#i need to go more into the theory side of things

[hellotailor]

Apologies if you've already done a post on this and I've just missed it, but can I ask for your take on the pyjamas worn by the cast of interview with vampire? I mean technically they're not a 100% necessary item, but just from a quick look there seems to be a lot of variety and they do change over the series

ok, i’m delighted by the specificity of this question, and it turns out that i have a VERY extensive answer.

there’s a lot of sleepwear in IWTV due to the volume of bedroom/coffin scenes, and like any other outfit, these costumes are shaped by characterization and historical period. for instance claudia initially wears a long, modest, frilly nightgown - an old-fashioned style that plays into her girlish doll wardrobe purchased by louis and lestat. however her sleepwear matures over the years, including a trendy lace nightdress with bloomers in the 1920s (note the rectangular silhouette), and a pink padded jacket/pastel robe outfit in 1940s paris. she's following contemporary trends while charting a visible trajectory from child to adult.

when i wrote about the Théâtre des Vampires coven costumes, i noted that while their wardrobes share certain themes (ie. monochrome patterns and stripes), they each have specific personal tastes. that holds true for sleepwear. in the S2 finale we see the coven going to bed in their coffins, with Eglee in a gorgeous (maybe 1940s?) robe, Celeste in a striped pajama suit reflecting her 1920s-30s cabaret style, and Armand in a plain grey set of prison jammies because he's Suffering.

of course, the star pajama outfits all belong to Louis and Lestat, playing into their wealthy domestic aesthetic in S1. they receive multiple bedroom/coffin scenes, and Lestat's gold Leyendecker robe is obviously iconic.

touching on the historical side of things for a moment, pajamas (as in a matching buttondown top and loose pants) were popularized in the western world in the 19th century, as a repurposed south asian import - kind of like how banyans became trendy among the upper classes in 18th century england. this was when loungewear started to catch on as a concept, both in terms of dressing gowns and smoking jackets (which you could wear while socializing at home) and actual pajamas, which became unisex in the 1920s.

back in his human life in the 18th century, Lestat probably slept naked or wore a shapeless white nightgown (and possibly a nightcap, the sexiest of garments). but in New Orleans he adopts Louis' lifestyle, which involves a luxurious wardrobe of fashionable menswear. they're both into shopping and looking good, and i think they enjoy the ritual of getting dressed together each night.

(i also have a personal theory that Lestat may prefer to sleep fully clothed because his formative traumatic memory involves waking up naked in the dark. after all, he doesn't need pajamas to stay warm, and he doesn't have a recent habit of wearing them in his human life like Louis does. then again, maybe he just enjoys having a new outfit for every occasion!)

in Dubai, we only get one scene (iirc) with Louis and Armand in their pajamas, lying in bed wearing outfits that tie into the striped prison bar imagery of their bedroom. Armand is in warmer brown tones (like his Paris wardrobe) while Louis is in black and grey, like the rest of his Dubai outfits. i'd also note that this is the one place where they're genuine in private, meaning that they aren't putting on a show for Daniel. so this is potentially Armand's most relaxed costume in the present day.

the fact that they're wearing this kind of old-school sleepwear feels very appropriate for their whole deal, imo. in the 21st century, a lot of people just sleep in boxers and t-shirts or whatever. there's a slightly 20th century vibe to wearing a full set of buttondown pajamas, and Armand's outfit reads as more stylish (and possibly more wealthy) than your average millennial guy. which makes sense! they're old men.

i think we can assume that every single thing in their Dubai home is ferociously expensive, even when it doesn't need to be. considering the way Louis gives himself a modern makeover in the finale, i do wonder if he'll switch over to sleeping in t-shirts etc next season, or if he'll stick with variations of the same sleepwear he wore during his mortal life.

p.s. all of my iwtv design posts are available on this tag!

[plutonium-sky]

AIGHT HERE WE GO.

So! About the revelation I mentioned with WL and Eden statues- I’m going to give some context first. Me and @halcyon-xxy-art were discussing some Sky DND stuff, and then had an interesting idea- what if there was light corruption, alongside dark corruption?

We immediately establish dark corruption as the crystalized bodies, with the soul (light) trapped inside. The thing is, we wanted to make it so that there wasn’t any weakening of their light- it’s just that there is more darkness. After that got put out, we started thinking about what light corruption would look like, and Aria basically perfectly described a Winged Light. That’s when I had my revelation. What if Winged Lights are sky kids who got light overflow?

I’ll elaborate on that in a bit when I establish another fact we put out right after. Skykid DO have darkness inside them. It’s just hidden in a way no one would expect- it’s right in front of us. A skykid’s darkness would be their physical Body. And, if we go by that logic, their light would be everything else that the body holds- their light and Soul.

And then we added more to the corruption parts. Darkness corruption would work that the soul is trapped inside the body- and cannot return to Megabird (it would slowly weaken inside, losing its power bit by bit as the overbearing darkness drains it.) Light corruption was easy to figure out from there as well. The soul doesn’t have a body to guide it back to the cycle (it had burnt it away, and now the soul is horribly exposed, frozen in time, until a new, temporary vessel guides it back to freedom.)

The skykid’s body needs to walk alongside a delicate balance of light and dark, lest things go to SHIT for them. Too much light will result in being corrupted and overloaded by it, and the body will burn and flake away and the soul be frozen in time and space without the body to guide it back to the cycle. Too much darkness will slow them down, overtake them, eventually turning the skykid into an immovable statue, the soul covered on all sides, and it’s now trapped in a cage of its own making.

Also, absorbing WL (the lost souls of someone else) benefits us instead of harming us because all the overloaded light is still being taken by the other’s soul, not yours. Of course, a little still leaks through- and that’s why it makes flying easier. It’s a sort of…. symbiotic relationship, where the sky kid gives the soul a temporary vessel for it to rest in, while the soul helps the vessel, benefitting it as safely as it can. It takes more WL the longer you have to fly for safety concerns- if they keep on sharing the same amount of energy, the light corruption will happen once more, to a new victim, and now there will be two souls trapped beside each other.

Also, the body and soul theory is further supported by sky kids extinguishing. NORMALLY, we don’t grow crystals. By normally I mean stuff like rain and non-shard crabs. That would be a “normal” death- we aren’t corrupted, the soul and body are still in balance. There’s the pity WL too- you can still be saved. For lore reasons, I’m going to partially ignore the fact that you would still get a pity WL if you lost all of yours to a krill, shard, or shard crabs, because let’s be honest- it’s just ingame things. And, if my memory serves my right (I can’t play sky at the moment to check properly), you would grow crystals for all of those deaths- corrupted by darkness.

There’s then Eden. We run around, giving WL to the lost to darkness bodies of sky kids- or perhaps spirits. Honestly, it doesn’t matter. But, what matters is that somehow, this works in freeing them. My theory for how is that the light corrupted and overloaded soul helps balance out the dark corrupted body, sharing its light with the trapped soul inside. By the point we find the eden bodies, though, the souls are so weakened that they’re barely there- my explanation as to why we don’t see double the winged lights in orbit. They need time to recover.

The last nail in the coffin for this theory, to me, is the cutscene in eden that happens when we finally lose all of our winged light and become a statue ourselves. Where we fall in darkness, as a dark figure, then land. The light and dark of our being in a limbo meet. The light (soul) is sitting there, unmoving, trapped. Meanwhile, us, as the darkness (body) moves, going back to the light, to guide them back. This supports my “the light and soul cannot be guided without the darkness of their body” talk- because it IS the body guiding the soul here. It frees us.

TLDR? Skykids aren’t only light- they are also darkness. The light is their soul and the dark is their body. Without a body, lost because of various reasons (the one I gave is being overloaded/corrupted by light), the soul is trapped and we see this ingame as Winged Light. This creates a delicate balance where there can’t be too much light or too much dark in the soul and body. When you are corrupted by darkness, the soul gets trapped but it is still there. A normal death for a sky kid is when no crystals grow on their body. Eden statues are helped with WL because the overloaded darkness and the overloaded light balance each other out.

Thanks for coming to my Ted Talk, hope it lived up to your expectations.

[dootznbootz]

As someone who is also really uncomfortable with the Zeus/Odysseus art trend, I completely understand where your coming from!

People’s treatment of Odysseus’s assaults in general makes me really upset. Just the other day I saw a comment on a post saying that “Odysseus wasn’t loyal to his wife yet expects her to be loyal to him” and not once in the replies did I see someone mention that he was literally assaulted. It’s absolutely gross and makes me hesitant to go deeper into the fandom.

I remember being so frustrated when the snippets of “There are Other Ways” came out because so many people were making Hamilton jokes and talking about how he always talks about his wife yet cheated. When in the song it was so clear he was being coerced which is yknow, not a form of consent. I couldn’t even listen to it because it made me so uncomfortable, and even now with the full version out the fandoms reaction to it overall have soured me to it. Which sucks, because I do think it’s a great song.

Also I don’t even think Epic completely erases Calypso’s assault? At least, I think it’s left ambiguous enough during the time jump that people can come to their own conclusions. Specifically when Calypso says “Soon into bed we’ll climb and spend our time” just really gives me the impression that something else happened.

I suppose in the snippets we’ve seen of “I’m Not Sorry For Loving You” it seems like Odysseus and Calypso are on slightly friendlier terms, but I don’t think that negates the fact she could’ve assaulted him. And I’ve always took that song as pretty manipulative on Calypso’s side, with Odysseus more so trying to placate her. But that’s going into theory territory.

And even if he isn’t SA’d in Epic it’s pretty clear he doesn’t want to be there!! Same with Homer’s Odyssey. It’s so infuriating to see the cheating narrative be so widely spread when that is just not what happened.

Anyway’s sorry for the long rant, but I wanted to say that it’s nice to see you take Odysseus’s SA seriously. It’s not something the fandom does enough.

It's okay for the long rant. Sorry I took a bit to get to it but I wanted some "soft chatters" for a bit before I tackled this one :)

"Just the other day I saw a comment on a post saying that “Odysseus wasn’t loyal to his wife yet expects her to be loyal to him” and not once in the replies did I see someone mention that he was literally assaulted. It’s absolutely gross and makes me hesitant to go deeper into the fandom."

I completely understand you with this stuff. ;~; I used to go through Odyssey tags often as I LOVE possibly finding new people to follow and fun things but too many times I would see shit that pissed me off. ;~; I've honestly kind of just stuck to my mutuals that I trust tbh. And honestly, there's soooo much shit of people just straight up not understanding the context/culture/meaning/etc. of the Epics and just taking it at face value and not understanding the meanings. :/ I'm no expert, but I also have analyzed and researched quite a bit on my own to try and get the full picture. I think in order to truly enjoy the Odyssey, you need to just... really soak shit in, you know?

When Calypso, that lovely goddess,  tried                           to keep me with her in her hollow cave, longing for me to become her husband,                                  or when, in the same way, the cunning witch Aeaean Circe held me in her home filled with a keen desire I’d marry her, they never won the heart here in my chest.

(Book 9, Johnston)

Odysseus tells this to the Phaecians. They are strangers that he will likely never see again and who are isolationists. Therefore his story that he told probably won't be "spread" to others so he can probably say whatever. So he doesn't have to worry about "Penelope hearing a different story than the one he told to her" if people wanna argue about how "Oh well, he didn't tell Penelope about the 'affairs'"(He tells her everything as well btw.)

He could literally say "Oh yeah, I had the time of my life!" but he doesn't because that's not true. Odysseus has no listed concubines, I just literally don't see him as the type of guy who's really into that.

And while yes, he would be devastated if she didn't "stay loyal", he does sound like he'd be understanding. He asks his mother in the Underworld if Penelope had gotten remarried to "the finest of Achaeans". And we all know of Odysseus' words of "when Telemachus has a beard, feel free to remarry". Even when first "rejected" by Penelope in that she didn't hug him when he sat across from her, he was incredibly hurt but asked for a separate bed. He literally could have had it where Penelope takes a different bed and he takes their luxurious/fancy one because he has the rest of the household on his side.

But he DOESN'T!

Because he adores her for fuck's sake!

Funny enough? I have the weird reaction of like, weirdly searching out "Good" animatics as it was a weird reassurance of "yes, people see that it's wrong." as while holy fuck. so many stupid, awful jokes about "Say No to This" in the comments (I have learned to just stay the fuck away from youtube comments on Odysseus shit. :') ) but like, seeing and HEARING how yes, this was fucked, was weirdly really nice for me. yeah, it took a lot of digging but there's a few "There Are Other Ways" that I love. Literally, both are unfinished wips and they're still my favorites. If you can, please give these two a watch and some love for the creator.

This was back before we heard the full song and it's still very good. How he's on guard until she "magics" him and the colors change. After that he kind of moves like a "puppet" but he's still resisting as best he can.

This one is literally still sketches but it's my absolute favorite. Oh my word. The body language, PENELOPE FLASHBACKS!!! Showing cute bits of Penelope's character and how awful this is for him. (Penelope is so cute. She puffs up her cheeks to make him laugh!) How he really is scared that he'll have to go through with this in order to save his friends until all his past trauma floods back and he just can't. It's lovely.

And yeah Idk how to feel about "I'm Not Sorry For Loving You" :/ I don't know how it'll be yet, maybe there's something in another song that shows Odysseus' real feelings or whatever.

And with just the whole cheating thing, yeah, it's really upsetting to call what is blatant assault "cheating". As wild as it sounds, Odysseus' story has been more relatable for me than any other stories like this, even modern ones. I've spoken a bit about it before but yeh, victim blaming at its finest. I find him and his story and his love for Penelope slkdfj very relatable. It's honestly really nice to write about in a sense..

(I'm pasting this from an old post of mine but yeh)

I have never had a story that felt like how it actually FEELS. The "aftermath" and "regaining life". It's hopeful and feels really good. It's been years since "everything" but it just felt nice to see "Everybody has the chance to get better." Even Nestor, Helen, and Menelaus, while still dealing with their traumas, are doing a lot better now. And after literal hell, Odysseus got to be with his family and loved ones again. He can start living again. It's why I'm just...idk passionate about this? I'm not a murderer or a war veteran but I see myself in him. Hopefully, y'all see me as nicer though!😂(plus, let's be honest, the Odyssey is romantic af and OdyPen is right up my alley as well >:D )

I really hate the whole "he's a guy so therefore ____" whether it's used as a "Boys will be boys. they can't help themselves" usually aimed at female victims or a "Men always want sex. they cannot be victims.". It's fucked up and used against ALL of us. :( Doesn't matter if it was history. People, no matter the era, should never be put through "Are you Victim™ enough?". He is one.

Idk the Odyssey means a lot to me. I hope it's okay I take some liberties with my fanfics as it's nice healing through him :D I AM kind of using my own experiences and ideas and it feels nice. I don't think Homer necessarily meant for this but eh, anything that helps is good :D He's a war criminal that I relate to.

[qwimblenorrisstan]

Surprise Pt. 5 | Soap x Reader

Summary: The boys learn that they don’t know you as well as they thought they did, while you find some newfound ‘friends’ in an American and his unofficial boss in Urzikstan.

Word Count: ~ 4.6k

Warnings: Descriptions of death, knives, blood, guns, explosions, debris, gas, torture, kidnapping, shooting, choking, heavy topics, biting, it’s a lot yall

A/N: umm sorry ive been gone for a week here’s some food!! *runs away* this is a big switchup though from mainly 141 to Alex, Farah, and a few more pieces of reader’s backstory so lmk any thoughts or theories (yk I love them) hope you enjoy<3 (side quest: find how many characters you can recognize from cod!)

Requests are open!

Previous | Masterlist | Next

The first thing Captain John Price registered when he walked into the room, the rest of his Task Force following closely behind, was that they were in some deep shit. They’d just gotten back from a mission. The one they’d been called into during the volleyball game. It had been low stakes, but instead of going back to the apartment, they’d been told to get back to base as soon as possible.

Laswell was pacing back and forth, fidgeting, two things she never did unless everything was falling apart at the seams. The last time he’d seen her so worked up had been years ago. When she caught sight of him, there was no sigh of relief or relaxation, she breathed out four words.

”They got her, John.”

He tried not to let the tension in his body show, tried not to look just how internally panicked he was right now. Simon stiffened, hands balling into fists. Price knew it was a conscious effort to not lash out immediately.

”What.”

Ghosh ground out, eyes narrowed. Soap tried putting a hand on his shoulder, a hand that Simon only shoved off immediately. Laswell just shook her head, looking to be in shock as she only sat down at one of the chairs in the dimly lit room, pulling documents out from a drawer under the long table.

Price was the first to sit, followed by Gaz, then Soap, and finally, Simon who refused to relax, his leg bouncing impatiently under the table, hands on his knees.

Laswell opened one of the files, sliding it around to where they could see it. Lo and behold, it was a picture of you from a few years back, maybe when you’d been 14 or 15. You shouldn’t have been able to get in that early, it shouldn’t have even been possible. You wore a uniform, the file listing you by your first and last name, your callsign in the center. There was no official position or branch like there should’ve been.

“Wasp.”

Price stared at it for a few moments, reading whatever he could glean over in the file before glancing up at Laswell, who in turn pulled another file out. This one looked newer, the corners were not bent or warped yet. When she opened it, there was no picture on file. This time, it stated “Marines” as your branch. Your last name was listed as “Woods” instead of Riley.

To keep Simon from finding you on the database, most likely. Or someone else.

And the thing that caught his attention the most?

The “Captain” title right next to your first name.

”That’s nae possible.”

Soap said, jaw clenched as he glanced at Simon, the man refusing to meet his eye, glaring down at the files.

”It is,”

Laswell said, breathing out a shaky breath. Trying to calm herself, Price knew.

”They found her in a camp at 12, Frank Woods took her in, pulled some strings, and enrolled her early off record. He kept her mostly off base in a safe house until she turned 18.”

Gaz’s gaze was on Laswell now, narrowed, pinned on her. Interrogation was his specialty, after all.

”A camp?”

A nod.

”Essentially a POW camp, her relations to Ghost meant she was a valuable asset to bargain.”

Price didn’t need to glance over at Ghost to see the way he’d nearly stopped breathing, the shock being a common aspect among the group. Gaz let out a deep breath, hand going to hold the brim of his cap, his gloved finger running along the seam.

”Then how the bloody hell is she in high school?”

Simon asked, trying to reason with how this could’ve happened, how you could’ve lied to them, to him, for so long about everything and he’d never even caught on. It hadn’t been a volleyball camp keeping you from attending his mum’s funeral, it had been a POW camp, one you had been in because of him in the first place.

Simon asked, trying to reason with how this could’ve happened, how you could’ve lied to them, to him, for so long about everything and he’d never even caught on. It hadn’t been a volleyball camp keeping you from attending his mum’s funeral, it had been a POW camp, one you had been in because of him in the first place. And the new, somewhat stable foster home you’d been in? A safe house provided by your new foster parent, Frank Woods, an American Sergeant that Simon had heard whispers of.

He’d allegedly been a force to reckon with during the Korean and Vietnam wars, retired now and pushing 60 probably, but no less legendary by military standards.

”She’s 23, Lieutenant. It was a cover mission.”

Another surprise.

Another lie.

“Steamin’ Jesus…”

Soap muttered, the gleam in his eye dimming from what was most likely concern.

”It was an undercover mission, but with her gone, I don’t know how we’ll handle Nova…”

Laswell muttered to herself, catching herself just in time to shut her mouth then and there, probably realizing she’d already said too much, when Price stood up, staring her down.

”Nova? The hell is that?”

He asked sternly, and Laswell gathered the files in her hands, putting them neatly back into stacks, falling back into the controlled woman he usually saw her as.

”That’s classified, John.”

“Considering we’re closely involved with her, I don’t think it is, Kate.”

He saw the slight whiplash it gave her to call her by her first name, which made sense considering it was always Laswell. Her face grew stern, despite the worried frown lines already carving into her face.

”Don’t. We’ll get her back.”

The rest of the boys watched as she walked out of the room, Gaz muttering something sarcastic under his breath, Price pacing, Soap cursing not so quietly under his breath in his full unbridled accent, and Ghost sitting deathly still.

”I’ll talk to Briggs.”

Price said firmly, words stiff as he walked out of the room.

A moment of silence between the remaining three in the room.

Soap was the first to speak.

“Fuck!”

~

The sweet and irony smell of blood filled your nose as you shakily tried to move, limbs trembling for some reason.

Blinking to try and clear the blurriness in them, you opened your eyes, only to begin rapidly blinking as something small and grainy lifted from a sudden draft and blew into your eyes.

Sand.

You hated sand. The way it shifted under your feet, how it got under all your clothing and in your mouth, under your nails, and in your shoes. The grainy, grinding texture of it against your skin when you had a high-stakes mission and had to lie in it, waiting for the perfect shot.

But sand of this texture was in a handful of places, so at least you could narrow your location down a bit. Getting up and looking around would also help.

You were in a small room, from the looks of it, leaning against a wooden beam that dug at the clothing on your back with jagged edges. Textured, colorfully patterned quilts and blankets hung around, and shifting your head to turn right despite how it throbbed, you saw a corkboard filled with pins and images of people, locations, and notes. A few of the faces were recognizable, not in a good way though. Recognizable in the sense that you had seen those faces before you thought you’d killed them.

The sandy floor beneath you had wood underneath, by the feel of it. Your palms pushed against the floor, trying to get the leverage to stand up, only for you to slump against the wood again.

You needed to get up.

This time using your good leg to push against the floor, as well as your palms, you got almost halfway up the beam, nearly standing, when the sand made your foot slide back out and you fell onto the floor again.

A small, breathy chuckle from the other side of the room had you immediately turning your head, the quick movement making it spin slightly, even as you heard the sound of metal moving against the floor as well as only one footstep every few seconds.

“I don’t like the sand either. Hard on my leg, or what’s left of it, anyways.”

The American from earlier came in, maybe Alex? You’d been so disoriented when he’d told you that you could hardly remember. Fragments of foggy bits came to light, but nothing more than that.

His hair was a sandy color, dirty blonde almost, with a mustache and hair that was sticking almost straight up but short enough to not look ridiculous. His one leg was perfectly normal, but on the other, there was a curved piece of metal to replace the lower half of it where a nub was all that was left.

He offered you a hand, one you hesitated before taking. An American soldier wasn’t a threat, or at least shouldn’t be. He pulled you up as you stumbled to your feet.

“Where are we?”

Your raspy voice asked, throat dry. You tried to clear it to no avail. He grabbed a canteen from a table a few feet away, near the corkboard, and handed it to you with the lid already popped off.

“Zaravan City, Urzikstan. We’re not close to much anything, though, this is one of our safe houses.”

He spoke while you chugged the water, it flowing down your throat mercifully and filling your empty stomach, only serving to remind you that you were also starving. Food could wait, though. When you handed the nearly empty canteen back to him with a small sigh, you raised a brow.

“Our?”

A woman’s voice, thick with a familiar accent, spoke then.

“Yes, our.”

She was standing by the corkboard, glancing over the information with a sharp eye, before walking over to Alex. Her hair was dark and thick, tied tightly back into what seemed to be a ponytail beneath her dark garb. A gun hung from her hip, something semi-automatic. You weren’t sure if that was legal or not here, but couldn’t find it within you to care.

“Farah, in case you don’t remember, Riley.”

You were glad she’d told you because you most definitely did not remember her name. Her gaze met yours, and you held it for a long minute, recognizable facial features coming to your mind, like a dream, you could reach but not quite hold. And then—you remembered.

“Karim,”

You breathed, eyes narrowing. General Karim had proven to be more than capable more times than once during the scandals throughout Urzikstan, especially to the boys.

The boys.

You’d nearly forgotten until now, but you wondered just how much they knew. Whether someone had spilled, or Laswell had told them everything. They would probably be biting at the leash, but there was nothing that could be done now, not with the mission having failed.

They were on their own now.

Farah nodded.

“It is not every day we find an American in a Mexican facility,”

A pointed glance at Alex, whose lips curled slightly up at that.

You grumbled, legs still shaky, probably from the gas that had managed to slip in before you’d put the gas mask on doing rounds through your body, the last of it yet to leave. Managing to stumble over to a chair near a small round table in the corner of the room, you sat down, it groaning under your weight.

“Not every day I see a group from America and Urzikstan in a Mexican facility.”

You shot back and watched as Farah and Alex exchanged a glance, a silent conversation happening right in front of you. Rude, but you couldn’t say you hadn’t done the same thing before.

Alex sighed, grabbing the chair with one hand and easing himself down onto it with his leg, propping the prosthetic up on a nearby crate.

His blue eyes met yours as he set one elbow down on the table.

“We were going after Santiago Garza, a key member of their cartel, which we have reason to believe has…”

He exchanged a glance with Farah, who gave a nearly imperceptible shake of her head.

“…access to things he shouldn’t.”

Alex finished. Farah spoke next, already sensing your oncoming interrogation despite not being in control of the situation.

“We answered yours, now answer our question. Why did he want you?”

Her tone was demanding, leaving no wiggle room for you to try and keep anything from her. If this whole arrangement was going to work out, you were going to have to be transparent with them, anyway. Or as transparent as you could be.

“I have a… personal history with the Garza family. Not a pretty one.”

Farah pressed her lips together but didn’t question further.

The American wasn’t as smart.

“What kind of history?”

He asked, brows raised in an almost innocent expression if it weren’t for the gleam of suspicion in his eyes. You shook your head. Not willing to talk about it. Not now. Woods was the only one you’d ever talked to about it, other than David when the bastard was even there.

Which hadn’t been often.

“What’s the date?”

You then asked. If you’d been captured in America, and then taken to a supposed Mexican facility, then to Urzikstan, it must’ve taken quite a while. Not to mention the travel from there to the safe house…

“The 24th.”

Farah answered, hands moving to idly wipe sand off of the barrel of her gun, back leaning against the wooden post. Her finger remained near the trigger. Untrusting.

It had been nearly four days.

By then, someone had to have noticed the body of Nalani in your room, and your obvious absence. A homicide and a missing person’s case as well, most likely. The boys had definitely heard of it then, despite what you assumed was a mission they were on, considering how early they left that volleyball game.

Had Woods been informed? Had anyone on your team been informed, or were they still too deep in their work in your absence?

Alex’s eyes snapped to the window as he heard something rustling outside, and within moments he was down on his haunches, you and Farah were quick to follow as he lifted one of the thin sheets lying over the windows from the bottom, glancing out for a second.

The pain in your limbs was barely even noticeable compared to the mini-adrenaline rush you were flooded with, mind and body sharp and alert. You’d performed while in much worse conditions, you could manage this one just fine, you were sure.

But without a weapon, you were defenseless.

Reaching for a gun that was laid out on the table, Alex’s hand grabbing your wrist stopped you and refused to let you grab it.

“We’ll handle this, stay inside.”

He said in a hushed tone, voice firm, even though Farah was the one with the most authority here over the both of you.

Farah slowly opened the door, peeking out, dark eyes scanning the dusty roads and markets, when several shots rang out, feminine screams following quickly as the sound of people running became all too obvious.

“Al-Qatala.”

Farah murmured, jerking her chin to Alex, before slipping her gun from her side and walking out of the door, the American man giving you one last glance that clearly said “Stay here.” before following.

Racking your brain, you tried to remember anything that might help you. Urzikstan. A small country in Western Asia. Violence wasn’t uncommon, by the sound of it. And Al-Qatala…try as you might, you couldn’t remember anything about whoever they were. Maybe some sort of gang? Probably, judging by the gunfire and angry Arabic being barked out in the streets.

But you weren’t going to be helpless, stuck in this tiny “safe house” that had two entrances and one large window a man could easily fit through. You stood up, careful to stay clear of the window to avoid catching any strays, only to find the gun that had been on the table gone.

Alex must’ve taken it.

They surely had more weapons somewhere, except for the fact that no matter where you searched, there was nothing to be found. Nothing except documents of blacked-out information, pictures on the board, and a small stash of food and water lying around. A lot of dates, too.

It wasn’t an ideal situation, but you could work with it.

A few strands of rope that you quickly picked up were lying around. Every lesson you’d overheard Woods giving to his team, drilling it into their heads, began repeating in your mind. Like a dream, almost.

“Can any of you boys tell me the five rules of guerrilla warfare?”

His voice, sharp and brusque but not hostile, asked the men in front of him.

You were crouched down, hiding in one of the small areas where the metal of the walls dented outwards slightly, giving you an area to lay down and peek through at him.

One of the men raised his hand in a salute, chapped lips opening to speak.

“Hit and run, sir!”

Woods nodded, hand shooting out to point at another man down the line of soldiers. Mostly young boys who stupidly enlisted, living for their country and dying for it. You didn’t see the point, even if Woods did. You’d never seen the point, not even when Simon had enlisted.

He could’ve been one of the dead.

He still might be. You hadn’t seen him in a while.

“Ambush, sir!”

You snapped back into focus at that, eyes watching keenly as the man nodded again. He had a habit of it; nodding very often. Even if you just inclined to take a bite of soup, he’d nod. The praise was sort of nice, you supposed. Even if you barely knew him, just having arrived here a few weeks ago.

They’d found you on one of the starving horses from the camps, near the front of the marching people, leading their way to freedom despite how sickly and beaten most were. You weren’t much better.

And when the bastard controlling that camp must’ve ordered his remaining men to circle like vultures and take out as many of the surviving prisoners as he could?

Everyone alive after the vicious attack had huddled together in a small cave, the people at the entrance usually being shot from overhead planes by the men too cowardly to approach.

They’d found you huddled up, a warm body on top of you, on one of the sides. Thrown you over their shoulder. Taken you away despite your hitting and biting, and brought you here to domesticate you again. They weren’t bad. They were just soldiers. And soldiers were all about duty and honor, two things you couldn’t find within yourself to care about much anymore. You wondered if Simon still cared about them, or if he’d been numb to it for much longer. After the death of his mother, and how pissed he’d been that you’d missed the funeral, you seriously doubted it.

Snapping out of your thoughts, you watched Woods nod again. You must’ve missed the others, but you knew them by heart by now. After watching and listening for so long.

Harassment.

Mobility.

And finally…

“Surprise.”

A hand grabbed you by the arm, yanking you forward and through the wall, through the hole you’d been watching from. Woods held you by the arm infuriatingly easily, which made sense considering how much of a runt you were. Or had been at the time.

The metal had scraped against your shoulder, cutting open a shallow scratch from collarbone to right arm. You glared at him, kicking at him even as his soldiers chuckled.

Laughing at you.

You despised how patronizing it felt, leaning forward and sinking your deceivingly sharp teeth into the wrist of his hand that held you. Blood drew, and he didn’t drop you, simply moving to hold you in his other arm, smiling warmly at you as his shoulders shook from silent laughter.

“Feisty, huh?”

He said in an amused tone, ruffling your hair while someone went to grab a medic.

The memory felt warm and fuzzy, a reminder of a long time ago, though it only felt like yesterday.

But you had more important things to do than have an existential crisis.

Spying a fan in the corner, you pried the metal caging off, wrapping both hands around one of the metal pieces on it, and yanking until a piece came off. Jagged and sharp. Just how you needed it.

Wrapping your little pieces of rope around the base to protect your hand, you crept towards the back exit, listening for the sounds of any footsteps nearby. It would be hard to overhear, especially with the sounds of yelling, screaming, and gunfire in the streets. You wondered if your little makeshift friends had joined the dead or not.

A near-silent step, a branch accidentally cracking under his step, and you were on him.

Hit and run.

The metal slid smoothly into his throat, a quiet wheeze being all he could get out before you leaned his body back, watching his eyes glaze over as the blood ebbed and flowed. You pulled the gun from his hands, searching and taking what was left of his weapons as well.

One flash bang.

One knife, the case of which you strapped onto your hip, the flash bang being tucked into it soon after.

Mobility.

You crouched down, glancing left and right on the street, and breaking into a low sprint to a building down the dusty road. A restaurant by the looks of it. You couldn’t read the Arabic on the front, it having been one of the languages you hadn’t learned, even in your training for Special Forces.

More if the men flooded the streets just as you ducked behind the counter. Letting them all know you were here with gunfire wasn’t beneficial yet, not when you were so badly outnumbered. You needed to find the central point they were getting in from.

You needed to move.

Waiting for the men to pass by, you eventually went out of the back exit of the restaurant, passing the cool chill of its freezer near the kitchen before jumping onto a ladder in the alleyway outside, climbing up, and falling prone onto the ground as soon as you were there.

Looking up over the ledge, you could see now how there were so many.

Trucks were spread about the city, men exiting them and taking cover for a few seconds until they got to where they wanted to be, and started opening fire. They communicated through their radios, but why they would be here didn’t make sense.

Why try to raid a city when you couldn’t gain much, if anything from it?

Unless they weren’t trying to gain but to take someone out.

Someone who had always been against what you assumed was their little group. And that someone was none other than Farah, judging by how quickly she recognized them, and the gleam of hatred in her eyes when she looked at them. She’d been a bit too eager to slaughter them.

And with how quickly the men were flooding the roads and streets, and their communication, it wouldn’t be long until they found her.

Unless…

Glancing at the rooftop a few buildings over, you saw none other than a large tower. Not just any tower, but an antenna tower.

You observed the crowd for a moment, scanning, watching everyone, until you saw it. Heard it, rather, the loud boom it made, the man yelling “RPG!”. It was the second story of the building across the street. You couldn’t get there in time, even if you got over there without being killed or without too many civilians dying.

You needed to buy time.

Gathering the fractures courage left in your body, you got onto the balls of your feet, and against everything you’d been told, to stay quiet and unnoticeable, you began a mad dash across the building, jumping, and not stopping to marvel when your feet hit the solid ground of the other rooftop, only running further.

You still hadn’t gotten his attention.

You were almost to the antenna tower. Now or never.

Harassment.

Slipping the flash bang out of your belt-ish thing, you pulled the pin out, throwing it up in the air. You heard it when it went off, your vision blurring white as you dove and hit the floor. He must’ve heard it too, considering that when you glanced over, the large weapon was aimed at you, and when he fired, you saw it sail through the air not only at you but at the tower as well.

Diving over the edge of the building, you heard the blast, and chunks of debris and wire began raining from the sky in your area. Your ankles burned when you stood, legs screaming against any movement. Ash floated into your nose and throat, as well as the smell of fire, and you took off into another run, diving into a building, only to run face-first into another man.

Ambush.

Your fist met his jaw before his bullet met your body, but barely. You both rolled to the floor, kicking and flailing around, landing hits on each other. He jabbed at you with his gun, his knife out of reach. You rolled him onto his back, your knife coming out, only to be knocked away by his calloused hands.

Your arm went around his neck, hand locking into place with your other elbow as your knee pressed on his neck. Your breathing was pants, more gasps than anything as he gave a final few kicks, before going limp.

You picked your knife back up, head jolting up when you heard a familiar female yell just a few streets down.

The members of the Al-Qatala seemed lost, some shouting to others in Arabic, others going on rampages against civilians just for the hell of it, seemingly. You didn’t doubt that Farah had a small army of her own, but they hadn’t been prepared.

Neither had you.

Sinking lower to not attract attention, you crept through the streets, watching carefully, or as carefully as you could through your blurry vision. Sand and dust blew into it, but you couldn’t find the strength to blink it away.

Your head was throbbing again.

You weren’t sure how you managed the journey there, brain taking a temporary lapse in recording memory maybe, but the next thing you knew, you were near an old warehouse.

Talking came from inside.

A raspy voice. Old, but not kind or warm, not like the voices of the old men you were used to. Harsh and sharp. Like a whip wailing as it flew through the air. Cut paths through it.

“Where is it?”

Silence. As you crept up to the entrance of the warehouse, where the door was just slightly ajar, you could see the outline of Farah tied into a chair. Multiple other men inside. Maybe three or four. Pulling your gun slowly out, you set the handle against your knee, putting your eye right on the scope.

“We know you have the gas, Farah, or should I call you Karim?”

Cruel.

Unnecessary.

But it gave you a kernel of information.

Information you would think about later if you had the time. If you didn’t die here.

A harsh hit to the face. Audible.

You could tell it stung, but she didn’t budge.

You lined the scope up with his head, finger closing in on the trigger, holding down, just not enough until.

Surprise.

The blast of the shot alone rang out through the warehouse. Except it wasn’t who you’d been expecting to fall to the ground who did.

It wasn’t who you’d thought it had been. Not Al-Qatala, not Cartel.

No, instead, Philip Graves, director of the Shadow Company, fell sideways in the dirt.

And the men surrounding Farah?

None other than your own team that had been handed off to Graves during your departure.

Tags:

@yearninglustfully

@kazuyatokue

@kurokitty6

@popcornlauncher

@karleequinn

@sharkluver

@100percentlazybonez

@kiwibao

@juneonhoth

@theyoungeagle

@kee-0-kee

[allieslobster]

I posted my opinion on the whole mike monologue so I wanted to also rant about this.

Why? WHY!!! WHYYY WHAT IS THE POINT?! No, but seriously like what is the point of this love triangle? I don’t understand the point in this conflict if it isn’t going to be resolved in a way where the audience goes “ohhh okay now i understand.”

And no, no I will not accept the theory that Will is being used to uplift mike and eleven’s relationship because how is that fair? Yeah, that’s super smart to use the gay character to uplift a straight relationship despite expressing Will is madly in love with Mike. They could have gone such a different route in expressing Will’s queerness like showing really rely on his family for support, meeting a love interest in California, or not needing a love interest and just working on accepting who he is.

But, they chose to again and again SHOW will longing over Mike. Just emphasizing the love triangle, every shot of Mike and El consisted of Will being in the background, or watching them but they always really highlighted Will’s presence. Why? Why all of this if the season five resolution to this whole love triangle is just going to be Mike saying he doesn’t feel the same but will always support Will and then continues to be with El despite it constantly being shown that they really just don’t understand each other.

I completely understand all relationships have conflicts, and despite me believing that even if byler wasn’t a thing I still wouldn’t ship mileven, a part of me also believes that if Mileven was set up differently I would support it more. Because yeah, they can argue and that’s normal but I constantly see people side with El and I want to give her a hug, too. BUT, let’s keep in mind that mike also feels unloved in this relationship.

Eleven doesn’t come to Mike for anything deeper than just superficial connection, she RAN away from Mike at rink o mania. Mike doesn’t come to El for anything deeper because why would he? He told her he was trying to understand, and that he’s been bullied and she dismissed that. It’s unfair to the both of them, and we know Mike has it in him to apologize and be understanding because that’s what he does for Will all of the time when he immediately realizes his wrongs and apologizes for it instead of blaming him. And Will does the same, always reassuring him.

I don’t get why people think it’s so crazy to ship byler, there was literally a whole scene of them in the van just expressing themselves and communicating even if Will wasn’t being honest. Will was sacrificing something for Mike, trying to uplift him and I think in season 5 when or if mike finds out he was lying, it’s going to spark a huge conversation.

There’s a reason this was tweeted.

This just goes hand in hand with the notion that season five is going to be will and mike centric all mixed in with the paranormal. Where Will and Mike’s connection is what saves them in the end just like it did in season two. BYLER ENDGAME!!!

[twistedtimeline]

Twisted Timeline AU

This Alternate Universe starts off the same as canon. Ford and Fiddleford became friends in college. The former calls the latter to come work with him on the portal. The memory gun is built and Fiddleford uses it on himself a bit. Fiddleford does get pulled into the portal when they test it. The poor engineer is deeply disturbed by what he saw in the portal. They end up having that fall out and Fiddleford leaves Ford to his devices. Of course Stan comes to see his brother. The fight goes like canon until Stanley pushes Ford. Fiddleford had come back and saw what was going to happen. Adrenaline filled, he managed to push Ford out of the way into safety while getting himself sucked into the portal a second time. Yet this time he went through completely. The portal was destroyed when this happened. This further causes a rift between Ford and Stan. Stan felt guilty and tried everything to make up for it. It doesn't do anything to fix the rift though Ford can't handle being alone this time. The cabin is gradually turned into the mystery shack that we know. Since Stanley faked his death, they share an identity. The guilt Ford felt because Fiddleford saved him from the portal began to eat away at him. The regret that he never listened to his friend and lab partner. He copes with this by becoming obsessed with anomalies. He of course doesn't attempt to bring back Fiddleford as he feared causing the end of the world according to his old lab partner. Ford wants to know everything. He accidentally started a cult that also becomes obsessed with knowledge and anomalies. The society of the all seeing eye. Ford's sanity and mind deteriorates. He and Stanley are both called Old Man Pines by the time thirty years has gone by. They are used to Stan and Ford by then. Assuming Stan is Old Man Pines good days and Ford is his bad days. They brush Ford off as a crazy old coot with conspiracy theories. Going into Fiddlefords side of things. The poor guy was also hunted down by Bill. The dream demon hated him so he wanted Fiddleford to likely torment him to his heart's content. The poor guy survives by stealing scraps of technology and making versions of the shame bot, gobblewonker and the pterodactyl for self defense against Bill and the henchmaniacs. He survived all that time in different dimensions, shockingly getting through it all without major injuries. Bill still bothered Ford in his dreams. Leaving notes to encourage him to work on the portal but it doesn't work as he doesn't have leverage. Until thirty years later. When Mabel and Dipper come and begin to mess with them. Ford protects them from Bill. What causes Ford to build the portal? Fiddleford got caught by Angie. Bill's friend. She's not a dream demon nor was she evil. Fiddleford was the first human she had seen. She shows Bill the human she found. Unfortunately for the dream demon, Angie had become fond of Fiddleford and treats him like a living doll. Dressing him up and feeding him. Taking care of him. Unfortunately Bill now had the leverage he needed against Ford. He tells Ford that his friend was now in danger if he didn't fix the portal. Poor guy was a bargaining chip. Out of guilt, Ford agrees. When he does finally gets out operational again, Fiddleford is sent into the portal with two unexpected passengers though only one makes it through. Bill tried to get through by holding onto Fiddlefords arm. The force caused the poor engineer to lose a limb in such a painful manner. Though this also meant that a little piece of each other was left in the other. Fiddleford makes it through the portal in pain and in need of medical help. They hadn't noticed the strange cloud that followed after Fiddleford. Fiddleford is angry, not because of what happened all those years ago but because Ford opened the portal now. Almost letting Bill escape into their reality. This raises more questions for the young pine twins.

Headcanons I used were made by my friend and Angie is her OC as well not mine @melodythebunny

These are drawn by her as well.

[twopoppies]

I was thinking about that thing a lot of larries agree that would be very hard for them to come out separately because one would always imply even indirectly the other and the theories from 1D times. Well H, for anyone who's actually listening what he's saying, basically let it clear he's not straight, also a lot of people assume he's not or that acts as he's not (dumb queerbaiting accusations). Do you think the straight laddy lad image/persona pushed on Louis could also be a small response to that? So these days people speculate about H sexuality - not that he wanted but just as a result of him showing more his likes and personality, clothes, flags, phrases, MP - but if anyone, fans mostly, look at Louis currently, the association/implication would be harder?

I think people need to let go of the idea that Louis' current image was "pushed" on him. Other than, perhaps, some old contracts from 1D days, I'd say he is very much in charge of his branding at this point.

Beyond that, I would say that Louis mainly created this image to break away from being seen as a former boybander/pop singer and more as someone who would be in the indie music scene. Babygate is the wild card in everything, and I still think he doubled down on it at least partly to avoid any legal complications that were starting to creep up with Boobgate and the Jungwirth/Clark dimwits.

The side effect of that image distancing him from Harry in some people's minds I think is more likely to be a side effect they're fine with. People who think gay men can't be "lads" are clueless about queer culture or homophobic, etc.

[carnographix]

*dashes into your inbox* what are your favorite Half-Life theories?!

I'll be honest, I'm not really into the whole theory side of... any of the fandoms I'm in-- theorising just doesn't work well with my brain (it's weird! Hard to explain, but theorising is a damned struggle, lol!)

However! I do quite like the idea that The Combine is related to that world's version of The Great Filter.

Just, in case anyone doesn't know what that is; The Great Filter is a scientific theory! It's posed as a possible solution to the Fermi paradox, and states-- in simple terms, because I've just woken up-- that there's some kind of filter or barrier at some point on the Kardashev scale (measure technological advancement, based on energy use,) in which a species eventually is wiped out/wipes itself out. It's suggested that this is why extraterrestrial civilisations are yet to be discovered-- 'cause they got nerfed!! Apologies for the piss-poor explanation, Google it if you want to learn more, I'm not a scientist (unfortunately.)

ANYWAY.

To quote a Reddit post from, like, 6 years ago,

In Half-Life, humanity hit a major milestone as first contact with inter-dimensional alien life was established. With this, mankind proved its intelligence to the universe, but not its potential strength. Once this event drew the attention of The Combine (The Great Filter), they attacked in full force, defeating all of Earth's armed forces in a matter of hours and establishing their dominance over the Human Race over the next 20 years until Freeman would come back to ignite a revolution.

The idea that The Combine is something so terrifying, yet almost inevitable, is a real neat one to me!! c]:^)

I dunno, I just like The Combine. Studying these freaks isn't enough I need to explode. Anything related to them is bound to catch my attention and interest.

[ch1zzie]

Forgot to post this here butttt

Working on a welcome home animation and mighttttt take me a while

[familyofpaladins]

I know everyone (including myself) is like really excited about the special and the idea of the Monkey Crew going back into the scroll to help Monkey King escape and getting to see more of the JttW story...

but I don't think that's going to happen (at least not right away)

Because before they can go about freeing Monkey King, they're gonna have to repair the slate first

And do you y'all remember what Azure said about the scroll?

"- a fragment of the Scroll of Memory-"

"-stolen from the Underworld"

....

In the season 2 special we got a Demon (Red Son) getting the crew into the Celestial Realm

And so I think in the season 4 special, a Celestial Being...

is going to get them into the Underworld

to repair the slate

[its-rat-time-babey]

My theory on Miko’s apparent electrical powers, made into a 2-ish minute video.

I didn’t count a moment in Ping where Miko’s eyes spark after using a speed boost because it’s shown that the exact same thing happens to other characters after they use speed boosts.

[moinsbienquekaworu]

I'm sorry I'm going to be insane for a second, avert your eyes

[conditioned-to-be-a-friend]

guys ok so i was rewatching s1 and i wanted to take a quick second to talk about the memories from the second episode (where the players found the house and it had the ghost repeating memory thing) and i think it's a super cool detail that alludes to the allura city (i forgot its name oopsie) with all their illusions and stuff. idk i just thought it was such a cool little detail that has been getting overlooked by the dead trees (like trying to talk to a dead tree, nice one acera 😆😂). oh also! it was such a good setup for the rest of the plot because like... it makes the vibe spooky and postapocalyptic which is kinda the vibe for the rest of the campaign !! very good setup by glow good job ahaha 💖💞

[dragongeek1]

well friends I have officially joined the Chronic Pain Club, it’s not great to be here, there’s a chance it’s only temporary but my gut says ‘hmm many doubts’ and I won’t really know for a couple of weeks anyway until my doctors appointment. So. Been navigating that for four days and well we’re navigating at least

[ruairy]

.

[arolesbianism]

I love drawing Aris as sif so much she's so cutsies. It almost makes up for the horrors of having to draw her as sif. Almost.