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#sorry if I didn't write silver that ell
twistedroseytoesy · 2 years
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once upon silvers dreams
sweet silver stuff, hopefuly i wrote him ok, I don't know his character very well.
Another assignment by professor crewel for the dream potion led to mc sitting next to a tree by the forest thinking over who would be ok going into their dream. They know sometimes their dreams were odd due to being from another world. And as an extra part of the assignment was to try and connect more to someone they are aquatinted with but not really friends with.
It was an interesting conundrum for Mc since they knew and had a lot of friends but didn’t have many people that they did know but weren’t friends with. They continued to sit for a while, their thoughts drifting here and there. Then they noticed a few animals around. even more strange were 2 birds carrying a dark jacket to the other side of the tree they were leaning against.
They watched the birds gently drape the jacket over a man with silvery hair, sleeping aginst the tree. The immage reminded them of an old movie they watched a long time ago. They smiled as they hummed a song from it and sat back down, mind wandering. in theri haze they reached for their water bottle but grabbed and drank their potion. They realised once they swallowed then sighed. Quickly writing a note to the man, remembering his name from one of the 2nd and first year mixed classes. Silver.
They quickly fell asleep as they set the note next to him along with the other potion bottle. Silver woke shortly after to his animal friends gently nudging him. Ne hoticed the note and potion.
"dear silver, sorry about the suddenness of this note, I need your help with a dream potion assignment. If you are ok with it, could you drink it and join me in my dreams? I'll owe you a favor. Hope to see you soon Mc"
He looked down at the potion and shrugged, he knew his master was fond of the kind, magicless human, and this potion was just to be a part of their dream. It couldn't hurt to help. So he quickly downed the pink potion and drifted off to sleep once more.
He woke up against a tree his dark coat and hat missing from his uniform. He had his batton out and it nseemed he was practicing against an old dead tree, if the grooves were anything to go by. He felt the need to look for his missing uniform pieces so he started to wander around, until he heard soft singing. Something that felt familiar yet alien to him.
"I know you, I walked with you once upon a dream I know you, the gleam in your eyes is so familiar a gleam Yet I know it's true that visions are seldom all they seem"
He moved a bush out of the way and noticed Mc danging with some ghosts near the edge of the forest, the ghosts wearing his dorm outfit giggling as they danced around Mc as they sang that intriguing song. "But if I know you, I know what you'll do You'll love me at once, the way you did once upon a dream"
they happily hummed as they continued to dance. The entire situation felt familiar yet not to silver as he watched. He suddenly felt the dram push him toward them as they spun toward him.
"But if I know you, I know what you do You love me at once" They sang before Silver started to sing with them. "The way you did once upon a dream" He finished alone sinc eth Mc stopped singing due to their surprise at a new and unfamiliar voice. They looked at the ghost with silver at their back and the ghosts just shrugged before disappearing, letting the clothes they borrowed fall to the ground.
"Oh!" They said now looking at silver and pulling away from him.
"I'm sorry, I didn't mean to frighten you." He said. Moving to grab his stuff.
"Well, it's not that. it's just that you're a... a" They stammered now embarrassed at being caught singing.
"A stranger?" he finished for them. They nodded and looked away back toward where ramshackle would be.
"But don't you remember? We've meet before." he said turning to them, now in his full uniform.
"we-we have?" they said now looking back at him, surprised.
"well of course, you said so yourself, once upon a dream." he finished with a small smile. they smiled back, before moving toward ramshackle. They were about to say something but he started to sing. He as a bit supprised himself but didn't fight as the dream led him along.
"I know you, I walked with you once upon a dream I know you, the gleam in your eyes is so familiar a gleam" he sang, catching up to them before leading them in a dance through a small field of wildflowers. they looked surprised before they joined his singing. "And I know it's true that visions are seldom all they seem But if I know you, I know what you'll do You'll love me at once, the way you did once upon a dream" they finish together. They both snapped out of the strange memory/ scene the dream had them do. Silver quickly pulled away, sighing.
"I'm sorry about that, I don't really know what over came me. forgive me if I confused or startled you." he apologised.
"no, it's ok. I remember that scene. it's from a movie I haven't seen in a while. I think I was thinking about it as I fell asleep... So this is somewhat my fault you had to do that." They said. awkwardly patting his back. He chuckled before looking around at the familiar, yet slightly distorted dream world.
"I hope you got the data you needed for the assignment, I'm unsure how else I can help," he said now looking back at them. They smiled at his kind words and smile.
"All i really needed to know is that it can add someone to my dreams to interact with, so it worked perfectly. Thank you silver." the world started to fade around them both.
"it seems that our dream is ending. Thank you for the experience Mc. Ill try and remember ho we knew each other once upon a dream." he said before they both woke up.
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reiderwriter · 2 months
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She's a Silver Lining
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Chapter Nine of I Can't Help Myself
Summary: Spencer comes to terms with your abduction.
Warnings: ANGST, Suicidal ideation, kidnapping, mentions of fetal abduction and murder of pregnant women, descriptions of abuse, descriptions of prenatal care, typical case details. Spencer is depressed.
A/N: I'm sorry this chapter is a day late, I literally saw God this weekend (I saw Taemin perform live), and really, all that's been on my mind is how God is Good (Taemin is hot), and so I haven't been able to write anything as depressing as this chapter. I hope you enjoy (?) it anyway~♡
Masterlist || tags are currently broken, I'm sorry ♡
Eight days. It had been eight days since Spencer had last seen you. Eight days since he'd screwed up his one job so massively that he'd lost you. 
He'd lost people before. He'd lost people on cases. Victims, unsubs, bystanders, and family members who didn't stand a chance at recovering from their own loss. He'd lost Maeve, which was a little too similar to his current circumstances to think about too hard. He'd been losing his mother since he was born, and he'd really lost her again a few months ago. He'd lost Gideon. He'd lost Elle, too, before that. He'd lost Emily, and though she'd come back too, it wasn't the same. He'd lost Morgan, and then Hotch. He'd lost Alex Blake.
He'd lost nearly everyone in his life. Some of them had come back, most of them hadn't. 
He'd thought himself immune to the pain of losing someone at last. 
He'd certainly lost enough of himself in prison. 
It may have only been 84 days, but whatever was left in him of hope before was gone. He'd emerged completely empty. 
He supposed that's why he'd accepted the role at the university. There was nothing left for him to give to the BAU, but he couldn't be the one to leave. 
As it was, he'd already been unsettled enough by leaving you behind when he'd finished up his time there. 
It felt weird to him, saying goodbye. Not that he'd actually said goodbye. He'd kissed your forehead as he slipped out of your bed, sure, but you'd been neither conscious, nor fond of him in anyway. It was a parting gesture just for him  and he hadn't been quite sure why he'd done it. 
It was just a gesture and one he'd repeated multiple times after getting you back. You didn't know, of course. How could you? 
He'd either woken up before you and kissed your forehead, or climbed into bed beside you late at night and greeted you then. 
You'd lain side by side, drifting to sleep slowly, when he realized it had become a daily habit. 
He hadn't any idea of what he'd do when you left. 
And now you had. And it was his fault. 
In the eight days since you'd been kidnapped, Spencer had come to terms with a few facts.
He knew 64,956 women were currently declared missing in the United States. He knew that 77% of adults reported missing were found in 24 hours. You weren't. He knew 4% were found in 48 hours. You weren't. Only 3% were usually missing still after a week. 
You were somehow in that small minority, even though there was an entire team of FBI agents working around the clock to find you. 
He'd had faith in his coworkers before. Before, he'd begged for their help, and they'd succeeded in 24 hours, even if the outcome wasn't preferable. 
This time, he didn't beg. He had no faith. He just hoped to be present with a gun, loaded with two bullets, if this time went the way of the last. 
On the eighth day after your abduction, Spencer finally returned home.
The damage from your abduction was still apparent. 
Not that your captor had left many clues. In fact, they'd left none. Not even a fingerprint or a good angle on the CCTV. But he hadn't taken returning to an empty apartment well.
He slashed through the crime scene tape quickly, letting in hang in the doorway as he entered. The bookshelves he'd attacked were limping, leaning on each other for support after he'd ripped books off so violently he'd set them askew. 
He'd kicked and ripped and punched the wall so hard he'd needed stitches that he'd absolutely refused to get. 
He'd cried and sobbed into his bloodied and bruised hands until Emily had arrived, and then he'd cried some more, leaning on his friend, his sister, for her support. 
Returning now, there wasn't a single tear left.
In the hospital, they'd addressed his flesh wounds, but the emotional ones would never hear. 
You were gone. And now there was only a 3% chance he'd ever see you again. 
Emily hadn't allowed him to stick around to make their jobs harder. She's placed him on house arrest - funnily enough, her house, where you should've been if he wasn't such a selfish ass - and assigned a watch. 
She’d said it was for protection, but what she'd meant was it was to protect him from himself.
The rest of the team had avoided the topic entirely. They didn't know how to deal with whatever stage of grief he was going through. Many of them had comforted him the first time. They didn't know how to do it a second. They didn't know if they could. 
After eight days, Spencer had left Emily’s apartment. He'd dodged the Agent she'd stationed alongside him, got into a taxi, and gone home. 
Surveying the damage, he was surprised how deep the hurt had already cut to not feel much anymore. 
He looked at the books splayed on the floor. It was a title that you'd been reading that week. One he remembered you using at the office, one that had been on both of your courses reading lists. He picked each of them up and put them back on the shelf. He righted each shelf and organised them neatly, how he thought you'd like them. 
He picked pillows up and rearranged them. He vacuumed the debris from the floor, the thin layer of dust that had gathered since he'd left, the splinters pf bookcase that had crumbled off, the shards of wall that were speckled with his blood. 
He wept the entire time, though silent, until there were no tears left to cry. 
Then he'd come across a tiny package underneath his coffee table, a single corner of plastic peaking out, begging for attention. 
He'd picked it up and wept again as he found depths of sadness to reach further down than what he'd assumed to be rock bottom. 
Aa he lay in a pool of his own despair, a new, haunting fact crashed from his brain to his heart. Since 1987, there had been 21 foetal abductions in the USA. 19 of them had ended in homicide, with the mother dying. 
You made 22. 
In the two months since you'd been abducted, you'd learned three things. 
The first was that you absolutely loved Spencer Reid. You'd spent enough time sitting introspectively about everything in your life to realize you had to stop being so stubborn and admit just that. You'd been about there before all of this, but now you knew for sure. 
You should be cursing the man that inspired your horror show of a life, after all. But instead, you thought about him and held back tears. 
She gave you updates these days, testing your reactions to his name, waiting to see you crack, to see you cry, and sob and break down completely. 
Today, Spencer had been to see his mother, she said. He'd broken down in her arms and caused her to have an episode. She'd hit him so hard, his face had already been bruised by the time she saw him. 
The second thing you knew was that your baby was going to be born healthy. You had no plans of having a home birth, but now, at seven months pregnant, and large enough that you almost thought about doing your conception math again, you knew you were on track for giving birth in the room you'd been in for the last 58 days. 
You hadn't counted. 
She’d been good enough to tell you the date, the day, and her plans every morning when she visited you. She checked your vitals, your blood pressure, the position of the baby, your temperature, your heart rate, and recorded everything in her chart. She asked you how the pregnancy was going, almost as if she was the nurse she'd been training to be. 
Her bedside manner was so good some days. You forgot entirely that you were tied down to the bed, ankle clamped down. 
She let you walk for an hour a day, but recommended bedrest after that for health reasons. You didn't complain or talk back because she didn't like that. 
She let you read, and she was even curious about your reading, asking you questions and taking notes as if this were just part of her regular college schedule, an office hour that had taken over her life. 
You shuddered sometimes as she stared up at you with those big eyes, so wide, and young, and naive, and full of hatred, and evil, and you wanted to claw them out and scream for help, and stab her with the pencil she wrote notes with, and stab, and stab, and stab, and-
The third thing you knew was that you'd never hold your baby in your arms because you'd be dead moments after they breathed their first breath.
You knew, because she had told you as much everyday since you'd woken up. 
In two months, Spencer had become more manic and self-destructive than he'd ever been in his entire life. 
His world centred around you, and finding you, even as his 3% slipped to 1%, slipped to 0.1%, and he knew deep inside that he'd never see you again. 
He hadn't returned to the BAU but had instead turned his home into an investigation room, emptying the walls so he could pin up information, evidence, pictures of you, everything he could find. It wasn't that he'd regained hope, but he'd grown so desperate that he suddenly gripped hard onto the only slither of it that he had left and refused to drop it. He was a dog that didn't know the game of fetch only conti he'd if he dropped the ball. His life would not go on without you.
So he searched. He knew how far along you were. He knew how far along a woman had to be for a c section, professionally performed or not. 
He barricaded himself into his house and paced for days as his friends pounded down his door. He let none in. He didn't go out. He wasn't sure what he ate, or drank, or if he slept, but he knew he paced, and he thought, and he came up with theories. 
After two months, Emily was tired of knocking. 
“Spencer Reid, I am coming in,” she shouted from behind the door. 
He usually ignored her. She couldn't pass the bookshelves he'd moved in front of the door anyway, even if his superintendent had given her a key. 
This time though, he heard a banging, a creak and a crash as the bookshelves went down and Emily, who had left him and returned, made her way inside his apartment. 
“You barricaded the door?” she said, looking at him. 
He took a shaky breath and tried to answer as she surveyed his apartment, the mess of papers, books, string on the wall. He saw her stare down at the pile of sheets on the floor where he'd been sleeping, the bag of your things he had dragged to be closer to him. 
He saw her look at the baby shoes, and baby grows he'd laid out neatly on the floor, and he saw the pitying look she turned on him. 
“She's pregnant,” he finally said out loud, though you must've been 7 months along by then. “I'm going to be a father.”
“Spencer,” Emily said, grasping his hand, voice cracking from the strain of emotion that coated her tongue, making her voice thick. “You would've been an amazing father.” 
“No. No-” he said, breaking away and moving back to his wall. “No past tense, I won't let you… I won't let you give up on them.” 
“It's been two months.” 
“So she's only seven months pregnant. I have two more months to find her, Emily. Two more. At least allow me that.” 
The tears in his eyes streamed freely now as she nodded. 
“We will…. you know we'll help you. We'll do everything we can, so come to the office.” 
He didn't want to give up his space. His reminders of you, the baby grows, the information he'd gathered.
Equally, he didn't like Emily being in this space. She thought you were already dead, and he couldn't even look her in the eye. 
Reluctantly, he nodded, lifting himself up on legs weakened by insurmountable grief, and he followed her to Quantico. 
By the end of your third trimester, you wondered how you could ever have gotten so big. When you gave birth, the child inside of you would only be the size of a small pumpkin. You felt like you'd swallowed five regular size pumpkins whole, and you felt you were still expanding. 
The point worried her. She'd broken two glasses in tantrums this last week alone, measuring you every day. 
The closer you got to birth, the more agitated she grew. 
“This demon inside of you is going to kill you. I won't even have to do it myself,” she'd whispered to herself, or to you, as she took your vitals that morning. 
“Please don't say that.” 
“Why not? You're a whore, and you're going to give birth to a devil. You have seduced my soul mate, because you are a jezebel and the Lord is punishing you.” 
You'd needed all the strength you could get for these conversations. Even one tear, and she'd erupt and put a knife at your neck. With only a few weeks left, there was no saying whether she'd speed her plan along. 
“I did not seduce your soul mate,” you said as calmly as you could muster, taking deep breaths, hoping that she would mirror them and calm down. 
“Do we have to watch the fucking video again?” she spat at you, stomping around to the side of your bed and pulling out her phone. She queued up the video quickly and you averted your eyes. 
She turned them back quickly, holding your head in place as she forced you to watch your own office space. She showed you the videos of you and Spencer talking, teasing each other. She showed you the video of you insisting you were not attractive to him. She showed you the video of Spencer fucking you on the sofa, though she screamed and cut her fingernails into her skin the entire way through. 
She even showed you the video of her attempting to seduce Spencer during their office hour. It was the first video in her collection, the first time she'd set up the camera. She used your entrance as proof that you were breaking her apart from her soul mate. From Spencer. 
You were a whore who had thrown herself at him in anyway you could, and you had trapped him with a baby. 
She was going to free him from all responsibility so he could be with her. 
“My baby will be your devil,” she said as the video ended, and you forced your heart to settle. 
“It is not your baby.”
“Spencer won't know that. He doesn't know it's your baby either, and who are the authorities going to believe when I show up with his child. One paternity test later, and I'll have him, and we can be a happy family together, and we can live happily. I'll take in your devil  and raise it as my own, and we'll forget about the whore who almost ruined it all.”
The psychosis was so clearly written on her face, you were surprised no one had caught onto her state yet. She was devolving. She'd been calm, and contemplative the first week. She'd laid out her plans still, her insane plans, and seemed somewhat coherent. 
Then she'd began rambling about the devil and soul mates, and you'd pitied her, even in your fear. 
Now you were just glad she counted your office tryst as your conception date, and you'd never corrected her. 
She still believed there was a month left until your death. You knew it was days. 
You just prayed your baby could buy you some time.
“Professor?” she said as she carried away the tray of items she'd checked your vitals with
“Yes.” 
“You are not in love with Spencer Reid,” she said, as if trying to convince you. 
“No,” you said, trying to convince yourself  though it was hopeless. “I am not in love with Spencer Reid.”
The first lead in the case came on your due date. Patient confidentiality was, happily, overlooked by a few doctors when he pressed the issue, needing to know until when he was counting down. 
He'd done the rough math himself, but he needed a professional opinion. 
The lead came in the form of an email. The university was cleaning out your office to make way for a new professor, despite his insistence that you'd return, and they needed him to collect things. 
And though he knew you'd be giving birth that day, and he had run out of time, something compelled him to go and do this menial task on today of all days. 
Luke had joined him, and then so had JJ and Emily, and Penelope and Tara. Rossi had even arrived to watch you pile books into boxes that were supposed to have lived on these shelves for a long career. Everyone in the room was so busy watching him, waiting for him to crack, that it had to be him to find it. 
At first, he thought it was a hole in the couch. It was so dark and black, its curved corners giving the illusion of introversion. Then he'd touched it and felt the rough bump. 
“Penelope, here, now,” he breathed out, gasping for air as he finally pulled the tiny spy camera free and thrust it into his friends hands. 
He had a lead. He had you now. 
The first hour of labour was inconvenient only because you weren't alone. She'd been tending to you all morning, fussing over your food, trying to maintain the right amount of prenatal vitamins as she usually did, but she'd ran out of two bottles, and the pharmacy wasn't open. 
You sat still and uncomfortable, trying to not even flinch as your water broke, too afraid of death to be thinking about the life you were bringing into this world. 
The second hour ticked by much the same until she left. 
The third came, and you ceased your screams of pain, even as your hands bore holes into your sheets. She returned, and you knew there wasn't much longer until she knew. 
By hour four, she had your legs spread and was watching you deliver your baby, and you knew the same blade that would sever your umbilical cord would also end your life. 
By hour five, you were so delirious with pain that you thought you saw Spencer. You heard his voice cooing to you as you pushed. You felt his hands wipe away your sweat, smooth the hair from your eyes. You heard his voice announce your daughters birth, and you felt his lips against your skin as you finally gave up fighting and drifted into oblivion. 
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missmorwen · 2 years
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I posted 3,250 times in 2022
15 posts created (0%)
3,235 posts reblogged (100%)
Blogs I reblogged the most:
@bolshoiromanova
@burninblood
@dailyteamcap
@elle-rosewater
@teaposing
I tagged 3,018 of my posts in 2022
Only 7% of my posts had no tags
#buckynat - 1,014 posts
#q - 686 posts
#bucky barnes - 601 posts
#natasha romanoff - 545 posts
#fanart - 538 posts
#catws - 164 posts
#bw - 158 posts
#tfatws - 148 posts
#yelena belova - 137 posts
#writing - 105 posts
Longest Tag: 125 characters
#and you can't have red room smut without at least mentioning that it's fucked up that one of the partners doesn't have a name
My Top Posts in 2022:
#5
That feeling when your smutty one-shot grows angsty and sprouts a second chapter.
10 notes - Posted November 25, 2022
#4
Chapters: 7/7 Rating: Explicit Relationships: James "Bucky" Barnes/Natasha Romanov, Steve Rogers/Sam Wilson, James "Bucky" Barnes & Steve Rogers Additional Tags: Soulmate-Identifying Marks, Pining, still not over the damn pining, Idiots in Love, Bucky Barnes Needs a Hug, Not Captain America: Civil War (Movie) Compliant, Angst with a Happy Ending, (sorry about the angst i didn't plan on it), Crack, or as close to it as I'll ever come, Shameless Smut, Cunnilingus, 'Cos we all know that Bucky's favorite meal is Natasha Summary:
“If soulmarks are so stupid, why are you always touching yours?” Steve said. Bucky only caught the flicker of something that looked a lot like fear on Natalia’s face. Then her features hardened, and she pulled her left sleeve up, revealing a scar that had faded since the last time he'd seen it. A line of silver that stretched from above her wrist to a few inches below the inside of her elbow. The skin around it was pale and unblemished, a far cry from the scratched-up mess it had been when—when they’d been more than just friends. “I don’t have a mark anymore. They removed it in the Red Room.” Her voice was like glass, clear, brittle, and sharp enough to draw blood.
*************
An exploration of the bond between soulmates. Or, you know, the soulmate trope used as an excuse for yet another pining fic. This one with extra pining.
11 notes - Posted June 19, 2022
#3
Chapters: 1/2 Fandom: Captain America (Movies), Marvel Cinematic Universe, Marvel 616 Rating: Explicit Warnings: No Archive Warnings Apply Relationships: James "Bucky" Barnes/Natasha Romanov Characters: James "Bucky" Barnes, Natasha Romanov (Marvel) Additional Tags: Red Room (Marvel), Light Angst, Shameless Smut, Plot What Plot/Porn Without Plot, Fluff and Smut Summary:
Her eyes were wide and alert as she stared up at him. Fear warring with determination and hunger. Her lovely features shifted as each emotion fought for dominance. He should order her to leave. Tell her that she shouldn’t risk her future by coming here. He didn’t. He couldn’t get a word out when Natalia looked at him like that. His own bottomless hunger wouldn’t allow it. The Soldier took a step back. Not in retreat, as an invitation.
*************
Bucky and Natasha meet in the Red Room and again after when they are free of it. Or me working through my recurring writer's block by writing smut, angst, and fluff instead of plot.
20 notes - Posted November 28, 2022
#2
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Wow, spellcheck. Way to try to kill the mood...
25 notes - Posted June 12, 2022
My #1 post of 2022
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BuckyNat! Liho! Alpine!
I need to read this. Like now
31 notes - Posted March 5, 2022
Get your Tumblr 2022 Year in Review →
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Day 18 of @defendingtheduchesses 's Meghan memories challenge.
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Meghan's writing has always been one of my favourite strengths of hers. And I thought I would share one for day 18, so I picked this important one.
'What are you?' A question I get asked every week of my life, often every day. 'Well,' I say, as I begin the verbal dance I know all too well. 'I'm an actress, a writer, the Editor-in-Chief of my lifestyle brand The Tig, a pretty good cook and a firm believer in handwritten notes.' A mouthful, yes, but one that I feel paints a pretty solid picture of who I am. But here's what happens: they smile and nod politely, maybe even chuckle, before getting to their point, 'Right, but what are you? Where are your parents from?' I knew it was coming, I always do. While I could say Pennsylvania and Ohio, and continue this proverbial two-step, I instead give them what they're after: 'My dad is Caucasian and my mom is African American. I'm half black and half white.
To describe something as being black and white means it is clearly defined. Yet when your ethnicity is black and white, the dichotomy is not that clear. In fact, it creates a grey area. Being biracial paints a blurred line that is equal parts staggering and illuminating. When I was asked by ELLE to share my story, I'll be honest, I was scared. It's easy to talk about which make-up I prefer, my favourite scene I've filmed, the rigmarole of 'a day in the life' and how much green juice I consume before a requisite Pilates class. And while I have dipped my toes into this on thetig.com, sharing small vignettes of my experiences as a biracial woman, today I am choosing to be braver, to go a bit deeper, and to share a much larger picture of that with you.
It was the late Seventies when my parents met, my dad was a lighting director for a soap opera and my mom was a temp at the studio. I like to think he was drawn to her sweet eyes and her Afro, plus their shared love of antiques. Whatever it was, they married and had me. They moved into a house in The Valley in LA, to a neighbourhood that was leafy and affordable. What it was not, however, was diverse. And there was my mom, caramel in complexion with her light-skinned baby in tow, being asked where my mother was since they assumed she was the nanny.
I was too young at the time to know what it was like for my parents, but I can tell you what it was like for me – how they crafted the world around me to make me feel like I wasn't different but special. When I was about seven, I had been fawning over a boxed set of Barbie dolls. It was called The Heart Family and included a mom doll, a dad doll, and two children. This perfect nuclear family was only sold in sets of white dolls or black dolls. I don't remember coveting one over the other, I just wanted one. On Christmas morning, swathed in glitter-flecked wrapping paper, there I found my Heart Family: a black mom doll, a white dad doll, and a child in each colour. My dad had taken the sets apart and customised my family.
Fast-forward to the seventh grade and my parents couldn't protect me as much as they could when I was younger. There was a mandatory census I had to complete in my English class – you had to check one of the boxes to indicate your ethnicity: white, black, Hispanic or Asian. There I was (my curly hair, my freckled face, my pale skin, my mixed race) looking down at these boxes, not wanting to mess up, but not knowing what to do. You could only choose one, but that would be to choose one parent over the other – and one half of myself over the other. My teacher told me to check the box for Caucasian. 'Because that's how you look, Meghan,' she said. I put down my pen. Not as an act of defiance, but rather a symptom of my confusion. I couldn't bring myself to do that, to picture the pit-in-her-belly sadness my mother would feel if she were to find out. So, I didn't tick a box. I left my identity blank – a question mark, an absolute incomplete – much like how I felt.
When I went home that night, I told my dad what had happened. He said the words that have always stayed with me: 'If that happens again, you draw your own box.'
I never saw my father angry, but in that moment I could see the blotchiness of his skin crawling from pink to red. It made the green of his eyes pop and his brow was weighted at the thought of his daughter being prey to ignorance. Growing up in a homogeneous community in Pennsylvania, the concept of marrying an African-American woman was not on the cards for my dad. But he saw beyond what was put in front of him in that small-sized (and, perhaps, small-minded) town, and he wanted me to see beyond that census placed in front of me. He wanted me to find my own truth.
And I tried. Navigating closed-mindedness to the tune of a dorm mate I met my first week at university who asked if my parents were still together. 'You said your mom is black and your dad is white, right?' she said. I smiled meekly, waiting for what could possibly come out of her pursed lips next. 'And they're divorced?' I nodded. 'Oh, well that makes sense.' To this day, I still don't fully understand what she meant by that, but I understood the implication. And I drew back: I was scared to open this Pandora's box of discrimination, so I sat stifled, swallowing my voice.
I was home in LA on a college break when my mom was called the 'N' word. We were leaving a concert and she wasn't pulling out of a parking space quickly enough for another driver. My skin rushed with heat as I looked to my mom. Her eyes welling with hateful tears, I could only breathe out a whisper of words, so hushed they were barely audible: 'It's OK, Mommy.' I was trying to temper the rage-filled air permeating our small silver Volvo. Los Angeles had been plagued with the racially charged Rodney King and Reginald Denny cases just years before, when riots had flooded our streets, filling the sky with ash that flaked down like apocalyptic snow; I shared my mom's heartache, but I wanted us to be safe. We drove home in deafening silence, her chocolate knuckles pale from gripping the wheel so tightly.
It's either ironic or apropos that in this world of not fitting in, and of harbouring my emotions so tightly under my ethnically nondescript (and not so thick) skin, that I would decide to become an actress. There couldn't possibly be a more label-driven industry than acting, seeing as every audition comes with a character breakdown: 'Beautiful, sassy, Latina, 20s'; 'African American, urban, pretty, early 30s'; 'Caucasian, blonde, modern girl next door'. Every role has a label; every casting is for something specific. But perhaps it is through this craft that I found my voice.
Being 'ethnically ambiguous', as I was pegged in the industry, meant I could audition for virtually any role. Morphing from Latina when I was dressed in red, to African American when in mustard yellow; my closet filled with fashionable frocks to make me look as racially varied as an Eighties Benetton poster. Sadly, it didn't matter: I wasn't black enough for the black roles and I wasn't white enough for the white ones, leaving me somewhere in the middle as the ethnic chameleon who couldn't book a job.
This is precisely why Suits stole my heart. It's the Goldilocks of my acting career – where finally I was just right. The series was initially conceived as a dramedy about a NY law firm flanked by two partners, one of whom navigates this glitzy world with his fraudulent degree. Enter Rachel Zane, one of the female leads and the dream girl – beautiful and confident with an encyclopedic knowledge of the law. 'Dream girl' in Hollywood terms had always been that quintessential blonde-haired, blue-eyed beauty – that was the face that launched a thousand ships, not the mixed one. But the show's producers weren't looking for someone mixed, nor someone white or black for that matter. They were simply looking for Rachel. In making a choice like that, the Suits producers helped shift the way pop culture defines beauty. The choices made in these rooms trickle into how viewers see the world, whether they're aware of it or not. Some households may never have had a black person in their house as a guest, or someone biracial. Well, now there are a lot of us on your TV and in your home with you. And with Suits, specifically, you have Rachel Zane. I couldn't be prouder of that.
At the end of season two, the producers went a step further and cast the role of Rachel's father as a dark-skinned African-American man, played by the brilliant Wendell Pierce. I remember the tweets when that first episode of the Zane family aired, they ran the gamut from: 'Why would they make her dad black? She's not black' to 'Ew, she's black? I used to think she was hot.' The latter was blocked and reported. The reaction was unexpected, but speaks of the undercurrent of racism that is so prevalent, especially within America. On the heels of the racial unrest in Ferguson and Baltimore, the tensions that have long been percolating under the surface in the US have boiled over in the most deeply saddening way. And as a biracial woman, I watch in horror as both sides of a culture I define as my own become victims of spin in the media, perpetuating stereotypes and reminding us that the States has perhaps only placed bandages over the problems that have never healed at the root.
I, on the other hand, have healed from the base. While my mixed heritage may have created a grey area surrounding my self-identification, keeping me with a foot on both sides of the fence, I have come to embrace that. To say who I am, to share where I'm from, to voice my pride in being a strong, confident mixed-race woman. That when asked to choose my ethnicity in a questionnaire as in my seventh grade class, or these days to check 'Other', I simply say: 'Sorry, world, this is not Lost and I am not one of The Others. I am enough exactly as I am.'
Just as black and white, when mixed, make grey, in many ways that's what it did to my self-identity: it created a murky area of who I was, a haze around howpeople connected with me. I was grey. And who wants to be this indifferent colour, devoid of depth and stuck in the middle? I certainly didn't. So you make a choice: continue living your life feeling muddled in this abyss of self-misunderstanding, or you find your identity independent of it. You push for colour-blind casting, you draw your own box. You introduce yourself as who you are, not what colour your parents happen to be. You cultivate your life with people who don't lead with ethnic descriptions such as, 'that black guy Tom', but rather friends who say: 'You know? Tom, who works at [blah blah] and dates [fill in the blank] girl.' You create the identity you want for yourself, just as my ancestors did when they were given their freedom. Because in 1865 (which is so shatteringly recent), when slavery was abolished in the United States, former slaves had to choose a name. A surname, to be exact.
Perhaps the closest thing to connecting me to my ever-complex family tree, my longing to know where I come from, and the commonality that links me to my bloodline, is the choice that my great-great-great grandfather made to start anew. He chose the last name Wisdom. He drew his own box.
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