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yaraaltrospace · 1 year

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Top 10 Annoying Orange Videos

Some people don’t like Annoying Orange, but for those that do, I wanna make a top 10 of episodes. As far as I researched, besides the channel itself posting a top 10 of episodes based on views, I don’t think anyone actually posted a Top 10 of Orange episodes, and I honestly think it deserves it.

The show created by Dane Boedigheimer, which was intended to be a one episodes thing, grew up to become something beyong he or any of us could imagine. This show revolves, obviously, around the main character, its ways of annoying directly or indirectly other foods, objects and guest stars in the kitchen. Though sometimes a joke CAN be carried for far too long, there ARE some good episodes that show the potential of this webseries and I’d like to show you some of my favorites.

Now, there are various holiday themed episodes, like the Christmas and Halloween themed ones, and certain episodes from Shocktober and Ask Orange series, and of course MANY movie spoofs. These are not entering the list, sorry. I’ll be focusing on episodes that are not part of a series, are not technically spoofs, challenges, or asks to any character. Mostly pattern adventures in the kitchen, other locations and those I perosnally think that used the comedy better.

NOPE, not using the first ever episode, it’s cheating!

10 - Close Encounters of the Annoying Kind

Yeah, despite the title it isn’t a spoof episode, but it does involve the main idea: Pear and Orange get abducted. By what? Greys? Xenomorphs? Predators? Nope, BROCCOLI! Alien Broccoli! And I’m really sure the short-lived Cartoon Netwrok show took notice of this episode and saw an opportunity there. Really, I do like most of the episodes in the show, so don’t you dare judging me.

Back to the episode, that’s basically it: Orange and Pear are in a spaceship, with alien broccoli planning to dissect them. I just question why Orange seems to LIKE Justin Bieber, but this episode IS from 2010, so it was before we knew who he really is. I also really like the Broccoli Leader voiced by Evan Ferrante aka NotTomCruise. This early episode has a simple premise, the jokes flow properly, it’s good. I really like it.

9 - The Amnesiac Orange

I was torn among this one and The Exploding Orange, but honestly, I think this one has a lot more funny potential. Basically Orange gets hit in the head by a canteloupe and forgets who he is. Then, an apple comes by and trick him into believing he’s an apple. That is brilliant, and a little mean. But then again, he IS an apple.

The casting is excellent, the memory loss scenario is used very well here, and for such a short story, we have quite a lot of laughs. I at least laughed very much at this one.

8 - ZOOM!!!

Another basic plot: Orange takes an energy drink. Just that has plenty of potential, like in the Family Guy episode New Kidney in Town’s beginning. The energy drink that gives the episode its name is voiced by Bobjenz, well known for the voice of Grapefruit. And it might be the pitch, which is actually something well handled by the webseries’ characters, but hearing Zoom’s voice and excitement at his first appearance brings a big smile to my face.

Also, adding a bit of venting here, in early episodes, Pear’s a lot more patient with Orange. He’s annoyed like everyone, but he still handles it with patience Orange’s hyper boost. Later episodes show Pear as intelligent and often hysterical, and always trying to hard to be something he isn’t. Like, in his extreme challenge videos, he seems to care too much about what others think of him. This early episodes Pear has a good will, patience and doesn’t deny being Orange’s friend, even though he’s annoying. I miss this.

7 - The Fruitbowl!

Orange and Pear narrate to us a Superbowl game and Little Apple literally becomes a part of that game. In Brazil we have the World Cup transmissions, but boy, the Superbowl events sound and look awesome, from the games to the crowd and performances. Heck, Michael Jackson started this trend.

There are funny moments, great slapstick and everyone gets a moment to shine. Marshmallow’s cute show is short but any moment with them is so cute. Please don’t bring up the gender discussion, It was settled recently that they're non-binary. This is a very good episode in my book.

6 - Clam’s Casino

This particular one is among those I hit replay for. A clam and his associates bring up a Vegas-style casino to the kitchen and we watch the Kitchen Crew, as we expect, bet and lose all their money. It’s a cliché, but clichés work when they’re properly used.

Brock Baker gave a great performance as Johnny Clam, and the jokes are well-written and portrayed. Certainly we’ll think twice before we gamble.

5 - Pickleback

I’m really confused about why people hate Nickelback. What happened? What did I miss? Anyway, this episode shows obviously a pickle version of the band brainwashing food to get pickled despite their song apparently being awful.

And Orange’s annoyance actually manage to save the day for once. This is quite refreshing and enjoyable to see: Orange helping his friends with what he can do. Another video on the replaying book.

4 - Fan Boy

At a certain point, we were and maybe still are all fanboys and fangirls, and when we get to meet our idols in person it’s like a dream come true. Imagine being a fan that’s a fan of the Annoying Orange?

Fan Boy’s behavior sort of remind us all of how we feel in this sort of environment. He even quotes the fan joke from an episode and how vintage things are. This episode works with what it has very nicely.

3 - Limes

Brad freakin’ Paisley! Really, Brad Paisley comes to the kitchen as a lime to cheer Orange up with a song. Musical episodes are always good, and Brad is really talented. This one reminds me a bit of Excess Cabbage, de in facto first episode of Annoying Orange I watched. So I hold it really dearly to my heart and added it to the replay book.

The song, the environment, the optimistic message, it’s a gem. I so reccomend this episode and this song.

2 - Cookie-DOH!

Everyone in the kitchen hides for Dane’s cooking something and when the oven gets open, a piece of cookie dough voice by Alexa Losey can’t wait to get in, and explains how she wants people to eat her, and the scenarios she often thought about.

I relate to her with having big expectations and feeling very upset when none of them come true, and reality is a b-word with us. It’s a feeling we all got to deal with and maybe still have to. I call this one a relatable character and this episode a great one on my list.

Before taking a stab at our number one here are some Honorable Mentions:

Best Fiends Forever

Grapefruit moves into the kitchen and Orange and everyone else can’t even. And also a different side of one of our favorite foods.

The Leprechaun Trap

A clever parody of advertising, as you probably seen in SNL multiple times, and on many Youtube viral videos.

Bacon Invaders

Just having Harley from Epic Meal Time means we’re off to a great episode!

Annoying Marshmallow

Unlike Annoying Pear, I really like Marshmallow doing Orange’s job, and actually making everything great and enjoyable for everyone. Really, Marshie, you are the best!

The Land Beyond the Kitchen

A train ride to the title’s world and the promise of the best adventures ever.

1 - Magnet Madness

This is another on my replay book. Orange and his friends are witnesses of a situation between the fridge’s magnets, two of them voiced by Ross Everett and Eric Scwartz, later the voice of the Gaming Grape. I love bullying-dealing episodes of any media, and this one has great comedy, born from the simplest parts.

Yeah, Orange and the others are mostly aside, but they still are a part of that whole thing. This is a very funny, very good written, very interesting Annoying Orange episode. It might not be for some people, but any episode that shows a great way to deal with a bully is a fine one for me.

Do you agree with the list? What is your favorite Annoying Orange video?

#annoying orange #list #episode #top 10

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futilefangirl · 11 months

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Hello! I just saw your post asking other Ryan Gosling fans about their thoughts on his movies. It was a few months ago so I don’t know if you’re still interested; if not, please don’t waste your time on this, but if you are, this is my favorite, least favorite(s), and unpopular gem.

Favorite: La La Land. I CANNOT with how good this movie is, and I usually HATE musicals and romances. Put those two things together and you get…a super freakin good movie that made me cry and listen to the soundtrack no less than thirty times??? I’m sure you’ve heard other people sing it’s praises before, but genuinely, this movie is a work of art.

Least Favorite(s): for this one, it’s complicated because I have two - one that was so unbelievably boring that I had to quit after thirty minutes, and one that has a few redeeming qualities but a horrible message. Let’s start with the boring one:

Song to Song - there was so much overlapping narration it was like a documentary of some obscure history figure nobody cares about rather than a movie. People were doing the Devil’s Tango at random intervals and I don’t know why.

Crazy Stupid Love: okay so I know this one is on the more popular side, so if you or anyone else reading this disagrees, I kinda get it and please don’t attack me. The redeeming qualities are as followed: at some points, it’s really funny. Put Ryan Gosling and the guy from the office together and you’re gonna have good humor. Emma Stone and Ryan Gosling do it again! While I don’t like their relationship as much as their one in La La Land, it’s still pretty nice. Okay, now into the main reason I don’t like it: the romance message is that if you try, embarrass, and harass the person you love enough, they will eventually love you back. No.

My Unpopular Favorite: Stay (2005). Good Lord do I love this movie, and I get why some people don’t like it, but I do. It has heavy suicidal themes, so watch out, and is confusing at times, but it deals with emotions so well and the transitions between scenes are creative and smooth as crap. Ending is super sad too, like, a characters last words haunt me to this day.

Honorable mentions are: Remember the Titans (RG had a minor role but it handles racial issues perfectly and is also the best football movie ever, and that’s not controversial), Barbie (introduced me to Goose, so forever thankful), and The Nice Guys (Goose NEEDS to do more comedy films because he [and costar Russel Crowe] are absolutely hilarious in this).

Thanks for listening to me rant!

Thanks for sharing!! but im sorry did you say barbie introduced you to ryan???????????????????????? i didnt know this could be a thing, still i am very happy for you and you seem to have been catching up quite quickly! i re-watched crazy stupid love recently and actually got quite a kick out of it, but people could say the same about noah and allies relationship in notebook and i will simply not be hearing any of that The Notebook was my introduction to his work and let me tell you it certainly changed my life aha i couldnt imagine my teenage years without him, johnny, leo or emile hirsch

i really think movies just hit differently at different times in our lives for different reasons, if i was originally dissapointed by any of his work i would just not give it another shot but its been years and years since ive seen some of them and am certainly ready to re watch

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fiendishpal · 3 years

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hii fiend!!! i literally adore your art its so pretty and it- it just- *inhales* *exha-*💞💖✨💞💖✨💞🙏🛐🙇‍♂️🙇‍♂️anyways so- bcz u guided me to the osaaka ship and now im in love w it couldya please offer me some fic recommendations? ok, i just love ur art ur one of ny faves lov u have an amazingly sweet and beautiful day!!! :D

sure thing!!

i’ll put them by category here (i also have some art for some of them, i’ll post them when i’ve got the time)

i’ve put a star ★ beside fics that i’ve read a bunch of times hahaha!

canon-compliant

(fics that i think you should read first. mostly canon-compliant. so these are post-timeskip. after their meeting at the black jackals vs adlers game. these really won’t make any sense if you’re anime-only, sorry.)

stay with me go places by sparksandsalt ★

this fic. THIS FIC!!!!! this started everything for me!!! this is the reason why i started shipping osaaka!!!! the way they handled the characters is sooooo!!! *chef’s kiss* they really stick true to the characters' voices and the care they put into characterizations is impeccable. i also love bokuto and akaashi’s relationship here!! they’re so in each other’s lives that bokuto ends up exposing akaashi’s feelings indirectly and accidentally lmao and also atsumu and osamu’s relationship is so funny and hilarious. they are like how brothers are, atsumu showing his support but also clowning osamu in the process

this fic single-handedly fueled me to create so much osaaka content.

i dont know how many times i’ve read this tbh

wait by sanguinedawns

i love the yearning in this fic. the longing and the waiting and the expectation there. they’re trying to be subtle about their feelings for each other but they’re seen at the end but at 4k it’s narrated so smoothly. i love mutually pining idiots.

in the afternoon by yamaboto

this is so!!! i love this so much!! at 1k we see osamu yearning for akaashi once again. i love how they write this short scene. i could really picture the afternoon light coming in through the traditional panel doors and how the light must feel on your skin.

take what we love inside by yamaboto

this is an established relationship osaaka and how they got together. in the afternoon (the fic above) is a snippet of how warm the writer could put words together. and it really is so sweet there’s a scene where they slow dance and it’s the best. i also love the simple fact that they put in how osamu cannot let anybody go hungry hhaha

shout softly by lostsunsets

YOU HAVE NO IDEA HOW THIS MADE MY HEART FEEL SO LIGHT AND SOFT AND TENDER. THIS FIC IS SO PRECIOUS OH MY GOSH

i love love loooooooove how the author put osamu's love and passion for food and filling in the pieces on what osamu does to fuel this passion --while in the back burner-- while he was still playing volleyball in high school

AND HOW HE LONGS FOR AKAASHI. THIS IS MAKING ME AAAAAAAAAAA!!!!!

GO READ IT PLEASE

we’re in au territory

(the setting is not canon-compliant)

sleeping with the enemy by billionairevolleyboysclub ★

the setting is in 2013 haikyu volleyball circuit. meaning they’re still in highschool and are still playing volleyball and they just happen to chance upon each other at interhigh.

i love how sweet osamu is and how he got his crush on akaashi. and it’s lovely how they wrote the budding of a highschool relationship!! and their take on how osamu and akaashi handle ldr??? it’s delicious. dont let the fake/pretend relationship tag fool you this is very cute i love them so much!! i guess the ‘no drama’ aspect is what i like about this a lot bc osamu’s a pretty straightforward guy esp i guess back in highschool. also the second-hand embarrassment is real lmao

welcome in by risquetendencies ★

in this setting osamu’s still the owner of onigiri miya but the au aspect of this is that they haven’t met before. so basically a meet-cute.

and man oh mannnnn the tension written here is good food. osamu is written so obviously into akaashi (i mean who wouldn’t) and akaashi is affected by this greatly and it is!!! wow!! i just love how smooth osamu is here and how flustered akaashi gets bc “omg a hot guy likes me????” (yes akaashi, this hot guys thinks you’re a sexy piece of ass please believe it)

akaashi in a gay panic is literally the best thing.

blood brothers by billionairevolleyboysclub (18+)

miya twins are vampires and akaashi has a thing for fangs. that in and of itself is enough reason for you to read this. i also love how the writer puts a distinction between atsumu and osamu on how they interact with/ feed on akaashi.

like the dawn by eggsan

this fic is actually inspired by my royalty au but im not putting this here bc of that. i really like how the writer introduced their story. i remember telling someone that the atmosphere of how they write is like the voice of a soft-spoken maiden hahaha it's lovely!! think light academia aesthetic. i also love how i get the doki-dokis when osamu, who is essentially a stranger, gets close to akaashi. i can feel akaashi's excitement and trepidation.

forgive the sea, follow the tide by KyryeDuBarie (18+)★

PIRATE AU!!!!!!

i love the fresh twist that they did here on the classic mermaid/pirate au. the twist being akaashi is actually a pearl diver and at the same time being vaguely hinted as a mermaid hhahaha. osamu's a pirate that got shipwrecked and got washed up on akaashi's shores that akaashi, of course, saved.

there's a bunch of cool things that happened too that i cannot disclose bc that'll ruin the thrill of reading this. the plot is solid and the romance between osamu and akaashi is gradual but so so sweeeeet!! i highly recommend this!! but better clear up your schedule bc this hefty boy comes in at a whopping 40k!!!!

keep time on me by yamabato

this fic is based from my zombie apocalypse au!! and even though it’s set in the end of the world, they were still able to write it so sweet and comforting????? i only wish osamu and keiji the happiness they deserve :’)

i also like the whole theme of time in the story and how the story revolves around it. it’s very good!!!

the contest between by batman (18+)

akaashi is a documentary director and osamu is his subject. i love love looooove how the author wrote how stubborn both of them are and how they could clash sometimes but not in the explosive type of way. it’s actually cute and sweet, you’ll see what i mean when you read this hhehehe

AND AKAASHI IS SO LOVELY HERE!!! so lovely!!! and he laughs and smiles a ton and those moments were written in a way that just said ‘look at this angel!’ LMAO idk maybe that’s just me. i love akaashi so much

AND THIS BABY COMES IN AT A WHOLE 75K!!!!!!!!! AMAZING!!!!

#chocomilked #fiend talks #fiendish recs #GIVE THESE AUTHORS SOME LOVE #love love looooove these fics i swear by them!!!!#if i find more i''l update these!!#happy reading tumblr used chocomilked!! hahaha #osaaka #EDIT: added two new fics!!!#let me go around the fics i've read again hhaha

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organic-guacamole · 3 years

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showtime

episode 211 let's go

ok first of all, this is the second to last episode guys... I don't even wanna think about how much pain I'll be in after next week's episode

mr mazzara doing the recap-

this is so weird to me and I don't know why

WHY DIDN'T YALL JUST ASK BENJAMIN FOR HELP, THATS LITERALLY HIS THING

is Nini giving out the cards a callback to season 1 when Natalie Bagley said that Nini gave her a card or something on opening night of another musical?

STEPHY AS THE ENCHANTRESS OMG YES

Ricky in the crown gives me Harry styles in that photoshoot vibes

he's so pretty.

ok but why did we never see Ricky and Ashlyn interact before? it's been like 5 seconds and I already love how they bounce off each other and it's just so natural

OH THEY REALLY DON'T HAVE ANY UNDERSTUDIES-

well that explains a lot...

so Ricky fell on top of Ashlyn and all that broke for both of them was their wrist-

insert Jake Peralta *coolcoolcoolcoolcoolcool no doubt no doubt no doubt*

of course howie was amazing as the beast, were we expecting anything less??

Ricky is so beautiful and I will not shut up about it....

let me enjoy this before the makeup crew slaps mud on his face.

Nini and Ricky talking to eachother? in a civil manner? wasn't she avoiding him just in the last episode? hm ok

HAHAHAHAHAHAHAHAH THEY CANT EXPRESS THEIR FEELINGS JUST LIKE ME HAHAHAHAHA THIS IS HILARIOUS, WHATS NEXT? THEY CUT EVERYONE OFF CUZ THEY CANT HANDLE EMOTIONS? ...ha

yes Kaden and Rico, my favourite east high boys 🥰

I mean....where's EJ?

THERE HE IS

EJ AND GINA IN THE BACKGROUND... doing something idek

KOURTNEY'S MOM IS BACK YAY

Howie is a shining star, ofc ofc

the smallest fOrk

can't wait to see the fork burst into song about how she deserves more than to be used to eat salad😌

the duster and the bluster.... ok😃

hi Gina!

hi- oh wow I didn't know Robbie Rotten was in this show!!!!!

the portwell look.

that my friends, is a married couple's look✋

GOSH EJ WHAT DID THEY DO TO YOU

aww Gina's so excited for this

D word?

Die?

Delicious?

Dom Toretto?

"good, clean fun all alone with someone I dig...a lot"

sir that does not sound very clean to me

SEBLOS

Seb looks so cute standing there next to pope Carlos

DID THEYEY REALLY LIGHT ANTOINE ON FIRE-

I NEED TO SEE THAT

Seb's reading Carlos better than big red read the script in episode 102, this is great development after the "fight"

Kourtney really just made the best outfit for herself and let the rest of them suffer

the way Gina immediately goes to hold on to EJ after the announcement

"tonight we're going to put the U in UTAH"

...

"hey where are you from?"

"TAH"

SEB'S SINGULAR CLAP KILLED ME-

he's officially salt lake city's resident thanos

just wity clapping because for some reason I have a feeling he doesn't know how to snap his fingers...don't ask why

Ms Jenn do you mind encouraging your leads before the show? idk just an idea

pepto bismol product placement smhsmh

those flowers are bigger that big red himself-

*bops along to the opening theme*

that whistle at the end slaps everytime

WHY IS THE AUDIENCE SO MASSIVE

I guess they're all here to see Ms Jenn go on as a fork after Nini decides to *go her own way*

wow i am so funny

so they couldn't do many group scenes cuz of covid, but this 300 person crowd is cool? nice

OO THE VIOLIN GIRL FROM EPISODE 6 IS IN THE ORCHESTRA

HOWIEEEEEE

"Mr Caswell", he said, in the loudest voice possible while backstage at a show that's about to start.

Mazzara what are you trying to pull-

I usually like Benjamin but I don't like his tone

"iS yOuR wHoLe FaMiLy HeRe?" LIKE YOU DON'T ALREADY KNOW THATS A SOFT SPOT FOR EJ

"we've had some good conversations these past few weeks"

right so what's going to happen after you graduate?

what does he think of you not going to Duke?

what did he say about you giving the sweatshirt that's been in the family for 3 generations to a girl you're not even dating?

good old Mr. M

therapist Mr. Mazzara, they all need it.

start with Ricky though.

"Michael Bowen"

dude why did you shave, now you look less like "hot lumberjack" and more "creep at the gas station"

OH-

does she not like Mike anymore?

why does it sound like jennzzara started dating and now they just sit back and talk smack about everyone in their freetime

break the fourth wall-

uhhhh im scared

why am I scared

he's scary

hehe flowers for Ricky, obviously for Ricky, ObViOuSLY

oh boy poor Michael

this man is in love, rip

why does Ms Jenn always look at people with her eyes open so wide

LILYYYY

I'm only excited because I really like the idea of lily and Ricky being friends, nothing more.

ha this guy's got jokes

a MOAT AROUND THE SCHOOL

wheeze

also he's very pretty.

"the wolves and very talented humans"

how dare he forget to mention the very talented wolves and normal humans, smh erasure

"being nice, what a concept" ted talk by Lily who still doesn't have a last name

did she just say lol out loud

same with the hug emoji last episode-

go touch some grass babes

the way he didn't say no, but said he didn't know how the east high kids would react-

not saying he does want to date her but that's an interesting thing to think about, also another thing to write an essay analysis on just to leave it in my drafts for a few months

awww lily genuinely trying to help him

sorry guys, I've been taken by the Lily charm (didn't know it existed until now but oh well)

REMEMBER WHEN I SAID I'LL NEVER SHIP PORTWELL?

just look at me now

the Lily wink I can't she's so cute-

HELP ME I'M BEING HELD HOSTAGE BY LIL-

David Attenborough?

oh nvm it's Benjamin narrating the show in a really weird British accent for some reason.

STEPHY GOT MORE LINES YAY GOOD FOR HER

also is this to show that Nini doesn't care about being the star of the show anymore? the way she's supporting everyone else even though she's a fork?

I would pay for a special of the full musical ngl

OOO THE TRANSFORMATION WAS SMOOTH

shockingly

yo where did the makeup come from

man I wish I was a theatre kid

THIS IS STEPHY'S EPISODE NOW IDC✋

my girl is starring

"needs an X-factor"

Simon Cowbell creeps in

"it's a yes from me"

and them boom, he takes Nini and mistreats her horribly and then she comes back to theatre after deciding music isn't for her👍

"I thought she just hog-tied him?"

don't ask sebby, it's better if you don't know.

imagine they spotlight the wrong person and this dude is just some random person that likes writing down stuff during shows.

Ms Jenn just let them do what they rehearsed (at some point we never saw) or else this is gonna end horribly wrong

"help"

same Carlos, same

I love how seb is just his translator rn

I thought he said "great displeasure" instead of "greatest pleasure"....help?

big red coming out from throwing up to see his girlfriend star is the cutest thing in this show.

Ash and Gina dancing is so fun

I'm imagining them practicing at night at their home, watching the movie for the 100th time and making sure their one dance together is perfect

KOURTNEY YES

HOWIE IS IN LOVE AHHHH

I LOVE HOWIE SO MUCH

SEBBY

THIS SCENE HAS SO MUCH GOING ON I CAN'T KEEP UP

THIS IS SO GOOD

HOW???

no because I'm actually crying

I'm dead serious.

we need this musical released as a special

big red is so proud and I love to see it

Natalie: "if you do not by at least 20 dollars in concessions, you do not support art"

rando in the audience: "but I pay for ad free Spotify"

Mr Mazzara clapping in the distance

Gigi, the guy you like is talking to you, complimenting you and hyping you up

YOU LUCKY LITTLE FEATHER DUSTER

aw EJ teasing her about the chocolates in a way that doesn't make her feel bad? take notes Richard

JORDAN FISHER

there is no rest of the show idc Jordan is it for me

THE WIG CAP ON RICKY OMG

they look like they're high and having "deep" conversations on the floor

THE MEAN GIRL WITH THE EYES-

@sunshine-julie-molina YOU HEAR THAT

Natalie really just be coming for them all

Howie what is happening rn

I'm scared

"did you enjoy it"

"very much"

dude wants a kiss so bad

ASHLYN OMG

NO DON'T DO IT BECAUSE OF LILY, PUT YOUR OWN TWIST ON IT

I want a Jordan autograph please

just keep swim- oh pushing...

Gina is literally a giant next to him and I live for it

am I about to cry for the 3rd time in this episode?

yes.

Ricky's leg kicks under the table makes me so happy aw

the portwell glances will kill me.

ah yes, mashed potato snow

Mr. M.... I'm not a theatre kid but even I know you can't have your phone on backstage.

Howie please just do it

CHIP'S BIG LINE I CANT

I LITERALLY HAD TO PAUSE IT AMD SCREAM INTO MY MASK FOR A SOLID 2 MINUTES (I'm not at home rn) HES SO CUTE

oh ok bye Jordan

oo tea

NOT HIM BEING STARSTRUCK BECAUSE HE'S MEETING HIS FUTURE BROTHER IN LAW-

"we're all just glad Gigi has a big brother figure in her life"

excuse me for a few thousand hours while I laugh hysterically

THE CAMERA ZOOM ON EJS FACE AND EVERYTHING-

STOP EJ LOOKS LIKE HE'S GONNA CRY BUT I CAN'T TAKE HIM SERIOUSLY WITH THE STAGE MAKE-UP

someone else said this already but I think it's hilarious that they had to bring in 2 guest characters to create some portwell angst

omg this really is Cici's episode, found family is their thing

elevator music lol

I'm gonna bet that big red took the harness for his surprise for Ashlyn without realising what it was

did Ms. Jenn just....tell her most mentally unstable student....to commit suicide....on a disney show...was that....I'm very....well....what the actual-

oh and there she goes running off instead of trying to make it right

oh wow Nini's the hero, she's gonna save the show 🤩

😐

the judge is doing a sudoku

honestly if I went to the hsm show as well, I'd come prepared for this one too

Lily why are you looking like that-

I WAS JUST STARTING TO LIKE YOU DON'T MESS THIS UP

wow ok, there goes that.

omg

what if Howie was acting weird because he knew what Lily did and wanted to tell Kourtbut Lily threatened him so he was scared to-

anyways see y'all clowns next week when we all simultaneously lose all motivation for the week without Fridays to look forward to.

#hsmtmts #hsmtmts s2 #hsmtmts season 2 #hsmtmts spoilers #ej caswell #gina porter #ricky bowen #nini salazar roberts #seb mathew smith #carlos rodriguez #big red #ashlyn caswell #kourtney greene #howie my pizza king #lily hsmtmts

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starlightshore · 4 years

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hi sorry if this seems a little rude, if chara isn't really bad, then why do they kill them on the soulless route?

(I always wanted to know about it)

(not rude at all! feel free to ask questions like this its no skin off my back) which “them” are you referring to? that could mean different things like: the underground, the player, Frisk ect. its a little vague)

but I’ll try to answer this with the above being vague anyway

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hoo boy this ended up long LMAO. coming back from the bottom to say Sorry this ended up this lengthy. here’s some

content warnings: discussions of canon and implied dark topics such as: abuse, murder, death, suicide, and self harm

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TLDR: Chara is a complex character with a rich backstory and motivations. by looking at the full game, you understand they’re a mentally ill child who is just following the player’s directions. YOU do the killing, Chara is your partner in crime because you force them to be.

Chara is the narrator in ALL routes. they are the UI, stats and narration.

it is Chara’s memories that convinces Asriel to remember how they met and how much they loved each other when alive. Chara is key to Asriel freeing the underground, they are a god dang hero

let’s look at canon Chara pre-game to fully understand what’s going on though.

-Chara lived in a village close to mt.Ebott. they decided to climb mt.Ebott for “a not happy reason” and hated humanity

-once underground, they become the sibling to Asriel and become a full fledged Dreemurr. They love their family. “it’s a dusty photo. everyone is happy.” (which, if you believe is the photo of Chara holding the flowers next to Asriel, implies Chara is smiling under them and their bangs) + the Mr.Dad Guy sweater + baking a pie for their dad

-in the underground, there’s the Deltarune prophecy. it reads as follows: “There is a prophecy. The Angel... The One Who Has Seen The Surface... They will return. And the underground will go empty.“

-Toriel and Asgore are both strong believers of the Deltarune as seen by the symbol on their clothes and homes.

-Chara has been to the surface and therefore, most believe Chara is the angel that will free them.

-Chara is a small child, who hates humanity, loves their family, and by fate is destined to free monster-kind. they are determined.

-Chara and Asriel decide to prank Asgore by making a pie with buttercups instead of a cup of butter. They learn the flower is poisonous and Asgore gets sick, but ends up fine. Chara laughs it off, but if one is paying attention to the game, you will see that their is a very common theme of smiling/laughing when distressed.

Toriel smiling, laughing when being killed in no mercy

Migospel’s whole game-play is about how one acts around others vs. alone “ Laughter hides the pain. [Alone]”

sans can be seen as a broad example

a VERY good example is the snowdrake’s mother fight:

“You laugh, and keep laughing. It's SO funny, you can't stop. Tears run down your face. | ... what? You didn't do that? [Laugh]

But it's not funny. [Laugh again]”

-Chara hates humanity (epilogue Asriel says that) and by extension, would hate themself. you can read into the tools being worn down to being blunt + no knives in the kitchen as being precautions Toriel put in place to prevent Chara from self-harming. Chara attempts suicide twice in the game’s story.. Also! It’s implied Chara was abused before coming underground. “ If you're cuter, monsters won't hit you as hard.-faded ribbon flavor text” and the fact Chara thought to kill the villagers in the first place, they didn’t get the “kill or be killed” mindset out of nowhere. + abuse can manifest in depression, anxiety, and Chara displays behaviors of coping with abuse. (harder to explain that detail, but Chara’s control-issues and distrust just SCREAMS abuse to me)

Chara is a kid with severe mental illness, implied to be abused, and all while younger than 13. that’s a lot to take in. which is also why a lot of people are upset at “Chara is evil” theories because it ignores that context and demonizes them. which is. bad. for lots of reasons. but mainly for how it handles the topic of survivors of abuse and mental illness and they’re just a freaking kid.

-anyway, long tangent aside... so this next point is more so how I interpret the order of events: Chara climbs the mountain to die, but trips and meets the Dreemurs. They become beloved by the kingdom and believed to be their savior. Chara can’t escape humanity’s history of trapping monsters or their own history of their horrible village, and when Asgore is poisoned they realize they’re bad too. It’s a common mindset of suicidal people to want to die before their image is tarnished. die while things are still “good,” when they’re still remembered fondly.

to cross the barrier, you need to have a human soul AND a monster soul. if Chara wanted to, they could of killed any of the Dreemurrs and absorbed their soul. But instead, the buttercup plan is a really freaking horrible way to die. Buttercup poisoning is awful. seriously, look up the symptoms. it’s bad. which is also why i believe Chara hated themself so much to put up with that form of death. -then they die, and become part of the Asriel and Chara fusion. (it should be stated they did not know Chara would be conscious.) the plan they agree on is to kill enough humans to break the barrier and free monster-kind, but Chara wants revenge, which is why they want to kill the humans and not negotiate like Toriel suggests Asgore could of done.

-Humans of course freak out at seeing them + their corpse and attack. Asriel realizes Chara was wrong and doesn’t want to murder, lets himself be killed. As they’re dying Chara screams “its kill or be killed” and both die. -years, possibly a century later depending on what side of the time-skip debate you’re on, Chara awakens in Frisk’s body and interacts with You, the player.

-they likely see you as the True Angel, and follow your orders just as Frisk just kinda vibes and does so as well.

-if you keep murdering, frisk distances themself from the world. (implied by what sans says about LV): * LOVE, too, is an acronym. * It stands for "Level of Violence." * A way of measuring someone's capacity to hurt. * The more you kill, the easier it becomes to distance yourself. * The more you distance yourself, the less you will hurt. * The more easily you can bring yourself to hurt others.

-Frisk, NOPEing out of the whole thing, just leaves Chara, who feels like they are the literal stats of the universe. THAT is why Chara is only really fully present in no mercy, and only narration otherwise. Frisk’s autonomy and how much control they have are directly tied to your LV. Frisk is only named in the pacifist ending because they’re rewarded with the acknowledgement that they’re a person.

-The biggest detail is that it’s not Chara who kills, but YOU. Chara is your partner in crime, and only attacks the player when you refuse to ERASE the world and they kill you themself. it is your power and your determination that brought them to this world, and it is through your actions they believe power is the only they must fight for.

-also, both Chara and frisk are influenced by the player and react differently depending on your actions. (the dog food bag is described as “half full/half empty” depending on your LV, a reference to how one looks at glasses of water to be more optimistic/pessimistic and Frisk will feel good/bad depending on LV when punching the mad dummy in waterfall.) Chara is always just following your lead. they’re not controlling Frisk, you are. however, they are in control of the choices (as confirmed in no mercy you don’t get to choose answers for papyrus’ question and he calls you out on it. personally i like to think each choice answer is from each kid)

anyway yeah that's my overly long analysis of how Chara’s backstory is used to define who they are and then how being revived from the dead, they follow your steps to apply the “kill or be killed” logic to it’s extreme end.

also, its not like Chara is happy about following your orders either.

they think a plant is judging you. they talk about your sins in the sans fight. they call Undyne a hero despite fighting her. Chara doesn’t want to kill Asriel, but once it happens they go ballistic, stabbing repetitively, clearly upset. that then instantly gets them powerful enough to destroy the world, as with how LV is described as distancing yourself and such. Asriel meant the MOST out of everyone, he was their best friend, forever.

#Anonymous #personal stuff #sams replies #long post #undertale analysis

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stranger-who-writes-fiction · 3 years

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Back at it again with my self-indulgent comic posts. This time! It’s Supergirl: Woman of Tomorrow #3, perhaps the most tonally-distinct entry yet, with shades of The Twilight Zone.

Spoilers!

So, as mentioned, this issue is the most deliberate in terms of both its pacing and its tone, IMO.

What is that tone, you ask?

To quote Alex Danvers, from “Midvale”: Hello, darkness.

THE STORY:

Kara and Ruthye are still looking for Krem Clues in the alien town of Maypole.

(Which is actually just Small Town, USA, complete with vintage 50s aesthetics.)

But the locals are clearly hiding something! So Kara and Ruthye continue to investigate, and they eventually discover what it was that the residents of Maypole were so keen to keep hidden.

Genocide, basically.

As I said, this issue struck me as very Twilight Zone; a genre story involving the build-up to a dark twist, all set against the backdrop of an idyllic small town. (Think, like, “The Monsters are Due on Maple Street” but instead of focusing on the Red Scare, it’s classism and racism.)

The wealthier blue aliens kicked all of the purple aliens out of town, and when space pirates showed up to pillage and plunder, the blue aliens made a deal with them: the lives of the purple aliens in exchange for their safety.

Which is where the episodic story connects to the larger mission; it was Krem who suggested the trade, and then joined up with the Brigands (space pirates) when he was freed by the blue aliens.

The issue ends with no tidy resolution to the terrible things Kara and Ruthye discovered, but they do have a lead on where to find Krem, now, as well as Barbond’s Brigands.

KARA-CTERIZATION:

Ironically, it’s here, in the darkest chapter yet, that we get the closest to what might be considered ‘classic’ Kara.

Which I think comes down to that aforementioned deliberate pace--this issue is a little slower, a little quieter. It gives the characters some room to breathe.

That’s not to say Crusty Kara is gone. Oh no. She is still very much Crusty. XD

But anyways. A list! Of Kara moments I loved!

I mentioned a few of these in a prior post when the preview pages came out: I like the moment where Kara blows down the guy’s house of cards, and I like that the action is echoed later in the issue when she grabs the mayor’s desk and tosses it aside. A nice visual representation of the escalation of Kara being, like. Done with these creeps. (Creeps is an understatement but you get the idea.)

Another one from the preview pages: Kara explains to Ruthye that her super hearing won’t necessarily help her detect a lie, especially if she’s dealing with an alien species she’s not familiar with.

It not only reveals her level of competence and understanding of her super powers, it also shows that, you know. She’s a thinker. She’s smart.

Amazing! Showing, rather than telling us, that Kara is smart! Without mentioning the science guild at all wow hey wow.

(Sorry, pointed criticism of the SG show fandom.)

Anyways.

I dig the PJs!

And Kara catching the bullet! Not only are the poses and character acting great, it’s also a neat bit of panel composition:

We start with Ruthye’s POV, and then move to the wide shot of the room. The panel where Kara actually catches the bullet is down and to the side of the wide shot panel--we move our eyes the way her body/arm would have to move to intercept the bullet. Physicality in static, 2D images!

Also, like. It’s a very tense moment, life-or-death, but. Ruthye’s wide-eyed surprise at the bullet in Kara’s hand? Kind of adorable.

I was pretty much prepared for the page of Kara shielding Ruthye from the gunfire to be the highlight--it was one of the first pages King shared and I was like, ‘yeah, YEAH.’ But, shockingly? The TRUE highlight of the issue?

Where do I BEGIN?!?!

EVERYTHING. About this moment. Is lovely.

From Kara holding Ruthye above the bench to explaining the concept of a piggyback ride, to telling her:

“I’m going to hold my hands here, and these hands can turn coal into diamonds, so they’re not going to let go. I’m going to keep you safe.”

HNNNNNNNNNNNG.

Ruthye’s narration--about how Kara had avoided flying as she was concerned it would freak Ruthye out--just adds a whole additional layer of YES, GOOD, YES, and her line on that splash page is great: “You see, all that time, she was worried about me.”

HNNNNNNNNNNNG. AGAIN.

To say nothing of the STELLAR ARTWORK.

And SPEAKING of that stellar artwork, Evely and Lopes continue to knock it out of the park. Each issue is distinct and beautifully crafted, a true joy to look at.

Before I jump into more of the art, a few final notes of character stuff in general.

Ruthye is the one most affected by the experience in Maypole, as she can’t comprehend how a society of people that look so nice and gentle and peaceful could have been party to such a horrible act.

One of the big criticisms of the book thus far is that Supergirl is not the main character, and I guess I can agree with that observation. Typically, in Western media, the main character is the one who goes through the most change in the story.

And, yeah. That’s Ruthye.

As I was reading the end, where Ruthye sits on the curb and Kara hugs her, I was imagining how the scene would’ve played, had King stuck with the original idea for the series: Kara as the one learning to be tough/experiencing all of this for the first time, and while I think that could certainly work...

I continue to appreciate that King literally flipped the script; that Kara, especially in this issue, is like, ‘I’ve seen this, I know this,’ as opposed to being the one going through a loss of innocence.

*Marge Simpson voice* I just think it’s neat!

Because Kara’s been a teen in DC comics for so long--ever since she was reintroduced to the main DCU continuity, actually--so this is all brand new territory, here. Having an older Kara who’s SEEN SOME STUFF.

(Alsoooooo, since Bendis made the destruction of Krypton not just inaction and climate disaster, but rather, genocide, and the subtext of a Kryptonian diaspora text, the waitress’ derogatory comment regarding the the destruction of Kryton, as well as Kara picking up the bad vibes the entire time, suggests not just a broad commentary on discrimination in all its forms, but specifically allegorical anti-Semitism. The purple aliens being forced out of their homes and into substandard living conditions, then the blue aliens--their neighbors and once-fellow residents--essentially allowing the space pirates to kill them, making them literal scapegoats, Kara discovering the remains of the purple aliens, and Ruthye’s horror at the ‘banality of evil’...yes. A case could be made, I think.)

(Which would probably require a post unto itself and a lot more in-depth discussion, nuance, and cited sources.)

(Should mention that King has brought up that both he and Orlando--the other Supergirl writer he talked to--are Jewish, and for him personally, that shaped his views on Kara’s origin story.)

I guess my point is that this issue is perhaps not as out-of-left-field as some might think, and just because there isn’t as obvious an arc for Kara, doesn’t mean there isn’t some sharp character work at play.

(I could be WAY OFF, of course, and I’m not suggesting it’s a clear 1:1 comparison. I’d actually really love to hear King talk about this issue in particular.)

Anyways.

Here’s the final page, which I think works, because as I mentioned before, there is no easy answer/quick wrap-up to the story of Maypole:

THE ART:

I mean. How many times can I just shout ‘ART! AAAARRRRRRRRRRRTTTT!’ before it gets old?

I dunno, but I guess we’re gonna FIND OUT.

There are some panels in this issue that I just. Like ‘em! From a purely artistic standpoint! Because they’re so good!

Like, I just really love the way Kara is drawn in that top panel. Her troubled, confused expression, the colors of the fading light, the HAIR.

Evely draws the best hair. I know I’ve said this before. I don’t care. I will continue to say it, because it continues to be true.

The issue I find myself running up against when I make these posts is that I really don’t want to post whole pages, as that’s generally frowned upon (re: pirating etc.) but with something like this, you just can’t appreciate it in panel-by-panel snippets.

(Guided View on digital reading platforms is a BANE and a POX I say!)

Anyways.

LOVE the implied movement of the cape settling as Kara speeds in and stops.

And, obviously, Kara flicking the bullet away is just. A+.

And the EYES, man. LOPES’ COLORS ON THE EYES???!?! BEAUTIFUL.

Also, should note the lettering! The more rounded letters for the ‘WOOSH’ of Kara’s speed (and, earlier, the super breath) work nicely, and contrast with the angular, violent BLAMS of the gunshots.

And, I gotta say, the editor is doing a really great job of not cluttering up the artwork with all the caption boxes. Which is no small task.

(I assume the editor is placing them, as editors usually handle word balloon/caption box placement, but I suppose it could be Evely? Sometimes the artist handles it. Either way, whoever’s taking care of all the text, EXCELLENT WORK! BRAVO!)

Okay I think that’s everything.

Ah, nope, wait.

MISC.

Just a funny observation, more than anything else: Superman: Red and Blue dropped this week, and King had a story in there, “The Special” (which was very good, btw.) Both Lois and the waitress swear a lot so I’m beginning to think that this is just how King writes dialogue for any adult character who isn’t Clark. XD

This is absolutely a personal preference but when Kara was like, “And my name IS Supergirl,” I was like nooooo. I know King is trying to simplify all of the conflicting origin stories and lore but I LIKE KARA DANVERS, SIR. XD

It’s almost assuredly a cash-grab/an attempt for DC to get all the money it can out of a book they don’t have much confidence in, but I like the cardstock covers! Very classy, much Strange Adventures.

(OH my gosh, can you imagine that issue 1 cover with spot gloss???? Basically the only way you could possibly improve on it.)

Okay NOW I’m done. For real. XD NEXT TIME: Kara and Ruthye go after Krem and the Brigands!

#supergirl: woman of tomorrow #long post #dc comics #supergirl: woman of tomorrow spoilers #kara zor el #comic thoughts #comic opinions #just occurred to me I should be crediting the creative team in these things #I think thus far I've included every title page?#still #will try to be better about that going forward

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transsexualhamlet · 3 years

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sherlock holmes reactions part 4 (?) ive lost count already but unsurprisingly ive grown even more attached to him

using this as the cover image because i made him a playlist. cause im awful

no legit this is gonna need a read more because it's SO LONG SHIHEWIESHEFSHIEWHF

Had three mental breakdowns this week and realized i do in fact kin sherlock motherfucking holmes. this does not bode well for anything in my life mentally I've diagnosed him with so many things

Oh boy lol you want the list I think hes autistic (undisputed honestly) plus also adhd but on top of that there's the manic depression and uhhh the bpd lmao I dont even think that's it those are just. the obvious ones

But yeah man's a fucking mess and a shit person but in the same way as me so 👍

Some highlights I thought were very funny:

watson: we are in fact going to be waltzing into a place where people are Shooting People you do not have your gun. this is a problem

sherlock: don't worry watson I have my trusty stick!

watson: visible pain

This clearly happens like every day or so with them

but yeah there were some really honestly sweet scenes with them at the apartment and why am i getting soft over the crusty man being gay

have you considered tho. have you considered them

have you considered sherlock, who usually only plays absolute garbage on his violin serenading watson to sleep when he was tired and in pain and watson being so fucking in love with the man and waxing poetic about falling asleep to his music and waking up to see him fallen asleep on the couch next to him and oh my god them

They're just really sweet together for such a completely dysfunctional couple so much of the time lol I just. Sherlock being like.

Sherlock half of the time: watson you're fucking stupid. no i won't take care of my personal needs stfu. watson get a goddamn life. watson shut up. watson no one cares about your goddamn opinion. no i need to disturb you in the middle of the night it's for science. hey watson mind if i manipulate mansplain malewife

Sherlock the other half of the time: HELLO SIR YOU ARE MY FAVORITE MAN TO EVER MAN HELLO MAY I SPEND THE REST OF MY DAYS WITH YOU HELLO I WILL DO ANYTHING FOR YOU WE ARE PERFECT MATCHES I LOVE YOU AND I NEED YOU YOURE SO MUCH BETTER THAN ME PLEASE MARRY ME

They're... they certainly are.

ALSO OH MY GOD.

THIS ONE TIME WHEN SHERLOCK WAS JUST PACING AROUND THE ROOM AT 3 AM GOING "IT DOESNT MAKE SENSE >:(((" AND HUDSON LIKE BARGED IN TO COMPLAIN AND THEN WATSON WAS LIKE DUDE YOU GOTTA STOP DOING THIS AND PROCEEDS TO SAY THE LINE "YOU ARE KNOCKING YOURSELF UP, OLD MAN"

BAHGHSFHGRHEWHEWHIFEW

BRB SOBBING

CALLING HIM AN OLD MAN???? KNOCKING HIMSELF UP?? I DONT KNOW WHATS FUNNIER

The main highlight of this part was I have now gotten to see him have a great time watching his homo homie get married

Its so fucking funny.......

I was prepared for a funny reaction by yuumori sherlock's face when he said it lol but. Damn i was really not prepared tbh

watson: I'm engaged!

sherlock: *pained groaning*

watson: do you... not like her?

sherlock: no she's fine she's great you'll be wonderful together bUT I HATE IT WHEN PEOPLE ARE HETEROSEXUAL WATSON DO I HAVE TO MARRY MYSELF THEN WATSON? ARE YOU GOING TO MAKE ME MARRY MYSELF.

watson: yeah... yeah... fair, I feel really bad because you did this whole case and I got a girlfriend out of it and all you got was me leaving you alone fuck man im sorry what are you gonna do without me

sherlock, highly sarcastic: dont worry watson I've always got my handy cocaine! *pulls it out and gets high in front of watson just as he's about to leave*

watson: *in fucking agony*

sherlock: good for you!

I DONT EVEN- THIS SCENE KILLED ME MULTIPLE TIMES OVER WHAT

ITS SO GODDAMN NONCHELANT ABOUT IT SHERLOCK IS JUST LIKE YEAH I WILL IN FACT NOT BE MENTALLY HEALTHY IF YOU ARE NOT WITH ME 24/7 BUT WHATEVER YOU DO YOU /S

I'd like to apologize to watson on sherlock's behalf lmao. man is being a bit too codependent on main

The last thing about sign of four I do need to address is yeah, there's the Horrific Amounts Of Racism in that one and the whiplash hearing it is just ridiculous because they seem to be so knowledgeable in all other areas and fairly... politically correct, taking sherlock's original misogyny as a purposeful character flaw, but then they just mention someone indigenous once and suddenly its all parrotting racist propaganda and just... really awful shit. There's no way I'm gonna speak for the group that just got absolutely hate crimed here but anyone can tell the author just has no clue what he's fucking talking about and it's physically painful.

And I don't know, it's just so bad it seems out of character? Doyle's making these motherfuckers say shit that honestly, Sherlock would know better about. And especially Watson. Come on, you cannot tell me watson is mentally capable of being prejudiced against someone. Please do not make him that way.

I'm not sure how to handle it specifically, or what's the proper way I should handle something like that in a media I otherwise like. Is it ok to say Doyle was clearly a piece of shit on the matter and separate those characters from his bias or is that insensitive?

I don't know, I was Not a fan of it and I'm glad to see they've at least finally shut up about the guy

But anyway yeah, uhhhh onto the short stories because I'm trying to read those before I get to the final problem

Scandal in Bohemia was a fucking ride, first of all, before we even get to Sherlock's girlboss arc we have to discuss how gay the whole situation was and how Doyle's attempt at making them less gay failed spectacularly

Like he's all "ah yes I need to marry off watson and uhhh make sherlock ummmm interact with a woman so they dont look gay" but he does it SO BADLY that it makes them look EVEN GAYER

cause i mean, even the conversation they had about watson getting married back in sign of four was gay af, but how Doyle handled things afterward was in no way straighter.

Cause you know, the man kind of wrote himself into a corner with the fact of Watson narrating these stories. So Watson has to be around to witness them, and to witness Sherlock's own thought process rather privately, so he has to be around sherlock at night, a lot. But trying to come up with a reason for that happening just... it didn't occur to Doyle. He just went. Ah yes this makes sense. And it's Watson just like Sleeping Over At Sherlock's like every other goddamn day and every time his wife leaves town and having them basically still live that cute domestic home life but they have absolutely no excuses for doing it anymore. It's quite funny

Like it was gay already the way they interacted when they officially lived together but it was like, a necessity for them. Now it's not, Watson just comes over because he goddamn wants to, and it's hilarious to me.

LIKE IDK I THINK THEY KIND OF BROKE UP FOR A YEAR OR SO BC OF WATSON GETTING MARRIED AND THEY LIKE DONT HAVE CONTACT WITH ONE ANOTHER BUT ONE DAY WATSON JUST INEXPLICABLY HAS THE URGE TO COME VISIT SHERLOCK ON NO NOTICE AND THEN SUDDENLY THEY ARE TOGETHER NEAR 24/7 AGAIN LIKE BARELY ANYTHING CHANGED AHIEHOEWH

SIT DOWN AND TRY TO TELL ME THOSE ARE NOT HOMOSEXUALS

Watson walks in on no fucking notice after a full year and Sherlock is just. In the middle of some experiment obviously but hes like

Sherlock, carrying around unidenfiable chemical mixtures: W A T S O N you look good you look good! i see you've gained seven pounds!!

watson: uh. thanks??? Hey lol *awkwardly waves* Uh um Wanted to Uhm sEe you

Sherlock: ABOUT gODDAMN TIME AND YES WONDERFUL LOOK LOOK SIT DOWN I HAVE THINGS TO INFODUMP ABOUT

watson: :) ok :) *turns to camera* and we were back to the old days

sherlock: makes a deduction

watson: wowwwwwwwwwwww !! so true bestie !!

sherlock: !!!!!!!!! :))) !!!!! :))) uh fuck im supposed to be smooth Its Elementary Lol

watson: *turns to camera* when i stroke his ego like this and compliment him he blushes like a girl like i just complimented his dress so i do it more because he likes it. this is a homie trait

watson: well i should probably get going! my wife will notice that i am gone my dear buddy bro homie!

sherlock: NO DONT LEAVE IM LOST WITHOUT YOU (pretty much a direct quote lol) your. wife doesn't. get back home until monday. I know this because I am smart and definitely have not been stalking you.

watson: alright :)))))

AND THEN HE FUCKING SLEEPS OVER LMAO FUCKING HOMOS

So yeah they're right back where they were before pretty much and there's a case bc of course there is

And honestly I think this short story specifically was so insane mostly just because of how absolutely fast it all went. Yuumori kind of made me believe the original Irene Adler was more of an important character than she really is? And I think that's. Honestly so funny. Motherfucker shows up for ten pages, girlbosses her way around town, and changes sherlock's entire opinion of the female gender while still keeping him gay?

LIKE NO LOL SHES NOT IN ANY WAY A LOVE INTEREST AND WATSON GOES OUT OF HIS WAY TO SPECIFY THE FACT THAT IN NO WORLD WOULD THEY HAVE BEEN ROMANTICALLY INVOLVED BECAUSE. SHERLOCK. DIDN'T DATE WOMEN.

HE WAS JUST??? SO IMPRESSED AND SHELL SHOCKED BY HER EXISTENCE HE DECIDED IT WAS TIME FOR GIRLBOSS APPRECIATION DAY TODAY AND ALL DAYS HENCEFORTH???

AND THEY HAVE LIKE O N E INTERACTION?? God, the power this woman(?) has. Watson looks at her once like. damb shawty 😳 and she's like "no<3" and he's like FUCK

Like yeah it's pretty much just the king walking up like "help girl the whore is blackmailing me" and sherlock being like "ok lol this will be easy" and then it proceeded to not in fact be easy or even possible

sherlock like... posed as a dead body and tried to get her to give up the location of the photo but she out-acted him and skipped the town the next day after doing the 'good night mr. sherlock holmes' thing with sherlock completely tricked

and she just. sends a letter like "dear sherlock holmes. you're a fucking idiot and i think it's funny that you lost. nice job tho mad respect" and sherlock just SHORT CIRCUITS

the king comes back a bit later like "hey Dude where's my Photo" and sherlock's like oh yeah uhhhhhhhhhhh about that and the king is like HOW COULD IT POSSIBLY HAVE BEEN THAT GODDAMN HARD i would have dated someone more noble if she wasn't so pretty i swear im on a whole different level from her

and then. GIRLBOSSIFIED SHERLOCK HOLMES RESPONDS "from what I have seen of the lady, she seems indeed to be on a very different level from your majesty" ABSEHHESHEFHHFES ROASTED

and the dude just LEAVES

After that I read a few more of the short stories and well the highlights I got from that pretty much were these conversations

Watson: sherlock. honey. have you. eaten anything today

Sherlock: IT DIDNT OCCUR TO ME DEAR WATSON

Watson: ITS FIVE PM

and:

Sherlock: *having one of his Moment Moments at three in the goddamn mornig* GRRRR CRIME ISNT WHAT IT USED TO BE

Watson: MY DEAR SHERCOCK WHAT IS CRIME S U P P O S E D TO BE LIKE ACCORDING TO YOU

Sherlock: no one's original anymore fucking copycats

Watson: so you want the criminals to make things harder for you specifically.

Sherlock, exasperated: yes!

I love them your honor.

#rowan's hyperfixation essays #rowan screams into the void #rowan views moriarty #sherlock holmes

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twvstedsouls · 3 years

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Movie Thoughts: King Kong (2005) / 3rd and final hour of the movie.

WARNING, these are sort of spoilers so if you haven’t watched the movie yet, here’s your warning.

doing this because I have the urge to shout into the void and think I’m kind of funny at times.

WHAT IS THIS MOVIE MAGIC?! There’s no way that Jimmy just shot all those bugs off Jack without shooting him. Tommy guns were unreliable, movie trying to bullshit you into believing they were not. I refuse to accept this, you should too.

HOLY SHIT. CAPTAIN TO THE RESCUE DEUS EX-MACHINA.

Baxter swinging on a rope shooting the insects being a hero: NO. I REFUSE. Not acknowledging this redemption arc, no way.

Random cheer up juggling: I approve. Still think they forgot to add on the comedy genre to this film.

Sunset watching. YES.

AWH He’s made a friend. 🥺❤️

THIS AWESOME INTERACTION: 😂

Captain: That’s the thing about cockroaches, no matter how many times you flush them down the toilet, they always crawl back up the bowl.

Denham: Hey buddy, I’m out of the bowl. I’m drying off my wings and trekking across the lid.

At the same time though...the guy hasn’t seen a single cent promised, and now he’s fucked. I get it. Still will be when he returns, helping a wanted criminal. Captain good guy. Sort of.

Jack not giving up at finding Ann 🥺LOVE. IT BURNS.

WHY DID DENHAM’S ‘’I’M SORRY’’ SOUND SO OMINOUS AM I MISSING SOMETHING?!

When Ann sees Jack, not believing it’s not a dream, real, really him. SIS, I know you’ve made friends with Kong. But...THIS IS YOUR CHANCE GET OUT OF THERE BITCH. WHAT YOU BEING SLOW FOR?!

That roar: When you lose your friend.

Jack...did you forget how swimming works? If not, that’s not how you do it.

FOUND THE OMINOUS ‘’I’M SORRY’’! CARL DENHAM YOU BITCH, LOWER THE BRIDGE ALREADY, YOUR FILM IS RUINED QUIT TRYING TO SAVE IT.

OH. You’re just trying to trap it. Well...that’s dumb. When has trying to trap the giant ass monster ever worked?

Slow motion trying to look like slow motion but looking more like slow mo acting. No. Not in a good way. Plus, it’s taking too damn long.

Captain good guy is now captain profit guy.

Okay. Hold up. How the hell did they manage to tie the rope around those big boulders if they’re that heavy. And why does it look so perfect.

Kong: NO ONE MESSES WITH MY FRIEND.

Ann: It’s me he wants! So?! Just get in the boats and go, he didn’t go after you and jack when you jumped in the river, I doubt he’ll follow you into the ocean.

DAMN. He really just bit a guy’s head off.

Ann: Go back. HE WOULDN’T EVEN BE CHASING YOU ALL OF YOU IF YOU HADN’T FREAKED OUT AND KEPT FREAKING OUT!

OH NO! JIMMY CAN’T SWIM! He better live or I’m coming for you Kong.

Awww, Kong holding out his hand to Ann and that little whine. 🥺

THAT expression on Jack’s face as he witnessed it all, he understands now. Awesome acting by Naomi Scott and Adrien Brody.

BUT at the same time: HE’S JUST SLEEPING, HE DIDN’T DIE. YEEZ. RELAX PEOPLE.

Denham: The whole world will pay to see this. We’re millionaires boys!

Excuse me...What?

PRESTON’S BACK! Is he going to do a good guy thing? he looks like he’s about to do a good guy thing.

Jack’s expressions and the narration flashback scene to their conversation on the boat during the comedy play 🥺 THIS IS AMAZING.

And that’s when he told you how he felt?

No, He never said it.

He never said it?!

He probably thought he didn’t need to say it.

Well, then how does she know that it’s real?

He said it was not about the words.

Oh, please!

If you feel it, you say it.

He said we’d talk about it later.

Only, there was no later.

It never happened. 🥺❤️

My writer’s heart is beating loudly, this is just so, so, so good. And romantic ❤️

Almost put the entire scene in, that’s how much I love it.

SERIOUSLY FUCK DENHAM. I thought the Captain was the worst, or Baxter, but am now seeing it’s neither of them (though baxter comes a close second), it’s Denham. Since he’s there too, working with Denham.

POOR KONG. 😭

FUCK THE AUDIENCE TOO.

Ann not having a part in any of that tomfoolery. BRAVO!

WHY is the audience so dumb. Like can’t you see the difference between a performance and a wild animal about to break out? Plus, how deaf is that dude? Jack doesn’t want your seat man, he’s trying to save your life.

The women in the audience are the first to think something is off. That’s awesome. If he says it’s fine, and you have a feeling in your gut it isn’t, honey, just grab your bag and run, you’ll be doing yourself a favor.

Baxter sneaking off. I SEE YOU 👀

How the camera just goes to the guy who didn’t want to leave his seat. HAHAHA. CLASSIC. 😂

LOL. Kong throwing the girl away like that. That’s a human being sir. A crappy human being, but still.

OH DAMN. That dude getting crushed by Kong landing on him with that jump.

Police officer: Everybody slow down! LOL. NOPE.

HAHAHA. Jack what are you still there for? Like seriously? Did you wait for everyone to leave the theatre (leaving you the only target) and then not expect Kong to come after you?

OH. Denham is still there. Kong, think it through next time.

Traffic is scary.

Kong doing donuts.

When a stranger slaps your butt. Payback 1000000% Kong style.

What’s the plan Ann? What’s the plan?

Backwards driving. Cool.

No way is a taxi faster than a giant ape monster.

Jack if you’re trying to get it away from people you’re doing a shit job.

That shot of Ann walking towards Kong. Beautiful.

Lights in trees that look suspiciously like christmas trees. Is King Kong a christmas movie?

Gorilla/Human Ice skating and laughing. What. kind. of. movie. is. this.

THE ARMY IS HERE.

Kong just put her down, you can handle a bullet or two, Ann can’t.

WAS THAT A ROCKET LAUNCHER?!?!

Jack’s back. I thought he’d be out cold longer.

DAMN. He can run.

YESSSS. Another sunset.

Those are some nice looking planes.

Kong is hurt 🥺

Nobody past this point! You can’t go in there! Lol, officer, really? It’s Jack. He’ll just go, (if he had time for it and was petty): You can’t tell me what to do!

Damn Jack, that kick. Nothing’s stopping you, is there?

Scary ladder on the outside of the building. No thanks.

O M G. Stop fucking staring at each other, there’s a limit okay? And not exactly the right time now, is it? Ann? Kong? Ann?

More staring. STOP.

Get to Ann and Jack already. No offence Kong.

#merel's movie thoughts #movie thoughts #King Kong (2005)#adrien brody #naomi watts #jack black #jamie bell #sort of spoiler #is this maybe my new comfort movie? yes #do I still hate monster movies? yes #Is this long? yes it is.#do I regret it? no I don't.

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old-hyper-super-clover · 3 years

Text

Squeeze that bunny tail!

Part 2

Description: The RAD student council as well as the exchange students help out at a bar where, oops, the staff´s dress codes are those sweet bunny outfits that we all know and thirst for. The MCs, Violet and Clover, play a game of who can touch the most bunny tails over the evening without getting caught. Prepare for fluff, funny innuendos as well as my thirst over hot boys in bunny outfits.

The story is divided in several parts and will be updated every few days. Find Part 1 here.

Story continues below the cut, hope you enjoy!

Both, Violet and Clover, were fair players, so, as they weren't able to walk around in a pair the whole evening, Violet and Clover had to trust each other in counting their own points.

Their utmost priority, however, was still to help out at the bar, so they had to focus on that for most of the time. But whenever there was a chance tangible (in the most literal sense lol), their minds immediately switched back to their little competition.

Violet had already started with one point advantage, due to the squeeze she had given Beel's tail.

But the girl was up for the thrill, so it didn't take too long until she had found her next target.

Everyone's beloved angel man Simeon was on cooking duty with her and Barbatos.

While the butler was easily handling all of their tasks on his own, the other two were trying their best to actually help him instead of being in the way.

They were chopping down ingredients that Barbatos could throw into the hellfire hot pot he was preparing when it happened...

A cheeky little squeeze while Simeon was turning to grab another veggie, and Violet got her second point already.

The angel didn't seem to have noticed, as he kept talking with this precious smile on his lips.

The real danger, however, came through the door immediately after.

Glancing up from the pompom that Violet had just given a good squish, she locked eyes with Luke.

They stared at each other for a hot second, then Violet straightened up again, trying to remain composed while Luke looked like losing his shit any second.

"Ah, Luke!" Simeon interrupted his own narration. "Perfect timing!"

Violet gave a silent sarcastic laugh. No, not a perfect timing at all...

Luke was still trying to cope with the sin he had just witnessed, but now Barbatos approached him as well.

"Could I ask for your help with the special menu's 'halo donuts'?” Barbatos asked. “Simeon claimed it to be your specialty."

Now Luke was blushing at the compliment.

"U-uhm... Well, yes, I do make quite good donuts... Fine, I'll help!"

As he passed Violet, he threw her a last sceptical glance, but soon the girl could let out a relieved breath.

Getting Luke to fuss over reaching for Simeon's butt was certainly not something she needed, not so soon into the game...

----------------

Clover was trying to gather some safe points before risking anything.

Her main goal was to get at least ONE point, to be frank.

Looking at her options for low-risk points, her heart was beating for one particular target, but her blushy excitement made it impossible to approach that gluttonous teddy bear.

So she settled on probably the easiest target of all.

Belphie's first shift consisted of... Sleeping. Like, literally. The idea was to let him nap until his energy tanks were filled enough for him to actually be useful for proper work.

Huddled over the bar, the youngest of the demon brothers seemed so vulnerable that even Clover could bring up enough courage to go for that tail.

Couldn't be that hard, right?

Well, it could.

Just as she was about the stretch out her shaking hand, someone walked right into her way and startled her completely.

As the girl gave an awkward squeal, Mammon looked at her with almost as much fright in his eyes.

"Waah, human, what are ya screamin´ at?!"

"I-I didn't... See you there..." Clover mumbled.

"I literally just passed by..." He raised an eyebrow. But seeing how her cheeks were flushed all red, a little grin curled his face. "I didn't know you'd get so excited to see me, human. I mean, I can't blame ya for being flustered at my sight, but what's all the blushing for?"

"I-I'm not flustered..." she stammered, trying to calm down.

"Come on, you can be honest", Mammon continued to tease, his ego-boosting mode fully activated. "I look damn nice in those clothes after all."

Clover shot him a glance, mustering how his vest fit him perfectly, how his shirt was slightly unbuttoned, and that he looked prrretty dang fine in shoes with heels.

"You do" she agreed.

Now Mammon was the one to flinch.

"F-for real?!" he blushed, then cleared his throat immediately. "I-I mean, thanks, I guess."

Mammon went silent for a moment, trying to calm his heart rate over the unexpected compliment.

"Want me to pose for ya?", he seemed to joke.

Clover looked at him... and sensed her chance.

"Yes please, great Mammon!" she exclaimed.

His tanned skin flushed an even darker colour, but, being the model he was, he actually did some poses for her. Now Clover didn't complain at that -- Mammon WAS a snack after all.

But after a while, she prompted him to give her a proper view of his back as well.

He seemed confused, even more so as she told him to stand still, but in the end did not seem to have noticed how Clover quickly poked his bunny tail. And while he was busy bragging about something modelling-related, Clover also turned to do the same with Belphie's tail as he was still asleep next to her.

"Thanks, Mammon!" she cheered afterwards, having scored not one, but three points at once.

With a little hop, she tackled Mammon into a quick hug before running off in a giggle.

Clover nearly bumped into Solomon while running away.

"Oh, hello... Why in such a hurry?" The sorcerer dodged her perfectly, his eyes sparkling in amusement as he mustered the clumsy girl.

"Huh? Oh, Solomon, sorry. Didn't see you there."

He laughed. "Well, I did guess that, seeing as you were focused on Mammon so intensely. The only question is... What did you do to leave him as such a blushing mess?"

"... I hugged him" Clover said, shrugging.

But seeing Solomon's expression, she felt somewhat off. Was he waiting for a different answer...?

"Well then, time to get back to work" Solomon changed the topic. "We don't want to waste time, do we? The bar opens soon."

He turned, but had yet to get moving. Instead, Solomon was taking a look around, completely exposing his bunny tail to Clover.

Which was worth three points, after all...

And it seemed like just the perfect opportunity...

"Yep, see you", Clover replied, turning around herself, leaving.

As much as she liked Solomon, this man was emitting such shady vibes that there was no getting her to touch this particular bunny tail…

--------------

Clover had bragged to her friend about her point advantage soon after (and spoke of her concerns regarding Mr. Shady MCShady),

Which she'd later realise had been a pretty bad idea.

Maybe fueled by rivalry, maybe just because Violet had some weird kink for pompom-like things, she upped her game SO much after that. (A/N: Ok it's not a kink, I was prompted to make sure everyone knows that... (But also it's a kink believe me hehehe))

Within the next hour, Violet scored another four points.

"Asmo, Mammon, and Beel again?!" Clover cried out in disbelief when the girls found each other in the kitchen. "What's wrong with you?!"

"Hehe~" Violet laughed. "I just had some good opportunities."

Clover rolled her eyes as she was cleaning some dishes. "Yeah, great, and I've been running around with top tier difficulty peeps like Papa Luci or Solomon. Talk about unfair..."

"I meeaan... You COULD squish them..."

"Yeah, sure, and risk dying? No thanks."

"Solomon wouldn't kill you... probably."

"... I´m telling you something´s UP with that guy today, I wouldn´t be so sure of that…" Clover joked, although having shivers go down her spine.

Before they could continue this, the kitchen door flew open.

Levi was dragging a trolley full of dirty glasses along with him.

He seemed awfully pissed.

"Levi?" Violet called out. "Are you okay...?"

He threw her a glance.

"Do I think I'm okay? In a place with so many Normies?" He gave a sigh, then seemed to have remembered something. "Ah, Violet, Lucifer said he needed you in the dancing hall."

The girl gave a nod, quickly wanting to make a leave since only fools would let a person like Lucifer wait. She shot Clover a glance before leaving, gesturing her to go for Levi's tail while they were alone.

Clover instantly felt that awkward pressure back on her, but now that she got called out she had to do it.

As the demon began placing the dishes in the dishwasher, Clover slowly approached him.

"Can I help you?" she asked.

"If you've got nothing better to do..." he mumbled, not looking up from his work. "Although, you'd probably do better to go out and have fun with the oth- AAAGH WHY ARE YOU SO CLOSE?!"

Clover gave an almost equal squeal as she backed away in an instant.

"I WanTeD To HeLp" she screamed.

"BUT WHY ARE SO CLOSE?!"

"DON'T SHOUT AT ME, I'M AWKWARD."

"I'M EVEN MORE AWKWARD THAN YOU ARE, IDIOT."

They stared at each other with red faces until Clover crouched down to sit on the floor, recovering from this incident.

"Wh-what are you doing there?" Levi asked.

"Sit. I like floors. It's where I belong."

The demon gave her a weird look before averted his gaze in a troubled expression.

After a little silence, he would speak up again.

"... You belong outside, not here on this stinky kitchen floor."

"Huh?"

He bit his lip sheepishly. "Serving the guests, or at the bar... Where everyone can see you."

"... Huh?" Clover seriously didn't understand what he was blushing about.

He was staring at her, searching for words, but then decided to simply poke her bunny ears.

"... Bunny maids are a clear 10/10, everyone knows that..." he mumbled.

The girl blinked, now realising he was trying to compliment her.

"Bunny butlers, too, though" she replied. "You look really good", she laughed, grabbing one flap of his jacket to play with it.

"Adasdhegagf...!!"

Yes, that is a thing Levi can say, while flushing red and bashfully covering his face.

Not able to take this compliment, he ended up on the floor as well.

"You can't just land a critical hit without a warning... I thought we were confidants...!"

"Rank six confidants", Clover nodded. "But that's only more the reason to tell you what a snack you are right now-"

"AAAAAHHH DON'T!!" he screeched, turning away from her to hide his embarrassment. "I can't deal with so much kindness..."

Clover blinked at the bunny tail right in front of her.

Target locked.

She gave it a careful squish, then snickered a little before standing up.

"But you deserve it. That's why... I'm calling a confident rank up!"

He turned his head. "R-really?! Rank seven already?!"

"Yup."

"Woah... to think I'd be such good friends with somebody one day... Thank you, Clover-chan...!"

"No, no... I have to thank you, Levia-tan."

-----------------

"You want me to select songs for the people to dance to...?"

Violet looked at the three monitors behind the DJ's table in the dancing hall.

Lucifer gave a nod. "We already added songs from Devildom artists, but we could use a little of a cultural mix" he said.

Satan walked up to Violet and Lucifer, now looking at the list of songs all together.

"We also need to add more to make the playlist last until the local closes" Lucifer continued. "I doubt that anyone will leave sober enough to remember such details, but Lord Diavolo ordered no repetitions in the playlist, so please, just help us out..."

Violet gave it some thought, not really knowing much about typical party songs. “I highly doubt my taste in hard rock will be a good representation of humanities taste in music, but... Well, that´s all I can serve with, so…” She came up with some nice picks from her own likings.

While Violet was eventually coming up with some nice tracks, in the meantime, Satan activated his pissing-off-Lucifer mode.

"Lucifer, you talk as if you'd know what a real party looks like", he mocked, referring to Lucifer's comment from before. "Have you even been to a club before?"

The oldest brother gave a huff.

"Of course I have."

"Oh? I meant on occasions other that picking up a drunk Asmo from IN FRONT OF the club."

"The answer is still a yes, thank you for clarifying."

Satan raised an eyebrow.

"Interesting", he hummed. "I can't really imagine you at a club, though... Dancing in the crowd... downing shots... or being cool in general..."

The avatar of Pride gave an annoyed sigh.

"You don't seem like a party animal either, Satan" he countered.

"Well I choose to avoid crowded places for most of the time. However, I still think I'd do better at settling in a club's atmosphere than you could."

Violet could almost feel how Lucifer's frustration piled up, even though he tried staying calm.

"Do you, huh...?" Lucifer leisurely responded.

And his outward calmness made Satan angry as well.

"You don't believe me?" the blond huffed. “Do you really think I couldn´t beat an old man at clubbing?”

Meanwhile, being in the middle of what felt like a flippin´ dance battle about to break out any moment, Violet prayed for them to stop fighting soon.

... Which didn't happen.

They kept bickering, partly because Satan talked himself into a fury and partly because Lucifer's pride was too big to admit defeat or weakness in any way.

Just when Violet had finished the playlist, Satan threw a final tantrum, leaving them with an outraged "Whatever!!" as he stomped off into another section of the dancing hall.

Lucifer pressed out a sigh, cutting through the awkward silence that had spread amongst them.

"What a troublesome child..." he mumbled.

Violet watched Satan with a worried expression, before turning to Lucifer with the same look on her face.

"... Don't worry, that is normal behaviour between Satan and me..." the male assured her. "He will get over his anger soon enough."

"And... What about you...? I feel like you are quite tense right now, yourself…" Violet asked.

"I should go and see where my help is needed now", he claimed, dodging her question.

Lucifer was gone before Violet could respond anything coherent.

Thus, giving a sigh, she decided to at least check how Satan was doing.

The avatar of Wrath was lumbering around some speakers, seeming as if he checked if everything was working as it should (despite having no idea how they were working.)

When he noticed Violet approaching, he only shot her a quick glance.

"Satan...?" The girl softly called out. "Are you okay?"

No answer.

It almost felt as if he was going to ignore her completely.

"... I don't get it” he then suddenly pressed out.

"What do you mean?" Violet took a careful step closer.

"I hate him" Satan growled.

The girl flinched, but decided not to say anything. She felt a certain frustration in his voice, and indeed, as he continued, his tone changed a little.

"He really pisses me off every time. I get angry, over nothing at all!" He clenched his fists. "And it makes me angry, his stupid face, his cocky attitude...!"

Then his shoulders fell. "... Why can't I just ignore him? I get angry, and then I get angry over getting angry. It's so...!"

Violet listened to him patiently.

"... It's so frustrating..." He mumbled.

"I can fathom..." Violet claimed, shooting him an encouraging smile as he slowly turned towards her. "But... Don't you think it's already a big step that you don't actually want to be angry?"

"... But what good is that when I do get angry after all?"

"You can't accomplish everything immediately” her expression softened even more. “What's important though is that you at least try."

Satan seemed sceptical, but in the end gave a slight nod.

"I guess... I'm sorry for bothering you."

The girl shook her head in a smile. "You´re not a bother. I´m glad you felt comfortable enough to tell me."

Shyly, she spread her arms, inviting him into a hug. A little awkward himself, he gave a little laugh before stepping close to embrace her.

"Everyone needs to vent out their anger sometimes" Violet reassured.

"... Thanks", he whispered.

As they parted, Satan turned to inspect the speakers again.

"Anyway... I think we checked through everything we needed in the dance hall. I will look over this here and then head out for my break."

"Mhm..." Violet muttered. "Sounds good..."

And there, she went for it.

A little touch - she didn't dare to do more than that.

But Satan's bunny tail had been successfully poked.

He continued to speak like nothing happened, so Violet dared to wish she had went for a whole squeeze instead.

"I should be going now", the girl said.

"Alright" Satan was still focused on inspecting the equipment, so Violet made her leave.

Unconsciously, she turned her head shortly before leaving the hall.

A shiver went down her spine, leaving her paralyzed for what felt like her last moments alive.

Satan's alarmed, slightly angered glare was cutting through the air, focussing her for a hot second before he decided to turn around again.

Hurrying out of the dance hall, dodging Solomon as he had nearly run into her, Violet quickly pulled out her phone as she had withdrawn from the scene of crime:

Violet: Clover I think Satan noticed me.

Clover: As in Senpai noticed me?

Violet: ...

Clover: :D

Violet: ... No, I squeezed his tail, but later on he was staring at me. Help.

Clover: ... So he's a three-pointer now?

Violet: I don't know but I feel like I nearly died so probably.

Clover: Lolol well that's what you get from messing with Satan. But I'll be kind and give you those two points. He did not confront you about it, after all.

"Hey, Violet!"

Violet flinched so heavily she nearly let go of her phone. Her first instinct had feared it was Satan calling her, but actually, she turned to look at somebody else.

"Lord Diavolo", she said. "Can I help you with anything?"

"I want to place the free snacks on the dining tables" he smiled. "Most of them are from the human world, so I want you to help me choose the best."

He was already going ahead, leaving Violet no room to explain that she's actually SO not a snacking person and had near to no idea how to help him.

Someone gave Diavolo keys for the storage room, and as they stepped inside, he turned on the lights.

"Woah...", Violet's mouth fell open. "That's... A lot of stuff."

"Fascinating, isn't it? You humans are so creative when it comes to food!"

He led her further inside where the snacks were stored.

Even though Violet liked him a lot, it still felt weird, being alone with the Prince of the whole flippin Devildom. You wouldn't have guessed it from Diavolo's carefree aura, but Violet was fairly overwhelmed, being able to walk alongside him so casually.

She tried her best at giving some advice as they looked through the huge collection together.

"We should go with a good mix of sweet and salty snacks" she explained. "Pretzels, chips or peanuts, together with something more delicate, gummies for example."

Diavolo beamed her a smile.

"I knew I could count on you!"

And he started grabbing things off the shelves.

Violet was helping, of course, but the storeroom was also tall as frick, so for lots of bags, she had to ask Diavolo to reach for it.

And that's when it hit her.

The currently vulnerable Diavolo, reaching for a bag of extra cheesy Tortilla chips, exposing his three-point worth bunny tail, only centimetres away from Violet's reach.

She literally only had to stretch out her hand a tiny bit.

And with the waterfall of words that Diavolo was talking, he wouldn't even notice.

It would be so easy.

But she couldn't do it.

She looked around. Between all the shelves, all the packages, back to the door they came from.

They were alone. She was sure of it.

But also, Violet had never felt more watched over than in this exact moment.

There was this presence lurking in the back of her neck, threatening her the more she tried to stretch out her arm.

Waiting for her to make one false decision...

"Extra DOUBLE cheesy?!"

Diavolo turned around, holding up a bag of Doritos. "Humans are so crazy!!"

Violet blinked at him, only now noticing that her whole body had tensed up so much it almost hurt.

"Y-yeah..."

As they walked out of the storeroom, arms full with all sorts of snacks, Violet gave a sigh. She had been so close... Only a little closer, and she…

"Should I take some of those from you?"

Violet did a little jump as she heard the voice next to her ear.

Barbatos was right beside her, smiling and tilting his head a little.

"My apologies, I didn't mean to scare you."

The way he mustered her, with his bunny ears and the bow tie around his neck, he looked so cute when he gently pulled most of the bags out of Violet's grip,

But sure as hell, today the girl learned to never pull any kind of prank on the Lord of the Devildom. Ever.

---------------

Violet was trying to catch a breath so she allowed herself a quick time-out in the bathroom. When she stepped outside again, she saw Solomon waving her over.

"I heard you and Lord Diavolo brought snacks to display? Would you mind helping me bring them to the tables?"

She gave a nod as an answer.

"Great. Then, let's divide them into the bowls first, and then go around with one of the trays."

And so they did. There wasn't much happening, really. Not much chatting, but nothing strange either.

Just one thing...

A bunch of perfect occasions to squeeze Solomon's bunny tail. Like, every few moments, he was focussing on something, leaving a perfect opening...

Violet left this situation without gaining any more points.

#obey me #obey me shall we date #obey me fanfic #obeyme #short story #obey me bunny event

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alvie-pines · 3 years

Note

Favorite anime and do you like marvel?

oooh, that's hard.

Death Note is a classic, but not the Best Ever In The History of Anime. I do enjoy analyzing the themes and character relationships; gives me something to chew on. it's on my list of favorites. It's been done a million times before, though, so I'll spare you the details unless I'm asked.

The Rising of the Shield Hero is downright amazing; I love the story, the characters, the themes, the plot, the animation, everything! Naofumi is a wonderful anti-hero and I especially love the commentary on the other three and the damage they cause while trying to look Good and Cool for the nobility, while Naofumi bitterly cleans up after them, fixing the damage and doing things that actually help the regular folk. I also loooove the fact that the Shield Hero has been historically known to be hated by the royalty and nobility, yet loved by demi-humans, an enslaved/oppressed class in Melromarc. The show overall really shows how various social factors come into play at once to create complex biases in society, without being heavy-handed or preachy like some media is.

D.N.Angel (manga specifically) comes to mind as well, not because it's some epic masterpiece of message and artistry, but because it's a funny little 2004 manga about a 14 year old boy raised into a family of professional art thieves who are completely overzealous about training him into the family business. At the same time, it has a lot of deeper character interactions that I enjoy. A fun + comedic premise combined with good writing & genuine characters can be one of the BEST genres if handled correctly. I also like that its this weird little mix of shounen, slice of life, shoujo, and crime/detective manga. You've got a little bit of all of those thrown into the pot and it makes a surprisingly nice blend because it's handled so effectively.

Hm, what else? The Disastrous Life of Saiki K is probably my favorite comedy anime ever. The monotone, antisocial, deadpan narrator is much funnier than a hammy, overzealous and loud one that some comedies use. Also, like I mentioned above, its one of those animes that sprinkles in genuine characterization and development as the series goes on, meaning you get attached to the characters before you even realize it. What starts as shallow comedy comes together in the end to be a story that... well, I won't spoil it, but it made me feel some feelings :)

Cirque du Freak isn't technically Japanese media, and it doesn't have an anime (it's a manga adaptation of an American novel series) but GODS do I love it! The novels are far below my reading level and pretty boring to me, but I don't have that issue with the manga adaptation. It's about vampires, but not the Twilight kind... it's got some pretty creative worldbuilding and storytelling that I find very endearing.

And then you get to follow Darren and Mr. Crepsley (who turns out to be a pretty good guy, underneath that hardass exterior... almost like a father to Darren) in their adventures, both as performers in the supernatural Cirque du Freak, and on their own, traveling through vampire society. Won't spoil anything, but... I read all 13 volumes and damn was it worth it :)

oh, and no, sorry, i dont like marvel

#mm yes i love anime #i could also talk about seraph of the end; the devil is a part timer; etc #even interspecies reviewers. i have good things to say about that one plot-wise #cirque du freak #darren shan #the rising of the shield hero #death note #saiki k #dn angel #anime #alv posts #askbox

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molnlycke · 3 years

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100 DAYS OF SUNLIGHT BY ABBIE EMMONS REVIEW

As a disclaimer I want to say that I found the Youtube channel of Abbie Emmons by one of her ‘write with me’ videos. Following that I watched some of her WritersLifeWednesdays vlogs and thought, this woman has tremendous passion and work put into her craft. She actually gives valuable advice, and the themes of her videos are pretty good. So when I saw that she has a novel of her own published, I wanted to see how she incorporates the stuff she talks about into practical work. This is how I started reading her debut novel: 100 Days of Sunlight.

I was curious, okay?

But oh man, what is this?

This book… I’m sorry it’s just so bad. The mess of glaring problems, plotholes, the …characterisation. Abbie Emmons says every good story is character driven (which I wholeheartedly stand by if it is executed well!!!) but what should I get from this, honestly?

There are too many things screaming PROBLEMATIC here.

But let’s start at the beginning.

The exposition––the first chapter’s building don’t make no sense. It has a twist in it alright, but why start with something that turns out to be a dream (or a scrap of a memory in this case) of the actual past, only to get dumped with everything else that also happened following that scene? All of this is told from the protagonist’s reminiscing of said happening.

- To be clear the book starts with the scene of an accident–the accident in which the protagonist, Tessa loses her sight. A drunk driver with a pickup truck runs the red light crashing into the car Tessa and her grandmother are in. Soon it turns out that’s only a recurring nightmare and she’s been home for one or two weeks (maybe? I don’t remember precisely). By this time she has already lost her sight. Tessa runs the audience over all that happened after the accident (basically in those weeks she got discharged from the hospital etc. etc.) Now my question is why not start the book from the accident itself? It all gets narrated either way.

The next problem is the way first Tessa’s grandparents, and then the WHOLE BOOK just downplays consent. Why? Why would you do that?

- Tessa’s grandparents “know better what’s good for her than she does”–that’s an actual quote from the novel btw. Nothing glaringly alerting in that, I mean adults often have this way of thinking about children. Until… they try to arrange a stranger to help Tessa with transcribing her work. Tessa is a poet with a blog where she posts her work on schedule. Ever since the accident, she doesn’t feel like writing (or blogging for that matter). She’s shut herself off from the virtual world, doesn’t touch her laptop, nor speaks with her internet friends. (Because ofc she’s homeschooled, doesn’t like to go out at all and only has internet friends in the first place.) She’s in her room for most of the day, cries a lot and tries to cope. Whether her coping is good or bad I’m not qualified to say, but she thinks of herself as selfish, lazy, cynical, and depressed most of the time––everything she never wanted to be, things hates with every fibre of her being. She blames herself and basically detests life for beating her down to the ground. She feels she can’t get up even though she’s told, her blindness is a condition that can go away in ninety-something days’ time. I think feeling these emotions are pretty reasonable for a teenager. It’s been like three weeks since the accident, and her newfound blind perspective of life. That can’t be easy. BUT her grandparents know this isn’t healthy, Tessa needs to write. “I haven’t written one verse, one line, one word of poetry. I have no desire to. I have no inspiration, no joy. It’s all gone.” - Tessa from ch.1 So what do Granny and Gramps do following their infinite wisdom? Play the girl. And I’m like, sure dude, harass the child into doing what you want. Sure, don’t try to get her professional help or a psychotherapeutist or something if you think she’s faring so terribly. Sure, run an ad for hiring some part timer to transcribe for the poet who doesn’t want to write anymore. Sure, do it all behind her back. I mean she has PTSD and is blind for now, but yeah, this will most definitely help. Good job! For goodness’ sake they treat the girl like she’s been locked inside her room for months?!

When they share this brilliant plan with Tessa, she freaks out so much the elderly retract the ad. But not before the son of the newspaper’s owner gets a scrap of this new, possible past time activity and decides to be a creep and essentially stalk Tessa. But that’s for later.

Tessa explicitly tells her grandparents she doesn’t want to meet new people, doesn’t want to write, what she needs is time. So the next thing Granny does is pushes an unknown, teenage boy into her blind granddaughter’s room for a chat. Against Tessa’s repeated objections! There’s so much nonsense going on in the sequence of the story. Like one day there comes a boy–a stranger, knocking on the door, saying he’s this and this’ son and wants to help. And because, at a glance, he has prosthetic legs, you invite him first into the house then into your blind teenage granddaughter’s room? Without actually knowing if he is who he says he is? Without knowing the first thing about him? But even if that part is true, and he is who he says–the son of the newspaper’s owner, let’s not forget the mildly stalkerish way the guy’s been acting.

Granny shares a shit load about Tessa’s problems, then flat out tells her to meet Weston. “I told you I don’t want help. And I certainly don’t want anyone touching my laptop. I don’t want to write. I don’t want some stranger coming into my house and feeling sorry for me!” That’s Tessa speaking with Granny prior to the meeting. I mean it’s no biggie if she’s against the whole idea because he could help, right? Is this the American way of handling things? Someone give me a spoon that I can boink myself in the head with to get around this type of mentality.

At the first meeting Tessa has meltdown, screams at Weston and cries. Tells him she doesn’t need help. Tells him not to bother. Tells him she wants him OUT OF HER ROOM. Weston leaves before telling her he’ll be back the next day. And Granny and everyone else is fine with that. So in the following days the nuisance has the audacity to come over, small-talk the grandparents into loving him because he’s so charming everyone is in love with him a little. (That’s another thing from the book, I shit you not, the dude straight up thinks things like this. Yes, I know it’s self-deceit.) Weston forcibly takes over Tessa’s room which is basically the last place she feels comfortable at? Never mind, now someone’s popping in randomly when they think it’s cool, telling her what to do––“I know you don’t need me. But you need to write.” Bitch I think you need to fuck off from people’s lives who don’t want you in it. Just an advice.

One time Tessa wakes up to Weston barging into her room (“...he walks into my room without knocking, at 9.00 a.m., when I’m still in my pajamas”). Granny’s off to do her things leaving the boy to stay and make himself at home. Huh, quite reasonable.

Weston forces Tessa to accept there’s no fleeing this situation––one, the three of them (him and the oldies) constructed for her. Because it’s helping.

That’s basically the question of: where’s the line between wanting to help someone and pushing them even deeper when they’re already at a bad place. But since this is a YA romance everything is nice and good and sorted at the end so Tessa can thank her loving family for forcing their volition on her.

- Here’s another lovely example of consent portrayed in the novel: “I told you I don’t want to go outside.” Weston laughs. “You also told me to get out of your house and never come back.” “And you directly disobeyed my wishes.” “And you’ve been enjoying it...” Please tell me I’m not the only one seeing what’s wrong with this whole dialogue. It’s so disappointing and frankly, discouraging, to see an attitude like this written by a woman, targeted at a young, female audience.

- Oh, there’s their first kiss as well. It’s really really romantic. Weston asks for permission then doesn’t wait for the answer! “I’m gonna kiss you. Is that okay?” It’s not fair, because I don’t give her any time to reply. Instead, I press my lips against hers. Without permission.” ...So why did he even bother to ask? To seem nice? Well, as the saying goes it’s the thought that counts… So is this how consent works? NO! But consent never stood a chance in this book at the first place.

Next up; Characters.

*not @me side-eyeing Abbie’s video about how to craft a strong female protagonist* - I’m not gonna say a lot about Tessa. For me she falls flat like a cut-out. She’s paper thin, and dumb, although she’s the novel’s protagonist. Funny though, I feel she has less to give to the story than Weston, and it’s not just the length of their respective chapters. There’s like 600-700 words from Tessa’s POV (mainly about Weston 80% of the times), then we get a 4k word count chapter from Weston (mainly about his own journey and overcoming his struggles). Tessa’s chapters are either shallow or about her time spent with Weston. Opposed to this Weston has a full arc of him getting over the loss of his legs and standing up from it (quite literally). See what I’m talking about? All I get from Tessa before the accident is that she’s a writer, homeschooled, likes her colour coordinated books, and waffles (like Abbie ha!) (*whispers* and she wears her hair in a messy bun, ofc she does). Oh and she can’t live without WiFi. All I get after the accident is that she’s hurting, angry and blind. And now she has Weston. So her backstory is…..?

- Weston. Oh man where to start. Now he has a backstory. From it we can conclude how idiotic he is. That’s not recklessness or being a teenage boy. I’m sorry but his behaviour is simply idiotic. Sometimes he’s really grown up (taking care of his baby brothers and all) other times he has like 1 (one) braincell operating in his head. Bearing weeks of pain, and not saying anything about it to anyone because that’s not superhero like? WHAT??? He experienced, at the least, three weeks of torturous pain and several days of fever and dizziness, popping Advil like it’s candy. Still, the only one who realised this is his best friend at school and his 10 year old brother who was at the scene of Weston injuring his legs in the first place. What about the parents one might ask. Well Idk. Obviously a 13 year old is so good at deception and sneaking around that adults can’t catch on! On this note I want to gift Parents of the Year Award to Mamma and Pappa Ludovico. With parental supervision like that I’m baffled the child lived up to the age 13.

Weston is the nightmare male lead people usually salivate after in k-dramas stuffed into the body of a 16 year old American boy. Now I’ve never understood those people and their preferences of the bratty, entitled, but oh-so-handsome males and I still don’t understand to this day. Where’s the appeal? Don’t ask me.

I’ll just put down some quotes: “It’s the first time in three years anyone has ever met me without that look of pity on their face. The first time anyone has ever looked at me and not seen me. The first time anyone has stood before me—with perfectly normal legs—and complained about their own problem. The feeling is exhilarating.” So basically this is the so called ‘No one has ever treated me like this. Except this girl, my God, she’s intriguing’. Weston enjoys Tessa’s rude behaviour. “So she’s stubborn. She’s rude. She’s a spitfire wallflower who lost her sight and now hates anyone who tries to help her. Game on.” ...Are you five? “Tessa is the only Dickinson who doesn’t like me.” I have no idea why that could be. But, listen, listen: “I turn around in the desk chair, throwing her a hard look over my shoulder. She’s still sitting rigid and stoic on her bed, staring at nothing. She’s actually really pretty. Her eyes are bluer than mine—the enhanced kind of blue you see in contact lens commercials. She has freckles, too. Just a few, thrown across her nose and cheeks. Her hair is braided today, less messy. She looks so serious. I liked it better when she was screaming and crying.” Idk somehow this sounds like every badly composed romance I’ve ever seen. Let’s just say the progression of the relationship between Weston and Tessa infuriated me 90% of the story. You can help others without being an ass. You can also help others without being a horrible love interest, but that’s for another day. YA contemporaries don’t work like that.

Oh Weston, what a knight in shining armour. Three years prior, he had this thing with Clara Hernandez–a girl from school. It wasn’t real dating but they spent some time together (he walked her to class ooooh~~~) so she became “at the time, my unofficial girlfriend”. Things change after Weston’s accident, of course. He tells her he doesn’t want to continue their ambiguous relationship. And that’s alright, it’s his choice, BUT he then kind of passes the girl to his best friend, so she won’t annoy him anymore? The way he narrates the whole thing is...ugh. “But she wasn’t even dumping me, and we weren’t even dating. We were thirteen years old, for crying out loud.” See, this is Weston thinking about what happened. And this is him telling Rudy about it: “What were you talking to Clara about?” he (Rudy) asked. “I dumped her.” Following in another chapter they talk about how now that the coast is clear––Weston and Clara are through, Rudy should hit on Clara: “He wanted to resist the whole thing and deny his obvious crush on Clara Hernandez. But he couldn’t do anything except laugh and shake his head. He knew I was the best friend he could ever ask for.” Such a kind and caring person for handing out the girl he doesn’t really want to his best friend. Give him a medal for that one. Idk this whole business irked me to no end, like Clara was his possession or something. (Yeah, and the poor girl eventually ended up with Rudy, not like she had any other choice…)

- Downplaying female friendship. Yeah, that one happens as well. When Tessa talks with her friends (her blogging circle) the only thing we as readers can glimpse about their conversation is “Tell us more about the boy,” like... really? Because once again that’s the only thing a group of friends can talk about when one of them suffers an accident resulting in trauma. And Tessa’s answer? “At first, I didn’t like him. I thought he didn’t understand anything about me—even though he acted like he did. And I’m not sure that he understands much, even now. But he’s kind. And patient. And he kept coming back to type poetry for me, so I’ve kind of been forced to make friends with him.” The reply of her friends… “Aw ... He sounds really cute.” Yeah, really cute, forcing you to be friends with him. “How can you not be in love with a boy who makes you waffles?” Well, friend no.5, it’s not that hard… But there’s more. After Tessa gets her sight back the only thing we get from this supporting bubble of warm friends is as follows: “LIV: TESSA HOW ARE YOU FEELING ME: a lot better actually ME: my headache FINALLY went away MARIA: yayy!! ALLISON: PRAISE THE LORD ME: yeah fr KATE: So glad to hear you’re doing better, Tessa! It must be quite a transition omg… GRACIE: I can’t even imagine ME: it’s been pretty crazy ME: but good ME: I guess ME: ugh idk mixed emotions LIV: ???? LIV: TELL US EVERYTHING LIV: if u want to lol ME: ahhh well ME: Weston is kind of not talking to me anymore,” That is it my friends. Two to three sentences about her condition and it’s time to talk about the boy. Is this really how shallow anyone would want to describe the protagonist and her close-knit group of friends talking for the first time after one of them lost their sight? Then again, talking for the first time after she got her sight back? I’m disappointed to say the least.

- I didn’t care for any other character enough to jot down my observations. They were bland, they were there to help the main couple, nothing more, nothing less. Weston’s kid brothers were cute and Rudy seemed like a normal, sane character (I applaud him for that). All I can say is the families in this novel are something else.

The romance.

Okay, let me state before anything else: I like romance if there’s balance. I like romance when the people involved are equals. I believe a relationship, and a good one at that, should have cornerstones. One of them has to be that equality. It also doesn’t hurt if none of the involved parties are assholes. The romance can be of any trope as long as the happy ending is tied to said relationship being healthy. And I don’t mean sorely the end product; the way that relationship is constructed step by step should resemble these things. If not, at least call them out for it. I’m not the advocate of perfect characters or relationships (any kind, not just romance) because that would be really unrealistic. It can be bad, yeah, it can be toxic, or a little messed up in the middle. But for crying out loud reflect that in the storytelling! Do it especially if the story is planned for a younger audience! Now let me make another statement: What I don’t like is that in mostly American YA het-romances there are rarely any of these things.

- This one here is probably supposed to be the writer’s well liked trope of hate-to-love romance, but I feel the concept of kindergarteners is more fitting. The boy forces, the girl yields. But it’s okay because he likes her and wants to help.

There are some cases of harassment sprinkled in, as in one party objecting the other’s closeness or presence and the latter not giving a damn about this. Real respectful; but, hey, that’s part of consent too so I guess it simply flew over our heads in this particular story. A fresh and original concept on romance, wholesome and healthy. And the thing is, Weston actually knows these things. He literally says so in the book, “...until I intruded on Tessa’s life, however it happened.”

And of course Tessa is more pure than fresh snow on white lillies; she’s basically a lotus. Weston is the first boy stepping into her room. Give me a second to freak out about that. It’s so exciting! (Mostly by knowing the circumstances in which he did that.)

The other thing that annoyed me was Weston’s entitlement and holier-than-thou attitude. He knows everything better than Tessa. He knows Tessa better than she herself does WHEN HE DOESN’T EVEN KNOW THE FIRST THING ABOUT HER. That’s the moral of the story. No, but I’m not kidding, some of his thoughts set me on fire. “She wrote about sunlight and oceans and falling in love, when I’m pretty sure she has no idea what it feels like to fall in love.” I’m sorry, but do you know Tessa? (besides stalking her via the grandparents)???? The audacity, I’m cackling.

- Can someone tell me why Tessa speaks with Weston if she doesn’t want to? I mean besides that this way the story can go on. She actually starts their conversation on the second day. Me, personally, don’t talk to people whose presence I can barely tolerate. How silly, I know.

- Weston annoys the shit put of Tessa for like five minutes but he talks to her, (for his own selfish reasons may I add––Weston, honey, if you want people not to pity you try helping blind little kids who actually want your help) and brings her flowers, and chocolate so I guess it’s reasonable that approximately four days later Tessa’s attitude shifts to comparing him to sunlight. “Weston is everything And all at once. Weston is gentle And harsh. Weston can be blindingly bright But then he can also be Delicately soft. Weston is a paradox.” – Oof girl.

- Let me tell you kids just because someone annoys or teases you and you tolerate it––that’s not the get-go to life changing love. Even though he’s the first real life boy whom you’ve ever spent casual time with. But he’s the first boy who ever showed you real attention, you say. Well then, that’s a grace girls have to accept. Or so this book and so many others try to make us believe. The sad thing is, there actually could’ve been a conflict––if one wants to write about opposites attracting each other so much––without making the story so cliched and weak.

Plot-holes.

- Maybe it’s nitpicking for some, BUT… why was Weston in his dad’s office in the first place? I never got around to the reason of that. He loiters around there once a week, that’s what the book states. Well, okay, he is there inspecting the motivational quotes collection on the wall while his father just works away. And am I supposed to believe the man is all cool with this? What is Weston doing there? For what reason? The answer is easy: he simply had to hear the phone call of Tessa’s grandfather retracting the ad.

- Now why does his father–the owner of the newspaper–accept calls regarding ads in the first place? Is this really how things work? Other employees do nothing? I’ve worked at a small printing company in the past. The management only accepted calls regarding ads if there wasn’t a single soul anywhere near the perimeter of the office. There’s a department for jobs like this. Bosses don’t qualify.

- About the already mentioned beautiful first meeting, where sparks fly, and the lovely couple can roll off a great start... If Tessa didn’t want to meet anyone why didn’t she lock her door? That’s a pretty easy task. At first I thought maybe there’s no lock on the door. But wait; after the disastrous meeting she locks herself away. “The door is locked, and Grandma has stopped trying to open it.” Sooo there was a lock after all…...okay…….

- Why is almost everyone in this book freckled with blonde hair and blue eyes? Okay, this really is just nitpicking, but like, is there some symbolism in that? *bounces eyebrows* Ehem, if you know what I mean.

- I’m not sure if this is an actual plot-hole but I was really surprised by the lack of anxiety Weston’s approach triggered in Tessa. Essentially, Weston is a stranger at the start of the book, with whom she gets locked into a room, without anyone else in there, when she’s still adjusting to the fact she can’t see. I especially looked out for it; Weston closes her door every time he’s over at their house to speak with her. I mean the first time she’s angry; but what about later? She doesn’t even seem nervous or affected by this at a time when her blindness is still fresh. Yet, when they go to Barnes & Noble, a public space with people around, Tessa is anxious the minute Weston leaves for a bathroom break. Like okay, some strange dude tries to pick her up and she’s rightfully terrified, but all she has to do is call out. Now both of these scenes are pressuring and scary, but where’s the difference? Tessa is nervous when the stranger approaches her in the book store, a big and open space with people around even before said stranger tries to initiate skinship. She tells him to leave her alone. But she did just that when Weston first went to see her. And Weston didn’t give a shit about it, much like the high schooler at the book store. And I’m supposed to believe with Weston she wasn’t apprehensive at all? Of course she wasn’t… he’s the love interest.

The whole book store scene makes me so uncomfortable and NOT because of what you’d think. It’s simply distasteful to create a scenario like that only to draw it back to… yes, you guessed it, Weston. He’s the saviour sweeping Tessa off her feet with “Get your hands off my girl” and chasing away that jerk. Why is it that still, in the year of *looks at smudged handwriting on hand* sometime past the 1890s there’s the need to use The Jerk™ hitting on the girl and The Nice Guy™ saving her by making her seem like his property? Oh did I forgot to mention the jerk smelled like cigarettes, and his pants were falling off his ass. I’m surprised he wasn’t wearing a leather jacket or had piercings just to fit the look to a T. That usage of my girl ...ugrghgh I can already feel white hairs sprouting from this. Look, I’m not against the idea of belonging to your beloved. If you want to say it, cool, do it. But when it’s not consensual, and you’re not a couple who already expressed to one another the wish to be viewed that way maybe DON’T FUCKING USE IT. Not to one up another guy trying scare the baddie away. Man, don’t do that. *channelling my inner LE to rap the last line really loud* What’s even better than this? Tessa’s reaction: “Despite the gravity of the situation, I can’t help but smile and get butterflies all over again.” REALLY???? Please donate braincells to this girl. She really needs it.

The dynamic of relationships.

- This is mind bogging for me. Almost all relations (excluding the most fundamental ones) serve a sole reason: cheer on and make the main couple happen. This book is promoted as a love story, one, not limited to romance. It’s a love story of family bonds, love between brothers, and grandparents, and friends. And that’s true for Weston… but for Tessa??? I don’t think so. But maybe that stems from how underdeveloped Tessa’s character is.

- The main couple’s dynamic is so stilted. Weston basically caused the state he is in, Tessa suffered an accident caused by outer circumstances. She’s the victim of a drunk driver, while quite frankly, Weston’s the victim of his own stupidity. And yet, since Weston decided to fight for himself he expects Tessa to do the same. Now that’s a nice thought, even if it’s about someone you barely know and met maybe two times in your life. Is that a reason to harass the other and tell them what to do, not taking no for an answer? I highly doubt it. Weston wanted to get better so he pressed himself, but he made that choice himself. It’s beautifully written down not once, not twice, but multiple times; how hard it was for him to choose between 1, the easy way––the flat grounded desert and 2, the hard scaling and rocky mountain range. He chose the mountain range and that’s admirable. What’s not admirable is, that from what I get from this book, Tessa never had the luxury of a choice. Because other’s never gave her time or let her decide for herself. Tessa says Weston is stubborn and obnoxiously optimistic. I think he’s just obnoxious, period.

- At the end of the book Tessa narrates how ashamed she feels and how her heart is breaking “Because of what Life has done to Weston.” For one, is Life responsible for what happened to Weston? I’d liked to read about how Weston tells the story of losing his legs to Tessa with a straight face, because all thorough the book he never once did that. To anyone. If that happened, he ought to admit how incredibly stupid he had been. As well as the consequences of his own decisions, every time he went on without saying a word or asking for help. That stubbornness is his character trait. Yes, it is, but we never get to see how that affected his family, there wasn’t one paragraph about his parents talking about it with him.

- On this note why is Tessa always so ashamed, feeling like she’s the brute, saying sorry to everyone at every chance? It’s not like others apologised to her once. This character trait only perpetuates the notion how everything others impose on her is fair trade because they only want to help. And either way, she only feels apologetic about standing up for herself.

Mentions of notable things that annoyed me.

- The judgement if a girl need makeup or not, because *banging pots and pans* she’s beautiful no matter what in the boy’s eyes. And he tells her just that. “Are you wearing makeup?” I ask, without thinking. Tessa smiles just a little. “Yeah,” she says. “Grandma helped me with it. This feels like… a special occasion.” “You don’t need it, you know. You look beautiful without it. But you look beautiful with it, too. You always look beautiful. Even when you’re crying.” Tessa really needed to know your opinion about her wearing makeup Weston. Kudos for you for telling her she doesn’t need it because she looks beautiful without it, but it’s okay to wear it as she looks beautiful with it too. Great input man!

- At this point I’m not even surprised, but there really was the girl staring at something, asking if it’s pretty. (Okay, Tessa couldn’t stare but she was probably imagining––here it’s the sundown, bc of the whole sunlight theme). Then the boy answering, “Yeah, it’s pretty.” Not as pretty as you, he thinks while staring straight at her. Hello, is this a Disney production?

Conclusion.

All in all is this the worst book ever? No. Are there unforgivable problems with it? Not explicitly.

My biggest problem is what message it sends about relationship patterns, patterns I hate with a fiery passion. It’s the same old shit I grew up with, and it’s the same old shit that doesn’t seem to change after twenty years. Not even now when,––with the help of the era of internet––everyone is suddenly so woke. But are they, really? All I saw about this novel is the raving reviews praising it to heavens. And there are themes in it that deserve praise––the acceptance of one’s self, the loss, the forgiveness, the overcoming of hardships of life––but what about all that’s left? What about the execution?

Bottom line is, because this is a book, everything gets resolved and all is happy and fine at the end. However in real life, coercing others to do things against their will isn’t a glorious idea. Disregarding consent isn’t acceptable. Helping with the stubbornness of a mule isn’t really helping. And last but not least, perpetuating a mindset and a budding relationship like the one presented in this book––for a young audience shouldn’t be okay.

#100daysofsunlight #abbie emmons

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tempest2k · 4 years

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[PAGES /2 - /84]

So, Vast Error, huh? I’m finally getting around to this thing after being aware of it for many, many years. For a long time I intended to get around to reading it, but it never seemed to happen. For last year I’ve actually been kind of avoiding it for unspecified reasons, but I’m finally ready to give it a shot, and I’m so glad I did. So far, I’m really enjoying myself. I’ve written quite a few notes, so let’s try to convert them into something professional before I pass out at my desk for the night.

Vast Error starts off as any typical fanventure would: an “enter name” gag, and an outline of our protagonist’s interests. Nothing really out of the ordinary. Wriggling days are unsignificant, and the 22nd bi-lunar perigee of the dark season's 3rd blink seems to be Arcjec’s. Oh right, his name is Arcjec Voorat. Moving on. We can tell from the Mountain Dew Code Red cans around the room that he appears to be the Repitonian equivalent of an alcoholic, assuming soda and alcohol have the same parallel on Repiton as on Alternia. So far I have no real way of knowing, but it’s safe to assume I could be wrong here. Just an interesting detail I noticed, because it makes Arcjec out to be even more of a supposed loser than he is already established to be (which I assume is the point, I don’t find his character uncompelling due to these traits).

Skorpe is a pretty obvious take on Skype, which immediately dates this comic to having started back when people still used Skype. I feel so fucking old saying that. Damn. Arcjec’s handle is animatedHumorist, which is funny because this guy seems to not be very animated unless he’s falling out a window. XDXD Also, his quirk is cringe. XDXD

On the subject of windows, some asshole throws a pebble at his. Following is a REALLY nice scrolling panel on page /28. I never get used to smooth scrolling in this art style, but I always absolutely adore it. Even early on, the tech on panels seems to be ahead of what I can imagine was its competition. Arcjec feels pretty certain he’s going to fucking die, so as all brave warriors do, he goes to hide under his desk. Unfortunately his plan is foiled when some asshole messages him. “Blue guy”, or windlessArtificer seems to want Arcjec to play a game, a trope all too common to fanvetures. We need you in the gaaaaame Arcjec. But of course he says no, as his life is in a bit of immediate danger.

It’s at this time I’d like to point out that Skorpe is a horrifying program, and I made a joke about it wanting to kill me in my notes so... maybe there’s something there. I don’t know. Let’s go back to windows, that was a fun subject.

Whoops.

Arcjec falls out of the window, and we move on to a different character. Before we do, though, we get some interesting prose here. It seems to imply that Repiton used to be a different place, or at least that Arcjec used to be in a much different situation. I’m curious how exactly Repiton was different, but it’s not as though there are a lot of clues. Perhaps the violent injustice used to be more comparable to Beforus’ civilization, rather than what appears to be a clear parallel to Alternia? I’m not really sure. Let’s be another character already. Not the blue guy though, because apparently he’s too good for us.

But there’s nothing to worry about apparently, because it’s clown time. I’m sure the audience is ecstatic, but please calm down. I haven’t even hit post yet. I haven’t even pasted the image in yet!

Ok, now you can lose your minds clapping.

That is, if clowns and wrestling are your sort of thing. This is Taz. No full name included here, but that’s alright. Another standard intro plays out, though this time more aggressive. The Merthful Messiahs we’re all so used to from Homestuck seem to be replaced by the much more present and violent Merthamaniacs. This appears to just be Repitonian wrestling, turned into a religion, complete with the violence and death provided by troll societies. Also Hulk Hogan is the twin-president usurper-equivalent on Repiton, I think. I understand what happened, I’m just not sure how to phrase it.

Not a whole lot happens here, though something very noteworthy is that the ocean is totally fucked up. Is this what that prose from earlier was referring to? The oceans are so poisoned and radioactive, that all sealife has become incredibly hostile and cannibalistic. Trolls have naturally evolved to avoid water at all costs. That’s like... a lot of worldbuilding to just casually drop? But I assume it’s going to come in handy for keeping our protagonists from cheesing their way out of predicaments.

I had some notes regarding the ferocity waver and Taz’s Skorpe handle, preniciousOverkill, but I don’t really have anything to say about the subjects. I also wrote “the clown wants to kill me, it’s like Skorpe all over again” in my notes, so if there’s any kind of running joke that would work here, please let me know.

Oh hey, a new Skorpelog. This time it’s with Murrit. I know I haven’t been introduced to him yet, but I’ve known three characters in Vast Error long before I ever started reading: Arcjec, Ellsee, and Murrit. Murrit seems pretty fun. I like how he just seems to streamroll the conversation into his favor. He also talks about that pesky game we heard about before. I smell a SBURB session, but maybe not a SBURB session because honestly anything could happen here. These tropes are all being set up, but will they be subverted? Who knows. Well, you might, if you’re reading this. Is Austin reading this? Hey Austin, how’s it going? Oh shit, sorry, no time to chat, I’ve gotta get back to this blog post.

Cool shot of Murrit. Not much to say here. The fish stuff I mentioned before is actually brought up AFTER this conversation, I kinda fucked up. Anyway, Murrit mentions something about an informant, and based on what little I know about this comic, I’m going to assume it’s the guy we see in a couple pages. Or in this case, the very next section.

Fuck is up with this dude? On the very first sound page, we see Arcjec have some kind of dream about this guy who I’m assuming is Murrit’s mentioned informant. When he wakes up, the narration says it happened “again”, implying skull guy is a regular cast member of Arcjec’s dreams. I don’t have much in the way of wrapping things up, so I’ll end with a random theory I just thought of. Is this guy related to why Repiton’s changed, assuming that’s what the prose meant? Does this guy know a guy who was responsible? Who’s to say?

This has been fun, but it’s 1:30am, and I need to get some sleep. Catch you next time.

#nukeve #vast error

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lwtq-undertale · 4 years

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I swear you will get to know how the story ends but I can't promise it'll be the way you expected it :x

So... Hey guys. I bet I surprised at least a few of you by updating this fanfic, huh? I hope you won't be too disappointed... I mean, I'm sure at least some of you saw this coming, since the fanfic has been waiting for chapter 14 for practically a year and, well, I kinda "moved on" with other stories since. Sorta.

First off: I'm not giving up. I won't orphan the fanfic on AO3, delete it along with this blog, or give up updating it at all. In fact, I will be definitely giving a few more updates, hopefully sooner rather than later. It's just that these updates... won't technically be true chapters, sadly.

I've gotten more comments as of recently, here and there, on tumblr, deviantart, AO3, asking me to continue despite the fact that, well... I tried, but I can't. Not now, at least. I think said once that I wouldn't release LWtQ's plot and leave it at that, in order not to disappoint. But... Yeah, let's say I changed my mind. LWtQ is just too hard to write, too time-consuming, too nerve-wracking. Given my current situation and the fact that I'm about to start a PhD in molecular dynamics, I'm gonna be straightforward: what I need my free time to be is anything but years-long projects that take up all of my brain cells, after said brain cells already spent the entirety of the past few days/weeks/months/years working at full power. I'm not saying working on LWtQ or Pythagorean Thoughts or The Fifth Save isn't fun anymore, far from it-- I'm just saying that it's just extremely tiring, and that my physical and mental health just can't keep up with two full-time "jobs" that require my brain to work constantly.

So... I'll try to find a middle ground here. I'll reveal my notes, but in a form that lets only those who truly seek them out will get to read them -- because, y'know. Spoilers. I'll give a link to a Google Drive folder, and this folder will contain a large bunch of documents -- and those documents will be dedicated to giving either random notes I had for the fanfic, or, more importantly, a detailed summary of what I had planned for the story, chapter by chapter. I'll try to make these summaries as enjoyable to read as possible, still! Don't expect a mere checklist of things that were supposed to happen. The thing I'd ideally like those summaries to feel like is some sort of mix between one of those plot summaries you find on wikias, and a sort-of minimalistic fanfic. So, I'll try to make the text sound at least a bit engaging, but yeah the quality of the narration obviously won't be nearly as advanced as that of LWtQ.

Anyway. Those who want to seek out the story's secrets will have little trouble reading through everything I have, while those who would rather wait just have to, y'know, not click the link. (And also, very probably, not read the comments either, because I'm 99% certain that at least some of those who read the spoilers will want to talk about what happens. So be careful around the comment section from now on, just in case.)

Once again, the fact that I'm releasing those notes doesn't mean that the fanfic is abandoned for good. However... Hopefully it means I can relax a bit and feel less guilty upon extending the hiatus and ignoring the comments, until finally I can afford to continue this story for real. By the way, I am SO sorry for ignoring you if you were one of those readers who commented during the last few weeks/months. I just... I have a hard time handling the situation right now-- not just the fanfic, just pretty much everything that happens in my life to be entirely honest. With that, the guilt of disappointing, and the fact that I hate repeating myself, that's pretty much why I just... kinda didn't have the courage to answer you, I guess. Even though I make a point of never copy-pasting my messages when I'm talking to one person individually, just saying "hiatus" over and over feels like I'd be doing it anyway.

So with all that said... I'm sorry. For now, you may or may not know that I'm "rather" productive with that Hollow Knight comic/ask blog I've been running since June... It's kinda the only thing that keeps me sane right now because it's much easier to make, it's funny, it's a story that directly interacts with its readers, and it doesn't take ages to update, for once (at least until those darn readers started sending me encrypted messages in Morse code for whatever reason. Typical u_u). I guess that's why I have much less trouble working on it while working on LWtQ is so hard, despite the fact that I love both plots equally -- or even, I guess I kinda prefer LWtQ's plot, to be honest... It's more refined and complex and dives deeper into stuff. And the threat/stakes are much higher, too.

Anyway. If you've waited for long enough... Here's the link to this hellish pandora box that is my brain notes regarding this story.

>> Open the Spoilers Box <<

And now that this is out of the way... Here's how things will go from now on. So far, the only docs available in this folder are the beginning of chapter 14, as I was able to write it so far; the "first part" of the LWtQ script, which contains a summary of chapters 14 to 17; and, an extra doc that lists Dawn's online friends and is just really a list of random facts about them. In the future, I will update this fanfic regularly in order to let you know when other parts of the script are done, and a new doc that contains the summary for the next few chapters will be added to the folder. I initially planned to release the entire thing all at once, but... Hopefully you'll soon understand why I couldn't really do that, and why it probably wouldn't have been a good idea either way. Even a summarized version of LWtQ is gonna be one hell of a mess to write, and it'd be even more painful to read if I just released everything at once.

So... Just giving you a heads up for what's coming. I also have in the works, but haven't revealed yet : - The summary for the next chapters up until the end of the fanfic - An overly detailed doc dedicated to just LWtQ's backstory, which will only be revealed once I'm done with the summaries - A graph which summarizes LWtQ's timeline, because obviously time travel shenanigans tend to make things confusing. It includes the backstory mentioned above and therefore will only be revealed alongside it.

Oh, and... I know chapter 14 isn't finished, but just in case you wanted to read some fanfic stuff today, then I hope I can at least entertain you a bit with what I've already written of it.

#lwtq #lwtq fic

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