the books…

(MAG127, Jonathan Fanshawe ) […] [Albrecht] took the seat opposite me, and started to tell me… a story. And then another. And another. A stream of… strange tales began to pour out of him, and I just sat there, transfixed, [STATIC–], desperately wishing I had the strength of will to leave, but all I could do was listen. He told me of a seamstress, who laced her body with fine black thread; and when she pulled it all out in a single swift motion, her skin dropped away like a loose shift. He told me of a man so scared to die he spent a year weaving a rope blindfolded, so that he would not know the length, and could not foresee the moment it would tighten around his neck when he finally threw himself into the void. He told me of a fire that burns so hot and fierce, that to even know about it is enough to burn a man’s tongue from his head. He told me so many terrible things. [/STATIC] And at the end of it all, the only thing I could think to ask him was where he read them. My eyes darted to the books that surrounded us, but Albrecht laughed at this, and placed his hands across a spine that was simply labelled A Warning. For a moment, he looked as though he were about to wrench it from its place and hurl it into the fire. But it passed. He turned back to me. [STATIC–] “You do not understand,” he said to me in German. “I do not read the books. They read me.” [/STATIC]

… they were all stories. Like Jon himself is receiving stories through the statements… Could the Beholding folks be responsible for the books, binding a bit of other powers in them to spread them, ensuring a never-ending self-sustaining cycle of stories – people finding the books, getting terrorized by them, and the survivors having new stories to tell? What happened to the books that Jonah Magnus stole? Are they still somewhere in the Institute, did he destroy them, did he release them into circulation…?

- Even before that: when did Albrecht get his hands on the books? Had he stolen them back in 1816, and concealed that fact to Jonah in his letter? Or did he go back later? With or without Jonah? It is now… striking, that in MAG023, Albrecht was insisting on the fact that he missed his own library (MAG023: “And so began what was to be a lengthy sojourn near Schramberg, and truly have I never wished more keenly that I had been able to bring my library with me. I had but a few books with me and Wilhelm, despite his not-inconsiderable intelligence, had even fewer.”) when, oops, he got his hands on another’s in the end. The only thing he said was that he had them rebound one year prior to April 1831, and he had already been able to tell in 1816 that they were in a terrible state:

(MAG023, Albrecht von Closen) I walked cautiously closer, until my lantern illuminated it clearly. The walls were covered with bookshelves. Packed in with such a density that it was impossible to tell if there was a real wall behind them or if the books themselves formed the only bulwark against the soil. They were, unfortunately, terribly rotten. The centuries had not been kind to them, and as I tried to move one of them, I realised that the damp had, over time, caused them to merge into a single mass of paper and bookcloth. Predictable as this may have been, I still felt the most acute pang of loss. To see such a volume of knowledge, possibly unique in all the world, utterly destroyed, was incredibly painful to me. The actual shelves were formed of the same marble as the two blocks, and seemed to have fared better. As I looked at them, I noticed a small engraving, carved at regular intervals along the edge of each one. It was a small eye, open and staring. For some reason, it was only at that moment that I began to feel afraid. Of what, I couldn’t tell you, but those small eyes filled me with a dread that I have trouble describing to you now.

(MAG127, Jonathan Fanshawe) As he walked the shelves, stroking the spines of each book in turn, I started to ask him about his health, and explained why I was there, but he showed not the slightest sign that he was listening. “I had them rebound last year,” he said. “Damp can do terrible things to a book.”

- There were so many “WHAM” moments in that statement… the fact that it was another letter to Jonah! That it was once again about Albrecht von Closen! The fact that the uncanny atmosphere began even before Jonathan reached Albrecht’s house (because people were burning the tree)! The very casual mention that Carla had died and that there were now sons in the family, although they were explicitly childless and Jon hadn’t been able to trace the family line down back in MAG023! The fact that the spooky house gave me a Lonely/Beholding vibe somehow (rather than Beholding only), even before Albrecht showed up? And then, the… fact that nothing physical happened to Jonathan: but that he witnessed, had to hear and couldn’t really understand, though he was trying to work a way out. The resignation, in the fact that he was forced to hear Albrecht’s stories, and that Albrecht couldn’t stop them nor harm the books? All the mysteries as to what happened and why Jonah had apparently been involved? What was inside Albrecht’s corpse? (HHHHHHHHHHHHHHHH THANKS JONNY…) The attempt at returning the books, Albrecht’s sudden death, the reveal that Jonah had actually stolen the real books when they were rebound?

(MAG127, Jonathan Fanshawe) I do not know how he died. I saw nothing and no one with him, and his body seemed whole and undamaged. But I do have some idea as to why it happened. For as I filled those dead shelves with freshly bound volumes, I could not help but notice that every page was blank. I have since checked with Payne’s, who I believe to be your preferred bookbinders. And I know that the books poor Albrecht was returning to the grave were not the books that were taken. I hope they bring you much wisdom, Jonah, for the cost was dear enough.

(Roger Payne was a famous bookbinder from the 18th, already dead by then, so it was probably his shop. Still, another historical figure /o/) There were so many little things changing perspective, and it raised so many questions, aaaaah!! It was definitely a very strong episode…

I don’t know what to think of what happened to Albrecht; was he a failed Archivist? The fact that he almost threw one of the books to the fire but couldn’t, that he needed help to manage top ut them back, that stories were pouring out of him… Is that another red flag about what could ultimately happen to Jon? Or was it just a Beholding curse/influence, since he had been in close contact to the books? Or was it something that Albrecht had brought down on himself since the first time he had entered the mausoleum?

(Aza confirmed me that:

(MAG127, Jonathan Fanshawe) It was the face of Albrecht von Closen. In the light, his eyes met mine, and his mouth began to work furiously, repeating the same phrase [STATIC–] over and over, increasing in volume until he was screaming it into my face: “Leg sie alle zurück. Leg sie alle zurück.” [/STATIC] Put them back. Put them back.

=> can’t be about the children, because “sie alle” means “them all” and wouldn't be used for just two things, and the verb used conveys the sense of putting things lying down and wouldn't be used for people. That's assuming that Jonny knows that much German, though.)

Big Questions, too, about… the tree. What was the deal with that one?

(MAG127, Jonathan Fanshawe) […] as we got closer, I could see that it was… a single tree that was burning: a gnarled and ancient elm, that sat removed from the rest of the forest. A small crowd surrounded the spectacle. One man, who I took to be a groundskeeper, stood closer than the others, with a lit torch in his hand. […] I asked the man why they were burning the tree when the rain was coming down so heavily. Surely it could have waited for drier weather. The man simply shrugged. […] all that I could get from him was a sense of resignation, and the insistence that his master, who I took to be Albrecht, wanted the tree dead. I’m sure that he used that word, though. Not “burned”, not “removed”, or “destroyed”. Dead. I resolved to ask Albrecht about it when I saw him.

The only “main” tree we’ve got before was at Hill Top Road: is it the same kind of thing…? What did it do, here…? (Where spiders involved in the shadows, again.)

- I remember how quick Aza had been to jump on me after I had listened to MAG023, a few months ago, because there was a Big Fandom Joke about the easter egg of the “Schwarzwald statement” directly following Martin Blackwood’s, AND NOW IT HAS COME BACK TO HAUNT US since!! Surprise surprise!! Fifteen years after his letter to Jonah from MAG023 (March 31st 1816), Albrecht, who had mentioned never managing to have children with his wife… suddenly had sons as of November 21st, 1831:

(MAG023, Albrecht von Closen) myself and Clara [sic] have since made every effort to provide [our nephew Wilhelm] with guidance and such affection as he may have lost. This felt especially keen as we have ourselves been unable to conceive a child, and so we felt it our duty to teach Wilhelm what we would have impressed upon a son of our own.

(MAG127, Jonathan Fanshawe) As I’m sure you’re aware, Albrecht’s wife Carla was taken by a fever some years ago, and his sons were away at school; so it was the housekeeper who greeted me when I arrived.

Back in MAG023, Jon had managed to track down Wilhelm’s genealogy, to discover that some of his descendants might have been Mary and Gerry Keay (which Gerry confirmed in MAG111), but he had found nothing about Albrecht:

(MAG023) ARCHIVIST: […] I did try to find out what happened to Albrecht von Closen and his book, but I can find no mention of him in any volume of history nor anywhere online. Perhaps I might find out more if I spent months sifting through the historical statements in the Archives’ back rooms, but I simply don’t have time to indulge my own curiosity like that.

(ISN’T IT CUTE HOW BEHOLDING IS SHOWING UP TWO YEARS LATE WITH ANOTHER VON CLOSEN STATEMENT WHEN JON FINALLY HAS TIME TO INDULGE HIS OWN CURIOSITY.......) So, Albrecht managed to get descendants of his own, after his adventure in the Black Forest. We know nothing about them, just that they happened, so there might be another branch of the Von Closen somewhere, with perhaps a change of name at some point. As @justasmalltownai highlighted, there is an old (historical and literary) tradition of naming abandoned/magic children after the place they were found, which would be “Schwartzwald” for them… Which…………………. indeed……………. puts Martin Blackwood to mind………… … On a meta level, Jonny Sims not above giving reasons to yell at him with random things, either. Remember how, in MAG017, Jon was reading about how someone should have had trouble with the police when he was interrupted by Elias “I Have Killed And Will Kill Again And Will Be Sent To Prison For This” Bouchard of all people?

(MAG017) ARCHIVIST: […] He was always very careful to stop before he did anything that might get the police involved, and I guess there was enough leftover affection from a childhood spent together that I never really thought about reporting him. It wa– [DOOR OPENING] ARCHIVIST: Oh, erm, hello Elias. ELIAS: Do you have a moment?

(Yes, that one is a very “jONNY” scene in retrospect. And trousersless!Martin interrupted Albrecht’s statement in the same fashion, when Albrecht was getting ready to enter the crypt.)

On the one hand, Gerry asserted that blood ties don’t matter for the Entities – and, indeed, it sounds… more in synch with the series to think that choices and personality are the things that determine you(r fate). But on the other hand: it’s still so curious that Gerry was so deeply rooted into Beholding powers, when Wilhelm von Closen had been so close to the Beholding mausoleum?

(MAG012, Lesere Saraki) […] watching [Gerard], standing and walking despite the burns covering eighty percent of his body, despite the sheer quantity of painkillers we had given him… he just made me very afraid. […] I followed him, asked what he was doing. I got no answer, but he seemed to know the code to the door immediately and strode right in, scanning the shelves for something. He saw what he was after and picked up a small object wrapped in paper and plastic. I recognised it immediately as a sterile scalpel.

(Gerry even technically demonstrated powers that were… very close to Jon’s? His body was still able to function when it shouldn’t have been able to; he just knew things; he was able to tell that MAG048’s statement-giver had been “marked” just by staring at her…)

So. While we were all focusing on the potential of Martin Lukas, was it actually Martin von Closen (/whatever Albrecht’s sons were: monsters stolen from the crypt? Emanations from the books? Non-spooky babies who got contaminated by the books? The Beholding equivalent of whatever Agnès was for the Desolation?) all along, or The Unholy Encounter Of The Two.

(Or as usual: is Martin still… absolutely normal, without any spooky roots nor anything.)

- Biggest initial shock was to hear Jon… revealing that he was Genre Savvy.

(MAG127) ARCHIVIST: [SHARP INHALE, FAST] Statement of doctor Jonathan Fanshawe, regarding the months leading up to the death and autopsy of Albrecht Von Closen. […] Disconcerting to find my namesake in a statement. Especially one connected so directly to the Institute. […] Whatever is happening now… has its origins two hundred years ago. In the work of an evil man. … Exactly two hundred years, in fact. Don’t think that little detail has evaded me.

(Jon, stop staring at the camera/tape recorder, I feel called out.) He spotted the name (though there have been a lot of variations around “John” in all the names involved in all the statements), he revealed that he’s aware that is the 200th anniversary, and that something bad is likely coming. That’s a lot from him!

- Amazingly, we’ve already learned where Jon was hurt and what with!

(MAG127) BASIRA: But she did want me to… apologise. ARCHIVIST: Oh. BASIRA: From her. For… the shoulder. ARCHIVIST: Oh. It, it’s fine; scalpel wounds… they heal quickly. BASIRA: Hm. ARCHIVIST: Too quickly, really. BASIRA: Already? ARCHIVIST: Just another scar for the collection! BASIRA: Hm.

Jon’s self-deprecative dry humour makes me laugh and cry at the same time, and ha, in the list of things he’s savvy about: the fact that he’s collecting them indeed. (Now, to know whether that serves a grand purpose…)

- I LOVE THAT OVERALL, JON IS TRYING…………..

(MAG127) ARCHIVIST: […] I’m sorry Basira, I–I will try to keep anything I learn about you to myself. My priorities haven’t changed; I hope you can believe that. [SIGHS] I’m still on your side. You can trust me.

And I perfectly understand that Basira might want to stay cautious: of course, a liar would lie about that, too ;; And Jon, after all, is trying a new approach – laying it all down in the open, instead of hiding himself. It’s good, but it can understandably raise suspicions for Basira ;;

- The trend of Jon sounding So Thirsty about getting anything about Martin, any news about Martin, is still going strong:

(MAG127) ARCHIVIST: […] I’m still on your side. You can trust me. BASIRA: [EXHALES] … Yeah. People keep saying that. ARCHIVIST: Do they? … W–w–who else– Did Martin say something?

I KNOW THAT HE HAS LEGITIMATE REASONS TO BE WORRIED… but w o w Jon, you’re sounding more and more desperate. (I do understand!! Last original assistant alive, Martin being in a bad place since he’s working with Peter and all… But the sheer contrast with season 1 is just astounding, and I’m still not getting used to it. I’m used to Martin gratuitously thinking about Jon; not to Jon… spontaneously thinking about Martin, as one of his concerns.)

- Jon’s life sounds like a succession of… doors? It’s definitely his biggest recurring motif. Mr. Spider’s door, that he never knocked on. “Michael”-then-“Helen”’s door: the one through which Helen disappeared right in front of him (MAG047), the one he used to flee from Not!Sasha (MAG079), the one he should have opened to die and the one that ultimately saved him from Nikola (MAG101), the one that had been haunting his dreams:

(MAG120) ELIAS: […] There is a door in front of him. A yellow door. He knows the dream it used to lead to; he knows it well. But that’s not where it leads anymore. He does not know what is behind it anymore, and he is deathly afraid of finding out. The Archivist turns away.

And now, the image of the “door” he used to describe the power that has been the most prevalent since he woke up:

(MAG127) ARCHIVIST: I’m not “snooping”, I’m not looking. That’s not… how this works. BASIRA: Explain it, then. ARCHIVIST: I, I’m not sure I can. BASIRA: Humour me. ARCHIVIST: [SIGHS] It’s… hard. It’s like there’s a–a–a door, in my mind. And behind it, is… i–is the entire ocean. Before, I didn’t notice it, but now, I know it’s there, and I can’t forget it, and I can feel the pressure of the water on it. I, I, I can keep it closed… but sometimes, when I’m around p–people, or–or places, or… ideas, a drop or two will push through the cracks, at the edges of the door. And I’ll… know something. BASIRA: … What happens, if you open the door? [PAUSE] ARCHIVIST: I drown.

Jon ;; (That mental picture… was really striking, and now, we know what could ultimately happen, what will probably happen…)

- Same as last episode: Jon’s powers, when they direct him towards statements… make him dig into the past? Is it a way to keep him detached from the present, as time continues to pass and as Jon knows that something is coming?

(MAG127) ARCHIVIST: […] Whatever is happening now… has its origins two hundred years ago. In the work of an evil man. … Exactly two hundred years, in fact. Don’t think that little detail has evaded me. I don’t know the precise date the Institute was founded, but I do know that it was in 1818. … Something’s coming. I know it is. … But I just don’t know what I need to do. […] BASIRA: And what was that you were doing yesterday? ARCHIVIST: … When…? BASIRA: You were sat on the floor for like four hours. ARCHIVIST: … Oh! Er, n–n–no, I was, er, I was… listening. Y’know, it’s, trying to see if any of the statements… called to me. BASIRA: And? ARCHIVIST: [FLIPS PAPER] BASIRA: Brilliant.

(yfhudscjnfed I love getting something about how Jon is perceived from the outside, but at the same time? At the same time, isn’t it a fairly standard thing to sit or lay on the floor while you’re waiting for something or inspiration to strike, Basira, why do you depict it as odd.) (Does it mean that Basira regularly went to take a peak during these four hours, though.)

Or is Beholding trying to give Jon a clue to assert the situation, to get the bigger picture and to understand what he could do (whether it’s to… contribute to The Watcher’s Crown or to sabotage it)? Jon once again acknowledged that he is lacking direction:

(MAG127) ARCHIVIST: […] Something’s coming. I know it is. … But I just don’t know what I need to do. […] [SIGHS] So what do we do now…? BASIRA: You tell me. Just don’t expect much on trust these days. ARCHIVIST: … Yes, I… I suppose that’s fair. [CLICK.]

And ;; I guess that either he’s still waiting for spooky insights directing him towards some statements, either he’ll have to wait for something else (the tapes Elias mentioned? Getting a hold on Martin again? Waiting for Peter Lukas to reveal himself? Waiting to get a visitor?), either he’ll have to get a bit more creative (leaving the Institute again to try to talk with other avatars? Tracking Adelard down, since Jon knows that he knew Gertrude and worked with her a bit, having even moved out the explosives for her?).

- I’m sad but also relieved for Melanie… Even though we’re not hearing her, it seems like she’s getting back some of her feelings, some of her individuality; she’s not a ball of nerves and instinct anymore? It sounds like she’s having a rough time but… also like she’s recovering a bit? ;;

(MAG127) ARCHIVIST: How’s Melanie? BASIRA: How do you think? ARCHIVIST: I, er, I should probably… talk to h– BASIRA: You should probably stay as far away as possible. She doesn’t want to see you. ARCHIVIST: No. No, o–o–of course. Er, she has… […] Do–do you think it worked? Is she… BASIRA: I don’t know. She seems more… coherent, I guess. And you did get an apology. ARCHIVIST: Yeah. BASIRA: She said she can cry now, which is, hum… ARCHIVIST: Oh… BASIRA: Progress, I think? ARCHIVIST: Uh… BASIRA: She’s still angry but, she hasn’t attacked anyone. Not even sure she has it in her anymore. ARCHIVIST: Well that’s, that’s good! BASIRA: Hm.

(It’s also good that Jon quickly accepted that if Melanie doesn’t want to see him, it means he won’t try to see her? He’s trying so hard to fix things, but also to manoeuvre without hurting others, and gosh ;;) (… Now that Melanie is out of her downwards spiral, maybe Jon will switch his focus to getting Martin back?)

- I’m a bit torn about Martin’s mother: on the one hand, I’m obviously “AOUCH???” and almost offended because??? Can we give Martin a break p l e a s e??? He had learned about Sasha’s death in April 2017 (and also that, surprise! He was bound forever to the Archives.), Tim died and Jon fell into a coma in August, his mom died around October, that’s a rough six months??? On the other hand, that’s still textbook fridging, and it felt a bit dry to me (even for the series!) given that… we only knew about her through indirect mentions and violations of privacy: Jon digging through Martin’s stuff to discover the letter to his mother, and Elias using his powers on Martin in MAG118. The only time Martin himself mentioned her was to contextualize why he had lied on his application:

(MAG042) ARCHIVIST: […] there is an unfinished letter, addressed to his mother in Devon, in which he mentions that he is worried about “the others finding out I’ve been lying”. It may be nothing, some… inconsequential deception or other – after all, it is ostensibly written to his mother – but if it was actually to be sent to someone else… I will keep my eye on Martin.

(MAG056) MARTIN: I don’t have a Master’s in parapsychology, I don’t even have a degree. When I was 17, my mom, she… had… she had some problems, and I ended up dropping out of school, t– trying to support us.

The fact that he had to take care of his mother shaped Martin’s whole life; it contributed to leading him to the Institute, it probably prevented him from socializing much, it’s probably why he doesn’t live very well (Stockwell isn’t the fanciest of neighbourhoods), since he had to pay for her care and then carehome. Yet, even with Elias, Martin avoided to mention his relationship with her and, obviously, we never heard her (we don’t even know what illness she was afflicted with!). She was distant in all senses (geographically, communication-wise, information-wise). The thing I mostly hope for (and which would feel a bit better for me?) would be to finally get Martin… talking about his relationship with her?, instead of having people doing that in his stead. It was obviously a sore spot already; after MAG118, it… was probably worse (Elias wouldn’t have done it if it wasn’t supposed to hurt on the long run and keep Martin in check.) I don’t know if we’ll have the time for characters to even consider that they can afford to take care of themselves and treat themselves a bit by trying to unpack their issues, though. But I’d really love to finally hear Martin talk about his mother, and not other characters describing their relationship from the outside? (I want to think she died of natural causes, since she was sick for a long time, but obviously, can’t help but wonder if Lonely fuckedupness didn’t contribute somehow, since Peter wanted Martin. Though I doubt it for meta-reasons, since killing/hurting someone just to get a reaction out of one of the main characters, without hearing the victim’s own feelings about it, wouldn’t feel like the series, I think?)

- What happened to Martin’s mother… also explains why Basira was a bit defensive of him back in MAG123:

(MAG123) BASIRA: Yeah, he comes and goes. He’s busy. Well, he seems it. ARCHIVIST: Working for Peter Lukas. BASIRA: Don’t be too hard on him, Jon. Your, er… “situation”, it hit him. Hard. ARCHIVIST: [LONG EXHALES] Yes. Well, I’m sure there are better ways to deal with it than getting cosy with Elias’s successor. Who I’ve yet to meet, by the way.

(MAG127) ARCHIVIST: […] W–w–who else– Did Martin say something? BASIRA: … It was a few months back. After the attack. He’d started spending time with Lukas. At least, he said he was. And I wanted answers. He kept telling me to trust him, to hear the guy out even though he still wouldn’t actually show his face. I told him he could… drop me an email or vanish me. ARCHIVIST: … Right. BASIRA: Honestly, I kind of regret not just… grabbing Martin and shaking an explanation out of him. But I didn’t want to push it. He was in a… bad place, what with the attack and his mom and everything, so I didn’t press it. Now, I try and bring it up, he just… disappears. Nothing to be done. ARCHIVIST: So–sorry, you said… What happened with his mother? BASIRA: Oh, yeah. She died. About two months– ARCHIVIST: Oh… BASIRA: –after you, er… … Martin was… … He tried to stay strong. Keep it together but, that sort of thing… ARCHIVIST: [SIGHS] BASIRA: [SIGHS] Then those Flesh things busted in, and well, here we are! ARCHIVIST: … God. BASIRA: He didn’t tell you? ARCHIVIST: No… BASIRA: Hm. Guess you don’t know everything, then. ARCHIVIST: No, I, I–I guess not.

(I wonder if Basira’s mention that Martin “just… disappears” is literal, or if she means that he just leaves? We heard him walk away, back in MAG125 with Jon, but… Peter just appears Like That, so…)

;; Slowly, we’re also filling in the gap between MAG120 and MAG121 a bit – at the same time as Jon does. Tim died, Jon went into his “coma”; Elias was arrested, Peter became Head of the Institute; two months after, Martin’s mother died; two months after, The Flesh attacked (Basira told Jon it happened “About two months ago” in MAG123); two months after, Jon woke up. We’re still not sure when the season 4 trailer happened exactly – was it before or after The Flesh? (Martin sounded at his end, back then, so I’d like to think right after but the other option is not impossible either…).

- GODS, I LOVE BASIRA… She’s Judging and assessing, not talking a lot with Jon (so many non-committal “Hm.”), but also frankly expressing her disapproval or that she thinks Jon is crossing lines; not closing communication but also highlighting the limits… And what a LEGEND, honestly. The fact that she didn’t even threaten to leave but just started to leave as soon as Elias began to Act All Elias. Not taking any of his bullshit (SHE GOT HIS POSH MOUTH TO SAY “BULLSHIT” =D) redjrefdujire,d. I’m love her. And I’m also so worried for her because Elias talking to you means Problems in general.

- Squinting at how Elias “I Can Complain About How ‘Oh, good lord, don’t be so dramatic, Jon!’ Because I’m An S-Class Dramatist Myself Have You Heard MAG092 And MAG120 And My Perfect Sense Of Timing” Bouchard greeted Basira with that… “Detective”?

(MAG127) ELIAS: … Good evening. Detective. [STEPS COMING CLOSER] BASIRA: I’m not a detective. ELIAS: Of course.

Elias rarely says seemingly gratuitous things if it’s not actually meant to hurt (even a few months later), or to mock, or to manipulate, so what’s the deal there. It could be a nod to Daisy (since she was the detective), or… a kind of ~I know what you’ve been doing~, if Basira has been researching on some delicate matters (that she still wouldn’t have shared with Jon)? I also wonder if it’s not… once again, Elias just quoting what other people said when he wasn’t there and shouldn’t have known, since Georgie had also called Basira a “detective” in MAG122 (right before they discovered that Jon had woken up), and Basira hadn’t reacted back then:

(MAG122) BASIRA: Alright. And you don’t know why this guy would have left a tape recorder? GEORGIE: You’re the detective. BASIRA: And you’re sure it was him who left it?

Reminder: Elias Does That and has a sucky sense of humour. He was already doing it back in season 1 (MAG039, Jon: “I can’t really stand up yet. I need you to describe what’s going on. For the record.” / Elias, in another place, right after: “You [Sasha] did bring a tape recorder. I just thought Jon would appreciate as many supplementary recordings as possible. For the record.”). We know that Basira wasn’t against presenting herself as an “investigator” for fun:

(MAG106) BASIRA: I should probably go check in with Martin. Y’know, if he’s in for drinks. MELANIE: So you can double-check your gossip~? BASIRA: I don’t gossip! I have the mind of an investigator.

… but that’s not the term that Elias used. Sooo… why the “Detective”, indeed. It doesn’t sound like a Beholding title (a bit too police-oriented) compared to “Watcher” or “Archivist” (Leitner had also called Jon “the observer”)…

- Elias is having it rough in prison, it’s a treat to hear <333 Kudos to Ben for the… raspier, tighter, incommodious? voice that deeeefinitely conveyed that Elias is not sitting on his throne anymore. … Actually, some of it reminded me a bit of Jon going through statements-withdrawal in MAG107, so I wonder if Elias isn’t having a personal form of withdrawal somehow, too, by being far from the Institute for such an extended period of time?

I’m… a bit lost as to why he even tried to pretend that he wasn’t spying on Basira&co in the first place, only to admit that he knew things when Basira told him off?

(MAG127) ELIAS: Er, I’ve found one of these in my cell? It, it wasn’t recording, but… I assume this means he’s awake. BASIRA: … ELIAS: … Basira? BASIRA: Can we cut the bullshit? ELIAS: What “bullshit” might that be? BASIRA: The part where you pretend you don’t spend your whole time watching us. ELIAS: … Sometimes I’m eating. BASIRA: You know he’s back. You’ve seen him. ELIAS: Fine! Yes.

Why even bother? He had implied to Martin that the distance wouldn’t prevent him from spying on them (MAG120: “Best of luck, Martin. Ah, let the others know I shall be thinking of them. […] G–goodbye, Martin. Be seeing you.”) and his comments to Basira about “trust” are a clear reference to her discussion with Jon earlier in the episode:

(MAG127) ARCHIVIST: […] I’m still on your side. You can trust me. BASIRA: [EXHALES] … Yeah. People keep saying that. […] Just don’t expect much on trust these days. ARCHIVIST: … Yes, I… I suppose that’s fair.

(MAG127) BASIRA: Right. So, what? You figured you’d record us for him? Sow some distrust from afar? ELIAS: Our… arrangement with the Inspector notwithstanding, I… rather feel that right now all the distrust is very much your own.

So nop, he’s still a pesky misery-sucking voyeuristic mosquito even from further distance and even though Peter/the Lonely has taken over the Institute – he’s still able to spy on them.

One thing I wondered was whether he wasn’t having trouble watching Jon, with his new status and all, hence the pretending that he had guessed that Jon was awake through deduction and not just… sheer observation; but he did admit that he knew and had indeed seen him when Basira pushed it. So!! That actually clears something up for me: Elias might be using the “I assume(d)” expression as a loophole when he’s lying-without-personally-feeling-that-he’s-lying (MAG040, Elias: “so, I assumed [Gertrude] was dead and left the investigation to the police, for all that good it did me.”). That counts as lying for me, but maybe not for him, apparently :w

Plus, Elias’s reasoning about the tape recorders seem to follow Jon’s, a bit in the same fashion (possibly overheard him, and is using his arguments?):

(MAG126) ARCHIVIST: […] There was a tape recorder waiting for me when I sat down. […] I’ve decided to let the tapes run. They’ve… proved useful before, so…

(MAG127) ELIAS: […] And as to whether he will ever hear this, maybe he’ll get the tapes. Maybe he won’t. But the recordings have helped so far, so…

Not the exact same phrasing for once, but roughly the same intention, except for one thing: “THE RECORDINGS HAVE HELPED” WHOM/WHAT, ELIAS. (I’m really not sure he meant “they helped Jon in the past” here.)

- In the same fashion: I wonder whether he can see what Martin is currently doing, or if Peter’s influence prevents him from accessing him, since they’re working closely together? What does Elias think of Martin working directly under Peter, and “isolating” himself? You’d think that even if Elias only felt mostly disgust towards Martin, cheating on Beholding would be a big enough offender for him to snap about that…?

FUN THING: Elias… still has NEVER EVER. MENTIONED. EVEN. ONCE. “PETER LUKAS”.

He never acknowledged that Peter had taken over the Institute. He didn’t even mention that Peter might be supposed to protect the Archives team? If Peter is not great with computers and with administration work with “too many variables” (from a sea captain??? Really??), nor is he supposed to protect the Archives, nor does he share Elias’s priority of setting off the Watcher's Crown (as Peter is focusing on Adelard’s investigations instead)… why was Peter chosen as an interim director? What was he supposed to do, in Elias’s mind? I’m going back to this, once again: does Elias even know that Peter has taken over the Institute? And/or does “Peter” truly exist as a person/avatar/monster? Jon had immediately thought about the possibility that he wasn’t “real”:

(MAG123) ARCHIVIST: Sorry, you haven’t– BASIRA: Nop. Never seen him. As far as I can tell, Martin’s the only one who has. ARCHIVIST: … right. A–and you’re sure he’s… real? BASIRA: We get emails from him. Memos. […] ARCHIVIST: But i–if you’ve never…seen him, I mean…

And it’s true that Peter wasn’t exactly interacting with his surroundings in past appearances: he was isolated when drinking his coffee in MAG033 and then… didn’t actually command The Tundra (Carlita only spotted him when they left the boat at night). In-series, he only appeared to people when they were alone (MAG100 for Bryan; MAG108, MAG120, MAG126 for Martin). The only cases in which there were multiple people involved around him were in MAG066, when he and Salesa freed Vincent Yang from the box (… and Peter was implied to have betted on Vincent having died in said box), and in MAG101, when Michael recounted that Michael Shelley and Gertrude had met with Peter to get transportation to the Great Twisting. MAG126 implied that Martin might have been the one writing Peter’s emails (since Peter ~can’t stand computers~): is that because Peter can barely interact with the world around him / is only perceptible to people who have been marked by the Lonely? Or is that part of the plan to isolate Martin further – by making everyone think that Martin is actually “Peter Lukas” and deceiving everyone?

Alternatively: Elias is not mentioning Peter on purpose, knows in excruciating detail what is happening around Peter, and, whatever is currently happening, they’re in on it together, and it really doesn’t bode well for Martin even if the New Threat is actually a thing. ;;

- Biggest plot-twist, for me, was to learn that Elias doesn’t want Jon to see him and has taken extra measures to ensure that they wouldn’t meet. Basira had already mentioned that Elias had made a deal with the police (MAG122: “A bunch of Section’d officers took him in. He made some sort of deal, I think. But… he’s not getting out anytime soon.”) and we still don’t know the details of that one, though Elias just mentioned his “cooperation” (is it just behaving without making people’s lives hell in the prison? Or is it actively helping Section 31’d officers? I’m guessing that… selective omniscient powers might be relevant to their interests?)

Elias not wanting Jon to see him leads me to wonder about two things: what is Elias waiting for – he described Jon as being in transition, so when and how is Jon supposed to reach the next stage (AND HOW CAN HE AVOID IT)? And why does Elias want to avoid being in Jon’s presence? Because Jon would punch him in the face? (Definitely, but there is a long queue :w) Because Jon would most definitely do the exact contrary of what Elias seems to be aiming for? (Nothing new in that regard :w) Orrr… because Elias thinks that Jon has reached a stage where Jon’s compulsion might work on him?

Anyway: there is something definitely funny in the way that… for both Martin and Elias, Jon is a ~*HIM*~-who-doesn’t-need-to-be-named:

(MAG126) MARTIN: […] It’s because he’s back, isn’t it. [SIGHS] He’s back, so now you’re going to be… around, again. Listening in. Mff. You missed him, didn’t you. … Yeah. … [VERY SHARP SQUEAL OF DISTORTION] Yeah, me too. […] PETER: You talked to him. MARTIN: I… I, I tried not to, I–I, I didn’t mean to… PETER: You talked to him. And that’s understandable, Martin, of course it is! Please don’t think I’m upset, it’s just… not ideal. Shows how much work we still have ahead of us. MARTIN: If I keep avoiding him, people will get suspicious. […] You said he’d probably never wake up. […] When all this is over, I’m telling him everything, with or without your permission.

(MAG127) ELIAS: […] It, it wasn’t recording, but… I assume this means he’s awake. […] BASIRA: You know he’s back. You’ve seen him. […] You figured you’d record us for him? […] Fine. So you won’t see him, but you’re happy for him to hear our conversations. ELIAS: He can listen all he wants, but he’s at a very delicate stage right now, and I… fear my presence would be a… a distraction. I’ve made it clear my cooperation’s contingent on his not seeing me, and my terms have been accepted thus far.

(Only moment Elias said Jon’s name was to diss him: “Then again: you are beset by enemies on all sides, Basira. And unless you expect Jon to record them into submission […]”. So Jon only has a name when it’s about trashing him and the fact he’s a nerd who can’t win in a fight. Elias, please.)

- By the way! The many shackle sounds gave us an indication: Elias must have the habit of using a loooot of hand gestures for emphasis, since it was clicking all the time when he was talking!

- Not the first time that Elias has acknowledged the tape recorders (MAG098: Melanie: “… Did…? Did you turn that on?” / Elias: “Hmm? Oh. You get used to it.”) or used them as a means of communication between him and Jon (he addressed Jon directly when recording in MAG092 and MAG120), but first time that he’s been directly asked about what he knows about them!

(MAG127) ELIAS: […] And as to whether he will ever hear this, maybe he’ll get the tapes. Maybe he won’t. But the recordings have helped so far, so… BASIRA: … Do you know what they are? ELIAS: What a question.

WHICH TECHNICALLY MEANS SHIT, THANK YOU E-LIE-AS. Could mean that He Knows Exactly What They Are And How They Operate; could mean that he has a vague idea; could mean that he has absolutely no idea and is bullshitting his way out of the question. Eff you, grinning man. (Sidenote: Ben’s delivery on that last line was so satisfying somehow??)

- “Sometimes I’m eating.” … Yyyyyeah but, Elias. Do you sleep? Jury’s out on the question. Relatedly: I wonder if Jon is wishing he didn’t need to sleep, but at the same time… he hasn’t mentioned sleeping since season 4 started, and we still don’t know if he’s still having The Dreams. When Basira listed off the overview of Jon’s powers, it would have been the perfect moment to try to sort out what’s up with those:

(MAG127) BASIRA: … So. You can’t be killed by a collapsing building. Major injuries scar up fast. You can force the truth out of people and knowledge pops into your head whenever you need it. ARCHIVIST: Yes. I, I think that about, that about covers it.

But Jon didn’t add anything. I have no inkling of what is going on in Jon’s head: was he actually less aware of the true nature of his dreams than we had accounted for at the end of season 3 (MAG113: “I’m not too concerned, to be honest, my dreams are, uh… Well, let’s just say I don’t think they’re going to be letting anyone else in… any time soon.”)? Was he made to forget about the content of his dreams when he woke up from his coma, in the same way that he forgot the end of the Unknowing? Is he hiding that information from Basira because he’s trying to make her trust him again, and feels like it could be a deal-breaker? (He’s making efforts to be transparent with her, though… but is he exhaustive in that transparency? He, of all people, should know that hiding things has proven to be a wrong course of action, and so far in season 4 he has been precisely sharing and trying to talk to people, though…).

I guess that we’ll need to wait for a push in order to find out what Jon knows/remembers about his dreams: whether an old statement-giver coming back, whether a new person coming to give a live statement (what will Jon do in such a situation?), whether… MAG120’s tape resurfacing, which could be soon.

(MAG126) ARCHIVIST: […] There was a tape recorder waiting for me when I sat down. They’re not even hiding it anymore. There weren’t any tapes from when I was… away – I checked. Whatever they are, they are here for me.

(MAG127) ELIAS: Er, I’ve found one of these in my cell? It, it wasn’t recording, but… I assume this means he’s awake. […] And as to whether he will ever hear this, maybe he’ll get the tapes. Maybe he won’t. But the recordings have helped so far, so…

^He’s probably referring to the time he was comatose but, technically, Jon went “away” at the end of MAG117, so that could include the tapes of MAG118 and MAG120. Both involving Elias. Elias clearly said “the tapes”, plural, in MAG127, so maybe getting that tape recorder will unlock the missing ones, which could just… reappear? No idea.

- Oh My Gods, Elias:

(MAG127) BASIRA: … So why am I here? What do you want that’s so important you needed to tell me to my face? ELIAS: I believe you’ve recently lost Melanie. BASIRA: … We saved Melanie. ELIAS: As a person, yes, but as a defender…

Melanie, from off-screen: STOP TELLING PEOPLE I’M DEAD. (That was so mean and gratuitous and savage, ELIAS???)

There is something absolutely disgusting in the way Elias managed to turn one of the only good things that have happened recently (they managed to remove the bullet from Melanie! She’s a bit more of herself again! She’s getting emotions back!) into… a loss. Was it because she was infected by The Slaughter that Elias wanted to hire her in MAG084? We know from MAG106 that the fact that she didn’t have many people around her helped:

(MAG106) MELANIE: Threaten then. I’ve got nothing. ELIAS: That’s… almost true. Your life is indeed shockingly absent of any meaningful connections. That’s actually one of the reasons I chose you for this job. [PAUSE] Your father was your last real anchor, wasn’t he? [STATIC BEGINS.]

But it was “one of the reasons” (potential others being: Melanie listing how she’s reached the end of her options in MAG084); did Elias already know about the Slaughter-infected wound?

… ;; I REALLY don’t like that Elias is ~offering his help~ for the Archives now that this part is getting better. What is the trick. How is he planning to get some power back through the option he’s ~generously~ mentioning to Basira.

(MAG127) ELIAS: As a person, yes, but as a defender… I would have thought you would want all the help you could get, or… have you forgotten what happened last time you lay your guard down? BASIRA: … We’ll work it out. ELIAS: Possibly. Then again: you are beset by enemies on all sides, Basira. And unless you expect Jon to record them into submission, it would seem you’re in rather dire need of another option. BASIRA: … And you just happen to have one. ELIAS: I might have an idea, yes. BASIRA: And what does it cost? ELIAS: Just some of your time, Basira. Just your time. BASIRA: … [SIGHS] Okay. Let’s hear it.

(Gods!!! I hate it!! I love how he’s good at what he’s doing!! Hitting where it hurts – that “last time you lay your guard down” might be about The Flesh attack? And as usual, he sounds totally rational, getting you when you’re in a weak spot, when you’d need help!! There are obvious parallels with the way Peter handled Martin in the meantime: both playing on the way Basira&Martin feel responsible for the others’ safety, both being ~logical~ and insisting that their deal is mostly in your interest…)

What is the triiiiiiiiiick, WHAT IS THAT INSISTENCE ABOUT “TIME”………..

1°) I really hope that whatever he told Basira, Basira won’t play along with his game. The tape recorder cut at this point; Jon won’t know about Elias’s offer if Basira doesn’t tell him. I really hope that she’s not planning dissimulation – Martin is already doing that and it… doesn’t sound good already. If they scatter, if they hide and keep things from each other, they can be sure that Elias will get some power back this way……………

2°) Regarding the ~cliffhanger~ of Elias having a suggestion to make regarding the Archives team’s new “Defender”, there are many options and, even amongst characters we have already met, they’re all interesting.

Daisy? Sounds the most logical, since we can assume (from a narrative standpoint) that she’s not totally dead + Elias mistakenly called Basira “detective” and called her in – she would be the one who would agree to do anything to get Daisy back. (Though… anyway, Elias couldn’t have called anyone else: Melanie would have skinned him anyway, Martin is off, and Elias doesn’t want Jon to see him.) Is the mention that Basira would only have to give “time” because she would be supposed to take her place inside of the coffin…? (Past victims seem to just disappear inside of it, though.)

Simon Fairchild? Jon said that he didn’t want to meet him a few episodes ago (MAG124: “Fairchild seems to travel far and wide for his victims, with no motivation other than… variety. I do not think I ever wish to meet him.”), would be Very Elias to just throw the old man at Jon as a result.

The Section’d officer who arrested Elias / the Legend who punched Elias? He sounded like an awful guy but HEY!!! He punched Elias. Melanie would love to hear about how it felt, and she needs some cheering up. And I wouldn’t put it past Elias to rec the guy who punched him.

JUDE PERRY? Would be amazingly awful for Jon and also worst choice ever, which is why Elias could go for that one.

Julia&Trevor, having managed to come back from the US? Look me in the eyes and tell me you wouldn’t dream of Trevor hunting in the Archives. (Okay, maybe I just want to hear Julia again because nnggg. Maybe.) (Also!! They burned down Ivy Meadows (and Melanie’s father), so if anyone should get to meet them, it’s Melanie.)

Spider-people and/or Annabelle? Can’t say for sure, but I feel like whatever the spiders are doing, they’re enjoying their lurking in the shadows for now (and given that they sent Oliver to wake up Jon, they seem to avoid direct interactions with him).

Mikaele Salesa? He had contacts with the Institute, knew Gertrude a bit, and we only know that he disappeared(status is unknown, “he hasn’t been seen for almost two years now” in MAG045, which took place in September 2016). Plus, Salesa knew Peter Lukas…

Breekon or Hope, depending on which of them survived Daisy’s wrath? I really don’t think so (if anything… the surviving one might be a threat for the Archives), but their fake accent would drive Jon CRAZY so fast, probably, and I’d be here for this.

Sadly, if Jon’s dreams from MAG120 are any indication, he’s presumably dead, but I can’t help but think about Mike Crew for the Hilarity. I mean! He wrecked Jon (a bit) and:

(MAG091) MIKE: You’re sure I can’t get you a cup of tea? ARCHIVIST: Uh, it–it’s fine, really. MIKE: Okay. You just seem a bit… jumpy, is all. […] ARCHIVIST: You… There was, there was a book? Er, two of them, at least. Er… Ex Altiora, The Boneturner’s Tale. You, uh… I think you threw a guy off a skyscraper in Paris. MIKE: Hmm. Last chance for that cup of tea. ARCHIVIST: I… [STATIC] Where did you get that scar? MIKE: [LONG SIGH AS THE SOUND OF RUSHING AIR RISES] And I was trying so hard to be polite. […] We have a lot in common, really. After all, what, what good’s the height, the terrifying draw of gravity, unless you, unless you really know the scale of what you’re facing?

He said they Vast and Beholding had “lot in common”! He makes tea!! (Wrong person, but still. He likes to make and offer tea. A spot was left… vacant, for that role.)

tl:dr BEHOLDING-STATEMENT YIIISSS, and I’m so glad and mad to have heard Elias again, already =DD

We already have MAG128’s title soooo… personal speculation would be about Breekon &/or Hope, maybe the coffin already? And/or a Buried statement? Regarding the title’s double-meaning (/if taken literally): Sounds Like A Big Lie anyway :|

#at least we got ONE jonathan with self-preservation skills?#the magnus archives #tma liveblog #mag127 #tma season 4 #tma spoilers/

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violetosprey · 6 years

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BTD2 My thoughts on Cain

I covered my thoughts long ago on all of the “Till Death Do Us Part” game characters, but I never really took the time to talk about my thoughts about the main series “Boyfriend to Death” characters. I have actually talked about many of these characters through various different posts. But otherwise, there haven’t been that many posts dedicated specifically to certain BTD characters.

These posts will mostly be about my own opinions and views (a rough analysis more than anything). I may end up focusing on multiple aspects of the character, or just one particular one if I think it defines them best (we’ll see). For those that have read some of my other posts, there likely WILL be some thoughts I’ve stated before that I’ll simply be re-iterating here. But there may also be some new stuff in here if it happens to come to mind, or because I’ve simply not had the time before to go over such a topic.

It will take a while to get through all 8, so please have some patience and just check back later if it looks like I don’t have a post up yet for a character you’re really interested in. I will also be talking through these under the assumption that you’ve played/read all the routes (so I might mention but not go into explicit detail on a scene).

*major spoilers below, and this is stupid long…like anything I write*

Fun fact: Cain is my second favorite character in the entire BTD/TDDUP series. The ONLY reason he isn’t my #1 favorite is because I have an intense love for villainous male yanderes, so Marcus just has an unfair advantage here. If Marcus did not exist though, Cain would be my favorite hands down.

In some ways, Cain is very straightforward in regards to his characters. He’s THE bad guy. If he were in another video game or story, he’d likely be the final boss to defeat. His powers are ridiculous, he’s nearly 3000 years old I think, and I think his creator has implied that he’s not a fan of working under others. He’s had to as a torturer, but hasn’t seemed to like it (though maybe it depends on the other person/character). If his character just came off as too OP to you when playing BTD2, well that’s probably because he’s not supposed to be a push-over :P And the MC of all things in the game is CERTAINLY not a character implied to be anywhere near his caliber to take him on. What’s more, Cain can be considered a bad guy for the VAST majority of his life, and he shows no regrets whatsoever as to the monster he’s become.

Another fun fact is, I actually didn’t make the connection at first upon Cain’s introduction that he’s the Cain from the story of Cain and Abel. You do get some dialogue in BTD2 from Cain about his origins there, but in the event that someone is not familiar with the importance of this background, I’ll dip in a little here. Basically, in the bible you have the first humans, Adam and Eve, and their first sons following that were Cain and Abel. I’m not incredibly familiar with the full story myself, but what happened was the brothers needed (or maybe wanted- don’t remember) to make a tribute to God. Cain was a farmer, so he presented some of his harvest as tribute. Abel was a shepherd, so he slayed some of his livestock and presented it as a sacrifice to God. Between the two gifts, God preferred Abel’s. After this, Cain then murdered Abel. The significance here would be that following this tale of early human creation, that would make this the first act of human murder. So what Cain represents is the origin of one of the most extreme acts of violence on another human being. And when you ask Cain about his feelings on the matter in BTD2, he STILL does not regret murdering his brother after all these years. Apparently the bible doesn’t fully goes in Cain’s motives (so it’s fitting that in BTD2 it’s also left to the imagination), but jealousy is a common theory.

So the Cain we know of BTD2 was punished, marked, and sent to hell I believe. While likely being punished himself, he served a torturer in hell when needed. If you checked through ElectricPuke’s tumblr, you’ll also learn that he would have been used for big events of depression or war such as the black plague and the crusades. Most of the time, Cain was kept in line by the more powerful fallen angels in hell. He’s arguably one of the strongest villains, but not THE strongest person basically (Sam who pops up in one ending was confirmed stronger, but just is held back by rules and restrictions). Recently though, he was able to escape, and he does not plan to go back.

So what’s he do now that he’s out? Repent for his sins and come to terms with his years of torture to try to be a better person and go on a long journey of enlightenment *eyes sparkle*? Pfft, nope. He goes straight to tormenting humanity (likely both small scale and large scale, depending on his mood and what he can get away with without being caught) because that’s what he enjoys the most. That’s the thing about Cain. He does show moments in the game where he’s quiet, thoughtful, and perhaps even lonely. But when you look at him as a whole, he’s just a sadist that does whatever he wants to do. He’s a VERY charming character, but it’s best not to be fooled by this man. Sweet words may just end up being his way of manipulating someone, tempting them, into doing what he wants. He does this frequently throughout the game actually, encouraging you to join tell him your sins, join him in the bath, drink his wine, or join him on the balcony. But if you go back to many of these scenes and see what they lead into (often Cain getting rough and causing harm to the MC), you realize in your attempt to reach out towards the rose…that you forgot about the thorns underneath. Maybe that’s another reason Cain likes roses :P

The complexity to Cain lies in the fact that he’s difficult to figure out…especially when you NEED to figure him out to live. Cain is very fickle, and he gets bored fairly easily. On one hand, he does whatever he wants, and he’s most pleased when he’s tormenting someone. But he does have to still be careful about where he wanders because the other fallen angels ARE looking for him to a degree. And Damien’s aware of Cain’s reappearance and is prepping for whenever Cain decides to start causing mass genocide for the heck of it. How much damage Cain has caused since he’s gotten out btw, I’m not sure. We only know that the MC isn’t his first victim since getting out since apparently he likes to text “weird pictures” to Damien. I’m gonna go out on a limb and say these “pictures”…are likely of his victims after he’s done something horrific to them. Just a guess, but I’d bet good money on that :P

Back to what I was saying though, Cain is still restricted as to where he can go and how often. Damien can’t beat him, sure, but the other angels that can beat him he’s smart enough to avoid. He has to hide away in Tartarus for…who knows how long at a time honestly. That’s not something we learn in the game or are given hints to. Soooo Cain is even MORE bored when he has to sit around his house all day. He can read books, but he’ll probably end up reading his same stuff over and over again to the point where it’s unenjoyable. So what’s he decide he wants to do? Cain wants a pet (and he is the worst pet owner in the world).

Let’s face it, pets are companions that give you something else to focus on in your day-to-day routine and help even ease away some loneliness. But he’s Cain, so a fish, bird, dog or cat isn’t going to cut it for him. Why settle for smaller creatures like those when he could grab something that he can make conversation with, indulge in sexual pleasures…and listen to them scream when he tortures them? Cain makes it VERY clear that he sees the MC as nothing but a toy to him. You may not be a dog, but you’re just Pet 2.0 at best to him. He really doesn’t seem to have a high opinion of humans either honestly. Despite having been one, Cain’s not really all the impressed with what he sees. It’s not like Rire, who Darqx has stated likes humans and prefers to torment them over demons because it’s more interesting to watch something that’s so obviously inferior to you try to fight back. Cain does also like a victim that puts up a fight, but when he says the MC is “interesting,” it’s not explicitly because they are human. Actually, I forget who put up the post, but someone figured out that if you name yourself “Ashe,” then you get a few dialogue changes suggesting MC ISN’T human in this case (it’s a reference’s to Gato’s angel character you meet at the river). Cain can also turn you into a demon or a fallen angel, so he really doesn’t care about keeping you human. So if you wanted to think up an OC to use for Cain’s route, probably any species would work as long as it’s weaker than him (which would….probably be 98% of creatures that come across him anyway).

I fully believe Cain when he says his intention is to kill you in the end. While he’s looking for something more long term than when Rire “plays” with his victims, Cain’s “pets” just wouldn’t last very long. First off, trying to please him is infuriating. If you stay silent right after he’s kidnapped you, he’s unimpressed and kills you by ripping his tongue out. He gets furious if you yell back at him and storm off the kitchen, even calling you a child. Yet he likes if you say you’re not going to roll over for him when you take a bath together, and he gets turned on when you bring a knife and try to stab him. It seems if you want to survive Cain, you have to hit JUST the right notes of feisty and entertaining, while not going too far into a defiant state that's just too obnoxious for the nearly 3000 year old fallen angel to deal with. I myself, just kept getting abandoned and killed by Sam XD I never made him happy enough on my own. It doesn’t help that he’s one of the two characters where you don’t see his heart changes until the very end either. Kudos to whoever figured out those survival endings where you end up with Cain (alive I mean).

Speaking of his age…good luck with either of you relating to each other. That’s one of the hurdles here too if you’re trying to survive. I’ve always said that Cain is more likely to hold sympathy for you than someone like the demon king Rire, because Cain used to be human. That being said, there’s not a whole lot of sympathy for him to give. Like I said, he doesn’t really seem impressed with humans. And one difficulty with relationships where there are rather large age gaps is how life experiences and events (past and current) shape one’s personality and views. Basic example is an 18 year old and a 70 year old will have VERY different life goals and obstacles at the point in time of their lives. The 70 year MIGHT be able to relate to some of the 18 year old’s troubles since they’d have already experienced them, but at the same time they could just wave off those troubles saying “oh that’s not so bad, wait until you have to worry about this.” Meanwhile, the 18 year old of course isn’t going to be able to relate to later difficulties in life that the 50 year old has faced. I know I’m getting a little weird here, and you’re probably thinking “18 and 70 year old in a relationship? That’d be a disaster.” Well now the old man is nearly 3000 years old…you think he cares that much about your college exams, mortgage payments, or taxes you have to pay? Even the MC’s emotional trauma might just seem petty or insignificant to him. And if he picked up say…a 25 year old. You think the 25 year old version of him would have anything in common with a modern day 25 year old? Probably not.

And that’s another thing I like about Cain’s path. Your survival is based on two things: a) Either someone else comes and saves you after you’ve avoided danger long enough or b) your personality and Cain’s end up meshing. If Cain doesn’t care that you’re human, and he doesn’t sympathize or relate to you, you have to hope that you’re the kind of person that’s entertaining and pleasant enough for him. It also might help if the MC is a little masochistic (makes for a better slave) or has some dark thoughts (think of the painting in the one ending). There’s also two different ways this happens. If you get the ending where he turns you into a demon, Puke described that as him making you one of his minions. Whereas the ending where you turns you into a fallen angel, you’re more his equal. So demon ending I see as you are JUST obedient enough to not be boring or obnoxious, but it’s still like he’s just grown attached more to his “pet” to me. Like, he’s kicked you around and harassed you a bit, but when you betray Damien and stay with him on your own he’s like, “Awww that’s adorable. How can I say no to that face?” He’d probably still torture you a bit and keep you in a submissive role (but more playfulness there I suppose?). Is it weird that I could also imagine quiet moments where he’s petting the MC’s head on his lap while he reads a book? Fallen angel ending he’d probably have more respect for you and even treat you as a proper lover, rather than a sex toy.

Going way back to when I said I fully believed Cain when he said he intended to kill you from the start, I think it’s because he doesn’t really expect to end up making everyone he captures a minion or fallen angel (fallen angel probably even less). And let’s say he DOES like a person for quite a while, but never enough to turn them into a minion or fallen angel. He’s probably still eventually going to kill you because he’ll get bored of the same old thing and hasn’t gotten attached to you (this is probably more likely), or because you’re just getting too old to be durable for his torture. Yeah do you think he’d keep someone around when they’re elderly? He’d probably “pet his pet down” much sooner than that. I think he changes someone he REALLY likes into a minion or fallen angel so that they not only become more durable (if he keeps up his sadistic acts) but so they can live longer with him. Humans can barely live to 100. Cain’s so fickle though that my head canon is if he doesn’t grow attached to you after a week of torment, then he just kills you. I don’t think he has the patience to let someone prove themselves to him over a few years. That’s just my opinion though.

I’d have to replay ALL his routes again. Strangely enough despite him saying that he likes a little fight in the MC, it feels like there are more moments where he likes your compliance more. Weird, but I’d have to check into that. Still, with Cain it’s hard to tell whether that compliance just ends up making you too “yes-man” for Cain to really enjoy, or which moments you pick to be feisty won’t end up with you getting your tongue ripped out.

Overall, I think Cain is one of the more interesting characters in the series due to his backstory, charm, consistently evil persona, and survival difficulty. He’s one of the reasons I consider BTD2 more fleshed out than BTD. I know it’s not fair to compare the two games like that since BTD was made very quickly in good humor, but a lot of the characters in BTD2 have a little more to them going on that we get to see in the BTD guys (Strade, Rire, and Akira just doesn’t have as much screentime…I think). And out of the 4 in BTD2, Cain is definitely the most straightforward evil. Nothing really sympathetic about him. I may have said it’s possible that he gets lonely, but “being lonely” doesn’t mean you’re automatically a good person that people should feel bad for right away. Cain has not shown any remorse for what he’s done, and even in the survival endings where you end up with him, he doesn’t imply he’s going to stop being the villain in anyway.

#own post #I am SO sorry this is so long #Apparently I have not let myself talk about Cain enough...#btd2 #cain zeitgeist #electricpuke #horror game #btd

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zee-cupcakes-personal-blog · 6 years

Text

Cupcake Writes: Making Good Super Humans

((Particularly for BNHA, but other places are included))

Ooh Boy. Thiiiis is going to get involved.

After unveiling the Refrain Saga and my BNHA oc Curse- several people have come to me for some advice regarding how to develop powers and backstories for their super-powered ocs... And I am incredibly flattered; first of all- but also a little scared to offer my advice because it all boils down to a lot... And a lot of thinking. Moreover; although I know a good deal about the Marvel and DC comic multi-verse this is primarily written from the perspective of someone wanting to make a Boku No Hero Academia or My hero Academia OC.

Let me start off by saying; I have a few routines.

Routine A: The Character Arc route

1. Make a person (humanity not necessary)

2. Make a super power

3. How does #2 affect #1, and vice-versa?

4. You got a super human

5. Now break them-- But break them good.

Routine B: Ooh Cool, A Motif

1. Stereotypes?

2. Okay, but how can I make this different?

3. BADASS F*CKIN’ POWERS (or not. That’s cool too.)

4. Re-balancing more often than a narcoleptic ballerina.

5. Has super human???

6. What is character growth?????

As you can see both routes handle going about things in slightly different manners. Routine A is typically the route I make when I want to make a long-lasting and changing character-- I give them character arcs. Routine B; although can be applied to long lasting character as well, is geared further to making a fun character. In fact, Routine B I used to make my OC’s rival and people seem to like him even better than my Hero OC just because of his skill set and animosity. That being said; it’s time to take things from the top.

Routine A: The Character Arc Route

1. Make A Person--

Super humans are humans first and foremost. They have personalities, interests, hobbies, shortcomings, highlights, varying senses of humor... But even more than that they came from somewhere. What is their social-standing like? Where did they grow up? If they’re in the process of growing up how mature are they? What sort of clothes do they wear? How well do they care for themselves, others? Any lasting medical conditions to be noted (do your research on this)? What events in their life-time have shaped their personalities, goals or motivations? DO they have goals, motivations or personalities (if not this could be a thing they strive to achieve)? The list of questions goes on and on- and making sure these answers do not contradict each other is key to developing the base of a personality.

Non-human characters will have these questions- but they can also have VARYING questions. In Super-Man’s case you need to answer where he came from, why he’s there, what was life like growing up in Kansas being different from everyone else? In a case like Thor’s where he was an adult when he fell to Midgard questions about how he approaches social norms arise (remember the coffee mug scene?).

Having any background information on the world itself will help. If you’re making a character based from established canon (DC, Marvel, My Hero Academia) it’ll help for you to be VERY familiar with the background and lore. If you’re making a new universe it’s good to focus a bit on your world while you’re making this character.

2. Make A Super Power--

Next is the point of this entire post. I’m guessing if you’ve gone down this route you already have some sort of power in mind- but this is really where you get to make it your own. I’d like to stress to get familiar with whatever your source material is; because powers have different implications in different canon.

In DC powers are rare and only are possessed by a few handful of people or beings at a time and there’s no clear set of rules that they follow- in certain cases powers have weaknesses in others they don’t and in many cases we have non-powered humans able to stand toe-to-toe with literal gods and goddesses (Justice League)...

In Marvel: Super-powers are often a hereditary thing and it’s a pretty good chance that these powers could lead to your character being oppressed (as a mutant).

But in Boku No Hero or My Hero Academia super-powers are normal, and bordernline a rite of passage. Powers are often extensions of a personality in some way, and are considered as a sort of auxiliary muscle- most powers in turn have their limits and it’s up to super-heroes to discover how to use theirs most effectively.

Soooo... Consider the important questions for your canon. How does the world in general react to super-powers? Their super-power in particular? Are there any limits to their powers? Do they even HAVE super powers, or are they just really really good at one thing? Do these powers have effects on this character’s personal appearance? How long have they had these powers?... But most importantly; what are the potential draw-backs of using said powers?

At this point I’d really like to give props to Hero Aca because I’ve never seen collateral damage taken into such consideration as they have- and most every quirk (or power) has a draw- back. For instance- the main villain has the ability to dissolve anything he touches with all five of his fingers.... The drawback being that he dissolves things he touches with all five of his fingers-- this has been hinted at to be a huge part of his backstory and we know it likely affects his day-to-day life.... So get creative!

3. How does #2 effect #1 and vice-versa?

At this point you have your two main components-- now comes the hard part. Putting them together. It’s at this point you may want to adjust, change, or even ditch parts of the personality/power portion to make a character more balanced and get into detail into other parts.

A big theory of mine regarding the afformentioned Main Bad from Hero Aca is that he can destroy carbon-atoms, carbon-bonds, and anything connected to them with all five of his fingers. Since carbon is in most things now-a-days it would certainly give off the impression he can dissolve everything with just a touch-- but he’d be unable to dissolve a block of solid aluminium.

Though normally a soft-spoken and mild-mannered man, Bruce Banner’s ability to “Hulk Out” leaves him emotionally compromised and constantly seeking out ways to remain calm and not angry since “Hulking Out” is triggered by his now nuclear-mutated rage.

Bruce Wayne likely has a lot of personal expense explaining to do when it comes to the sheer amount of money it must take to develop all of Batman’s gadgets come tax season.... This isn’t even a joke. How the heck does he do that???

4. You have a Super Human--

Have fun! Go nuts!

It’s normally at this point I start rping and fleshing them out. The truth of the matter is putting your character into practice is the best way to develop them, and you can’t have everything prepared. Maybe there are some questions to be answered more clearly? Maybe change an aspect of the character because you don’t like where it’s going?

5. Now Break Them-- But Break Them Good--

Now we get to the part you will take the longest to work on, by far. Establishing character arcs. You’ve changed a lot in the many years you’ve been around. Probably been through phases maybe a few phases stuck... Your character is no different. As I said before; your super human is a human being. They will change over time and react to the world around them.

Character arcs often have four main plots- Man vs. Man, Man vs. Society, Man vs Nature, and Man vs. Himself.

Man vs Man is the simplest in it’s origin. It’s a character vs another character(s). A protagonist vs an antagonist (but not necessarily a villain). See Batman vs. Joker in the Dark Knight.

Man vs Society is often used to exhibit the protagonist challenging a societal norm. It’s more symbolic than literal-- if you thought it was about a man fighting society all Agent Smith vs. Neo style- See Man vs. Man.

Man vs. Nature tends to be reserved for survival stories... Which I feel wouldn’t have a place on this list if it wasn’t for the sheer amount of superheroes having survival stories written into their background.

Finally we have Man vs. Himself-- the introspective one. This is the method by which a character is actively fighting to overcome what they perceive as a flaw within themselves.

Character arcs are often set up by the goals or motivations of a person. Whether it be working to deck someone in the face, checking into rehab and staying there because of a drug-problem, or really really REALLY needing to light a fire and get off this island; a character is greatly affected by their character arc.

THE THING ABOUT CHARACTER ARCS-- is that your character can fail them. They can fail their goals and have to re-adjust. They will probably need external help... Success or fail; character arcs establish timelines in a character’s canon. Are you Pre-Avengers Tony Stark, or post? Are you Robin or the Red Hood? The choice is yours-- but never throw something at your character they can’t overcome unless they’re not supposed to. If they can’t- they’ll change.

Routine B: OH HEY A MOTIF

1. Stereotypes?--

Ah yes. Stereotypes and tropes.... The world of literary wonders has left us a whole slew of archetypes and cliches for us to pick from. Whether it be a simple trope such as “the boy/girl next door”, or the “Cheerleader”.... Or a more complex one such as the “Crouching moron; Hidden Badass” there are a slew of archetypes to chose from. You don’t even have to stop at TROPES.

The persona series consistently make characters with personalities based off of what the Major Tarot Arcana represent! Rpgs often have a stock selection of characters such as; “The Knight”, “The Prince or Princess”, “The Evil Sorcerer”... What-have you. Even character classes such as “The rogue” “The Bard” and “The Paladin” are all tropes to monkey with... Pick a trope or two you enjoy and see what combinations you can make.

Tropes, cliches, and stereotypes are not all that original, but certain combinations may be- but they are a good starting point to help establish a good sense of how your character should feel! This is when you ask...

2. Okay, But How Can I Make This Different? (Obhcimtd)--

As mentioned above; tropes, cliches, and stereotypes are not all that original. People are more than just tropes and your characters should be more than that as well. The only people you could possibly describe by tropes would be people you don’t KNOW yet-- and you’re the writer. You should know your character.

Look at various ways to subvert or expand from where the tropes first brought you. For instance; Wolverine is someone I would say qualifies as the Papa Wolf trope... But why he qualifies for that is based both from his motivation and his backstory- literally being old as dirt he has a tendency to gravitate to a leadership role and takes on the responsibility of being in charge because generally he can just regenerate.... He’s... Also an emotional mess because of it.... Sooooo yeah. He’s not just adopting teenagers left and right- and there are REASONS why that trope applies to him- but doesn’t define him. He’s still the angry short stack of beef we all know and love.

3. BADASS F*CKIN’ POWERS--

The same rules from Routine A apply here. Powers have consequences, collateral, limits and draw-backs-- only in routine b I allow myself a little more lee-way to find something that is more cool than something that’s strictly effective for story-telling. It’s easier in a routine like this to give someone a power too great or with no real weaknesses; so watch out for that.

4. Rebalancing more often than a narcoleptic ballerina--

After I’ve had my fun giving near god-like powers to my OC I think of the practicalities more realistically. I do this multiple times and often seek outside help or references from other forms of media with similar powers. This often comes out to having a (still) really cool power, but maybe not one that’d just trump every other character’s power first.

5. Has Super Human???--

Yup. Potentially. This is the shakey- “Your character is ready, but not done yet” stage where you put their personality, and powers on display to practice and solidify. Just like a cake; If poking holes into your character causes the tooth-pick to come out wet then leave them in the oven for an extra few character speculations.

6. What is character growth?????--

As I keep pressing again and again; your character is a human... And they- whether they like it or not- will be subject to change over time. Events may cause them to change in personal beliefs. Perhaps even different scenarios entirely would have them acting VERY different from where they were. That My friend is the power of AU’s.

And now for the Final step to both Routes

ASK PEOPLE ABOUT YOUR CHARACTERS.

Assuming this is for RP purposes you don’t have to wait until everything is done before you can ask for feedback. In fact; I find that asking outside sources about character abilities or personalities is a good way to keep me humble. Getting caught up in making characters with cool powers can make anyone over-look some really glaring flaws they may have... Or on the reverse; someone could have given their characters too many flaws and made a misery porn backstory.

At any rate- these people you rp with will interact with your character through you and will have different opinions or ideas possibly for how your character is changing/doing-- not saying you should follow all advice they throw at you (an annoying character is meant to be annoying, don’t let anyone convince you otherwise); but it’s a good basis to go off of from the start and further propel your character into greatness!

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