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imaginedolanscribbles · 6 years

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30 Questions challenge

Rules:

-tag the person who tagged you

-answer the questions

-tag 20 people

I was tagged by the lovely @lanelessphilosopher and @giggling-grayson thank youu! <3

1. How tall are you? 5′3′’

2. What color and style is your hair? Mid length straight dark/dirty blonde hair with light ends and darker roots

3. What color are your eyes? dark brown

4. Do you wear glasses? no and as much as I think they look really cute on most people, I’m very glad I don’t need glasses because that’s a sure way for me to ruin my own life (how do you...not lose them? How do you not sit on them accidentally? How do you not throw them through the room in frustration?).

5. Do you wear braces? No.

6. What’s your fashion sense? Uh...non-existent? I just wear whatever l feel comfortable in, mostly jeans and sweaters or tops but lately I started wearing more dresses and skirts. I like wearing mostly black/grey/blue things and then a splash of colour - usually either a shirt, the shoes or maybe a hat :)

7. Full name? Helen

8. When were you born? 25th of December

9. Where are you from and where do you live now? Germany and Netherlands

10. What school do you go to? just started a Masters Programme in a small town in the north of the Netherlands.

11. What kind of student are you? Generally quite lazy but studious and committed when it matters, meaning my grades are pretty good on average.

12. Do you like school? I didn’t like high-school, utter bullshit that. Love University though, the best moments in my life happened all in University.

13. Favorite school subjects? English, Arts, German, Dutch, Geography, Biology...I liked pretty much everything that didn’t have to do with numbers lol 🙈

14. Favorite TV shows? The Fall, Game of Thrones, The Punisher, Friends, Sense 8, Stranger Things, Jack Ryan, Peaky Blinders, Brooklyn 99, Queer Eye

15. Favorite Movie? Inception. Hands down, it’s just so epic and smart and twisted and tense and it’s probably the best movie to come out in the past ten years and I will fight you on that.

16. Favorite Books? Harry Potter series (obviously), Hunger Games series, Lord of the Rings, Red Queen series, the Alchemist, I could literally go on forever...

17. Favorite pastime? Reading, in case that wasn’t clear from the last question. Also, watching movies (especially in cinemas), writing, running, swimming and napping - most of these with friends, but they’re also great alone so it doesn’t really matter.

18. Do you have any regrets? Yes. Mostly about trusting the wrong people, not saying “no” or “stop” soon enough, and not cutting people out of my life before it was too late because I wanted to believe they were different so bad. All in all I’m happy with where and who I am now, though :)

19. Dream job? Writer/author. I’d love to just be able to take all the time I need to create worlds and really flesh out stories around the scenarios or conflicts that popped up in my mind.

20. Would you ever like to be married? I’d like to. But if I’m never married that wouldn’t be the end of the world either so...meh?

21. Would you like to have kids? Again: I’d like to. But if it never happens I’d be perfectly able to be happy with my life, too.

22. How many? Ideally two. If I’m having one I’m definitely having another, the only-child-friends I had/have are all very egotistical and don’t know how to share on the one hand, and very lonely and just on-their-own-feeling on the other. So, probably two kids.

23. Do you like shopping? Not really, I hate spending money. But I do like buying sweaters or hats when I just happen to walk past something I really like, as opposed to when I’m actively trying to find something.

24. What countries have you visited? Germany, France, Italy, Austria, Spain, Czech Republic, Poland, Bulgaria, Denmark, Sweden, Norway, Finland, England, Ireland, Turkey, Morocco, Egypt, USA, Canada, Venezuela

25. Scariest nightmare you have ever had? There was a ghost with a potato sack over its head who came rushing down a hallway and I knew it was heading for my friend in a room way down the hallway, so I stepped out of the room I was in (the ghost had passed it already) and shouted at it and it turned around and looked at me before it just lunged itself at me and when I woke up with a jolt I swear I could see it standing at the foot of my bed until I blinked and it was gone.

26. Any enemies? None that I would consider my enemies, but idk if there’s someone considering me their enemy.

27. Do you have a significant other? Not a romantic one, nope. Don’t think a lot of people see me that way.

28. Do you get along with your family? For the most part.

29. Do you believe in miracles? In relation to God (in whatever shape or form) - hell no. I believe that people can sometimes achieve miraculous things, but I only see miracles as such when they’re related to helping people and making the world a better place. A scientific discovery, wondrous as it may be, is not a miracle imo.

30. Last listened song? I’m on fire by Bruce Springsteen

Tags: @pmadolan @demurekind @palmtreedolan @jellyfishdolan @ninjadurtles @cosmodolans @mydolansss @grapesondolan @ethangrants @fandomcrazedd @softiethan @softforgray @me-a-hopeless-romantic @sweet-dolans @godlydolans @hayley-noelle-salvatore19 @stark2510strange @starrydolan @bouttogolinkurbitch @obsidiandolans

those of you who have already done this, sorry for tagging you again ;)

#30 Questions #questions challenge

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musicmixtapes · 6 years

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October 10, 2018 Mix

Welcome to this week's installation of music! I loved finding tracks that blended well in terms of sound and meaning, as well as playing around with the pace of the pieces so not to cause monotony inside the eardrums. Enjoy and any suggestions/opinions, send my way

Spotify Playlist (Listen in order!) 1. Walls by The Lumineers - First off, can I just say how excited I am to see new music from a group who never seems to disappoint both my ears and my heart. While listening for the first time I thought, "Wow what a great song, but this sounds kind of familiar" so when I showed it to my mom she said "Of course it sounds familiar, it's a cover of one of Tom Petty's songs" and then it made my heart that much fuller knowing that. Petty is known to have the American writing way of describing through metaphor exactly how love and relationships feel at a moment suspended in time. Using that craftsmanship and words that cut to the bone, The Lumineers created a cover that is so folky and vulnerable sounding, I am sure that Petty would not be disappointed in it. 2. I've Just Seen A Face by The Beatles - Continuing with classics that we may find hidden in corners of our mind, that pop out into existence from time to time, is this wonderful treasure from the Help! album, a beloved album to me and most of the world, I'm sure. I specifically chose this track because the title definitely created a supernatural element in my mind that translated to the feeling that love often gives, which is that it transcends regular human volition. It causes this reaction that cannot be expressed through regular conversation and absolutely needed to be sung about, which to me, is fantastic. Also, the really fast and frantic pace of the song adds to the urgency of the message of seeing someone in passing and instantly feeling a surge of love and the need to be with them at the moment. Falling in love is sometimes done in a slow motion type fall, but in this instance, it seems more immediate. 3. Moon Barks At The Dog by Saintseneca - The lyrical value that this song has is endless, and quite honestly, I could spend a long time doing an in depth analysis of this piece line by line, but for now I won't. The main thing I wanted to go in depth with a little bit is this image of the moon barking at the dog, which is just such a strange and abstract concept to grasp. Of course, the typical thing that someone would refer to is the dog barking at the moon, which is apparently a reference to the famous statement (I had no idea this existed): "It is common for the dog to bark at the moon, but if the moon barks back, the dog becomes famous." As a person who loves strange expressions, this has quickly become one of my favorites. There is also an entire verse that nods to Bruce Springsteen and his music not being the singer's cup of tea, which I disagree, but appreciate the reference anyway. 4. Los Ageless (cover) by The Wombats - I would say I'm sorry about including another version of the same song within two months, but I am not sorry at all because it is my firm belief that different versions of the same song can change it entirely and bring fresh perspective and possibly a new interpretation of meaning. Originally a St. Vincent song from her amazing album Masseducation, it was a more techno rock sound for sure, but this alternative group brought it down with a more acoustic sound fleshed out through it. I don't think the sound was altered so much that it changed the composition entirely, but the male voice for sure gave it a perspective which I was not expecting. To have a male singer express the notion "How could anybody have you and lose you and not lose their minds too?" makes me feel a glimmer of hope to diminish toxic masculinity. 5. More Than Romantic Love by St. Lenox - I don't know exactly what to classify this as and to be fair, I'm not sure that putting this artist in a box would be serving him justice in any way. I felt that I was having a conversation with a fellow new yorker while really really cool, eclectic music was playing in the background. And I loved it. Just all of the references to living in a place in time where you are losing someone because you cannot accept the fact that they only want a platonic love, not romantic. This goes deeper though, and examines how to deal with someone who is going through personal struggle and how to reach them emotionally while being sensitive to their needs. St. Lenox has such a soulful conversational tone that speaks freely about mental health, breakup and the nervousness of the city, also shout out to Washington Square. He's an artist on the rise for sure. 6. This Is The Day by The The - This is a classic example of a song with an upbeat, generally happy sounding tune that literally step by step tells about the woes that a person with depression has to go through. It actually really reminded me of a Smiths song, where the mood totally does not match the words, and this is a trope I absolutely love to see in older music. The image of eyes being red and burning when seeing daylight is so profound because insomnia is one of the main traits of depression, so this feeling of always feeling tired in the daytime is so relatable to hear about in song, which I never have before. The synthesized sound and the acordion that are strung throughout the song really emphasize the dichotomy of the sound and feeling, which also add the layer of how you look on the outside doesn't always match how you are on the inside. 7. Greyhound by Calpurnia - Have you ever made future plans with someone you are in a relationship with, thinking that basically you'll be with them forever, and then suddenly, the time for that plan comes around, except you're not together anymore? Yeah? Me too, and apparently the writer of this song was in this exact position because that's essentially what it's about to put it in base question format. But what really satisfied me concerning this song was not the super relatable storyline aspect, but the sarcastic way of telling something pretty sad, which seemed like an epic breakup and heart break. The whole "hats of to you, for you to go" is so sassy and like a middle finger in the center of a song about still having feelings for an ex-love, which was so fun to see. I hope the subject of this song listened to this song. 8. 15 Minutes by The Strokes - Whenever asked my top favorite bands, they are always at the top of the list. I don't know exactly what resonates with me, but I have been trying to pin point the moodiness and exacerbated feelings for awhile that me and this band seems to always share. I think it's the way that Casablancas always mutters some really sad yet humorous things while hard core guitar comes in and really great drum beats and a bass line are right in line with it. This song is no exception because it totally defies the meaning of telling someone how you feel and being comfortable with oneself about it; if I may be so bold, I think it generally classifies how one with lots of anxiety would go about telling feelings from a real perspective, rather insecurely and with the approach of joking about emotions in a very honest way. 9. Think I'm Still In Love With You by Joyce Manor - A new album by an awesome punk, angsty, emo rock band, news I will never be upset to hear about. Specifically, this artist has so many different qualities going past the initial relatable angst you feel when listening to the many, many, many songs they have about not being able to get over something or feeling like a burden in someone else's life constantly. This song has a clear shift in feeling though because the uncertainty is definitely present in terms of wanting to still be in love with someone because of a past emotion, but now things seem a bit hazier and they aren't so sure if the feelings are still quite there. This song comes about midway through the album, a really great placement on their part because it signifies perhaps a shift in weather during a one sided relationship and perhaps things will change thereafter. 10. So Tied Up by Cold War Kids and Bishop Briggs - Oftentimes I speculate from an outsider's look at a song, and piece together the meaning in relation to both the music and my own life. In this instance, I didn't really have to do so because the artist actually shared exactly what his intentions were with the meaning behind this song. He said, "With every new relationship, you either talk about previous relationship stuff (warts and all), or you just pretend like they never existed. Both are kinda terrible. When you go the full disclosure route it’s probably sincere, maybe you’re even praised for your vulnerability. However, you know it’s probably gonna be used against you later, in a fight, in the worst way." So that's that, and in terms of the gospel vibes I received from this alt rock song, I am very happy and get really pumped walking down the street to it. 11. Days On A Wire by Case - This instantly gives me the image of watching a movie scene where one person is lovingly thinking about another and kind of like sitting on a train looking out the window and considering their feelings, all wrapped up in desire. So now that I have shared my mental scene, let me explain that the really awesome acoustic with horns sounds that are produced in this piece add to the love song vibes that is perceived while listening. Also, the singer's voice is super dreamy and light, at some points seeming like barely more than a whisper of phrases, adding to the whimsical elements involved in the song. Actually, the horns in this song kind of act as a guitar usually would in terms of a melodic riff that occurs between verses and choruses, and I love this difference of instruments, a unique sound. 12. In The Morning I'll Be Better by Tennis - Taking some else's pain away is the hardest thing to do, especially when it's something not curable by care and devotion on it's own, but that's precisely what the artist is intending to say in this piece, which is tragically beautiful. So originally, I perceived this to be about someone's mental anguish and a relationship of sorts attempting to remedy this suffering by acceptance and love. In fact, this is not what the artist meant, but it's still a cool interpretation if I do say so myself. It was revealed that the writer's friend was deemed terminally ill and this was their way of processing the emotions that go into realizing that someone is most likely not going to get better. It is a love song that goes beyond love, but more about the wanting to take someone's pain and endure it so they don't have to. 13. Clueless by The Marías - Yes, yes, yes. My exact thoughts when seeing that this group came out with new music, when listening to the first few bars of the song, and then again when hearing the song two full times through (once for sound and another for words and meaning). The palpable tension heard in the song is so real for so many people when having an argument and to match the tension is the dialoguing throughout that basically says they can't handle the ups and downs going through the relationship anymore. I read that this was inspired by a spat between the vocalist and her significant other, drummer-producer Josh Conway. This revelation was incredible because imagine being in a band and a relationship with someone and having to create music while a major fight is going on. Me neither. 14. Running by Nicotine's Famous Honey - If I could title this anything other than what it is, I would title it "The Art of Just Barely Getting By In Our Fucked Up World" but that would not be as aesthetic as this aptly titled name. In the past, I have publicly argued against certain styles of music, simply because I knew less about music and didn't listen to enough genres on a regular basis. I am still trying to broaden my horizons, especially in terms of R&B and the Hip Hop genre in general, but this under emphasized artist is such a beautiful example of taking one genre that is criticized for being cliched and overdone and taking it to a whole different level. I love this combination of dream-pop, low-fi indie and hip hop and R&B all in one piece, and if you haven't looked into them, definitely check out some of their other music, it is so enticing. 15. Weird Honey by Elvis Depressedly - I'm taking the meaning of this song entirely from the artist because I think it can be interpreted a hundred different ways, depending on who you are thinking about while listening to it and what kind of mental state you are in too. Also we love to see an iconic guitar riff thrown in sporadically to a pretty sad low fi rock song, so that's a pretty cool spot in hell. The meaning though: "I lied before. It’s just an homage to Jesus and Mary Chain, and has no direct meaning. This is a love song so it could be seen as a pet name, or even a symbol of a love that is strange and new but full of sweetness. I find it incredibly strange that so many people have interpreted this song to be so negative, or even a break up song, when it’s the opposite. It’s a song about new love." There you have it. 16. Wings In All Black by Gregory Alan Isakov - If you are looking for an acoustic folk artist who puts emphasis on literally every single word and note of a song, look no further, he is right here, and also in my soul forever. Hailing from his brand new album, is this gem which sinks your heart to your stomach almost immediately upon listening. I believe this to be about having to rise up out of a really dark time in your life, despite not wanting to, the fact that instead of feeding the beast of loss, you have to grow wings of your own and fight against the demons you are experiencing. The image of having "wings in black" is a nod to the struggle between staying down in a bad place and having to come out of it no matter how impossible it seems at the time. I am now noticing a lot of these songs have to do with dealing with loss and mental health day by day, which is very important. 17. Should I by Arum Rae - I have to give entire props and credits for this song to my wonderful mother, who is always good for sending me songs to listen to on a weekly basis. Particularly, I first heard this song on my ferry ride home to New Jersey for the first time since leaving for college this year, so it has earned a really special place in my heart for the year. The piano is so present in this song, which as I have mentioned in previous posts, you don't get to see a lot in newer slow songs, which have become taken over by guitar a lot of the times. Also, Rae's voice questioning her every move and overthinking all her choices for the future is so heart felt and honest that you can't help but empathize with these feelings. The message of the song is maybe taking things one step at a time is the healthiest thing you can do when things get overwhelming in life. Yes. 18. How by Daughter - Ok, so finding out that most of the songs I have chosen for this week's mix surround the topics of loss and grieving past versions of self has become super illuminating in terms of my own maturation process. Staying topic though, this group always sheds light on the painful emotions rather than the pleasurable ones, which sometimes creates a dreary mood, but I like to view it as not being afraid to voice some negativity in order to clear it out of one's mind, which many people are apprehensive to do. This song describes pain as being in slow motion and I can't explain why that is true, but it is. The lines "hold me back, hold me back" in reference to wanting to go get someone that they have lost is so crucial to the theme of the song which is moving on from something while still having regrets in regards to the situation, feeling cheated or let down by someone. 19. Killer by Phoebe Bridgers - This playlist began with this song all by it's lonesome, but all along I knew that the rest of the pieces would be built around this, so I guess this has to be the reason why all the songs are so deeply related with one another. You may be thinking, wow I can't believe this song is about one's own death, this is really morose and ominous. Yes, I totally agree and think that it's really sad and death related, but knowing that it goes deeper than that is really vital to appreciating it's beauty. This is about a relationship being buried away and while doing so, dredging up all the past memories of loving a person. There is no remedy for knowing that two people are too much for one another, but this soulful lament is definitely a start. Also, Bridgers has noted that this song is in reference to Ryan Adams, famed songwriter who had a short fling with her when she was pretty young. 20. WALLS by Kings Of Leon - I did this on purpose, I made the first and last song both titled "walls" for a particular reason. I think they both serve very different purposes and perspectives to the metaphorical walls that are being broken down and simultaneously built up within a relationship. In the covered song that the Lumineers did, we see a shift to a more positive message of hearts having walls and climbing them is a struggle, but that it is worth it for the love we get to experience on the other side of it. In contrast, this very low tempo song (especially for Kings of Leon) is about kind of the exact opposite. This is about a man's ego being utterly shattered, exemplifying walls being torn down, in order to love a woman who just took his heart with her when she left. I don't think it's all sad though; I think this experience of walls coming down around someone to experience true loss of a person is so important for personal growth and strength. Thanks for listening and reading into things really deeply with me, catch you next week! Love & Listening,

Julia

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anythingstephenking · 7 years

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Drive My Car

After months without turning a single page, I am crusin’! Man I am really on a roll! If you haven’t guessed yet, I am making car puns, as we dive (drive?) into Christine, the killer car story King promised his publishers would come after Different Seasons.

(Side note: while reading I make notes on my phone of pages to reference back to, cause only a real monster dog-ears pages. My notes on Christine read “crusin’…. on a roll… think of other car puns.” I didn’t.)

Although Wikipedia claims this book was published in ’82, it was actually released in ’83. Really letting me down Wikipedia. But happily I move into the next year of King books, and one step closer to catching them all like they were a buncha Pokemon.

This cover art is the tits. Also, the author’s photo on the back! Lastly, the inner cover with SK initialed in red and gold, like Gryffindor for serial killers.

This book has no preface or afterword, which is where I usually learn all my fun facts, so I did a bit more digging (nay, googling) for the backstory on this guy.

Well I couldn’t turn out much of interest. Sorry to disappoint. The story must have just appeared in King’s brain one day. I did love that the book was dedicated to George Romero. I have enjoyed learning all about King’s friendships, and imagine they all get together once a month in some kind of bizarro-minds-club, play cribbage and gripe about how everyone thinks they’re weirdos.

Posted without comment.

Each of the 51 chapters starts with a song lyric about cars. If you’ve ever listened to Car Talk, you know the list of songs about cars is long. I recognized the Bruce Springsteen ones. It was a throwaway device IMO, and just made me feel bad for the intern that had to work to get the rights to use 51 different song lyrics. King actually calls this out in a brief Author’s Note on the copyright page of my “Book Club” edition copy, thanking specific folks for helping him get the rights. OK, I guess I forgive you Stephen. Kisses.

On the surface, Christine is a story that is part killer car, part demon possession and part star-crossed lovers. I know, right?

Christine tells the story of Arnie Cunningham and his car Christine. Annie is your run-of-the-mill nerd. He’s got bad skin and has never done anything his parents wouldn’t approve of. His best bud Dennis is decidedly a cooler cat - he plays football so that means he’s automatically elevated to a higher class.

One day Arnie sees Christine, sitting broken on the lawn of an equally broken house and decides he has to have her. Men (eyeroll). He buys her from the owner, Roland LeBay and off he goes to a local garage to fix her up.

Dennis is almost immediately unnerved by Christine. Rightfully so, since the car goes on to kill a bunch of people.

Then along comes Leigh Cabot, the new girl in school. All the guys have the hots for her, but she’s only got eyes for Arnie. For once, the pretty girl picks the nerd, and it doesn’t really go all that well for her. Pick the quarterback the next time honey.

So Arnie and Leigh are an item, and Leigh also hates Christine. No one can quite put their fingers on it, but a rotten smell runs through her interior and the radio seems stuck on the 50’s rock station. Dennis and Leigh are plagued by nightmares of Christine coming to life.

And suddenly the engine began to rev and fall off, rev and fall off; its a hungry sound, frightening, and each time the engine revs Christine seems to lunge forward a bit, like a mean dog on a weak leash… and I want to move… but my feet seem nailed to the cracked pavement of the driveway.

King takes his time to build the story up, as he so often does. Christine doesn’t claim her first victim until halfway through. Until then you’re stuck with this looming sense of dread, knowing terrible things are coming. Every time Christine’s headlights turned on by themselves I muttered “oh... no “ to myself.

It’s not enough that Christine comes to life and runs people over (even manages this feat on a guy who is inside his house), but Arnie begins to take on characteristics of the previous owner, Roland LeBay. Since Roland was a real grade-a asshole, this doesn’t sit well with his friend, girlfriend or family. He becomes more and more like LeBay, until there’s no nerd left. Watching Arnie fall apart is heartbreaking.

But past the surface, Christine is a story of the pains of growing up, which isn’t really a new theme for King, who came of age himself in the 50s. And so often with King’s stories of teenage agony, and even when the story takes place in 1978, the 50s are lurking.

Before Arnie’s demise, he makes off-handed comments about how his parents know that having kids remind them that they’re going to die. Pretty grim stuff.

And Dennis has this revelation while out in Christine for the first time:

I was surprised by a choking panic that climbed up in my throat like dry fire. It was the first time a feeling like that came over me that year - but not the last. Yet it’s hard for me to explain, or even define. It had something to do with realizing that it was August 11, 1978, that I was going to be a senior in high school next month, and that when school started again it meant the end of a long, quiet phase of my life. I was getting ready to be a grown-up, and I saw that somehow - saw it for sure, for the first time in that lovely but somehow ancient spill of golden light flooding the alleyway between a bowling alley and a roast beef joint. And I think I understood then that what really scares people about growing up is that you stop trying on the life-mask and start trying on another one. If being a kid is about learning how to live, then being a grown-up is about learning how to die.

And these kids learn their lesson.

In some ways, Christine felt like a stronger coming of age tale than The Body. I was really rooting for these kids.

7/10

First line: This is the story of a lover’s triangle, I suppose you’d say - Arnie Cunningham, Leigh Cabot, and, of course, Christine.

Last line: His unending fury.

Added Bonus: King said in an interview about Christine getting killed and perhaps coming back to life (35 year old spoiler, sorry!): "All I can think of would be if the parts are recycled, you'd end up with this sort of homicidal Cuisinart, or something like that!”

Hardy Har Har! I might not be scared of cars but I am now scared of my food processor.

Adaptations:

Christine The Movie was the quickest turn-around from page to screen of any King movie, which began filming just as the book was released. The producer was a friend of King’s, and signed on before the book was published. He had his pick between Christine and Cujo, and chose Christine because Cujo seemed “too silly.” For real bro? I mean, they’re both great stories but I would tend to think of a rabid dog as a more serious threat than a sentient car that love Buddy Holly songs and blood.

1983 was a busy year for King movies. I’ve lost track since I am reading the books chronologically but not watching the movies that way. I’ve already watched some spectacularly bad King movies, but at this point in 1983, the movie-going public had only seen Carrie, Salem’s Lot and The Shining. Given the popularity of 2/3 of these movies, I bet everyone in Hollywood wanted their hands on the rights to a King story.

In 1983 Cujo, The Dead Zone and Christine all hit the big screens in August, October and December, respectively. I don’t know for sure but if I had to guess, that was too much King.

So, if you expect a whole lot of a John Carpenter movie about a killer car, well then, that’s your own fault. This movie was a lot of fun. As with so many King movies, his storytelling and character building just doesn’t translate to the big screen. The screenwriters seemed to not even care to try, boiling the main characters down to stereotypes. Arnie rocks giant glasses with tape across the arch; Dennis wears his letterman jacket; Leigh’s got great legs. Christine rolls around killing people that cross Arnie. There’s little mention of LeBay or his backstory in creating (or at least encouraging) Christine.

Instead, there’s the film’s opening sequence to explain Christine’s origin, which I just adored. Christine’s rolling along the production line in Detroit, the sole red car in a sea of white. A line worker attempts to open her hood, and it promptly clasps down on his hand. All while George Thorogood’s Bad To The Bone plays. Just on the nose, great start.

Unlike the novel with its clear themes of friendship, first love and looming adulthood, this movie is about one thing and one thing only - a killer car. Which is really ok. John Carpenter does his best and there’s some suspenseful moments with Halloween-esque sound effects. Whenever someone is pissing Christine off she locks her doors and Little Richard starts singing from her stereo "Keep a knockin' but you can't come in.” Christine catches on fire and still manages to run someone down, setting him on fire in the process. I’m not much a fan of big action sequences, but knowing they used almost 30 cars to make this and everything was filmed sans CGI made me appreciate it more.

Before I go, quick notes on the cast. Kevin Bacon was set to play Dennis, but chose to do Footloose instead. Good call, past Kevin Bacon. So they cast this guy, who is basically a poor man Kevin Bacon.

Leigh is played by Alexandra Paul, who would go on to rock a rad red swimsuit on Baywatch. Kelly Preston has a small role, and would go on to play the role of a lifetime as John Travolta’s wife. Rounding out the supporting cast was Robert Proskey (who I remember as Mr. Lundy in Mrs. Doubtfire), and Harry Dean Stanton who has basically been in everything.

Next up is Pet Semetery, which is (Chris Trager voice) literally my favorite King. My goal is to get through It before the new movie comes out in September, which means I have six books to get through in 3 months. So (spooky voice) I’ll be right back!

#christine #stephen king #book review #movie review

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